Tag: tyler-perry

  • Movie Review: ‘The Six Triple Eight’

    (L to R) Kerry Washington as Captain Charity Adams and Milauna Jackson as Lt. Campbell in 'The Six Triple Eight'. Photo: Laura Radford / Perry Well Films 2 / Courtesy of Netflix.
    (L to R) Kerry Washington as Captain Charity Adams and Milauna Jackson as Lt. Campbell in ‘The Six Triple Eight’. Photo: Laura Radford / Perry Well Films 2 / Courtesy of Netflix.

    Arriving on Netflix on December 20th, ‘The Six Triple Eight’ is the latest film from writer/director Tyler Perry and chronicles an inspiring real-life story of the all-Black section of the Women’s Army Corps, who were charged with an immense task.

    With mountains of undelivered mail stuck in hangers and both troops and their families frustrated by the lack of reliable deliveries, the unit had to figure out some way to get the lines of communication open again.

    Related Article: Kerry Washington and Delroy Lindo Talk ‘UnPrisoned’ and Working Together

    Does ‘The Six Triple Eight’ Deliver?

    Kerry Washington as Major Charity Adams in 'The Six Triple Eight'. Photo: Bob Mahoney/Perry Well Films 2/Courtesy of Netflix.
    Kerry Washington as Major Charity Adams in ‘The Six Triple Eight’. Photo: Bob Mahoney/Perry Well Films 2/Courtesy of Netflix.

    While he’s more known for his Madea work and melodramas, powerhouse director Tyler Perry has dipped his toe in the past before with 2022’s ‘A Jazzman’s Blues,’ though there he was channeling the Black experience into a fictional story.

    For ‘The Six Triple Eight,’ however, he’s diving right into actual history, the pressure of bringing a true –– yet criminally ignored –– story to screens weighing heavy on the filmmaker. There is a reason to feel that: the heroic work of the Six Triple Eight U.S. Army unit is worth celebrating, but Perry does sometimes fall victim to cliché and pat scenes that feel like something out of an After-School Special.

    While the real-life women faced plenty of resistance and no little racism in their mission, Perry choose to hammer the themes home in such repetitive and unsubtle fashion that it’s almost like using a giant bomb dropped from a B-52 when a sniper’s bullet might serve the job better.

    Script and Direction

    Kerry Washington as Major Charity Adams in 'Six Triple Eight'. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.
    Kerry Washington as Major Charity Adams in ‘Six Triple Eight’. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    Perry wrote the screenplay for his latest based on Kevin Hymel’s article “Fighting a Two-Front War” about the real-life Corps members. And with a wealth of material and so many potential stories to choose from, it’s a shame that what ended up on screen is such a relatively lightweight collection of seen-it-before stories.

    While there is certainly something to be said for the young woman grieving a lost love throwing herself into duty, a lot of that has been said before, and better. And while the unit notched a lot of resistance from Generals and other superior officers, the wealth of sheer racist characters on display here starts to feel like overload. The message is stamped into us rather than carefully sketched.

    In directorial terms, this is possibly Perry’s most accomplished film to date, opening with an impressive battle scene but then focusing in on the personal stories of the women involved. It’s not overly fussy visually, letting the characters breath –– at least those that actually warrant a story, which is only one or two.

    Cast and Performances

    The focus here is certainly on Ebony Obsidian, who is our main character and point of connection for the story. But as the narrative moves on, it’s Kerry Washington’s Major Charity Adams who begins to dominate.

    Ebony Obsidian as Lena Derriecott King

    (L to R) Gregg Sulkin as Abram David and Ebony Obsidian as Lena Derriecott King in 'The Six Triple Eight'. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.
    (L to R) Gregg Sulkin as Abram David and Ebony Obsidian as Lena Derriecott King in ‘The Six Triple Eight’. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    Lena is the young woman mentioned above whose story starts with burgeoning love, only for the romance to be squashed before it can get going when her beau dies in combat. In the early going, Obsidian has to make do with Perry’s fairly obvious lines about love and racial barriers, and some of that continues once she signs up for the WAC, where she’s soon mocked by outsiders and the press for her seeming lack of spine.

