Tag: box office

  • ‘KPop Demon Hunters’ Tops the Box Office

    'KPop Demon Hunters'. Photo: Netflix/©2025 Netflix.
    ‘KPop Demon Hunters’. Photo: Netflix/©2025 Netflix.

    Preview:

    • ‘KPop Demon Hunters’ is the technical winner of this week’s box office.
    • The movie has been on Netflix for two months but landed in theaters for a sing-along version.
    • ‘Weapons’ also continues to do well.

    Netflix is not traditionally a company that releases its movies on the big screen, preferring to drive people towards the app on TVs and elsewhere. There have been exceptions –– award-worthy movies scored short qualifying theatrical runs and Greta Gerwig negotiated an IMAX run for her in-the-works ‘Narnia’ effort.

    But there hasn’t been anything like ‘KPop Demon Hunters’, the story of a K-pop superstar girl group who also just so happen to save the world from demonic forces, which has been on the streaming services servers for two months now, surging to become the second-most watched movie on the platform, with some of its songs soaring into download charts.

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    Netflix decided to ride the movie’s popularity, and released it as a “sing-along” version on 1,700 screens across North America (and more internationally), scoring a reported figure of between $18-$20 million, which makes it the highest grossing release of the weekend. But there’s an asterisk…

    Related Article: ‘The Fantastic Four: First Steps’ Launches at the Top of the Box Office

    Was ‘KPop Demon Hunters’ really top of the charts?

    'KPop Demon Hunters'. Photo: Netflix/©2025 Netflix.
    ‘KPop Demon Hunters’. Photo: Netflix/©2025 Netflix.

    Here’s where things get more complicated. Since Netflix doesn’t release box office figures and wouldn’t comment about ‘Demon Hunters’ actual earnings, the data comes via exhibition sources and rival studios with access to certain data.

    So the actual, final tally may never be known.

    Which means that Zach Cregger’s successful horror pic ‘Weapons’ technically counts as the top earner for the weekend with $15.6 million from 3,631 cinemas in its third week for an impressive global total of nearly $200 million, through Sunday.

    What else happened at the box office this weekend?

    (L to R) Julia Garner as Justine and Josh Brolin as Archer in New Line Cinema’s 'Weapons,' a Warner Bros. Pictures release. Photo Credit: Quantrell Colbert. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Julia Garner as Justine and Josh Brolin as Archer in New Line Cinema’s ‘Weapons,’ a Warner Bros. Pictures release. Photo Credit: Quantrell Colbert. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    If we are to fully count ‘KPop Demon Hunters’ as the top of the charts, that makes ‘Weapons’ a strong second place.

    Disney’s ‘Freakier Friday’ fell to third place, making $9.2 million for a global total of $112.3 million.

    Fourth was ‘Fantastic Four: First Steps’, which despite early promise hasn’t really lived up to Marvel’s hopes. It took in $5.9 million for a current global total of $490.1 million.

    And in fifth, we find animated outing ‘The Bad Guys 2’, which made $5.1 million and had earned $149.1 million globally.

    In other box office news, Apple’s ‘F1’, the Brad Pitt-starring racing drama, roared past $600 million worldwide this weekend to become the most successful original movie of 2025.

    Can I watch the Sing-Along version of ‘KPop Demon Hunters’ at home?

    You can! In a move that surprised few, Netflix announced that the sing-along version of the movie would arrive on servers on Monday August 25th, so by the time you’re reading this, you’d be able to go and sing along to “Golden” or ‘Takedown” in the comfort of your own home (though from the viewing figures, plenty of you were already doing that).

    'KPop Demon Hunters'. Photo: Netflix/©2025 Netflix.
    ‘KPop Demon Hunters’. Photo: Netflix/©2025 Netflix.

    Movies Currently in Theaters

    ‘Weapons’ (2025)
    ‘Freakier Friday’ (2025)
    ‘Fantastic Four: First Steps’ (2025)
    ‘The Bad Guys 2‘ (2025)
    ‘Nobody 2’ (2025)
    ‘Superman’ (2025)
    ‘Honey Don’t!’ (2025)
    ‘The Naked Gun’ (2025)
    ‘Jurassic World: Rebirth’ (2025)
    ‘Relay’ (2025)

    Buy Tickets: ‘KPop Demon Hunters’ Movie Showtimes

    Buy K-Pop on Amazon

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  • ‘Fantastic Four’ Starts With Strong Steps at the Box Office

    Ebon Moss-Bachrach as Ben Grimm/The Thing in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    Ebon Moss-Bachrach as Ben Grimm/The Thing in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    Preview:

    • ‘The Fantastic Four: First Steps’ launched to $118 at the domestic box office.
    • It notched the fourth-biggest box office launch so far this year.
    • Yet its initial figure was behind ‘Superman’s.

    In the battle of the 2025 superhero blockbusters, it appears the Man of Steel is still the strongest. Still, despite opening slightly lower than James Gunn’s DC Studios launch, the latest entry in the Marvel Cinematic Universe still got off to a strong start.

    ‘The Fantastic Four: First Steps’, which finally brings Marvel’s “First Family” into the MCU, made $118 million in its first weekend.

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    That’s a little behind ‘Superman’s $120 million opening, but more than enough to be celebrated as a success for Marvel following the underperformance of ‘Captain America: Brave New World’ and ‘Thunderbolts*’.

    Related Article: Movie Review: ‘The Fantastic Four: First Steps’

    How did ‘The Fantastic Four: First Steps’ perform internationally?

    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing and Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing and Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    This latest Marvel effort stretched to $218M global opening, with $100 million from international markets..

    The overseas debut is 13% ahead of ‘Thunderbolts*’, 11% ahead of ‘Superman’ and 4% above ‘Captain America: Brave New World’ and more importantly, ahead of projections.

    For its part, ‘Superman’ has now topped the half-billion milestone, now at $502.7M worldwide, including $213.2M from international.

