Tag: creed ii

  • What’s New on Digital, DVD/Blu-ray, TV, & Netflix This Week: March 4-10

    What’s New on Digital, DVD/Blu-ray, TV, & Netflix This Week: March 4-10

    MGM

    At a loss for what to watch this week? From new DVDs and Blu-rays, to what’s streaming on Netflix, we’ve got you covered.

    NEW ON DVD AND BLU-RAY

    ‘Creed II’ (March 5)

    Michael B. Jordan and Sylvester Stallone return as newly-crowned heavyweight champ Adonis Creed and his trainer, Rocky Balboa. In this sequel, Adonis must face ghosts from the past, in the form of rising boxer Viktor Drago, son of Ivan Drago (Dolph Lundgren) — the man responsible for his father Apollo Creed’s death.

    The movie arrives on 4K Ultra HD, Blu-ray, and DVD on March 5 (and is already available on Digital HD). Bonus features include deleted scenes and making-of featurettes.

    ‘The Favourite’ (March 5)

    Girls rule, boys drool in this delightful dramedy set in the politically-turbulent English court of Queen Anne (Oscar winner Olivia Colman). The imperious and impetuous royal’s relationship with advisor/lover Sarah Churchill, Duchess of Marlborough (Rachel Weisz) is turned upside down by the arrival of Sarah’s wily cousin, Abigail (Emma Stone).

    The movie arrives on Blu-ray, and DVD on March 5 (and is already available on Digital HD). Bonus features include deleted scenes and a behind-the-scenes featurette on the costumes.

    ‘Vox Lux’ (March 5)

    The film follows Celeste, a 13-year-old who survives a school shooting, then becomes famous for singing at the memorial. Years later, the older Celeste (Natalie Portman) is a pop superstar trying to revive her career after a scandal, while struggling to be a good mother to her daughter.

    The movie arrives on Blu-ray, DVD, and Digital HD on March 5. Bonus features include a music video.

    ‘Free Solo’ (March 5)

    Prepare yourself to experience some vertigo while watching this Oscar-winning documentary, which follows free solo climber Alex Honnold attempting to achieve his lifelong dream of scaling the 3,200-foot El Capitan in Yosemite National Park without a rope.

    The movie arrives on DVD on March 5 (and is already available on Digital HD).

    ‘Instant Family’ (March 5)

    A married couple (Mark Wahlberg and Rose Byrne) who didn’t expect to have kids decide to foster three siblings. But becoming an instant family isn’t quite that easy and hijinks and mistakes ensue.

    The movie arrives on Blu-ray and DVD on March 5 (and is already available on Digital HD). Bonus features include deleted and extended scenes, a gag reel, and multiple featurettes.

    ‘Burning’ (March 5)

    The Korean psychological thriller centers on an introverted young man, Jongsu (Ah-in Yoo), whose life is complicated by the introduction of of two people into his orbit: Haemi (Jong-seo Jun), a spirited woman who offers romantic possibility, and Ben (Steven Yeun), a wealthy and sophisticated man.

    The movie arrives on Blu-ray and DVD on March 5 (and is already available on Digital HD). Bonus features include a making-of featurette.

    ‘Ben Is Back’ (March 5)

    Julia Roberts stars as Holly, a mother who is thrilled when her 19-year-old son (Lucas Hedges) comes home from rehab. The rest of the family is skeptical and wary, and Holly soon realizes the difficulties of dealing with an addict son.

    The movie arrives on Blu-ray and DVD on March 5 (and is already available on Digital HD). Bonus features include audio commentary.

    ‘The Craft’ (March 5): This special collector’s edition arrives over two decades after the 1996 supernatural movie made waves with its dark story of outcast teen girls who start practicing witchcraft. The Blu-ray release features new interviews with co-writer and director Andrew Fleming and co-writer Peter Filardi.

