Tag: giancarlo-esposito

  • Movie Review: ‘Please Don’t Feed the Children’

    Giancarlo Esposito as Fitz and Michelle Dockery as Clara in 'Please Don't Feed the Children.' Photo: Tubi.
    Giancarlo Esposito as Fitz and Michelle Dockery as Clara in ‘Please Don’t Feed the Children.’ Photo: Tubi.

    ‘Please Don’t Feed the Children’ receives 2 out of 10 stars.

    Premiering on Tubi June 27th is ‘Please Don’t Feed the Children,’ directed by Destry Allyn Spielberg and starring Michelle Dockery, Zoe Colletti, Regan Aliyah, Dean Scott Vazquez, Andrew Liner, and Giancarlo Esposito.

    Related Article: Giancarlo Esposito Reportedly Playing a Villain in New ‘Captain America’ Movie

    Initial Thoughts

    (L to R) Vicky (Regan Aliyah), Ben (Andrew Liner), Jeffy (Dean Scott Vazquez), Mary (Zoe Colletti), and Crystal (Emma Meisel) study a chess game in 'Please Don't Feed the Children.' Photo: Tubi.
    (L to R) Vicky (Regan Aliyah), Ben (Andrew Liner), Jeffy (Dean Scott Vazquez), Mary (Zoe Colletti), and Crystal (Emma Meisel) study a chess game in ‘Please Don’t Feed the Children.’ Photo: Tubi.

    Let’s get the elephant in the room out of the way first: the director of this film, Destry Allyn Spielberg, is in fact the daughter of Steven Spielberg. Whether that helped her land the gig is beside the point, as is the whole “nepo babies” argument. Why wouldn’t at least one offspring of one of the most famous directors in history show interest in pursuing the same career? Filmmaking – or any creative pursuit – can be just as much a family business as a restaurant or a construction company.

    It ultimately comes down to whether said offspring has the talent to make a go of it on their own, and in the case of Destry Allyn Spielberg…the jury is still out. One thing she doesn’t have for now, however, is good taste in material. Spielberg has chosen for her feature directorial debut a script (by Paul Bertino) that is as generic as they come, a viral outbreak zombie horror pastiche loaded with standard genre tropes and saddled with a collection of flat, forgettable characters. It makes for an utterly boring experience, and it’s hard to say if even a better director could make something interesting out of this.

    Story and Direction

    Director Destry Allyn Spielberg on the set of 'Please Don't Feed the Children.' Photo: Tubi.
    Director Destry Allyn Spielberg on the set of ‘Please Don’t Feed the Children.’ Photo: Tubi.

    “Harboring minors is a punishable offense.” That’s what we’re told as ‘Please Don’t Feed the Children’ begins, with an opening montage informing us that a deadly new virus has spread rapidly throughout the world. The plague turns adults into – surprise! – flesh-eating zombies, but it’s carried by kids (of whom very few end up getting the disease), which leads to a worldwide effort to capture children and quarantine them into detention camps.

    The notion of adults all over the globe willingly turning their children in for incarceration or worse is difficult to believe even for a dystopian horror film, but Bertino’s screenplay doesn’t spend much time ruminating on the morals and ethics of the situation. It doesn’t spend much time on anything, really, as we meet Mary (Zoe Colletti), a young girl who is trying to escape being captured by getting on a bus going to “the border,” wherever that is (so much about this movie is frustratingly non-specific). But when she’s spotted by soldiers, she only gets away with the help of Jeffy (Dean Scott Vazquez), a rather annoying little kid who spirits her on his bike to the large abandoned warehouse he calls home along with his sister Vicky (Regan Aliyah) and a few other teens.

    We’ve barely had time to get to even know these kids’ names when the soldiers show up (don’t ask me how Jeffy and his friends avoided this before) and roust them out. Fleeing in a van, the kids draw even more attention to themselves by bungling a convenience store heist before ending up at the door of Clara (Michelle Dockery), who lives in her huge house by herself while her police officer husband is away working. And before you can say ‘don’t eat those,’ Clara has fed the kids drugged milk and cookies and imprisoned them all in her surprisingly spacious attic, for purposes known only to her.

    All this plays out in listless, predictable fashion, with a rinse-repeat second act that finds one or more kids getting out of the attic and either meeting a grim fate (Clara also has something in the basement) or getting caught by their hostess and imprisoned again. Spielberg pulls off a few nice compositions here and there, but also suffers from that debut-director syndrome of being in love with camera moves that draw attention to themselves, such as a shot in the kids’ warehouse lair that spins around and around like it wants you to call it out. There is gore and nastiness aplenty, but very little in the way of scares or emotional involvement, since there are no characters here for which we feel the least empathy.

    All ‘Please Don’t Feed the Children’ (even its title doesn’t really make much sense in context) does is make you think of those other, better horror movies it’s riffing off, whether it’s ’28 Days Later,’ ‘Contagion,’ ‘Children of Men,’ or several others. There’s even a plot point reminiscent of ‘Bring Her Back’ from earlier this year. But all this only emphasizes how unoriginal ‘Please Don’t Feed the Children’ is. It’s like a zombie movie written by AI and directed by committee.

    Cast and Performances

    Michelle Dockery as Clara in 'Please Don't Feed the Children.' Photo: Tubi.
    Michelle Dockery as Clara in ‘Please Don’t Feed the Children.’ Photo: Tubi.

    There’s no easy way to say this: the young actors in this movie are almost all lacking. Whether that’s a comment on their own talent or Spielberg’s aptitude with actors isn’t clear. Zoe Colletti as the ostensible protagonist, Mary, just doesn’t have the personality to carry a story like this, and with the exception of Regan Aliyah – who at least shows some spark, even with a cliched character – the rest of the ensemble also exhibits little to remember them by.

    As for the two major adult names in the movie, Giancarlo Esposito shows up in a handful of scenes but doesn’t have much to do, and even this usually reliable veteran seems like he’s just collecting a paycheck. Michelle Dockery’s Clara, meanwhile, is unremittingly cruel and one-dimensional, and Dockery seems unsure whether to play it up for camp value or try for a genuinely evil portrayal. She ends up somewhere in a weird limbo between the two. It’s a very different role that what we’ve seen Dockery in before and she is game for it, pulling off a few creepy moments but also let down by the material.

    Final Thoughts

    Destry Allyn Spielberg directing 'Please Don't Feed the Children.' Photo: Tubi.
    Destry Allyn Spielberg directing ‘Please Don’t Feed the Children.’ Photo: Tubi.

    Everybody starts somewhere, right? There are plenty of well-known directors out there who are probably embarrassed by their first attempts at making a feature film. The problem for Destry Allyn Spielberg is that, unfairly or not, she will probably get called out for leveraging her famous name while delivering a disappointing product.

    Whether she can continue from here and forge a career on her own – and we wish her nothing but the best – she’ll have to pick her material more carefully. Shot in just 18 days (and feeling like it), ‘Please Don’t Feed the Children’ is vague, super-derivative, and mundane, with nothing to say thematically and nothing to add to an already well-worn genre.

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    What is the plot of ‘Please Don’t Feed the Children’?

    In a not-so-distant future where society is battling a deadly virus that is carried by children and afflicts the entire adult population, a group of orphans flee in search of a new life — only to be taken hostage by a woman hiding a sinister secret.

    Who is in the cast of ‘Please Don’t Feed the Children’?

    • Michelle Dockery as Clara
    • Zoe Colletti as Mary
    • Regan Aliyah as Vicky
    • Dean Scott Vazquez as Jeffy
    • Andrew Liner as Ben
    • Josh Melnick as Seth
    • Emma Meisel as Crystal
    • Vernon Davis as Hank
    • Giancarlo Esposito as Fitz
    (L to R) Vicky (Regan Aliyah) watches as Ben receives treatment from Clara (Michelle Dockery) in 'Please Don't Feed the Children.' Photo: Tubi.
    (L to R) Vicky (Regan Aliyah) watches as Ben receives treatment from Clara (Michelle Dockery) in ‘Please Don’t Feed the Children.’ Photo: Tubi.

    Movies Similar to ‘Please Don’t Feed the Children’:

    Buy Michelle Dockery Movies on Amazon

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  • TV Review: ‘The Residence’

    (L to R) Isiah Whitlock Jr. as Larry Dokes, Dan Perrault as Colin Trask, Spencer Garrett as Wally Glick, Uzo Aduba as Cordelia Cupp, Randall Park as Edwin Park, Andrew Friedman as Irv Samuelson, Ken Marino as Harry Hollinger, Molly Griggs as Lilly Schumacher in 'The Residence'. Photo: Erin Simkin/Netflix © 2024.
    (L to R) Isiah Whitlock Jr. as Larry Dokes, Dan Perrault as Colin Trask, Spencer Garrett as Wally Glick, Uzo Aduba as Cordelia Cupp, Randall Park as Edwin Park, Andrew Friedman as Irv Samuelson, Ken Marino as Harry Hollinger, Molly Griggs as Lilly Schumacher in ‘The Residence’. Photo: Erin Simkin/Netflix © 2024.

    ‘The Residence’ receives 7 out of 10 stars.

    Arriving on Netflix on March 20th, ‘The Residence’ sees prolific TV power producer Shonda Rhimes and her Shondaland company looking to give the streaming service its own take on ‘Only Murders in the Building.’

    But is there room for more than a couple of shows that blend murder mystery and comedy? That’s the case to unpack here.

    Related Article: Emmy Nominee John Hoffman Talks ‘Only Murders in the Building’

    Is ‘The Residence’ a Compelling Mystery?

