2006’s ‘The Devil Wears Prada’ succeeded thanks to the sheer star power of its cast and a sharp script from Aline Brosh McKenna that spotlighted workplace comedy in the rarified air of a luxury fashion magazine. So what does that world look like these days? As you might expect, struggling legacy media, the rise of AI and our main characters reflecting on changed circumstances in their lives. But can it channel the charisma of the original?
With McKenna once again drawing (even more loosely this time from Lauren Weisberger’s original source novel), the screenplay has plenty of Miranda Priestly Zingers and some –– pun entirely intended –– blunt putdowns. And while the story feels rushed in places, it at least has something on its mind beyond the fashion world.
David Frankel, meanwhile, does a workmanlike job on keeping things (mostly) light and fun, and the new movie feels of a piece with the original.
Though Hathaway’s Andy can still come across a little bland, the actor’s innate charm helps keep her watchable. But we all know we’re here for Streep, Tucci and Blunt, and they certainly deliver.
Around the main foursome, the supporting cast is solid –– Rachel Bloom steals scenes as Andy’s book publisher pal, while Justin Theroux is good value as billionaire, Benji Barnes, Emily’s current beau.
Though it occasionally falls into the trap of rehashing old storylines (perhaps that’s a nod to the cycling of fashion trends) and rarely rises above the level of serviceable sequel, this second visit with Miranda, Andy and the rest still offers plenty for fans who have wanted to see these characters back on screens.
Twenty years on, Miranda (Meryl Streep), Andy (Anne Hathaway), Emily (Emily Blunt) and Nigel (Stanley Tucci) return to the fashionable streets of New York City and the sleek offices of Runway Magazine.
Jaafar Jackson as Michael Jackson in ‘Michael’. Photo Credit: Courtesy of Lionsgate.
Preview:
‘Michael’ has set records for biopic movies on its first weekend.
It topped the domestic box office with $97 million.
Elsewhere, new releases struggled.
It may have arrived laden with controversies about re-shoots and didn’t exactly strike a chord with critics, but audiences have certainly embraced ‘Michael’, the biopic of troubled music superstar Michael Jackson.The film, directed by Antoine Fuqua, has kicked off its run at the box office as an instant success, earning $97 million for first place.
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The movie’s ticket sales rank as the best start of all time for a biopic, smashing the record set by 2015’s ‘Straight Outta Compton’ ($60 million). And they tower above 2018’s ‘Bohemian Rhapsody’, which opened to $51 million. Can it match the latter’s huge run, though? That’s a bigger question. Still, with $217 million globally in one weekend, it’s a solid start.
What else happened at the box office this weekend?
(L to R) Luigi (Charlie Day), Mario (Chris Pratt), Yoshi (Donald Glover) and Princess Peach (Anya Taylor-Joy) in Nintendo and Illumination’s ‘The Super Mario Galaxy Movie’, directed by Aaron Horvath and Michael Jelenic.
Previous champion ‘The Super Mario Galaxy Movie’ was pushed down to second place after three weekends in the No. 1 spot. Universal’s animated sequel added $21.2 million, boosting revenues to $384 million domestically and more than $800 million globally.
‘Project Hail Mary’, meanwhile, was third with $13.2 million, a remarkable tally for a film in its sixth weekend of release. So far, the space epic has generated a mighty $305 million in North America and $613 million worldwide.
What about other new releases?
(L to R) Michaela Coel and Anne Hathaway in ‘Mother Mary’. Photo: A24.
Besides ‘Michael,’ other new releases fared less well. A24’s thriller ‘Mother Mary’, starring Anne Hathaway as a pop star on the eve of a comeback, earned $1.3 million.
And ‘Lorne’, a documentary about ‘Saturday Night Live’ boss Lorne Michaels, struggled to break out with $70,000 from 248 theaters. The film has collected $426,000 while playing in limited release.
Jaafar Jackson as Michael Jackson in ‘Michael’. Photo Credit: Bruce Talamon.
Anne Hathaway on the set of ‘Mother Mary’. Photo: A24.
David Lowery is nothing if not unpredictable. From Disney product like ‘Pete’s Dragon’ and ‘Peter Pan & Wendy’ to weird experimental dramas like ‘A Ghost Story’ and ‘The Green Knight,’ the director’s career has taken one wild swing after another. With ‘Mother Mary,’ he pivots back in the direction of arthouse fare, with the story itself (according to Lowery) inspired by his own bifurcated career choices.