    Yet once the character digs in and proves herself several times over, she comes alive a little more. Obsidian is able to bring all of her various sides to life with conviction, though she’s somewhat limited by what she’s given.

    Kerry Washington as Major Charity Adams

    Kerry Washington in 'The Six Triple Eight'. Photo: Netflix.
    Kerry Washington in ‘The Six Triple Eight’. Photo: Netflix.

    Washington, who is also an executive producer on the movie, is a commanding –– pun intended –– presence in the film, playing the woman whose duty it is the to oversee the training of the Six Triple Eight unit and then their mission when they’re finally dispatched to Europe to tackle the mail issue. This is clearly a role that Washington is passionate about, and that comes through the character and off the screen.

    Dean Norris as General Halt

    Breaking Bad’ veteran is here playing less of a character and more of a group of racist stereotypes rolled into one person. He’s a swaggering good ol’ boy who tries to bully the Six Triple Eight out of their mission and puts barriers in at every turn. Norris does what he can with the role, but it never feels like an actual human.

    (L to R) Susan Sarandon as Eleanor Roosevelt and Sam Waterson as President Roosevelt in 'The Six Triple Eight'. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.
    (L to R) Susan Sarandon as Eleanor Roosevelt and Sam Waterson as President Roosevelt in ‘The Six Triple Eight’. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    Sam Waterston as President Roosevelt and Susan Sarandon as Eleanor Roosevelt

    Waterson has barely one scene as Roosevelt, but does impress in the role, while Sarandon, acting through a mouthful of teeth, puts her mark on the compassionate, authoritative Eleanor.

    Supporting Cast

    Oprah Winfrey pops up almost as briefly as Waterson to play the influential activist Mary McLeod Bethune, though she’s mostly used for exposition. Around Obsidian, the likes of Sarah Jeffrey, Kylie Jefferson, Pepi Sonuga and particularly Shanice Shantay make for a fun and supportive friend group.

    Final Thoughts

    (L to R) Milauna Jackson as Lt. Campbell, Kerry Washington as Major Charity Adams and Ebony Obsidian as Lena Derriecott King in 'The Six Triple Eight'. Cr. Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.
    (L to R) Milauna Jackson as Lt. Campbell, Kerry Washington as Major Charity Adams and Ebony Obsidian as Lena Derriecott King in ‘The Six Triple Eight’. Cr. Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    Perry, looking to stretch himself here, finds that his ambition sometimes exceeds his grasp, but it’s a decent enough take on the tale. Still, a historical event as important as this (especially one that has been so underreported) still might have benefitted from other eyes and hands on the script.

    ‘The Six Triple Eight’ receives 6 out of 10 stars.

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    What’s the story of ‘The Six Triple Eight?

    The movie is inspired by the first and only Black Women’s Army Corps unit of color to serve overseas in World War II. Despite facing racism and sexism –– and grueling working conditions – they were committed to serving their country with honor and distinction. Given an extraordinary mission and united in their determination, these unsung heroes delivered hope and shattered barriers.

    Who is in the cast of  ‘The Six Triple Eight’?

    • Kerry Washington as Major Charity Adams
    • Ebony Obsidian as Lena Derriecott King
    • Dean Norris as General Halt
    • Sam Waterston as Franklin Roosevelt
    • Oprah Winfrey as Mary McLeod Bethune
    • Susan Sarandon as Eleanor Roosevelt
    • Milauna Jackson as Captain Campbell
    • Kylie Jefferson as Bernice Baker
    • Shanice Shantay as Johnnie Mae
    • Sarah Jeffery as Dolores Washington
    • Pepi Sonuga as Elaine White
    (L to R) Milauna Jackson as Lt. Campbell and Kerry Washington as Major Charity Adams in 'The Six Triple Eight'. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.
    (L to R) Milauna Jackson as Lt. Campbell and Kerry Washington as Major Charity Adams in ‘The Six Triple Eight’. Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    List of Movies Directed by Tyler Perry:

