Amy Madigan in ‘The Dark Half’. Photo: Orion Pictures.
Following the public’s realization that Thad Beaumont and George Stark (Timothy Hutton) are one and the same, the former stages a mock funeral, only for a series of gruesome murders to begin occurring as in his books.
The unconventional love story of an aspiring actress (Lily Collins), her ambitious driver (Alden Ehrenreich), and their eccentric boss, the legendary billionaire Howard Hughes (Warren Beatty).
After discovering a box of old love letters sent to her mother by a mysterious stranger, Anna (Jamie Lee Curtis), a young radio deejay, begins a torrid affair with a married man. Burning attraction brings them together, but the reality does not come close to the passion expressed in the letters.
Marine officer Rob Cutter (Daniel Hugh Kelly) and his wife Barbara (Madigan) have a son named Johnny (Robin MacEachem). Rob discovers that two newly delivered helicopters in his squadron have crashed because a defective part, a C-ring, has been made of a weaker, less expensive alloy. Before Rob can go public with this, Rob is killed on the orders of corrupt General Howard (John Colicos), who did not want Rob to go public with the defective part. Howard believes that Barbara, who is also a marine, now has the part, so Howard and his henchmen set out to kill Barbara and Johnny and get the part, but Howard is underestimating what Barbara is willing to do to protect Johnny.
Actress Reese Holden (Zooey Deschanel) has been offered a small fortune by a book editor if she can secure for publication the love letters that her father (Ed Harris), a reclusive novelist, wrote to her mother, who has since passed away. Returning to Michigan, Reese finds that an ex-grad student (Amelia Warner) and a would-be musician (Will Ferrell) have moved in with her father, who cares more about his new friends than he does about his own health and well-being.
(L to R) Ed Harris and Amy Madigan in ‘Alamo Bay’. Photo: Tri-Star Pictures.
A despondent Vietnam veteran (Ed Harris) in danger of losing his livelihood is pushed to the edge when he sees Vietnamese immigrants moving into the fishing industry in a Texas bay town.
A former valedictorian (Kristen Bell) quits her reporter job in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager.
In the late 1800s, a fanatical religious leader (Jason Isaacs), a renegade Sheriff (Ed Harris), and a former prostitute (January Jones) collide in a blood triangle on the rugged plains of the New Mexico Territory.
The true story of Terry Jean Moore (Madigan), a young woman who is imprisoned for seven years on account of a “five-dollar” robbery. While in prison, she gets pregnant by a jailer (Beau Bridges) and must fight to keep her child.
After crossing the border illegally for work, Miguel (Michael Peña), a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife (Madigan). After learning of his imprisonment, Miguel’s pregnant wife (Eva Longoria) tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff (Ed Harris) tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.
(L to R) Ike Barinholtz and Amy Madigan in ‘The Hunt’. Photo: Universal Pictures.
Twelve strangers wake up in a clearing. They don’t know where they are—or how they got there. In the shadow of a dark internet conspiracy theory, ruthless elitists gather at a remote location to hunt humans for sport. But their master plan is about to be derailed when one of the hunted (Betty Gilpin) turns the tables on her pursuers.
A small-town Oregon teacher (Keri Russell) and her brother (Jesse Plemons), the local sheriff, discover a young student (Jeremy T. Thomas) is harbouring a dangerous secret that could have frightening consequences.
In August of 1949, Life Magazine ran a banner headline that begged the question: “Jackson Pollock: Is he the greatest living painter in the United States?” The film is a look back into the life of an extraordinary man, a man who has fittingly been called “an artist dedicated to concealment, a celebrity who nobody knew.” As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock (Ed Harris) began a downward spiral.
In 1935 rural Texas, recently widowed Edna Spaulding (Sally Field) struggles to survive with two small children, a farm to run, and very little money in the bank – not to mention a deadly tornado and the unwelcome presence of the Ku Klux Klan. Edna is aided by her beautician sister, Margaret (Lindsay Crouse); a blind boarder, Mr. Will (John Malkovich); and a would-be thief, Moze (Danny Glover), who decides to teach Edna how to plant and harvest cotton.
When 4 year old Amanda McCready (Madeline O’Brien) disappears from her home and the police make little headway in solving the case, the girl’s aunt, Beatrice McCready (Madigan) hires two private detectives, Patrick Kenzie (Casey Affleck) and Angie Gennaro (Michelle Monaghan). The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons—they’re not cops and they know the tough neighborhood in which they all live.
(L to R) Gene Hackman, Ann-Margret, Ellen Burstyn, Amy Madigan, Ally Sheedy and Brian Dennehy in ‘Twice in a Lifetime’. Photo: Bud Yorkin Productions.