    NEW VIDEO ON DIGITAL, DEMAND, AND STREAMING

    ‘Aquaman’ (March 5)

    The highest-grossing movie in the DC universe is already generating buzz around a sequel and a spinoff. Jason Momoa stars as the titular superhero AKA Arthur Curry, the half-human heir to the heir to the underwater kingdom of Atlantis. He must step forward to prevent his brother from starting a war between the worlds of ocean and land. Now available on Digital HD.

    NEW ON NETFLIX

    ‘After Life’ (March 8)

    Ricky Gervais returns to the small screen in this dark comedy about a man named Tony whose perfect life is upended when his wife dies. After contemplating suicide, he decides to live long enough to punish the world for his wife’s death by literally saying and doing whatever he wants to — which he considers a superpower.  But everyone around him starts trying to make him a better person again.

    https://www.youtube.com/watch?v=S_-cQVKI2X8

    ‘Juanita’ (March 8)

    Alfre Woodard stars in this romantic comedy about a woman who decides to reinvent herself. After leaving behind her three adult kids, she takes a bus to Butte, Montana where she takes on a new life and a new romance.

    For more, see what else is new on Netflix in March 2019.

    TV WORTH WATCHING

    ‘American Gods’ Season 2 Premiere, Starz (March 10, 8 p.m.)

    After two years of behind-the-scenes drama, the fantasy series finally returns with trouble still brewing between the Old Gods and the New Gods. Shadow (Ricky Whittle) joins Mr. Wednesday (Ian McShane) in advocating for all-out war. Meanwhile, Mr. World (Crispin Glover) plots revenge for the attack against him in Season 1.

    https://www.youtube.com/watch?v=b3klnW1VjKI

    ‘The Case Against Adnan Syed’ Miniseries Premiere, HBO (March 10, 9 p.m.)

    This four-part documentary reinvestigates the case made famous by the “Serial” podcast. It reviews the events leading up to Hae Min Lee’s disappearance and murder, and follows Syed as he awaits the outcome of a lengthy appeals process.

  • The 10 Best Action Movies of 2018, Ranked

    The 10 Best Action Movies of 2018, Ranked

  • Holiday Movie Guide 2018: Every Movie You Should See Over Christmas Break

    Holiday Movie Guide 2018: Every Movie You Should See Over Christmas Break

  • The 13 Best Movie Posters of 2018 (So Far)

    The 13 Best Movie Posters of 2018 (So Far)

  • Sylvester Stallone Announces He’s Retiring Rocky Balboa After ‘Creed II’

    Sylvester Stallone Announces He’s Retiring Rocky Balboa After ‘Creed II’

    Paramount

    Rocky Balboa is stepping out of the ring — for good.

    Sylvester Stallone reprised his famous boxer character in “Creed II,” which broke box office records over Thanksgiving weekend. But in an Instagram post, Stallone hinted that Rocky is retiring from the screen after 40 years and passing the gloves once and for all to Michael B. Jordan.

    “It’s been my ultimate privilege to have been able to create and play this meaningful character,” he wrote in the caption.

    “Though it breaks my heart, sadly all things must pass … and end.”

    https://www.instagram.com/p/Bquk06OharC/?utm_source=ig_web_copy_link

    In the video, Stallone says, “This is probably my last rodeo because what I thought happened, it has happened, I never expected. I thought Rocky was over in 2006, and I was very happy with that.

    ” Then all of a sudden this young man presented himself, and the whole story changed. It went on to a new generation, new problems, new adventures. And I couldn’t be happier because as I step back, as my story has been told, there’s a whole new world that’s gonna be opening up for the audience, for this generation.”

    “Creed II” certainly sets up a future where Rocky takes a seat on the sidelines, while Adonis is center ring. “This is your time,” Rocky repeatedly tells his young protege. If there is a “Creed III,” it will be without Rocky.

  • Box Office: ‘Ralph Breaks the Internet,’ ‘Creed II’ Drive Record Thanksgiving Weekend

    Box Office: ‘Ralph Breaks the Internet,’ ‘Creed II’ Drive Record Thanksgiving Weekend

    Disney

    Two big sequels helped propel the Thanksgiving box-office to record heights: “Ralph Breaks the Internet” racked up $84.6 million at 4,017 locations over the five-day holiday period and $56 million for the weekend.

