Tag: wes-anderson

  • Best Bruce Willis Performances

    Bruce Willis walking
    Bruce Willis in ‘A Day to Die.’

    Bruce Willis is one of the greatest movie stars in cinema history!

    The actor, who is been working professionally for over forty years, began his career in the mid-80s by starring on the groundbreaking TV series ‘Moonlighting,’ opposite Cybill Shepard. His movie career exploded in 1988 when he starred as John McClane in director John McTiernan‘s action-classic ‘Die Hard.’

    Since then, the actor has appeared in Oscar-nominated movies like ‘Pulp Fiction,’ ‘Twelve Monkeys,’ ‘The Sixth Sense,’ and ‘Moonrise Kingdom,’ as well as blockbuster hits like ‘Die Hard with a Vengeance,’ ‘The Fifth Element,’ ‘Armageddon,’ ‘Unbreakable,’ ‘Sin City,‘ ‘Looper,’ ‘RED,’ and ‘Glass.’

    It was recently announced by Willis’ family that he will retire from acting due to being diagnosed with aphasia, which is a medical condition that leads to the loss of ability to understand or express speech. In honor of the great Bruce Willis, we look back at the ten best performances of his exceptional career.

    Let’s begin!


    Twelve Monkeys (1996)

    In Terry Gilliam‘s bleak sci-fi thriller, Willis plays a man who goes back in time in an effort to prevent a massive outbreak that kills most of the earth’s population.

    And yet, Willis commits fully, in a role that has him involved with suspense set pieces, romantic sequences, and even portraying multiple versions of the same character. Challenging is the right word for this kind of performance. Another word you could use is brilliant.

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    The Fifth Element (1997)

    In 2257, a taxi driver (Willis) is unintentionally given the task of saving a young girl (Milla Jovovich) who is part of the key that will ensure the survival of humanity.

    Directed by Luc Besson, and coming off of the huge success of ‘Die Hard with a Vengeance,’ Willis was the perfect actor to lead the sci-fi action movie, which also stars Gary Oldman and Chris Tucker.

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    Looper (2012)

    In ‘Looper,’ Willis played the older version of Joseph Gordon-Levitt‘s character, a man who, through time travel, meets and antagonizes his younger self. It’s a high concept gimmick that could have been a disaster, especially since Gordon-Levitt is saddled with make-up effects to give off the vibe of a younger Willis. But, man, Willis is great.

    Virtually silent, he does some very un-Bruce-like things, including but not limited to murdering a child, attempting to murder another child, and basically being a bloodthirsty bad guy. But it’s an extended flashback sequence, where we see what happened to Willis’ adult wife, that gives the character pathos and pain.

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    The Last Boy Scout (1991)

    When the girl (Halle Berry) that detective Joe Hallenback (Willis) is protecting gets murdered, the former NFL quarterback (Damon Wayans) and boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.

    Directed by the late Tony Scott, this was the first successful non-‘Die Hard’ movie the actor made after becoming a bankable movie star. While he is basically playing another version of “John McClane,” it was great to see Willis make a buddy-cop movie with Wayans, which at the time was a very popular genre of film.

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    The Sixth Sense (1999)

    Following an unexpected tragedy, a child psychologist named Malcolm Crowe (Willis) meets a nine year old boy named Cole Sear (Haley Joel Osment), who is hiding a dark secret.

    M. Night Shyamalan‘s classic 1999 movie marks the first of four times (if you include ‘Split‘) that the filmmaker has teamed with Willis. The actor gives a quiet performance, which is one of his best, playing opposite Oscar nominee Haley Joel Osment. Willis should have been nominated as well for his performance, especially for his excellent and subtle work during the film’s big twist ending.

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    Moonrise Kingdom (2012)

    Bruce Willis in 'Moonrise Kingdom' movie
    Focus Features

    In 2012, Willis took a chance on a couple of younger, art house directors, and both performances remain the highpoint of this stage of his career. One of those performances was for Wes Anderson in ‘Moonrise Kingdom.’ As Captain Sharp, the law enforcement on a fictional island, who is tasked with retrieving a pair of kids who go missing, his performance is warm and open-hearted.

    Honestly, just thinking about his character and where he ends up, makes me a little choked up. This never should have worked on paper, the terse Willis teaming up with the twee Anderson, but it turned out to be a match made in heaven. Willis was rightfully applauded for his role and earned a Best Supporting Male nomination for his work at the 2013 Independent Spirit Awards.

