Tag: jj-abrams

  • Everything We Learned About ‘Star Wars: Episode IX’ from the Star Wars Celebration Panel

    Everything We Learned About ‘Star Wars: Episode IX’ from the Star Wars Celebration Panel

    Lucasfilm

    Earlier today, at Star Wars Celebration in Chicago, we were served a deep-dish slice of brand new details about the highly-anticipated sequel, one that supposedly closes out the Skywalker “saga” films for good. The lively Episode IX panel, hosted by none other than Stephen Colbert (who has been a fan “three weeks longer than any of you,” thanks to him attending an early screening of the original film back in 1977), featured co-writer/director J.J. Abrams, producer Kathleen Kennedy, and stars Anthony Daniels, Daisy Ridley, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, Billy Dee Williams and new kid on the block Naomi Ackie (more on her in a minute). It was conversational and fun and we learned a lot about the new movie, including …

    (We should probably propose a mild spoiler warning to those who want to go into “Episode IX” completely free of knowledge.)

    The Title of the Movie

    At the very end of the panel, the trailer for the movie ran (a very, very good trailer that you have undoubtedly watched 10,000 times already) and at the end of that trailer, words we had never seen before appeared: “Star Wars: The Rise of Skywalker.” What that means, exactly, is somewhat unclear. Kylo Ren (Adam Driver, a no-show today) is obviously a Skywakler but an intriguing fan theory has already emerged: that Skywalker is the new name for anyone who does good with their Force connectivity. After all, Luke was the last Jedi, but something always rises in its place. Something … like Skywalker.

    The Emperor is Back

    The insidious laugh at the end of the trailer belongs to none other than Emperor Palpatine, the big bad of the original trilogy and the titular “Phantom Menace” of the prequels. He is once again played by English actor Ian McDiarmid, who was on hand at Celebration to inform the control booth to run the trailer “one more time.” It’s fascinating that McDiarmid has played the character in so many formats for so many years (he’s now 74), when the character was originally visualized thanks to the help of a woman in heavy prosthetic make-up and a chimpanzee. (Seriously, look it up.)

    Lucasfilm

    The Movie Had to Be About Many Things

    Before the cast even took to the stage, Abrams said how important the movie was, on a number of levels. “This movie, in addition to being the end of three trilogy, it has to work as its own movie,” Abrams explained to Colbert (and the thousands of audience members in attendance). “That’s been part of the fun of it, part of the challenge of it. But it’s about this new generation and what they’ve inherited, as they face the greatest evil, are they prepared? It’s amazing to look at this thing George created and bring it to a close.” When the trailer ran, everything he was alluding to became somewhat clearer, as our new characters are left to deal with unresolved issues, the hollowed-out remains of the Death Star (don’t know which one yet) and, of course, the Emperor.

    Lucasfilm

    The Use of Carrie Fisher Material Was Emotional for Everyone

    Abrams, who is deep into the editing process of the movie (Christmas will be here before you know it, pal!), spoke about the use of Carrie Fisher footage that was shot for “The Force Awakens,” never used, and is being incorporated into the new movie to finish Princess (General?) Leia’s arc. (You can see some of this footage in the trailer.) “The crazy thing is, I say this emotionally, every day it hits me that she’s not here but it’s so surreal because we’re working with her still. She’s in scenes,” Abrams said. “And the craziest part is how not crazy it feels. She’s there in these scenes, in some scenes with her daughter. Princess Leia lives in this film in a way that is mind-blowing to me.”

    Things Don’t Pick Up Right Where They Left Off

    The time between “The Force Awakens” and “The Last Jedi” is relatively short; Finn doesn’t even wake up from the wounds he suffered at the end of the first movie until after the big introductory set piece. But that isn’t the case this time around. Abrams revealed that “the movie doesn’t pick up immediately after.” This sentiment was echoed by Daisy Ridley later in the panel. There seems to have been an evolution, or at least a maturation, between the movies, which is pretty exciting.

