Tag: regina-hall

  • Regina Hall, Zoe Renee, and Mariama Diallo Talk ‘Master’

    Regina Hall in Master
    Regina Hall in Prime Video’s ‘Master.’ Photo: Courtesy of Amazon Studios © Amazon Content Services LLC.

    Premiering on Prime Video beginning March 18th is the new thriller ‘Master,’ which marks the feature film directorial debut for writer/director Mariama Diallo.

    The movie stars Regina Hall (‘Girls Trip’) as Gail Bishop, a professor at a prominent New England university that is rumored to be haunted. As Jasmine Moore (Zoe Renee) begins her freshman year, she starts to experience super natural encounters and fears for her life. Gail tries to help Jasmine, but also must navigate through an educational institution that is hiding secrets of its own.

    Moviefone recently had the opportunity to speak with writer and director Mariama Diallo, and actresses Regina Hall and Zoe Renee about their work on ‘Master.’

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    You can read the full transcript below or watch a video of the interview in the player above.

    Moviefone: To begin with, Mariama, can you talk about developing the idea for the screenplay, and the themes that you wanted to explore with this project?

    Mariama Diallo: So, ‘Master’ came to me in pieces, but the title was actually the first thing that came to me, and I was really interested in the word “master.” It felt very full and very powerful, and I loved all of the additional meanings. I’m a big fan of ‘The Master,’ but if you ask me, we have the better title because it’s so multifaceted. You can master as an action. There’s obviously, in America, there’s the historical meaning of a master as tied to slavery. Then, there’s the academic meaning. There’s the meaning as it applies to Gail.

    So, I just found it to be really spiky and sharp, and I was really interested in it. Then from there, I started to think of the character of Gail and what it would mean for a Black woman to be placed in that kind of situation, and how would she’d respond or try to deal with it. Then, Jasmine came next, thinking about this almost fun house, mirror reflection of Gail’s younger self and the generational differences between them, and how Jasmine responds to being in a space like Ancaster.

    So, it just kept on growing outwards and pulling in more and more characters and more of the world. Then, the themes really came along with it because I think that they’re part and parcel of my own experience, perspective and observations, so they had to be part of the film. Whether it’s the hypocrisy that we see amongst some of the others in the institution, or the death by a thousand cuts that Jasmine and also Gail endure from these small kinds of micro-aggressions from their peers.

    Those are all things that definitely factor largely into my own life and my own thoughts and perspectives. So, what I really loved about the process of making this film is how I pulled in a lot from a lot of different facets of my life.

    MF: Regina, can you talk about your character and your approach to playing her?

    Regina Hall: I thought Gail was really incredibly interesting, having to take on the position of the master for the first time, what that would mean for her. But then, what does it really mean? Really examining, are you being used for something, you know what I mean? Are you being used, or are you useful? I mean, whatever terms those are. I think just being able to talk about the character with Mariama, the beauty of rehearsal, reading it over and over and just discovering what is the meaning behind that, behind the line.

    I think, working opposite Zoe and such incredible young talent, there was so much room for discovery to see a woman experiencing all that she had, but then watching this new class. There’s such hope, and then such sadness and such loss of many things. There’s loss of a dream, loss of life, and then, the discovery of what you have lost. But it’s also really bright in the beginning. It’s amazing to get what you’ve hoped for, and then everything that comes with that.

    Zoe Renee stars in Master
    Zoe Renee stars in ‘Master.’ Photo: Linda Kallerus © Amazon Content Services LLC.

    MF: Finally, Zoe, what has this  experience been like for you and what was it like making this movie with Mariama and Regina?

    Zoe Renee: It was great. I mean, really from start to finish, we have such a beautiful team; the casting process to the shooting process, to the prep process to now. I’m doing a lot of things for the first time, and I have to say that I’m really enjoying myself and I have been. It’s been an amazing journey. We’ve been through so much together, including a whole pandemic. They’ve really been so great and gracious, and I’m so grateful to be a part of it.

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  • Oscars 2022: Amy Schumer, Wanda Sykes, Regina Hall to Host

    (L to R) Wanda Sykes, Regina Hall, and Amy Schumer to Host the 2022 Academy Awards.
    (L to R) Wanda Sykes, Regina Hall, and Amy Schumer to Host the 2022 Academy Awards.