    Now we’ll have to see how ‘Fantastic Four’ performs going forward. In its favor, it only really has ‘Superman’ as direct competition in terms of genre and audience for a few weeks.

    What else happened at the box office this weekend?

    David Corenswet as Superman in DC Studios’ and Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.
    David Corenswet as Superman in DC Studios’ and Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.

    ‘Superman’ slipped to second place after two weeks at the top –– earning $24.9 million from 3,930 screens, a 57% decline from last weekend. The movie has generated $289.5 million domestically and $502.7 million globally.
    Third place went to ‘Jurassic World Rebirth,’ which made $13 million from 3,550 venues in its fourth weekend.

    The dinosaur outing has grossed $301 million in North America and $718 million globally, which is impressive, but still behind the other ‘Jurassic World’ franchise entries, which all crossed the $1 billion mark.

    Fourth past the post was ‘F1′, the Brad Pitt-starring racing movie set in the world of Formula One.

    Brad Pitt as Sonny Hayes in Apple Original Films’ 'F1', a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Brad Pitt as Sonny Hayes in Apple Original Films’ ‘F1’, a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    It took $6.2 million in its fifth lap around the track. That’s a 37% decline from the previous weekend, bringing ticket sales to $165.6 million domestically and $509 million worldwide. Decent, but it carries a hefty $250 million plus budget and anyway, backers Apple are not so worried about theatrical returns as other companies.

    Finally, Paramount’s animated musical ‘Smurfs’ rounded out the top five with $5.4 million from 3,504 venues, a 50% drop from its disappointing $11 million debut.

    So far, the family film has earned $22.7 million at the domestic box office and $46 million internationally for a worldwide tally of $69 million. Not great!

    What’s next for the MCU?

    Up next for Marvel is animated Disney+ series ‘Eyes of Wakanda’, spun off from the ‘Black Panther’ movies, and ‘Wonder Man’, starring Yahya Abdul-Mateen II.

    In terms of movies, ‘Spider-Man: Brand New Day’ will be out in July next year, followed by giant team-up effort ‘Avengers: Doomsday,’ due the following December.

    H.E.R.B.I.E in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps.' Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025.
    H.E.R.B.I.E in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps.’ Photo courtesy of 20th Century Studios/Marvel Studios. © 2025 20th Century Studios / © and ™ 2025.

    List of ‘Fantastic Four’ Movies and TV Shows:

    Buy Tickets: ‘The Fantastic Four: First Steps’ Movie Showtimes

    Buy MCU Movies On Amazon

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  • James Gunn’s ‘Superman’ Stays Atop the US Box Office

    (L to R) Rachel Brosnahan as Lois Lane and David Corenswet as Superman in Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Rachel Brosnahan as Lois Lane and David Corenswet as Superman in Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    Preview:

    • ‘Superman’ stayed top of the box office for a second weekend.
    • James Gunn’s movie dropped 54% following its successful launch.
    • The new ‘Smurfs’ movie and an ‘I Know What You Did Last Summer’ reboot failed to have much impact.

    As a comic book hero, Superman can famously leap tall buildings in a single bound. From the looks of the performance by the latest cinematic take on the character –– James Gunn’s ‘Superman’ –– he can also hold off the competition, as the movie stayed top of the box office this weekend.

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    With a relatively light 54% drop, the movie took in $57.3 million from 4,774 venues. That was enough to secure the top spot once more, with strong weekday business also helping.

    Here’s what Comscore analyst Paul Dergarabedian had to say about the performance:

    “A 54% second weekend drop is indicative of a marketplace that’s embracing the film”

    It’s good news for Warner Bros. and DC Studios, which is hoping the movie, starring David Corenswet, Rachel Brosnahan and Nicholas Hoult, will spark interest in the new, interconnected DC Universe.

    Domestically, the movie has now made $236 million, and its global haul is now $406 million.

    Related Article: Warner Bros.’ ‘Superman’ Has Third-Highest Box Office Opening Weekend

    What happened with ‘Jurassic World Rebirth’?

    Scarlett Johansson as skilled covert operations expert Zora Bennett in 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    Scarlett Johansson as skilled covert operations expert Zora Bennett in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    ‘Jurassic World Rebirth’ settled for second place once more place with $23 million from 3,854 venues, a 42% drop from last week.

    After three weekends of release, the dinosaur movie has earned $276 million domestically.

    Yet it’s on the global marketplace where the latest ‘Jurassic World’ outing is really excelling, making more than $647 million. That’s a solid result, if still behind the billion-dollar plus earnings of the previous three franchise entries.

    What about the rest of the box office?

    Jennifer Love Hewitt as Julie James in 2025's 'I Know What You Did Last Summer'. Photo: Sony Pictures.
    Jennifer Love Hewitt as Julie James in 2025’s ‘I Know What You Did Last Summer’. Photo: Sony Pictures.

    The strongest start among a clutch of misfiring newcomers was Sony’s ‘I Know What You Did Last Summer’, opening with $13 million from 3,206 theaters.

    ‘Last Summer’ added $11.6 million overseas from 58 markets, bringing its worldwide total to $24.6 million. That suggests the nostalgia factor for the horror reboot (which featured roles for the original’s Freddie Prinze Jr. and Jennifer Love Hewitt) wasn’t as strong as the studio hoped. Still, with a thrifty $18 million budget to make back (plus marketing costs), there’s less pressure to perform.

    Fourth place was Paramount’s Rihanna-led animated outing ‘Smurfs’, which made $11 million from 3,504 venues, a disappointing result for the $58 million-budgeted musical.

    ‘Smurfs’ earned $25 million at the international box office to date for a global tally of $36 million, hardly a reason for Smurfing it up, but likely one that will earn more through merchandising than ticket sales.

    Fifth was Apple/Warner Bros.’ Brad Pitt-starring racing pic ‘F1’, which took in $9.6 million in its fourth weekend for a $153.6 million domestic tally and $460.8 million globally.

    Finally, ‘Hereditary’ director Ari Aster’s Western satire ‘Eddington’ failed to generate much interested, flopping to seventh place and $4.2 million from 2,111 venues.