    Lucasfilm

    The Gang’s Together This Time

    One of the more shocking things about re-watching “The Last Jedi” is the scene at the end when Poe (one of the main characters of the so-called “sequel trilogy”) introduces himself to Rey. They only meet at the very end of the second movie! That’s insane. Happily, Abrams said that the new film can be described as “an adventure that the group goes on together.” Whew!

    Anthony Daniels’ Book Title Got Rejected

    The uncontested star of the first part of the panel was undoubtedly Anthony Daniels, who was clearly having the time of his life holding court in front of such a large audience. At one point he started talking about his new memoir, which will be unveiled tomorrow, and how the original title of the memoir was rejected by his publisher. The name he proposed, he said? “Telling the Odds.”

    Lucasfilm

    Billy Dee Never Left

    It was a hoot to see Billy Dee Williams, just as smooth as ever, get up on stage and talk about his love and admiration for the cast and crew, and in particular JJ (at various times he called the filmmaker “a beautiful young man” and “extraordinary”). When Colbert asked him what it was like getting back into the Lando groove again, Williams perfectly shot back, “How did I find Lando again? Lando never left me.” Abrams then went on to describe Williams’ first day on set (“everyone went quiet”). “It was honestly an emotional thing,” Abrams said. At the end of his section of the presentation, Williams also defended Lando’s position in the original trilogy. Hilariously, he became animated, saying, “I’m sick and tired of being accused of betraying Han Solo!” He went on: “He was up against Darth Vader! He had to figure something out! Did anybody die? Nobody died! I had to prevent the complete demise of my friend and his friends.” It was truly amazing. And Williams was life: Lando never left.

    Naomi Ackie’s Character May or May Not Be Lando’s Daughter

    When introducing her new character Jannah to the “Star Wars” universe, Ackie deftly avoided saying whether or not she was Lando’s daughter, even when asked, point blank, by Colbert (apparently she helps the central characters during their journey). “Lando is a very charming man so he could have children all over the universe,” she demurred. Given that she was interviewed right after Williams and her character’s considerable amount of swag, all things point to yes on that particular paternity issue.

    Lucasfilm

    Finn is Now Fully Part of the Resistance

    John Boyega spoke about the journey of his character Finn, who started off as a Stormtrooper, became more shaded and complex in “The Last Jedi,” and is now fully on board with the Resistance. He said that, “Finn has just found he’s got his identity in the Resistance.” Part of that identity, Boyega said, was that he finally got an iconic costume. He said that when he saw his new blue pants, he exclaimed, “I’m in Star Wars!” (Again, we’re assuming.)

    Phasma is Maybe Dead Probably?

    Boyega was pretty dodgy when it came to answering questions about whether or not we’ll see a rematch with his chief antagonist, Captain Phasma. When Colbert asked if that relationship has found closure, he said, “Emotional closure, sure,” without saying whether or not she’d be returning. Reading his body language and the way he was answering his questions, either she is really dead or Boyega has gotten a lot better at evading pressing “Star Wars”-related questions.

    The Messy Love Triangle Remains

    During his section of the panel, Boyega joked that Finn is “single and ready to mingle.” Later on, he remarked that wartime is “a very distracted place to fall in love.” And during Kelly Marie Tran’s section, all she said was that Finn is “a very eligible bachelor.” So we say yes, the Jedi might be gone but the triangle remains.

    Lucasfilm

    Oscar Isaac Thinks Poe is a More Versatile Pilot Than Han

    When Colbert asked if Poe was a better pilot than Han Solo, Oscar Isaac squirmed. “There was so much goodwill a second ago,” the actor said. He then couched his answer: “No one can fly the Millennium Falcon like Han. However, Poe can literally anything.” He then joked that Poe would be “the better Uber driver.”

    Rey Has Read the Books

    At the end of “The Last Jedi,” it was revealed that Rey had stolen the sacred Jedi texts before Luke and Yoda burned down the tree that housed them. (That same kind of tree was in the backyard of a future Resistance all-star … Poe.) Ridley said that, “She may have gotten started,” noting that the long time in between movies would have given her plenty of opportunity to catch up.

