Chris Pine plays Edgin in ‘Dungeons & Dragons: Honor Among Thieves’ from Paramount Pictures and eOne.
Preview:
Chris Pine is to lead ‘Nowhere Fast.’
He’ll play a small-time crook in the new thriller.
‘Fargo’ boss Noah Hawley is writing and directing the movie.
Chris Pine, it would appear loves a good Texas-set crime thriller where characters get in over their heads in a dangerous situation.
He played a desperate rancher-turned-bank robber in 2016’s ‘Hell or High Water’ and, per Variety, now he’s landed the lead role of a small-time crook in new thriller ‘Nowhere Fast.’
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And there are further connections beyond the locale and the (relatively) recent time period –– while the 2016 effort was scripted by Taylor Sheridan, currently the overlord of rugged television thanks to his ever-expanding ‘Yellowstone’ franchise and other projects, this new film comes via Noah Hawley, no stranger to small screen success himself thanks to ‘Fargo’ and ‘Legion.’
And ‘Nowhere Fast’ certainly feels fairly locked into Pine’s wheelhouse –– while he has done some bigger movies, he’s often found in smaller titles that give him a chance to stretch himself.
Chris Pine in ‘Poolman’. Photo: Vertical Entertainment.
With Hawley writing and aiming to direct, the film will follow a criminal who inadvertently kills the nephew of his boss in Texas.
Sounds to us like Pine will be a man with a decent core who has turn to crime and ends up confronting, the arrogant, violent spawn of his overseer. Isn’t that usually how these things end up going? Plus he might try to get away, but the movie’s title suggest he won’t have too much luck.
Hawley will also produce via his 26 Keys Productions with the funding coming from 30West, which financed Pine’s ‘The Contractor,’ looking to co-represent the U.S. rights for ‘Nowhere Fast’ alongside CAA Media Finance. AGC International, the international sales arm of independent studio AGC Studios, will represent the foreign rights.
What else is Chris Pine attached to?
Chris Pine in 2009’s ‘Star Trek’. Photo: Paramount Pictures.
Pine has been somewhat quiet in the last year –– his only efforts recently have been a BMW ad and narration duties on an upcoming short about birds.
Before that he impressed as the seemingly benevolent-but-secretly-scheming king in Disney’s ‘Wish’ (which didn’t exactly set the box office aflame) and also tried his hand at writing and directing himself in the poorly-received ‘Poolman.’
Currently, the actor is at work on a new drama called ‘The Kidnapping of Arabella’ about an Italian woman named Holly who is convinced she’s the wrong version of herself until meeting a 7-year-old girl changes her perspective. That one is written and directed by Carolina Cavalli.
But perhaps what most fans want to know is whether Pine will finally return alongside his castmates for another ‘Star Trek’ movie set in the “Kelvin Timeline” established by J.J. Abrams’ 2009 reboot of the classic sci-fi show in big screen form.
When asked by Business Insider about the status of it, Pine had this to say:
“I honestly don’t know. There was something in the news of a new writer coming on board. I thought there was already a script, but I guess I was wrong, or they decided to pivot. As it’s always been with ‘Trek,’ I just wait and see.”
The fourth ‘Trek’ outing with Pine and co. is listed as in pre-production on the IMDb, but like them, we’ll have to see if that pans out into an actual movie.
You might wonder how Hawley has time for a movie project given how much TV work he’s involved with. While it’s certainly less than Sheridan’s sprawling empire, it’s not nothing.
In addition to the ongoing crime calamities of ‘Fargo’ (inspired, of course, by the Coenbrothersclassic and using an anthology format per season with the occasional link to tell stories of bungled robberies etc.), he’s also been busy overseeing an ambitious extension of another franchise.
This summer will see the launch of his new FX/Hulu series ‘Alien: Earth,’ which is set closer to the present day than any of the movies about rampaging xenomorphs.
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With ‘Alien’ director (and franchise gatekeeper) Ridley Scott giving the project his endorsement as an executive producer the new show tracks what happens when a mysterious space vessel crash-lands on Earth. A young woman and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat.
“There’s something about seeing a Xenomorph in the wilds of Earth with your own eyes. That is truly chilling to think of it moving here among us, and so I can’t tell you under what circumstances you’ll see that, but you’ll see it — and you’re going to lock your door that night.”
When will ‘Nowhere Fast’ be in theaters?
With the movie still at the casting stage and rights on sale, there is no word yet on when this new crime thriller might be making its way to theaters.
We’d guess it could start shooting –– even given Hawley’s packed schedule –– this year and could potentially be out by awards season, but seems more likely to arrive in 2026.
(L to R) Honor Gillies as Barb Azure, Konstantin Taffet as Clerk Carmine and Rachel Zegler as Lucy Gray Baird in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Murray Close.
Preview:
‘The Hunger Games: The Ballad of Songbirds & Snakes’ topped the Thanksgiving.
Disney’s ‘Wish’ for success was not granted.
Ridley Scott’s ‘Napoleon’ did well.
There was a time when the Walt Disney company was the box office behemoth –– in 2019, for example, seven of its releases earned more than $1 billion at the worldwide box office.
But on the evidence of this weekend’s Thanksgiving box office, those days are well and truly behind it as ‘Wish’, the latest animated fantasy –– one celebrating the studio’s legacy, no less –– earned a disappointing $19.5 million over the weekend and $31.7 million over five days, leaving it in third place behind ‘Hunger Games’ prequel ‘The Ballad of Songbirds & Snakes’ and Ridley Scott’s latest historical effort, ‘Napoleon’.
‘The Ballad of Songbirds & Snakes’ Bites the Competition
Tom Blyth as Coriolanus Snow in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Courtesy of Lionsgate.
On its second weekend of release, the adaptation of Suzanne Collins’ prequel novel to best-selling ‘Hunger Games’ book series (which were turned into a successful movie franchise of their own between 2012 and 2015), added $28.8 million over the weekend and $42 million since Wednesday. It has generated $98.3 million in North America and nearly $200 million globally.
It’s still a far cry from the success of that original four-movie set but given its (relatively) thrifty $100 million production budget, you just know the Lionsgate team will be hoping it can launch its own franchise.
There will be much to consider going forward given ‘Wish’s poor third-place start. While not as catastrophic as, say, ‘Strange World’ it’s still a big disappointment.