The result is an original, compelling — if not always coherent – hybrid of love story, psychological horror, and pop musical in which Anne Hathaway is outstanding as the title character, a mega pop singer about to make a comeback but unsure of who she is and aching with grief over a fractured relationship. Joining her is Michaela Coel (‘I May Destroy You’), the other half of that relationship, with both women yearning to repair their broken hearts and going to extreme lengths to do so.
Story and Direction
(L to R) Director David Lowery and Anne Hathaway on the set of ‘Mother Mary’. Photo: A24.
Mother Mary (we never know her real name) is a massive pop star – modeled after female musical icons ranging from Madonna to Taylor Swift – who’s about to attempt a career comeback after being derailed by a breakdown. On the eve of her first performance in years, she flees from rehearsals in L.A. to the English home and workshop of Sam Anselm (Coel), the fashion designer who created all her stage outfits for a while and with whom she shared a deeply symbiotic friendship (and perhaps more), until Mary’s fame fractured their relationship and put Mary’s costumes in the hands of top designers.
Estranged for a decade, with Mary asking Sam to make her a new dress for her show, the two circle each other like wary combatants: Mary, so confident, charismatic and larger than life onstage, is a meek, shattered shell of herself, not sure of her music or even her identity anymore, while Sam, having established her own career, is nevertheless barely able to repress her fury at Mary after all these years.
The two go through a long night of the soul in Sam’s atelier, a centuries-old converted barn full of shadows and mysteries, with ever-present rain and thunder rumbling in the background like restless spirits. As the two explore their past together and separately, a spirit literally comes into play as well – a red entity that, real or not, symbolizes both the creative spirit and sense of loss that both women feel, and that is equally comfort and torment to them both.
(L to R) Michaela Coel and director David Lowery on the set of ‘Mother Mary’. Photo: A24.
Lowery stages all this as a mix of horror movie, character study, and pop spectacle, with scenes from Mary’s past stadium gigs filling the screen with light, sound, dancers, and hordes of people, alternating with the moody, dark sequences in Sam’s atelier and brooding home. The scenes between Mary and Sam come across almost as a stage play sometimes, while the narrative involving the spirit (known as the Red Woman, and initially conjured up by a medium played by FKA Twigs) heads into more phantasmagoric, almost Ken Russell territory visually. It’s a bracing, ever-changing cinematic style that certainly makes this Lowery’s most ambitious film yet.
Yet the hallucinatory, expository nature of the story makes it self-consciously arty – much like ‘The Green Knight’ – which often keeps it at an emotional arm’s length. The result is a movie that is visually stunning, not easy to categorize, but also difficult to fully invest in.
Cast and Performances
(L to R) Michaela Coel and Anne Hathaway in ‘Mother Mary’. Photo: A24.
Anne Hathaway (who has four other movies coming out this year) has been veering between mainstream titles like ‘The Hustle’ and more daring material like ‘Eileen’ in recent years, but ‘Mother Mary’ may be the most immersive performance she’s given in some time.
As Mary, she must sing onstage (all original songs, penned by Jack Antonoff, Charli XCX and FKA Twigs) and project the veneer and physicality of a major pop star, complete with elaborate choreography which she replicates on her own for Sam in one riveting sequence. But she also exposes the wounded woman inside who is longing to find her creative spark again and grieving for the one true relationship she lost.
Michaela Coel’s Sam is grieving as well, but turns it into a weapon of scorn, sarcasm, and rage that she coolly wields against Mary like a knife. But Sam herself is lonely and unmoored, and her interrogation of Mary slowly brings back her energy and inner light. Both women are fantastic in the film, giving such dominant performances that there’s little room for anyone else to shine – except for FKA Twigs, who shows off some eerie physical work in her one major scene, in which she opens the way for the Red Woman.
Final Thoughts
Anne Hathaway in ‘Mother Mary’. Photo: A24.
‘Mother Mary’ is a deliberately experimental narrative, flashing back and forth in time and space, and despite what may seem like a conventional premise it delves into the mystical, spiritual, and existential in often bold ways, bolstered by its two fearless leading ladies.
