(Left) Logan Lerman as Jonah Heidelbaum on Prime Video’s ‘Hunters’ Season 2. Photo Credit: Jason LaVeris/Prime Video. Copyright: Amazon Studios. (Right) Emily Bader attends the Netflix ‘People We Meet on Vacation’ Premiere at The Egyptian Theatre Hollywood on January 06, 2026 in Los Angeles, California. Photo by Charley Gallay/Getty Images for Netflix.
Preview:
A reboot of ’13 Going on 30’ is in the works.
Emily Bader and Logan Lerman will star.
Netflix is behind the new movie.
Netflix is no stranger to new takes on cult favorite movies –– witness ‘He’s All That’, the company’s 2021 take on the 1999 rom-com classic ‘She’s All That.’
Now, the streaming service is putting together the team for an even more direct reboot, an update of 2004 Jennifer Garner vehicle ‘13 Going on 30’.
(Center) Jennifer Garner in ’13 Going on 30′. Photo: Sony Pictures Releasing.
The 2004 incarnation focused on Jenna Rink (Christa B. Allen), a 13-year-old girl who magically wakes up as her 30-year-old self and must navigate adulthood while rediscovering who she really is.
Garner played the grown-up version of the character, acting opposite the likes of Mark Ruffalo and Judy Greer.
Deadline’s report offers no details on how the new film might switch things up, if at all. But the new script comes from Hannah Marks with revisions by Flora Greeson.
A new ‘13 Going on 30’: the director talks
(L to R) Mark Ruffalo and Jennifer Garner in ’13 Going on 30′. Photo: Sony Pictures Releasing.
Here’s what Haley had to say about the new movie:
“‘13 Going on 30’ is one of those rare, perfect films. Funny, emotional, deeply human, with unforgettable performances from Jennifer Garner, Mark Ruffalo and Judy Greer. I’m a longtime fan, so stepping into this reimagining comes with tremendous responsibility.”
Jennifer Garner in ’13 Going on 30′. Photo: Sony Pictures Releasing.
Selected Movies and TV Shows Featuring Jennifer Garner:
Super Bowl LX is scheduled for Sunday, February 8th and it promises to be an unforgettable game between the Seattle Seahawks and the New England Patriots.
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However, if you still need your football fix, Moviefone has compiled a list of 30 of the best football movies of all time for you to watch after the game.
These football movies cover what happens both on and off the field, and best of all, every movie here is streaming right now, so you can get started watching any of them immediately.
(L to R) Quinton Aaron and Sandra Bullock in ‘The Blind Side.’ Photo: Warner Bros. Pictures.
The story of Michael Oher (Quinton Aaron) a homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman (Sandra Bullock) and her family
American Underdog tells the inspirational true story of Kurt Warner (Zachary Levi), who went from a stockboy at a grocery store to a two-time NFL MVP, Super Bowl champion, and Hall of Fame quarterback. The film centers on Warner’s unique story and years of challenges and setbacks that could have derailed his aspirations to become an NFL player – but just when his dreams seemed all but out of reach, it is only with the support of his wife, Brenda (Anna Paquin) and the encouragement of his family, coaches, and teammates that Warner perseveres and finds the strength to show the world the champion that he already is.
High school football coach Harold Jones (Ed Harris) befriends Radio (Cuba Gooding Jr.), a mentally-challenged man who becomes a student at TL Hanna High School in Anderson South Carolina. Their friendship extends over several decades where Radio transforms from a shy tormented man into an inspiration to his community.
Sensitive study of a headstrong high school football star (Tom Cruise) who dreams of getting out of his small Western Pennsylvania steel town with a football scholarship. His equally ambitious coach (Craig T. Nelson) aims at a college position resulting in a clash which could crush the players dreams.
Jaycen ‘Two Js’ Jennings (Snoop Dogg) is a washed-up former pro football star who has hit rock bottom. When he is sentenced to do community service coaching the Underdoggs, an unruly pee-wee football team in his hometown, he sees it mostly as an opportunity to rebuild his public image. But in the process, he may just turn his life around and rediscover his love of the game.
Pro quarterback Paul Crewe (Adam Sandler) and former college champion and coach Nate Scarboro (Burt Reynolds) are doing time in the same prison and are asked to put together a team of inmates to take on the guards. Crewe enlists the help of Scarboro to coach the inmates to victory in a football game fixed to turn out quite another way.
Several players from different backgrounds try to cope with the pressures of playing football at a major university. Each deals with the pressure differently some turn to drinking others to drugs and some to studying.
In small-town Texas, high school football is a religion, 17-year-old schoolboys carry the hopes of an entire community onto the gridiron every Friday night. When star quarterback Lance Harbor (Paul Walker) suffers an injury, the Coyotes are forced to regroup under the questionable leadership of John Moxon (James Van Der Beek), a second-string quarterback with a slightly irreverent approach to the game.
Burt Reynolds in 1974’s ‘The Longest Yard.’ Photo: Paramount Pictures.
A football player-turned-convict (Burt Reynolds) organizes a team of inmates to play against a team of prison guards. His dilemma is that the warden (Eddie Albert) asks him to throw the game in return for an early release but he is also concerned about the inmates lack of self-esteem.
Bobby Boucher (Adam Sandler) is a water boy for a struggling college football team. The coach (Henry Winkler) discovers Boucher’s hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.
Jerry Maguire (Tom Cruise) used to be a typical sports agent willing to do just about anything he could to get the biggest possible contracts for his clients plus a nice commission for himself. Then one day he suddenly has second thoughts about what he’s really doing. When he voices these doubts he ends up losing his job and all of his clients save Rod Tidwell (Cuba Gooding Jr.) an egomaniacal football player.
Inspired by the true story of Vince Papale (Mark Wahlberg), a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach of Papale’s beloved hometown football team hosted an unprecedented open tryout, the public consensus was that it was a waste of time – no one good enough to play professional football was going to be found this way.
A light hearted comedy about the beginnings of Professional American Football. When a decorated war hero (George Clooney) and college all star (John Krasinski) is tempted into playing professional football. Everyone see the chance to make some big money, but when a reporter digs up some dirt on the war hero… everyone could lose out.
Marlon Wayans is Isaiah (back, pointing) and Tyriq Withers is Cam (foreground) in ‘HIM’, directed by Justin Tipping. Photo: Universal Pictures.
After suffering a potentially career-ending brain trauma, Cameron Cade (Tyriq Withers) receives a lifeline when his hero, legendary eight-time Championship quarterback and cultural megastar Isaiah White (Marlon Wayans), offers to train Cam at Isaiah’s isolated compound that he shares with his celebrity influencer wife. But as Cam’s training accelerates, Isaiah’s charisma begins to curdle into something darker.