The new movie was supposed to be Disney’s big animated return, a lavish musical littered with callbacks to the studio’s history, full of songs and magic. But with a reported $200 million budget (before marketing costs), it has a lot to earn back.
In reality, however, ‘Wish’ has turned into the latest flop for the studio, in a year when many of its movies have stumbled, even those from reliable hitmakers such as Marvel and Pixar.
Going forward, Disney will be pinning its hopes on the movie showing some sort of legs at the box office, repeating the slow-build success of Pixar’s ‘Elemental’, which had a slow start but has since found its footing at the box office and has been successful on Disney+.
And the streaming service has been both a boon and a problem for the studio’s movies, with audiences leaning into watching its output at home rather than going out to theaters, a fallout of the pandemic and the rise of at-home content.
‘Napoleon’ Sees a Small Victory
‘Napoleon’ premiering in theaters around the world on November 22, 2023.
Despite its long, 158-minute running time and adult-skewing subject matter, Ridley Scott’s latest historical epic, the Joaquin Phoenix and Vanessa Kirby-starring ‘Napoleon’ has won out over ‘Wish’, scoring a second place finish over the Thanksgiving period.
‘Napoleon’ took in a better-than-expected $21 million over the weekend and $32.5 million in its first five days of release. Globally, “Napoleon” generated $78.8 million.
And while that isn’t the most successful opening for a movie which cost $200 million to make, Apple (which released it in partnership with Sony Pictures) isn’t likely all that worried, since it’ll drive people to check out the film when it eventually lands on Apple TV+.
‘The Hunger Games: The Ballad of Songbirds & Snakes’ will be in theaters on November 17th.
Other Movies Similar to ‘The Hunger Games: The Ballad of Songbirds and Snakes’:
Jennifer Lee, CCO, Disney Animation Studios, speaks onstage at the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Preview:
Jennifer Lee talks about writing and crafting an original fairy tale versus adapting from an existing story and what it is like not to have to stay within the guidelines of a story
The future of Disney animation and what the next generation of artists can bring
Lee hints at more stories to be told with Elsa and Anna, “ I’m proud of where they’re gonna go next.”
Moviefone recently had the pleasure of speaking with Disney Animation’s Chief Creative Officer, Jennifer Lee, about writing and crafting an original fairy tale, the many iterations of the character Star, the future of Disney animation, and the possibilities the new generation of artists can bring.
Moviefone: To begin with, you’ve worked on many Disney animated films including ‘Frozen,’ ‘Frozen II,’ and ‘Zootopia,’ just to name a few. Can you talk about writing an original story with ‘Wish,’ versus adapting an existing tale and being able to write without having to stay within the guidelines of an existing story?
Jennifer Lee: You know, I will say it’s something I almost forgot in a moment because we’ve gotten so steeped in this story for a long time. As a fairy tale, but recognizing, we were creating one from scratch. At first, that was very scary. Because it is like you can do anything, but what is the thing to do? I think what was so wonderful about it was getting to make discoveries that I think we may not have been able to make. I believe in a limited palette at times for focus. But I think in this case, I look at the character of Star, and Star went through many iterations. At one point talked, at one point could turn into a human, at one point, you know, into other things and, to have the freedom to recognize what we said. But hope and possibility don’t talk. They just are there for you. Why would Star speak? It’s millions of years old, it’s evolved beyond language, like we would just take these things that were so freeing, that led us to have really fun discoveries. There was nothing like, “Oh, but people are gonna expect us because in the story it’s that” and I think that that is huge that we can do that. But in many ways, what’s interesting is, and Peter Del Vecho has talked about this, is a moment where the story starts to tell you what it means, and it almost takes on a life of its own. So what’s funny for me is the ‘Wish’ story now, it’s like it’s always been. It’s like, that’s not how we got there but eventually, it starts to just land in a way that you’re bringing to life something that actually already exists. That’s a weird thing that I think only in animation I have ever experienced.
MF: As Chief Creative Officer and as you celebrate Disney’s 100th anniversary, where do you see the future of Disney animation going?
JL: Well, I think in a very fun way, what I’m seeing is the new generation, and in a really great way, especially with this last decade, I’ve been there watching a whole new team of artists, especially the way animation in the world is in a great place. People are really connecting with it. I feel very lucky to be a part of it. We always say when the animation is doing well, that’s good for all the artists, and so it’s creating new opportunities. I think the new voices of animation are exciting, and they’re daring. I see now for a lot of us who have been doing this for a while or have had the chance to experience our films beyond the world. We have a responsibility now to that new generation because there’s tons of talent. But we can experience it together. I think we’ll find that “Where’s the new voices going?” It’ll be up to them. So right now, I’m loving being in this role because I get to work with them, get to have lunches with the story team – multiple teams, but with the story crew, and we just talked about story. We talk about comedy, and it’s just all about creating that connection in our legacy that’s always been, which is building that next generation. But I think when I came in, I felt like that I was not that young, but I was new. I felt like that receiver as a new generation. You know, almost 13 years later, I feel like that shift where I can see it more clearly. It’s a really fun and ambitious time.
(L to R) Anna (Kristen Bell) and Elsa (Idina Menzel) in Walt Disney Pictures’ ‘Frozen.’
MF: Finally, speaking of the future of Disney animation, will there be more stories for Anna and Elsa from ‘Frozen’?
JL: All I’d say, as Bob Iger himself mentioned we are in development on more ‘Frozen’. That’s all I can say. Because there is more story to tell. I love these women, and I think I’m proud of where they’re gonna go next.
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What Is The Plot Of ‘Wish’?
Set in the magical kingdom of Rosas, the story introduces Asha (Ariana DeBose), an optimist with a sharp wit who deeply cares about her community. When Asha turns to the sky in a moment of need and makes a wish, her plea is answered by a cosmic force — a little ball of boundless energy called Star. Together, they face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen.
‘Wish,’ the latest entry from Walt Disney Studios features a fantasy musical adventure that captures the feeling of classic Disney animation and a fresh new story on the importance of staying true to yourself and the power of wishes. The movie will be released in theaters on November 22nd.
Initial Thoughts
Right off the bat, the audience will recognize the animation style inspired by Disney classics such as ‘Sleeping Beauty,’ ‘Pinocchio,’ and ‘Snow White and the Seven Dwarves.’ The blending of 3D animation and 2D hand-drawn watercolor is something we haven’t seen before in Disney animation and gives the film a vintage look.