    Looking to return to a more normal state of affairs for this year’s Oscar ceremony, 2022 producer Will Packer has decided to return to having a host. Or in this case, three, as Amy Schumer, Wanda Sykes, and Regina Hall will take the job.

    Packer, who has produced movies including ‘Girls Trip’ (which starred Hall), ‘Think Like A Man’, ‘Ride Along’ and many more, is the primary producer for this year’s show, and according to Variety, he’d been considering different options for hosts, including rotating between different pairs of presenters each hour of the ceremony. He has, apparently, now decided on just the three.

    While even the single-host format isn’t a guarantee of quality, the multiple host idea has been fraught with problems (everyone remembers James Franco and Anne Hathaway), so you must wonder what the current trio will bring to the ceremony.

    The actresses, who are not normally known for presenting, do at least have a lot of stand-up experience (Sykes and Schumer), and long, healthy acting resumes (Hall particularly), but the big challenge comes when you must be both funny and keep the show moving at a decent speed (so it doesn’t end up as 17 hours). Hopefully they’ll have the chance to write some of their own material, too.

    While there had been some chatter about Tom Holland being asked to host, Variety has heard that Jon Hamm was a recent contender, but dropped out at the weekend. As of right now, the choice is still technically a rumor, but we can expect a formal announcement on Tuesday’s ‘Good Morning America’.

    Jon Hamm Receiving an Emmy for his work on 'Mad Men.'
    Jon Hamm Receiving an Emmy for his work on ‘Mad Men.’

    Following 2021’s pandemic-impacted ceremony at Los Angeles’ Union Station, this year’s event will be back at the Dolby Theater in Hollywood and at full capacity. There has been some controversy over the Academy’s decision to require negative Covid tests over vaccine proof, especially given the Academy itself insists its employees are vaccinated.

    And that’s not the only difference this year. The Oscars are going the public vote route in a big way, looking to engage audiences (especially given last year’s lackluster viewing figures). In a move that sounds more American Idol than Academy awards, we’ll all get a chance to vote in a couple of categories outside of the main ballot.

    You can vote for your “Favorite Movie” and “Movie Cheer moment” on twitter using the hashtags #OscarsFanFavorite, #OscarsCheerMoment and #Sweepstakes, or at the Academy Website. You’ll be entered into the sweepstakes, which offer a chance to attend next year’s event and win other prizes.

    Cue hordes of fans supporting ‘Spider-Man: No Way Home’ or ‘Malignant’, though we’re not sure we’ll see ‘Peter Rabbit 2: The Runaway’ making a triumphant return to audience hearts.

    The 2022 Academy Awards will happen on Sunday, March 27th. Our guide to the Oscar nominees can be found here.

    Oscars Logo Courtesy of the Academy of Motion Picture Arts and Sciences
    Oscars Logo Courtesy of the Academy of Motion Picture Arts and Sciences
  • Eight Great Summer Vacation Movies

    Eight Great Summer Vacation Movies

    Meatballs

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    Sometimes overlooked in favor of other “slobs vs. snobs” comedy classics from the same era, like Animal House and Caddyshack, this was Bill Murray’s first starring role, and the feature directorial debut for Ivan Reitman. Murray stars as Tripper, head counselor at Camp North Star, a bargain-basement summer camp in Ontario. Murray takes the lonely Rudy (Chris Makepeace) under his wing while still overseeing a group of oddball counselors-in-training as they have their own romances, pull pranks on the camp’s director, and take on wealthy Camp Mohawk in a yearly tournament. It’s ultimately a sweet story, without ever getting quite as crass as some of the era’s other films starring Saturday Night Live alumni. ‘Meatballs’ would turn out to be hugely successful, spawning three mostly unrelated sequels and countless knockoffs.