    What’s to come next weekend?

    Given the tracking and early buzz, it appears that ‘Superman’ won’t be flying quite so high this coming weekend as Marvel’s own latest superhero behemoth, ‘The Fantastic Four: First Steps’ is on the launch pad.

    The movie is projected to opening above $100 million, possibly as high as $140 million, so the big battle of the heroes is about to heat up.

    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing and Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios' 'The Fantastic Four: First Steps'. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.
    (L to R) Ebon Moss-Bachrach as Ben Grimm/The Thing and Pedro Pascal as Reed Richards/Mister Fantastic in 20th Century Studios/Marvel Studios’ ‘The Fantastic Four: First Steps’. Photo by Jay Maidment. © 2025 20th Century Studios / © and ™ 2025 Marvel.

    List of Movies and TV Shows Featuring Superman:

    Buy Tickets: ‘Superman’ Movie Showtimes

    Buy Superman Movies On Amazon

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  • ‘Superman’ Flies High at the US Box Office

    (L to R) Nicholas Hoult as Lex Luthor and David Corenswet as 'Superman', a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.
    (L to R) Nicholas Hoult as Lex Luthor and David Corenswet as ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Jessica Miglio. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.

    Preview:

    • ‘Superman’ is off to a strong start at the domestic box office.
    • James Gunn’s movie earned $122 million, the third biggest launch of the year to date.
    • But ‘Jurassic World Rebirth’ took a chunk out of its earnings overseas.

    One of the catchy taglines for Richard Donner’s 1978 movie ‘Superman’ was, “you’ll believe a man can fly.” For writer/director James Gunn and the latest cinematic iteration of the famous comic book character, also titled ‘Superman’, a new one might be “you’ll believe a man can fly to the top of the box office charts.”

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    It appears that the big bet by Gunn –– who also runs Warner Bros.’ DC Studios arm overseeing the various properties spawned by the comic book behemoth, and intended ‘Superman’ as his theatrical calling card –– is paying off.

    The movie, starring David Corenswet, Rachel Brosnahan and Nicholas Hoult, earned $122 million at the box office, marking the third-biggest launch this year after ‘A Minecraft Movie’ (another success for the newly resurgent WB and Disney’s live-action ‘Lilo & Stitch’).

    Reviews for the movie were mixed to generally positive and audiences gave the movie a solid grade, which bodes well for this one to keep on flying, even with Marvel’s ‘Fantastic Four: First Steps’ a couple of weeks away from launch.

    Related Article: Movie Review: ‘Superman’

    How did ‘Superman’ perform internationally?

    (L to R) Rachel Brosnahan as Lois Lane, Skylar Gisondo as Jimmy and David Corenswet as Clark Kent in DC Studios’ and Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Rachel Brosnahan as Lois Lane, Skylar Gisondo as Jimmy and David Corenswet as Clark Kent in DC Studios’ and Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    The global market might be where ‘Superman’ faltered slightly, not because of any Kryptonite, but because of ‘Jurassic World Rebirth.’

    Universal’s latest iteration of its successful dinosaur franchise held on to screens and audience interest, and ‘Superman’ had to make do with a softer-than-expected $95 million global launch.

    Top-earning territories for the superhero were the United Kingdom with $9.8 million, Mexico with $8.8 million, Brazil with $5.9 million and Australia with $5.3 million. The movie bombed in China, earning just $6.6 million in its opening weekend. By comparison, ‘Rebirth’ opened last weekend in China with $25 million.

    ‘Superman’ needs to keep performing to offset its $225 million budget and the roughly $100 million spent to promote it.

    Here’s what FranchiseRe movie consulting firm’s David A. Gross said about the movie’s performance so far:

    “This is an outstanding domestic opening. If there’s any softness here, it’s overseas. Superman has always been identified as an American character, and in some parts of the world, America is currently not enjoying its greatest popularity.”

    Understatement of year, perhaps?

    David Zaslav, the CEO of Warner Bros. Discovery, was also enthused by the movie’s performance and praised its overseer:

    “Three years ago, I hired James Gunn and Peter Safran to reimagine and unify the creative direction of DC under one leadership team, by breathing new life and excitement into one of the most iconic storytelling franchises in the world. James and Peter’s commitment to honoring the legacy of the DC Universe while forging something new and enthralling is inspired. This weekend, we watched Superman soar as James Gunn’s passion and vision came to life on the big screen. Superman is just the first step. Over the next year alone, DC Studios will introduce the films ‘Supergirl’ and ‘Clayface’ in theaters and the series ‘Lanterns’ on HBO Max, all part of a bold 10-year plan. The DC vision is clear, the momentum is real, and I couldn’t be more excited for what’s ahead.”

    What else happened at the box office this weekend?

    (L to R) Luna Blaise and the T-Rex in 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    (L to R) Luna Blaise and the T-Rex in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    Even given its success overseas, ‘Jurassic World Rebirth’ suffered a considerable reduction domestically this weekend, adding $40 million from 4,324 venues in its second weekend of release, a painful 57% drop from its debut.

    Yet Universal won’t be worrying too much just yet, as the movie has so far sunk its teeth into a mighty $232 million domestically and $529 million worldwide.

    Third across the finishing line was Apple’s ‘F1’ (distributed theatrical by Warner Bros.) The sports drama anchored by Brad Pitt as a down-on-his-luck racer recruited by a Formula 1 team, earned $13 million from 3,412 theaters in its third lap around the track, marking a 50% decline from the prior weekend.

    It has so far earned $136 million in North America and $393 million worldwide, which is solid but it’ll need to keep on making money to offset a hefty $250 million budget (before marketing costs). The movie has, at least, become Apple’s biggest theatrical hit to date by far.

    Fourth place went to DreamWorks’ live-action remake of ‘How to Train Your Dragon’, which collected $7.8 million from 3,285 theaters. It has so far taken in $239 million domestically and $560 million globally.