    Lucasfilm

    There Will Be New Force Powers

    One of the more divisive elements of “The Last Jedi,” a movie seemingly comprised only of divisive moments, was the introduction of new or at least unseen Force powers, like the communication between Rey and Kylo Ren, Luke’s astral projection, and Leia’s deep space recovery. When Colbert asked if Rey had any new Force abilities, she kicked the question to JJ. After giving a lengthy shout-out to the movie’s unbelievable stunt team, he did acknowledged that, “Yes, there are some other things and you’ll see them soon.” Could he be referring to the superhuman jump that Rey does as Kylo’s TIE fighter tries to run her down?

    Suotamo Has a Preferred Preparation for Porg

    After a lovely appreciation of Peter Mayhew, the original actor to inhabit Chewbacca, and a cute story about his young child visiting set, Joonas Suotamo finally revealed what Chewbacca’s preferred method of porg-preparation is. “They taste best fried,” the actor said, in the most deadpan way possible.

    There’s a New Creature…

    One of the photos they showed was of Snap Wexley (Abrams’ old friend Greg Grunberg) standing next to a tall, slug-like creature named Klaude. Klaude is hilarious and adorable and we don’t know much else about him (including why might be voicing him). Abrams, at various points during the panel, stated how much of the movie he attempted to shoot on real locations with practical creatures and droids.

    Lucasfilm

    … And a New Droid!

    Another character introduced during the panel is a new droid! His name is “D-0” (pronounced “Dio”) and he kind of looks like an old timey megaphone on a unicycle. In other words: he is adorable. And he rolled out onto the stage and interacted with BB-8. The amount of Dios that are going to be under the Christmas tree this year cannot be overstated.

    “Star Wars: The Rise of Skywalker” opens in your galaxy on December 20th, 2019.

  • ‘Star Wars: Episode IX’ Trailer Is Here, Official Title Revealed

    ‘Star Wars: Episode IX’ Trailer Is Here, Official Title Revealed

    Lucasfilm

    The first teaser trailer for “Star Wars: Episode IX” just dropped at Star Wars Celebration and so did our jaws.

    It begins with Rey (Daisy Ridley) breathing heavily as she prepares to face  down a TIE fighter single-handedly in the desert.

    We also see glimpses of Kylo Ren (not shirtless, sorry!), Rey hugging Leia (the late Carrie Fisher), and the return of Lando Calrissian (Billy Dee Williams).

    Not to mention Poe (Oscar Isaac) and Finn (John Boyega) in their new Resistance outfits, as they discussed during the panel preceding the trailer reveal. And new duck-like droid D-0.

    Oh, and the small matter of the title? Although Episode 9 has been called the end of the Skywalker saga, the official title is “The Rise of Skywalker.”

    As director J.J. Abrams explained, the film finds most of the heroes back together. Some time has passed since “The Last Jedi,” so it does not pick up immediately where the last film left off.

    Lucasfilm

    “Star Wars: The Rise of Skywalker” opens December 20, 2019.

  • Julianne Moore Joins Stephen King’s ‘Lisey’s Story’

    Julianne Moore Joins Stephen King’s ‘Lisey’s Story’

    Julianne Moore in Kingsman
    20th Century Fox

    Apple has snatched up a new Stephen King adaptation, and it’s a project with several big names attached.

    Julianne Moore is set to star “Lisey’s Storey,” which just got an eight-episode, straight-to-series order, THR reports. It’s based on the King novel of the same name, and the bestselling author is on board to write the episodes himself. He, Moore, and Bad Robot’s J.J. Abrams and Ben Stephenson will serve as executive producers.

    The story is in part a romance, but it also weaves in psychological horror elements. (King is the author, after all.) It centers on Lisey Landon in the aftermath of her author husband’s death. When she becomes the target of one of his fans, she revisits her memories of her husband’s life and his demons.

    Moore’s participation in the upcoming series is uncommon. She typically sticks to movies, and in fact, her longest-running TV role in the past three decades is guest starring in six episodes of “30 Rock” between 2009 and 2013. The Academy Award winner is much better known for being in films like “Still Alice” and “The Hours.”