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    Unbreakable (2000)

    Perhaps one of Willis’ finest performance ever came in M. Night Shyamalan’s thoughtful deconstruction of the superhero genre (before the superhero genre was even a thing). Yes, their previous collaboration, ‘The Sixth Sense’ made more money, but it’s “Unbreakable” that is the true classic.

    Somber and forlorn, Willis’ arc of a man who comes to understand his inner strength (both emotionally and physically) is a profound work by an artist who, at the time, was always willing to challenge himself. Willis is underrated when it comes to subtlety in his performances; this is nothing but that.

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    Pulp Fiction (1994)

    Bruce Willis in 'Pulp Fiction' movie
    Miramax

    This was another left-field appearance, the world’s biggest movie star (at the time) was going to appear in the sophomore feature of a relatively unknown indie director named Quentin Tarantino. Well, ‘Pulp Fiction’ ended up being the coolest movie ever and Willis’ performance as Butch, a down-on-his-luck boxer who ends up throwing a fight the other way, was electric and revitalized his career in a profound way.

    Willis’ mini-arc is absolutely astounding, he gets to be physical but also incredibly comedic and tragic (the watch!). Few actors can really make Quentin Tarantino’s ratatat dialogue sing, but Willis did so handily. Zed’s dead, baby, indeed.

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    Moonlighting: Pilot (1985)

    Maddie Hayes (Cybill Shepherd) wakes up to find her staff have quit and all her money has been stolen. One of her few remaining assets is a loss-making investigation agency run by David Addison (Willis). She sacks the staff but David is determined to keep it going.

    David Addison is the role that turned Bruce Willis into a star. Playing the charismatic yet comedic character in the groundbreaking 1980’s series made the actor a household name and his casting in ‘Die Hard’ even possible.

    The series still holds up to this day, especially it’s brilliant two-hour pilot, and you can see why the actor has had such a long career, as his charm is evident in every frame and he has unforgettable chemistry with co-star Cybill Shepard.

    Willis received a Golden Globe for Best Actor in a Television Series – Comedy or Musical in 1987 for his role as David Addison on ‘Moonlighting.’

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    Die Hard (1988)

    Bruce Willis in 'Die Hard' movie
    20th Century Fox

    When Willis was cast in John McTiernan’s ‘Die Hard’ he was still mostly known as the star of ‘Moonlighting’ (and his previously big movie was Blake Edwards’ comedy, ‘Sunset‘). People were confused as to what a funnyman was doing anchoring a big budget action spectacular. But watching ‘Die Hard’ you get the sense that this was the role that Willis was born to play: an everyman thrown into a truly fantastic situation, who uses his wits and his will to get his way out of it.

    His physicality is unparalleled, and you can watch how his posture changes not only after his shoeless brush with broken glass, but as he gets more and more exhausted. More than that, the character is soulful and tortured. There’s an early scene that’s always struck me, when he’s at the party and looks across the way to a pretty girl. It speaks volumes to the character’s struggle within.

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  • The 9 Best Animated Films of 2018

    The 9 Best Animated Films of 2018

  • Wes Anderson’s Next Movie Might Be a Musical Set in Post-WWII France

    Wes Anderson’s Next Movie Might Be a Musical Set in Post-WWII France

    Wes Anderson
    Fox Searchlight

    And for his next act, Wes Anderson may make a musical. In France. Post-World War II. Of course.

    Anderson doesn’t make movies frequently (averaging around one every three years) and he just released “Isle of Dogs” earlier this year. But the writer/director is reportedly already eyeing his next project, according to French publication La Charente (h/t The Playlist), and it will be the aforementioned musical set in post-war France. As translated:

    “The director in question is Wes Anderson. The American would like to come and shoot a musical. And so would like to put his cameras in Angouleme. But not until November or December. We know that research for sets began. That contacts were made locally to look for houses where scenes would turn.”

    Angoulême was heavily bombed during the war and its railway station  had to be reconstructed in the years after. Perhaps the movie will be about the area picking up the pieces after the Nazis were defeated.

    That Anderson would set a movie in France is not surprising; the director has lived in Paris for several years. He has not made a musical, though music is a key component to many of his previous movies. Bill Murray had better start vocal exercises!

  • Box Office: ‘Ready Player One’ Powers to $53 Million Over Holiday Weekend

    LOS ANGELES, April 1, (Variety.com) – Steven Spielberg‘s latest blockbuster topped the domestic box office over the four-day holiday weekend.