When the Texas Southern Armadillos football team is disqualified for cheating and poor grades, the University is forced to pick from a team that actually goes to school. Will they even win a single game?
Inspired by the true story of four best friends (Jane Fonda, Lily Tomlin, Rita Moreno and Sally Field) living life to the fullest when they take a wild trip to the 2017 Super Bowl LI to see their hero Tom Brady play.
At the NFL Draft, general manager Sonny Weaver (Kevin Costner) has the opportunity to rebuild his team when he trades for the number one pick. He must decide what he’s willing to sacrifice on a life-changing day for a few hundred young men with NFL dreams.
Keanu Reeves in ‘The Replacements’. Photo: Warner Bros. Pictures.
Maverick old-guard coach Jimmy McGinty (Gene Hackman) is hired in the wake of a players’ strike to help the Washington Sentinels advance to the playoffs. But that impossible dream hinges on whether his replacements can hunker down and do the job, including washed up Quarterback Shane Falco (Keanu Reeves). So, McGinty dusts off his secret dossier of ex-players who never got a chance (or screwed up the one they were given) and knits together a bad-dream team of guys who just may give the Sentinels their title shot.
Based on the real-life relationship between teammates Brian Piccolo (James Caan) and Gale Sayers (Billy Dee Williams) and the bond established when Piccolo discovers that he is dying.
Joe Pendleton (Warren Beatty) is a quarterback preparing to lead his team to the Super Bowl when he is almost killed in an accident. An overanxious angel plucks him to heaven only to discover that he wasn’t ready to die, and that his body has been cremated. A new body must be found, and that of a recently-murdered millionaire is chosen. His wife and accountant—the murderers—are confused by this development, as he buys the L.A. Rams in order to once again quarterback them into the Super Bowl.
Molly (Goldie Hawn) is a high school track coach who knows just as much about football as anyone else on the planet. When a football coach’s position becomes vacant, she applies for the job, despite snickers from fellow staff members and her former husband.
When a plane crash claims the lives of members of the Marshall University football team and some of its fans, the team’s new coach (Matthew McConaughey) and his surviving players try to keep the football program alive.
(L to R) Bruce Willis and Damon Wayans in ‘The Last Boy Scout’. Photo: Warner Bros.
When the girl (Halle Berry) that detective Joe Hallenback (Bruce Willis) is protecting gets murdered, the boyfriend (Damon Wayans) of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.
Rudy (Sean Austin) grew up in a steel mill town where most people ended up working, but wanted to play football at Notre Dame instead. There were only a couple of problems. His grades were a little low, his athletic skills were poor, and he was only half the size of the other players. But he had the drive and the spirit of five people and has set his sights upon joining the team.
A small, turbulent town in Texas obsesses over their high school football team to an unhealthy degree. When the star tailback, Boobie Miles (Derek Luke), is seriously injured during the first game of the season, all hope is lost, and the town’s dormant social problems begin to flare up. It is left to the inspiring abilities of new coach Gary Gaines (Billy Bob Thornton) to instill in the other team members — and, by proxy, the town itself — a sense of self-respect and honor.
After leading his football team to 15 winning seasons, coach Bill Yoast (Will Patton) is demoted and replaced by Herman Boone (Denzel Washington) – tough, opinionated and as different from the beloved Yoast as he could be. The two men learn to overcome their differences and turn a group of hostile young men into champions.
(L to R) Jamie Foxx, Al Pacino and Denis Quaid in ‘Any Given Sunday’. Photo: Warner Bros.
A star quarterback (Dennis Quaid) gets knocked out of the game and an unknown third stringer (Jamie Foxx) is called in to replace him. The unknown gives a stunning performance and forces the ageing coach (Al Pacino) to reevaluate his game plans and life. A new co-owner/president (Cameron Diaz) adds to the pressure of winning. The new owner must prove herself in a male dominated world.
Nearly six years after ‘Deadpool 2,’ the self-proclaimed “Marvel Jesus” has returned to the big screen and this time, he brought his BFF Wolverine with him. Real-life BFFs Ryan Reynolds and Hugh Jackman reprise their roles as Deadpool and Wolverine, respectively.
‘Deadpool & Wolverine’ finds Wade at a peaceful time of his life, retired from his usual superhero duties. All was well until the TVA came knocking on his door. Agent Paradox (Matthew Macfadyen) reveals to him that his entire timeline and everyone he cares about will soon cease to exist due to it losing its “anchor being”. Deadpool travels to various timelines to find a Wolverine to replace the one that was lost in order to save his world.
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Director Shawn Levy (‘Free Guy’) is at the helm for the highly anticipated film. The movie features a slew of familiar Marvel characters, unexpected cameos, visceral fight scenes, and a fantastic soundtrack.
(L to R) Ryan Reynolds, Peggy aka “Dogpool” and Hugh Jackman attend the UK Fan Event of Marvel Studios’ ‘Deadpool & Wolverine’ at Eventim Apollo, London on July 11th, 2024. Photo by StillMoving.Net for The Walt Disney Company Limited.
The film premiered at the David H. Hoch Theater in New York City on July 22, 2024. The movie was released domestically on July 26 in formats such as IMAX, RealD 3D, Dolby Cinema, and 4DX. Initially, ‘Deadpool & Wolverine’ was set to release on September 6, 2024. However, the film moved up to its July 2024 release date following the end of the SAG-AFTRA strike. The movie has a total runtime of 2 hours and 8 minutes.
Did you miss it in theaters? You’re in luck! The movie became available for rent or purchase on digital on October 1. You can rent for $24.99 or purchase for $29.99 on platforms such as Amazon, Apple TV, YouTube, Vudu, and more.
After debuting at a staggering $636.6 million domestically, ‘Deadpool & Wolverine’ surpassed the 2023 box office hit ‘Barbie,’ becoming the 12th highest-grossing film. Globally, the movie has earned over $1.3 billion. It currently holds the record as the highest grossing R-rated movie.
For physical media lovers, ‘Deadpool & Wolverine’ is now available on DVD, Blu-Ray, and 4K Ultra HD. A steel book Blu-Ray edition is also available, and you can pre-order it at retailers such as Target, Walmart, or Amazon.
The Blu-ray and 4K version will include bonus features such as a gag reel, deleted scenes, commentary with director Shawn Levy, and stars Ryan Reynolds and Hugh Jackman, and featurettes such as:
Finding Madonna: Making the Oner
Practical approach: Celebrating the Art of Ray Chan
Watch the official trailer for ‘Deadpool & Wolverine’:
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The official synopsis for ‘Deadpool & Wolverine’ is below:
Deadpool’s (Ryan Reynolds) peaceful existence comes crashing down when the Time Variance Authority recruits him to help safeguard the multiverse. He soon unites with his would-be pal, Wolverine (Hugh Jackman), to complete the mission and save his world from an existential threat.