    Wet Hot American Summer

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    If ‘Meatballs’ saw plenty of lesser imitations, ‘The State’ alumni David Wain and Michael Showalter stepped up with a satirical take on summer camp movies. Although it bombed at the box office, it’s since become a cult classic, spawning two series on Netflix (one prequel and one sequel). There’s an amazing cast here, including Bradley Cooper, Paul Rudd, Elizabeth Banks, Amy Poehler, Judah Friedlander, Janeane Garofalo, Christopher Meloni, and David Hyde Pierce, plus other alumni from ‘The State,’ such as Ken Marino, Michael Ian Black, and Joe Lo Truglio. There’s a plot here about the camp putting on a talent show, counselors in love, and a falling piece of Skylab that threatens everyone’s lives, but it’s really just an excuse to see some stars and future stars show off some great comic chops.


    Dirty Dancing

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    For those that haven’t gotten around to seeing this classic, it’s easy to write off ‘Dirty Dancing’ as sappy romance. But that would be wrong. It’s an emotionally satisfying coming-of-age story about Frances “Baby” Houseman (Jennifer Grey) and her steamy summer romance with dancer Johnny (Patrick Swayze). The dancing is terrific, Grey and Swayze have terrific chemistry. Written by Eleanor Bergstein and based on her own summer trips to the Catskills, Baby’s adventure starts because she and her family are taking a summer vacation at Kellerman’s a tony resort. Baby sees hints of classism between some of the staff, and she finds herself drawn more to the working class staffers instead of the Ivy League-bound waiters. The film subversively gives Baby agency, letting her pick her own friends and make her own choices in her sex life; she has a summer fling with a sexy dancer and isn’t punished by fate for it. That was fairly groundbreaking in 1987, and is (sadly) might still be considered unusual in some corners even now.


    National Lampoon’s Vacation

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    This is another film that started a franchise, but the original version is still the best. Based on screenwriter John Hughes’ own National Lampoon story about a disastrous road trip, the movie focuses on the Griswold’s drive from Chicago to California for a visit to a thinly-veiled version of Disneyland called “Wally World.” Chevy Chase puts in a legendary turn as Clark, the increasingly obsessive patriarch of the Griswold clan. Clark is going to have a great road trip with his family whether they like it or not, and if he becomes Ahab in a station wagon, then so be it. Beverly D’Angelo hits just the right notes as Clark’s wife Ellen, as does Anthony Michael Hall and Dana Barron as their children Rusty and Audrey. Chase and D’Angelo would return for sequels, and it became a running joke that Rusty and Audrey would be recast in every subsequent film. This first adventure sees car trouble in the desert, an unwanted passenger, a temptress in a Ferrari, and a visit with Cousin Eddy (a reminder of when Randy Quaid was funny). It’s filled with laughs, but it will definitely make you think twice about future family road trips.


    Sisterhood of the Traveling Pants

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    Based on the best-selling YA novel by Ann Brashares, this is the story of four teen girls, best friends since childhood, who are about to spend their first summer apart. But before three of them leave town, the quartet go shopping and find a pair of jeans that magically fit each one of them. The four decide that they’ll share the pants for the summer, and while each of them have these mysterious jeans in their possession, their individual summers are upended. Blake Lively, America Ferrara, Alexis Bledel, and Amber Tamblyn play Bridget, Carmen, Lena, and Tibby (respectively). The movie captures the charm of the novel, in no small part because of the charisma and chemistry of the stars, and it’s ultimately a heartwarming tale about female friendships and the bonds young women make that can last a lifetime.


    Girls Trip

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    The annual Essence Music Fest takes place in New Orleans every 4th of July, and that’s the backdrop for Ryan Pierce’s (Regina Hall) attempt to reunite with three of her friends from college. Pierce is a bestselling author and lifestyle guru, poised to be “the next Oprah.” She’s scheduled to speak at the festival, so she invites her college friends to join her, in the hopes of rekindling their friendships. These other three have lives of their own now; Sasha (Queen Latifah) is a celebrity gossip blogger, Lisa (Jada Pinkett Smith) is a working single mother, and Dina (Tiffany Haddish) is still party-girl Dina, all these years later. These four actors are great together, but Tiffany Haddish is a revelation here, stealing the movie and never giving it back. The film isn’t afraid to remind us that women can and do party hard, but it doesn’t lose sight of these friends repairing burned bridges and reaffirming their love for each other.