    King’s work, on the other hand, has been brought to both TV and movies many times over the years. Most recently, fans got the current series “Castle Rock” and “Mr. Mercedes,” which debuted in 2018 and 2017, respectively. “Lisey’s Story” will be in good company.

    [via: THR]

  • Rian Johnson Says He’s As In the Dark About ‘Star Wars: Episode IX’ As We Are

    Rian Johnson Says He’s As In the Dark About ‘Star Wars: Episode IX’ As We Are

    Lucasfilm

    Rian Johnson, who busy “chugging away” on his next “Star Wars” films, claims he doesn’t know much about “Star Wars: Episode IX,” which J.J. Abrams is directing.

    When asked by MTV News at CinemaCon if he’d seen a cut of “Episode IX” yet or read a script, Johnson answered, “I’ve had a couple of conversations with [Abrams], but I’ve actually really enjoyed sitting back, waiting to get my popcorn opening day and see how the thing turns out.”

    Is Johnson, who directed “Star Wars: The Last Jedi,” really that out of the loop? And is he actually going to have to wait for opening day to see the next “Star Wars” movie? Sounds unlikely, but it’s a good way to dodge spoilers.

    When asked specifically whether he’d mind if Abrams “retcons” Rey’s parentage (that is, upgrading them from mere nobodies), Johnson simply said, “I want to let go of all my expectations. I want to sit back. I want to be entertained. I want to be surprised. I want to be thrilled. I want him to do stuff that I wasn’t expecting him to do and just go along for the ride.”

    As for his own upcoming “Star Wars” projects, he says he’s “excited” and “can’t wait to get back into it,” but gave no specifics.

    He also gave a thumbs-up whatever “Game of Thrones” showrunners David Benioff and D.B. Weiss do with their own “Star Wars” movies. “I’m friends with Dan and David, so to see two people like them just be given the reins to go out and show us what ‘Star Wars’ is to them… for me, the most exciting stuff is pushing the limits of stuff that we haven’t seen before in ‘Star Wars.’”

    So, space dragons?

    “Star Wars: Episode IX” opens December 20. We’ll likely find out more — maybe even the official full title — at Star Wars Celebration next week.

    Meanwhile, Johnson’s next film, the star-studded mystery thriller “Knives Out,” opens this Thanksgiving.

  • ‘Star Wars: Episode IX’ Wraps Filming, J.J. Abrams Posts Emotional Cast Photo

    ‘Star Wars: Episode IX’ Wraps Filming, J.J. Abrams Posts Emotional Cast Photo

    Lucasfilm

    It’s a wrap on “Star Wars: Episode IX” — break out the tissues.

    Principal photography on the film has concluded, and to mark the occasion, director J.J. Abrams posted an emotional photo of the three lead actors: Daisy Ridley (Rey), John Boyega (Finn), and Oscar Isaac (Poe).

    They’re embracing on a desert set, with crew members seen in the background:

    Boyega also posted the photo, tweeting, “That’s a wrap on Star Wars episode 9 and the end to a chapter of my life that I couldn’t be more thankful for. What a process! It really has been a joy to be in these movies surrounded by amazing people. JJ thank you for making my dreams come true.”

    It’s a rare and precious moment, as the trio has shared very little screen time, reuniting only in the final moments of “The Last Jedi.”

    The photo should spark some theorizing online among “Star Wars” fans. What planet is this desert located on? Maybe Rey has returned to Jakku? Or perhaps they are on Tattooine?

    Of course, “Episode IX” still has a long way to go. The film will still have to complete post-production and likely some reshoots before its December 20 release date.

    And it doesn’t even have an official title yet (TELL US, ALREADY).

  • Jennifer Garner and J.J. Abrams Reunite for Apple Limited Series

    Jennifer Garner and J.J. Abrams Reunite for Apple Limited Series

    HBO

    Yet another star-studded project is heading to Apple’s upcoming streaming service, and it features the reunion of one of our favorite TV pairings.