The story explores the importance of wishes, how even a simple wish can inspire one’s path in life, and what happens when that is taken away. Complete with catchy songs by Julia Michaels and Benjamin Rice that’ll get you tapping your toes and captivating performances from Ariana DeBose as Asha and Chris Pine as King Magnifico.
Story and Direction
(L to R) Juan Pablo Reyes Lancaster-Jones, Peter Del Vecho, SVP, Feature Film Production, Walt Disney Animation Studios, Fawn Veerasunthorn and Chris Buck speak for “Wish” at the Long Lead Press Day In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
‘Wish’ is co-directed by Chris Buck (‘Frozen II’) and Fawn Veerasunthron (‘Raya and the Last Dragon’), with screenplay written by Jennifer Lee and Allison Moore. The movie will take you down the road of nostalgia with the opening of the film pans in on a storybook, just as movies such as ‘Snow White and the Seven Dwarves,’ ‘Sleeping Beauty,’ and ‘Pinocchio’ did.
After a quick exposition of King Magnifico’s past, we understand why he began studying magic to become a sorcerer and how the Kingdom of Rosas came to be – located in the Mediterranean Sea and a travel destination for all. It is also the place where anyone over the age of 18 can give their wish to King Magnifico for a chance to have it granted at a wishing ceremony.
The story introduces 17-year-old Asha, who works as a tour guide in Rosas and is about to interview to be the King’s apprentice. During the interview, it is revealed that while King Magnifico keeps the townspeople’s wishes safe, he doesn’t intend to grant most wishes. When Ahsa suggests the King return the ungranted wishes, he becomes upset and explains that he only grants wishes he sees fit to keep Rosas safe. When Ahsa further argues that wishes can’t be harmful King Magnifico retaliates by telling her he would never grant her grandfather Sabino’s wish.
Frustrated by this, Asha runs to the giant tree in the forest – the same one she and her father often visited during her childhood – and sings out her plead to the stars. Her wish was so passionate that it manifested a star from the sky into a ball of energy with magical powers. The night sky lights up with Star’s arrival, seen by all in the kingdom, including King Magnifico, who declares that any magic (other than what he conjures) is illegal and whoever uses magic is deemed a traitor.
This propels the story into Asha rushing against time to find a way to free and return the wishes to the people of Rosas, with the help of Star, her goat sidekick Valentino, and her band of friends.
The pacing of this movie is well-balanced, with the first act establishing the origins of Rosas, the relationship between Asha and her best friends, and King Magnifico’s past. The second act kicks into high gear as Asha works up a plan to free the wishes, all the while keeping Star hidden from King Magnifico. The songs are well-placed throughout and extremely catchy.
The overall look of ‘Wish’ preserves what we loved about the classics yet it retains the updated look wth 3D animation. It is clear to see that Buck and Veerasunthorn themselves are huge fans of Disney. Their love and appreciate of those films in is clearly shown in scenes that take places in the forest, as well as in the town of Rosas.
Leaning into the nostalgia even more are the easter eggs seen throughout the film. Most are subtle and does not distract from the movie. Sharp eyed fans can spot nods to films like ‘Bambi,’ ‘Sleeping Beauty,’ ‘Cinderella,” ‘Peter Pan’ and more. Asha’s group of friends is a nod to the seven dwarves as some of their character design and characteristics hints at at specific traits of the dwarves. The easter eggs sprinkled throughout are not only visual. If you listen carefully, you’ll also hear it in the dialogue and music.
There are seven brand new songs in ‘Wish,’ written by Julia Michaels and Benjamin Rice. Michaels is the youngest songwriter to have worked on a Disney animated feature, and her style brings a contemporary sound to the mix. DeBose’s solo “This Wish” shows off her vocal range and ability to capture the raw emotion of Asha in her moment of desperation and hones in on the empowering message of believing in and fighting for your truth. This ballad has the potential to have the effect of ‘Frozen’s “Let It Go.”
Another standout number is King Magnifico’s “This Is The Thanks I Get?!” where he descends into dark magic and villainy. As the citizens of Rosas begin to question why they can’t remember their wishes, the King’s charming facade starts to crack. This is an upbeat song with clever lyrics, as the King sings about being under-appreciated after everything he’s done for the kingdom, being constantly asked for more, and ultimately turning to the forbidden spell book. Chris Pine delivers on all fronts in this fun and entertaining number.
The other songs in ‘Wish’ include “Welcome To Rosas,” “At All Costs,” “I’m A Star,” “Knowing What I Know Now,” and “This Wish (Reprise).”
‘Wish’ embraces all that is classic Disney animation, from the art style to the message of never stop believing in yourself (and your wishes). The idea of wishing upon a star may be a tale as old as time, but it is told in a refreshing way that’ll capture audiences young and old. The songs are incredibly catchy, and the adorable sidekicks Star and Valentino are guaranteed to steal your heart.
Chris Pine’s King Magnifico makes a magnificent villain and is extremely very fun to watch, though they could have gone into greater detail about his backstory on why he turned to sorcery, as it would have made his falling into dark magic all the more worth while.
‘Wish’ receives 8 out of 10 stars.
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What Is The Story of ‘Wish’?
Set in the magical kingdom of Rosas, the story introduces Asha (Ariana DeBose), an optimist with a sharp wit who deeply cares about her community. When Asha turns to the sky in a moment of need and makes a wish, her plea is answered by a cosmic force — a little ball of boundless energy called Star. Together, they face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen.
(Left) ‘Wish’ co-director Chris Buck. (Right) ‘Wish’ co-director Fawn Veerasunthorn.
Disney Animation Studios gears up for its new feature-length animated movie, timed with the studio’s 100th anniversary. ‘Wish’ is helmed by Chris Buck (‘Frozen II’) and Fawn Veerasunthorn (‘Raya and the Last Dragon’). It’s an original fairy tale with an art style inspired by the looks of classic Disney animated movies and the theming of wishing upon a star.
Moviefone recently had the pleasure of speaking with Chris Buck and Fawn Veerasunthorn after a presentation for ‘Wish’ at the El Capitan Theater in Los Angeles. The two directors discussed the inspiration behind the upcoming animated feature, how many Easter Eggs they managed to sneak into the film, the influences for some of the musical numbers, and working with Ariana DeBose.