    Barb and Star Go to Vista Del Mar

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    One of the casualties of quarantine is that this film didn’t get a proper theatrical release. That’s a shame, because as funny as this movie is, it would have been even more side-splitting with a big audience. Make no mistake, this movie is straight up bananas from beginning to end. Kristen Wiig and Annie Mumolo wrote the script and star as Star and Barb, two middle-aged best friends that talk a bit too much, they can be both clueless and timid, but once they hit Vista Del Mar, the movie all but explodes into mayhem. To describe too much would be to take away some of the stunningly insane jokes packed wall-to-wall across the entire film. But suffice to say you may never look at Jamie Dornan the same way again.


    The Endless Summer

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    This is one of the first and probably still the best surf movie ever made. Director Bruce Brown follows two surfers, Robert August and Mike Hynson, as they leave Southern California and travel to surf spots around the world, including South Africa, Ghana, Nigeria, Tahiti, Senegal, New Zealand, Hawaii, and Australia. Brown’s breezy narration is a far cry from the stiffer voices heard in most documentaries at the time, and it lends an inviting tone to the gorgeous cinematography of the both surf action and the local landscapes. This documentary might help non-surfers understand the appeal of surfing more than any other film ever made, and the idea of an “endless summer” means its welcome on any day of the calendar year.

  • Ms. Moviefone and the Cast of ‘Shaft’ Are Just Talking About Shaft (Can You Dig It?)

    Ms. Moviefone and the Cast of ‘Shaft’ Are Just Talking About Shaft (Can You Dig It?)

    The Oscar-winning theme song to “Shaft” is is a bad mother–shut your mouth. Our very own Ms. Moviefone definitely couldn’t get it out of her head while watching the newest film in the franchise from director Tim Story, so she  celebrated the iconic jam with Story and stars Samuel L. Jackson, Richard Roundtree, Jessie Usher, Regina Hall, and Alexandra Shipp. 

    Enjoy the latest episode of The Ms. Moviefone Show below and see “Shaft” in theaters now!

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  • Allison Janney, Regina Hall, Mila Kunis, Awkafina to Star in ‘Breaking News In Yuba County’

    Allison Janney, Regina Hall, Mila Kunis, Awkafina to Star in ‘Breaking News In Yuba County’

    Allison Janney; Regina Hall; Mila Kunis; Awkwafina
    Amazon Studios; Magnolia Pictures; Lionsgate; Warner Bros. Pictures

    The upcoming comedy-drama “Breaking News in Yuba County” has no lack of starpower.

    Many of the film’s stars have been revealed, and among them are Allison Janney, Regina Hall, Mila Kunis, Awkwafina, and Samira WileyDeadline reports. They’ve boarded the project from “The Help” director Tate Taylor, and still more big names are likely to join. Wanda Sykes, Juliette Lewis, Keong Sim, Bridget Everett, and Jimmi Simpson are all reportedly in advanced talks.

    Taylor is directing from a script by Amanda Idoko. The story centers on a pencil pusher played by Janney who catches her cheating husband in the act. When the shock of it causes him to go into cardiac arrest and die, she hides the body. Having a “missing” husband apparently has its perks at first, but she finds it increasingly difficult to keep up the lie as her news anchor half-sister (Kunis) and a local detective (Hall) try to find the truth.

    Janney won an Academy Award for her role “I, Tonya” and recently starred in “Troop Zero,” and Hall’s recent films include “Little,” “The Hate U Give,” and “Support the Girls.” Kunis comes off of “The Spy Who Dumped Me,” while Awkwafina recently starred in “Crazy Rich Asians.” Meanwhile, Wiley is an Emmy winner for her role in Hulu’s “The Handmaid’s Tale.”

    “Breaking News in Yuba County” is slated to start shooting in Mississippi in June. AGC Studios is fully financing the film and will handle overseas sales. Producers include Wyolah Films, Nine Stories, John Norris, and The Black List.

    [via: Deadline]

  • ‘Black Panther’ Named Best of 2018 By African-American Film Critics

    ‘Black Panther’ Named Best of 2018 By African-American Film Critics

    Marvel

    Naming “Black Panther” as the best film of the year was a “no-brainer” African-American Film Critics’ Association co-founder Shawn Edwards said today in a statement.