    It’s now the second-best Thanksgiving debut ever, beaten only by Disney’s “Frozen,” which earned $93.6 million during its first five days.

    New Line

    And “Creed II” knocked out $55 million from 3,350 venues over the five days and $34 million for the weekend. That makes it the the best debut for a live-action film over the Thanksgiving weekend. It also scored higher than the first film, which launched with $29 million in its first weekend in 2015.

    All told, Thanksgiving moviegoing set a new record: More than $314 million, breaking the record of $294 million set in 2013.

    Summit

    Audiences gave the new “Robin Hood,” starring Taron Egerton in yet another retelling of the legendary bandit’s exploits, a hard pass. Savage reviews didn’t help the film, which earned only $14.2 million over the five-day period and $9 million for the weekend. Considering that the movie cost nearly $100 million, it looks like distributor Summit is going to take a bath on this one.

    Fox Searchlight

    Playing in just four theaters in New York and Los Angeles, “The Favourite” earned $420,000. At $105,500 per location, it had the best per-screen average of the year. Yorgos Lanthimos (“The Lobster”) directed the period drama, which stars Oscar winners Rachel Weisz and Emma Stone jockeying to be court favorites to Queen Anne (Olivia Colman, who’s also the new Queen Elizabeth II in Netflix’s “The Crown”). It’s expected to be a solid awards contender.

    Magnolia

    Also bowing in limited release: Japanese film  “Shoplifters.” The movie about a family who resorts to shoplifting to survive won the Palme d’Or at Cannes and is Japan’s selection for best foreign language film for this year’s Oscars. It opened in five locations where it made $88,000, for a per-screen average of $17,600.

    Here are the top 10 5-day estimates for November 21–25, 2018

    1. “Ralph Breaks the Internet,” $84,472,000
    2. “Creed II,” $55,806,000
    3. “Fantastic Beasts: The Crimes of Grindelwald,” $42,920,000
    4. “Dr. Seuss’s The Grinch,” $42,018,000
    5. “Bohemian Rhapsody,” $19,375,000
    6. “Instant Family,”  $17,425,000
    7. “Robin Hood” (2018), $14,220,000
    8. “Widows,” $10,575,000
    9. “Green Book,” $7,400,000
    10. “A Star is Born” (2018), $4,080,000

    [Via Variety,  BoxOfficemojo]

  • ‘Ralph Breaks the Internet,’ ‘Creed II’ Set Thanksgiving Preview Box Office Records

    ‘Ralph Breaks the Internet,’ ‘Creed II’ Set Thanksgiving Preview Box Office Records

    Disney

    Hollywood is giving thanks for “Ralph Breaks the Internet” and “Creed II.”

    The two movies’ Tuesday opening nights set box office records for Thanksgiving previews. “Ralph Breaks the Internet” earned $3.8 million, with “Creed II” just a hair behind it at $3.7 million. Both are the best preview showings ever for Thanksgiving week.

    For Disney, the sequel to “Wreck-It Ralph” outperformed previous Thanksgiving previews by “Coco” ($2.3 million) and “Moana” ($2.6 million). The animated family film is on track to make $67 to $75 million over the extended holiday weekend.

    “Creed II” also outdid the original movie, which made $1.5 million in previews the Tuesday before Thanksgiving in 2015. The sequel is expected to earn $50 million through the weekend.

    The other movie that opened with Tuesday night previews didn’t fare as well. “Robin Hood” grossed just $800,000 and has a projected five-day total of $13 to $15 million.

  • 9 Movies You Should See Over Thanksgiving Break

    9 Movies You Should See Over Thanksgiving Break

    In terms of the winter movie cycle, Thanksgiving is a great time to get caught up.

