Christopher Nolan’s trilogy capper is both too much and not enough. "TDKR" bends over backwards to make narrative connections to the previous films that violate some core Batman character elements that they established — with Batman’s arc being that he goes from retired to really retired. That’s, um, no.
If Bruce Wayne absconding with a woman who did nothing to earn "love of his life post-cowl" status other than lie and steal from him is your idea of a good time, coupled with passing off the suit to a cop who literally can’t fit it, then this movie is for you.
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