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  • Movie Review: ‘Horizon: An American Saga – Chapter 1’

    Kevin Costner as Hayes Ellison in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    Kevin Costner as Hayes Ellison in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Riding into theaters on June 28th, ‘Does ‘Horizon: An American Saga – Chapter 1’ is Kevin Costner’s latest attempt to breathe fresh life into the Western, a genre that was once dominant in theaters before fading away to be replaced by others, re-emerging occasionally as filmmakers such as Clint Eastwood and Costner himself found new ways to present some well-trodden tales.

    The big question is, in an era (admittedly closer to the end than the beginning) of superhero dominance, will there still be a demand for horse-drawn epics of rough-hewn frontiersmen and cowboys fighting to secure territory, power or wealth? And has the baton been handed to the small screen where the likes of ‘Yellowstone’ (formerly starring one K. Costner) and its period-set spin-offs are filling that need?

    Related Article: Luke Wilson Talks Playing the Dark Knight in ‘Merry Little Batman’

    Does ‘Horizon: An American Saga – Chapter 1’ Round Up Decent Entertainment?

    A scene from New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    A scene from New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    It’s clear that Kevin Costner firmly still believes in the power of the Western. After all, ‘Horizon’ (you’ll forgive us for not writing the whole title out again) is three hours long and represents just the first part of a planned four-chapter story. Costner has ‘Chapter 2’ due on August 16th, with ‘Chapter 3’ in production and ‘Chapter 4’ in development.

    While there is plenty to like about the movie –– sun-dappled vistas, a wealth of storylines and even (not shocking coming from the director/star of ‘Dances with Wolves’) a nod to balancing the portrayals of settlers and natives –– ‘Horizon’ really ends up feeling overstuffed, even at three hours long, and one big set up for what is become, meaning the narrative is never all that satisfying (including a montage at the end serving as a trailer for what is to come, which has the feel of a student padding their history essay with footnotes).

    Script and Direction

    Director Kevin Costner in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    Director Kevin Costner in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Writing with novelist Jon Baird, Costner here aims to turn the clock back to both the Western’s roots and his own work in the genre with the likes of ‘Wolves’ and ‘Wyatt Earp’. Together the duo have crafted a sprawling, multi-story tale of hardy settlers, the natives they come into conflict with and the various characters who orbit both groups. Trouble is, it’s so sprawling and so clearly designed to lay the narrative railroad tracks for the movies to come that it can’t help but turn out unsatisfyingly unfinished, the story less wrapping up than left dangling. One or two of the plotlines have the appearance of completion, but in reality this is more a pilot for a limited series (‘Horizon’ was going to be one at some point in its long gestation) than a fully rounded movie.

    Directorially, it’s predictably accomplished, Costner and his crew making full use of the sweeping, glorious vistas of the American countryside and staging some epic standoff scenes (the story is bookended by a violent Apache attack on settlers and a vengeful raid by “white-eyes” on the natives near the end). The trouble comes with some of the characters and performances, whose quality vary wildly from well-sketched (the likes of Sienna Miller’s Frances Kittredge, who loses her husband and son in the first attack) to basic Western cliché (Jon Beavers’ scowlin’, spittin’, villainous Junior Sykes). And aside from Miller, and to a lesser degree, Abbey Lee’s Marigold, the majority of the women are disposable or, in the case of snippy, snooty Juliette Chesney (Ella Hunt) mostly the butt of jokes.

    Costner, of course, gives himself a plum role (albeit a character who doesn’t show up in the story for roughly an hour), playing Hayes Ellison, a badass –– but humble! –– travelling worker who is handy with a six-shooter and instantly attractive to beautiful women. Must be nice to be the boss…

    Performances

    Macphail as Elizabeth “Lizzie” and Michael Rooker as Sgt. Mjr. Thomas Riordan in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    (L to R) Sienna Miller as Frances, Georgia Macphail as Elizabeth “Lizzie” and Michael Rooker as Sgt. Mjr. Thomas Riordan in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    With such a full cast, it would be impossible to spotlight them all, but the majority of the actors do what they can with limited screentime (surely something the completed set of movies will repair) and occasionally slim characterization.