    (L to R) Uzo Aduba as Cordelia Cupp, Giancarlo Esposito as A.B. Wynter, Susan Kelechi Watson as Jasmine Haney, Ken Marino as Harry Hollinger, Isiah Whitlock Jr. as Larry Dokes in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    (L to R) Uzo Aduba as Cordelia Cupp, Giancarlo Esposito as A.B. Wynter, Susan Kelechi Watson as Jasmine Haney, Ken Marino as Harry Hollinger, Isiah Whitlock Jr. as Larry Dokes in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    With its unusual central sleuth, a lot of frustrated potential suspects and a (mostly) one-location setting, this new series still manages to avoid coming across like a bad copy of the ‘Only Murders’ format.

    Here, creator/showrunner Paul William Davies (no stranger to White House affairs after working on Rhimes-birthed crisis management thriller series ‘Scandal’) mixes a crafty, funny mix of his own personal favorite mystery writers (the episode titles all nod to classic mystery books or movies) with the intriguing inner workings of the most famous address in America, since he also drew from Kate Andersen Brower’s book ‘The Residence: Inside the Private World of the White House.’

    It’s a combo that works really well –– the scurrilous world of behind-the-scenes drama during a State dinner for Australia is a fantastic backdrop for a teasing conundrum.

    Script and Direction

    (Right) Uzo Aduba as Cordelia Cupp in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    (Right) Uzo Aduba as Cordelia Cupp in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    The key to any good mystery –– whether it’s supposed to be funny or not –– is a carefully constructed script with enough red herrings to throw you off the scent of the final truth at the heart of the matter.

    Here, Williams and his writing staff concocted the twisted story of White House chief usher A.B. Wynter (Giancarlo Esposito), who rules efficiently and smoothly, but can’t abide personal drama. When he shows up dead on an upper floor of the residence at the White House, some within the building want it written off as a suicide, while others are convinced it was murder.

    Naturally, that calls for a detective to be brought in, and ‘The Residence’s creative team have made one for the ages in Uzo Aduba’s Cordelia Cupp, a dedicated ornithologist who just so happens to have a genius brain for ferretting out the answers to mysteries.

    (L to R) Uzo Aduba as Cordelia Cupp, Jason Lee as Tripp Morgan, Molly Griggs as Lilly Schumacher in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    (L to R) Uzo Aduba as Cordelia Cupp, Jason Lee as Tripp Morgan, Molly Griggs as Lilly Schumacher in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    But it’s not just the Cordelia Cupp show, the scripts weave and wander around the residence, replaying moments in time from different angles and creating a solid group of characters to tell the story. And while a lot of the series takes place within the title location, there is also a hearing happening to break things up.

    Directorially, Liza Johnson and her team bring an interesting style to the show, which sweeps through a version of the White House, and perfectly complements the story.

    Cast and Performances

    (L to R) Uzo Aduba as Cordelia Cupp, Randall Park as Edwin Park in 'The Residence'. Photo: Erin Simkin/Netflix © 2024.
    (L to R) Uzo Aduba as Cordelia Cupp, Randall Park as Edwin Park in ‘The Residence’. Photo: Erin Simkin/Netflix © 2024.

    Uzo Aduba is delightful as Cordelia Cupp, a consulting detective in the Sherlock Holmes mold, who is brought in by befuddled authorities to crack the case.

    Aduba is a natural at this sort of quirky comedy, and the character she brings to life is effortlessly entertaining, whether she’s interrogating suspects, confounding those who perceive themselves superior to her or tracking down a rare bird she wants to cross off her spotting list.

    Her mismatched buddy comedy chemistry with Randall Park’s FBI agent Edwin Park is one of the best elements of the series –– they’re on the same mission, but they rarely agree on how to go about it, and Park’s deadpan energy syncs well with Aduba’s.

    Giancarlo Esposito faced his own challenge coming into the show, as he inherited the role of chief usher Wynter from Andre Braugher. While Braugher had briefly played the part before the 2023 WGA strike shut down production, he died before filming could resume, leading to Esposito (who, coincidentally, replaced him years ago on ‘Homicide: Life on the Street’ before they co-starred in the follow-up TV movie to the show) stepping in.

    Giancarlo Esposito as A.B. Wynter in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    Giancarlo Esposito as A.B. Wynter in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    Wynter might seem like a character Esposito has become very known for playing –– icy, analytical and quietly arrogant, but he proves to be a refreshing change from that mode, with some more layers (even if his death kicks off the central mystery).

    Of the considerable supporting cast, highlights include Al Franken, playing the senator leading the hearing into the investigation, the ever-reliable Eliza Coupe who steals scenes as Senator Bix, who is eager to get to the truth of the matter, and Mel Rodriguez, playing Bruce Geller, the chief engineer who had no great love for Wynter, but does fall for another member of the household staff.

    Jason Lee is good value as Tripp Morgan, the President’s scruffy, lazy, salt-obsessed and light-fingered brother, bringing just the right level of sibling rivalry to the show, while Jane Curtin makes a meal of the role as the President’s mother-in-law who loves a drink, but hates noise.

    Oh, and kudos to pop legend Kylie Minogue for being so game to make fun of herself in a couple of episodes.

    Final Thoughts

    (L to R) Susan Kelechi Watson as Jasmine Haney, Uzo Aduba as Cordelia Cupp, Ken Marino as Harry Hollinger in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    (L to R) Susan Kelechi Watson as Jasmine Haney, Uzo Aduba as Cordelia Cupp, Ken Marino as Harry Hollinger in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    With its quirky score and offbeat central figure, you could effectively call this ‘Only Murders in the Eisenhower Executive Office Building’ (yes, yes, we know… the residence is part of the White House proper, just go with it.)

    This latest Shondaland offering has a solid cast, a great mystery and a watchable story that keeps you guessing.

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    What’s the plot of ‘The Residence’?

    Set in “upstairs, downstairs, and backstairs” of the White House, Cordelia Cupp (Uzo Aduba), an eccentric detective, arrives on the premises in order to solve a murder which happened during a state dinner. During the investigation, interpersonal conflicts between 157 personnel of the residence start to unfold.

    Who stars in ‘The Residence’?

    (L to R) Edwina Findley as Sheila Cannon, Uzo Aduba as Cordelia Cupp in 'The Residence'. Photo: Jessica Brooks/Netflix © 2024.
    (L to R) Edwina Findley as Sheila Cannon, Uzo Aduba as Cordelia Cupp in ‘The Residence’. Photo: Jessica Brooks/Netflix © 2024.

    List of Uzo Aduba Movies and TV Shows:

    Buy Uzo Aduba Movies On Amazon

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  • Movie Review: ‘The Electric State’

    (L to R) Michelle (Millie Bobby Brown) , Keats (Chris Pratt) and Dr. Amherst (Ke Huy Quan) in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    (L to R) Michelle (Millie Bobby Brown) , Keats (Chris Pratt) and Dr. Amherst (Ke Huy Quan) in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    ‘The Electric State’ receives 6.5 out of 10 stars.

    Premiering on Netflix on March 14th, ‘The Electric State’ is the latest big movie from ‘Avengers: Infinity War’/‘Avengers: Endgame’ directors Joe and Anthony Russo and is set in a dystopian past where robots and mankind have been locked in conflict.

    It’s just the latest effort from the filmmakers, who haven’t exactly had a warm critical reception for the work they’ve put out since ending their ‘Avengers’ run (they’re back on that particular duty with the next two movies), and unfortunately won’t do all that much to change the perception of them.

    Related Article: First Images of Millie Bobby Brown, Chris Pratt and More In New Sci-Fi Pic ‘The Electric State’

    Does ‘The Electric State’ Have the Right Spark of Invention?

    'The Electric State'. Photo: Netflix.
    ‘The Electric State’. Photo: Netflix.

    ‘The Electric State’ is reaching for Spielbergian levels of exploring heart within technological tales, but it never quite makes it there.

    A lot of what is entertaining about this new movie feels like it was borrowed from other, better movies, some of them Spielberg’s own –– there is definitely some DNA from ‘A.I.: Artificial Intelligence’ and ‘Ready Player One‘ here in the story (adapted by the directors’ regular collaborators, Christopher Markus and Stephen McFeely from Simon Stålenhag’s graphic novel.

    While the source material offers a basic spine for the plot –– an alternate 1990s where humanity and robots have been locked in a conflict after the latter revolted against being employed to do all the grunt work people don’t want to –– and some of the visual inspiration, the movie takes those ideas and runs with them.

    Yet what the team chooses to make its focus doesn’t always work that well. And to add to the feel of borrowed acclaim, chunks of the score sound like composer Alan Silvestri using discarded cuts from his ‘Avengers’ music.

    Script and Direction

    (L to R) Joe Russo (Director), Anthony Russo (Director) and Millie Bobby Brown as Michelle on the set of 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    (L to R) Joe Russo (Director), Anthony Russo (Director) and Millie Bobby Brown as Michelle on the set of ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    Markus and McFeely have brought us well-thought-out stories before, even ones that must juggle multiple characters.

    But in ‘The Electric State,’ the central character is Millie Bobby Brown’s Michelle, whose life is shattered when her parents and genius younger brother are killed in a car crash. At least, she thinks her brother is dead –– but when she’s visited unexpectedly by a robot based on his favourite childhood cartoon, she comes to believe he might actually be alive.

    So begins a quest to find him, one that will take Michelle, smuggler Keats (Chris Pratt) and his robot sidekick Herm (voiced by Anthony Mackie) into what is known as the Exclusion Zone, a walled-off corner in the desert where robots were banished following the war.

    The plot offers the opportunity for plenty of amusing robo-characters, but the sheer number just makes the film feel busy and underfocused, while the endless quips from the various robots don’t always land. The narrative is also locked into a fairly predictable progression –– you’ll likely guess where it’s all headed before too long.