A middle-aged steelworker (Gene Hackman) is content with his job and his family, but feels that something is missing in his life. On his 50th birthday, he stops in at a local bar for a drink to celebrate. He finds himself attracted to the young, very sexy barmaid (Ann-Margret)–and, to his surprise, he finds that she is also very attracted to him.
Raven Shaddock (William Dafoe) and his gang of merciless biker friends kidnap rock singer Ellen Aim (Diane Lane). Ellen’s former lover, soldier-for-hire Tom Cody (Michael Paré), happens to be passing through town on a visit. In an attempt to save his star act, Ellen’s manager (Rick Moranis) hires Tom to rescue her. Along with a former soldier (Madigan), they battle through dangerous cityscapes, determined to get Ellen back.
Buck Russell (John Candy), a lovable but slovenly bachelor, suddenly becomes the temporary caretaker of his nephew and nieces (Macaulay Culkin and Gaby Hoffmann) after a family emergency. His freewheeling attitude soon causes tension with his older niece Tia (Jean Louisa Kelly), loyal girlfriend Chanice (Madigan) and just about everyone else who crosses his path.
Ray Kinsella (Kevin Costner) is an Iowa farmer who hears a mysterious voice telling him to turn his cornfield into a baseball diamond. He does, but the voice’s directions don’t stop — even after the spirits of deceased ballplayers turn up to play.
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
While ‘One Battle After Another’ has been the presumed winner the entire awards season, having taken home Best Picture at every major award show including Critics Choice, Golden Globes, and BAFTA, ‘Sinners’ won Outstanding Performance by a Cast in a Motion Picture at the Actor Awards, building some momentum for the Ryan Coogler helmed film.
It’s also been assumed that Paul Thomas Anderson would finally receive Best Director from the Oscars, especially after winning Outstanding Directorial Achievement from the DGA, but don’t count out a surprise win from Coogler just yet.
Speaking of ‘Sinners’, although Timothée Chalamet won Best Actor for ‘Marty Supreme’ from Critic’s Choice and the Golden Globes, he failed to win at BAFTA, and lost to Michael B Jordan at the Actors Awards, which signals trouble for Chalamet’s Oscar run.
On the other hand, ‘Hamnet’s Jessie Buckley has had virtually no competition in her race to the Best Actress Oscar and after winning every other major award, I don’t think anything can stop her from taking home gold on Oscar night.
Best Supporting Actress seems like a two-way race between Golden Globe winner Teyana Taylor for ‘One Battle’ and Actor Awards winner Amy Madigan for ‘Weapons‘, however, ‘Sinners’ Wunmi Mosaku is still in the mix.
Finally, the Best Supporting Actor category is fairly wide open, with BAFTA and Actor Awards winner Sean Penn currently the frontrunner fighting off Golden Globe winner Stellan Skarsgård for ‘Sentimental Value’. But the Oscars love a surprise, so if ‘Sinners’ has a big night, Delroy Lindo could end up having a surprise win.
Below are our predictions for who will win Oscars on Sunday at the 98th Academy Awards. We are only breaking down our predictions for the six major categories, Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Well, now we finally have a real race!
Since the start of this awards season it has seemed preordained that director Paul Thomas Anderson’s ‘One Battle After Another’ would finally earn the filmmaker a long overdue win for Best Picture. The film has won almost every precursor needed to be the frontrunner, including wins at Critics Choice, Golden Globes, BAFTA, and the all important Producers Guild of America Awards.
However, don’t count ‘Sinners’ out just yet! After grabbing an Outstanding Performance by a Cast in a Motion Picture win at the Actor Awards, as well as Michael B. Jordan’s win for Outstanding Performance by a Male Actor in a Leading Role, the vampire epic now has real momentum.
It also did better at the box office than ‘One Battle’, which sometimes but not always is a factor. But keep in mind that Outstanding Performance by a Cast in a Motion Picture at the Actor Awards is basically a recognition of ensemble acting and not necessarily a film award. And while ‘One Battle’ was also in that category, I don’t buy into the narrative that ‘Sinners’ “beat” ‘One Battle’ for Best Picture at SAG.
It now seems like we have a two-way race but ‘Hamnet’ is still in the mix after winning a Golden Globe for Best Motion Picture – Drama, and remember it was produced by Oscar favorite Steven Spielberg.
Keep in mind that the Academy uses a preferential ballot for Best Picture, meaning the winner isn’t simply the film with the most No. 1 votes. Instead, voters rank the nominees, and if no film receives more than 50% of the first-place votes, the movie with the fewest No. 1 votes is eliminated and its ballots are redistributed to the next highest-ranked film on those ballots. That process continues until one film crosses the 50% threshold. In other words, it’s not just about passion at the top — it’s about broad support.