    Jennifer Garner is re-teaming with her “Alias” creator, J.J. Abrams, for a new limited series for Apple. Variety reports that the project is called “My Glory Was I Had Such Friends,” based on the 2017 memoir of the same name by Amy Silverstein, and “follows a group of women who supported Silverstein as she waited for a second life-saving heart transplant.”

    Garner is set to star, and Abrams will produce through his Bad Robot banner, in conjunction with Warner Bros. Television. Karen Croner (“Admission,” “One True Thing”) is writing and producing the adaptation, and previously adapted “The Tribes of Palos Verdes,” which also starred Garner. Silverstein will also serve as a producer.

    Though the circumstances surrounding the launch of Apple’s streaming service are still up in the air, that hasn’t stopped the tech giant from acquiring some top-tier talent. Other projects in the works include a morning show drama starring Reese WitherspoonJennifer Aniston, and Steve Carell; a fantasy series featuring Jason Momoa; a Chris Evans crime drama; and new work from Damien Chazelle, M. Night Shyamalan, and the goddess of TV herself, Oprah.

    No word yet on when or how we’ll see all this content. Stay tuned.

    [via: Variety]

  • 9 Movies You Should See Over Thanksgiving Break

    9 Movies You Should See Over Thanksgiving Break

    In terms of the winter movie cycle, Thanksgiving is a great time to get caught up.

    You have a couple of days off, are probably stuffed with, er, stuffing, and want to be prepared for the Christmas movie onslaught that is just around the corner, when both Mary Poppins and Spider-Man will be vying for your attention (amongst many, many others). So we’ve prepared a handy viewing guide for the Thanksgiving break, for when you want to escape to the theater with your loved ones, or leave them behind while they digest their turkey and watch whatever football game is on. And don’t worry, if you want to watch Netflix instead, we’ve got that covered, too.

    Fantastic Beasts: The Crimes of Grindelwald

    Warner Bros/Wizarding World

    Remember “Fantastic Beasts and Where to Find Them,” 2016’s ambitious but somewhat confusing fantasy romp that was supposed to serve as an extension of the lucrative Warner Bros. franchise but instead was kind of just huh? Well, they made another one! And this one is much better.

    With Newt Scamander (Eddie Redmayne, again) dispatched to Paris to track down the powerful Credence (Ezra Miller) and foil the plot of villainous wizard Gellert Grindelwald (Johnny Depp), the movie adds some international intrigue, a more admissibly knotty plot and, thanks to an appearance by sexy young Albus Dumbledore (Jude Law), some concrete connections between the various strands of this franchise. Just be warned — before you pile the family into the station wagon, it might be a good idea to re-watch the first movie. Consider that your magic spell for understanding “Fantastic Beasts: The Crimes of Grindelwald.”

    Widows

    Fox

    Given the pedigree, it’s very clear that “Widows” isn’t your run-of-the-mill thriller. Based on a British prime time series from 1983, it concerns a group of women (among them: Viola Davis, Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo) who are forced into a sticky situation when their criminal husbands are killed in a heist-gone-wrong.

    Directed by Academy Award-winner Steve McQueen and co-written by Gillian Flynn (who wrote “Gone Girl” and “Sharp Objects”), this is a movie that thrills on both an intellectual and visceral level. “Ocean’s 8” it is not.

    The Favourite

    Fox

    This is the time of year when the studios unleash their stuffy period movies and, yes, there are even a few of those this year. But “The Favourite” is not one of them.

    Rambunctious, sexy, and unpredictable, it’s the antithesis of every boring costume drama that they throw Oscars at with willful abandon. This is electrically alive in a way few films, period or otherwise, ever are, anchored by a trio of brilliant female performers (Olivia Colman, Emma Stone and Rachel Weisz) and some of the finest direction this year (courtesy of Greek genius Yorgos Lanthimos). Set during the reign of Queen Anne (Colman) in the early part of the 18th century, it features palace intrigue, love triangles, and people getting pushed into muddy ditches. What more do you want?