(L to R) Juan Pablo Reyes Lancaster-Jones, Peter Del Vecho, SVP, Feature Film Production, Walt Disney Animation Studios, Fawn Veerasunthorn and Chris Buck speak for “Wish” at the Long Lead Press Day In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Moviefone: To begin with, given the title of this film and how much was inspired by the classic Disney message of “When you wish upon a star,” was it always the plan to release this movie timed to the Disney 100th anniversary?
Chris Buck: Yeah. Jen (Lee) had sort of whispered in my ear. We were in the last year of ‘Frozen 2’. She says, “You know 2023 – is just around the corner, we gotta do something special.” We weren’t sure what yet, and so even though we were still finishing up from ‘Frozen 2,’ we pinned up all these stills from each Disney animated movie. I could see on one bulletin board the breadth of all the different styles and all the different years. Everything that Walt (Disney) and beyond had done, what the company had done. So that’s where it started because it wasn’t just the breadth of everything, but then you can see the connection between the movies, and then you can see characters wishing on stars. So then it just became sort of obvious, it’s like this movie has to be about a wish and it has to be wishing on stars.
(L to R) Ariana DeBose as Asha and Alan Tudyk as the pajama-wearing goat, Valentino in “Wish,” which is helmed by Chris Buck and Fawn Veerasunthorn. The feature film releases Fall 2023.
MF: You talked about being inspired by Disney classics like ‘Beauty and the Beast‘ and ‘Pinocchio.’ We definitely saw the inspiration in the film’s artwork. Did you manage to sneak in Easter eggs for all the Disney fans and if so, can you tease any?
Fawn Veerasunthorn: You’ve seen some today. The big musical number where you may have heard a certain deer’s name (‘Bambi‘) in there. And there might have been some bunny who thumps a lot. I know we started from the ground up with aiming for this to be an original fairy tale, right? Part of celebrating the future, and coming up with something new with a contemporary song. Along the way, we just couldn’t help ourselves – being Disney fans, creating movies for Disney fans – that there are these ideas that come up, and we try to be tasteful about it and not that it’s distracting, but if you love Disney movies, when you go to see this film…
CB: …You’ll pick up quite a few. There’ll be some fans who pick out ones that maybe we didn’t even consciously do. I mean, it’s already happened. We have a list. It’s a long list.
MF: One of the scenes that we got to see today is where Asha is the tour guide, and she breaks into a musical number and we know that she’s voiced by Ariana DeBose but Asha’s movement matches the way Ariana moves. How was that achieved? Did you capture her dancing in the studio, or was it from purely watching her dance footage?
VF: For this song, we work with a choreographer from Spain, actually. We talked about Rosas as being a fictional place, but it’s a destination that people come from all over the world, but the main influence is North Africa and Southern Europe. In talking with him, we also wanted to infuse that modern sensibility because with Julian Michael’s writing of these songs, you can’t avoid it. So those aspects came together, and he created the dance reference for us onstage in Spain where we filmed it. Then our animators studied it. We also talked to Ariana about the way she moves and the way she thinks Asha would move and react to those two big factors
CB: They would also record not only for the dialect sessions but also her musical sessions. So when she is singing and acting, you know, she’s moving, and so our animators are looking at that, getting the cues and all that.
MF: Finally, were there any specific sequences, numbers or characters that were a bit challenging for you in the making of this film?
CB: They all have their own challenges. Sometimes what you think is going to be a very simple one could be deceiving. I mean, they’re all a challenge, they are all so exciting to play with and to do new things. But I don’t think there’s ever a formula that you say, ‘It’s gonna be easy.”
VF: They come with their own sets of joy and challenges.
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What Is The Plot Of ‘Wish’?
Set in the magical kingdom of Rosas, the story introduces Asha (Ariana DeBose), an optimist with a sharp wit who deeply cares about her community. When Asha turns to the sky in a moment of need and makes a wish, her plea is answered by a cosmic force — a little ball of boundless energy called Star. Together, they face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen.
‘Once Upon A Studio’ at the Long Lead Press Day; In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Disney Animation Studios is releasing a special short for its centennial anniversary. ‘Once Upon A Studio’ makes its debut on ABC on October 15 and is filled with an all-star cast of characters from past and recent Disney animated movies.
During the long lead day presentation at the El Capitan Theater, Moviefone had the pleasure of screening the short film in its entirety. ‘Once Upon A Studio’ features 543 characters from over 85 feature films and short films in all-new hand-drawn and CG animation. Written and directed by Dan Abraham (‘Encanto’) and Trent Correy (‘Frozen II’) and produced by Yvett Merino and Bradford Simonsen.
What is the plot of ‘Once Upon A Studio?’
(L to R) Dan Abraham and Trent Correy speak onstage for ‘Once Upon A Studio’ at the Long Lead Press Day; In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Directors Dan Abraham and Trent Correy call the short film a “love letter to Disney animation”. Set inside the Disney Animation Building, once all the animators have left work for the day, iconic Disney characters such as Mickey Mouse and Minnie Mouse leap out of their respective paintings, calling out to others to do the same as they prepare for a group photo in celebration of Disney’s 100th anniversary. Heroes, villains, princesses, princes, and sidekicks all gather to celebrate the 100th anniversary.
For any original voice actors who are no longer with us, the filmmakers pulled sound bites from the original films or used sound-alike to fill the role. When asked whether AI was used to recreate the voices of any of the characters, Trent Correy says, “There was no AI in the making of this short.”
The filmmaker goes on to explain the process of how they got each character to sound exactly like the original.
Trent Correy: We were so lucky that everyone we reached out to that’s still with us came back. And then we wanted to infuse the short with some of the nostalgic voices.
Dan Abraham: And you know, some of the folks have passed on, right? So, we got our best soundalikes that we possibly could.
Correy and Abraham realized they would only have seconds with each character when they appeared on screen, and it was important for them to look and sound exactly as everyone remembered them. Producer Yvett Merino chimes in, “And there are some lines in there that are actually taken from the original film. So, whenever the line was exactly the same from the original film that it came from, we picked that line out.” This was the case for Genie’s line in the short, portrayed by the late Robin Williams.