    Warner Bros.’ “Ready Player One” debuted in line with recent projections of $53 million from 4,324 locations. The film opened Thursday, getting a head start over its fellow weekend releases, “Tyler Perry’s Acrimony” and “God’s Not Dead: A Light in Darkness.”

    The virtual reality fantasy, which currently holds an A- CinemaScore and 76 percent on Rotten Tomatoes, released internationally with $128 million since it opened on Tuesday, bringing its worldwide total up to a solid $181.2 million. The film based on Ernest Cline’s novel stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Mark Rylance, Simon Pegg and T.J. Miller.

    “Tyler Perry’s Acrimony” — Tyler Perry‘s 19th collaboration with Lionsgate — secured second place with $17 million in 2,006 locations. Meanwhile, the third installment of the “God’s Not Dead” franchise premiered with $2.6 million in 1,693 locations.

    Marvel’s “Black Panther” remains a powerhouse in the No. 3 slot, taking in $11 million in 2,988 locations. The blockbuster crossed the $650 million mark at the North American box office, making it the fifth-highest release in the U.S. of all time. It looks to shortly become the fourth-highest release after it passes “Jurassic World,” which made $652 million. Currently, “Titanic” is at No. 3 with $659 million.

    Over the Easter weekend, the Christian drama “I Can Only Imagine” stayed strong in fourth place with $10.5 million in 2,648 locations, totaling $55.3 million in its three weeks of release. Another faith-based film, “Paul, Apostle of Christ” saw $3.5 million at 1,473 locations. In two weeks, the film has made $11.5 million.

    Rounding out the top five is Universal’s “Pacific Rim Uprising” with $9.2 million in 3,708 locations. The sci-fi actioner, which held the top spot last weekend, has taken in $45.6 million domestically. On par with its first weekend, the sequel to 2013’s “Pacific Rim” had an impressive international turnout with $22.2 million in 63 markets, bringing its international total up to $96.6 million.

    Continuing its limited release, Wes Anderson‘s “Isle of Dogs” made $2.9 million for a per screen average of $17,420 after expanding to 165 locations. Fox Searchlight Pictures’ stop-motion animation has grossed $5.9 million and looks to cross the $6 million mark in the upcoming week. Next weekend, “Isle of Dogs” will spread to between 450 and 500 locations.

    In total, the box office is down 21.2 percent compared to the same weekend last year, while the 2018 North American box office is down 3.8 percent from 2017.

    However, Paul Dergarabedian, a media analyst at comScore, says “Ready Player One” looks to have promising playability at the box office ahead of the debuts of “Blockers” and “A Quiet Place” next week and “Avengers Infinity War” at the end of April.

    “After a rough month of March at the box office, down 24.1 percent vs. last year, ‘Ready Player One’ will hopefully portend bigger and better things to come at the April box office,” he said.

  • Box Office: ‘Pacific Rim Uprising’ Conquers ‘Black Panther’

    ​​​​LOS ANGELES, March 25, (Variety.com) – After weeks of speculating which film could slow “Black Panther’s” impressive roll, “Pacific Rim Uprising” took the top spot at the domestic box office.

    Universal and Legendary’s “Pacific Rim Uprising” landed a respectable $28 million opening weekend at 3,708 locations. The monster battle movie has garnered mixed critical response, with a current 46 percent on Rotten Tomatoes. Though it opened with a softer debut than Guillermo del Toro‘s predecessor “Pacific Rim,” which saw $37 million in July 2013, the sequel was enough to dethrone “Black Panther” in the superhero tentpole’s sixth weekend.

    Steven S. DeKnight co-wrote and directed “Pacific Rim Uprising” with a reported $150 million budget. The original, which starred Idris Elba, Rinko Kikuchi, Charlie Day, Charlie Hunnam, and Robert Kazinsky, went on to gross $411 million at the worldwide box office, thanks to a strong international showing, especially in China, where it made $112 million compared to the U.S.’ $101.8 million.

    The sequel is set 10 years after the Battle of the Breach with a new generation of Jaeger pilots ready to combat the evolving Kaiju monsters and prevent humanity’s extinction. John Boyega plays Jake Pentecost, the son of Elba’s character Stacker Pentecost, who sacrificed his life in the first film. Scott Eastwood, Jing Tian, Cailee Spaeny, Kikuchi, Burn Gorman, Adria Arjona, and Day also star.

    Still, in its sixth weekend “Black Panther” continues to be a powerhouse, nabbing the No. 2 spot with $17 million at 3,370 sites. That number lands “Black Panther” one of the seven highest sixth weekends in history. To date, the Marvel film has taken in $631 million, making it the fifth-highest all-time domestic grosses ahead of “The Avengers.”