    Ralph Breaks the Internet

    Disney

    In the sequel to the hit 2012 animated film, Ralph (John C. Reilly) and Vanellope (Sarah Silverman) head to the Internet, where they fall in with online auctions, meme-creation, and a particularly violent “Grand Theft Auto”-style game called “Slaughter Race” that is lorded over by a bad-ass, leather-clad ringleader named Shank (Gal Gadot). Also, the Disney Princesses show up. As you can imagine, it’s a lot of fun.

    Ralph Breaks the Internet” is one of those rare family sequels that won’t leave you with a toothache from it being so sweet, there’s actual pathos and emotionality but nothing feels syrupy or forced and it’s honestly one of the most visually ravishing animated features you’re ever likely to see.

    Green Book

    Universal

    Up until this point, Peter Farrelly has directed as one-half of the Farrelly Brothers — serving as the tag-team provocateurs behind gross-out extravaganzas like “Dumb and Dumber,” “There’s Something About Mary,” and the underrated classic “Kingpin.” So it’s interesting to see Farrelly emerge as something of an Oscar frontrunner for his work directing “Green Book,” a based-on-a-true-story racial drama starring Mahershala Ali and Viggo Mortensen.

    In the film. Ali plays Don Shirley, a classical pianist, who hires New York tough guy Tony Vallelonga (Mortensen) to escort him on a tour of the South. This could be the feel-good movie of the fall, which makes it a perfect after-Thanksgiving family outing.

    Creed II

    MGM

    Finally. The follow-up to 2015’s brilliant “Rocky” refresh “Creed” is now upon us. Let us give thanks.

    In “Creed II,” Michael B. Jordan returns as Adonis Creed, the son of Apollo Creed, who this time turns to going toe-to-doe with Viktor Drago (Florian Munteanu), the son of Ivan Drago (Dolph Lundgren), who famously killed Apollo in the ring (in 1985’s Cold War classic “Rocky IV“). Oh, and Rocky (Sylvester Stallone) is still around! So there’s that. Hopefully the sequel builds on the intensity and excitement of the first film, while supplying some new wrinkles as well. We can already feel ourselves getting inspired.

    Roma

    Netflix

    Yes, “Roma” is a Netflix movie. But in a rare move, the streaming service is debuting the movie in theaters first, before it hits the platform in mid-December. And, really, you should do everything in your power to see it on the big screen. In fact, try and see it on the biggest screen possible. Because this movie is absolutely jaw dropping.

    An epic on a miniature scale, the highly autobiographical film from “Gravity” filmmaker Alfonso Cuaron follows a middle-class family in Mexico City in the early 1970s dealing with heartache, political upheaval, and the day-to-day domestic drama that every family deals with. What makes this story even more captivating is that it’s told through the eyes of the family’s housekeeper Cleo (Yalitza Aparicio, giving one of the year’s best performances even though she’s not a professional actor). You have to see this with an audience in a theater. It just won’t be the same on your iPad.

    Overlord

    Paramount

    If your family is really annoying you over Thanksgiving, it might be time to watch a little more muscular movie at the multiplex. Perhaps something like “Overlord,” a high-concept World War II romp that features thrills, chills, and the cathartic experience of watching sweaty hunks brutally murder Nazis.

    Conceived by mystery box magnate J.J. Abrams, “Overlord” is a hard-core horror movie mixed with an equally hardcore war movie, wherein a group of Allied soldiers (among them Jovan Adepo and Wyatt Russell) parachute into France to take down a radio tower on the eve of D-Day and wind up finding a gnarly zombie conspiracy. You know, that old story. But there are some definite grindhouse pleasures to be had as Nazis get shot, blown-up, and lit on fire and then come back from the dead to do it all again.

    Bohemian Rhapsody

    Fox

    Because who doesn’t love Queen?

  • Report: J.J. Abrams Has Studios in a Bidding War for a Record-Breaking Deal

    Report: J.J. Abrams Has Studios in a Bidding War for a Record-Breaking Deal

    JJ Abrams
    Lucasfilm

    J.J. Abrams is reportedly about to land the deal of a lifetime.

    According to Variety, Disney, Universal, and Warner Bros. are battling it out to land a record-setting deal with the writer/director/producer.