The real question isn’t only who voters rank No. 1, but which film consistently appears in the No. 2 and No. 3 spots and can accumulate support as other contenders fall away. My guess is that many voters may not rank ‘Sinners’ first, but could place it second or third, giving it a plausible path in later rounds. Still, the safer bet remains ‘One Battle’, which feels more likely to build the majority coalition needed to win.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Just like the Best Picture race, since the start of this current awards season it has seemed like this was “Paul Thomas Anderson’s Year”, and that the ‘Boogie Nights’ director would finally win his long-awaited Best Director Oscar. With directorial wins at every other award show including Critics Choice, Golden Globes, BAFTA, and the all important Directors Guild Awards, it does look like Anderson will finally win Best Director at the Oscars.
But what about Ryan Coogler? While he has yet to win a director’s award this season, he is definitely Anderson’s biggest competition, especially now that the film is surging late. Typically, Best Picture and Best Director go hand in hand, but not always, and much like when Damien Chazelle won best director for ‘La La Land‘ but ‘Moonlight‘ went on to win Best Picture, we could see a similar spilt this year. But if we do, I think it is more likely that Anderson still wins Best Director, and the surprise win comes for ‘Sinners’ in Best Picture.
Let’s be honest, the Academy usually don’t get it right! They could be thinking that Coogler will return with another film in the near future, and want to finally reward Anderson now for ‘One Battle’ as well as his overall career, assuming that Coogler’s time will come sooner than later. While I would love to see an upset and have Coogler win, I would also like to see the Academy finally reward Anderson for his body of work, which I think will be the final result on Oscar night.
This is the race to really keep an eye on! The Oscars love a surprise, and if there is going to be a big surprise on Oscar night, it will be in this category.
Timothée Chalamet began the awards season with wins from Critics Choice and Golden Globes, making it look like he was a lock for a Best Actor win at the Oscars. But, when he lost the BAFTA to Robert Aramayo for ‘I Swear‘, who is not even in the Oscar race, it left the young actor’s Oscar chances vulnerable.
That brings us to Michael B. Jordan, who in my opinion gave the best performance of the year, and recently beat Chalamet at the all important Actor Awards. Historically, one Actor Award win is not enough to ensure an Oscar win, as demonstrated by Chalamet last year when he won Best Actor from SAG for ‘A Complete Unknown‘ but then lost the Oscar race to Adrien Brody for ‘The Brutalist‘. But Jordan has the surging momentum of ‘Sinners’ behind him and a lot of goodwill from Academy voters, while Chalamet seems to be cooling off and has fueled criticism for his unusual Oscar campaign style and recent comments on “ballet and opera.”
There is also a theory that Chalamet is really being rewarded for his performance last year in ‘A Complete Unknown’, when he should have won, and not his performance this year in ‘Marty Supreme’. The Academy tends to do that and often tries to make up for their past mistakes. For example, after not nominating Paul Giamatti for ‘Sideways‘, which he should have been nominated for, the following year he was nominated for ‘Cinderella Man‘. So, if Chalamet does win, it will be for playing Bob Dylan and not for playing Marty Mauser!
Also working against Chalamet is the fact that the Academy typically does not give young actors the Best Actor trophy. They love giving the Best Actress award to young actresses, examples including Gwyneth Paltrow, Jennifer Lawrence, Emma Stone, and recently Mikey Madison. But, if Chalamet were to win, he would be just a few months shy of breaking Adrien Brody’s record as the youngest Best Actor recipient ever for his first win in ‘The Pianist‘. Jordan is just reaching his prime as an actor, and with a long body of work to his credit, voters could see him as a strong alternative, especially with his recent win and the ‘Sinners’ surging.
While Chalamet is statistically the frontrunner, I feel like there will be a big surprise on Oscar night and I’m betting on Jordan for the win.
There really is not much to say here. If there is any locked category this year, it is this one.
‘Hamnet’s Jessie Buckley is one win away from a “perfect award season’. After winning Best Actress at Critics Choice, Golden Globes, BAFTA, and the Actor Awards, she is almost guaranteed a win on Oscar night.
Does she have any competition? A little, but not much. Rose Byrne won a Golden Globe for ‘If I Had Legs I’d Kick You‘, but that’s because the Globes split the Best Actress race into two different categories, Drama and Musical or Comedy. So, Byrne did not compete in the same category as Buckley. When she has, she has lost to the ‘Hamnet’ star, and I see no reason that will not continue to take place.
