Tag: unbreakable

  • Every M. Night Shyamalan Movie, Ranked

    Director M. Night Shyamalan on the set of Warner Bros. Pictures’ crime drama thriller 'Trap,' a Warner Bros. Pictures release.
    Director M. Night Shyamalan on the set of Warner Bros. Pictures’ crime drama thriller ‘Trap,’ a Warner Bros. Pictures release. Photo Credit: Sabrina Lantos. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Director M. Night Shyamalan is one of the most original and visionary filmmakers of his generation.

    Often compared to the great Steven Spielberg himself, Shyamalan burst on to the scene in the late 1990s with his Academy Award nominated blockbuster, ‘The Sixth Sense.’ Perfecting his signature “twist endings,” Shyamalan has delighted fans with surprising films like ‘Unbreakable,’ it’s sequels ‘Split‘ and ‘Glass,’ ‘Signs,’ The Village,’ ‘Old‘ and most recently ‘Knock at the Cabin.’

    After four seasons of serving as director and showrunner on the Apple TV+ series ‘Servant,’ Shyamalan returns to the big screen with his latest thriller ‘Trap,’ which stars Josh Hartnett and opens in theaters on August 2nd.

    In honor of its release, Moviefone has ranked every movie filmmaker M. Night Shyamalan has ever directed, including his latest.

    Without further ado, let’s begin!


    16. ‘After Earth‘ (2013)

    M. Night Shyamalan's 'After Earth'.
    M. Night Shyamalan’s ‘After Earth’. Photo: Sony Pictures Releasing.

    One thousand years after cataclysmic events forced humanity’s escape from Earth, Nova Prime has become mankind’s new home. Legendary General Cypher Raige (Will Smith) returns from an extended tour of duty to his estranged family, ready to be a father to his 13-year-old son, Kitai (Jaden Smith).

    When an asteroid storm damages Cypher and Kitai’s craft, they crash-land on a now unfamiliar and dangerous Earth. As his father lies dying in the cockpit, Kitai must trek across the hostile terrain to recover their rescue beacon. His whole life, Kitai has wanted nothing more than to be a soldier like his father. Today, he gets his chance.

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    15. ‘The Last Airbender‘ (2010)

    M. Night Shyamalan's 'The Last Airbender'.
    M. Night Shyamalan’s ‘The Last Airbender’. Photo: Paramount Pictures.

    The story follows the adventures of Aang (Noah Ringer), a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.

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    14. ‘The Happening‘ (2008)

    M. Night Shyamalan's 'The Happening'.
    M. Night Shyamalan’s ‘The Happening’. Photo: 20th Century Fox.

    When a deadly airborne virus threatens to wipe out the northeastern United States, teacher Elliott Moore (Mark Wahlberg) and his wife Alma (Zooey Deschanel) flee from contaminated cities into the countryside in a fight to discover the truth. Is it terrorism, the accidental release of some toxic military bio weapon — or something even more sinister?

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    13. ‘Praying with Anger‘ (1992)

    M. Night Shyamalan's 'Praying with Anger'.
    M. Night Shyamalan’s ‘Praying with Anger’. Photo: Cinevistaas.

    An alienated, Americanized teenager (Shyamalan) of East Indian heritage is sent back to India where he discovers not only his roots but a lot about himself.

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    12. ‘The Visit‘ (2015)

    M. Night Shyamalan's 'The Visit'.
    M. Night Shyamalan’s ‘The Visit’. Photo: Universal Pictures.

    A brother (Ed Oxenbould) and sister (Olivia DeJonge) are sent to their grandparents’ remote Pennsylvania farm for a week, where they discover that the elderly couple (Deanna Dunagan and Peter McRobbie) is involved in something deeply disturbing.

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    11. ‘Lady in the Water‘ (2006)

    M. Night Shyamalan's 'Lady in the Water'.
    M. Night Shyamalan’s ‘Lady in the Water’. Photo: Warner Bros.

    Apartment building superintendent Cleveland Heep (Paul Giamatti) rescues what he thinks is a young woman (Bryce Dallas Howard) from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.

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    10. ‘Wide Awake‘ (1998)

    M. Night Shyamalan's 'Wide Awake'.
    M. Night Shyamalan’s ‘Wide Awake’. Photo: Miramax Films.

    The tale of a ten-year-old boy (Joseph Cross) in a Catholic school who, following the death of his beloved grandfather (Robert Loggia), embarks on a quest to discover the meaning of life.