    “It had to happen at some point, and Universal’s ‘Pacific Rim Uprising’ now holds the distinction of being the film that took over ‘Black Panther’s’ long-standing position as king of the weekend box office mountain,” Paul Dergarabedian, a box office analyst at comScore, said. “The latest Disney superhero film has been an absolute marvel, holding onto the top spot for a whopping five weeks, while sprinting its way up the all-time charts and now stands as the fifth highest grossing film of all-time in North America and ranks twelfth globally after just 38 days in theaters.

    Meanwhile, Roadside Attraction and Lionsgate’s faith-based “I Can Only Imagine” remains a force in its second weekend with $13 million from 2,253 sites. Based on the story behind the best-selling Christian song, “I Can Only Imagine” earned a surprisingly strong $17.1 million at the domestic box office, bringing its total up to $38 million.

    Following “I Can Only Imagine’s” success, biblical drama “Paul, Apostle of Christ” opened in line with estimates with $5 million at 1,473 sites over Palm Sunday weekend. The story follows James Faulkner as Saint Paul in his last days awaiting execution by Emperor Nero in Rome. Directed by Andrew Hyatt, the film also stars Jim Caviezel, Olivier Martinez, Joanne Whalley, and John Lynch.

    Also opening this weekend was Paramount Pictures and MGM’s animated comedy “Sherlock Gnomes,” which saw $10 million at 3,662 locations. That’s significantly lower than initial tracking estimates between $13 million to $18 million. The sequel to 2011’s “Gnomeo & Juliet,” which reeled in $194 million worldwide, sees the petite pair recruiting detective Sherlock Gnomes and his sidekick, Gnome Watson, to investigate the mysterious disappearance of other garden gnomes. Directed by John Stevenson and executive produced by Elton John, it features the voices of James McAvoy, Emily Blunt, Chiwetel Ejiofor, Mary J. Blige, and Johnny Depp.

    The second weekend of Alicia Vikander‘s “Tomb Raider” landed $10 million from 3,854 locations, bringing its grosses up to $41 million, while the second weekend of “Love, Simon” took in $7 million with $23 million to date.

    Two smaller releases — Global Road Entertainment’s “Midnight Sun” and Bleecker Street and Fingerprint Releasing’s “Unsane” — debuted with $4 million and $3.6 million respectively.

    Young adult romantic drama “Midnight Sun” stars Bella Thorne as a teen who has been sheltered at home since childhood due to a life-threatening sensitivity to sunlight. Steven Soderbergh’s psychological thriller “Unsane” sees Claire Foy as a troubled woman stalked by her ex. Joshua Leonard, Jay Pharoah, Juno Temple, Aimee Mullins, and Amy Irving round out the cast.

    Rounding out the weekend, Wes Anderson‘s “Isle of Dogs” opened with $1.5 million in limited release, with a screen average of over $58 thousand in 27 theaters. The stop-motion animated film boasts a star-studded ensemble voice cast that includes Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum, Greta Gerwig, Frances McDormand, and Bob Balaban. Set in a dystopian futuristic Japan, dogs have been quarantined on a remote island due to a canine flu. A boy, Atari, ventures to the island to find his dog, Spots.

  • Wes Anderson Reveals New ‘Isle of Dogs’ Movie With Cute Sneak Peek Video

    Wes Anderson + Animated Dogs Voiced by a Dozen Major Stars = Take Our Money Now.

    Director Wes Anderson just announced his new animated movie, “Isle of Dogs,” in the most precious Wes Anderson way. The director of “Rushmore,” “The Royal Tenenbaums,” “The Grand Budapest Hotel,” “The Darjeeling Limited,” “Fantastic Mr. Fox,” etc. created a video to reveal his next film, which stars half of Hollywood, but especially Edward Norton.

    Norton not only voices “one of the lead dogs, named Rex,” he cameos in Anderson’s announcement video by peeking out from a door behind the director, just like a Wes Anderson character would do.

    Watch the announcement video:

    Wes Anderson from Crowdrise on Vimeo.

    In addition to Edward Norton, the cast includes Bryan Cranston, Bill Murray, Jeff Goldblum, Scarlett Johansson, F. Murray Abraham, Tilda Swinton, Kunichi Nomura, Harvey Keitel, “two Akiras” — Akira Ito and Akira Takayama, Koyu Rankin, Yoko Ono, Courtney B. Vance, Greta Gerwig, Frances McDormand, Bob Balaban, and Liev Schrieber.