Kate Hudson has been campaigning hard, but this is the only nomination ‘Song Sung Blue‘ received, and I don’t think that is enough to compete with Buckley and ‘Hamnet’, which received 8 overall nominations. ‘Sentimental Value’ does not seem to have the same momentum it did earlier in the season, leaving actress Renate Reinsve without a real path to the gold. And with two Oscars already on her shelf, Emma Stone’s nomination was more or less given just to round out the five nominees, not unlike some of Meryl Streep‘s past nominations.
The safe money is clearly on Jessie Buckley to win Best Actress, and at this point it would take a miracle for anyone else to beat her and win.
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
This is another very interesting category and one to keep an eye on for big surprises on Oscar night!
With no real frontrunner, Best Supporting Actor is wide-open and really anybody’s for the taking.
The season began with Benicio del Toro positioned as the frontrunner for ‘One Battle’, but the actor has yet to win for that performance, putting his chances of winning the Oscar in doubt.
His co-star, Sean Penn, could be considered a slight frontrunner after winning BAFTA and the Actor Award, but with two Oscars already to his name, I’m not sure the Academy is ready to hand him his third just yet. I also think that having both actors from ‘One Battle’ in the same category will split the vote, leaving them both empty handed on Oscar night.
Jacob Elordi received a surprise win for ‘Frankenstein‘ at the Critics Choice Awards, but the young actor was unable to capitalize on it and has yet to win a second award.
Veteran actor Stellan Skarsgård won the Golden Globe, but also was not able to capitalize with a second win, and with ‘Sentimental Value’s momentum cooling off, I’m not sure it will be enough to earn him the trophy.
Enter Delroy Lindo. Keep in mind that this is his first nomination this entire awards season, meaning that he has not had the opportunity to compete with his fellow nominees yet. It’s not unheard of for an actor to suddenly enter the Oscar race and win. Marcia Gay Harden successfully pulled that off when she won Best Supporting Actress for ‘Pollock‘ over Kate Hudson, the presumed frontrunner for ‘Almost Famous‘.
With ‘Sinners’ surging, Michael B. Jordan’s possible win, no real front runner in this category, and Lindo’s overall likability in the industry, I do think that he will pull off the win on Oscar night.
While its not as wide-open as Best Supporting Actor, Best Supporting Actress is really between two, maybe three actresses at this point.
Let’s just get this out of the way. Much like the two ‘One Battle’ actors in the Supporting Male category, I think ‘Sentimental Value’s Elle Fanning and Inga Ibsdotter Lilleaas will cancel each other out. Neither has won any major award this season, and with the film’s lack of momentum, I doubt either actress has a real shot to win.
While Wunmi Mosaku did win BAFTA, I’m not sure that will be enough to win an Oscar. ‘Sinners’ popularity could give her a boost, and if Lindo and Jordan fail to win, this could be where ‘Sinners’ gets an acting award. But since I do think Jordan and Lindo will be triumphant, I’m thinking this award will be given to someone else.
Teyana Taylor won a Golden Globe, and her film is the frontrunner for Best Picture. It would be odd for ‘One Battle’ to win Best Picture with no wins in the actor categories, so if it were to win an acting Oscar, it will be here. But Taylor has some real competition from veteran actress Amy Madigan.
The ‘Weapons’ actress began the season winning Critics Choice, but bounced around a bit before recently winning the all important Actor Award. That doesn’t make her the frontrunner, but puts her on par with Taylor. Working against Madigan is that she is ‘Weapons’ only nomination, but it’s not unheard of for an actor to win for a movie that received no other nominations. It happened when Kathy Bates won Best Actress for ‘Misery‘.
So while it’s a tight race, I think that Madigan’s long career and versatile body of work will in the end give her an edge over Taylor.
Moviefone recently had the pleasure of speaking with Justin Long about his work on ‘Night Patrol’, his first reaction to the screenplay and its twist on the vampire genre, his research into playing a cop, and working with the ensemble cast.
(L to R) Justin Long and Jermaine Fowler in ‘Night Patrol’. Photo: RLJE Films/Shudder.
Moviefone: To begin with, can you talk about your first reaction to the screenplay and its spin on the vampire genre?