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    9. ‘Old‘ (2021)

    M. Night Shyamalan's 'Old'.
    M. Night Shyamalan’s ‘Old’. Photo: Universal Pictures.

    A group of families on a tropical holiday discover that the secluded beach where they are staying is somehow causing them to age rapidly – reducing their entire lives into a single day.

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    8. ‘Split‘ (2017)

    M. Night Shyamalan's 'Split'.
    M. Night Shyamalan’s ‘Split’. Photo: Universal Pictures.

    Though Kevin (James McAvoy) has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher (Betty Buckley), there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey (Anya Taylor-Joy), Kevin reaches a war for survival among all of those contained within him — as well as everyone around him — as the walls between his compartments shatter apart.

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    7. ‘The Village‘ (2004)

    M. Night Shyamalan's 'The Villiage'.
    M. Night Shyamalan’s ‘The Villiage’. Photo: Buena Vista Pictures Distribution.

    When a willful young man (Joaquin Phoenix) tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.

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    6. ‘Glass‘ (2019)

    M. Night Shyamalan's 'Glass'.
    M. Night Shyamalan’s ‘Glass’. Photo: Universal Pictures.

    In a series of escalating encounters, former security guard David Dunn (Bruce Willis) uses his supernatural abilities to track Kevin Wendell Crumb (James McAvoy), a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price (Samuel L. Jackson) emerges as an orchestrator who holds secrets critical to both men.

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    5. ‘Trap‘ (2024)

    Josh Hartnett as Cooper and Ariel Donoghue as Riley in Warner Bros. Pictures’ crime drama thriller 'Trap,' a Warner Bros. Pictures release.
    (L to R) Josh Hartnett as Cooper and Ariel Donoghue as Riley in Warner Bros. Pictures’ crime drama thriller ‘Trap,’ a Warner Bros. Pictures release. Photo Credit: Sabrina Lantos. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    A father (Josh Hartnett) and teen daughter (Ariel Donoghue) attend a pop concert, where they realize they’re at the center of a dark and sinister event.

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    4. Knock at the Cabin (2023)

    M. Night Shyamalan's 'Knock at the Cabin'.
    M. Night Shyamalan’s ‘Knock at the Cabin’. Photo: Universal Pictures.

    While vacationing at a remote cabin, a young girl (Kristen Cui) and her parents (Jonathan Groff and Ben Aldridge) are taken hostage by four armed strangers (Dave Bautista, Nikki Amuka-Bird, Abby Quinn, and Rupert Grint) who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

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    3. ‘Signs‘ (2002)

    M. Night Shyamalan's 'Signs'.
    M. Night Shyamalan’s ‘Signs’. Photo: Buena Vista Pictures Distribution.

    A family (Mel Gibson, Joaquin Phoenix, Rory Culkin, and Abigail Breslin) living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

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    2. ‘The Sixth Sense‘ (1999)

    M. Night Shyamalan's 'The Sixth Sense'.
    M. Night Shyamalan’s ‘The Sixth Sense’. Photo: Buena Vista Pictures Distribution.

    Following an unexpected tragedy, a child psychologist named Malcolm Crowe (Bruce Willis) meets a nine year old boy named Cole Sear (Haley Joel Osment), who is hiding a dark secret.

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    1. ‘Unbreakable‘ (2000)

    M. Night Shyamalan's 'Unbreakable'.
    M. Night Shyamalan’s ‘Unbreakable’. Photo: Buena Vista Pictures Distribution.

    An ordinary man (Bruce Willis) makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price (Samuel L. Jackson), a man who suffers from a disease that renders his bones as fragile as glass

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  • Movie Review: ‘Knock at the Cabin’

    Abby Quinn, Nikki Amuka-Bird, Dave Bautista and Rupert Grint in 'Knock at the Cabin,' directed by M. Night Shyamalan.
    (L to R) Abby Quinn, Nikki Amuka-Bird, Dave Bautista and Rupert Grint in ‘Knock at the Cabin,’ directed by M. Night Shyamalan.

    Opening in theaters on February 3rd is the new psychological thriller from the “Master of Surprise Endings” M. Night Shyamalan (‘The Sixth Sense,’ ‘Unbreakable’) entitled ‘Knock at the Cabin.’

    To say too much about the plot would give away some of the very satisfying twists and turns, but it basically follows married couple Eric (‘Frozen’s Jonathan Groff) and Andrew (‘Spoiler Alert’s Ben Aldridge), along with their adopted daughter Wen (newcomer Kristen Cui) as they vacation at a remote cabin in the woods.