    'The Electric State'. Photo: Netflix.
    ‘The Electric State’. Photo: Netflix.

    Still, there is some genuine emotion infused towards the end of the story.

    As directors, the Russos have proved they can handle these big movies, but their more recent efforts on that front, including ‘The Gray Man’ have been blandly reductive releases despite the talent involved both on screen and behind the camera.

    For ‘The Electric State’ that means a starry cast (most of them are on voice duty) and some very impressive visual effects, but with a $320 million budget, you’d expect that.

    Cast and Performances

    (L to R) Michelle (Millie Bobby Brown) and Keats (Chris Pratt) in 'The Electric State'. ™/© 2024 Netflix.
    (L to R) Michelle (Millie Bobby Brown) and Keats (Chris Pratt) in ‘The Electric State’. ™/© 2024 Netflix.

    Millie Bobby Brown continues to prove she can anchor genre work, but the role of Michelle, the young woman at the center of the movie, doesn’t always offer her too many chances to prove it. She’s perfectly fine in the role, but little more than that.

    Chris Pratt, meanwhile, is largely doing a riff on characters of this type he’s played before –– the lovable rogue we’ve met in the likes of ‘Guardians of the Galaxy’ and ‘Jurassic World,’ and Keats is very much a watered-down version of those.

    Stanley Tucci is somewhat lumbered with a basic villain role, a tech mogul with shades of Elon Musk who claims to want to help humanity but is only too happy if there’s collateral damage.

    (L to R) Giancarlo Esposito and Stanley Tucci in 'The Electric State'. Photo: Netflix.
    (L to R) Giancarlo Esposito and Stanley Tucci in ‘The Electric State’. Photo: Netflix.

    Giancarlo Esposito is also an antagonist, the hard-nosed drone pilot and robot deactivation specialist Colonel Bradbury, but the part is very much another scowling villain role for the actor, who might want to look into some different parts.

    Woody Norman as Michelle’s super-smart brother Chris has some nice notes to play, though he is naturally off screen for much of the running time. Still, if there is genuine emotion to be found at all, it’s in the human connection between Chris and Michelle.

    Another Woody, this time Harrelson, plays Mr. Peanut, the southern-fried promotional robot of the snack treat. He’s decent, but mostly speaks in platitudes.

    Elsewhere, the voice cast is a mixed bag –– Jenny Slate and Mackie are among the highlights, while Brian Cox is saddled with a one-joke character in Pop Fly, a baseball bot.

    Final Thoughts

    Millie Bobby Brown in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    Millie Bobby Brown in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    ‘The Electric State’ seems unlikely to change many peoples’ opinion about the Russo’s non-MCU work. It’s certainly a sweeping story with some fun to be found, but it rarely leaves a mark on the level of movies it has been inspired by.

    It’s a shame, as the creative team have clearly poured their hearts into it –– if only the results were better.

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    What’s the plot of ‘The Electric State’?

    ‘The Electric State’ is set in an alternate, retro-futuristic version of the 1990s. Millie Bobby Brown stars as Michelle, an orphaned teenager navigating life in a society where sentient robots resembling cartoons and mascots, who once served peacefully among humans, now live in exile following a failed uprising.

    Everything Michelle thinks she knows about the world is upended one night when she’s visited by Cosmo, a sweet, mysterious robot who appears to be controlled by Christopher — Michelle’s genius younger brother whom she thought was dead. Determined to find the beloved sibling she thought she had lost, Michelle sets out across the American southwest with Cosmo, and soon finds herself reluctantly joining forces with Keats (Chris Pratt), a low-rent smuggler, and his wisecracking robot sidekick, Herman (voiced by Anthony Mackie).

    As they venture into the Exclusion Zone, a walled-off corner in the desert where robots now exist on their own, Keats and Michelle find a strange, colorful group of new animatronic allies — and begin to learn that the forces behind Christopher’s disappearance are more sinister than they ever expected.

    Who is in the cast of ‘The Electric State’?

    Chris Pratt in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    Chris Pratt in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    List of Russo Brothers Movies and TV Shows:

    Buy Russo Brothers Movies On Amazon

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  • Movie Review: ‘Captain America: Brave New World’

    Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios' 'Captain America: Brave New World'. Photo courtesy of Marvel Studios. © 2024 Marvel.
    Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios’ ‘Captain America: Brave New World’. Photo courtesy of Marvel Studios. © 2024 Marvel.

    ‘Captain America: Brave New World’ receives 7 out of 10 stars.

    Opening in theaters February 14 is ‘Captain America: Brave New World,’ directed by Julius Onah and starring Anthony Mackie, Harrison Ford, Danny Ramirez, Shira Haas, Tim Blake Nelson, Carl Lumbly, Xosha Roquemore, and Giancarlo Esposito.

    Initial Thoughts

    Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios' 'Captain America: Brave New World.'
    Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios’ ‘Captain America: Brave New World.’ Photo courtesy of Marvel Studios. © 2024 Marvel.

    “You’re not Steve Rogers,” growls President Thaddeus “Thunderbolt” Ross (Harrison Ford) at Sam Wilson (Anthony Mackie) during one especially tense moment in ‘Captain America: Brave New World.’ And while Chris Evans’ portrayal of the original Cap remains an iconic element of the first 10 years of the Marvel Cinematic Universe, Mackie’s Sam Wilson certainly holds his own as the current owner of the shield and – according to this film – last Avenger standing.

    Mackie is terrific in the film, as is Ford – who’s awake and engaged, unlike in ‘Indiana Jones and the Dial of Destiny’ – and the movie itself, directed by Julius Onah, is neither a game-changer like ‘Captain America: Civil War’ nor an outright embarrassment like ‘Thor: Love and Thunder.’ With much of Phases 4 and 5 set in space, the quantum realm, or another universe, it’s also refreshing to watch an earthbound Marvel adventure for a change. While it still requires some homework – watching ‘The Incredible Hulk’ or ‘Eternals’ would be a good start – it’s an entertaining, engrossing action thriller carried by its leads’ charisma and flashes of that old Marvel allure.

    Related Article: Anthony Mackie and Morena Baccarin Talk Action Thriller ‘Elevation’

    Story and Direction

    (L to R) President Thaddeus Ross (Harrison Ford) and Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios' 'Captain America: Brave New World'. Photo courtesy of Marvel Studios. © 2024 Marvel.
    (L to R) President Thaddeus Ross (Harrison Ford) and Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios’ ‘Captain America: Brave New World’. Photo courtesy of Marvel Studios. © 2024 Marvel.

    ‘Captain America: Brave New World’ opens with the election of former Hulk hunter and Avengers hater Ross to the presidency, but it’s clear from the start that not all is well with him. He’s estranged from his daughter and haunted by his past, to the point where he summons Sam Wilson to his office and asks him to rebuild Earth’s Mightiest Heroes after loathing them for years (as usual, where the members who aren’t dead or retired are currently hanging out is not really discussed).

    Sam is understandably suspicious, since it was just a few years ago that Ross (back when he was Secretary of State) had Wilson and other superheroes thrown in the maximum-security prison known as the Raft. And Sam himself is still coming to terms with the enormous responsibility and pressure of wielding the shield, although his confidence is boosted by original super soldier Isaiah Bradley (Carl Lumbly), who’s still getting over his bitterness regarding the way he was treated by his own government (uh, yeah, watch ‘The Falcon and the Winter Soldier’ too).

    Ross has other things on his mind as well: the giant Celestial that fell into the ocean in ‘Eternals’ a few years back turns out to be made out of an incredible, previously unknown element which Ross calls “adamantium,” a word which should set off five-alarm sirens in fanboys’ brains. Wary of what could happen should adamantium get out in the world, Ross is trying to nail down a groundbreaking treaty with Japan – in whose territory the Celestial landed – to explore the element’s uses peacefully, a sign that he’s desperate to change his formerly bellicose ways.

    No sooner does Ross announce the finalization of the treaty, however, then there is a terrorist attack on his life. How that attack takes place and who does it throws everything – including the cautious rapprochement between Sam and the president – into chaos, but Sam, with the help of the newly minted Falcon, Joaquin Torres (Danny Ramirez), is determined to find out exactly what happened, who is behind it all, and what their ultimate agenda is.

    (L to R) Captain America/Sam Wilson (Anthony Mackie), Joaquin Torres/The Falcon (Danny Ramirez) and Isaiah Bradley (Carl Lumbly) in Marvel Studios' Captain America: Brave New World'. Photo courtesy of Marvel Studios. © 2024 Marvel.
    (L to R) Captain America/Sam Wilson (Anthony Mackie), Joaquin Torres/The Falcon (Danny Ramirez) and Isaiah Bradley (Carl Lumbly) in Marvel Studios’ Captain America: Brave New World’. Photo courtesy of Marvel Studios. © 2024 Marvel.

    The rest of the story involves clashes with Serpent terrorist organization leader Sidewinder (Giancarlo Esposito), presidential security chief Ruth Bat-Seraph (Shira Haas), and various other players, with Sam unsure of who he can trust and who might turn at a moment’s notice. At the heart of it all is a ghostly apparition from the early days of the MCU in the form of Samuel Sterns (Tim Blake Nelson), who’s pulling the strings for purposes unknown.

    ‘Brave New World’ deliberately channels the paranoid thriller bona fides of what is still one of the MCU’s finest films, ‘Captain America: The Winter Soldier,’ although in this case Julius Onah’s direction doesn’t have nearly the style of Anthony and Joe Russo’s work (although if this film went through massive reshoots as reported, it still mostly holds together). And there is a lot of clunky exposition in the script (which bears five writers in the credits) to either recap what’s happening or bring us up to speed on some of the plot points from other movies.