Who’s In the Cast of ‘Deadpool & Wolverine
(L to R) Dafne Keen, Hugh Jackman, Channing Tatum, Wesley Snipes, Ryan Reynolds and Jennifer Garner in ‘Deadpool & Wolverine’. Photo: Marvel Studios.
Available now on digital and Blu-ray and streaming on Disney+ beginning November 12th is the box office hit ‘Deadpool & Wolverine’, which is the third movie in the ‘Deadpool’ franchise and the first to take place in the Marvel Cinematic Universe.
Dafne Keen attends the UK Fan Event of Marvel Studios’ ‘Deadpool & Wolverine’ at Eventim Apollo, London on July 11th, 2024. Photo by StillMoving.Net for The Walt Disney Company Limited.
Moviefone recently had the pleasure of speaking with Dafne Keen about her work on ‘Deadpool & Wolverine’, how she found out she would be returning, returning to the character of Laura, how she’s changed since ‘Logan’, reuniting with Hugh Jackman, working with the rest of the cast, which scenes were improvised, the action sequences, the challenges of keeping her appearance a secret, collaborating with director Shawn Levy, what she learned from Ryan Reynolds, joining the MCU and the possibility of her appearing in future Marvel movies.
You can read the full interview below or click on the video player above to watch our interview.
(L to R) Dafne Keen in ‘Deadpool & Wolverine’. Photo: Marvel Studios.
Moviefone: To begin with, when did you learn that you would be returning to play Laura / X-23 in ‘Deadpool & Wolverine’ and were you given the entire script to read before shooting?
Dafne Keen: I got a call from my agent to tell me, and then I had a FaceTime with Shawn, and I had a bunch of guy friends over at my house and I locked them outside in the garden while I was on the phone to Shawn. Then Shawn said to me, “All your scenes are with huge actors, but I can’t tell you who.” Then I got the full script, but it was so heavily spoiler free in the sense that they changed all the names for everything, but I understood the story. I just didn’t know who anyone was. So, watching the film was cool. I was like, “Oh, that’s crazy.” I kind of figured it out because I’d go into a costume fitting and I’d see a picture of someone on the wall and I’d be like, “Wait, who are they playing?” It was cool. It was fun and I’m happy that I got to read the whole script and it was exciting.
MF: What was it like working with Hugh Jackman again all these years after ‘Logan’?
DK: Yeah, it was weirdly, it was like no time had passed. We started acting and it was like we were doing ‘Logan’ yesterday. It was weird and wonderful.
(L to R) Hugh Jackman and Dafne Keen attend the premiere of Marvel Studios’ ‘Deadpool & Wolverine’. Photo by StillMoving.Net for The Walt Disney Company Limited.
MF: Can you talk about how Laura has changed since ‘Logan’ and did you create a backstory for yourself about how she ended up in the Void?
DK: I think as an actor you must. I think it was fun playing her as an older character, especially now because she’s got this sense of gratitude that she didn’t have in ‘Logan’. She’d been so wronged by men and by men, I mean humans. I think she had no faith in humanity, and I think Charles (Xavier) and Logan restored that in ‘Logan’. After losing them, she kind of has this sense of loss but still gratefulness for them and getting to have her reunite with Logan is such a huge thing for her and getting to play that felt like a big emotional beat for that character.
MF: As a comic book fan, I think ‘Deadpool & Wolverine’ might feature the greatest superhero team-up of all time. What was it like for you to work with Jennifer Garner, Wesley Snipes and Channing Tatum and be a part of this incredible onscreen team-up?
DK: It was so cool and they’re just the most lovely, wonderful people. We had the best time and as a fan it was just crazy when you hear the superheroes you are sharing the screen with are Gambit, Elektra and Blade. Then you meet them and they’re the loveliest, most nurturing, funniest people, so we just had the greatest time on set.
(L to R) Hugh Jackman, Wesley Snipes, Channing Tatum, Dafne Keen, Ryan Reynolds and Jennifer Garner in ‘Deadpool & Wolverine’. Photo: Marvel Studios.
MF: Famously, Ryan Reynolds loves to improvise on set. Did you have a chance to improvise with him in any of your scenes?
DK: I didn’t get to do as much, but I got to witness Channing and Ryan do a lot of it, which was fun. I felt like I was in a master class for comedy. It was really cool, and everyone was so talented, but they had a lot of comedic beats that I got to just stand back and enjoy.
MF: Can you give us an example of a scene that Ryan and Channing improvised?
DK: I think the line where we’re in the cave, and Channing’s like, “I shot out my mama and I said, What’s up, Doc?” That was an improv, and we were all dying. That whole interaction between Ryan and Channing was improvised. The “Who’s your dialect coach? The Minions”, I think that was an ad lib. It was so impressive, and it was cool to then be at the premiere and all their improvisations was getting so much love and laughter. It was exciting to know that it was all kind of in the script, but it was all like an ad lib variation of it.
Channing Tatum as Gambit in ‘Deadpool & Wolverine’. Photo: Marvel Studios.
MF: What was it like filming the final battle sequence in the Void? How many days did that take to shoot?
DK: It took a while. It took a week I think, and I had to go back because I had all the wire work for climbing up the skull. I had to come back in the end of January, and it was so fun. We had the best time. It’s the most fun I’ve had doing stunts ever. To get to train with these people, it’s incredible. I came into training, and it was like Channing, Wesley, Jennifer, Ryan, Hugh. It was so cool, and we were all just so excited to be there and we all love these characters so much. We all felt so lucky to be there, which I think is such a rare thing. A lot of people are ready to go home and to wrap the day and we were all just happy to stay. If they’d ask us to do 20 hours of overtime, we would’ve all been like, “Yeah, I’m here and I’m so excited to do this.” It was cool. We were all kind of nerding out with everyone with their weapons. I had the claws back and I was so excited about the glasses. Channing was so excited about throwing the cards. He’d learned a bunch of impressive card tricks. It was very cool.
MF: Can you talk about the challenges of keeping your involvement in the movie a secret, especially when you were doing press for ‘The Acolyte’?
DK: I enjoyed it. It was quite fun. It’s cool to do these interviews and I got to be like, “It’s so sad. I’m not in it.” I knew I’d filmed it and we’d had a great time on set. Also, it felt exciting. It was a cool surprise for the fans, and it felt like such a special thing, and it was such a special thing for me. It was quite funny because my two co-stars and my very good friends, Amandla (Stenberg) and Charlie (Barnett) who were in the show with me knew. So anytime I’d get asked around them, they would giggle. So, if you look at the interviews, they’re trying to look down and trying to be nonchalant when we all knew it. So, it was quite funny.
Dafne Keen attends the premiere of Marvel Studios’ ‘Deadpool & Wolverine’. Photo by StillMoving.Net for The Walt Disney Company Limited.