    Yep, even Yoko Ono found a way to slide in there.

    Anderson’s video includes the very briefest sneak peek shot of Norton’s Rex, but mostly focuses on his promotion for The Film Foundation. Anderson said he and Norton teamed up with Crowdrise to offer a special “Isle of Dogs” experience for a fan — to visit the set and voice one of the dogs — in exchange for support for the Film Foundation. (As the Crowdrise page warns, “barking, howling & whimpering may be required.”)

    “Isle of Dogs” (not to be confused with the 2011 action film “Isle of Dogs”) is now shooting in England. It’s Anderson’s second stop-motion animated feature after “Fantastic Mr. Fox” and we can only hope it lives up to that standard. Stay tuned for details on the actual plot, and the release date.

    [via: Collider]

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  • Top Rated Movies From American Directors

    The GodfatherThe U.S. has produced some ridiculously talented movie directors, filmmakers with a legacy of repeatedly creating profound emotional experiences for audiences. But every one of these cinematic titans has a single movie that established that claim to fame — the one that proved they could grip audiences with their visual storytelling. Here are six classics that represent the best of the best in American movies.

    ‘Do The Right Thing’ (1989)

    In 1986, Spike Lee achieved mainstream success with “She’s Gotta Have It,” a movie that established the writer-director as an artist who could challenge social norms while telling a compelling story. Three years later, he followed it up with “Do The Right Thing,” a movie that depicted a day in the life of residents of a Brooklyn neighborhood — and reflected racial tensions with brave realism. The cinematography and use of music showcase impressive film-making, but it’s the movie’s ongoing social relevance that makes “Do The Right Thing” one of Lee’s best.

    ‘The Godfather’ (1972)

    While it’s easy to describe “The Godfather” as one of the best mafia movies of all time, the film’s strength lies as much in its character dynamics as it does in its depiction of organized crime. The three threads of the movie — the relationships between the three Corleone brothers, the crime family’s rise to power, and Michael Corleone’s (Al Pacino) complicated love story — are woven together beautifully, and showcase director Francis Ford Coppola‘s abilities as a storyteller and visual artist. “The Godfather” has been imitated repeatedly, but the original will always remain a classic.

    ‘Star Wars, Episode IV: A New Hope’ (1977)

    The first act in George Lucas‘s space opera, “Star Wars, Episode IV: A New Hope” (or as it was known back then, “Star Wars”), introduced characters and story lines that would quickly become integral parts of modern culture. By now, much of the adoration heaped on the movie is largely influenced by nostalgia, but beneath all the hype is a genuinely good movie — Luke Skywalker’s (Mark Hamill) journey to become a Jedi is both the quintessential origin story and a heart-racing adventure for all ages.

    ‘Iron Man’ (2008)

    It’s hard to imagine a time when comic-book blockbusters didn’t dominate movie theaters. But back in 2008, the term “Marvel Cinematic Universe” was just a glimmer in the eye of a few nerdy filmmakers — including director Jon Favreau. In a gamble to fight off impending financial ruin, Marvel invested in making the now-legendary movie “Iron Man.” The stakes were high. Prior to release, Marvel had agreed to give up the movie rights to every character they hadn’t already sold (that’s right, every last Avenger) if the movie wasn’t a success. Lucky for Marvel, “Iron Man” blew audiences away with its take on Tony Stark (Robert Downey Jr.) and his super-suit, and the movie’s mix of intrigue, action, and humor set the tone for the billion-dollar franchise — proving the risk was well worth it.

    ‘The Royal Tenenbaums’ (2001)

    Wes Anderson‘s “The Royal Tenenbaums” defined what’s come to be known as the hipster aesthetic — the seminal movie is slightly intellectual, meticulously put together, and highly stylized with offbeat colors, fonts, and fashions. Packed to the gills with an all-star cast (including Ben Stiller, Luke Wilson, Owen Wilson, Gene Hackman, Bill Murray, Anjelica Huston, Danny Glover, and Alec Baldwin), “The Royal Tenenbaums” uses what would become an eventual trope for the director — deadpan, nearly emotionless acting — and creates character growth from it. The result is as heartwarming as it is stylish. As the members of the Tenenbaum family learn to support each other as people instead of commodities, the audience gets more and more invested in each of them.