While a feast for the eyes and ears, the film is perhaps not as moving as it could be, thanks to its dislocating narrative shifts. Yet the bond between Sam and Mary, strained and torn as it is, is still made powerful by the work of the two actors. ‘Mother Mary’ is ultimately about healing one’s soul and rediscovering one’s muse, a potent message from a filmmaker who seems to have done just that.
‘Mother Mary’ receives a score of 80 out of 100.
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What is the plot of ‘Mother Mary’?
Long-buried wounds rise to the surface when iconic pop star Mother Mary (Anne Hathaway) reunites with her estranged best friend and former costume designer Sam Anselm (Michaela Coel) on the eve of her comeback performance.
(L to R) Denis Leary, Dana Walden, Co-Chairman, Disney Entertainment, Ray Romano, Tim Allen, Queen Latifah, Tom Hanks, Dwayne Johnson, Catherine Laga’aia, Robert Downey Jr., Jon Favreau, Chris Evans, Joe Russo, Kevin Feige, President, Marvel Studios, Anthony Russo and Alan Bergman, Co-Chairman, Disney Entertainment attend the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Leon Bennett/Getty Images for Disney.
Preview:
Walt Disney Studios made its presentation to the 2026 CinemaCon crowd.
Among the movies promoted were ‘The Mandalorian & Grogu’ and ‘The Dog Stars’.
And, of course, ‘Avengers: Doomsday’.
Once the all-conquering ruler of the box office, Disney has seen its fortunes take a tumble in the last couple of years, with the likes of Marvel and Pixar movies suffering issues at the box office.
Still, the Mouse House still has quite the line up, with the likes of ‘Avengers: Doomsday’ as big hope points.
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Pixar, meanwhile, has a new ‘Toy Story’ offering, and ‘Star Wars’ is back on the big screen. Plus ‘Moana’ is getting the live-action treatment. Let’s see what the company chooses to spotlight…
The typical studio sizzle reel kicked things off, with plenty of Disney highlights and wrapping with riffs on ‘Avengers: Doomsday’ –– the countdown clock that has been part of the promos so far counting down to zero and the caption “Disney will return to CinemaCon.”
There is, of course, a little boasting to de done about last year’s success stories, including a joke about renaming ‘Zootopia 2’ to “Zootopia $1.9 billion”.
(L to R) Matt Kalavsky, SVP, Domestic Distribution, The Walt Disney Company and Andrew Cripps, Head of Theatrical Distribution, Disney Entertainment Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
With the comedy sequel just a couple of weeks away from release, there wasn’t too much on it, just a quick video message from Anne Hathaway: “20 years later, we are back!” She also thanked theater owners for their support.
But did also cue up some new footage from the movie. Three words: Miranda. Priestly. Zingers.
Jon Favreau speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Surely one of the biggest titles (outside of the MCU) to be showcased here is the return of ‘Star Wars’ to the big screen.
Writer/director Jon Favreau arrived on stage to remark how the opening shot of the original ‘Star Wars’ changed the path of his life, and how there will be plenty of IMAX footage in the new movie. Not to mention a fresh score from composer Ludwig Göransson.
Favreau announced the final trailer for the movie (which you can see above) and also showed the opening sequence, which includes an AT-AT in the snow before we watch Mando (Pedro Pascal) get his next bounty hunting gig.
If you’re wondering whether ‘Star Wars: Starfighter’ got a mention, the answer is yes –– but only in picture form, and nothing we haven’t seen before.
(L to R) Tom Hanks and Tim Allen speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
We went from the galaxy far, far away to the Pixar universe, via some ‘Toy Story 5’ footage. This time around, Woody (who has been off helping rescue other toys) and Buzz, along with their friends, must confront a new toy in Bonnie’s life –– a tech gadget called Lily Pad (voiced by Greta Lee).
Tim Allen (Buzz) and Tom Hanks (Woody) strode on stage to talk about their latest animated effort. The pair exchanged light banter, made fun of working off of a teleprompter and gave plenty of love to the Pixar team. They also introduced a new clip from the movie, featuring their characters reuniting.