MF: Is it true that you were added to the film’s final trailer specifically so you could attend the premiere without any questions?
DK: I don’t really know. Maybe. I was going to go to the premiere as far as I know in the capacity of, “Oh, Hugh invited me.” That was the original lie, and then they were like, “We’re putting you in the trailer, which means you can come to the premiere.” So maybe it was to come to the premiere. That was the original plan, and it would’ve worked because we’re buddies. It is exciting. I was happy I got to go.
MF: What is Shawn Levy like as a director on set?
DK: I love that question because I love Shawn. Shawn is one of my favorite people to ever work with. He’s such a wonderful human being and such an incredible director. He’s got such incredible dexterity and such an amazing range of talent that he can do. I’ve seen him directing the funniest, most absurd scene, and then I saw him directing us in the bonfire scene, which was a kind of heavy, hard-hitting thing. He was so incredible at the nuance and knowing when things had to be cool and big and what he was doing for the fans and when they had to be small and human and raw and when he had to do cuts and when he didn’t. He was so kind of gentle in his directing with us, but so honest and so specific with his notes in a really special way. He also loves making films, and I love making films, so it was so cool to be around someone who kind of loved it and was excited to be there. Like I said, we were all just so excited to be there and Shawn was the first one and he infected us all with this incredible joy and excitement for the project. I truly feel so honored to have worked with him and I think he’s already one of the biggest directors, but I think he’s going to go down in the history books for me.
MF: In addition to being an actor, Ryan Reynolds is also a screenwriter and producer, and basically the force that makes these ‘Deadpool’ movies possible. What did you learn from working with him that you will apply to your own career moving forward?
DK: I learned so much from observing Ryan on set. He’s such an incredible creative. He’s so dedicated and so hardworking and he’s got such an incredible mind. I was so impressed by how he was on everything. We’d be acting and he would be acting and improving while thinking about the script change for another scene that they were going to shoot three days later while thinking about producing. It was so impressive to watch him, and I think him, and Hugh and Shawn are such incredible hard workers that I honestly felt like I was in a masterclass the whole time and five minutes with those guys felt like 20 years of lessons. I think Ryan really taught me a lot and I got to really observe his process, even just as an actor, he’s so impressive. He’s got such incredible range. You see him in a character like Deadpool where he’s being so funny, and he’s got scenes where he is being hilarious, absurd, ridiculous and outlandish. Then you see him when he is talking about Vanessa (Morena Baccarin) in the film and it’s completely heartbreaking and devastating and you can really see that in his career and in the things he’s picked. You can see completely comedic characters and then you see the character that he did in ‘The Voices’. I’ve always just really looked up to him as a creative. So, getting to share the screen with him was huge.
MF: Finally, thanks to ‘Deadpool & Wolverine’, ‘Logan’ and the character of Laura / X-23 is now cannon to the Marvel Cinematic Universe. How does it feel to be part of that legacy and is it possible that we will see you playing this character again in the MCU at some point?
DK: I mean, even hearing you say that ‘Logan’ is canon is so crazy to me. I’m still kind of absorbing that and the possibility is so exciting. I mean, I’ve said this a trillion times. I would play Laura for the rest of my life, and I would be content. She’s the most incredible character to play and I have so much fun playing her, and I have so much love for her, and I have so much love for Marvel. So, I’d pay them to have me back, honestly, if I’m being completely honest. So of course, I really hope I get a call, even if it is to do another tiny little silly cameo in something. I’d be happy. Any chance I get to be here again and get the claws back on, I’ll take it.
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What is the plot of ‘Deadpool & Wolverine’?
Six years after the events of ‘Deadpool 2’, Wade Wilson (Ryan Reynolds) lives a quiet life, having left his time as the mercenary Deadpool behind him, until the Time Variance Authority (TVA)—a bureaucratic organization that exists outside of time and space and monitors the timeline—pulls him into a new mission. With his home universe facing an existential threat, Wilson reluctantly joins an even more reluctant Wolverine (Hugh Jackman) on a mission that will change the history of the Marvel Cinematic Universe (MCU).
Moviefone recently had the pleasure of speaking exclusively with editors Shane Reid (‘Ghostbusters: Frozen Empire’) and Emmy-winner Dean Zimmerman (‘Stranger Things’) about their work on ‘Deadpool & Wolverine’, working with Shawn Levy, how they got involved in the project, making an MCU movie, creating a love letter to the Marvel Fox movies, the addition of pre-MCU characters like Blade and Elektra, Madonna’s editorial note, and cutting the Void and van fight sequences.
SPOILER ALERT!!! Major spoilers for ‘Deadpool & Wolverine’ below. YOU’VE BEEN WARNED!!!
Moviefone: To begin with, Dean, you’ve worked with director Shawn Levy for a long time. What was your reaction when you heard that not only would you be working on a ‘Deadpool’ movie, but that Hugh Jackman was returning as Wolverine and that the film would take place in the MCU?
Dean Zimmerman: Here’s the ironic thing about this whole thing. The movie was dead. Ryan couldn’t crack the script. Shawn was attached, obviously, they were trying to come up with an idea. It wasn’t working. I was literally in the Hamptons cutting in a house that we were renting. He had a meeting with Kevin Feige and Louis D’Esposito at 2pm that day. We were literally cutting in the morning. He gets a call at 11am from Ryan Reynolds and says, “Hugh Jackman just called me and wants in.” Like that morning! So, the meeting was going to be, “Guys, we’re passing. We can’t crack it. We’re done. We’re not going to do the movie. We’ll come back to it later in time.” To, “We’ve got Hugh Jackman on board who’s going to put on the suit and be Wolverine. Does that work for you guys?” That’s literally how the meeting went. It was the craziest. It happened instantaneous, literally the moment Hugh said he was in. It was like someone lit a candle on a rocket. We were shooting within months of that. That’s how fast it all came together. The script essentially wrote itself. The fact that I was going to be doing this was … because there was such a lead up to doing this. It was like, “Oh, wait. We’re not going to do it.” So, the letdown was just dreadful and cutting with Shawn on this other thing, I was like, “Such a bummer. What are we going to do next?” The fact that that happened that day, the day I’ll never forget the rest of my life. I’ll always remember where I was and exactly what I was doing when that call came in. Obviously, it’s changed all of us. I got to meet Shane, which is now, he’s a lifelong brother and partner now. There are so many great things that happened, but at the end of the day, we told a great story, and we made a great movie. It’s what Shawn and I have been doing for 22-years and we’re going to continue to keep doing so.
MF: Shane, how did you get involved with this project and teaming up with Shawn and Dean?