    You have a couple of days off, are probably stuffed with, er, stuffing, and want to be prepared for the Christmas movie onslaught that is just around the corner, when both Mary Poppins and Spider-Man will be vying for your attention (amongst many, many others). So we’ve prepared a handy viewing guide for the Thanksgiving break, for when you want to escape to the theater with your loved ones, or leave them behind while they digest their turkey and watch whatever football game is on. And don’t worry, if you want to watch Netflix instead, we’ve got that covered, too.

    Fantastic Beasts: The Crimes of Grindelwald

    Warner Bros/Wizarding World

    Remember “Fantastic Beasts and Where to Find Them,” 2016’s ambitious but somewhat confusing fantasy romp that was supposed to serve as an extension of the lucrative Warner Bros. franchise but instead was kind of just huh? Well, they made another one! And this one is much better.

    With Newt Scamander (Eddie Redmayne, again) dispatched to Paris to track down the powerful Credence (Ezra Miller) and foil the plot of villainous wizard Gellert Grindelwald (Johnny Depp), the movie adds some international intrigue, a more admissibly knotty plot and, thanks to an appearance by sexy young Albus Dumbledore (Jude Law), some concrete connections between the various strands of this franchise. Just be warned — before you pile the family into the station wagon, it might be a good idea to re-watch the first movie. Consider that your magic spell for understanding “Fantastic Beasts: The Crimes of Grindelwald.”

    Widows

    Fox

    Given the pedigree, it’s very clear that “Widows” isn’t your run-of-the-mill thriller. Based on a British prime time series from 1983, it concerns a group of women (among them: Viola Davis, Michelle Rodriguez, Elizabeth Debicki and Cynthia Erivo) who are forced into a sticky situation when their criminal husbands are killed in a heist-gone-wrong.

    Directed by Academy Award-winner Steve McQueen and co-written by Gillian Flynn (who wrote “Gone Girl” and “Sharp Objects”), this is a movie that thrills on both an intellectual and visceral level. “Ocean’s 8” it is not.

    The Favourite

    Fox

    This is the time of year when the studios unleash their stuffy period movies and, yes, there are even a few of those this year. But “The Favourite” is not one of them.

    Rambunctious, sexy, and unpredictable, it’s the antithesis of every boring costume drama that they throw Oscars at with willful abandon. This is electrically alive in a way few films, period or otherwise, ever are, anchored by a trio of brilliant female performers (Olivia Colman, Emma Stone and Rachel Weisz) and some of the finest direction this year (courtesy of Greek genius Yorgos Lanthimos). Set during the reign of Queen Anne (Colman) in the early part of the 18th century, it features palace intrigue, love triangles, and people getting pushed into muddy ditches. What more do you want?

    Ralph Breaks the Internet

    Disney

    In the sequel to the hit 2012 animated film, Ralph (John C. Reilly) and Vanellope (Sarah Silverman) head to the Internet, where they fall in with online auctions, meme-creation, and a particularly violent “Grand Theft Auto”-style game called “Slaughter Race” that is lorded over by a bad-ass, leather-clad ringleader named Shank (Gal Gadot). Also, the Disney Princesses show up. As you can imagine, it’s a lot of fun.

    Ralph Breaks the Internet” is one of those rare family sequels that won’t leave you with a toothache from it being so sweet, there’s actual pathos and emotionality but nothing feels syrupy or forced and it’s honestly one of the most visually ravishing animated features you’re ever likely to see.

    Green Book

    Universal

    Up until this point, Peter Farrelly has directed as one-half of the Farrelly Brothers — serving as the tag-team provocateurs behind gross-out extravaganzas like “Dumb and Dumber,” “There’s Something About Mary,” and the underrated classic “Kingpin.” So it’s interesting to see Farrelly emerge as something of an Oscar frontrunner for his work directing “Green Book,” a based-on-a-true-story racial drama starring Mahershala Ali and Viggo Mortensen.