    Trouble begins when four strangers, Leonard (Dave Bautista), Sabrina (Nikki Amuka-Bird), Adriane (Abby Quinn) and Redmond (Rupert Grint), arrive at the cabin with an extraordinary request for the family … either sacrifice one of your own or everyone on Earth will die.

    Ben Aldridge, Kristen Cui, Jonathan Groff and Dave Bautista in 'Knock at the Cabin,' directed by M. Night Shyamalan.
    (R to L) Ben Aldridge, Kristen Cui, Jonathan Groff and Dave Bautista in ‘Knock at the Cabin,’ directed by M. Night Shyamalan.

    The result is a captivating and thoroughly enjoyable psychological thriller that plays off the expectations audiences have when watching a Shyamalan movie and features very good performances from Dave Bautista, Ben Aldridge, and newcomer Kristen Cui.

    While I’ve always enjoyed M. Night Shyamalan as a filmmaker and storyteller, for me his films can be hit or miss. For every ‘Sixth Sense’ or ‘Unbreakable’ there is an ‘After Earth‘ or ‘The Happening.’ ‘Knock at the Cabin’ is in the former category, and I would put it right up there with some of the director’s best movies including ‘Signs’ and ‘The Village.’

    But of course, audiences are aware by now of Shyamalan’s work and the twists, turns, and the surprise endings that he is famous for. However, in ‘Knock at the Cabin,’ Shyamalan plays off of the audiences own expectations, which is the real twist. I spent half of the movie wondering what the twist would be, are the characters all really dead, or is everything just happening in someone’s backyard? But the true twist of the movie is that there is no twist at all! Everything is exactly as it is presented, and that is the real surprise, which is absolutely brilliant!

    Dave Bautista in 'Knock at the Cabin,' directed by M. Night Shyamalan.
    Dave Bautista in ‘Knock at the Cabin,’ directed by M. Night Shyamalan.

    Of all the professional wrestlers turned actors, which includes Dwayne Johnson and John Cena, I’ve always thought Dave Bautista was the best actual actor of the bunch, and more concerned with the craft of acting than being a movie star. He’s pushed his range in recent years, from playing physically imposing characters like in ‘Spectre’ or ‘Blade Runner 2049,’ or more humorous roles like in the ‘Guardians of the Galaxy’ movies or the recent ‘Glass Onion: A Knives Out Mystery.’ In ‘Knock at the Cabin,’ while still physically imposing, Bautista has an opportunity to show his quieter, more emotional side and is very good in his dramatic scenes.

    Also outstanding in the new film is actor Ben Aldridge, who plays Andrew. I first noticed Aldridge last year in the movie ‘Spoiler Alert,’ where he also gave an excellent performance. The actor does it again here, playing a loving character with some deep anger issues. Andrew is reluctant to believe what the four visitors are selling, and the complexity of his ultimate choice is heartbreaking. I think Aldridge is an actor you will be seeing a lot more of in the future, and could easily start getting the type of high profile roles that actors like Luke Evans or Matthew Rhys are often cast in.

    But the true breakout star of the film is Kristen Cui, who plays Eric and Andrew’s young daughter, Wen. The actress is excellent in the role, and hard to take your eyes off of in her scenes. She is asked to do a lot for a young actress, and absolutely nails the role. She has great chemistry with Aldridge and Groff, but is especially great in her intimidating scenes with Bautista. Shyamalan also wisely uses flashbacks throughout the film to illustrate how Andrew and Eric met, the challenges of their relationship, and how they came to adopt Wen, which helps to flesh out the characters before their ultimate decision.

    Kristen Cui in 'Knock at the Cabin,' directed by M. Night Shyamalan.
    Kristen Cui in ‘Knock at the Cabin,’ directed by M. Night Shyamalan.

    Groff does his best as Eric, but the character is not written as deeply as Andrew, and therefore seems one-dimensional at times, however Groff makes his final monologue really resonate. Speaking of one-dimensional characters, that is exactly what Rupert Grint was asked to play as Redmond. There is purposely not much nuance to the character, and Grint is more than satisfactory in his performance as the “evil redneck.”

    Rounding out the four strangers is Nikki Amuka-Bird as Sabrina and Abby Quinn as Adriane. Amuka-Bird gives a very good and relatable performance as the reluctant Sabrina, while Quinn plays her role with a nervous, bubbly energy that adds a lot of humor to the otherwise nail-biting suspense thriller.

    The movie touches on themes of religion, faith, and the environment, but really asks the question: Would you sacrifice your own love to save the world? It’s an interesting question, one that is explored in the movie, and lends itself well to the genre and Shyamalan’s form of filmmaking.