    Finally, in fifth place, Disney/Pixar’s ‘Elio’ continued to be a disappointment. It made $4 million from 2,730 screens in its fourth weekend. The intergalactic tale has grossed just $63 million in North America and finally surpassed the $100 million mark globally after a month of release. With $117 million in worldwide ticket sales, the $150 million-budgeted tentpole will end its theatrical run as a major money loser for the companies.

    What’s the future for DC Studios?

    As mentioned above, Gunn and Safran already have plans in place for an interconnected series of movies and TV series, with the likes of ‘Supergirl’, ‘Clayface’ and HBO Max series ‘Lanterns’ at different stages of production, and more in the development chute beyond that.

    Milly Alcock on the set of 'Supergirl'. Photo: James Gunn's Instagram account.
    Milly Alcock on the set of ‘Supergirl’. Photo: James Gunn’s Instagram account.

    List of Movies and TV Shows Featuring Superman:

    Buy Tickets: ‘Superman’ Movie Showtimes

    Buy Superman Movies On Amazon

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  • ‘Jurassic World Rebirth’ Feasts on the Box Office

    A scene from 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    A scene from ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    Preview:

    • ‘Jurassic World Rebirth’ has taken a sizeable chunk out of the domestic box office.
    • Gareth Edwards’ movie earned more than $317 million globally.
    • ‘F1: The Movie’ was pushed to second place on the grid.

    It would seem that audiences aren’t quite as over dinosaurs as ‘Jurassic World Rebirth’ itself feared.

    A hefty part of the early storyline for the new ‘Jurassic’ offering talks about how the giant beasts are seemingly unable to survive in the present-day client and that humanity, once enthralled by the reconstituted giants, is now more annoyed by the likes of an escaped example in New York slowly dying because it’s messing with the morning commute.

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    But the new movie has clearly struck a chord with audiences, who turned out in droves to see it this past holiday weekend, notching $91.5 million over the three-day weekend, and thanks to an early Wednesday release to take advantage of Independence Day holiday filmgoing, it took $147.3 million over its first five days.

    Related Article: Movie Review: ‘Jurassic World Rebirth’

    How did ‘Jurassic World Rebirth’ fare internationally?

    (L to R) Luna Blaise and the T-Rex in 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    (L to R) Luna Blaise and the T-Rex in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    ‘Jurassic World Rebirth’ played well to audiences around the world. Opening in 82 markets, it earned $171 million outside the States, which, combined with its domestic total, put it at $318 million for this initial weekend.

    The likes of China, the UK and Mexico were the big performers.

    But how does ‘Rebirth’ compare to other ‘Jurassic World’ offerings?

    Scarlett Johansson as skilled covert operations expert Zora Bennett in 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    Scarlett Johansson as skilled covert operations expert Zora Bennett in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    That’s where the story looks a little less successful.

    The numbers for ‘Rebirth’ are certainly impressive taken on their own, but compared to the most recent trilogy of dino-outings, it’s coming up short.

    After five days on the big screen, 2015’s ‘Jurassic World’ had collected $258 million, 2018’s ‘Jurassic World: Fallen Kingdom’ had generated $181 million and the pandemic-impacted ‘Jurassic World Dominion’ had earned $172 million in 2022.

    The new movie cost $180 million to produce, not including a hefty marketing budget, which admittedly is a smaller figure than the previous three (one benefit of having Gareth Edwards, a man who know how to deliver effects spectacle on lower budgets, in the director’s chair). It may not need to hit a billion to be profitable, but Universal will certainly hope it gets there (or close), given that the other ‘World’ movies all crossed the benchmark.

    Add to that the pressure for ‘Rebirth’ to spawn a new trilogy of its own. This is certainly a solid start –– now we see whether this thing has legs.

    Here’s David A. Gross, of the FranchiseRe movie consulting firm on the film’ success:

    “The series has been especially good overseas and, so far, foreign business is outstanding. Dinosaur action is understood in all languages and across all cultures.”

    This was Universal’s president of domestic distribution Jim Orr celebrating its success:

    “ ‘Jurassic World Rebirth’ is exactly what audiences want to see in a summer blockbuster: a great cast, great direction and great visuals. Word of mouth is phenomenal, which points to a great run throughout the summer.”

    What else happened at the box office this weekend?

    Brad Pitt as Sonny Hayes in Apple Original Films’ 'F1', a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Brad Pitt as Sonny Hayes in Apple Original Films’ ‘F1’, a Warner Bros. Pictures release. Photo Credit: Photo by Scott Garfield. Courtesy Warner Bros Pictures / Apple Original Films. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    With ‘Rebirth’ as the weekend’s only new wide release (no one wanted to go up against the return of the dinosaurs, even via counter-programming), the success of the film shoved the competition down a space or two.

    ‘F1: The Movie’, which stars Brad Pitt as a skilled yet down-on-his-luck racing driver recruited to be part of a Formula One team, was a distant second, taking home $26.1 million from 3,732 venues in its second weekend of release.

    The movie, which has made $109 million in North America and $293.6 million worldwide after 10 days in theaters, has officially surpassed director Ridley Scott’s 2023 historical epic ‘Napoleon’ ($221 million) as Apple’s highest-grossing movie.

    That is perhaps not as impressive as it might seem given the company’s low level of output so far and underperforming theatrical releases. But it’s still a boost.

    Even with a solid take so far, ‘F1’ will need to stay on track significantly, as it cost $250 million to make, let alone market.

    In third, the live-action adaptation of ‘How to Train Your Dragon’ earned $9.7 million domestically. The movie has so far taken $224 million domestically and $516 million globally to date.

    (L to R) Yonas Kibreab and Shirley Henderson in 'Elio'. Directed by Madeline Sharafian, Domee Shi and Adrian Molina, and produced by Mary Alice Drumm, Disney and Pixar’s 'Elio' releases in theaters June 20, 2025. © 2024 Disney/Pixar. All Rights Reserved.
    (L to R) Yonas Kibreab and Shirley Henderson in ‘Elio’. Directed by Madeline Sharafian, Domee Shi and Adrian Molina, and produced by Mary Alice Drumm, Disney and Pixar’s ‘Elio’ releases in theaters June 20, 2025. © 2024 Disney/Pixar. All Rights Reserved.