    Sources tell Variety that Abrams, whose films include “Super 8,” “Star Trek,” and “Star Wars: The Force Awakens,” is seeking a deal that would include not just films and TV series, but also digital content, music, games, consumer products, and even theme park opportunities.

    The possibilities are endless: A “Lost” theme park? An “Alias” clothing line? A “Felicity” hair salon? (Kidding.)

    The winning studio is expected to shell out at least half a billion dollars to land Abrams.

    Right now, Abrams’ businesses are split between Paramount Pictures (home of “Star Trek”) and Warner Bros. Television. Abrams’ current TV productions include “Westworld” on HBO and “Castle Rock” on Hulu.

    Abrams’ deal with Warner Bros. TV, which he originally signed in 2006, expires in May 2019. The Paramount deal, also from 2006, expires in March of 2020.  But given the complexity of such a mega-sized deal, negotiations could take quite a while

    Variety speculates that Netflix (who recently made lucrative deals with fellow creatives Ryan Murphy and Shonda Rhimes) may also be in the mix.

    Stay tuned!

    Abrams’  is still at Disney making “Star Wars: Episode IX,” which is out December 20th, 2019.

    [Via Variety]

  • Oscar Isaac Says ‘Star Wars: Episode IX’ Filming Is ‘Looser’ With More Improv

    Oscar Isaac Says ‘Star Wars: Episode IX’ Filming Is ‘Looser’ With More Improv

    Oscar Isaac, Star Wars: The Force Awakens
    Lucasfilm

    Third time’s the charm? “Star Wars: Episode IX” is now filming, with “Star Wars: Episode VII – The Force Awakens” director J.J. Abrams back at the helm.

    Oscar Isaac (Poe Dameron) praised Abrams to IndieWire, suggesting the more loose feeling on set this year comes from Abrams’ own confidence in his return to set.

    Isaac also mentioned less pressure for the film to be “right,” which is probably a good perspective, since the fandom is very passionate but also very divided on what is “right.” Some fans were unhappy with Rian Johnson‘s “Star Wars: Episode VIII – The Last Jedi.” Others loved it. Some fans also didn’t like “The Force Awakens” any more than they liked George Lucas’ prequels. Other fans loved all of those films. We are not The Borg, linked to one collective hive mind.

    Isaac told IndieWire he plans to take a year off after filming “Episode IX,” just to take a break with his family after 10 years of non-stop acting work. But so far, he seems to be enjoying his third film in the Saga:

    “The way they’ve been shooting it right now is looser than it’s been for the last two times. It does feel like a relief to get on set and feel like, ‘Oh, we can try things.’ It’s a testament to J.J. coming back and feeling confident. There’s less pressure for it to be right. We just want to make a good movie and have a really good time while doing it. […] Often, you do feel like you’ve got to find your way to make something more alive, but this time, it’s been the opposite. There’s no need to smuggle anything in there.”

    Isaac jokingly compared this film’s improv to “Cassavetes in space.” Hopefully there’s a correlation between the enjoyment making the film and the enjoyment watching the film. They know they can’t please everyone, so it’s good that they are loosening the pressure valve and just telling the story they want to tell, with the characters we’ve come to know across three (or more) films.

    “Star Wars: Episode IX” will be adding Dominic Monaghan, Matt Smith, and Keri Russell to the existing cast list — led by Daisy RidleyJohn BoyegaAdam DriverBilly Dee Williams, Mark Hamill, Kelly Marie Tran, and Carrie Fisher in previously unused footage.

    “Episode IX,” which has yet to reveal its official title, is expected to keep filming until February. It’s scheduled to open in theaters December 20th, 2019.

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  • How ‘Castle Rock’ Could Become Every Stephen King Fan’s New TV Obsession

    How ‘Castle Rock’ Could Become Every Stephen King Fan’s New TV Obsession

    Hulu/Bad Robot

    There were a great many things we found infuriating about 2017’s big screen version of Stephen King’s breathless series-starter “The Dark Tower.” What was once planned as an ambitious, multimedia saga that would seamlessly be explored on television, cinemas, and the Internet — that had once attracted creative luminaries like J.J. Abrams, Damon Lindelof, and Ron Howard wound up a limp, 95-minute trifle directed by a Danish filmmaker you’ve probably still never heard of (for the record, his name is Nicolaj Arcel).