Dan Abraham: There were a couple moments. Like, I really wanted Cliff Edwards for Jiminy Cricket at the end. I didn’t want to get a soundalike. So, they had to strip away the music from his original recording digitally. Some scientist masterminds were able to figure that out. And yeah, so we got Cliff Edwards in there, which was important to us.
Trent Correy: And the thinking behind that was sometimes you only have three seconds with these characters, so they need to look, feel, and sound exactly how you remember them, so it brings you back to that moment.
The Disney Legends
(L to R) Brad Simonsen, Yvett Merino, Dan Abraham and Trent Correy speak onstage for ‘Once Upon A Studio’ at the Long Lead Press Day; In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
‘Once Upon A Studio’ is more than just paying tribute to the characters from classic Disney films. It’s also about the people who worked on them and had a hand in creating Disney magic. Abraham and Correy made sure to incorporate Disney legends such as Burny Mattinson, who appears at the beginning of the short.
Burny Mattinson was an animator, director, producer, and story artist for Disney. Employed since 1953, Mattinson was with the company for over 70 years, making him Disney’s longest employee. His work can be seen in films such as ‘The Many Adventures of Winnie the Pooh’, ‘The Jungle Book’, and many more. It was important to the filmmakers to have a legend such as Mattinson a part of the short. Seeing him walking shoulder-to-shoulder with a Disney intern at the beginning of the film symbolizes the tradition at Disney of passing the torch from generation to generation.
Another Disney Legend included in the short is composer and songwriter Richard Sherman. Sherman is known for his work in films such as ‘Mary Poppins’, where he won an Academy Award for the song “Chim Chim Cher-ee”. Sherman doesn’t make a cameo in the short; however, viewers can look forward to hearing him play “Feed The Birds”. This was newly recorded for the short, and it was done inside Walt’s office, just like how Sherman used to play for Walt in the past.
What Else Is There To Know About ‘Once Upon A Studio?’
(L to R) Dan Abraham and Trent Correy speak onstage for ‘Once Upon A Studio’ at the Long Lead Press Day In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
The first version of the short was about 12 to 13 minutes long.
The original animator for Aladdin’s Genie, Eric Goldberg, worked on this project as Head of hand-drawn animation.
All animations seen in the short are brand new. The hand-drawn characters remained hand-drawn, and the CG characters were created by CG animation.
Upon hearing Abraham and Correy’s pitch for ‘Once Upon A Studio’, Jennifer Lee burst into tears, “I don’t know how, but we need to make this.”
The score for the short is fully new, recorded by Dave Metzger.
The short film is about 8 and a half minutes long.
Where Can I Watch ‘Once Upon A Studio?’
(L to R) Dan Abraham and Trent Correy speak onstage for ‘Once Upon A Studio’ at the Long Lead Press Day; In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
‘Once Upon A Studio’ will debut on ABC on October 15 as a part of ‘The Wonderful World of Disney: Disney’s 100th Anniversary Celebration.” The short will arrive on Disney+ on October 16. It will also be shown ahead of Disney’ ‘Wish” on November 22.
(L to R) Brad Simonsen, Yvett Merino, Dan Abraham and Trent Correy speak onstage for ‘Once Upon A Studio’ at the Long Lead Press Day; In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
The upcoming animated feature ‘Wish’ will be in theaters on November 22, 2023, with a brand new trailer debuting this week. Moviefone was invited to the El Capitan Theater in Hollywood to preview brand-new footage and meet directors Chris Buck and Fawn Veerasunthorn and Disney Animation Chief Creative Officer Jennifer Lee.
Timed with Disney’s 100th anniversary, the Walt Disney Animation Studio’s ‘Wish’ is an all-new musical action-adventure set in the Kingdom of Rosas. Co-written by Jennifer Lee and Allison Moore, the story follows 17-year-old Asha (Ariana DeBose), who makes a wish upon a bright star in the sky. Her wish is so powerful it brings the cosmic Star to life, and along with her goat sidekick Valentino (Alan Tudyk), they will confront the Kingdom’s ruler – King Magnifico (Chris Pine) in order to save the people of Rosas and their wishes.
The marquee is seen at the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Upon entering the lobby of the theater, there was a life-sized display of Asha and Valentino sitting on a tree branch with a starlit sky behind them. Downstairs housed artwork from the film, as well as original art from the animation research library of background and layouts from classic films like ‘Sleeping Beauty,’ ‘Pinocchio,’ ‘Snow White,’ and ‘Alice in Wonderland.’ The filmmakers used those backgrounds as a reference for color and lighting in the movie.
Displays and signage are seen during the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
During the presentation at the El Capitan Theater, Moviefone had the pleasure of screening almost 30 minutes of never-before-seen scenes and footage from ‘Wish’, including a few musical numbers. First, we’re shown a montage of various Disney characters wishing upon a star, as the movie is all about wishes and dreams – a constant staple throughout Disney animated films.
‘Wish’ producers Juan Pablo Reyes Lancaster-Jones (‘Encanto’) and Peter Del Vecho (‘Frozen’, ‘Frozen II’) introduce the new trailer, which you can watch above, where we learn the ruler of Rosas – King Magnifico, has the power to grant wishes. Unfortunately, not all wishes are granted, and when Asha finds out, she is disheartened. In a moment of despair, Asha makes her wish upon the brightest star in the sky, and because her wish was so strong and true from the heart, it manifested the cosmic being in the form of Star, a non-verbal ball of energy with magical powers. Later, Asha is deemed a traitor by King Magnifico. The trailer also includes musical numbers such as ‘This Wish’ and shows fun and energetic scenes such as Valentino dancing with a barn full of chickens.
The next scene shown was a musical number, where we see Asha working as a tour guide in the Kingdom of Rosas. She’s late to meet her tour group, but once she arrives, she leads the group through the kingdom with a ton of energy, relaying history and fun facts about the kingdom with a lively tune. The scene also shows how much the people love King Magnifico and his good looks as they fawn over his statue in the square. The scene ends in a grand dance number with Asha and the townspeople.