Justin Long: I was directing this movie called ‘Fur Babies’, which was a segment in ‘V/H/S/Beyond’. Josh Goldbloom was our producer, and he was just great. I love talking to him about movies and I was asking him what he had going on. He mentioned the script and he had mentioned it as something he was going to do next, something he had been working on for a long time. I thought it was such a wild premise and I loved hearing him talk about it. They had another actor who was attached to it at the time. I thought, “Oh, that’s perfect for that actor.” I don’t want to say who it is. Nothing scandalous happened, he just had a scheduling thing that he had to drop out to do this other project. So, Josh came to me at the last minute and said, “Hey, remember that movie that I was talking to you about?” I said, of course. Then I met with Ryan Prows, the director, and I saw his movie ‘Lowlife’, which I loved. I was amazed at what he could do with that size budget. That’s how I thought maybe this is the thing that they could pull off. I love taking wild swings anyway. But, when he came to me about it, I thought, he’s just desperate. I’m not right for this character. It kind of scared me a little bit. I balked at it because on paper I’m not at all right for it. The guy who was going to play it was perfect for it. But that’s what it’s all about, taking a risk and swinging for the fences. So, I did what I could do to get ready physically. I just found a truth that I could connect to in stuff that I had gone through with my own family and people that I was close to. So, it was a fun, cathartic challenge.
Jermaine Fowler in ‘Night Patrol’. Photo: RLJE Films/Shudder.
MF: I know there is a supernatural element to the film, but what kind of research did you do to prepare for playing a police officer?
JL: We did a little bit. Jermaine and I didn’t have much time, but the cops who were working on the movie were gracious with their time and they helped us with the everyday stuff. Like, how do you get out of a car? What’s the protocol for just approaching the stuff that they probably learned in the first day or two of basic training. They were able to make it look like we could fake it properly. So, they were very helpful. I know that the director and some of the actors who were playing the Bloods, they had some real involvement from gang members. There was a consultant on the movie who runs a program in LA where they try to mend fences between these gangs and try and help with rehabilitation after people get out of gangs, and there is some crossover with the LAPD. So, this program, they were actively involved in the movie and so that helped, and we had approval from actual gang members that the director was in touch with, and they were an active part of the movie. I mean, it was it was quite intense.
Dermot Mulroney in ‘Night Patrol’. Photo: RLJE Films/Shudder.
MF: Finally, what was it like working with the cast, including Jermaine Fowler and Dermot Mulroney?
JL: Well, I also loved Freddie Gibbs. Freddie Gibbs has such a great voice, and he kind of stole the show at the table read. I was like, who is this guy? Then I started listening to his music and he’s just a poet, but he’s also a dynamic performer. I don’t know how else to say. He’s got a cool voice, he’s just great. And I love Flying Lotus as a person and as a director. But Jermaine, I’ve always really liked Jermaine’s work. I didn’t really know him before this, and I didn’t really know what to expect. It was just luck that we happen to really connect. I just love being around him. In between takes, I loved hanging out with him. He’s got an encyclopedic knowledge of movies, especially comedies. We really hit it off. We bonded over old ‘70s and ‘80s comedies. We want to make one together. He sent me a script he wrote, which, I think is brilliant. So, we’re trying to make that. We just really hit it off. We talked a lot about how much we loved Richard Pryor and Gene Wilder movie, and he’s just a great guy. So, that came very naturally. Once we were in that cop car, it was just two buddies and it made it easier for me because the only challenge was playing a more silent type in the movie. My character is much more reserved and he’s somebody who’s internalized a lot, and that’s not naturally who I am. So, I’m not playing around with Jermaine in the scene. Most of our stuff together is him trying to get under my skin and him trying to punch me, so I couldn’t really play back the way I wanted to do. I should say, I love getting to work with people that I grew up watching, and who inspired me to want to be an actor. Dermot Mulroney was in all those movies, and I was a huge ‘Young Guns’ fan. Just getting to hear stories about that movie specifically, and all his other work, I mean, he’s been at it for so long and he’s always so good and so believable. But he was very kind with both me and Jermaine to share stories. So, to me, getting to work with people like that is one of the great highlights of this job.
Phil Brooks in ‘Night Patrol’. Photo: RLJE Films/Shudder.
What is the plot of ‘Night Patrol’?
An L.A. cop (Jermaine Fowler) discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.
The Actor Awards Presented by SAG-AFTRA will stream on Netflix March 1st.
Preview:
The nominations for the 2026 Actor Awards have been announced.
‘One Battle After Another’ leads the film field with seven nods.
The ceremony will screen on Netflix once more.
Despite the somewhat surprising decision to change the name of the Screen Actors Guild Awards to the clunkier The Actor Awards presented by SAG-AFTRA, everything else about the performer-focused awards is remaining the same.
Outstanding Performance by an Ensemble in a Drama Series
(L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
Chelsea Handler hosts the 31st Annual Critics Choice Awards. Photo: CCA.
Preview:
Winners of the 31st Critics Choice Awards included ‘One Battle After Another’ and ‘Hamnet.’
‘Frankenstein’ and ‘Sinners’ also took home awards.
The ceremony was hosted by Chelsea Handler.