    Sam Worthington as Trent Gephart

    Sam Worthington as First Lt. Trent Gephardt in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    Sam Worthington as First Lt. Trent Gephardt in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    A military man, and part of the Union army (since the movie is set during the Civil War but only peripherally touches upon it), Sam Worthington is the anchor for one of the big stories. He’s actually better here than he tends to be in the ‘Avatar’ movies, finding a low-key but authoritative gear and notching solid chemistry with Miller’s widowed woman.

    Owen Crow Shoe as Pionsenay

    Owen Crow Shoe as Pionsenay and (right) Tatanka Means as Taklishim in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release. Photo Credit: Richard Foreman.
    (L to r) Owen Crow Shoe as Pionsenay and (right) Tatanka Means as Taklishim in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    The Apache warrior who leads the initial, brutal assault on the settlers, he’s portrayed as a complicated, hot-headed young man who is looking to fiercely defend his family, tribe and land from the invading new arrivals. That brings him into conflict with the elders, especially his father, who would rather lay low in the relative safety of the mountains. Owen Crow Shoe puts in a solid performance in a couple of scenes.

    Luke Wilson as Van Weyden

    Luke Wilson in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1,' a Warner Bros. Pictures release.
    Luke Wilson in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1,’ a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Luke Wilson gets to show a gruffer side of himself than usual as the leader of a caravan wending its way along the risky the Santa Fe Trail. Not every scene of his storyline works, but he certainly acquits himself with the required grit.

    Final Thoughts

    Kevin Costner as Hayes Ellison in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter One', a Warner Bros. Pictures release.
    Kevin Costner as Hayes Ellison in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter One’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Kevin Costner is certainly to be applauded for keeping the faith with the movie, insisting it stay a big screen experience when there was a thought it could end up on streaming.

    Yet the movie is not without some big flaws. Its old-fashioned nature leads to a stew of manly Western man and flighty female cliches, plenty of the dialogue could have used some polishing and the native characters need more shading if they’re to function effectively. Still, if Costner manages to finish the whole film series, there are plenty of hours ahead.

    And talking of hours, ‘Chapter 1’ could easily have lost a few sequences that little served the narrative –– it would have functioned perfectly well at two to two-and-a-half hours.

    ‘Horizon: An American Saga – Chapter 1’ receives 6.5 out of 10 stars.

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    What’s the Plot of ‘Horizon: An American Saga – Chapter 1’?

    “Horizon: An American Saga – Chapter 1” explores the lure of the Old West and how it was won — and lost — through the blood, sweat and tears of many.

    Spanning the four years of the Civil War, from 1861 to 1865, Kevin Costner’s movie chronicles a country at war with itself, experienced through the lens of families, friends and foes all attempting to discover what it truly means to be the United States of America.

    Who is in the Cast of ‘Horizon: An American Saga – Chapter 1’?

    Director Kevin Costner in New Line Cinema's Western drama 'Horizon: An American Saga - Chapter 1', a Warner Bros. Pictures release.
    Director Kevin Costner in New Line Cinema’s Western drama ‘Horizon: An American Saga – Chapter 1’, a Warner Bros. Pictures release. Photo Credit: Richard Foreman. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Other Kevin Costner Western Movies and TV Shows:

    Buy Tickets: ‘Horizon: An American Saga – Chapter 1’ Movie Showtimes

    Buy Kevin Costner Movies on Amazon

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  • TV Review: ‘Silo’

    Rebecca Ferguson in 'Silo,' premiering May 5, 2023 on Apple TV+.
    Rebecca Ferguson in ‘Silo,’ premiering May 5, 2023 on Apple TV+.

    Premiering with its first two episodes on May 5th, ‘Silo’ represents Apple TV+ moving into the sort of dystopian territory covered extensively in movies and TV series, but also managing to say something new about human foibles and the lies that can build up within authority.