The third scene is of Asha as she prepares for her apprentice interview with King Magnifico. Queen Amaya has set up the appointment for her, feeling she would be perfect for the position. In the scene, we enter King Magnifico’s room, where a large tapestry hangs from the wall. One corner of the tapestry is burnt. Before King Magnifico enters, Asha sees a spellbook locked behind a glass case. Curious, she places her fingers on one of the glass etchings. To her surprise, they come to life as dragonflies buzzing around her. King Magnifico enters and uses his magic to return the dragonflies to the glass. As they continue to talk, King Magnifico reveals that he remembers Asha’s father before he passed away, and they connect over their history of loss and grief as he lost his family as well. We also find out that only citizens who are 18 or older can make a wish at the Wishing Ceremony.
The fourth scene lasts about 18 minutes and includes a musical number. King Magnifico shows Asha the magical Inner Sanctum, where all the wishes are stored. Asha breaks into song as she takes in the glory of everyone’s unique wish. Some wishes are simple, while some inventive or courageous. Asha realizes wishes aren’t just ideas but a part of one’s heart – the most beautiful part – and is filled with a sense of purpose.
It is here Asha finds out that not all the wishes are granted. Ungranted wishes are kept inside the sanctum, and the citizens who gave their wishes to King Magnifico will not remember what they wished for. Asha disagrees with the King’s method, and this makes him angry. In retaliation, he tells Asha he will not be granting her grandfather’s wish at the Wishing Ceremony and rejects Asha’s application as his apprentice.
(L to R) Ariana DeBose as Asha and Alan Tudyk as the pajama-wearing goat, Valentino in “Wish,” which is helmed by Chris Buck and Fawn Veerasunthorn. The feature film releases Fall 2023.
The scene continues with Asha back home with her grandfather and mom. She tells him that his wish would not be granted and how many wishes are kept ungranted inside the Inner Sanctum. Asha wants to tell her grandfather his wish, but he refuses to hear it and gets upset with her. Hurt by his reaction, Asha leaves the house and heads towards the tree she used to climb with her father. This is where Asha breaks into her song ‘This Wish’. As she walks past the townspeople, she can see their long-forgotten wishes. Once she’s at the tree, she looks upon the brightest star in the sky and makes her wish.
After Asha’s wish, the star in the sky grows even brighter, illuminating the sky and forest in a burst of magic. This catches the attention of the citizens of Rosas and Queen Amaya. Inside the Inner Sanctum, the bulbs of wishes react to the magic. This alerts King Magnifico, who tells Queen Amaya someone is threatening him.
Back in the forest, Star has taken shape and grants Valentino’s wish by sprinkling stardust on him. Soon, Valentino was able to speak. The wish granting doesn’t stop there. Star floats around to a troop of mushrooms, wildflowers, and various woodland creatures who all gain the ability to speak. The animals and plants begin an upbeat song about how they all share a common dream and wish as more animals and plant life come to life, dancing, and singing.
The final footage is where Asha, Valentino, and Star attempt to sneak into the Inner Sanctum to retrieve her grandfather’s wish. At the same time, threatened by Star’s magic, King Magnifico tells the citizens of Rosas about a traitor who practices illegal magic in the kingdom. However, the citizens have begun raising the question of why they can’t remember their wishes.
Seeing this, King Magnifico announces to the kingdom he will grant the wish of the one who can turn in the traitor. King Magnifico breaks into ‘This Is the Thanks I Get’, a song and rap about being unappreciated by his people after all he’s done for them. His reflection is used throughout the number, hinting at his narcissistic personality and ego. As Asha, Valentino, and Star sneak around the Inner Sanctum, a desperate King Magnifico opens the spell book as green-colored magic comes off the pages, and his eyes light up the same color. The floor to the Inner Sanctum opens, revealing winding stone stairs leading to a secret underground chamber. By the end of the song, King Magnifico’s polished and charming demeanor is gone, and he seems more unhinged.
From all the footage shown, ‘Wish’ is shaping up to be a grand story with a ton of fantastic musical numbers. Visually, the animation style is reminiscent of classic Disney hand-drawn 2D animation. Ariana DeBose is perfect as Asha in how she portrays both hopefulness and vulnerability in the character and her incredible vocal performances. Valentino and Star will undoubtedly be scene stealers, and Chris Pine’s King Magnifico will be a very fun villain to watch.
(L to R) Peter Del Vecho, SVP, Feature Film Production, Walt Disney Animation Studios, Fawn Veerasunthorn, Jennifer Lee, CCO, Disney Animation Studios, Chris Buck and Juan Pablo Reyes Lancaster-Jones at the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Following the footage, a Q&A took place with directors Chris Buck and Fawn Veerasunthorn, Chief Creative Officer and Executive Producer Jennifer Lee (who co-wrote the story), and producers Peter Del Vecho and Juan Pablo Reyes Lancaster Jones.
The conversation of ‘Wish’ started back in 2018 between Chris Buck and Jennifer Lee as they knew they wanted to do something big for Disney’s 100th anniversary.
The film’s overall look was inspired by Buck and Veerasunthorn’s love for classic Disney movies such as ‘Sleeping Beauty’, the main legacy film ‘Wish’ is influenced by. In order to achieve the hand-drawn watercolor look with CG, the directors relied on new technology and a team of artists, technicians, and software writers. Director Chris Buck mentions they also utilized Disney short films as a way to experiment with technology:
“We’ve been doing things where you do incorporate a bit of the hand-drawn into some of the shorts that we’ve done. You get a little bit line around the character, but sometimes the characters are still animated in CG. But again, it’s starting to do what we’ve also been loving to do, and that sort of embracing our legacy, along with moving towards the future. So, I think it’s that hand-drawn look, and computer. It is very hard to describe”
Jennifer Lee, CCO, Disney Animation Studios, speaks onstage at the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Jennifer Lee adds:
“This achievement has meant a lot to us because it’s getting their vision, actually finally having technology and artistry meet in a way that they see eye-to-eye instead of having to compromise. And I think it’s part of why it’s been so hard, because it’s not just about ‘Oh, we can add this and this,’ it’s about what’s the end result we want. And it’s that sense of art.”