    Fourth was the fellow family friendly Pixar offering ‘Elio’, about a kid mistaken for an ambassador for Earth by aliens, continues to hugely underperform. It fell to fourth place with $4.9 million from 3,235 theaters in its third week of release. The intergalactic adventure has earned just $54 million in North America and $96 million globally, and is shaping up to be among Pixar’s lowest-grossing movies.

    At fifth place we find ‘28 Years Later’ with $4.6 million from 2,917 venues, a 53% drop from last weekend. After three weekends on the big screen, the horror sequel has amassed $60.2 million domestically and $125.8 million globally against a $60 million budget.

    Follow-up ‘The Bone Temple’ is due in January. Has the first film done well enough to crack open Sony’s wallet for funding of planned third movie? Time will tell!

    What’s the future for the ‘Jurassic World’ franchise?

    Though no formal plans have been announced, Universal and Amblin are, as mentioned previously, hoping this will lead to a new trilogy.

    Whether that means with the surviving characters of ‘Rebirth’ or a completely new dino adventure remains to be seen. But the franchise certainly still has some teeth at the box office.

    Scarlett Johansson is Zora Bennett in 'Jurassic World Rebirth', directed by Gareth Edwards. Photo: Universal Pictures.
    Scarlett Johansson is Zora Bennett in ‘Jurassic World Rebirth’, directed by Gareth Edwards. Photo: Universal Pictures.

    Other Movies in the ‘Jurassic Park’ Franchise:

    Buy Tickets: ‘Jurassic World: Rebirth’ Movie Showtimes

    Buy ‘Jurassic Park’ Movies On Amazon

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  • ‘How to Train Your Dragon’ Soars at the Box Office

    Universal Pictures’ live-action 'How to Train Your Dragon', written and directed by Dean DeBlois. Photo: Universal Pictures.
    Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.

    Preview:

    • The new ‘How to Train Your Dragon’ is a roaring success so far.
    • Dean DeBlois’ film has earned more than $197 million globally.
    • Disney’s own live-action conversion of ‘Lilo & Stitch’ fell to second place.

    Looks like audiences were very ready to visit the island of Berk again.

    Or perhaps the term should truly be re-visit, since the new ‘How to Train Your Dragon,’ a live-action re-imagining of the 2010 animated adventure, is essentially that movie told over again.

    Still, audiences embraced it to the tune of $83 million at the domestic box office.

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    The new movie, written and directed by Dean DeBlois (who co-wrote and directed the animated original before taking on its two follow-ups), has been a big success for DreamWorks and Universal, which dipped a toe (a claw, perhaps?) into the animated-to-live-action conversion following years of Disney doing the same.

    Related Article: ‘How to Train Your Dragon’: An Entertaining Copy of the Original Movie

    How did the ‘How to Train Your Dragon’ live-action movie do elsewhere at the box office?

    (from left) Hiccup (Mason Thames) and Astrid (Nico Parker) in Universal Pictures’ live-action 'How to Train Your Dragon', written and directed by Dean DeBlois. Photo: Universal Pictures.
    (from left) Hiccup (Mason Thames) and Astrid (Nico Parker) in Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.

    ‘How to Train Your Dragon’ wasn’t just successful here.

    It collected $114 million while landing in 81 overseas markets, ranking as the No. 1 movie at the international box office, and $197.8 million globally. Top territories include Mexico with $14 million, the UK and Ireland with $11.2 million and China with $11.2 million.

    Here’s Universal’s domestic distribution chief Jim Orr on the success of the movie:

    “Our filmmaker Dean DeBlois created an incredible tale with heart, action and emotion. Multiple generations are in love with it. With our audience scores, I can only believe we are going to have a long run throughout the summer.”

    And this was ComScore analyst Paul Dergarabedian on one reason for it:

    “PG has become the goldilocks of ratings, one that indicates a film is appropriate for kids but still has enough edge to appeal to young adults, teens and more mature moviegoers. This is certainly a trend that should carry over to ‘Elio,’ ‘Smurfs’ and ‘The Bad Guys 2,’ which are yet to come on the summer movie slate.”

    It’s a success story, since the movie cost $150 million to make and an additional $100 million to market, but assuming it has legs at the box office, it’ll easily make some profit.

    What else happened at the box office this weekend?

    (L to R) Maia Kealoha as Lilo, Stitch and Sydney Agudong as Nani in Disney’s live-action 'Lilo & Stitch'. Photo courtesy of Disney. © 2025 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Maia Kealoha as Lilo, Stitch and Sydney Agudong as Nani in Disney’s live-action ‘Lilo & Stitch’. Photo courtesy of Disney. © 2025 Disney Enterprises Inc. All Rights Reserved.

    This weekend’s new arrival deposed the previous box office champ, Disney’s ‘Lilo & Stitch’, another example of a movie that was re-imagined in live-action from an animated original.

    In a distant second place, the other remake has collected $15.5 million in its fourth weekend of release.

    The company won’t be too worried, though, as the movie is already a blockbuster with $366 million domestically and $858 million globally. It’s on track to be the year’s first billion dollar release.

    The weekend’s other major wide release, A24’s ‘Materialists,’ launched at No. 3 with a promising $12 million from 2,844 venues.

    Though it was met with a mixed audience reception, the film launched above projections that had been sitting around $8 million to $10 million.

    Directed by Celine Song in her follow-up to the Oscar-nominated ‘Past Lives,’ the movie follows a New York City matchmaker (Dakota Johnson) who finds herself in a love triangle with a wealthy suitor (Pedro Pascal) and an imperfect ex (Chris Evans).

    A24 spent $20 million on the film, not including marketing fees.