Shane Reid: I hit the lottery in life, and I met Blake Lively doing a music video with her that she directed for Taylor Swift. She was a very fast friend and a fast creative partner, a wonderful person, and so generous. I got so lucky because Ryan and her are so involved in the work that they do with each other that I just got through proximity to get to know Ryan. I’d be cutting that video and then Ryan would be sending me a text message, like, “You’re the nicest guy in the world and I can’t believe what you’re doing. This was so awesome and she’s so happy.” It was like you’re all of a sudden involved in this relationship with the two of them and they’re such creative supporters of each other that when Ryan announced ‘Deadpool’ was going to happen, I was just like, “This is insane, but I’m going to ask Blake if she feels like there’s any position that I could have on this movie and if there isn’t, I get it.” It’s a big ask. I started talking to her and it was a little almost quiet for a minute. Then I didn’t realize that she was selling me through to Shawn and selling me through to Ryan and just really telling these guys, “This guy’s special. He is right up the alley of the creative collaboration that you and Dean and Ryan have assembled and is going to fit in with that and is going to bring you some ideas.” She was just such an unbelievable force in that way. So, I took a meeting with Shawn, took meetings with Dean and I think there was a little bit of a like, “Let’s just see how this goes.” I would say that the toughest thing for me going into the film and still the toughest thing to the end of it was that Dean and Shawn have this couple decade long relationship. When I first saw them on set together, I was like, “Oh, my god. These guys feel like they’re godfather and godson or something. They’re so tight and close and how do I possibly enter that and be respectful, additive, and someone who doesn’t become obtrusive or in their way?” Also, because I have a relationship with Ryan, how do I not show him stuff and respect Shawn’s position? It was a dance that was difficult, at first. They were so welcoming and warm and very much like, “Hey, man, you fly, and you do your thing, and we’ll see where this all fits.” It was just my luck that it all worked so well, and that Dean was such a generous person and Shawn a generous person and also people that expected a high threshold of turnaround and talent. I feel very fortunate to have met the requirements and now we’re all like a group of brothers.
MF: Dean, you spent a large part of your career working on the 20th Century Fox lot editing movies for that studio. ‘Deadpool & Wolverine’ is very much a love letter to that company and particularly the Marvel movies that they made. Given that, how did it feel to work on this movie, and can you talk about the Fox outtakes sizzle reel that plays during the end credits?
DZ: So that was an idea that was spawned by Ryan. He wanted to do a love letter to Fox to thank them for all the opportunities that they gave him. Shane cut that. It was kind of all hands-on deck at 21 Laps. Shawn’s company sent us a zillion YouTube clips of behind-the-scenes footage, and poor Shane poured through hours and hours of footage to make this legacy reel. We had a song that we wanted to use, the Green Day song. So that was all done, but it was all spawned from Ryan’s appreciation and love of Fox. But for me, personally, it was the culmination of a legacy that no longer exists. It’s kind of a shell of what it used to be. When I saw it, it was very moving and very powerful. I knew even if people didn’t understand what was happening, they could appreciate what it was. Right? Which are these years of this iconic studio pushing out some of the biggest titles in the world. To be in the MCU and our first time working at Marvel and Disney, their not only willingness to be open to something like this, but their enthusiasm and support behind it all is really what made the whole experience even more special because it felt like we were going back home. Right? I felt like I was back on the Fox lot because they really embraced the same qualities and uniqueness that existed at Fox for so many of my early years. So, it was great, and it was fun. I hope for a long career at Marvel. I love them. I think they’re great. Again, the support they gave us on not only just that part of it, but the whole movie in general is what made this thing so special and unique.
The cast of ‘Deadpool & Wolverine’ at San Diego Comic-Con 2024. Photo: Marvel Studios.
MF: Okay, let’s talk spoilers! Shane, what was it like editing the scenes with pre-MCU actors and characters, and which one surprised you the most and was your favorite?
SR: It’s hard to say which one is my favorite. They’re all so my favorite, but I think one of the things that Dean and I have not really talked about is what we all did with Chris Evans coming out as Cap, and then turning it into Johnny Storm, which was always one of our favorite surprises. In the boards, we had a little bit of an idea of how that sequence would end with Pyro (Aaron Stanford) extinguishing his flame, but we all built him hitting the tower and falling in post. It was a collaboration between the four of us and our pre-viz team and our visual effects team where we were like, there’s this tower just sitting here and there’s such a funny way to utilize it. So, it became about how do we have one of the biggest characters in movies, but completely flip the script on who he is and what the expectation of that character is by bringing back this other character and then just humiliating him in a very Deadpool way and leaving him as this broken person on the floor that they go, “We don’t even know who that dude was.” It was such a microcosm of what it’s like to be in a ‘Deadpool’ movie and how the characters are treated differently. I think it’s my favorite because Chris was so fun and funny. I think I was saying to people who love Chris as Cap, which there are quite a few, and he has had all these great sequences where he’s very serious and quite earnest, but now they get to add to their lexicon, a moment where he is having fun and in on the joke with everybody. So, we constructed that scene. I had found a YouTube videos of a drunk woman on her husband’s shoulders at a wedding who fell off and she sort of scorpions on the ground, and it was so brutal. We’re like, “Let’s do this to him at the end.” So, we built that from pre-vis, we would record a bunch of scripts on top of it, all the way to finishing it through in visual effects. So, that might be my favorite of all of them.
Channing Tatum as Gambit in ‘Deadpool & Wolverine’. Photo: Marvel Studios.
MF: Dean, which surprise appearance was your favorite?
DZ: I will say Gambit, Channing’s character. Just because I really hadn’t known much of him, but that character I loved every second, every word it was amazing. The fact that Ryan just can’t understand him is I just thought brilliant and the casting was amazing. Channing just killed it. It was great.
Wesley Snipes in 1998’s ‘Blade’. Photo: New Line Cinema.
MF: Dean, what was it like seeing Wesley Snipes return as Blade and have a chance to shape his performance?
DZ: It was as rewarding as anything could be because obviously his movies I was watching as a kid, right? Now being able to cut something that he would be in was awesome. Just the presence and the power of his character. By the way, he’s such a sweetheart. In real life, you’re meeting your heroes. These are the guys, and you know how sometimes people are like, “You don’t want to meet your heroes because sometimes they’re not who you expect them to be.” You just can’t say that to anyone in this crew. There are actors I work with and I’m like, “Oh, man. What a bummer. They’re not who I was expecting them to be.” But then there’s the ones that you’re just like, “Oh, my god.” Every single person on this cast was just the most beautiful soul. They were all just there for the right reasons and they gave 110%. Everyone on that crew did. It was spectacular. I mean, it was one for the record books, for sure.
Jennifer Garner attends ‘The Adam Project’ World Premiere at Alice Tully Hall on February 28, 2022 in New York City. Photo by Monica Schipper/Getty Images for Netflix.
MF: Dean, was Jennifer Garner’s appearance as Elektra a result of you, Shawn and Ryan working with her on ‘The Adam Project’?