    What’s the story of ‘Silo’?

    ‘Silo’ tells of the last ten thousand people on earth, their mile-deep home protecting them from the toxic and deadly world outside. However, no one knows when or why the silo was built and any who try to find out face fatal consequences –– if you do end up challenging the authority, you’re sent outside to clean the lens of the one camera sending footage of the outdoors… Which as far as anyone knows is a death sentence in the most agonizing fashion. Rebecca Ferguson stars as Juliette, an engineer, who seeks answers about a loved one’s murder and tumbles onto a mystery that goes far deeper than she could have ever imagined, leading her to discover that if the lies don’t kill you, the truth will.

    Adapted from Hugh Howey’s book ‘Wool’ (originally self-published online by the author, who cannily held on to the rights to the early stories), ‘Silo’ has ‘Justified’s Graham Yost as its showrunner and Morten Tyldum and David Semel among its directors.

    Tim Robbins in 'Silo,' premiering May 5, 2023 on Apple TV+.
    Tim Robbins in ‘Silo,’ premiering May 5, 2023 on Apple TV+.

    Who else appears in ‘Silo’?

    The ensemble cast starring alongside Ferguson includes Common, Harriet Walter, Chinaza Uche, Avi Nash, David Oyelowo, Rashida Jones, Ferdinand Kingsley and Tim Robbins.

    Should you dive into ‘Silo’?

    Like most of its Apple TV+ stablemates, ‘Silo’ is the product of a company willing to spend an expansive budget to bring it to life: the world that these characters live in is an immersive one, a concrete realm of curving stairways and chunky, basic chambers. It’s all low-tech brought to life into an incredibly high-tech fashion –– the giant sets aided by CGI.

    But great production design is nothing without compelling people and an interesting story, and fortunately ‘Silo’ boasts both. Yost and his team have embraced the complicated political mystery and danger of Howey’s story, resulting in a thorny, twisty mystery that will keep you guessing.

    As for the cast, this is an eclectic line-up that offers something to keep hold of while the story weaves around them. Ferguson in particular is beguiling as the intense Juliette, who would much rather be nurturing the giant generator that keeps the lights (and everything else) on in the Silo than step up to be the new sheriff. But inspired by the suspicious death of Kingsley’s tech-obsessed George Wilkins, she reluctantly agrees, digging up yet more secrets, including some that impact her own troubled past.

    Given such meaty material, Ferguson shines, exploring Juliette’s layers even as she explores the various levels of her home. Kingsley, meanwhile, brings emotional heft to a relatively smaller role. And there is a host of other reliable talent offering memorable work.

    Rashida Jones and David Oyelowo in 'Silo,' premiering May 5, 2023 on Apple TV+.
    (L to R) Rashida Jones and David Oyelowo in ‘Silo,’ premiering May 5, 2023 on Apple TV+.

    The structure of the show is also interesting, kicking off primarily with the story of the current Sheriff (Oyelowo) and his wife (Jones) who learn some disturbing information that challenges what they believed to be true about their subterranean world. Soon, these previously model citizens are looking for more answers, and that ends up dooming then. The narrative then shifts mostly to Juliette’s story as the new sheriff and the various forces at play in support of her and against her.

    Will Patton is the experienced, careworn deputy not looking for advancement but thrust into a much more responsible role as his department and the mysterious, Judicial Department, which runs its own secret police force and becomes ever more powerful as the story develops. And slithering around it all, the IT autocrat Bernard played by Robbins with chilly, sociopathic intensity like something out of a George Orwell story.

    What really works about the show is the successful blend of tones and genres that Yost and his writers have pulled off here –– along with the dystopian tale and conspiracy mystery thriller, there’s police procedural sleuthing, showdowns that evoke Westerns and philosophical debate.

    David Oyelowo, Geraldine James and Will Patton in 'Silo,' premiering May 5, 2023 on Apple TV+.
    (L to R) David Oyelowo, Geraldine James and Will Patton in ‘Silo,’ premiering May 5, 2023 on Apple TV+.

