Arguably the first series pre-Peak TV to embrace long-form, serialized storytelling, “DS9” (as its known to fans) was and still is the bastard, rule-breaking stepchild of the Trek universe. And it is all the better for it. Seasons three through seven embrace the diversity and complex drama that Trek is known for, finding inventive — and, at times, harrowing — ways to bring action and high, emotional stakes to an anchored space station instead of a flying starship.
Prejudice, racism, PTSD, and our own tenuous grip on morality are themes that the series wrapped in sci-fi friendly bows — to much success. And while adding Worf was an attempt to boost ratings in the space battle-heavy fourth season, it also brought a much-need adrenaline drip to the character drama and personalities of the station’s crew as they faced a growing, casualty-heavy battle with The Dominion. These thrills would help elevate this underrated Trek to become the franchise’s crowning achievement.
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