    But even if ‘Brave New World’ chugs along instead of truly soaring, it’s still a tight two hours of superhero entertainment. Marvel’s biggest successes have led to outsized expectations and an eventual critical backlash, but it’s almost unfair to expect each entry to be a ‘Guardians of the Galaxy’ or an ‘Avengers: Endgame.’ ‘Brave New World’ is a solid double, a fun, action-packed adventure that occasionally channels the vibe of older, finer MCU movies. It may rattle or stall out here and there, but it gets where it’s going with efficiency and energy.

    The Cast

    (L to R) Joaquin Torres/The Falcon (Danny Ramirez), and Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios' Captain America: Brave New World'. Photo courtesy of Marvel Studios. © 2024 Marvel.
    (L to R) Joaquin Torres/The Falcon (Danny Ramirez), and Captain America/Sam Wilson (Anthony Mackie) in Marvel Studios’ Captain America: Brave New World’. Photo courtesy of Marvel Studios. © 2024 Marvel.

    As mentioned earlier, Anthony Mackie handles the lead role with aplomb and grace, differentiating himself from the Evans version of Cap simply by virtue of the fact that he’s not a superhuman; he can get hurt, sometimes badly, he doesn’t have super strength, and he has to depend a bit more on the accoutrements of his tricked-out uniform (courtesy of Wakanda) than his predecessor did. This is a vulnerable Cap whose confidence occasionally wavers: at one point he confesses to an old friend, “[Steve] stopped two alien invasions. What made me think I could follow that?” Yet he also throws himself unconditionally into battle in the best tradition of his title, while also deploying empathy as a tool in his arsenal.

    It might be enticing to wonder what the late William Hurt would have done with “Thunderbolt” Ross’ biggest MCU appearance to date, but Harrison Ford steps smoothly into the role and embraces Ross’s steely demeanor and the character’s seemingly earnest yearning to atone for his past. But that past still catches up to him, making the character both flawed and tragic, and Ford chomps down on it in a livelier performance that we’ve seen from him in a while. Of course, it’s no spoiler to mention his transformation into Red Hulk, and the climactic fight between him, Cap, and a good chunk of the armed forces mostly lives up to its billing, some rough visuals aside.

    Giancarlo Esposito and Carl Lumbly are reliably excellent with less to do, with the latter especially bringing an emotional center to the movie. Shira Haas is striking as Ruth, the president’s security chief with a past of her own, while Danny Ramirez delivers enthusiasm but not a ton of personality as the new Falcon. Our favorite? Tim Blake Nelson, returning after 17 years to the character known as The Leader in the comics, who’s sinister, snarky, and – in his cheesily macabre prosthetics and glowing eyes – rather eerie.

    Final Thoughts

    Red Hulk/President Thaddeus Ross (Harrison Ford) in Marvel Studios' Captain America: Brave New World'. Photo courtesy of Marvel Studios. © 2024 Marvel.
    Red Hulk/President Thaddeus Ross (Harrison Ford) in Marvel Studios’ Captain America: Brave New World’. Photo courtesy of Marvel Studios. © 2024 Marvel.

    It’s a bit jarring to see the U.S. and Japan, of all countries, almost get into a shooting war, but fear not, the politics of ‘Brave New World’ are not nearly as topical as those of ‘The Winter Soldier’ or, hell, even the original ‘Iron Man.’ In fact, the geopolitical ramifications here are, while perhaps important for the MCU, generally an inch deep.

    And that’s probably the biggest criticism of ‘Brave New World’: it echoes the MCU’s past, sometimes literally, but doesn’t quite channel the surprising emotional depth that the first decade managed to convey (one scene near the end, a heart-to-heart between Sam and someone else, recaptures some of the chemistry of the characters in that first round of films). The script and visuals, while stronger than other recent outings, still fall down from time to time. But ‘Brave New World’ also manages to get back up and keep punching, delivering superhero antics without a whole lot of pretension. It may not be especially brave or new, but it’s fun.

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    What is the plot of ‘Captain America: Brave New World’?

    Now operating as Captain America, Sam Wilson (Anthony Mackie) uncovers a deadly conspiracy centered around President Thaddeus Ross (Harrison Ford) and fights to discover who is behind it before an international war breaks out.

    Who is in the cast of ‘Captain America: Brave New World’?

    • Anthony Mackie as Sam Wilson/Captain America
    • Harrison Ford as Thaddeus “Thunderbolt” Ross/Red Hulk
    • Danny Ramirez as Joaquin Torres/Falcon
    • Shira Haas as Ruth Bat-Seraph
    • Tim Blake Nelson as Samuel Sterns
    • Carl Lumbly as Isaiah Bradley
    • Xosha Roquemore as Leila Taylor
    • Giancarlo Esposito as Seth Voelker/Sidewinder
    'Captain America: Brave New World'.
    ‘Captain America: Brave New World’. © 2024 Marvel.

    Movies and TV Shows Connected to ‘Captain America: Brave New World’: 

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  • First Images of the Russo Bros. New Sci-Fi Movie ‘The Electric State’

    (L to R) Michelle (Millie Bobby Brown) and Keats (Chris Pratt) in 'The Electric State'. ™/© 2024 Netflix.
    (L to R) Michelle (Millie Bobby Brown) and Keats (Chris Pratt) in ‘The Electric State’. ™/© 2024 Netflix.

    Preview:

    • The first pictures from new sci-fi movie ‘The Electric State’ have landed.
    • Millie Bobby Brown and Chris Pratt star.
    • Joe and Anthony Russo are the directors.

    Since wrapping up their successful run of movies at Marvel, capped with the huge blockbuster ‘Avengers: Endgame,’ directing/sibling duo Joe and Anthony Russo have seen more mixed fortunes in terms of their filmmaking.

    While they set up their own production company, their actual movies have been hit and miss –– the likes of ‘Cherry’ and ‘The Gray Man’ haven’t seen the same pop cultural impact as their time with Iron Man and the rest of the Marvel gang.

    (L to R) Joe Russo (Director), Anthony Russo (Director) and Millie Bobby Brown as Michelle on the set of 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    (L to R) Joe Russo (Director), Anthony Russo (Director) and Millie Bobby Brown as Michelle on the set of ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    Now, before they prepare to head back to the MCU for more ‘Avengers’ action, the pair have an ambitious new science fiction film on the way.

    Adapted from Simon Stålenhag’s book by their regular collaborators Christopher Markus and Stephen McFeely (who found the source material and wrote a spec script), ‘The Electric State’ finds man and machine typically having trouble co-existing, with Millie Bobby Brown and Chris Pratt starring in the story of a young woman looking for her missing brother.

    The first pictures from the new movie are now online.

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    What’s the story of ‘The Electric State’?

    Chris Pratt in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    Chris Pratt in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    The new movie is set in an alternate, retro-futuristic version of the 1990s. Brown plays Michelle, an orphaned teenager navigating life in a society where sentient robots resembling cartoons and mascots, who once served peacefully among humans, now live in exile following a failed uprising.

    Everything Michelle thinks she knows about the world is upended one night when she’s visited by Cosmo, a sweet, mysterious robot who appears to be controlled by Christopher — Michelle’s genius younger brother whom she thought was dead.

    (L to R) Michelle (Millie Bobby Brown) , Keats (Chris Pratt) and Dr. Amherst (Ke Huy Quan) in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    (L to R) Michelle (Millie Bobby Brown) , Keats (Chris Pratt) and Dr. Amherst (Ke Huy Quan) in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    Determined to find the beloved sibling she thought she had lost, Michelle sets out across the American southwest with Cosmo, and soon finds herself reluctantly joining forces with Keats (Pratt), a low-rent smuggler, and his wisecracking robot sidekick, Herman (voiced by Anthony Mackie).

    As they venture into the Exclusion Zone, a walled-off corner in the desert where robots now exist on their own, Keats and Michelle find a strange, colorful group of new animatronic allies — and begin to learn that the forces behind Christopher’s disappearance are more sinister than they ever expected.

    Related Article: Chris Pratt Talks ‘The Garfield Movie’ and Voicing the Iconic Cat

    Who else stars in ‘The Electric State’?

    (L to R) Giancarlo Esposito and Stanley Tucci in 'The Electric State'. Photo: Netflix.
    (L to R) Giancarlo Esposito and Stanley Tucci in ‘The Electric State’. Photo: Netflix.

    Besides Brown, Pratt and Mackie, the cast includes Ke Huy Quan, Jason Alexander, Woody Norman, Giancarlo Esposito and Stanley Tucci.

    And that’s just the people making live-action appearances on screen. We’ll also hear the likes of Woody Harrelson, Brian Cox, Jenny Slate, Hank Azaria, Colman Domingo and Alan Tudyk lending their voices to mechanized characters.

    ‘The Electric State’: Millie Bobby Brown talks

    Millie Bobby Brown in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    Millie Bobby Brown in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    Brown discussed her character with Vanity Fair in a recent article:

    “The note that I would always get is, she’s still human. She’s rebellious and yes, she doesn’t want to follow the rules and she’s incredibly hurt because she’s dealing with a lot of grief. But she’s not invincible. We’re technically both the same age, so I feel like it was just: What are moments that I wouldn’t show my weakness? What are moments that I would? And I just played with that. I really want her to show that she’s made of stone because I want that to be the perception of who she is. But actually, as you get to know her, she softens and she warms up. And I tried to implement as much of my own experiences into her as possible.”

    When will ‘The Electric State’ be on our screens?

    (L to R) Millie Bobby Brown and Chris Pratt in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    (L to R) Millie Bobby Brown and Chris Pratt in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.

    Netflix has yet to confirm when the movie will be arriving, beyond setting it for a 2025 release. Given the scale of this thing, we’d imagine the company will at least grant it a limited theatrical run ahead of it arriving on users’ accounts.