    Related Article: First Trailer for Apple TV+ Sci-fi Adaptation ‘Silo’

    Tricky Tropes

    If there’s anything to complain about with the new series, it’s that the actual story proper takes a while to get moving (though it does all coalesce successfully towards the end) that might put off viewers unable to binge the whole season in Apple’s current plan of launching with two episodes and then drip-feeding an episode a week through June 30th. Yet it’s certainly worth sticking with.

    This is also not a show to recommend if you’re after a cheery, lightweight series. There is gallows humor within, but this has an expectedly dour tone, dealing as it does with dark conspiracies, desperate humans, murder and state sanctioned executions-by-exile.

    Some will no doubt roll their eyes at the extensive use of invented terms to define how this society speaks and thinks –– there’s lots of talk of the “founders”, the “before-times”, “the Pact”, the “down-deep” and the “up-top”. If your patience runs thin for such sci-fi language, ‘Silo’ might not be the show for you. But it’s all handled without drawing too much attention to itself.

    The real focus of the show is the broken, fascinating characters poking into the darker corners of their world. And in that, ‘Silo’ most certainly succeeds. It might not end up drawing the buzz of something along the lines of fellow Apple TV+ S-word series ‘Severance’, but it’s more than worth your time if you’re willing to dive deep.

    ‘Silo’ receives 7.5 out of 10 stars.

    Common in 'Silo,' premiering May 5, 2023 on Apple TV+.
    Common in ‘Silo,’ premiering May 5, 2023 on Apple TV+.

    Movies Similar to ‘Silo:’

    Buy Rebecca Ferguson Movies on Amazon

  • Movie Review: ‘Halloween Ends’

    Jamie Lee Curtis as Laurie Strode, and Andi Matichak as Allyson Nelson in director David Gordon Green's 'Halloween Ends.'
    (L to R) Jamie Lee Curtis as Laurie Strode, and Andi Matichak as Allyson Nelson in director David Gordon Green’s ‘Halloween Ends.’

    Opening in theaters and streaming on Peacock beginning October 14th, ‘Halloween Ends’ represents David Gordon Green’s stab at closing out the trilogy he began with 2018’s ‘Halloween’.

    You may recall that Green sought to up the mayhem levels in his last outing, 2021’s ‘Halloween Kills’. That film saw mob violence overtake the town of Haddonfield Illinois and largely sidelined Jamie Lee Curtis’ Laurie, hospitalized after her latest brutal encounter with Michael Myers (played by both James Jude Courtney and Nick Castle).

    While it was a big swing in terms of the mythology, it didn’t quite work, coming across as unfocused and chaotic, and robbing the movie of its personal vengeance connection. It tried to balance that out by (spoiler alert for anyone who hasn’t seen the movie) killing off Laurie’s daughter Karen, played by Judy Greer.

    ‘Ends’ moves the story on four years, as Haddonfield has enjoyed a time of relative calm after the disappearance of Michael Myers. Though the vibrating hum of tension is always present as an undercurrent, Laurie has done her best to move on with life.

    Andi Matichak as Allyson in 'Halloween Ends.'
    Andi Matichak as Allyson in ‘Halloween Ends,’ co-written, produced and directed by David Gordon Green.

    She’s living without a complicated security system, writing about her experiences and the nature of evil and trying to guide granddaughter Allyson (Andi Matichak), who is still suffering the psychological scars of her parents’ loss and trying to move on by working as a nurse at the local hospital.

    But even as everyone looks to cope and heal, the town is set back on edge when Corey Cunningham (Rohan Campbell) accidentally kills the boy he’s babysitting. Though it’s a tragic mistake, the repercussions are devastating, turning Corey into an unwitting bogeyman and the target of bullies.

    And when he makes an unexpected connection with Allyson, their traumatic histories drawing them together, things become even more complicated, forcing Laurie to act.