    (L to R) Dakota Johnson and Pedro Pascal in 'Materialists'. Credit: Atsushi Nishijima.
    (L to R) Dakota Johnson and Pedro Pascal in ‘Materialists’. Credit: Atsushi Nishijima.

    Fourth place went to Paramount’s ‘Mission: Impossible – The Final Reckoning’ with $10.3 million in its fourth week of release, declining 31% from the prior weekend.

    The eighth entry in the Tom Cruise-starring action franchise has amassed $166.3 million in North America and $506 million worldwide to date.

    Against its massive $400 million budget (partly the impact of covid and other delays), though, ‘The Final Reckoning’ doesn’t have the strength to climb out of the red in its initial theatrical run.

    The ‘John Wick’ spin-off ‘Ballerina’ rounded out the top five.

    The film earned $9.4 million from 3,409 theaters in its second weekend of release, a 62% decline from its debut. So far, the movie has generated $41.8 million domestically and $91.5 million globally, hardly punching above its weight for the franchise.

    What’s the future for the ‘How to Train Your Dragon’ live-action franchise?

    Even before this movie was released, DreamWorks and Universal were clearly enthused, as a sequel has already been ordered, with a date set for June 11th, 2027.

    Given the response to this one, it certainly looks like cinemagoers will be back for it.

    Mason Thames (right) as Hiccup with his Night Fury dragon, Toothless, in Universal Pictures’ live-action 'How to Train Your Dragon', written and directed by Dean DeBlois. Photo: Universal Pictures.
    Mason Thames (right) as Hiccup with his Night Fury dragon, Toothless, in Universal Pictures’ live-action ‘How to Train Your Dragon’, written and directed by Dean DeBlois. Photo: Universal Pictures.

    Other Movies Similar to ‘How to Train Your Dragon:’

    Buy Tickets: ‘How to Train Your Dragon’ (2025) Movie Showtimes

    Buy ‘How to Train your Dragon’ Movies On Amazon

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  • ‘Moana 2’ Sails to a Huge Debut at the Box Office

    (L to R) Auli‘i Cravalho as Moana and Khaleesi Lambert-Tsuda as Simea in 'Moana 2'. © 2024 Disney Enterprises, Inc. All Rights Reserved.
    (L to R) Auli‘i Cravalho as Moana and Khaleesi Lambert-Tsuda as Simea in ‘Moana 2’. © 2024 Disney Enterprises, Inc. All Rights Reserved.

    Preview:

    • Disney’s ‘Moana 2’ launched to a huge $221 million over five days.
    • It’s the biggest five-day opening number in history.
    • ‘Wicked’ and ‘Gladiator II’ continued to be successful.

    Box office tills both here and around the world continued to ring out (well, probably beep in this day and age) with glee as the long Thanksgiving weekend powered to a massive total.

    That’s primarily thanks to the new Disney animated movie sequel ‘Moana 2,’ which locked in a new Thanksgiving box office record with $221 million domestically over the five-day holiday frame, obliterating the previous high-water marks set by 2019’s ‘Frozen II’ ($125 million) and 2013’s ‘The Hunger Games: Catching Fire.’ ($109 million).

    It’s also the biggest five-day debut in history, overtaking Universal’s 2023 behemoth ‘The Super Mario Bros. Movie’ ($205.6 million).

    And Disney will be happy –– the film’s three day tally of $135.5 million registers as the best start for its animation arm, ahead of ‘Frozen II’ (which opened to $130.2 million the weekend prior to Thanksgiving).

    Ticket sales for the ‘Moana’ sequel were far above the early estimates of $135 million to $145 million. Worldwide, the movie has made more than $386.3 million, with launches still set for several counties this week.

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    Here’s what Disney Entertainment co-chairman Alan Bergman had to say:

    “ ‘Moana 2’ has far surpassed our high expectations this weekend and is a testament to the phenomenon that ‘Moana’ has become. This is a moment to celebrate, and we’re thankful to all the moviegoers and fans who’ve helped make this a record-breaking debut.”

    While the movie was seen as something of a gamble –– it originated as a TV series spin-off to the 2016 movie, before being retooled for a theatrical release, that has certainly paid off.

    It’s been a good year for Disney, thanks to the successful likes of Pixar’s ‘Inside Out 2’ (whose current worldwide box office tally stands at $1.69 billion) and ‘Deadpool & Wolverine’ (now at $1.33 billion globally).

    The box office in total did well, surging to more than $400 million this weekend. It’s a much needed boost for an industry that has been struggling to recover from the pandemic in particular.

    And that’s also partly thanks to second week and weekends for fellow heavy hitters ‘Wicked’ and ‘Gladiator II.’

    How is ‘Wicked’ performing in its second weekend at the box office?

    (L to R) Ariana Grande is Glinda and Cynthia Erivo is Elphaba in 'Wicked', directed by Jon M. Chu. Photo: Universal Pictures.
    (L to R) Ariana Grande is Glinda and Cynthia Erivo is Elphaba in ‘Wicked’, directed by Jon M. Chu. Photo: Universal Pictures.

    ‘Wicked’ danced through life to another huge turnout, landing in the No. 2 spot with $80 million over the traditional weekend and $117.5 million over the five-day holiday stretch.

    The movie has earned $262.4 million in North America and $359.2 million globally to date.

    It already ranks as the highest-grossing Broadway adaptation in domestic box office history, ahead of 1978’s ‘Grease’ ($188.62 million), as well as the fourth-biggest worldwide stage-to-screen reimagining behind 2008’s ‘Mamma Mia’ ($611 million), 2012’s ‘Les Misérables’ ($442 million) and, yes ‘Grease’ ($396 million).

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    Directed by Jon M. Chu and starring Ariana Grande, Cynthia Erivo, Jonathan Bailey and Jeff Goldblum, the movie charts the story of what happened before and after the events of ‘The Wizard of Oz.’

    There were concerns that the fact it’s part one of two might hurt sales but confirming the split between films ahead of time seems to have reassured viewers. It doesn’t hurt that the movie enjoyed positive reviews and was embraced by a large slice of the moviegoing public.