    M. Night Shyamalan and Ben Aldridge on the set 'Knock at the Cabin.'
    (L to R) M. Night Shyamalan and Ben Aldridge on the set ‘Knock at the Cabin.’

    There are some visual effects in the later part of the movie, that for the most part are used sparingly and really work. However, eagle eye viewers may notice a few shots that look slightly unfinished. It’s so minor, it’s almost not worth mentioning, and the drama of the story and the performances help to mask those moments.

    In the end, it may not be his best film ever, but ‘Knock at the Cabin’ is definitely one of M. Night Shyamalan’s better movies, and a return to form for the visionary writer and director, featuring powerful performances from Bautista, Aldridge and Cui.

    ‘Knock at the Cabin’ receives 8 out of 10 stars.

    Dave Bautista, Abby Quinn, and Nikki Amuka-Bird in 'Knock at the Cabin,' directed and co-written by M. Night Shyamalan.
    (L to R) Dave Bautista, Abby Quinn, and Nikki Amuka-Bird in ‘Knock at the Cabin,’ directed and co-written by M. Night Shyamalan. © Universal Studios. All Rights Reserved.
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  • Best Original Superhero Movies

    Owen Wilson as Jack in 'Secret Headquarters' from Paramount Pictures.
    Owen Wilson as Jack in ‘Secret Headquarters’ from Paramount Pictures.

    While Marvel and DC certainly have a stronghold on releasing popular superhero movies, Hollywood has produced its own original superhero films over the years.

    For example, the original superhero movie ‘Secret Headquarters‘ premieres on Paramount+ August 12th and stars Owen Wilson and Michael Pena. In honor of ‘Secret Headquarters,’ Moviefone is counting down the ten best original superhero movie of all time.

    To qualify for this list, the movie must include superheroes but cannot be based on a previously published book, comic book, or other type of media.

    Without further ado, let’s begin!


    My Super Ex-Girlfriend (2006)

    When New York architect Matt Saunders (Luke Wilson) dumps his new girlfriend Jenny Johnson (Uma Thurman) – a smart, sexy and reluctant superhero known as G-Girl – she uses her powers to make his life a living hell!

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    Push (2009)

    After his father, an assassin, is brutally murdered, Nick Gant (Chris Evans) vows revenge on Division, the covert government agency that dabbles in psychic warfare and experimental drugs. Hiding in Hong Kong’s underworld, Nick assembles a band of rogue psychics dedicated to destroying Division. Together with Cassie (Dakota Fanning), a teenage clairvoyant, Nick goes in search of a missing girl and a stolen suitcase that could be the key to accomplishing their mutual goal.

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    Hancock (2008)

    Hancock (Will Smith) is a down-and-out superhero who’s forced to employ a PR expert (Jason Bateman) to help repair his image when the public grows weary of all the damage he’s inflicted during his lifesaving heroics. The agent’s idea of imprisoning the antihero to make the world miss him proves successful, but will Hancock stick to his new sense of purpose or slip back into old habits? Also starring Charlize Theron.

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    Sky High (2005)

    Set in a world where superheroes are commonly known and accepted, young Will Stronghold (Michael Angarano), the son of the Commander (Kurt Russell) and Jetstream, (Kelly Preston) tries to find a balance between being a normal teenager and an extraordinary being. Also starring Mary Elizabeth Winstead, Danielle Panabaker, Bruce Campbell and Lynda Carter.

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    Chronicle (2012)

    20th Century Fox
    20th Century Fox

    Three high school students (Dane DeHaan, Alex Russell, and Michael B. Jordan) make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.

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    Super (2011)

    After his wife falls under the influence of a drug dealer, an everyday guy transforms himself into Crimson Bolt (Rainn Wilson), a superhero with the best intentions, though he lacks for heroic skills. Also starring Elliot Page, Liv Tyler, and Kevin Bacon.

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    Darkman (1990)

    Dr. Peyton Westlake (Liam Neeson) is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love (Frances McDormand).

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    Unbreakable (2000)

    An ordinary man (Bruce Willis) makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price (Samuel L. Jackson), a man who suffers from a disease that renders his bones as fragile as glass.

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    RoboCop (1987)

    In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy (Peter Weller) into an armed confrontation with crime lord Boddicker (Kurtwood Smith) so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company’s nefarious plans, he turns on his masters. Also starring Karen AllenRonny Cox, and Miguel Ferrer.