    Of course, by this point, you’re probably wondering how Michael Myers factors into all this – but we’ll not reveal that for the sake of keeping the movie’s secrets.

    Jamie Lee Curtis and director David Gordon Green on the set of 'Halloween Ends.'
    (L to R) Jamie Lee Curtis and director David Gordon Green on the set of ‘Halloween Ends.’

    Suffice to say, this once again represents Green, plus co-writers Danny McBride, Chris Bernier and Paul Brad Logan, still trying new ideas within the existing ‘Halloween’ mythology. But as with ‘Kills’, the results are severely mixed.

    Curtis is thankfully handed more to do as Laurie this time, and of course she’s still fantastic as the haunted heroine we’ve come to know and worry about. Switching up her attitude once more works for the character, as she tries to put the past behind her and concentrate instead on a future for her and her family.

    But of course, she can never quite put Michael Myers out of her mind, given all the pain and suffering she’s endured at his hands (and knives).

    The emphasis, though, is less on her than it is on Matichak and Campbell. And while they try to make the unexpected partnership work, there’s often the creeping feeling that you’re watching people act a certain way because the movie demands they do, not out of logic. Certain actions you can understand, but as the narrative goes to more extreme ends, it becomes less easy to comprehend.

    Jamie Lee Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in director David Gordon Green's 'Halloween Ends.' Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in David Gordon Green's 'Halloween Ends.'
    (L to R) Jamie Lee Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in director David Gordon Green’s ‘Halloween Ends.’

    Campbell’s Corey is at least an interesting addition to the story, a young man pushed to extraordinary behavior by guilt, grief and the local community’s reaction to him. He’s got a haranguing mother and an indulgent quiet-spoken father, so there are added layers to how he’s gotten to this point and what happens when he decides he’s been pushed too far.

    As for others in Haddonfield, there are brief, human moments for Kyle Richards’ Lindsey and particularly Will Patton’s Hawkins, who fosters his tentative feelings for Laurie. But while the story is fortunately trying to juggle far fewer balls this time, there’s still the feeling of not quite hitting all its targets.

    On a subtextual level, there are attempts here to reflect on the effects of trauma and the continuing injuries that no one can see or comprehend. And in slightly clunky voice-over as she continues writing, Laurie muses on the nature of evil.

    For those after a slasher movie – because, after all, isn’t that what we really want from a ‘Halloween’ installment? – there could be some disappointment, at least until the slaying starts. But while it was Laurie in the background in ‘Kills’, here it’s her nemesis, which can be disappointing (again, we won’t go into details).

    Jamie Lee Curtis as Laurie Strode in director David Gordon Green's 'Halloween Ends.'
    Jamie Lee Curtis as Laurie Strode in director David Gordon Green’s ‘Halloween Ends.’

    Musically, ‘Ends’ is of course up to the task, with franchise founder John Carpenter once more providing the score, all electronic terror and creeping notes.

    As shot by Michael Simmonds, who was cinematographer for both ‘Halloween’ and ‘Halloween Kills’, Haddonfield here is at least authentic looking (albeit with suburban Illinois played by Georgia and Utah) and there are some fantastic visual moments.

    Green has also not lost his talent for building tension. There’s less of it here than in the previous two movies, but he and his team are adroit at designing sequences that quicken the pulse. Yes, there are the usual fake-outs and jump scares, but Green doesn’t lean on them.

    Without going into specifics, ‘Ends’ truly does aim to wrap a bow on at least Green’s take on the franchise but pushed to slightly ridiculous levels. The result is a movie that succeeds more than ‘Kills’ but never lives up to the promise of the director’s first film featuring Laurie vs. Michael.

    ‘Halloween’ as a franchise never truly ends (no matter how many times Michael has died – or appeared to), but this particular conclusion is never as satisfying as it might have been, and that’s a shame.

    ‘Halloween Ends’ receives 2.5 out of 5 stars.