(L to R) Catherine Laga’aia and Dwayne Johnson speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Next up is Disney’s ongoing effort to convert all of their animated output to live-action movies. ‘Moana’, which was a huge success in cartoon form back in 2016, is back with a mostly new cast, though retained Dwayne Johnson as Maui.
He was on stage to discuss the film and gush about how much Maui means to him and how his performance was inspired by his grandfather. Johnson was joined by Catherine Laga’aia, who plays Moana, and she revealed that she’d done her very first interview for the movie today.
And, as is standard, we got some new footage from the movie.
It’s set after the world’s population has been ravaged by a pandemic, and follows Elordi’s Hig, who lives a lonesome existence in a Colorado airplane hangar with his dog and a dour gunman (Brolin) he has befriended. When a mysterious transmission comes through on the radio while he’s flying his old Cessna, it sparks a hunt for the provenance of the sound.
Scott brought the audience first new trailer for the movie, which you can find above, and an early scene.
We’re clearly in the “originals” section (okay, both ‘The Dog Stars’ and this are adapted from novels), as ‘Whalefall’ was next.
The movie follows a scuba diver in search of his deceased father’s remains gets swallowed by an 80-foot, 60-ton sperm whale and has only one hour to escape before his oxygen runs out. After giving up on life, the young man is surprised to find a reason to live in the most dangerous and unlikely of places. Oh, and like Ridley Scott’s movie, this also features Josh Brolin.
‘Whalefall’ comes from director Brian Duffield, who previously brought us ‘No One Will Save You’. And the first look at the movie finds the main character, played by Austin Abrams, getting drawn into the mouth of the whale.
Andrew Cripps, Head of Theatrical Distribution, Disney Entertainment Studios speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
The latest from Disney’s own animation studio sees what happens when an awkward teenage girl and her Type-A mom discover that what makes her unusual might be magical powers that will turn their lives and a secret world of magic upside down.
(L to R) Queen Latifah, Denis Leary and Ray Romano speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Some of the voice cast, including Ray Romano (Manny), Denis Leary (Diego), and Queen Latifah (Ellie) took the stage to introduce the first look at the sixth (count ’em) main movie in the franchise.
We got a look at footage from the beginning of the movie, which features an adorable baby Scratch (the squirrel, in case you forgot).
(L to R) Anthony Russo, Robert Downey Jr., Joe Russo, Chris Evans and Kevin Feige, President, Marvel Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Of course Marvel was going to wrap things up with what Disney is hoping will be one of, if not the biggest film of the year. No pressure, then…
Marvel boss Kevin Feige arrived on stage to discuss ‘Doomsday’ and introduce something called ‘Infinity Vision’ which will enhance the viewing experience (read more about that here). He also mentioned that ‘Avengers: Endgame’ will be back in theaters ahead of the new movie.
Chris Evans speaks during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
Feige was joined by directors Joe and Anthony Russo, who talked about how Doctor Doom (played in the new movie, of course, by Robert Downey Jr.) is the best Marvel villain because he’s always three steps ahead.
And then it was the turn of the man himself (RDJ, not Doom), on stage to announce he wants to give away all the spoilers, but isn’t permitted (and anyway, that’s Tom Holland‘s job).
(L to R) Anthony Russo, Robert Downey Jr., Joe Russo, Chris Evans and Kevin Feige, President, Marvel Studios speak during the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Jesse Grant/Getty Images for Disney.
A first proper trailer for ‘Doomsday’ played (lots of X-Men) action, and Chris Evans appeared on stage to admit he was only going to return to the MCU for a good reason (no jokes about dump trucks full of money, please). There was a mock argument between RDJ and Evans about their characters.
The trailer played a second time, and let’s just say this… there was screaming in the audience.
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And with that, Disney’s out! Which also marks the end of the studio presentations. Hope you enjoyed our coverage!
(L to R) Tom Hanks, Tim Allen, Ray Romano and Denis Leary attend the Walt Disney Studios presentation at Cinemacon 2026 on April 16, 2026 in Las Vegas, Nevada. Photo by Leon Bennett/Getty Images for Disney.
(L to R) Greg Focker (Ben Stiller) and Jack Byrnes (Robert De Niro) in ‘Focker In-Law’, written and directed by John Hamburg. Photo: Universal Pictures.
Preview:
Universal made its big presentation to the 2026 CinemaCon crowd.