Though there were few surprises among the big winners at this year’s Critics Choice Awards, where ‘One Battle After Another’ took home a three big trophies (Best Picture, Best Director and Best Adapted Screenplay), the ceremony was nevertheless still a lively, energetic affair, hosted once again by Chelsea Handler.
Following a monologue from Handler that took shots at Warner Bros. CEO David Zaslav and paid loving tribute to Rob Reiner and Diane Keaton, it was on with the show.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Benicio del Toro as Sensei St. Carlos in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Paul Thomas Anderson – ‘One Battle After Another’ – WINNER
From director Eric Lin, in a race against time, an ailing woman (Lucy Liu) discovers her teenage son’s (Lawrence Shou) violent obsessions and must go to great lengths to protect him, and possibly others, in this portrait of a Chinese American family. Inspired by true events.
Sydney Sweeney in ‘Christy’. Photo: Black Bear Pictures.
From director David Michôd, Christy Martin (Sydney Sweeney) never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim (Ben Foster). But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.
(L to R) Stellan Skarsgård and Elle Fanning in ‘Sentimental Value’. Photo: Kasper Tuxen Andersen.
From director Joachim Trier, sisters Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas) reunite with their estranged father, the charismatic Gustav (Stellan Skarsgård), a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star (Elle Fanning).
(L to R) Channing Tatum and Kirsten Dunst star in Paramount Pictures’ ‘Roofman’.
From director Derek Cianfrance, a former Army Ranger and struggling father (Channing Tatum) turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname ‘Roofman’. After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for a divorced mom (Kristen Dunst) drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.
From director Yorgos Lanthimos, two conspiracy obsessed young (Jesse Plemons and Aidan Delbis) men kidnap the high-powered CEO (Emma Stone) of a major company, convinced that she is an alien intent on destroying planet Earth.
From director Osgood Perkins, when twin brothers (both played by Theo James) find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. Twenty-five years later, the monkey begins a new killing spree forcing the estranged brothers to confront the cursed toy.
Denzel Washington in ‘Highest 2 Lowest’. Photo Credit: David Lee.
From director Spike Lee, when a titan music mogul (Denzel Washington), widely known as having the “best ears in the business”, is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.
(L to R) Dacre Montgomery as Richard ‘Dick’ Hall and Bill Skarsgård as Tony Kiritsis in ‘Dead Man’s Wire’. Photo: Row K Entertainment
From director Gus Van Sant, set in 1977 and based on a true story, Tony Kiritsis (Bill Skarsgård), a former real estate developer puts a dead man’s switch on himself and the mortgage banker (Dacre Montgomery) who did him wrong, demanding $5 million and a personal apology.
Directed by Dan Trachtenberg, cast out from his clan, a young Predator (Dimitrius Schuster-Koloamatangi) finds an unlikely ally in a damaged android (Elle Fanning) and embarks on a treacherous journey in search of the ultimate adversary.
From director Rian Johnson, when young priest Jud Duplenticy (Josh O’Connor) is sent to assist charismatic firebrand Monsignor Jefferson Wicks (Josh Brolin), it’s clear that all is not well in the pews. After a sudden and seemingly impossible murder rocks the town, the lack of an obvious suspect prompts local police chief Geraldine Scott (Mila Kunis) to join forces with renowned detective Benoit Blanc (Daniel Craig) to unravel a mystery that defies all logic.
From director Bradley Cooper, as their marriage quietly unravels, Alex (Will Arnett) faces middle age and an impending divorce, seeking new purpose in the New York comedy scene while Tess (Laura Dern) confronts the sacrifices she made for their family—forcing them to navigate co-parenting, identity, and whether love can take a new form.
From director James Cameron, in the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) face a new threat on Pandora: the Ash People, a violent and power-hungry Na’vi tribe led by the ruthless Varang (Oona Chaplin). Jake’s family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.
From director James Gunn, Superman (David Corenswet), a journalist in Metropolis, embarks on a journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent.
From director Guillermo del Toro, Dr. Victor Frankenstein (Oscar Isaac), a brilliant but egotistical scientist, brings a creature (Jacob Elordi) to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
From director Edward Berger, amid the glittering casinos of Macau, a gambler (Colin Farrell) running from his past — and his debts — becomes fascinated by an enigmatic woman at the baccarat table.
From director Ari Aster, in May of 2020, a standoff between a small-town sheriff (Joaquin Phenix) and mayor (Pedro Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
From director Darren Aronofsky, burned-out ex-baseball player Hank Thompson (Austin Butler) unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of late 1990s New York City, forced to navigate a treacherous underworld he never imagined.