Fawn Veerasunthorn chimes in on the topic of blending CG and 2D art together:
“And what I love is that it brings our CG artists and 2D artists together. Because, you know, animators will call and ask for advice about ‘how do you put the lines on the face of a character to accentuate the emotion?’ and they studied that. The effects crew went to the animation research library, where you have seen some of the artwork today. And they study how the effects, the graphic shapes of it was translated into our CG process. And the artists have expressed that this is a wonderful thing that it brought them together, that there’s no longer a boundary between 2D and CG”
As for the music of ‘Wish,’ the team brought in Grammy-nominated songwriter Julia Michaels, producer Benjamin Rice (‘A Star Is Born’), and composer Dave Metzger for the score. At 29 years old, Michaels is the youngest person to write songs for Disney, having written artists such as Dua Lipa, Justin Bieber, Pink, and Selena Gomez, her style brings a contemporary sound to the mix.
(L to R) Peter Del Vecho, SVP, Feature Film Production, Walt Disney Animation Studios, Fawn Veerasunthorn, Jennifer Lee, CCO, Disney Animation Studios, Chris Buck and Juan Pablo Reyes Lancaster-Jones speak onstage for ‘Wish’ at the Long Lead Press Day & In-Person Presentation for ‘Wish’ at El Capitan Theatre in Los Angeles, California on September 21, 2023. Photo by Alberto E. Rodriguez/Getty Images for Disney.
Talking about Ahsa’s song ‘This Wish’, Fawn Veerasunthorn says:
“And that song was actually the very first song that Julia wrote for this film. We didn’t quite have a whole story at that point.
“We hadn’t written a script yet, even,” adds Jennifer Lee.
Veerasunthorn continues,
“That’s what’s fascinating about it. We gave her some of the brief storyline, and then she wrote that incredible song. And that’s what inspired us so much, of like, there’s this girl who didn’t know where to turn and she looked up the star and poured her heart out, and magical things happened.”
Jennifer Lee points out how well Michaels understood Asha’s character:
“What I love is the rawness of, [Asha] doesn’t even know exactly what she’s asking for. She’s looking for help, but there’s a generosity in her. You know, people tease ‘Oh teenagers only care about themselves,’ I’m like, ‘Well, they don’t.’ They just have the courage to ask for a better world. So, she is so vulnerable in that. And Julia caught all of that and gave back us something more inspired than what we were even thinking about. And it has been a true north for us the whole time.”
Chris Buck adds:
“She understood Asha so well from the very beginning. And so that was great having her as a songwriter. She not only had love for the classics, all the Disney songs, but again, being younger also embraces the more contemporary side, too.”
The filmmakers talk about working with Ariana DeBose and how much of her physicality was integrated into the character. Chris Buck explains that DeBose is very active within the booth:
“A lot. She’s very, very active within the booth (laughs). Sometimes maybe a little too much, because the sound engineer is like, ‘Ariana, can you move back on the mic a little bit?’ But you know, she’s acting it all out. And yes, we record all of it. The animators, all the way down to the mouth shapes, eye shapes, anything that she’s done. She’s so expressive, and she’s so much fun to work with. She gives you a lot of, you know, a lot of taste.”
Producer Juan Pablo Reyes Lancaster-Jones remembers when DeBose came to the studio to speak with the animators, “It was really cool to see her interaction. She’s just so unique and she is unafraid to be herself. And the animators really reacted to that.”
Jennifer Lee talks about the inspiration for the film’s villain, King Magnifico.
“First, we started with what do we think about for villains that we’d love to do. Because how do we be different from the previous films, but also a nod to them. And it really is about getting to watch that journey. So we knew we wanted to start where you get to watch him make choices where you might meet the best of him, and then hopefully, survive the worst of him.”
Songwriter Julia Michaels was instrumental in fleshing out the character of King Magnifico, says Lee
“Julie Michaels was instrumental because [the song] ‘This Is the Thanks I Get’ as an idea, which hilariously, is a nod to all moms put up with in the house. We talked a lot about that, for her, that she hooked onto the idea of a narcissist. So, it comes really simple, down to character and the deliciousness and danger of that. And so, for me, when I write, that’s how I had to process is, from inside out. And the person, the charm of that, when tested, people make different choices when tested.”
The filmmakers went through many iterations of Star, and Jennifer Lee touches on why it’s one of the most critical characters in the movie.
“We did many iterations of Star. Star can’t make this wish happen for you. You have to do it. But Star represents the thing that was critical to Walt [Disney], that you need. You need hope. You need possibility. Doesn’t hurt to have some wonder. Don’t forget some joy. All the things that we grab onto that keep us going. So, it helped us because in building Star, this sense of, Star always reminds you to keep going and possibility. And yes, gets to add a little bit of magic. It’s this, trying to capture the simplicity of one person’s journey through Asha. But the emotional story of what Walt cared about built through Star.”
‘Wish’ will arrive in theaters on November 22, 2023. Directed by Chris Buck and Fawn Veerasunthorn. It is co-written by Jennifer Lee and Allison Moore, and produced by Peter Del Vecho and Juan Pablo Reyes Lancaster Jones.
Even as it continues its habit of shifting some movies (such as the upcoming ‘Peter Pan & Wendy’) to Disney+ as a lure for subscribers, Disney is still seeing big box office for its major releases (if a little lower for, say, recent Marvel and Pixar movies).
So, the company –– which of course boasts those two big franchises plus Lucasfilm, 20th Century Studios, Searchlight under its giant banner –– is expectedly touting the huge success of ‘Avatar: The Way of Water’ and pointing to all the films it has headed our way this year.
Tony Chambers, the company’s head of theatrical distribution led the presentation, highlighting the fact that this year marks the first time since 2019 that they are releasing movies from all seven labels.
The show kicked off with a new clip from a certain incoming Marvel release…
‘Guardians of the Galaxy Vol. 3’
Marvel Studio’s ‘Guardians of the Galaxy Volume 3.’ Photo courtesy of Marvel.com.
And the mention of ‘Guardians’ was understandably small given that the movie will be in theaters next week (May 5th, to be exact), with just a new clip shown to the audience at Caesar’s Palace in Las Vegas. The footage features Peter Quill (Chris Pratt) and the different version of Gamora (Zoe Saldana) we met in ‘Avengers: Endgame’ on a planet in space suits. “I know you don’t remember any of it. You were everything to me, I miss you so much.,” he tells her, pouring out his heart. The funny kicks in with the rest of the gang –– Drax (Dave Bautista), Nebula (Karen Gillan) and Mantis (Pom Klementieff) –– revealed to be listening to Peter’s expression of love.