Among the movies promoted were ‘Disclosure Day’ and ‘The Odyssey’.
There was also a look at ‘Minions & Monsters’ and ‘Other Mommy’.
Universal had a more muted and mixed 2025 than some other studios –– the latest ‘Jurassic World’ outing was a hit, but other titles, including thriller sequel ‘M3GAN 2.0’ stumbled.
Matt Damon is Odysseus in ‘The Odyssey’, written, produced, and directed by Christopher Nolan. Photo: Universal Pictures.
Christopher Nolan’s epic, based on Homer’s story, was somewhat naturally the first big movie featured. Starring half of Hollywood, it promises to be massive in scale and ambitious in scope.
The filmmaker himself took the stage to talk up his latest, joking that he’s glad he doesn’t have to follow Steven Spielberg. ‘The Odyssey’ is not, he says a story. It’s THE story, one he knew he had to shoot entirely in IMAX.
He praised his ensemble, especially Matt Damon, Anne Hathaway and Tom Holland, who he called the heart of the film. Oh, and it was a “nightmare to make in the best way possible,” but he’s nearly finished.
More than five minutes of new footage from the movie was shown, including a shipwrecked Odysseus (Damon) washing up on a shore, where he’s greeted by the goddess Calypso, played by Charlize Theron, asking her about his past life which he cannot remember, and a battle from the Trojan war and the iconic Trojan Horse.
Illumination has been a consistent performer for Universal, its animated output boosting studio coffers. So of course the team were present to pimp the next ‘Minions’ movie featuring the little yellow troublemakers.
It’s set in the 1920s and features the Minions trying to find a new master to serve. Pierre Coffin, who co-writes, directs and voices the creatures, told the crowd that he put everything into the new one, before introducing some fresh footage.
The next film to get a brief spotlight was romantic comedy drama ‘One Night Only’, which stars Callum Turner and Monica Barbaro as two New Yorkers searching for love on the one night of the year when sex is legal.
The initial teaser for the horror movie, starring Jessica Chastain, was shown. It features Bela (Arabella Olivia Clark), an 8-year-old girl living in a home with marital problems, confronts a sinister entity that comes out of her closet. The presence, whom she calls “Other Mommy,” becomes increasingly threatening to her and her family.
Next up was a quick look at ‘Violent Night 2’, the sequel to the 2022 action comedy with David Harbour as a grumpy Santa who takes down armed thieves. The 2026 follow-up adds Kristen Bell as Mrs. Claus in a story where Santa somehow ends up on the Naughty List.
(L to R) Jack Byrnes (Robert De Niro) and Olivia Jones (Ariana Grande) in ‘Focker In-Law’, written and directed by John Hamburg. Photo: Universal Pictures.
Getting more of a spotlight was the new ‘Meet the Parents’ outing, which sees Ariana Grande as a young woman looking to marry into Ben Stiller‘s family (and Stiller’s Greg Focker is suspicious of her).
Stiller and Robert De Niro took the stage to introduce a first look, with De Niro commenting that Grande is the funniest scene partner he’s ever had. Ouch!
Also featured? A look at ‘Nosferatu’ director Robert Eggers‘ next chiller, ‘Werwulf’, which follows a gothic world where townsfolk are investigating a brutal werewolf terrifying their town.
Emily Blunt in ‘Disclosure Day’, directed by Steven Spielberg. Photo: Universal Pictures.
‘Disclosure Day’s Colman Domingo arrived on stage to introduce his director, Steven Spielberg, who is getting a special award from CinemaCon (along with a sizzle reel of past work and a standing ovation from the audience).
The iconic filmmaker took the chance to argue for longer release windows, which naturally plays well with this crowd.
He also sat down with Domingo to discuss his own movie-watching history, his father’s belief in life beyond our world, his own thoughts on aliens and his time making this latest effort.
New footage was shown (though Spielberg said he was keeping every frame of the third act withheld until the movie itself is released), with plenty of tense action.
“It is an experience, this movie,” Spielberg promised. “All you need to get from the beginning to the end is a seat belt.”
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And with that, it’s a wrap on Universal!
‘Focker In-Law’ opens in theaters on November 25th.
Tom Cruise for ‘Digger’ at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
Preview:
Warner Bros. has made its big presentation to the 2026 CinemaCon crowd.