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    The Incredibles (2004)

    Walt Disney Pictures
    Walt Disney Pictures

    Bob Parr (Craig T. Nelson) has given up his superhero days to log in time as an insurance adjuster and raise his three children (Sarah Vowell, Spencer Fox, and Eli Fucile and Maeve Andrews) with his formerly heroic wife (Holly Hunter) in suburbia. But when he receives a mysterious assignment, it’s time to get back into costume.

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  • Bruce Willis to Retire from Acting Following Aphasia Diagnosis

    Bruce Willis with a tie
    Bruce Willis in ‘A Day to Die.’

    In some sad news for the movie world, Bruce Willis’ family has made an emotional announcement that the veteran actor is to retire from his career.

    The post, which was placed across various members’ social media channels, explained that the ‘Die Hard’ and ‘Sixth Sense’ star had been diagnosed with aphasia, a medical condition which leads to the loss of ability to understand or express speech.

    “To Bruce’s amazing supporters, as a family we wanted to share that our beloved Bruce has been experiencing some health issues and has recently been diagnosed with aphasia, which is impacting his cognitive abilities,” the statement reads. “As a result of this and with much consideration Bruce is stepping away from the career that has meant so much to him.”

    “This is a really challenging time for our family and we are so appreciative of your continued love, compassion and support,” the statement continues. “We are moving through this as a strong family unit, and wanted to bring his fans in because we know how much he means to you, as you do to him. As Bruce always says, ‘Live it up’ and together we plan to do just that.”

    While the condition can be managed with treatment, it often results in the patient’s inability to stay in their chosen career and for an actor, language skills are a critical part of their job.

    The 67-year-old actor rose to early prominence on TV series ‘Moonlighting,’ before the role as NYPD cop John McClane in 1988’s ‘Die Hard’ rocketed him to true movie star status. He’s since gone on to appear in a wide variety of movies including ‘The Last Boy Scout,’ ‘The Fifth Element’, ‘Armageddon’, ‘The Sixth Sense’, ‘Death Becomes Her’, ‘Pulp Fiction’, and ’Twelve Monkeys’.

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    “Bruce and I have worked on over 20 films together. He is a terrific actor and legendary action star, an incredible father, and a close friend,” producer Randall Emmett told The Hollywood Reporter. “I fully support Bruce and his family during this challenging time and admire him for his courage in battling this incredibly difficult medical condition. Bruce will always be part of our family.” The pair collaborated on such films as ‘Midnight in the Switchgrass’, ‘Survive the Night’, ‘Hard Kill,’ ‘Extraction’, ‘Fortress’ and ‘Out of Death’.

    If Willis’ more recent career – with exceptions for the likes of his reunion with ‘Sixth Sense’ and ‘Unbreakable’ director M. Night Shyamalan for ‘Glass’ – may not have reached the heights of his earlier days, he remains a genuine star who combined an ability to be wise-cracking, tough and charming in one package.

    Peers and fellow filmmakers paid tribute to his career, including Gale Anne Hurd, who posted to Twitter and, perhaps more controversially, director Kevin Smith, who famously fell out with the actor while making ‘Cop Out’ and now expresses regret for his comments.

    Willis still has plenty of life to enjoy, and you must respect him for doing that out of the spotlight.

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  • Every M. Night Shyamalan Twist, Ranked

    Every M. Night Shyamalan Twist, Ranked

  • Bruce Willis’ 27 Best (And Worst) Action Movies, Ranked

    Bruce Willis’ 27 Best (And Worst) Action Movies, Ranked

  • ‘Glass’ Star Sarah Paulson on the Film’s Big Twist

    ‘Glass’ Star Sarah Paulson on the Film’s Big Twist

    Universal/Disney

    Given the film’s boffo box office, chances are that you have already seen “Glass,” M. Night Shyamalan‘s conclusion to the superhero saga that started with “Unbreakable” and continued with “Split” (so, of course, Bruce Willis, James McAvoy and Samuel L. Jackson are back). And, given that this is a Shyamalan film, it ends with a pretty colossal twist.

    We spoke with Sarah Paulson, who costars as the psychiatrist tasked with unraveling the truth behind the supposed heroes, about what she knew about thw twist and what her favorite element of it was. Beware, because, of course, SPOILERS.

    Moviefone: How much did Night tell you about your group, The Clover Folk?

    Paulson: [laughs] The Clover Folk! The secret society? You know, he told me but it was all there on the page. That’s all that was there. The biggest question was which hand was the tattoo going to go on. And I have not seen the movie so I wonder if this is a thing people will notice on repeated viewings, but we did versions where you see the tattoo before we see the tattoo with Bruce at the end of the movie. I don’t know if, when I’m looking at Sam’s X-rays, we did versions where you could see a little bit of it. I don’t know where Night ended up with that in the edit.