    In the film. Ali plays Don Shirley, a classical pianist, who hires New York tough guy Tony Vallelonga (Mortensen) to escort him on a tour of the South. This could be the feel-good movie of the fall, which makes it a perfect after-Thanksgiving family outing.

    Creed II

    MGM

    Finally. The follow-up to 2015’s brilliant “Rocky” refresh “Creed” is now upon us. Let us give thanks.

    In “Creed II,” Michael B. Jordan returns as Adonis Creed, the son of Apollo Creed, who this time turns to going toe-to-doe with Viktor Drago (Florian Munteanu), the son of Ivan Drago (Dolph Lundgren), who famously killed Apollo in the ring (in 1985’s Cold War classic “Rocky IV“). Oh, and Rocky (Sylvester Stallone) is still around! So there’s that. Hopefully the sequel builds on the intensity and excitement of the first film, while supplying some new wrinkles as well. We can already feel ourselves getting inspired.

    Roma

    Netflix

    Yes, “Roma” is a Netflix movie. But in a rare move, the streaming service is debuting the movie in theaters first, before it hits the platform in mid-December. And, really, you should do everything in your power to see it on the big screen. In fact, try and see it on the biggest screen possible. Because this movie is absolutely jaw dropping.

    An epic on a miniature scale, the highly autobiographical film from “Gravity” filmmaker Alfonso Cuaron follows a middle-class family in Mexico City in the early 1970s dealing with heartache, political upheaval, and the day-to-day domestic drama that every family deals with. What makes this story even more captivating is that it’s told through the eyes of the family’s housekeeper Cleo (Yalitza Aparicio, giving one of the year’s best performances even though she’s not a professional actor). You have to see this with an audience in a theater. It just won’t be the same on your iPad.

    Overlord

    Paramount

    If your family is really annoying you over Thanksgiving, it might be time to watch a little more muscular movie at the multiplex. Perhaps something like “Overlord,” a high-concept World War II romp that features thrills, chills, and the cathartic experience of watching sweaty hunks brutally murder Nazis.

    Conceived by mystery box magnate J.J. Abrams, “Overlord” is a hard-core horror movie mixed with an equally hardcore war movie, wherein a group of Allied soldiers (among them Jovan Adepo and Wyatt Russell) parachute into France to take down a radio tower on the eve of D-Day and wind up finding a gnarly zombie conspiracy. You know, that old story. But there are some definite grindhouse pleasures to be had as Nazis get shot, blown-up, and lit on fire and then come back from the dead to do it all again.

    Bohemian Rhapsody

    Fox

    Because who doesn’t love Queen?

  • ‘Creed II’ Review: If Only All Sequels Were This Good

    ‘Creed II’ Review: If Only All Sequels Were This Good

    MGM/WB

    After six “Rocky” films, “Creed” was a remarkable triumph — what seemed superfluous at best became essential.

    The first “Creed” movie is not just a great entertainment,  but it is also a catharsis for one character and a vivid introduction for another. Consequently, “Creed II” only needed to be a well-deserved victory lap for Michael B. Jordan, who rocketed to stardom as Adonis “Donnie” Creed, not to mention Sylvester Stallone, whose signature series passed to more than capable shepherds. But like its predecessor, this kinda-sorta double sequel (both to its immediate predecessor and to “Rocky IV”) wrestles with powerful issues, deepens the first film’s characterizations, and resolves lingering details in the franchise’s timelines with humanity and grace. “Creed II” elevates the literal and metaphorical challenges of following up improbable success to something meaningful and eventually transcendent of the formulas that it relies upon.

    Following his bout with Ricky Conlan (Anthony Bellew) at the end of the first film, Donnie has spent his subsequent time in the ring proving that he can trade blows with the best in the boxing world, culminating in a decisive victory over Danny “Stuntman” Wheeler (Andre Ward) that makes him heavyweight champion of the world. But when ambitious promoter Buddy Marcelle (Russell Hornsby) approaches him with an offer to fight Viktor Drago (Florian Munteanu) — son of Ivan Drago, the man who killed Apollo Creed 30 years ago — Donnie jumps at the opportunity to avenge his father and burnish his own reputation in the ring.