    Michael Myers (aka The Shape) in 'Halloween Ends,' directed by David Gordon Green.
    Michael Myers (aka The Shape) in ‘Halloween Ends,’ directed by David Gordon Green.
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  • ‘Halloween Ends’ Interviews: Andi Matichak and Rohan Campbell

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    Opening in theaters on October 14th is ‘Halloween Ends,’ which is the thirteenth film in the ‘Halloween’ franchise and the final movie in the “H40” trilogy that began with 2018’s ‘Halloween’ and continued with 2021’s ‘Halloween Kills.’

    Once again directed by David Gordon Green (‘Pineapple Express’) and co-written by Danny McBride (‘Tropic Thunder’), ‘Halloween Ends’ stars Jamie Lee Curtis reprising her iconic role as Laurie Strode.

    Set four years after the events of ‘Halloween Kills’ and Michael Myers last rampage, the new movie finds Laurie living a quiet life with her granddaughter Allyson (Andi Matichak). But when Corey Cunningham (Rohan Campbell) is accused of killing a boy he was babysitting, it will force Laurie to finally confront the evil she can’t control, once and for all.

    In addition to Curtis, Matichak, and Campbell, the cast also includes Will Patton, Kyle Richards, and James Jude Courtney and Nick Castle, who together portray Michael Myers.

    Moviefone recently had the pleasure of speaking to Andi Matichak and Rohan Campbell about their work on ‘Halloween Ends,’ their characters, the plot, and working with director David Gordon Green.

    Rohan Campbell and Andi Matichak star in 'Halloween Ends.'
    (L to R) Rohan Campbell and Andi Matichak star in ‘Halloween Ends,’ co-written, produced and directed by David Gordon Green.

    You can read the full interview below of click on the video player above to watch our interviews with Matichak, Campbell, and Kyle Richards.

    Moviefone: To begin with, Andi, Allyson went through a lot in ‘Halloween Kills.’ What is she doing when we catch up with her at the beginning of ‘Halloween Ends?’

    Andi Matichak: What is really wonderful is that there is that four-year time jump. So, we had a lot of attention to detail and a lot of care went into figuring out what happened and where she goes on that journey in that four-year period that as an audience you do not see. When you meet Allyson in this new version, she’s seemingly quite okay.

    She is trying to live a pretty normal life and holds a job and just has this kind of stoic facade. The thing about trauma and the thing about pain and tragedy is it kind of lives within you. Even if you’ve done the work, done the healing and moved on in the best way you can, it still is right under the surface. As new characters emerge and new relationships blossom, it’s kind of tested and you start to get a peek underneath, which is really a fun exploration of character.

    MF: Rohan, what does it mean to you to be a part of this movie and join the ‘Halloween’ franchise?

    Rohan Campbell: It’s crazy. It’s just incredible. I mean, obviously I’m a massive fan of John Carpenter’s ‘Halloween.’ It was one of the first horror movies I ever watched. It’s a crazy thing because the opportunity comes and you’re so excited. I was so amped.

    Then you show up on set and you’re actually making a ‘Halloween’ movie and you freak out. You’re like, “What am I doing here? This is crazy!” It’s just an honor. I’m so grateful and it’s just been the most special experience of my life so far.

    Director David Gordon Green, Andi Matichak and Kyle Richards on the set of 'Halloween Ends.'
    (L to R) Director David Gordon Green, Andi Matichak and Kyle Richards on the set of ‘Halloween Ends.’

    MF: Andi, what was it like for you to reunite with director David Gordon Green after making the last two ‘Halloween’ movies with him?

    AM: He is an incredible filmmaker. This to me is really David Gordon Green’s stamp on the franchise. This is him personified in a movie and albeit a ‘Halloween’ movie. It is an incredible film. I have a deep appreciation for it, largely because I do feel like it’s so close to David’s heart. He’s such a blast to work with.

    MF: Finally, Rohan, what was your experience like working with David Gordon Green on this project?

    RC: I think when I first watched the film, I had an experience where the movie’s end credits are rolling, and I said, “I don’t think I’ve ever experienced a movie with a tone like this.” I realized it’s just the purest part of David coming out in cinema. It’s such a wild ride and I can’t wait for people to watch it.