Among the movies touted were ‘Supergirl’ and ‘Dune: Part III’
The likes of Tom Cruise and James Gunn showed up to lobby exhibitors.
After a hugely successful 2026 in terms of both box office and awards, Warner Bros. arrives at CinemaCon with a bigger story looming over its head –– the future. With the Paramount merger inching closer, there will of course be questions about the new regime’s plans, even as the likes of David Ellison maintain that the studio’s output will be boosted.
Host Patton Oswalt at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
With Patton Oswalt as the host (who joked that he wanted to join the DC Universe), this is what was presented…
Before any of the big announcements, we got word from Warner Bros. film bosses Michael De Luca and Pam Abdy that the studio is launching a new label called Warner Clockwork, whose first production is ‘Anora’ director Sean Baker‘s next project, ‘Te Amo!’.
A sizzle reel celebrating last year’s accomplishments was followed by an even more exciting one for 2027, including some big casting news dropped for ‘The Lord of the Rings: The Hunt for Gollum’…
We’ve been waiting for you, precious. The Lord of the Rings: The Hunt for Gollum only in theaters 17 December 2027. pic.twitter.com/FuD8Bh8cpl
(L to R) Tom Cruise and director Alejandro G. Iñárritu for ‘Digger’ at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
Tom Cruise and Alejandro G. Iñárritu kick off the 2026 portion of the show with their collaboration, ‘Digger’. Cruise heaped praise on his director, with the filmmaker explaining that he got the idea for the new movie nine years ago and started discussing it with the actor seven years ago. Cruise, according to him was the only choice.
The movie tells of most powerful man in the world as he embarks on a frantic mission to prove he is humanity’s savior before the disaster he’s unleashed destroys everything.
(L to R) Ewan McGregor as Greg Platt, Christian Convery as Brian Platt, Maisy Stella as Audrey Platt and Anne Hathaway as Denise Platt in in ‘The End of Oak Street’, a Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
It features the Platt family, who band together to navigate their new surroundings after a cosmic event transports their suburban neighborhood to someplace unknown. Anne Hathaway and Ewan McGregor lead the cast, but the presentation was mostly an extended trailer.
The New Line segment was kicked off with the next ‘Evil Dead’ movie, this one directed by Sébastien Vanicek, but again it was largely limited to some early footage, which featured some familiar ideas, including the Book of the Dead.
A scene from 2026’s ‘The Cat in the Hat’. Photo: Warner Bros.
The audience were all supplied with Thing wigs, trumpeting the arrival of a trailer for the new animated take on the Dr. Seuss classic. This one features Bill Hader as the voice of the cat.
Next up was DC Studios, with producer and co-CEO Peter Safran on stage to introduce it (director and co-chief James Gunn is a little busy, as production on the ‘Superman’ follow-up ‘Man of Tomorrow’ starts next week.
The first project to cover was ‘Clayface’, about the Batman antagonist, which Safran described as more focused on character than genre. He showed off the first footage from the movie.
(L to R) Jason Momoa, director Craig Gillespie, Milly Alcock, and producer Peter Safran for ‘Supergirl’ at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
While we have to wait until October for ‘Clayface’, the next DC Studios film out of the gate is ‘Supergirl’, starring Milly Alcock as Superman’s wilder cousin. She, director Craig Gillespie and co-star Jason Momoa (playing outer space vigilante Lobo) took the stage to talk up the film –– Momoa on a motorcycle! A new scene from the movie was screened.
(L to R) Nicole Kidman and Sandra Bullock for ‘Practical Magic 2’ at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
Nicole Kidman and Sandra Bullock showed up to tout the witchy sequel, mentioning their shared appreciation for director Susanne Bier and how the production rebuilt the original movie’s house. What can we expect? “Midnight margaritas, jumping off the roof, and also have our past catching up with us,” according to Kidman. “We have our destinies, and the family. I think it’s going to be really, really fun.”
After some talk about how the characters are inspiring, the first teaser trailer was shown.
Timothée Chalamet for ‘Dune: Part Three’ at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
The big finish was, somewhat naturally, the new ‘Dune’, with director Denis Villeneuve taking the stage accompanied by Fremen warriors. Villeneuve said he made the movie “1,000%” for the fans, and the audience was treated to the first seven minutes of the movie.