    MGM/WB

    Rocky (Stallone) discourages Donnie from facing an unproven fighter who’s been weaned on Ivan’s festering bitterness and anger, and who seems determined to exact as much pain as possible upon the protégé of the man who defeated his father. But when Donnie learns that Bianca (Tessa Thompson) is pregnant with their daughter, and should history repeat itself — a defeat might deprive the newborn of knowing her father — he is forced to contemplate not just whether or not he can win, but why it matters for him to fight in the first place.

    Even as the film falls into the sometimes predictable rhythms of the series — triumphant victories giving way to devastating defeats, and vice versa — writers Sylvester Stallone and Juel Taylor showcase what seems like a very real feeling for competitors at the top of their game, and Donnie feels unfocused and perhaps appropriately decentralized in his own story. He is less a person than a character in a narrative that the world is determined to control — a narrative that loves nothing more than perfect parallel lines between generations as one yields for the next to secure its own legacy. In the first half of Donnie’s journey, he seems to be doing what he thinks he’s supposed to, or is afraid not to — a realistic and understandable course of action for a kid who, by the end of the first film, had only begun to discover himself, much less his febrile talents.

    But abject losses have a way of forcing reflection upon people who pursue excellence, and director Steven Caple Jr. harnesses these necessary, almost predetermined story beats and turns them into moments of searing introspection — and, eventually, powerful self-actualization. Jordan, proving again he has more than enough charisma and talent to be both a movie star and bona fide actor, returns to a character facing questions that undoubtedly hit close to home as he plots his next career move: Once you’ve earned success, how much is enough? And more vitally, what drives that pursuit? The young actor’s physical commitment to the role is readily visible, but it’s the overall sharpness of his performance, including moments of heartbreaking vulnerability, that elevate his journey from the son of Apollo Creed to his own man.

    MGM/WB

    Meanwhile, the movie gives all of its characters much to do, and feeds off of their interactions in an uncommonly generous way. Tessa Thompson exudes self-assurance and restless creativity as Bianca, Donnie’s ride-or-die partner and sounding board. Bianca is skeptical in the most empathetic ways of Donnie’s pursuits and ambitions, even as she refuses to sideline her own.

    As Mary Anne, Apollo’s widow, Phylicia Rashad continues to feed her adoptive son unvarnished truth and unconditional love, often dispensing one when he thinks he needs the other. And even if Rocky has largely accomplished all that the character ever needs to on screen, Stallone undercuts his shaggy authority as Donnie’s pride and fear becomes an uncomfortable mirror for the failures Rocky has left unresolved for too long. He shows that armchair philosophers can still learn as well as they teach.

    If the film falls short of its predecessor, it’s because the dramatic scenes are so good, and the journeys taken outside of the ring are so vivid, that the fights feel almost like an afterthought, or a concession to the demands of the series. Caple’s technique doesn’t quite feel as effortless or elegant as Ryan Coogler’s did on “Creed,” which may account both for the sequel’s over-modulated sound design — every punch lands with an ear-shattering thud — and its overuse of ringside commentators. (When the storytelling is otherwise this skillful, it feels unnecessary to have the stakes of the fight, including its “Shakespearean overtones,” repeatedly verbalized.)

    But ultimately, Caple proves more than a worthy successor to Coogler (who returns as executive producer) in that he elevates and reshapes what could have been formulaic parallel story and character lines — fathers and sons, mothers and children, legacies secured and destroyed, and purposes questioned and found — into one converging, thrilling, deeply affecting narrative.

    Because “Creed II” works wonderfully as a follow-up to the first “Creed” and the fourth “Rocky,” but the similarities to those earlier films are quite frankly the least of its charms. And like Adonis, what proves most remarkable is how successfully what could easily be dismissed as a lesser copy or pale imitation combats a suffocating legacy to prove it can, and should, stand on its own.

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