    Allyson (Andi Matichak) and Corey (Rohan Campbell) in 'Halloween Ends.'
    (L to R) Allyson (Andi Matichak) and Corey (Rohan Campbell) in ‘Halloween Ends,’ co-written, produced and directed by David Gordon Green.
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  • New ‘Halloween Ends’ Trailer

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    How exactly do you go about ending a run of films where the villain has a notorious habit of always coming back? That’s the challenged faced by director David Gordon Green, who gave the ‘Halloween’ horror franchise a jolt back in 2018 with his first entry (which directly followed the events of the original and largely ignored most of the other sequels) and is here wrapping up his own run on the movies.

    Jamie Lee Curtis is back once again as Laurie Strode, one of the few survivors of Michael Myers’ original October slaughter rampage, who has since turned herself into a lean, mean fighting machine, ready to put an end to him once and for all.

    To be honest, we’ve heard that before – no matter how many times someone (even Laurie) thinks they have put an end to Michael, he always seems to return, ready to pick up whatever is around and start slashing people.

    This latest movie is being billed as Laurie’s last stand, as she faces off for the last time against the embodiment of evil in a final confrontation unlike any captured on-screen before. Only one of them will survive.

    Four years after the events of last year’s ‘Halloween Kills’, Laurie is living with her granddaughter Allyson (Andi Matichak) and is finishing writing her memoir. Michael Myers hasn’t been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life.

    Jamie Lee Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in director David Gordon Green's 'Halloween Ends.' Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in David Gordon Green's 'Halloween Ends.'
    (L to R) Jamie Lee Curtis as Laurie Strode, and Rohan Campbell as Corey Cunningham in director David Gordon Green’s ‘Halloween Ends.’

    But when a young man, Corey Cunningham (Rohan Campbell), is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

    And from the sounds of it, both Green (who is already moving on to an ‘Exorcist’ movie) and Curtis are ready to hang up their respective director’s chairs and knives. “I speak with John (Carpenter, godfather of the whole movie series) and Jamie Lee Curtis regularly about it,” Green told Empire magazine recently. “It’s exciting, uncertain, satisfying and sad. I’ve enjoyed the ride but it’s probably time to get off. I think we’re gonna go out with a bang.”

    But while there will – of course – be blood, don’t expect quite such a huge conflict as the Haddonfield-engulfing drama of the previous movie. “If our second film was free-for-all, violent chaos, this is a more intimate, atmospheric conclusion,” says Green.

    As well as directing, Green wrote this one with regular collaborators director Paul Brad Logan, Chris Bernier and Danny McBride.

    The movie also features the likes of returning cast Will Patton as Officer Frank Hawkins, Kyle Richards as Lindsey Wallace and James Jude Courtney as The Shape/Michael Myers.

    Halloween Ends’ will be in theaters and streaming via Peacock on October 14th.