From director Noah Baumbach, famous movie actor Jay Kelly (George Clooney) embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron (Adam Sandler).
From director Steven Soderbergh, ‘Black Bag’ is a gripping spy drama about legendary intelligence agents George Woodhouse (Michael Fassbender) and his beloved wife Kathryn (Cate Blanchett). When she is suspected of betraying the nation, George faces the ultimate test – loyalty to his marriage or his country.
From director Joseph Kosinski, racing legend Sonny Hayes (Brad Pitt) is coaxed out of retirement to lead a struggling Formula 1 team—and mentor a young hotshot driver (Damson Idris), while chasing one more chance at glory.
From director Zach Cregger, when all but one child (Cary Christopher) from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
From director Josh Safdie, in 1950s New York, Marty Mauser, (Timothée Chalamet) a young man with a dream no one respects, goes to hell and back in pursuit of greatness.
From director Ryan Coogler, trying to leave their troubled lives behind, twin brothers (Michael B. Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
From director Paul Thomas Anderson, washed-up revolutionary Bob (Leonardo DiCaprio) exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa (Chase Infiniti). When his evil nemesis (Sean Penn) resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.
Horror movies have two speeds: Slasher and terrifyingly intense. At the risk of sleeping with the lights on for the next forever, we’re looking at the latter.
With Halloween fast approaching, Moviefone is counting down the most terrifying horror movies that were released between 2015 and now.
Robert Eggers’ ‘Nosferatu’ is a gothic tale of obsession between a haunted young woman (Lily-Rose Depp) and the terrifying vampire (Bill Skarsgård) infatuated with her, causing untold horror in its wake.
An American nun (Sydney Sweeney) embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors.
When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare.
In town for a job interview, a young woman (Georgina Campbell) arrives at her Airbnb late at night only to find that it has been mistakenly double-booked and a strange man (Bill Skarsgård) is already staying there. Against her better judgement, she decides to stay the night anyway.
A young couple (Anya Taylor-Joy and Nicholas Hoult) travels to a remote island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.
Still scarred by the trauma he endured as a child at the Overlook Hotel, Dan Torrance (Ewan McGregor) faces the ghosts of the past when he meets Abra (Kyliegh Curran), a courageous teen who desperately needs his help — and who possesses a powerful extrasensory ability called the “shine”.
After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter (Sosie Bacon) starts experiencing frightening occurrences that she can’t explain.
When twin brothers (Theo James) find a mysterious wind-up monkey, a series of outrageous deaths tear their family apart. Twenty-five years later, the monkey begins a new killing spree forcing the estranged brothers to confront the cursed toy.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.
In pursuit of a serial killer (Nicolas Cage), an FBI agent (Maika Monroe) uncovers a series of occult clues that she must solve to end his terrifying killing spree.
When all but one child from the same class mysteriously vanish on the same night at exactly the same time, a community is left questioning who or what is behind their disappearance.
A fading celebrity (Demi Moore) decides to use a black market drug, a cell-replicating substance that temporarily creates a younger, better version of herself (Margaret Qualley).
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams) go upstate to visit her parents for the weekend. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Two young missionaries (Sophie Thatcher and Chloe East) are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed (Hugh Grant), becoming ensnared in his deadly game of cat-and-mouse.
In a small town in Maine, seven children known as The Losers Club come face to face with life problems, bullies and a monster that takes the shape of a clown called Pennywise.
Following the death of the Leigh family matriarch, Annie (Toni Collette) and her children uncover disturbing secrets about their heritage. Their daily lives are not only impacted, but they also become entangled in a chilling fate from which they cannot escape, driving them to the brink of madness.
Paul Walter Hauser in ‘Americana’. Photo: Lionsgate.
Preview:
Paul Walter Hauser is joining the cast of the new ‘Resident Evil’ movie.
Austin Abrams is also starring.
Zach Cregger has co-written and will direct.
Even given the massive popularity of the Capcom game series, ‘Resident Evil’s treatment on screens big and small has been hit or miss. Paul WS Anderson’s movies had their fun elements, but even they outstayed their welcome. And the more recent Netflix TV treatment didn’t exactly delight fans.
Zach Cregger (director, ‘Resident Evil’) at CinemaCon 2025 for Sony Pictures at The Colosseum at Caesars Palace on March 31, 2025 in Las Vegas, Nevada. Photo by Stewart Cook/Sony Pictures via Getty Images.
The exact details of how the director –– who has written the script with ‘John Wick: Chapter 4’s Shay Hatten –– will adapt the games, but he has at least opened up a little.