    “Beyond its tremendous reviews and historic box office performance, the film changed the culture and became a defining moment for Black America. … Many have waited a lifetime for a moment like this and ‘Black Panther’ delivered with a multi-generational appeal never before seen.”

    The film also earned Best Director for Ryan Coogler and Best Song for Kendrick Lamar and SZA’s “All the Stars.”

    (Sorry, no love for “Creed II,” which Coogler produced but didn’t direct, or its star, Michael B. Jordan, who won AAFCA’s Breakout Performance in 2015 for the first film.)

    The Hate U Give,” “If Beale St. Could Talk,” and “BlacKkKlansman” scored two prizes each.

    “Beale Street”‘s Regina King (who’s racking up kudos across the board this season) Won Best Actress and the movie (directed by Barry Jenkins) won Best Independent Film. Spike Lee‘s “BlacKkKlansman” won Best Screenplay and Best Actor for John David Washington, the son of frequent Lee collaborator Denzel Washington.

    And Regina Hall (who was also nominated by the Gotham Awards and the Independent Spirit Awards) was named Best Actress for “Support the Girls.”

    “AAFCA’s Top 10 marks the first time so many films by or about black identity have made our list, presenting storylines that reflect the diversity that lives within the black community,” AAFCA president Gil Robertson said in a statement.

    AAFCA’s awards ceremony will take place on Feb. 6, 2019 at the Taglyan Complex in Los Angeles.

    Last year, the group’s winners included “Get Out,” “Mudbound” and Tiffany Haddish in “Girls Trip.”

    Here are all the winners:
    Best Film: “Black Panther”
    Best Director: Ryan Coogler (“Black Panther”)
    Best Screenplay: Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee (“BlacKkKlansman”)
    Best Actor: John David Washington (“BlacKkKlansman”)
    Best Actress: Regina Hall (“Support the Girls”)
    Best Supporting Actor: Russell Hornsby (“The Hate U Give” )
    Best Supporting Actress: Regina King (“If Beale Street Could Talk”)
    Best Breakout Performance: Amandla Stenberg (“The Hate U Give” )
    Best Animated Film: “Spider-Man: Into the Spider-Verse
    Best Independent Film: “If Beale Street Could Talk”
    Best Foreign Film: “Roma”
    Best Documentary: “Quincy
    Best Song: “All The Stars” (“Black Panther”)
    Best New Media: Red Table Talk
    Best TV Drama: “Queen Sugar”
    Best TV Comedy: “Insecure”

    AAFCA’s Top Ten List:
    “Black Panther”
    “If Beale Street Could Talk”
    “The Hate U Give”
    “A Star is Born”
    “Quincy”
    “Roma”
    “Blindspotting”
    “The Favourite”
    “Sorry to Bother You”
    “Widows”

    [Via THR]

  • First Trailer for Showtime’s ‘Black Monday’ Is So Old School (And So NSFW)

    First Trailer for Showtime’s ‘Black Monday’ Is So Old School (And So NSFW)

    Showtime

    We are pumped for “Black Monday,” a limited comedy series about the infamous stock market crash of October 1987.

    Especially since it means Don Cheadle rocking a wig, gold chains, and declaring, “I am black Moses and I am going to put the ‘brother’ in Lehman Brothers.”

    The trailer opens with a circa-1987 Showtime logo and features plenty of cassette tapes, cocaine, and brick-sized mobile phones.

    If you’re at work, plug in those headphones before watching the trailer, set to Lil Wayne’s f-bomb-dropping tune “Uproar.”

    Per Showtime, it’s “the fictional story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world’s largest financial system, a Lamborghini limousine and the glass ceiling.”

    Regina Hall (“Girls Trip“) and Andrew Rannells (“Girls”) costar, with guests including Bruce Dern, Horatio Sanz, and Ken Marino.

    The 10-episode series is executive-produced by Seth Rogen and Evan Goldberg, who also directed the pilot. It’s from creators David Caspe (“Happy Endings”) and Jordan Cahan (“My Best Friend’s Girl”), who will serve as executive producers and showrunners,

    Look for it on January 20, 2019.

    [Via Rolling Stone, Collider]