    Universal will need it to stay popular –– the combined two movies come with a $300 million price tag and the company spent untold millions on a worldwide promotional tour with the cast. Still, the blizzard of Oz-related partnership deals will help.

    How about ‘Gladiator II’?

    (L to R) Pedro Pascal plays General Acacius and Paul Mescal plays Lucius in 'Gladiator II' from Paramount Pictures.
    (L to R) Pedro Pascal plays General Acacius and Paul Mescal plays Lucius in ‘Gladiator II’ from Paramount Pictures.

    ‘Gladiator II’ might not be on the same level as either of its box office colleagues, but it’s certainly seeing some hefty rewards.

    A sequel to Ridley Scott’s Oscar-winning 2000 original has been in development almost as long as the first film has been out, but it has taken years for Scott and a cadre of writers to crack the sequel story.

    In the end, they chose to follow Lucius, the young man seen in the first film (played there by Spencer Treat Clark) who is the son of Lucilla (Connie Nielsen, who returns for the sequel).

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    The new movie follows a grown Lucius (with rising star Paul Mescal in the role) as he finds himself enslaved by the Roman empire and forced to fight as a gladiator. He’s also drawn into the turbulent politics of Rome via Macrinus, a slave-turned-slave-owning arms dealer, played to scene-stealing effect by Denzel Washington.

    Following a $55.5 million domestic opening (slightly behind predictions) the second weekend of release, the sequel took third place with $30.7 million over the traditional weekend and $44 million over the five day frame.

    So far, it has grossed $111.2 million domestically and $320 million worldwide.

    But, like the other movies, it needs to earn, as it was also massively expensive to make, costing more than $250 million to produce and another $100 million to market to global audiences.

    What else happened at the box office this week?

    (L to R) Dwayne Johnson and Chris Evans in 'Red One.' Photo: Amazon MGM Studios.
    (L to R) Dwayne Johnson and Chris Evans in ‘Red One.’ Photo: Amazon MGM Studios.

    With the new competition in the market place, ‘Red One’ was shoved down to fourth. Despite opening in the top spot three weeks ago, the Christmas action movie (which also stars Dwayne Johnson) has struggled somewhat.

    Its stocking was filled with $12.8 million over the main weekend and $18.7 million over the five-day holiday frame.

    The Amazon MGM film has grossed $75 million in North America and $148.7 million globally, which is solid but still probably behind what the company might hope for given the expansive $250 million budget.

    Still, the company is partly looking for the movie to drive interest in its Prime Video streaming service.

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    Lionsgate’s ‘The Best Christmas Pageant Ever’ rounded out the top five with $3.2 million over the traditional weekend and $4.85 million through the extended Thanksgiving period.

    The family-friendly faith-based holiday film cost $10 million to make and has grossed $32 million in North America since opening four weeks ago. It won’t exactly set the studio’s heart aflame, but it’s honestly a better result than some of its underperforming releases this year. Looking at you, ‘Borderlands’ ($115 million budget before marketing costs, $32.9 million worldwide to date).

    Maui (voice of Dwayne Johnson) in 'Moana 2'. © 2024 Disney Enterprises, Inc. All Rights Reserved.
    Maui (voice of Dwayne Johnson) in ‘Moana 2’. © 2024 Disney Enterprises, Inc. All Rights Reserved.

    Other Animated Disney Movies:

    Buy Disney’s ‘Moana’ on Amazon

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  • James Cameron Says he’s Considering Another ‘Terminator’ Reboot

    Edward Furlong as John Connor and Arnold Schwarzenegger as the Terminator in director James Cameron's 'Terminator 2: Judgment Day.'
    (L to R) Edward Furlong as John Connor and Arnold Schwarzenegger as the Terminator in director James Cameron’s ‘Terminator 2: Judgment Day.’

    James Cameron is going to be spending most of his future filmmaking time on Pandora, or at least virtually, making the various sequels to ‘Avatar’ and its new follow-up, ‘Avatar: The Way of Water’, which has recently hit theaters.

    But he still has his mind on other franchises that he’s launched or helped along in the years past, including ‘Alita: Battle Angel’. And, if anyone else really wants to touch the subject after the abject failure of ‘Terminator: Dark Fate’, another movie set in the world of Skynet and dangerous technology.

    Talking on the ‘Smartless’ podcast, Cameron admitted that he’d at least had discussions about a potential next ‘Terminator’ movie, though it sounds like it’ll have less to do with Arnold Schwarzenegger’s killer cyborg.

    “If I were to do another ‘Terminator’ film and maybe try to launch that franchise again, which is in discussion, but nothing has been decided, I would make it much more about the AI side of it than bad robots gone crazy,” Cameron told the hosts.

    And he’s also recently been candid about the fate––pun intended––of ‘Dark Fate’, admitting that it had its own issues.

    Linda Hamilton in 'Terminator: Dark Fate.'
    Linda Hamilton in ‘Terminator: Dark Fate.’

    The movie, directed by ‘Deadpool’s Tim Miller and for which Cameron helped crank out the story and worked as producer, was not a big success at the box office, though the filmmaker seems happy that it got made at all.

    “I think, I’m actually reasonably happy with the film. Tim and I had our battles and we’ve both spoken about that, but the crazy thing is we’re still pals. Which is weird. I liked him before the movie, didn’t like him very much during the movie, and I like him now, and I think he feels the same way,” Cameron told Deadline.