    ‘Citizen Kane’ (1941)

    It’s hard to talk about great American movies without discussing “Citizen Kane.” Considered by many to be the greatest movie of all time, “Citizen Kane” is from director Orson Welles, and depicts the life of fictional publishing magnate Charles Foster Kane. “Citizen Kane” established film-making and storytelling techniques that are now considered standards — the story told through flashbacks, the deliberately slow pacing of its protagonist’s life story — so much so, that it’s easy to forget that they originated with Welles. More than that, however, the story of “Citizen Kane” is the story of the American dream, and the movie works as a monument to an ideal as much as it does a classic tale of a man’s tragic life.

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  • Crowd-Pleasing Movies for Your Next Family Movie Night

    20th Century FoxThe Bagel Bites are still frozen in the middle. Your friend with the popcorn popper sent you the patented “I think I’m going to bail on this one” text. Your uncle just got the entire “Hee Haw” series on Blu-ray and is a little too excited about it.

    These are the things that can, have, and will go wrong on family movie night. Your best defense against movie night fails? Movies so impossible not to love that some states may have laws against not liking them.

    So put those Bagel Bites back in the oven; bust out the microwavable kettle corn; ask your mom if your uncle is really related to anyone — for it’s time to please the whole crowd with your brilliant taste in movies.

    ‘The Princess Bride’ (1987)

    OK, the MPAA is pretty solid — we know “G” movies are good for kids, “R” for adults. Got it. But somewhere along the way, they forgot the “This Movie Is for Anyone on the Planet Who Has a Soul” rating. Because that’s exactly what Rob Reiner‘s “The Princess Bride” is — a soulful, joyfully swashbuckling romance, and a genuinely hilarious take on what it means to tell stories. A super-smart script from William Goldman — the guy who wrote “Butch Cassidy and the Sundance Kid” and “All the President’s Men” — and iconic performances by everyone from Cary Elwes to Andre the Giant mean you’ll be laughing and tearing up right alongside the kids, because this movie doesn’t talk down to anyone. It wears its very big heart right on its very puffy sleeves.

    ‘Moonrise Kingdom’ (2012)

    Who doesn’t like whimsical things? People not named Wes Anderson, that’s who. In a modern cinematic landscape that’s constantly desaturated, Wes isn’t afraid to bring us Crayola colors and framing that’s so symmetrical it’s weirdly comforting, like an old flannel blanket on a camping trip of yore.

    That’s exactly what “Moonrise Kingdom” is — a raucous camping trip full of the warm fuzzies, but warm fuzzies that are sincere instead of pandering. Its 1960s setting will tickle the nostalgia bone of grown-up guests as they recognize realities that they lived, and for viewers with less years under their scout badges, “Kingdom” is the Technicolor camping trip that dances in their wildly imaginative, sugar-addled heads. It’s a world where simple emotion and desire drive every beat, and everything is just a little magical. Plus, Tilda Swinton and Bill Murray never hurt anything. You should probably invite them to your movie night.

    ‘Groundhog Day’ (1993)

    Did we mention Bill Murray? There are only two types of people who don’t like Bill Murray: Aliens, and people who whisper, “Hail Hydra” in elevators. These are people you do not want at your family movie night.

    What you do want at your movie night, though, is “Groundhog Day.” Murray exudes that sort of world-weary dry humor that kids laugh at the same way they laugh at you stealing their nose. Adults will pick up on themes ranging from existentialism to the Buddhist notion of Samsara as Murray’s beleaguered weatherman relives the same three days over and over and over — until he gets them right. What some folks won’t pick up on is that they’re watching a ridiculously well-crafted romantic comedy; this is the rom-com for people who claim they hate rom-coms.

    We’re calling it now: “Groundhog Day” will be the next generation’s “It’s a Wonderful Life.” Might as well serve it up with gingerbread cookies and pumpkin spice lattes, because it’s a tradition in the making.

    ‘Star Wars: The Force Awakens’ (2015)

    There has been an awakening. You have probably felt it. You have felt it in your cereal. You have felt it in your Underoos. And it is called “Star Wars: The Force Awakens.”

    At this point, the Star Wars theme might as well be our national anthem. It’s our mythology, the song of our people. Everyone can tell you the story of Luke Skywalker, the same way they can tell you the story of Little Red Riding Hood or Superman — and Harrison Ford dosage, your niece gets Daisy Ridley kicking insane amounts of Sith tail, and everyone — even those who don’t get into the film — will spend the entire post-party dishing about what exactly is up with Kylo Ren.

    When Maz Kanata says, “The Force, it’s calling to you. Just let it in,” she’s talking about this movie, in your Blu-ray player, right now. And if Yoda taught us anything, it’s that tiny old aliens always know exactly what they’re talking about.

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