Here’s what Cregger told Inverse about his approach:
“I am the biggest worshiper of the games, so I’m telling a story that is a love letter to the games and follows the rules of the games. It is obedient to the lore of the games, it’s just a different story. I’m not going to tell Leon’s story, because Leon’s story is told in the games. [Fans] already have that.”
And at CinemaCon this year he described the concept as this:
“It’s built in the spirit of those games and follows one central protagonist from point A to point B, as they descend deeper into hell.”
Where else can we see Paul Walter Hauser?
(L to R) Paul Walter Hauser plays Ed Hocken Jr. and Liam Neeson plays Frank Drebin Jr. in ‘The Naked Gun’ from Paramount Pictures.
Still from ‘Demon Slayer: Infinity Castle’. Photo: Sony Pictures.
Preview:
‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ won the US box office this weekend.
The movie has earned more than $300 million globally.
‘The Conjuring: Last Rites’ dropped to second place.
Though September is usually viewed as a sluggish time for the box office, Sony’s latest release, Japanese anime movie ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ has struck gold, opening to an impressive $70 million, the biggest opening ever for an anime title and more than double 1999’s ‘Pokémon: The First Movie’, which launched to $31 million.
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It’s just the latest big hit for the medium, following the success of ‘KPop Demon Hunters’, the Sing-Along version of which Sony released in collaboration with Netflix. But while ‘Demon Hunters’ technically doesn’t register on the charts, ‘Demon Castle’ is a theatrical bona fide sensation.
How did ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ do elsewhere?
Still from ‘Demon Slayer: Infinity Castle’. Photo: Sony Pictures.
The new movie, which represents the first part of a trilogy, has already earned plenty of money globally, $300 million to be exact, including more than $200 million in its native Japan where it has become the country’s third-highest-grossing release of all time.
‘The Conjuring: Last Rites’, which had its own successful launch last weekend, took a 69% tumble, making $26.1 million, and bringing its domestic total to $131.1 million.
Third was ‘Downton Abbey: The Grand Finale’, looking to wrap up the series, which started on TV in the UK and previously spawned two other movies. This latest entry made $18.1 million, a little ahead of 2022’s ‘Downton Abbey: A New Era’.
In fourth place, we find ‘The Longest Walk’, the dystopian dramatic thriller adapted from the Stephen King story. It opened to $11.5 million, which considering its troubled development history, is seen as a minor victory for making it to screens at all.
And in fifth, Disney/Pixar’s ‘Toy Story’ was re-released in 2,375 theaters to mark its 30th anniversary, and it made $3.5 million.
Most of the rest of the top 10 was held by current movies, though another sequel, ‘Spinal Tap II: The End Continues’, debuted to a somewhat disappointing $1.67 million in ninth from 1,920 theaters.
(L to R) Christopher Guest and Rob Reiner in Bleecker Street’s ‘Spinal Tap II: The End Continues’. Credit: Bleecker Street / Kyle Kaplan.
‘The Conjuring: Last Rites’ opened big at the global box office.
It represents the most successful launch for a ‘Conjuring’ movie.
And Warner Bros. is on a remarkable run.
The ‘Conjuring’ franchise –– launched back in 2013 by James Wan –– has been quite the reliable performer for Warner Bros., and this past weekend’s launch of latest entry ‘The Conjuring: Last Rites’ certainly kept that tradition alive.
‘Last Rites’, advertised as the final outing for Patrick Wilson and Vera Farmiga’s supernatural investigators Ed and Lorraine Warren, took in an impressive $83 million in its first three days.
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That makes it the most successful entry in a franchise that, via a run of nine movies including sequels and spin-offs, has earned $2.3 billion.
This ‘Last Rites’ launch was easily enough to win the box office here in the US, and with $194 million worldwide, it is also the most successful launch for a horror title globally, overtaking Warners’ own ‘It’.
The success of ‘Last Rites’ marks an impressive theatrical run for Warner Bros. as the seventh consecutive release to open above $40 million. No other studio has ever achieved that level of consistency at the box office.
It’s even more remarkable when you consider that earlier in the year, the studio had suffered a series of duds from 2024 and the initial months of 2024 including ‘Joker: Folie a Deux’, ‘Mickey 17’ and ‘The Alto Knights’.
Studio Warner Bros. Motion Picture Group co-chiefs Michael De Luca and Pam Abdy were at risk of being fired until the likes of ‘A Minecraft Movie’, ‘Sinners’, ‘Superman’ and more began a run of hits, with movies sticking around beyond their first weekend.
What else happened at the box office this weekend?
Disney’s theatrical release of the filmed ‘Hamilton’ stage musical was a distant second, earning $10 million from 1,825 screens. It’s a solid start given that the movie has been on Disney+ since 2020.