Accompanied by the likes of Zendaya, Momoa and notorious opera-disliker Timothée Chalamet, Villeneuve showed off a battle scene that promises some suitably epic action.
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And that’s all, folks!
(L to R) Tom Cruise and Jason Momoa at CinemaCon 2026. Photo Credit: David Jon @davidjonphotography.
With David Frankel back as director and writer Aline Brosh McKenna once again working from Lauren Weisberger’s novel source, it’ll be interesting to see how the characters have moved forward in the (gulp) 20 years since the first film.
The first movie saw the ambitious yet occasionally overwhelmed Andy Sachs (Hathaway) taking on the role of junior assistant to the powerful Miranda Priestly (Streep), editor-in-chief of a high-profile fashion magazine.
The sequel follows Priestly as she navigates her career amid the decline of traditional magazine publishing and as she faces off against Blunt’s character, now a high-powered executive for a luxury group with advertising dollars that Priestly desperately needs.
From the looks of the trailer, Priestly is just as imperious as ever –– but is her attitude towards everyone just her usual shade or is she struggling with memory issues?
When will ‘The Devil Wears Prada 2’ be in cinemas?
(Left) Adam Driver stars in director Michael Mann’s ‘Ferrari.’ (Center) Anne Hathaway for Apple TV+’s ‘WeCrashed.’ (Right) ‘Eden’ director Ron Howard.
Preview:
Anne Hathaway and Adam Driver are starring in ‘Alone at Dawn’.
Ron Howard is in the director’s chair.
It’s based on a true story.
Director Ron Howard is no stranger to based-on-truth moviemaking –– the likes of ‘Apollo 13’ and ‘Thirteen Lives’ speak to that. He’s reuniting with Amazon MGM Studios (which produced the latter) for a new film that tackles an incredible true story called ‘Alone at Dawn’.
Adam Driver in ‘Star Wars: The Last Jedi’. Photo: Lucasfilm.
The new movie is based on the book of the same name by Dan Schilling and Lori Longfritz and is inspired by an incredible true story.
Years after Air Force Combat Controller John Chapman fought to the death to save his fellow soldiers, an intelligence officer strives to prove his valor — leading an investigation that would ultimately secure him the Medal of Honor. Schilling is a military consultant on the movie and, like Chapman, was also a Combat Control Technician. Longfritz, full name Lori Chapman Longfritz, is Chapman’s sister.
Thruline Entertainment brought the manuscript of the book to The Hideaway Entertainment who optioned it in a heated bidding war before it became a New York Times bestseller.
With the project still at an early stage, we don’t yet know when it might hit screens, and in true Amazon fashion, it could land in theaters or debut on Prime Video.
Ron Howard on the set of ‘Eden’. Photo: Jasin Boland.
And on the returning side of things, two more cast members from the original movie will be back: Tracie Thoms, will reprise her part as Lily, the handbag-loving best friend of Hathaway’s Andy Sachs, and Tibor Feldman is on to once again play Irv Ravitz, the chairman of Runway’s parent company Elias-Clark.
(L to R) Anne Hathaway and Meryl Streep in ‘The Devil Wears Prada’. Photo: 20th Century Fox.
Adapted by Aline Brosh McKenna from Lauren Weisberger’s novel and directed by David Frankel, the original follows Andy Sachs (Hathaway), a recent journalism graduate who moves to New York City and lands a job as a junior assistant to Miranda Priestly (Streep), the powerful and demanding editor-in-chief of high-fashion magazine Runway, with Blunt as Emily, Priestly’s primary aide.
Andy initially struggles with the high-pressure environment and Miranda’s relentless demands but gradually adapts, gaining confidence and style. As she becomes more involved in her work, she faces personal challenges, including a strained relationship with her boyfriend, Nate (Adrian Grenier), and ethical dilemmas about the fashion industry’s values.
The movie was a hit, earning close to $125 million in the US and more than $326 million worldwide. Streep was nominated for an Oscar along with costume designer Patricia Field.
What would the new movie be about?
Meryl Streep as Miranda Priestly in 2006’s ‘The Devil Wears Prada .’