    Jamie Lee Curtis as Laurie Strode, and director David Gordon Green on the set of 'Halloween Ends.'
    (L to R) Jamie Lee Curtis as Laurie Strode, and director David Gordon Green on the set of ‘Halloween Ends.’
    Jamie Lee Curtis as Laurie Strode in director David Gordon Green's 'Halloween Ends.'
    Jamie Lee Curtis as Laurie Strode in director David Gordon Green’s ‘Halloween Ends.’
    Jamie Lee Curtis as Laurie Strode, and Andi Matichak as Allyson Nelson in director David Gordon Green's 'Halloween Ends.'
    (L to R) Jamie Lee Curtis as Laurie Strode, and Andi Matichak as Allyson Nelson in director David Gordon Green’s ‘Halloween Ends.’
    Jamie Lee Curtis as Laurie Strode and Michael Myers (aka The Shape) in 'Halloween Ends,' directed by David Gordon Green.
    (L to R) Jamie Lee Curtis as Laurie Strode and Michael Myers (aka The Shape) in ‘Halloween Ends,’ directed by David Gordon Green.
    Michael Myers (aka The Shape) and Jamie Lee Curtis as Laurie Strode in 'Halloween Ends,' directed by David Gordon Green.
    (L to R) Michael Myers (aka The Shape) and Jamie Lee Curtis as Laurie Strode in ‘Halloween Ends,’ directed by David Gordon Green.
    Michael Myers (aka The Shape) in 'Halloween Ends,' directed by David Gordon Green.
    Michael Myers (aka The Shape) in ‘Halloween Ends,’ directed by David Gordon Green.
    Michael Myers (aka The Shape) in 'Halloween Ends,' directed by David Gordon Green.
    Michael Myers (aka The Shape) in ‘Halloween Ends,’ directed by David Gordon Green.
    Michael Myers (aka The Shape) in 'Halloween Ends,' directed by David Gordon Green.
    Michael Myers (aka The Shape) in ‘Halloween Ends,’ directed by David Gordon Green.
    Will Patton as Deputy Frank Hawkins in director David Gordon Green's 'Halloween Ends.'
    Will Patton as Deputy Frank Hawkins in director David Gordon Green’s ‘Halloween Ends.’
    Director David Gordon Green on the set of 'Halloween Ends.'
    Director David Gordon Green on the set of ‘Halloween Ends.’
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  • First Trailer For ‘Halloween Ends’

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    How many times can Michael Myers truly come back to terrorize the residents of Haddonfield?

    If the ‘Halloween’ franchise is anything to go by, the answer to that is, “as long as people show up to watch the movies.” And the latest entry is on the way this fall, so the first trailer for ‘Halloween Ends’ has now stalked online.

    Director David Gordon Green, who gave the horror franchise a jolt back in 2018 with his first ‘Halloween’ (which directly followed the events of the original and largely ignored most of the other sequels), is here wrapping up his own run on the movies.

    Jamie Lee Curtis is back once again as Laurie Strode, one of the few survivors of Michael Myers’ original October slaughter rampage, who has since turned herself into a lean, mean fighting machine, ready to put an end to him once and for all.

    To be honest, we’ve heard that before – no matter how many times someone (even Laurie) thinks they have put an end to Michael, he always seems to return, ready to pick up whatever is around and start slashing people.

    This latest movie is being billed as Laurie’s last stand, as she faces off for the last time against the embodiment of evil in a final confrontation unlike any captured on-screen before. Only one of them will survive.

    Michael Myers (aka The Shape) and Jamie Lee Curtis as Laurie Strode in 'Halloween Ends,' directed by David Gordon Green.
    (L to R) Michael Myers (aka The Shape) and Jamie Lee Curtis as Laurie Strode in ‘Halloween Ends,’ directed by David Gordon Green.

    Four years after the events of last year’s ‘Halloween Kills’, Laurie is living with her granddaughter Allyson (Andi Matichak) and is finishing writing her memoir. Michael Myers hasn’t been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life.

    But when a young man, Corey Cunningham (Rohan Campbell), is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

    You knew it wasn’t going to be that easy, right? Laurie’s spent decades being worried that Michael would return, even when everyone else was convinced he was gone for good. Of course, he wasn’t, and the end of ‘Halloween Kills’ hinted that he’d once more be wandering the suburb killing people.

    Green now faces the true challenge of putting a capper on the whole story – even if someone picks up the baton in the future.

    ‘Halloween Ends’ co-stars returning cast Will Patton as Officer Frank Hawkins, Kyle Richards as Lindsey Wallace and James Jude Courtney as The Shape/Michael Myers.

    As well as directing the movie, Green also co-wrote it with regular collaborators Paul Brad Logan, Chris Bernier and Danny McBride.

    ‘Halloween Ends’ will be in theaters on October 14th, just in time for… is it Christmas? No, wait, another holiday that slips our mind right now.

    ‘Halloween Ends’ will be in theaters on October 14th.
    ‘Halloween Ends’ will be in theaters on October 14th.
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