    Millie Bobby Brown in 'The Electric State'. Photo: Paul Abell, ©2024 Netflix, Inc.
    Millie Bobby Brown in ‘The Electric State’. Photo: Paul Abell, ©2024 Netflix, Inc.
    'The Electric State'. Photo: Netflix.
    ‘The Electric State’. Photo: Netflix.
    'The Electric State'. Photo: Netflix.
    ‘The Electric State’. Photo: Netflix.

    List of Russo Brothers Movies and TV Shows:

    Buy Russo Brothers Movies On Amazon

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  • Movie Review: ‘Megalopolis’

    Adam Driver as Cesar Catilina in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    Megalopolis’, the long-awaited new film from legendary filmmaker Francis Ford Coppola (‘The Godfather’ and ‘Apocalypse Now’), finally opens in theaters on September 27th.

    The film stars an all-star cast that includes Adam Driver (‘Ferrari’), Giancarlo Esposito (‘The Mandalorian’), Nathalie Emmanuel (‘The Killer’), Aubrey Plaza (‘Emily the Criminal’), Shia LaBeouf (‘Honey Boy’), Talia Shire (‘Rocky’), Jason Schwartzman (‘Asteroid City’), Grace VanderWall (‘Stargirl’), Chloe Fineman (‘Saturday Night Live’), Laurence Fishburne (‘Slingshot’), and Academy Award winners Jon Voight (‘Reagan’), and Dustin Hoffman (‘Wag the Dog’).

    Related Article: Filmmaker Francis Ford Coppola and Adam Driver Discuss ‘Megalopolis’

    Initial Thoughts

    (L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of 'Megalopolis'. Photo Credit: Phil Caruso.
    (L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of ‘Megalopolis’. Photo Credit: Phil Caruso.

    ‘Megalopolis’ is the first film from Oscar-winning director Francis Ford Coppola in thirteen years and a project he has been developing since 1977. The result is an exhilarating and complex motion picture that pushes the boundaries of cinema while exploring class and the fragility of societies.

    Anchored by a fantastic ensemble of actors including Adam Driver, Giancarlo Esposito, Laurence Fishburne and Aubrey Plaza, Coppola experiments with story, visual effects and even live-theatrical components. However, this movie is not for everyone, and will have its fair share of critics due to its experimental nature and a somewhat confusing script. But if you ignore that, and just go for the wild cinematic ride Coppola has created, you will be in awe of the director’s latest masterpiece.

    Story and Direction

    Writer/Director Francis Ford Coppola on the set of 'Megalopolis'. Photo Credit: Phil Laruso.
    Writer/Director Francis Ford Coppola on the set of ‘Megalopolis’. Photo Credit: Phil Laruso.

    Combining the Catilinarian conspiracy with modern day New York, ‘Megalopolis’ is set in a decaying metropolis called New Rome. An Idealistic architect named Cesar Catilina (Adam Driver), who has the power to control space and time, seeks to demolish and rebuild the city into a sustainable utopia using a new material called “megalon”. Standing in his way is Franklyn Cicero (Giancarlo Esposito), the Mayor of New Rome who is committed to a regressive status quo.

    Things get complicated for Cesar when he falls in love with Julia Cicero (Nathalie Emmanuel), the mayor’s daughter. Also, lurking in the shadows is Cesar’s cousin, Clodio (Shia LaBeouf), who along with his uncle Hamilton Crassus III (Jon Voight) and his new wife former TV journalist Wow Platinum (Aubrey Plaza), is plotting to destroy Cesar before he can build his new utopia.

    Aubrey Plaza as Wow Platinum in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Aubrey Plaza as Wow Platinum in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    Dense and complex, Coppola’s screenplay explores class warfare and how easily societies can fail. Mixing Roman mythology with what at times feels like a Shakespearian script, (Driver even recites the “To be, or not to be” speech from ‘Hamlet’ at one point), the story at times can seem convoluted but if that bothers you, then I think you are missing the point of Coppola’s film. And knowing how much of the script and story was found on the set by the actors through improvisation, to focus on the screenplay’s shortcomings is again, to miss the point of the movie entirely.

    Arguably one of the greatest filmmakers in the history of cinema after making ‘The Godfather’, ‘The Godfather II’, and ‘Apocalypse Now’, just to name a few, the true joy of ‘’Megalopolis’ is watching the master filmmaker experiment with the medium and create something unexpected and quite beautiful in its own way. Not only is Coppola experimenting with the themes of the movie, but he is also experimenting with filmmaking technologies he hasn’t used before like digital cameras, digital effects, and a fascinating live-theatrical stunt, unlike anything I’ve seen before in a movie theater, but more on that below.

    Live Theatrical Experience

    Grace Vanderwaal as Vesta Sweetwater in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Grace Vanderwaal as Vesta Sweetwater in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    Towards the end of the second act, there is a moment when Driver’s Cesar is participating in a press conference. At that exact moment, the lights in the theater go on, and a person from the audience (obviously a plant) walks up to a microphone close to the screen. Then, in character, the “actor” asks the on-screen Cesar a question as if they are the reporter in the scene themselves. At least in my screening, the timing worked perfectly, and Cesar seemingly answered the member of the audience.

    It’s obviously a constructed stunt, but I absolutely loved that Coppola decided to experiment in this way and it’s the moment when (faults and all) I really fell for this film. It’s a bold move, and one that I wish more filmmakers would take the risk to do. I’m not saying every movie should have a live component, but I would love to see more filmmakers play with the medium and experiment with techniques that are outside of the norm.

    A Misunderstood Masterpiece?

    Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    With the media seemingly wanting to see Coppola fail after rumors of production troubles, not to mention the experimental nature of the movie, reviews out of the film’s Cannes premiere have been mixed at best. But don’t listen to them, and don’t even listen to me, see the movie for yourself and make up your own mind! However, I would suggest seeing the film in IMAX, as it adds to Coppola’s vision and the overall experience of the movie.

    While it’s unfair to compare ‘’Megalopolis’ to Coppola’s past work, it is important to remember (as the fake quotes in the film’s first trailer point out), films like ‘Apocalypse Now’, ‘Bram Stoker’s Dracula’ and yes, even ‘The Godfather’, received some mixed reviews upon release and of course have gone on to be considered cinematic classics. That may or may not eventually happen with ‘’Megalopolis’, but it is certainly a bold and intriguing movie, which is in stark contrast to the standard sequels and superhero films that litter our local cinema.

    The Cast

    Nathalie Emmanuel as Julia Cicero in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Nathalie Emmanuel as Julia Cicero in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    While the true star of ‘’Megalopolis’ in my opinion is Francis Ford Coppola, he has assembled a remarkable cast of actors, young and old, and the film is certainly anchored by Adam Driver’s strong performance. Driver embodies the character with an intelligence and an aloofness that only the former Kylo Ren actor could supply.

    Veteran actor Giancarlo Esposito has finally become a household name thanks to his vast television work on hit shows like ‘Breaking Bad’, ‘The Mandalorian’ and ‘The Boys’. This is Esposito’s first major role in a movie since his recent success, and while he once again plays the antagonist, the actor gives a very good performance.

    Shia LaBeouf as Clodio Pulcher in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Shia LaBeouf as Clodio Pulcher in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    While purposely over-the-top at times, Shia LaBeouf gives a commanding performance as the sinister Clodio, and Oscar-winner Jon Voight is at his best in years as Hamilton Crassus III. Also excellent in her role is Aubrey Plaza, perfectly cast as a Barbara Walters meets Megyn Kelly type journalist more concerned with moving up society’s later than reporting the truth. Other strong supporting performances come from Laurence Fishburne (the film’s narrator) and Grace VanderWaal as a Taylor Swift type entertainer.

    However, coming off an excellent performance in director John Woo’s remake of ‘The Killer’ is Nathalie Emmanuel, who is adequate as Julia, but has a hard time overcoming the shadows of the other heavyweights in the cast. Talia Shire (Coppola’s sister), Jason Schwartzman (Shire’s son and Coppola’s nephew), ‘Saturday Night Live’s Chloe Fineman and Oscar-winner Dustin Hoffman are all welcomed additions to the cast, but unfortunately are not given enough to do.

    Final Thoughts

    Adam Driver as Cesar Catilina in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    In the end, you may like ‘Megalopolis’ or you may not, but it is worth seeing in a theater, if for nothing else to experience a once in a lifetime theatrical experience from one of the greatest directors of all time.

    ‘Megalopolis’ receives 9 out of 10 stars.

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    What is the plot of ‘’Megalopolis’?

    In a decaying metropolis called New Rome, Cesar Catilina (Adam Driver) is an idealist architect who is granted a license by the federal government to demolish and rebuild the city as a sustainable utopia using a new material, “megalon”, which can give him the power to control space and time. His nemesis, Mayor Franklyn Cicero (Giancarlo Esposito), remains committed to a regressive status quo. Torn between them is Franklyn’s socialite daughter and Cesar’s love interest Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.

    Who is in the cast of ‘’Megalopolis’?

    • Adam Driver as Cesar Catilina
    • Giancarlo Esposito as Mayor Franklyn Cicero
    • Nathalie Emmanuel as Julia Cicero
    • Shia LaBeouf as Clodio Pulcher
    • Jon Voight as Hamilton Crassus III
    • Laurence Fishburne as Fundi Romaine
    • Talia Shire as Constance Crassus Catilina
    • Jason Schwartzman as Jason Zanderz
    • Kathryn Hunter as Teresa Cicero
    • Grace VanderWaal as Vesta Sweetwater
    • Chloe Fineman as Clodia Pulcher
    • James Remar as Charles Cothope
    • D. B. Sweeney as Commissioner Stanley Hart
    • Balthazar Getty as Aram Kazanjian
    • Dustin Hoffman as Nush Berman
    Francis Ford Coppola's 'Megalopolis' is scheduled for release on September 27, 2024.
    Francis Ford Coppola’s ‘Megalopolis’ is scheduled for release on September 27, 2024.