With the cast all back for this one, the sequel’s plot would reportedly pick up the story with Priestly still the head of Runway, but the magazine has endured the financial headwinds of contemporary publishing and is in a diminished state.
Blunt’s one-time assistant would now be an executive at a luxury brand conglomerate that advertises with Runway.
Entertainment Weekly has confirmed that Grenier won’t be back, but we do know that Branagh will be playing Miranda Priestly’s husband, which as anyone who has seen the first film knows, is not an easy gig given the hard-charging, perfectionist character’s style.
Behind the scenes, McKenna has written the new script and Frankel is once again calling the shots.
What else is happening in the ‘Devil Wears Prada’ world?
Anne Hathaway in ‘The Devil Wears Prada’. Photo: 20th Century Fox.
In addition to the sequel, a musical adaptation with an original score by Elton John, is playing in London’s West End.
Novak’s work has been more behind the scenes of late, though he did have a role in TV series ‘Poker Face’ this year, and he’s a contributor to a documentary about comedian Mitch Hedberg.
Kenneth Branagh is the first new addition to the cast of ‘The Devil Wears Prada 2’.
Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci are all back for the sequel.
Writer Aline Brosh McKenna and director David Frankel are also returning.
The last time we reported on the sequel to 2006 comedy drama ‘The Devil Wears Prada,’ it was still lurking in development, without a full commitment from the cast to return.
As per the Instagram post below, the sequel is now in production, meaning that it’ll be on screens next year, just in time for the 20th anniversary of the original.
(L to R) Anne Hathaway and Meryl Streep in ‘The Devil Wears Prada’. Photo: 20th Century Fox.
Adapted by Aline Brosh McKenna from Lauren Weisberger’s novel and directed by David Frankel, the original follows Andy Sachs (Hathaway), a recent journalism graduate who moves to New York City and lands a job as a junior assistant to Miranda Priestly (Streep), the powerful and demanding editor-in-chief of high-fashion magazine Runway, with Blunt as Emily, Priestly’s primary aide.
Andy initially struggles with the high-pressure environment and Miranda’s relentless demands but gradually adapts, gaining confidence and style. As she becomes more involved in her work, she faces personal challenges, including a strained relationship with her boyfriend, Nate (Adrian Grenier), and ethical dilemmas about the fashion industry’s values.
The movie was a hit, earning close to $125 million in the US and more than $326 million worldwide. Streep was nominated for an Oscar along with costume designer Patricia Field.
What would the new movie be about?
Meryl Streep as Miranda Priestly in 2006’s ‘The Devil Wears Prada .’
With the cast all back for this one, the sequel’s plot would reportedly pick up the story with Priestly still the head of Runway, but the magazine has endured the financial headwinds of contemporary publishing and is in a diminished state.
Blunt’s one-time assistant would now be an executive at a luxury brand conglomerate that advertises with Runway.
Entertainment Weekly has confirmed that Grenier won’t be back, but we do know that Branagh will be playing Miranda Priestly’s husband, which as anyone who has seen the first film knows, is not an easy gig given the hard-charging, perfectionist character’s style.
Behind the scenes, McKenna has written the new script and Frankel is once again calling the shots.
What else is happening in the ‘Devil Wears Prada’ world?
Anne Hathaway in ‘The Devil Wears Prada’. Photo: 20th Century Fox.
In addition to the sequel, a musical adaptation with an original score by Elton John, is playing in London’s West End.
That one follows an airman whose reconnaissance mission over Soviet territory goes awry, forcing him to crash-land and survive in Russian wilderness while evading capture or rescue.
It also stars Ryan Reynolds and Maria Bakalova, and is reportedly going to be released in September, though there has been little promotion for it so far.
Finally, there is a movie, currently called ‘Atonement’ (which may change given the slightly well known 2008 drama), which sees a troubled marine seeking to reconcile with the survivors of an Iraqi family he and his unit fired on back in 2003, that one, with Reed Van Dyk in the director’s chair, is in pre-production.
When will ‘The Devil Wears Prada 2’ be in theaters?
The sequel is currently scheduled for a May 1st, 2026 release, which should make fans of the original, who have anticipated a follow-up, happy.
(L to R) Meryl Streep and Anne Hathaway in ‘The Devil Wears Prada’. Photo: 20th Century Fox.