    And he’s also open as to why it didn’t work completely. “I think the problem, and I’m going to wear this one, is that I refused to do it without Arnold. Tim didn’t want Arnold, but I said, “Look, I don’t want that. Arnold and I have been friends for 40 years, and I could hear it, and it would go like this: ‘Jim, I can’t believe you’re making a Terminator movie without me.’ ” Cameron laughs. “It just didn’t mean that much to me to do it, but I said, ‘If you guys could see your way clear to bringing Arnold back and then, you know, I’d be happy to be involved.’ ”

    But it snowballed from there, according to Cameron… “And then Tim wanted Linda (Hamilton). I think what happened is I think the movie could have survived having Linda in it, I think it could have survived having Arnold in it, but when you put Linda and Arnold in it and then, you know, she’s 60-something, he’s 70-something, all of a sudden it wasn’t your ‘Terminator’ movie, it wasn’t even your dad’s ‘Terminator’ movie, it was your granddad’s ‘Terminator’ movie,” he admits. “And we didn’t see that. We loved it, we thought it was cool, you know, that we were making this sort of direct sequel to a movie that came out in 1991. And young moviegoing audiences weren’t born. They wouldn’t even have been born for another 10 years.”

    Director James Cameron for 'Avatar: The Way of Water.'
    Director James Cameron for ‘Avatar: The Way of Water.’

    ‘Avatar: The Way of Water’, meanwhile, is doing a little bit better at the box office, though perhaps not with an opening (here in the States at least) as big as it might have been––or that it needs to really earn its expansive budget back.

    ‘The Way of Water’ opened with $134 million after its first weekend, certainly impressive (in an era of fewer movies seeing big numbers), but below Disney’s expectations. And below Cameron’s own real hopes. The director himself had said before its launch that the movie would “have to be the third or fourth highest-grossing film in history” to break even, and this is certainly not that.

    Still, as has been said many times before, no one should count out James Cameron. The movie has still enjoyed the sixth best opening ever for December, the month’s best non-MCU and non- ‘Star Wars’ opening, was 74% ahead of the first ‘Avatar’ ($77 million) and 5.5% ahead of this year’s own box office champ, ‘Top Gun: Maverick’ ($127 million).

    Internationally the film opened to $301 million, bringing the global weekend total to $435 million. It’s the second biggest global start of the year, right at the tail of ‘Doctor Strange in the Multiverse of Madness’ $442 million global bow.

    Jake Sully and Neteyam in 20th Century Studios' 'Avatar: The Way of Water.'
    (L to R): Jake Sully and Neteyam in 20th Century Studios’ ‘Avatar: The Way of Water.’ Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

    And it has been swamping cinema takings in places such as the UK, where it debuted at No. 1 with a gargantuan £11.1 million ($13.5 million). In fairness, no other studio dared open a big release against it, and the film faces little major competition in the coming couple of weeks, so it could well hold on and keep earning big bucks, especially if good word of mouth works in its favor.

    Reviews for the movie across the spectrum from outright pans to raves, somewhat in keeping with the original movie, which, let’s not forget, went on to become the highest-grossing film of all time, until it was unseated by ‘Avengers: Endgame’, and managed to reclaim the title thanks to re-releases.

    Cameron’s latest effectively has the holiday period to itself, at least in terms of major, all-audience releases, so there’s plenty of opportunity ahead for it to scoop up cash like a Pandoran Nalutsa glides through the ocean, hovering up plants and small animals.

    With big spectacle and a desire for audiences to see its distinctive, technologically advanced visuals in theaters, expect ‘The Way of Water’ to stay afloat for a while yet. And even if it doesn’t live up to the 2009 movie’s Biggest Movie Ever, it’s far from a flop. Cameron has said he’d let market forces decide if the ‘Avatar’ universe would continue; the fact that he’s still at work on a third (and the others) suggests that his latest effort is being rewarded.

    Whatever it ends up titled, the third ‘Avatar’ outing is scheduled for release on December 20th, 2024.

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  • Extended Cut of ‘Spider-Man: Far From Home’ Is Now Playing: Here’s a Sneak Peek

    Extended Cut of ‘Spider-Man: Far From Home’ Is Now Playing: Here’s a Sneak Peek

    Tom Holland in Spider-Man Far From Home
    Sony Pictures

    An extended cut of “Spider-Man: Far From Home” is now in theaters, with a whopping four new minutes of footage. (Hey, with the news that Spider-Man is leaving the MCU, we’ll take all the extra footage we can get.)

    The teaser, posted today to Twitter, gives us a  glimpse of the “new scenes and action sequences” including Peter (Tom Holland) operating a spider drone-bug and an extended cut of his fight in the Iron Spider suit.

    The extended cut of “Spider-Man: Far From Home” will play in select theaters through Labor Day in the U.S. and Canada, including 233 IMAX and large format locations.

    So far, “Spider-Man: Far From Home” has earned $380.2 million domestically and more than $1 billion worldwide. That makes it the highest-earning Sony film of all time.

    [Via Slashfilm]

  • ‘Toy Story 4’ Crosses $1 Billion, Pushes Disney to New Record

    ‘Toy Story 4’ Crosses $1 Billion, Pushes Disney to New Record

    Toy Story 4
    Walt Disney Studios Motion Pictures

    It’s to a billion and beyond for “Toy Story 4,” and that’s huge news for Disney.

    The latest installment in the beloved Disney-Pixar movie series has officially surpassed the $1 billion mark at the global box office, making Disney the first studio to have five films accomplish that feat in the same year, Variety reports. “Toy Story 4” follows in the footsteps of “Avengers: Endgame,” “The Lion King,” “Captain Marvel,” and “Aladdin.” The only other film to cross $1 billion so far this year is Sony’s “Spider-Man: Far From Home,” per Box Office Mojo data.

    With its new record, Disney beats … Disney. The studio previously had four billion-plus-grossing films in 2016, as Variety pointed out. Those films were “Captain America: Civil War,” “Rogue One: A Star Wars Story,” “Finding Dory,” and “Zootopia.”

    It’s not surprising to see “Toy Story 4” bring home the new record for Disney. The beloved franchise added “Toy Story 3” in 2010, and that was another box office juggernaut. It also grossed more than $1 billion worldwide and was the top film in North America that year, according to Box Office Mojo.

    Disney has earned the right to celebrate, and the year still isn’t even over. The studio has more movies coming — “Maleficent: Mistress of Evil,” “Frozen 2,” and “Star Wars: The Rise of Skywalker” are all due out before the end of 2019.

    [via: Variety]