    Buy Tickets: ‘The Six Triple Eight’ Movie Showtimes

    Buy Tyler Perry Movies on Amazon

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  • TV Review: ‘Cross’

    Aldis Hodge as Alex Cross in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    Aldis Hodge as Alex Cross in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    Launching on Prime Video on Thursday 14th November with all eight episodes, ‘Cross’ is the newest cop thriller based on the work of prolific author James Patterson.

    While previous versions have been on the big screen –– Morgan Freeman famously played the character in a couple of movies and Tyler Perry was Cross in the 2012 film named for the character –– this incarnation features Aldis Hodge as the main character.

    But is TV, famously home to the police procedural genre, the right place for the character? The answer to that is complicated.

    Related Article: Aldis Hodge Talks Writing and Starring in ‘Parallel’ and His DCU Future

    Does ‘Cross’ make its case?

    Aldis Hodge as Alex Cross in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    Aldis Hodge as Alex Cross in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    Perhaps the biggest issue that Patterson fans may have with ‘Cross’ is that it takes some big liberties with the character. Show creator Ben Watkins skirts around that by having this take on the conflicted cop be “inspired” by the books, which means he’s not beholden to any one plotline.

    And it’s certainly true that a lot of what you might expect from Cross –– his intelligence, his tragic past, his determination –– is present and correct here. Hodge is also an asset, playing the character with grit, steel and charm. The biggest problem is that a lot of ‘Cross’ is essentially the usual serial killer plot with a few extra layers, and it doesn’t always work.

    Script and Direction

    Aldis Hodge as Alex Cross in 'Cross'. Credit: Quantrell Colbert/Prime Video. Copyright: Amazon MGM Studios.
    Aldis Hodge as Alex Cross in ‘Cross’. Credit: Quantrell Colbert/Prime Video. Copyright: Amazon MGM Studios.

    With Watkins leading the writers’ room, the ‘Cross’ story will probably be familiar to anyone who has watched a serial killer thriller, and that’s partly by design. After all, the Alex Cross books are very much in that mold. Yet while Watkins has got a better handle on what makes Cross tick as an African–American man than Patterson might, what that inspires feels like fairly standard stuff.

    Tensions a running high on the initial case Cross is working, as a local leader and activist is found dead, and the Washington, D.C. community is up in arms. But it soon transpires that the dead man is just one of the targets of a devious serial killer who has a twisted extra reason for getting creative with his victims.

    While Watkins has a way with Cross’ sweary attitude, the feeling is less of Alex Cross than just a generic homicide on cop on the trail of a killer.

    Stacey Muhammad, Craig Siebels and Nzingha Stewart, share directing duties on the series, and while the show is generally well shot, there’s not much that makes it stand out from a hundred other offerings in the genre.

    Performances

    A show like this lives and dies on the casting of its central figure, and fortunately for ‘Cross,’ it has a strong leading man in Aldis Hodge. In fact, he stands out to such a degree that it’s hard for many others to make an impact.

    Aldis Hodge as Alex Cross

    Aldis Hodge as Alex Cross in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    Aldis Hodge as Alex Cross in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    We’re introduced to Cross (well, after a quick flashback to see how his wife died) in the midst of an interrogation where his smarts and charisma are allowed full flow. Hodge nails the scene and the rest of the show, bringing the character life in a way that’s different from how he’s been seen on screen before.

    It might not quite be the Cross of the books, but he’s the one thing that actually makes the show stand out more from the pack. There’s a real feeling of energy and intensity from the actor, and he carries the baggage of Cross effectively. It’s not his fault that his character’s background is so straight-from-the-shelf it nears parody at times.