The focus on Marvel continued with the recently released trailer for ‘The Marvels’, though that of course had already been seen. Expect more from that one and other MCU titles when Comic-Con rolls around this summer.
Following that, it was on to Disney’s main animated arm…
Disney Feature Animation has the original fantasy film ‘Wish‘ headed our way later this year. Though the movie was originally announced at last year’s D23, Disney has been drip-feeding information ever since, and CinemaCon is no exception.
The movie, which is also a musical comedy, introduces Asha (Ariana DeBose), a sharp-witted idealist who makes a wish so powerful that it is answered by a cosmic force — a little ball of boundless energy called Star. Together, Asha and Star set out to prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen. All with the help of Asha’s goat pal Valentino (voiced by current animation lucky charm Alan Tudyk).
A clip was shown, featuring DeBose’s character singing one of her featured tunes, ‘So I Made This Wish’ –– aka the ‘I Want’ song so traditional to Disney princesses with some beautiful sky and scenery around that elicited applause from the crowd.
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And Chambers also announced that Chris Pine is part of the voice cast, playing King Magnifico, the ruler of Rosas, a magical kingdom where wishes really do come true.
Said Jennifer Lee, DWA boss and co-writer of the movie about Pine in a press release from the studio,
“As the most powerful person in the kingdom, King Magnifico needed to be played by someone who could give all the charm, cleverness and charisma to this magnanimous character, and Chris is beautifully bringing all of that and then some.”
‘Wish’, directed by Chris Buck and Fawn Veerasunthorn, will be in theaters on November 22nd, filling the traditional Disney Thanksgiving slot.
Melissa McCarthy arrived on stage to talk up Rob Marshall’s live action/CG re-imagining of the fairy tale so famously brought to animated life by Disney in 1989. While Halle Bailey plays the titular Ariel, McCarthy is scheming sea witch Ursula.
Here’s what McCarthy had to say about her character.
“Did someone say my name… I had something in my throat. It was an honor to play one of Disney’s most delicious and iconic villains. You can’t help but love her. Ursula is everything — she’s dishy, she’s a conniving broad, maybe that’s why I relate to her.”
McCarthy cued up a new clip from the movie, which fittingly featured her character in the sequence where Ursula grants Ariel’s wish to become a human, and Ursula’s song ‘Poor Unfortunate Souls’.
Despite the less-than-stellar results from ‘Lightyear’, Disney continues to see Pixar as a pillar of its schedule, and demonstrated that belief with 20 minutes of impressive, 3D footage from the upcoming ‘Elemental’.
As for the story, it transports us to Element City, where a host of elements live and work. The trailer showcases each element — air, earth, water and fire — and what sets them apart according to Ember Lumen (Lewis), a quick-witted and fiery woman who’s always stayed close to home in Firetown. She finally ventures out of her comfort zone to explore and meets go-with-the-flow water guy Wade Ripple (Athie). Elements are not supposed to mix, but Ember and Wade forge a connection – one that could cause problems for them and their families.
‘Elemental’ will close out this year’s Cannes Film Festival before arriving in theaters on June 16th.
The movie follows the American Samoa soccer team, infamous for their brutal 31-0 FIFA loss in 2001. With the World Cup Qualifiers approaching, the team hires down-on-his-luck, maverick coach Thomas Rongen (Michael Fassbender) hoping he will turn the world’s worst soccer team around. The underdog comedy heads to theaters November 17th, and you can watch the trailer below.
Kenneth Branagh’s latest Agatha Christie adaptation sees his Hercule Poirot headed to the floating city, where there are terrifying goings-on.
A first trailer was shown for the movie, which unlike most of the other footage shown today, has gone online.
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This time, a disconsolate Poirot finds himself at a Halloween party in one of the city’s creepier palazzos during a thunderstorm and, as it turns out, a seance. This palazzo is an orphanage, you see, and like all orphanages in ghost stories it’s got a deep, dark secret. A mother searching for a lost child thinks she can make contact through a medium, and over the course of an evening secrets start to unravel.
As was the case with Branagh-Poirot’s last two cases, the cast is stacked: Michelle Yeoh –– or, to give her her full title, Best Actress Oscar-winner and all-round goddess Michelle Yeoh –– will be that medium, Joyce Reynolds, and the cast also includes Jamie Dornan, Tina Fey, Camille Cottin and Jude Hill, who played the nine-year-old lead in Branagh’s ‘Belfast’.
Next was the first look footage and trailer for 20th Century Studios’ ‘The Creator’, the new sci-fi thriller from ‘Godzilla’ director Gareth Edwards.
Retitled from ‘True Love’, the movie finds humans facing off against robots.
In the trailer shown to audiences, John David Washington is reflecting on heaven with his wife and daughter. The daughter is an android, with a half-head. Gorgeous battle scenes akin to Edwards’ ‘Rogue One: A Star Wars Story‘ see spaceship fighters attacking tropical locales. It looks astonishing and will hopefully arrive online before too long.
‘The Creator’ will land in theaters on September 29th.
Chambers closed out the presentation by introducing a video greeting from Indy himself –– AKA Harrison Ford, who praised the latest movie and cued up an action-packed clip.
The sneak peek showed Indiana Jones and his goddaughter Helena (Phoebe Waller-Bridge) bickering with each other as they dodge gunfire and slow-moving camels in a bazaar in Tangier. As an army of mooks chases them, they chase after the Nazi Jurgen Voller (Mads Mikkelsen), who has the Dial in his possession. But Helena and Indy don’t seem to be on the same page when it comes to the dial. Helena is engaged to an unscrupulous man who wants the dial to make a fortune, and she has her own reasons for wanting to make the sale. Indy wants the dial because, presumably, it belongs in a museum.
And while Helena has the most death-defying moment in the scene as she jumps onto Jurgen’s car, Indy isn’t taking it easy as he drives a small cart through narrow streets and reaches out to grab the dial without getting shot by Jurgen’s right-hand man, Klaber, played by Boyd Holbrook.
The clip got a rousing reaction from theater owners, and ‘Indiana Jones and the Dial of Destiny‘ is headed to Cannes before landing in theaters on June 30th.
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And that was it for the main presentation, though the company had one final treat up its sleeve –– a screening of new Stephen King adaptation ‘The Boogeyman’. That one will be scaring audiences in theaters from June 2nd.