    But that was the main discussion – where do we put it, where are we going to see it? Let’s do versions when we see it here and he’ll decide if we ever see it when he’s editing it.

    That’s so interesting. Now I want to go back and look for it.

    I know. I wonder… Because if you’re not really looking for it, you wouldn’t notice.

    You weren’t pulling down your shirt sleeves or anything?

    No, it was very much an issue during costume fittings, to make sure all of my sleeves were, on its own, able to conceal it without much effort and if we wanted to reveal it, we could.

    Did he ever indicate that this was an idea that he’d had from the beginning, with this group that shadows these heroes?

    Well, listen, the man had almost 20 years to think about it. So whatever he decided, he decided long ago, but because he has so much invested in this, because the characters are so beloved to him, he would sometimes be like, “No, I do want to see the tattoo beforehand!” or “No, I don’t want to see the tattoo!” He wanted to be able to have the option in the edit.

    What was your favorite aspect of this element?

    I like playing everything about her. It’s always fun to place a person with a secret. At the same time, if you have a secret, you’ve got to be really good about concealing it. I haven’t seen the movie but I’ve talked to people who have and they’ve said, “You think there’s something mysterious about her but you don’t think like this happening.” You’re never sure if she’s good or bad.

    “Glass” is now playing everywhere.

  • How ‘Glass’ Connects to ‘Unbreakable’ and ‘Split’

    How ‘Glass’ Connects to ‘Unbreakable’ and ‘Split’

    Glass” marks the culmination of a story that began 19 years ago with the release of “Unbreakable,” M. Night Shyamalan’s tribute to superheroes and more broadly, the visual and narrative language of comic books. Though the prospect of completing its mythology once seemed unlikely, the success of 2016’s “Split,” a psychological thriller that featured a few important overlapping details (including a cameo from Bruce Willis as David Dunn) catapulted it back into the public consciousness. After finally arriving in theaters this weekend, Shyamalan’s long-awaited follow-up answers some lingering questions, clarifies important details about these characters, their lives and their connections to one another, and paints a fuller backdrop for this burgeoning world of super-powered individuals. Beware of spoilers if you have NOT seen “Glass” yet, but here are just a few of the motifs, themes and threads that tie these films together:

    Elijah Price

    Before he played “Avengers” assemblyman Nick Fury, Samuel L. Jackson helped find Shyamalan’s motley crew of super-powered individuals as Elijah Price. Elijah’s own origin story is built on twin interlocked pillars of unhappiness and pain — he was born with a disease that makes his bones susceptible to breaks, ostracizing him from other children. But it’s his resulting escape into comic books that drives the discovery, at a terrible cost, of his eventual adversary, and later, the proof that what he has read on the page of thousands of comics is a thinly-veiled version of reality. After the events of “Unbreakable ,” Elijah’s triumphant epiphany is undercut by almost two decades of institutionalization, but an introduction to Kevin Wendell Crumb (James McAvoy) rekindles his determination to show the world that heroes — and villains — do actually exist.

    David Dunn

    Bruce Willis had long since become one of Hollywood’s toughest guys by the time he took the role of David Dunn, a melancholy security guard who learns he has extraordinary abilities. If “Unbreakable” unveils not just his powers but his purpose, “Glass” gives his efforts meaning: after taking on the responsibility of combating evildoers, he faces his greatest opponent in Crumb, whose strength and endurance rival his own, but whose ferocity as The Beast counterbalances his resolve and moral clarity. Price eventually pits David and Kevin against each other in order to push them to show the true extent of their powers — both to themselves, and to the world at large.

    Kevin Wendell Crumb

    Like Jackson, James McAvoy was no stranger to superheroes before taking the role of Kevin Wendell Crumb, a young man who suffers from Dissociative Identity Disorder whose multiple personalities are in a constant battle for control of his body, which they call “the Light.” Shyamalan actually conceived the character at the time that he was writing “Unbreakable” but eventually cut that story down to focus on the balance of good and evil between that film’s two main characters, David and Elijah. In “Split,” many of Crumb’s personalities were showcased, as well as just a hint of his powers as The Beast, a creature with heightened strength, speed and abilities who’s believed to be the next step in man’s evolution. Because those abilities are largely demonstrated in the service of kidnapping young women whose bodies are later eaten, he soon finds himself in conflict with David; at the same time, Elijah provides his dueling personalities with a clear-eyed authoritative presence to drive them forward, leading to the showdown that occurs during the climax of “Glass.”