DZ: No. I think it was just kind of bringing in these legacy people. At one point we had Jen and Ben Affleck coming back as Daredevil. Obviously, there was some stuff. But it was funnier to just have the one and then joke about it, you know what I mean? So that kind of worked out that way and I think the relationship with Jen on ‘The Adam Project ‘pushed the cards to her side a little bit more, but either way it would’ve worked perfectly. But no, it was also just to have another female badass character come back and who better than Electra, like come on!
MF: Dean, Ryan Reynolds said during the press tour that he and Shawn had to meet with Madonna to get the rights to use ‘Like A Prayer’ in the movie. He also said that during that meeting, Madonna had a note about that scene that was eventually implemented. Can you reveal which scene that was and what was her suggestion?
DZ: The editorial note that she wanted to do was I think a tonal note, but I think that came off what was recorded. So, we were always going to do an orchestra accompaniment with ‘Like a Prayer’ and we did it. We recorded it in London. What her big note was, was that it wasn’t “urban enough”. It sounded like a group of 50 white British men and women singing and she wanted it more “urban”. She wanted a robust gospel choir and more soul. So, that forced us to re-record in LA with this gospel choir and thank God, she did it. It’s just her brilliance and her being around for as long as she has that made this happen and it literally took it to a totally different level. It was a headache to do because we were literally on the final mixing stage doing the mix on the movie, and to do all this stuff last second. Also, (composer) Rob (Simonson) had to write it. So, it was all, again, happening so fast. The whole thing did, the post schedule on this was nothing like I’ve ever seen as long as I’ve been doing this, 30 something years. I’ve never experienced a post schedule this quickly with this many visual effects and the amount of scrutiny and pressure to have this be as a massive hit because the industry was depending on it almost.
MF: Shane, can you talk about cutting the fight sequences in the Void between Wolverine and Sabretooth, and Deadpool and Wolverine?
SR: The void fight, it was the first fight sequence I’ve ever cut. I remember thinking, maybe there’s these tricks that I must know. Do I cut frames out? Do I add these speed effects? Like anything, it’s just a feeling. It’s just a flow and a rhythm. I mean, I will say that the choreography by our stunt choreographer and just Hugh Jackman, my God, the faces he would make, the performance that he gave. I think what it did was it effectively gave audience members a fight that they feel like they’re sometimes missing. It gave character performance and personality to a fight sequence, and it kept it really grounded. Everything that we did from the van fight and the Void fight with Sabretooth were very grounded experiences in real world locations with props that were real. I think it’s what allows people to connect a little bit more to the physicality of the film and the characters and make them feel more human. One of the things that I keep saying from the trailer, when we first did one of the trailers where Deadpool unloads all the bullets in Wolverine’s rib cage. I was thinking, “I think that we are underestimating how powerful these visuals are.” When have we ever seen a character in any movie that’s a human being take a rib cage full of bullets in a trailer or anything? It was one of the things I thought was most exciting going into this movie is that you have that ‘Planes, Trains and Automobiles’, ‘48 Hrs.’, ‘Rush Hour’ tension that exists between two characters you want to see grow, but now you’ve weaponized them and they’re indestructible and they can take out that frustration physically. I think that’s the first time an audience has ever gotten to experience that take on it.
MF: Finally, Dean, what was it like cutting the incredible fight sequence in the van between Deadpool and Wolverine?
DZ: I mean, that sequence again was choreographed within an inch of its life because of the constraints of what it is, you’re fighting in a van! Deadpool couldn’t use his katanas, so we had to use the little knife that he had in his chest piece and his baby knife, where Wolverine just had these claws. So, it was always going to be a bloodbath. The biggest challenge was getting that sequence and then finding the right music to go to it. We obviously knew we were going to do the head against the radio with a full nod to ‘The Greatest Showman’ there. But then where do you go? What do you do? That’s where, again, Shane is so great with music. He picked the AC/DC song for the Void fight. I can’t remember what we came up with (for the van scene). (Note: It was “You’re the one that I want” from ‘Grease’). It’s just one of those things, like, “Let’s just put in this.” It’s like how do you do the contradiction of it? Make it weird and different but keeping it visceral and real. But again, where Shane was saying, having Hugh’s face and the anger and just the pure hatred for this character. Again, this is something that’s been built up for so long because in the press they (Ryan and Hugh) pretended they hated each other, even though they were best friends. So, it was literally both these fights were like this long time coming. To see that viscerally on Hugh’s face, and again, he went there because he was going through stuff emotionally, in his personal life as well as professionally. The performance he brought is what really made this all not only grounded and real, but just it brought it to the next level where you felt the palpable tension and you felt the hatred and you felt like, “Yeah. They’re going to fight, and they want to kill each other.” It was great. It was a little bit paint by numbers, but at the same time there were some things that wasn’t working, and we had the opportunity and luxury of having a production team very open and receptive to how fast that we work in the cutting room. Getting dailies and cutting them so quickly and showing Shawn and going, “We don’t think this works. Can we come up with something else better for this?” Then them just going out and doing it the next day. The other thing that I will say is all these fights, they were shot on location. They weren’t on a stage. They weren’t on a green screen or a blue screen. It was all out in the real world. That’s what makes this so different than a lot of these other sequences because they’re all CG. They drove the car! We trashed the van! All this stuff, we did in real life out in London, which Marvel doesn’t do because it’s all so secretive. So, it was a real testament to the lengths that they went to give us the support that we wanted to do, which was to make a real film out in the world. Yes, there were some leaks, and we had our trials and tribulations with paparazzi and all that kind of stuff, but we got through it, and it all worked hand in hand, and it made us better. I think what it showed is that we are doing something different and more unique than any other Marvel movie has done. I think that’s what audiences are enjoying more than anything, not knowing that that’s why it is because we did it for real in real life.
SR: I’ll just add one thing onto the van fight that I’m realizing I haven’t really commented on that notches up the performance and the joy of that scene, which was such a weird choice by Hugh to just start laughing while Deadpool’s on top of him, which is such a character moment of just like, “Come on.” Then Ryan had the idea to add some dripping blood onto his cheek and teeth, and it’s just such a weird piece of the puzzle that elevates sequences like that from a fight scene to like, “God, I’m getting story and character in a moment that should just be getting punches and kicks and flying around.” I think that’s the difference in this film is that you feel it everywhere.
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What is the plot of ‘Deadpool & Wolverine’?
Six years after the events of ‘Deadpool 2’, Wade Wilson (Ryan Reynolds) lives a quiet life, having left his time as the mercenary Deadpool behind him, until the Time Variance Authority (TVA)—a bureaucratic organization that exists outside of time and space and monitors the timeline—pulls him into a new mission. With his home universe facing an existential threat, Wilson reluctantly joins an even more reluctant Wolverine (Hugh Jackman) on a mission that will change the history of the Marvel Cinematic Universe (MCU).