    Francis Ford Coppola Movies:

    Buy Tickets: ‘Megalopolis’ Movie Showtimes

    Buy Francis Ford Coppola Movies on Amazon

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  • ‘Megalopolis’ Interview: Francis Ford Coppola and Adam Driver

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    Opening in theaters on September 27th is the long-awaited new film from legendary filmmaker Francis Ford Coppola (‘The Godfather’ and ‘Apocalypse Now’) entitled ‘Megalopolis’. It is the first film from the Oscar winning director in thirteen years and a project he has been developing since 1977.

    The film stars an all-star cast that includes Adam Driver (‘Ferrari’), Giancarlo Esposito (‘The Mandalorian’), Nathalie Emmanuel (‘The Killer’), Aubrey Plaza (‘Emily the Criminal’), Shia LaBeouf (‘Honey Boy’), Talia Shire (‘Rocky’), Jason Schwartzman (‘Asteroid City’), Grace VanderWall (‘Stargirl’), Chloe Fineman (‘Saturday Night Live’), Laurence Fishburne (‘Slingshot’), and Academy Award winners Jon Voight (‘Reagan’), and Dustin Hoffman (‘Wag the Dog’).

    (L to R) Director Francis Ford Coppola and Adam Driver talk 'Megalopolis'.
    (L to R) Director Francis Ford Coppola and Adam Driver talk ‘Megalopolis’.

    Related Article: Adam Driver Talks ‘Ferrari’ and Working with Director Michael Mann

    Moviefone recently had the honor of speaking with legendary writer and director Francis Ford Coppola and Adam Driver about their work on ‘Megalopolis’, Coppola’s passion and dedication to get it made, the live theatrical aspect of the film, how he utilized new technology, Driver’s approach to his character, improvisation, and what he learned from working with Coppola.

    You can read the full interview below or click on the video player above to watch our interview.

    Writer/Director Francis Ford Coppola on the set of 'Megalopolis'. Photo Credit: Phil Laruso.
    Writer/Director Francis Ford Coppola on the set of ‘Megalopolis’. Photo Credit: Phil Laruso.

    Moviefone: To begin with, Mr. Coppola, can you talk about the spark of the idea for this film that excited you and what kept you passionate and determined over all these decades to finally get this movie made?

    Francis Ford Coppola: When I started, I didn’t specifically start with this project. I just thought that since I had made so many films with different styles, I was curious what my style was. So, I just started to note down articles I read, or I had a collection I remember of political cartoons because cartoons tell a whole story in one image, and things I had read. After a while, I found that I was interested in the idea of doing a Roman epic because I had seen them as a kid, and I loved Roman epics. Then at one point, I read a particular Roman story about what was called the Catiline conspiracy. In that, it said that could happen in modern America because modern America has based itself on being Roman. That’s when it began to really take shape in this. Then I started to collect possibilities of what it might be like and how it might be done, and ultimately led to this incredible collaboration with my wonderful cast and with Adam and with the various people who supplied everything in the film, and we made ‘Megalopolis’ together.

    (L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of 'Megalopolis'. Photo Credit: Phil Caruso.
    (L to R) Writer/Director Francis Ford Coppola and Adam Driver as Cesar Catilina on the set of ‘Megalopolis’. Photo Credit: Phil Caruso.

    MF: Adam, what was this experience like for you working with Mr. Coppola, and what did you learn about filmmaking from watching the specific way that he makes movies?

    Adam Driver: I think there’s maybe a misconception or an assumption that people make about directors that are like Francis that the atmosphere when you get on set is going to be very dictatorial, that it’s going to be “Do what I tell you to do”, or at least that’s just what the feedback that I get from people is, “Do you just say everything that he tells you to do?” That’s not actually what it’s like at all. He’s very disarming, which I guess should be no surprise because his movies feel that way. They all feel like everyone is pretty invested in what they’re doing because he gives you an incredible amount of trust, which it could easily have been the opposite of, “Move here because I said so, and I have a resume of films that have changed filmmaking as evidence that I know what I’m talking about”. That would’ve been a very compelling argument, but it’s the exact opposite. He makes you part of it because you have some authorship of it, you get obsessed with it and excited, and are invested and want to bring ideas to the table. Because he has such a, this is the understatement of the century, but an incredible film vocabulary that he is very good at picking the things that are in line with what he’s trying to make in an incredibly diplomatic way and discarding the things that aren’t what he needs. So, the thing I took from it is also, it felt like experimental theater in a way, where you can’t make a mistake, and setting an environment for people to feel comfortable to do whatever they wanted within the parameters. It is an experience that I didn’t have in film before, and I don’t think I’ll have again. Trying to take that to other films will be difficult.

    Adam Driver as Cesar Catilina in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    MF: Mr. Coppola, there is a staged moment in the film where someone from the theater’s audience stands up and interacts with Adam’s character on-screen. Can you talk about the choice to include this unusual experimental theatrical experience and how you were able to execute it?

    FFC: Well, it’s interesting because the film didn’t have that scene at all in it, and it was Adam who said to me, “Remember we shot a sequence where the people asked questions. I miss that. I wish that were back in.” I said, “Well, let’s go find it and put it back in and see what you think,” and we did. Then we put it in, and I agreed with him that it was missing, and it was better with it. It wasn’t in it. It was his idea and we put it in, and then the only thing that happened is I thought, “Well, wouldn’t it be interesting if a real person brought the microphone over and put it there?” We tried it and it seemed to be exciting. I’m a guy who in a way still has one foot in theater and one foot in cinema and I haven’t forgotten my theatrical training as a kid. I love to combine the two, and that’s where that came from. We only had it because of this idea about actors and directors, I’ve heard it said, “Oh, that director got this great performance out of the actor.” Directors don’t get great performances out of actors. The actor does the performance. The director’s like a coach. He’s there to be able to say something helpful, hopefully at the right time, when the actor is trying to achieve something, just like a coach in a sports team says, “Why don’t you try thinking this?” If it helps, great. But the actor does the hard part, let’s face it. The director is there to just say the right thing at the right moment if you are lucky enough to have the right thing to say.

    Adam Driver and Nathalie Emmanuel in 'Megalopolis'.
    (L to R) Adam Driver and Nathalie Emmanuel in ‘Megalopolis’. Photo: Lionsgate.

    MF: Adam, I understand there was quite a bit of improvisation on the set. Can you talk about your approach to playing Cesar, and did the improv help you find the character on set?

    AD: There’s the version and what we had talked about. Francis told me some inspirations, not directly, but like Walter Gropius was somebody that we talked about. Robert Moses was another person, just to kind of get a sense. But what Francis was saying, he’s being a little modest. I think sometimes people say that idea, which sounds romantic, and in practice, never practice it, or they reserve it for press. But Francis really acts on his principles and everything that he’s describing is very rare, I think, to get that experience as an actor and to get the freedom to kind of come up with an idea and surprise yourself, and hopefully Francis. But he still is the one that’s making that happen, so you wouldn’t get that movie obviously, if Francis wasn’t kind of conducting all these kinds of wild personalities. So, it all kind of was found by the other actors that I’m acting with, the props, how (Cinematographer) Mihai (Mălaimare Jr.) was shooting it with Francis and all Francis’ direction. He kind of set up the rules. The first day of shooting was something really and I remember at one point, Francis said, “We’re not being brave enough,” and that was like, “Oh, that’s probably the best piece of direction I’ve ever been given,” and that set the tone for the rest of the film.

    Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in 'Megalopolis'. Photo Credit: Courtesy of Lionsgate.
    Nathalie Emmanuel as Julia Cicero and Adam Driver as Cesar Catilina in ‘Megalopolis’. Photo Credit: Courtesy of Lionsgate.

    MF: Finally, Mr. Coppola, obviously the tools used to make films has changed a lot since you began making movies with advances in digital cameras, visual effects, and editing software. Can you talk about how you were able to implement those new tools into your style of filmmaking?

    FFC: Well, I think Orson Wells once said that a lot of those aspects of movies, you can learn in a weekend. But fundamentally, the two main components of cinema are acting and writing. That’s not something you can learn over the weekend. I mean, you can’t have a great movie without wonderful acting. You need some kind of good writing. Everything else is you can take great liberties with and choose to use or not to use. Just because there’s some new development that is possibly revolutionary doesn’t mean you have to use it or must use it in the way they’re using it. We did use a technique that falls in that category, what’s known as the volume. It’s when they have this huge space and it’s a huge LED screen. But we used it a different way. We put the scene that we shot very high, and so if they’re walking along up there and fall, they’re going to fall 15 feet into a net, and so that the actors would be a little trepidatious about walking around too casually up there. He (Adam) wasn’t afraid of it, but Natalie (Emmanuel) was. When she walked, you could feel she didn’t want to fall. So, I mean, as I said, you can use things, but you don’t have to use them in the way that they were invented for.

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    What is the plot of ‘’Megalopolis’?

    In a decaying metropolis called New Rome, Cesar Catilina (Adam Driver) is an idealist architect who is granted a license by the federal government to demolish and rebuild the city as a sustainable utopia using a new material, “megalon”, which can give him the power to control space and time. His nemesis, Mayor Franklyn Cicero (Giancarlo Esposito), remains committed to a regressive status quo. Torn between them is Franklyn’s socialite daughter and Cesar’s love interest Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.

    Who is in the cast of ‘’Megalopolis’?