    Supporting Cast

    Though David and Elijah anchor the superhero dialectic in “Unbreakable,” a handful of supporting characters throughout that and “Split” play important roles in nudging them towards not just self-discovery but their destinies. Mrs. Price (Charlayne Woodard), Elijah’s mother, introduces him to comic books as a child as a way to get him to venture outside into a very frightening and dangerous world, paving the way for his expertise and even obsession with their conventions as an adult. Joseph Dunn (Spencer Treat Clark), David’s son, becomes his closest confidante as he begins to realize what he has been hiding (even from himself), and Joseph both idolizes him and encourages him to share those gifts with the world.

    And then from “Split,” Casey Cooke (Anya Taylor-Joy) is the only young woman to survive kidnapping by Crumb, and later, to be freed by The Beast. She becomes an unlikely ally after the three are detained, providing Crumb — or at least his buried “real” personality — with much of the unconditional love that he was refused that subsequently unleashed his violent alternates. Meanwhile, there’s also Jai (Shyamalan), a young drug dealer David briefly detains in “Unbreakable” who by the time of “Split” and “Glass” has turned his life around, and now himself works in security. Bonus trivia: the same character appeared in the non-“Unbreakable”-connected “The Village!” How’s that for a twist?

    Colors, Images and Sounds

    Shyamalan’s creation of the world of these characters was very detailed and deliberate, and as far back as “Unbreakable” he associated specific colors with each of the characters — in David’s case, the green of his poncho that conceals his identity, and in Elijah’s, various shades of purple (a color that just viscerally stands out on screen but is used particularly often with villains in comic books). He later adds another color to this landscape with Kevin, whose multiple personalities all in different ways seem to gravitate to some shade of yellow.

    Though he uses a different composer for “Unbreakable” than for “Split” and “Glass” (West Dylan Thorsdon), in the final film Shyamalan skillfully integrates cues from the first two to reinforce the continuity of the characters and to underscore thematic ideas like David’s understated pursuit of criminals. Finally, Shyamalan uses two scenes originally deleted from “Unbreakable” as a look inside the minds of David and Elijah at two particularly fraught moments in their journey in “Glass” that amplify the emotional intensity of their continued, individual and collective search for meaning.

    Eastrail 177

    Unofficially, “Unbreakable,” “Split” and “Glass” form what is known as the “Eastrail 177” trilogy, because it’s the train crash from “Unbreakable” that sets these characters on their path: Elijah, hoping to uncover news of a Super, sabotaged the train, causing all of its passengers except for David to die. Though he is ultimately — and horrifyingly — elated to discover what he’s been searching for, Elijah unexpectedly created two super-powered beings that day, because Kevin’s father died in the crash, leaving the then-child to deal with his mother’s own mental illnesses, which eventually caused his own. The Beast’s eventual discovery of this fact in the final scenes of “Glass” brings not just his own or David’s stories full circle, but Elijah’s, as the unhinged mastermind fulfills his destiny and finally exposes the world to superheroes — even as it comes at the ultimate cost.

  • The 9 Best Superhero Movies Not Based on a Comic

    The 9 Best Superhero Movies Not Based on a Comic

  • ‘Glass’ Review: Not Worth the Wait

    ‘Glass’ Review: Not Worth the Wait

    Universal/Disney

    There is a good film to be made about superheroes existing in the “real” world, and the phenomenon, or perhaps disorder, where ordinary people believe they possess extraordinary abilities. “Glass” is not that film, despite how seriously writer-director M. Night Shyamalan takes both of those ideas, and as always, himself. An overlong, underdeveloped mash-up (or more charitably, payoff) of his brilliant “Unbreakable” and the pulpy “Split,” Shyamalan tries to examine, and rekindle, the magic and intrigue of comic books in the pre-Marvel Cinematic Universe era. But he spends so much time discussing, deconstructing and still somehow indulging their now-boilerplate storytelling conventions that the end result is a movie that feels even less tethered to reality than the ones that it so snobbishly looks down upon.

    Bruce Willis plays David Dunn, a Philadelphia security expert-turned-vigilante in search of Kevin Wendell Crumb (James McAvoy), a serial killer suffering from multiple personality disorder. David’s superhuman abilities soon bring the two men together, but before he can fully defeat Crumb’s monstrous alter ego, The Beast, they’re both apprehended by local police and thrown into an institution for the criminally insane. Once there, David is unwittingly reunited with Elijah Price (Samuel L. Jackson), the homicidal comic book aficionado who sparked his heroic self-discovery decades ago, and all three are offered the opportunity to confront what psychologist Dr. Ellie Staple (Sarah Paulson) believes are delusional beliefs in their own preternatural talents.