Vinnie Jones as Cain Marko / Juggernaut in ‘X-Men: The Last Stand.’ Photo: 20th Century Fox.
Preview:
British actor Vinnie Jones says he passed on returning as the Juggernaut in Marvel’s ‘Deadpool & Wolverine.’
Jones originated the role of the longtime X-Men nemesis in 2006’s ‘X-Men: The Last Stand.’
‘Deadpool & Wolverine,’ directed by Shawn Levy and starring Ryan Reynolds and Hugh Jackman as the title mutants, is expected to feature a slew of Marvel cameos.
British actor Vinnie Jones says he turned down the opportunity to reprise the role of Cain Marko, aka the Juggernaut, for the upcoming Marvel Studios film ‘Deadpool & Wolverine.’
Jones played the role in 2006’s ‘X-Men: The Last Stand,’ where the character – who was not originally a mutant in the comics – was refashioned as a physically powerful mutant who can build up enough momentum as he runs to literally crash through anything, including walls.
With ‘Deadpool & Wolverine’ expected to feature characters drawn from both the Marvel Cinematic Universe and Fox’s now-defunct ‘X-Men’ film series, Jones told Yahoo! UK that he was offered the chance to return as Marko in the third ‘Deadpool’ film by director Shawn Levy.
“Funnily enough I just got asked to do ‘Deadpool,’ the new one now, and I spoke to the director and I just said it’s such a drama putting that suit on mentally and physically. I mean it had its mental toll as well because you’re in it and you can’t do anything all day, you can only drink through a straw. So we couldn’t strike the deal for ‘Deadpool [& Wolverine].’”
Jones added that the first ‘Deadpool’ is his “favorite movie of all f***ing time more or less, ” but that in the end the new movie “didn’t have the budget to put me in the suit.” (A wholly CG version of the Juggernaut made a brief appearance in 2019’s ‘Deadpool 2.’)
The actor also revealed that he wasn’t happy with the experience of filming the troubled, divisive ‘The Last Stand.’ After original director Matthew Vaughn was replaced by Brett Ratner, Jones claims that his role was drastically reduced in favor of other characters: “I was very upset, really, because it was … such a big stage and [I] became an extra, that’s what happened.”
(L to R) Ryan Reynolds as Deadpool and Hugh Jackman as Wolverine in ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds Instagram account.
Although the plot of ‘Deadpool & Wolverine’ is being kept under wraps, as usual for Marvel, the film will follow the Merc with a Mouth (Ryan Reynolds) as he is captured by the Time Variance Authority and must journey through the multiverse to save the Marvel Cinematic Universe itself.
The movie will mark the first appearance of Deadpool and Wolverine under the MCU banner, with Hugh Jackman reprising the latter role for the first time since 2017’s ‘Logan.’
Some of the other characters appearing or rumored to appear in the new film include Sabretooth (played by Tyler Mane from the first ‘X-Men’ movie), Elektra (reprised by Jennifer Garner from the original ‘Daredevil’ as well as her own standalone effort), Tom Hiddleston’s Loki, Patrick Stewart’s Professor Xavier, and more.
(L to R) Dogpool and Ryan Reynolds in ‘Deadpool 3.’ Photo: Dogpool Instagram.
Preview:
A new image from ‘Deadpool 3’ is online.
The picture sees Dogpool hanging out with Wade Wilson.
The movie recently began shooting again and is due in
As we reported recently, ‘Deadpool 3’ is gearing back up into production now the long delay of the actors’ strike is behind it.
From the evidence of this, the movie is back in full swing, as new character Dogpool –– yes, a doggie (style… you know he’d make that joke) variant on Ryan Reynolds’ title character –– hangs out with Reynolds on the set. And, from the looks of the caption, doesn’t entirely like the taste of his skin when as he licks him. Gross.
Dogpool promises to be just one Marvel element that will litter the meta-tastic new movie, which will come loaded with cameos, characters and references.
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Dogpool hits Instagram
Dogpool in ‘Deadpool 3.’ Photo: Dogpool Instagram.
Every star needs their social media channel, so of course Dogpool has one…
(L to R) Ryan Reynolds as Deadpool and Hugh Jackman as Wolverine in ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds Instagram account.
The ‘Deadpool’ team have yet to release formal details of the third movie’s plot, but we do know it’ll see Hugh Jackman’s Wolverine meeting up with Reynolds’ Wade Wilson –– and that things will not necessarily go well, since the pair tend to fight when they interact in the comics.
We’re promised plenty of the usual meta madness inherent to Deadpool’s adventures. This time around, expect prods at the X-Men’s (and Wade’s) previous home at 20th Century Fox (before Disney’s purchase of it nabbed them the rights to the characters), and plenty of cameos from other people, including Jennifer Garner as Elektra.
Dogpool in ‘Deadpool 3.’ Photo: Dogpool Instagram.
For those who might not be up on the sprawling history of Deadpool in the comics, the idea was introduced in a storyline where Deadpool traveled to Earth-103173, a parallel reality in which scientists conducted Weapon X-level experiments on a dog named Wilson, transforming him into Dogpool. The canine hero would become a member of the Deadpool Corps., a team of alternate-reality Deadpools.
Think the likes of Alligator Loki in the Disney+ series named for Tom Hiddleston’s God of Mischief. Marvel has been using the Multiverse a lot in its current run of movies and TV series, so naturally this is something they could explore with Deadpool.
When will ‘Deadpool 3’ arrive in theaters?
After some release date juggling by Disney, the movie is now shifting to July 26th of 2024. Which means the Merc with a Mouth will still have his shot at summer.
Hugh Jackman will return as Wolverine in Marvel Studios’ ‘Deadpool 3.’
Since then, director Shawn Levy has said that he and his team were halfway through filming when the shutdown hit. Since then, he has been able to come back to work editing what footage was shot and overseeing any effects shots for those sequences.
A new report in Variety says that the movie, a big priority for Disney/Marvel, will be gearing up to get back to shooting in the coming days and weeks, with the current aim to have production in the UK up and running before Thanksgiving (which this year falls on November 23rd).
The rush is partly because the holiday period will mean another shutdown for festivities over Christmas and the New Year, and also so that the movie can meet its planned summer 2024 release date.
(L to R) Ryan Reynolds and Hugh Jackman discuss Marvel Studios’ ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds YouTube channel.
The ‘Deadpool’ team have yet to release formal details of the third movie’s plot, but we do know it’ll see Hugh Jackman’s Wolverine meeting up with Reynolds’ Wade Wilson –– and that things will not necessarily go well, since the pair tend to fight when they interact in the comics.