    But maybe the most egregious offense that the “Dark Tower” adaptation brought against humanity was the fake implication that it’d be the lynchpin of a vast, interconnected King universe. That’s how it is in the book, with everything from “Insomniac” to “The Stand” connected, through various channels and corridors, to the centralized supernatural world of “The Dark Tower.”

    There were some very obvious Easter eggs that the marketing team began sprinkling into early trailers (giant Saint Bernard! Plymouth Fury!), and there was even an online piece designed to insinuate that “The Dark Tower,” in all of its half-assed glory, would somehow unlock everything from “The Shining” to “Carrie” to “It.” (Sony, the studio behind the movie’s release, pulled that online piece; perhaps due to the rather dicey nature of the copyrights and licensing agreements.)

    To be blunt, “The Dark Tower” never did what it claimed it would; there was nothing to suggest that the film was the hub that the other King adaptations naturally spun off from. And it didn’t give some kind of contextual umbrella for those things either. There was nothing, in text or subtext, to suggest that “The Dark Tower” was a true adaptation of King’s self-described magnum opus. Instead, it was just a very lousy movie.

    But that doesn’t mean there can’t be a project that doodles in the margins of King’s imagined universe and tries to, at least partially, marry some of these properties into a cohesive narrative and thematic whole. Welcome to “Castle Rock.”

    Hulu/Bad Robot

    Hulu’s new original series, and arguably one of its splashiest, is “Castle Rock.” According to the credits, it’s based on “works written” by Stephen King, specifically those that involve the fictional town of Castle Rock, Maine. (It’s part of the triumvirate of fake towns that pop up time and time again in his fiction, along with Derry and Jerusalem’s Lot.)

    In King’s works, Castle Rock is a place of nearly unending weirdness; it’s where a series of ritualistic killings took place in “The Dead Zone,” where a giant dog went on a rampage in “Cujo,” and where a devilish business owner set up shop in “Needful Things.” The town has been the central focus of almost a dozen short stories and novels; it is referenced in a dozen more. It helps establish a specific place and time and works wonderfully to link, geographically and otherwise, all of the stories that King tells.

    For this new television series, “Castle Rock” seems to exist as a kind of vortex of evil. It opens with a feral, nameless inmate (Bill Skarsgard), who has been discovered stashed away underneath Shawshank State Prison (sound familiar?) A death-row attorney (Andre Holland), who once lived in the town, returns to uncover the mystery — both of the inmate and his father’s murder, aired by sheriff Alan Pangborn (Scott Glenn).

    If your Stephen King spidey sense is already starting to tingle, it’s with good reason — Skarsgard played the killer clown in last year’s phenomenon “It,” Shawshank State Prison was the setting for the beloved “The Shawshank Redemption,” and Pangborn is a character in several King works (including “The Dark Half“), most notably played by Ed Harris in the underrated 1993 big screen adaptation of “Needful Things.” These kind of connections, both thematic and narrative, are littered throughout “Castle Rock.”

    While plot details are being kept under wraps ahead of the premiere on Wednesday, but an early trailer referenced the events of “Cujo” and “The Dead Zone,” King MVP Sissy Spacek (who starred as the title character in the very first King adaptation, “Carrie”) and a character played by Jane Levy has the tantalizing last name of Torrance, which was the last name of the family in “The Shining.” Whether or not these connections have major implications or are merely glossy references remains to be seen, but even before the first episode has aired, the project has created an aura of mystery and connectivity that is hard to ignore.

    With producer J.J. Abrams, a longtime admirer of King’s and, at one point, someone who attempted to tackle “The Dark Tower,” involved, you can believe that this has both the prestige and the nerd cred that it desperately needs.

    In short: it’s a show that can both appease to newbies and die-hards and has the possibility to link the disparate worlds that King has created. And at the very least, it won’t be as bad as “The Dark Tower.” Woof.