    Universal/Disney

    David, Kevin and Elijah begin the difficult process of explaining to Staple how they’re capable of accomplishing such extraordinary feats, and they soon find themselves questioning if what they’ve done is all a matter of serendipity and circumstance. But after Elijah becomes convinced that The Beast is not only a bona fide super human, but somehow the key to all three of them unlocking their full potential, he puts into motion a string of events that threatens the safety of thousands of innocent people and once again forces David to step in and try and prevent his plan from becoming a deadly reality.

    After 20 years of mainstream moviemaking and an approach to storytelling that feels defiantly unchanged in the face of numerous failures (both critical and commercial), it’s clear that Shyamalan believes there’s nothing you can show that cannot be over-explained. The technique worked in “Unbreakable” because it was both providing context for Elijah’s processing of the world — that is, via the visual and narrative mythmaking of comic books — and skillfully foreshadowing revelations that it seems only fair to acknowledge were not the “twists” for which the filmmaker became reductively known. But Shyamalan’s instinct to acknowledge tropes as he’s using them hasn’t aged well, and in “Glass,” he actively undermines the dramatic weight of what should be a moment of self-actualization and culmination of purpose for these three characters. I’m not sure I’ve ever seen a film more determined to talk itself out of embracing what it is, and all of the things that make it special.

    But worse than that, the film is just thoughtlessly conceived, poorly paced and badly constructed. Approximately 90 percent of its running time takes place in the institution where Staple has detained her three would-be Supers, including a protracted breakout sequence and an overlong showdown between David and The Beast that never gains momentum or feels remotely exciting. (The fact that both of them are “just” strong means that when they finally face each other, they mostly push the other one around against a van.) And for a movie obsessed with the real-world implications, and consequences, of individuals acting upon the belief that they possess super powers, procedurally almost nothing feels believable, from the supervision and “treatment” they receive at Staple’s facility to the basic reactions and motivations of both our heroes and the authorities trying to come to terms with their behavior.

    Universal/Disney

    Although I’m not convinced he’s actually in all of the scenes in which his character performs feats of heroism (that poncho covers his face pretty well), Willis moderately rouses from his usual paycheck slumber for the director who gave him some of his biggest hits, and breathes some life into David as he patrols the city and dispenses justice. McAvoy’s ability to shuffle between Kevin’s many personalities remains the remarkable feat of acting that it was in “Split,” but Shyamalan offers almost too many opportunities for him to showcase that talent — it becomes less an expression of internal turmoil than an impressive party trick. Jackson, meanwhile, reconnects with the intense, intimidating calm that made Elijah such an unsettling character in “Unbreakable,” and seems to be having the most fun of the three as he returns to this world.

    Paulson is saddled with what I’m sure seemed like a meaty role on the page, but it proves thankless; she literally spends the entire film trying to convince the characters (and the audience) that there’s nothing special or exceptional about anything that they’re doing, or watching. Unfortunately, she succeeds. Shyamalan also intriguingly brings back not only Anya-Taylor Joy’s Casey from “Split,” but Spencer Treat Clark’s Joseph Dunn from “Unbreakable,” but as witnesses, confidantes and eventually participants in this story, they’re never given enough to do, and their reasons for becoming involved end up feeling overstated and yet largely unjustified.

    From “The Sixth Sense” to “The Village” (yeah, I know), Shyamalan enjoyed an uninterrupted string of hits that took conventions audiences didn’t realize had become part of their movie-watching DNA and somehow delivered the exact kinds of thrills that he seemed to be deconstructing. “Unbreakable,” released at a time before comic book adaptations were an integral part of our moviegoing diet (and daresay, the pop culture firmament), was the film of his that seemed most deserving of a sequel, or some sort of continuation. But “Glass” arrives too late for its own good, both in terms of his career evolution (or lack theerof) and the genre he still seems to think is not taken seriously enough.

    Ultimately, not only does Shyamalan seem to have forgotten what made its two predecessors work so well, but he fails to realize that it’s his lack of imagination, not audiences’, that keeps them from believing in superheroes. All of which is why for better or worse, “Glass” delivers a follow-up that effectively delivers everything that we should have expected, but also proves that the ideas that kept us intrigued for the last 19 years have long since been conclusively and satisfyingly explored.

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