    • Adam Driver as Cesar Catilina
    • Giancarlo Esposito as Mayor Franklyn Cicero
    • Nathalie Emmanuel as Julia Cicero
    • Shia LaBeouf as Clodio Pulcher
    • Jon Voight as Hamilton Crassus III
    • Laurence Fishburne as Fundi Romaine
    • Talia Shire as Constance Crassus Catilina
    • Jason Schwartzman as Jason Zanderz
    • Kathryn Hunter as Teresa Cicero
    • Grace VanderWaal as Vesta Sweetwater
    • Chloe Fineman as Clodia Pulcher
    • James Remar as Charles Cothope
    • D. B. Sweeney as Commissioner Stanley Hart
    • Balthazar Getty as Aram Kazanjian
    • Dustin Hoffman as Nush Berman
    Francis Ford Coppola's 'Megalopolis' is scheduled for release on September 27, 2024.
    Francis Ford Coppola’s ‘Megalopolis’ is scheduled for release on September 27, 2024.

    Francis Ford Coppola Movies:

    Buy Tickets: ‘Megalopolis’ Movie Showtimes

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  • ‘Poker Face’ Rolls Out Star-Studded Season 2 Cast

    (Left) Giancarlo Esposito in the 'The Gentlemen.' Photo: Kevin Baker/Netflix. Copyright: © 2023, Netflix Inc. (Right) Kumail Nanjiani in Columbia Pictures’ 'Ghostbusters: Frozen Empire.' Photo: Jaap Buitendijk. Copyright: © 2024 CTMG, Inc. All Rights Reserved.
    (Left) Giancarlo Esposito in the ‘The Gentlemen.’ Photo: Kevin Baker/Netflix. Copyright: © 2023, Netflix Inc. (Right) Kumail Nanjiani in Columbia Pictures’ ‘Ghostbusters: Frozen Empire.’ Photo: Jaap Buitendijk. Copyright: © 2024 CTMG, Inc. All Rights Reserved.

    Preview:

    • Giancarlo Esposito, Kumail Nanjiani, Katie Holmes, and more will show up for Season 2 of the hit Peacock series ‘Poker Face.’
    • Natasha Lyonne headlines the Emmy-winning mystery series from creator/director Rian Johnson.
    • Season 1 featured a star-studded cast that included Adrien Brody, Joseph Gordon-Levitt, Hong Chau, Ron Perlman, Chloe Sevigny, and Ellen Barkin, among others.

    Natasha Lyonne will be back as former casino cocktail waitress Charlie Cale for Season 2 of ‘Poker Face,” and this time out she’ll be joined by another spectacular lineup of guest stars on the Peacock mystery series.

    Among those who Lyonne will cross paths with during the upcoming season, according to Deadline, are Giancarlo Esposito, Katie Holmes, Gaby Hoffmann, and Kumail Nanjiani. No details about their characters have been revealed at the moment, and more cast members are certain be announced in the weeks ahead.

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    Where have you seen the guest stars for Season 2 of ‘Poker Face’?

    Giancarlo Esposito is Moff Gideon in 'The Mandalorian,' season two, exclusively on Disney+.
    Giancarlo Esposito is Moff Gideon in ‘The Mandalorian,’ season two, exclusively on Disney+.

    Leading the ensemble for Season 2 of ‘Poker Face’ is the red-hot Giancarlo Esposito. Following his Emmy-nominated run on ‘Better Call Saul,’ Esposito’s more recent TV/streaming credits include ‘The Mandalorian,’ ‘The Boys,’ and ‘The Gentlemen.’ On the big screen, you can currently catch him in ‘MaXXXine,’ will see him later in 2024 in Francis Ford Coppola’s ‘Megalopolis’ and next year as a villain in Marvel’s ‘Captain America: Brave New World.’

    Kumail Nanjiani also spent time in the Marvel Cinematic Universe with 2021’s ‘Eternals,’ and turned up earlier this year in ‘Ghostbusters: Frozen Empire.’ He’ll appear this August on the small screen in Season 4 of ‘Only Murders in the Building,’ while his other recent TV credits include ‘Welcome to Chippendales’ and ‘Obi-Wan Kenobi.’

    Katie Holmes first achieved fame on the teen drama ‘Dawson’s Creek,’ while amassing credits in movies like ‘The Ice Storm,’ ‘Batman Begins,’ ‘Thank You for Smoking,’ and many more, as well as acclaimed TV roles in ‘The Kennedys’ and ‘Ray Donovan.’ Meanwhile, Gaby Hoffman most recently starred in the Netflix series ‘Eric’ and the Amazon sitcom ‘Transparent,’ while her film roles include ‘Field of Dreams,’ ‘Uncle Buck,’ ‘Veronica Mars,’ and ‘C’mon C’mon.’

    What is the backstory of ‘Poker Face’?

    Natasha Lyonne as Charlie Cale in Peacock's 'Poker Face.'
    Natasha Lyonne as Charlie Cale in Peacock’s ‘Poker Face.’ Photo by: Karolina Wojtasik/Peacock.

    ‘Poker Face’ was created by ‘Knives Out’ and ‘The Last Jedi’ writer/director Rian Johnson, who also executive produced the first season, directed three episodes, and wrote two. Johnson will return as executive producer for Season 2, although he hasn’t said whether or not he’s directing or writing again (he’s currently shooting the third ‘Knives Out’ mystery with Daniel Craig).

    Lyonne (who directed an episode in Season 1 and will do so again in Season 2) stars as Cale, who has the ability to determine whether someone is lying. She ends up fleeing Las Vegas as a result and heading across the country, where each week she meets different people and ends up getting drawn into a different mystery that she eventually solves.

    Season 1’s cast included Adrien Brody, Joseph Gordon-Levitt, Benjamin Bratt, Ron Perlman, Chloë Sevigny, Stephanie Hsu, Hong Chau, Ellen Barkin, Jameela Jamil, Rhea Perlman, and Judith Light. The latter won an Emmy Award for Outstanding Guest Actress in a Comedy for her work in the show. A premiere date for Season 2 has yet to be announced.

    Related Article: TV Review: ‘Poker Face’

    Rian Johnson, Creator and Executive Producer of 'Poker Face' at the Hollywood Legion Theater on January 23, 2023.
    Rian Johnson, Creator and Executive Producer of ‘Poker Face’ at the Hollywood Legion Theater on January 23, 2023. Photo by: Jesse Grant/Peacock.

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  • Movie Review: ‘MaXXXine’

    Mia Goth and Halsey in 'Maxxxine'.
    (L to R) Mia Goth and Halsey in ‘Maxxxine’. Photo: Starmaker Studios LLC.

    Opening in theaters July 5 is ‘MaXXXine,’ directed by Ti West and starring Mia Goth, Kevin Bacon, Giancarlo Esposito, Elizabeth Debicki, Lily Collins, Halsey, Michelle Monaghan, and Bobby Cannavale.

    Related Article: Mia Goth and Alexander Skarsgård Talk Brandon Cronenberg’s ‘Infinity Pool’

    Initial Thoughts

    Mia Goth in 'Maxxxine'.
    Mia Goth in ‘Maxxxine’. Photo: Starmaker Studios LLC.

    Ti West is nothing if not ambitious. The indie horror auteur has followed up 2022’s ‘X’ (set in the ‘70s) and ‘Pearl’ (set in 1918) with ‘MaXXXine,’ the conclusion to what has turned into a wide-ranging horror trilogy spanning three seminal decades in American history and popular culture. Now ‘MaXXXine’ fast-forwards to the 1980s, when the indie horror of the ‘70s was seeping into Hollywood and changing the way the genre was portrayed and films were made, while at the same time the porn industry was migrating to home video.

    The epicenter of it all is Hollywood, the connection point between sleaze and cinema, and at the very center of West’s movie is Maxine Minx (Mia Goth), the sole survivor of ‘X’ and now an established adult film star looking to make it big in mainstream movies. Goth, who also played an elderly Pearl in ‘X’ and a younger version in ‘Pearl,’ plays Maxine to the hilt this time around, her drive for success just as relentless as her determination to let nothing stand in her way.

    ‘MaXXXine’ is largely driven by Goth’s magnetic performance, which is just as much the centerpiece here as it was in the previous films. And this time she and West are working on a bigger canvas, with a larger, star-studded cast, and an expansive narrative. But while the first two-thirds of the movie are fun, the last act strangely lets down both Maxine herself and the world West is building.

    Story and Direction

    Director Ti West on the set of 'Maxxxine'.
    Director Ti West on the set of ‘Maxxxine’. Photo: Starmaker Studios LLC.

    Several years after the farmhouse massacre that ended ‘X,’ sole survivor and top porn star Maxine Minx yearns to make the leap to mainstream movies. She gets the chance via ‘The Puritan II,’ a sequel to a slasher hit that’s being directed by Elizabeth Bender (Elizabeth Debicki), who sees tremendous potential in Maxine but perhaps overestimates that of her own movie. Just as filming begins, people around Maxine – including her porn actor friend Tabby (Halsey) and others – begin to die, killed gruesomely in a series of attacks (shot Dario Argento-style) that resemble those being perpetrated by the Night Stalker (a real-life serial killer who terrorized L.A. in 1984 and 1985).

    Maxine also gets a visit from a seedy private detective named John Labat (Kevin Bacon), who’s up from New Orleans to find Maxine on behalf of a mysterious client. The client may have knowledge of Maxine’s involvement in the farmhouse murders – and may also have a connection to the killings that are closing in around her now as well.