We’re promised plenty of the usual meta madness inherent to Deadpool’s adventures. This time around, expect prods at the X-Men’s (and Wade’s) previous home at 20th Century Fox (before Disney’s purchase of it nabbed them the rights to the characters), and plenty of cameos from other people, including Jennifer Garner as Elektra.
Deadpool (Ryan Reynolds) reacts to Colossus’ (voiced by Stefan Kapicic) threats in ‘Deadpool.’
Reynolds, who is once more allowed to promote the movie since the strike has been called off, hit twitter today to reveal that the comics character known as “Dogpool” will be showing up in the movie (assuming he’s not joking, but it doesn’t seem that way).
Did Dogpool save the day? Not a chance in gremlin hell. But she IS currently causing the Disney plushy merch department nightmares. Coming with the movie, Summer 2024 🐶💩L pic.twitter.com/mMtUb4wSsk
For those who might not be up on the sprawling history of Deadpool in the comics, the idea was introduced in a storyline where Deadpool traveled to Earth-103173, a parallel reality in which scientists conducted Weapon X-level experiments on a dog named Wilson, transforming him into Dogpool. The canine hero would become a member of the Deadpool Corps., a team of alternate-reality Deadpools.
Think the likes of Alligator Loki in the Disney+ series named for Tom Hiddleston’s God of Mischief. Marvel has been using the Multiverse a lot in its current run of movies and TV series, so naturally this is something they could explore with Deadpool.
When will ‘Deadpool 3’ arrive in theaters?
The rapid start looks to be somewhat in vain, though, at least in terms of getting the movie ready for its planned May 3, 2024 opening. According to Variety, the movie is now shifting to July 26th of that year (so still summer at least).
‘Deadpool 3’ is inheriting that July date from ‘Captain America: Brave New World’, which though it was thought to be closer to finished, is now moving to February 14, 2025. We’d assume that is to allow the Marvel team to maintain their hefty MCU chronology.
The changes mean ‘Thunderbolts’, which hadn’t yet kicked off filming when the strikes hit, is shifting from December 2024 to July 25th, 2025. And the troubled ‘Blade’ will now hit screens on November 7th, 2025.
(L to R) Zazie Beetz as Domino, Ryan Reynolds as Wade Wilson / Deadpool, and Terry Crews as Bedlam in ‘Deadpool 2.’
(L to R) Ryan Reynolds as Deadpool and Hugh Jackman as Wolverine in ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds Instagram account.
If you liked the 2000s ‘X-Men’ movies but had an issue with the black leather costumes the team wore –– there was even a meta reference about it when Hugh Jackman’s Wolverine complained about them, to which James Marsden’s Cyclops responded, “What would you prefer? Yellow spandex?” –– prepare to be happy.
Getting ahead of more set pictures arriving showing him in it, the ‘Deadpool 3’ team (including star Ryan Reynolds) has posted an image of Reynolds in his newly modified Deadpool suit walking next to Jackman –– who is in the traditional yellow garb and spiky high hair.
It does seem a little incongruous to see Jackman in such comics faithful attire after years of black leather (or civvies), but the thought of the jokes to be had about it truly makes it worthwhile. And it would truly indicate that there’s either some compelling reason for him to wear that suit or confirmation that this is an alt-universe variant of ‘Logan.’
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Deadpool 3: What do we know so far?
(L to R) Ryan Reynolds and Hugh Jackman discuss Marvel Studios’ ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds YouTube channel.
‘Deadpool 3’ has been in the works for a while now, with Reynolds naturally driving development. Animation veterans Wendy Molyneux and Lizzie Molyneux-Logelin worked on the early drafts of the script, and more recently, regular ‘Deadpool’ writer duo Rhett Reese and Paul Wernick came aboard to help Reynolds get it into shooting shape. Because as we know, the screenplays for these movies are usually heavily reliant on the star and others riffing as well as established pages.
Levy has had the cameras rolling for a few weeks now, and of course pictures have begun to appear online. But, as filmmakers such as ‘Shazam’s David F. Sandberg learned, it’s better to get your own, properly lit and composed images is preferable to bad paparazzi pictures.
Jennifer Garner attends ‘The Adam Project’ World Premiere at Alice Tully Hall on February 28, 2022 in New York City. Photo by Monica Schipper/Getty Images for Netflix.
The multiverse may not reap as many dividends at the box office these days (unless it’s surrounding Spider-Man, apparently), but that isn’t stopping the third ‘Deadpool’ movie from going full meta with the concept.
‘Deadpool 3’, which features the return of Ryan Reynolds’ Merc with a Mouth, Wade Wilson already boasts the character heading into the MCU and meeting up with a version of Hugh Jackman’s Wolverine.
But from the sounds of it, the film –– which has Shawn Levy directing in his latest collaboration with the actor –– will feature a whole host of other Marvel characters.
Jennifer Garner as Elektra Natchios in ‘Elektra.’ Courtesy of Marvel and 20th Century Fox.
Elektra Natchios, introduced into the pages of Marvel comics by writer Frank Miller in ‘Daredevil #168’ in 1980, has been a constant presence in Daredevil’s life, and frequently a love interest. The daughter of a wealthy Greek entrepreneur, she’s trained from a young age as an assassin and boasts a wide range of abilities, including lethal skills with Sai knives.
In the movies, Garner played her opposite Ben Affleck’s Matt Murdock/Daredevil in the 2003 movie ‘Daredevil,’ but despite that not launching its own franchise, she would return as the character in ‘Elektra’ in 2005, which suffered a similar fate at the box office.
How Elektra will show up in ‘Deadpool 3’ remains to be seen, but we’d put money on it being a cameo and one that likely came about thanks to Garner’s work with Levy and Reynolds on Netflix film ‘The Adam Project’. It’ll certainly be fun to see her back in action.
Who is back from the other ‘Deadpool’ movies?
(L to R) Shioli Kutsuna as Yukio and Brianna Hildebrand as Negasonic Teenage Warhead in ‘Deadpool 2.’ Photo courtesy of 20th Century Fox.
(L to R) Ryan Reynolds and Hugh Jackman discuss Marvel Studios’ ‘Deadpool 3.’ Photo courtesy of Ryan Reynolds YouTube channel.
Besides the confirmed characters, there are also those who are rumored to be back in action. The internet has been abuzz that Affleck will return as Daredevil, while Chris Evans has also been rumored to be returning to Marvel as a character he’s played in the past. No, not Captain America (even if Evans is most famous as him these days), but Johnny Storm/Human Torch from ‘Fantastic Four.’
The latter is more intriguing (if true) given Marvel’s aim to launch a new version of ‘Fantastic Four’ within the MCU. Clearly Kevin Feige is giving Reynolds and Levy plenty of leeway.
‘Deadpool 3’ is currently scheduled to quip his way into theaters on May 3rd, 2024.
Hugh Jackman will return as Wolverine in Marvel Studios’ ‘Deadpool 3.’