    ‘MaXXXine’ both pays homage to and satirizes the Hollywood culture of the time, the slasher genre that was prevalent that decade, and the efforts to which women have to go to make it in the business (particularly in the ‘80s). West, cinematographer Eliot Rockett, and production designer Jason Kisvardy get the aesthetic of the period almost absolutely perfect: scenes are either brightly lit or awash in inky darkness, while the buildings, interiors, cars, and props immediately immerse the viewer in both the gaudiness and tackiness of the decade (they’re equally matched by the wardrobe, makeup, and hair, courtesy of Mari-An Ceo, Sarah Rubano, and Jaime Leigh McIntosh, respectively).

    Mia Goth and Sophie Thatcher in 'Maxxxine'.
    (L to R) Mia Goth and Sophie Thatcher in ‘Maxxxine’. Photo: Starmaker Studios LLC.

    All this is in service of a story that is wildly offbeat and a bit unstructured for its first two-thirds, as Maxine pursues her dream even as the grisly killings continue around her (and they are gruesome, in that delightfully bloody ‘80s way). In addition to Labat, she’s also under the scrutiny of two cops played by Michelle Monaghan and Bobby Cannavale, the latter out to nail Maxine for the crimes while the former responds to her as a fellow woman struggling in a male-dominated business.

    When it all comes to a head in the final third, however, ‘MaXXXine’ loses both steam and coherence. There are simply too many plot strands and characters for West to juggle effectively, and a few crucial points get lost in the shuffle. Curiously, Maxine also loses a great deal of her agency in the latter half of the film, acting almost as a passive bystander as events happen to and around her. While she reasserts herself at the very end, Maxine doesn’t quite push the confluence of events forward, robbing her arc of some of its potency.

    The Cast

    Mia Goth and Elizabeth Debicki in 'Maxxxine'.
    (L to R) Mia Goth and Elizabeth Debicki in ‘Maxxxine’. Photo: Starmaker Studios LLC.

    While ‘X’ had the benefit of including an always watchable Brittany Snow and a pre-‘WednesdayJenna Ortega in its cast, and ‘Pearl’ gave us a look at David Corenswet before he donned Superman’s cape, ‘MaXXXine’ clearly has the most stacked ensemble of the three films.

    Of course, it all revolves around Goth, whose mix of hard-bitten cynicism, sultriness, self-confidence, and arrogance are just as bracing here as her work in the previous two films (although her astounding performance in ‘Pearl’ may be hard to top). Between the ‘X’ trilogy and last year’s ‘Infinity Pool,’ Goth may very well have positioned herself as the reigning queen of indie horror, capable of fearless, nuanced work in roles that seem tailor-made for her slightly otherworldly presence.

    This time out, however, she’s more than ably supported by the chewy antics of Kevin Bacon (doing a sweaty, Cajun-flavored Hank Quinlan in the clothes of Jake Gittes), and the magnificent Giancarlo Esposito, who plays Maxine’s agent with a mix of fatherly protectiveness and ‘done it all’ world-weariness. Halsey and Lily Collins’ appearances are too brief to really register (although Collins has a funny bit), and the detectives essayed by Cannavale and Monaghan are instantly fun to watch even if they don’t get a lot of time to develop. Elizabeth Debicki is always a welcome presence as well, although her scenes as the ambitious ‘Puritan II’ director are somewhat repetitive as she constantly reminds Maxine how important their movie is.

    Final Thoughts

    Mia Goth in 'Maxxxine'.
    Mia Goth in ‘Maxxxine’. Photo: Starmaker Studios LLC.

    Overall, the ‘X’ trilogy (which could apparently expand to a fourth film, according to recent comments from West) has been a blast to watch, with the writer-director paying tribute to several different movie genres at once and getting the look and style right in all three films (while populating all three with some good old-fashioned gore and sex as well). And in Maxine herself, West and Goth have created an indelible new combination of genre femme fatale and scream queen.

    But ‘X’ and ‘Pearl’ were far more focused that ‘MaXXXine,’ which tries to tie together so many elements – the rise of the slasher film genre, the moral panic over said movies by cultural watchdogs, the real-life panic over the Night Stalker and other “Satanic” murders, the battle of women to get recognition and respect in an exploitative industry – that it never quite achieves the grand finale it’s clearly aiming for. But in a funny way, that’s almost how it should be as well – we all know that the third movie in a trilogy never quite sticks the landing.

    ‘MaXXXine’ receives 7 out of 10 stars.

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    What is the plot of ‘MaXXXine’?

    As adult film star Maxine Minx (Mia Goth) reaches for stardom in 1980s Hollywood with a role in a slasher film, a series of mysterious killings with possible connections to her past threaten her life and the lives of those around her. Maxine must confront the ghosts of her past and the forces conspiring against her if she wants to finally grasp what she’s desired for so long.

    Who is in the cast of ‘MaXXXine’?

    • Mia Goth as Maxine Minx
    • Kevin Bacon as John Labat
    • Elizabeth Debicki as Elizabeth Bender
    • Giancarlo Esposito as Teddy Knight
    • Moses Sumney as Leon
    • Michelle Monaghan as Detective Williams
    • Bobby Cannavale as Detective Torres
    • Halsey as Tabby Martin
    • Lily Collins as Molly Bennett
    Mia Goth in 'Maxxxine'.
    Mia Goth in ‘Maxxxine’. Photo: Starmaker Studios LLC.

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  • ‘Megalopolis’ Lands U.S. Distribution with Lionsgate

    Francis Ford Coppola's 'Megalopolis' is scheduled for release on September 27, 2024.
    Francis Ford Coppola’s ‘Megalopolis’ is scheduled for release on September 27, 2024.

    Preview:

    • Francis Ford Coppola has made a deal with Lionsgate to release ‘Megalopolis’.
    • The filmmaker’s passion project stars Adam Driver, Giancarlo Esposito and Nathalie Emmanuel.
    • Coppola poured millions of his own money into making the movie.

    Given how much time and money Francis Ford Coppola had poured into making his latest passion project, the epic known as ‘Megalopolis’, things were looking a little grim.

    Coppola, the man behind movies such as ‘The Godfather’ trilogy and ‘Apocalypse Now’ had been looking to bring ‘Megalopolis’ to life for years but hadn’t found anyone to invest fully.

    So the filmmaker went ahead and sold a chunk of his vineyard business to drum up the cash himself, tracking down a cast and getting under way.

    Then came reports of trouble on set, with effects issues and even accusations of inappropriate behavior by the director (an issue which has yet to be settled either way).

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    Finally, Coppola finished the film and screened it for potential distributors in Los Angeles, to reportedly zero interest. He scored a slot at Cannes and that has sparked wildly divisive reviews, many calling out its gonzo storytelling and performances.

    Yet after the festival screening, there has been a big turnaround in the movie’s fortunes, Coppola securing a raft of international distribution deals across the world.

    And today brings word that Lionsgate has scored a deal to distribute the movie here in the States, and to handle its home entertainment release.

    What’s the story of ‘Megalopolis’?

    Adam Driver and Nathalie Emmanuel in 'Megalopolis'.
    (L to R) Adam Driver and Nathalie Emmanuel in ‘Megalopolis’. Photo: Lionsgate.

    The fate of Rome haunts a modern world (and a city that’s essentially an alternate New York) unable to solve its own social problems in this epic story of political ambition, genius, and conflicting interests.

    ‘Megalopolis’ essential clash is between Cesar (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare.

    Caught between the two? Franklyn’s socialite daughter and Cesar’s love interest, Julia (Nathalie Emmanuel), who, tired of the influence she inherited, searches for her life’s meaning.

    Who else is in ‘Megalopolis’?

    Jon Voight as Byrne in 'The Painter.'
    Jon Voight as Byrne in ‘The Painter.’ Photo: Republic Pictures.

    Coppola has rounded up quite the ensemble for this one. Surrounding the three leads are Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D. B. Sweeney, Isabelle Kusman, Bailey Ives, Madeleine Gardella and Dustin Hoffman.

    Related Article: Oscar-winner Jon Voight Talks ‘Mercy’ and ‘Megalopolis’

    ‘Megalopolis’ Domestic Release: Coppola Speaks

    Director Frances Ford Coppola at the 50th Anniversary of 'The Godfather' event and historic street naming ceremony the Paramount Theater in Hollywood, CA on February 22nd, 2022. Photo by Frazer Harrison/Getty Images for Paramount Pictures.
    Director Frances Ford Coppola at the 50th Anniversary of ‘The Godfather’ event and historic street naming ceremony the Paramount Theater in Hollywood, CA on February 22nd, 2022. Photo by Frazer Harrison/Getty Images for Paramount Pictures.

    Here’s the statement the director released about the new deal:

    “One rule of business I’ve always followed and prioritized (to my benefit) is to continue working with companies and teams who over time have proven to be good friends as well as great collaborators. This is why I am thrilled to have Adam Fogelson and Lionsgate Studios release ‘Megalopolis’. I am confident they will apply the same tender love and care given to ‘Apocalypse Now’, which is currently in its 45th year of astounding revenue and appreciation.”

    And here’s Lionsgate boss Adam Fogelson’s comment:

    “Francis is a legend. For many of us, his gifts to cinema were one of the inspirations to devote our own careers to film. It is a true privilege to work with him, and to bring this incredible, audacious, and utterly unique movie to theatrical audiences. At Lionsgate, we strive to be a home for bold and daring artists, and ‘Megalopolis’ proves there is no one more bold or daring than the maestro, Francis Ford Coppola.”

    When will ‘Megalopolis’ be in a theater near me?

    Lionsgate has set a September 27th release date for the movie.

    Al Pacino, Francis Ford Coppola and Robert De Niro
    Al Pacino, Francis Ford Coppola and Robert De Niro onstage during the 50th anniversary tribute of “The Godfather” at the live ABC telecast of the 94th Oscars® at the Dolby Theatre at Ovation Hollywood in Los Angeles, CA, on Sunday, March 27, 2022.

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