    Ryan Eggold as Ed Ramsey

    Ryan Eggold as Ed Ramsey in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    Ryan Eggold as Ed Ramsey in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    Eggold does his best as Ramsey, the twisted mind who has been kidnapping people and… well, the rest would be a spoiler. But while he’s suitably creepy and weird, undercutting his handsome looks with twitches and glassy-eyed moments, the role is still very much seen-it-before serial killer stuff: lots of speeches about his own genius and ideas and preening when he thinks he’s gotten away with it all.

    Isaiah Mustafa as John Sampson

    Isaiah Mustafa as John Sampson in 'Cross'. Credit: Quantrell Colbert/Prime Video. Copyright: Amazon MGM Studios.
    Isaiah Mustafa as John Sampson in ‘Cross’. Credit: Quantrell Colbert/Prime Video. Copyright: Amazon MGM Studios.

    Cross’s best friend and fellow detective is a key part of this story, and Mustafa plays well against Hodge, though the role doesn’t often give him much of a chance to shine, at least until tension creeps in between the pair.

    Supporting cast

    Cross (the man) comes complete with two adorable moppets who are also mourning their mother’s death and a kindly, but no-nonsense mother-in-law. Dotted around are the usual gathering of cop colleagues and criminals.

    Final Thoughts

    (L to R) Isaiah Mustafa as John Sampson, Aldis Hodge as Alex Cross in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    (L to R) Isaiah Mustafa as John Sampson, Aldis Hodge as Alex Cross in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    There’s some entertainment value in ‘Cross,’ but at times it is painfully generic. There’s only so much you can do to jazz up an Alex Cross tale, and honestly, while this has an edgier feel than the Morgan Freeman movies, it can’t overcome the strictures of its own genre.

    Yet if you enjoy the show, there’s good news to report –– Prime Video has already announced that a second season has already been commissioned.

    ‘Cross’ receives 6 out of 10 stars.

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    What’s the plot of ‘Cross’?

    ‘Cross’ follows the investigations of brilliant forensic psychologist and DC Metro Detective Alex Cross (Aldis Hodge). Together with his best friend and partner Detective John Sampson (Isiah Mustafa), Cross delves into the psyches of insidious murderers while fighting to protect his family from the dangers of the criminal world.

    Cross and Sampson are backed by a team of Washington DC detectives, along with FBI agent Kayla Craig (Alona Tal). Together, they help Cross uncover the truth behind serial killers, high–profile kidnappings, and even a deadly personal stalker.

    Yet all the backup in the world can’t save Cross from himself. Cross is driven by a deep desire to do right –– especially by victims who don’t have the power to defend themselves. But he struggles with the psychological fallout of his work, desperate to insulate his family and everyone he loves.

    Who is in the cast of ‘Cross’?

    (L to R) Aldis Hodge as Alex Cross, Isaiah Mustafa as John Sampson in 'Cross'. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.
    (L to R) Aldis Hodge as Alex Cross, Isaiah Mustafa as John Sampson in ‘Cross’. Credit: Keri Anderson/Prime Video. Copyright: Amazon MGM Studios.

    Movies in the ‘Alex Cross’ Franchise:

    Buy ‘Alex Cross’ Movies On Amazon

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  • ‘Mea Culpa’ Interview: Writer and Director Tyler Perry

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    Premiering on Netflix February 23rd is the new thriller ‘Mea Culpa’ from writer, director and producer Tyler Perry (‘Madea’s Family Reunion’), which stars Kelly Rowland (‘Freddy vs. Jason‘) and Trevante Rhodes (‘The Predator’).

    Director Tyler Perry talks 'Mea Culpa.'
    Director Tyler Perry talks ‘Mea Culpa.’

    Moviefone recently had the pleasure of speaking with writer, director and producer Tyler Perry about his work on ‘’Mea Culpa,’ developing the screenplay, the themes he wanted to explore, Mea’s marriage, her relationship with Zyair, casting Kelly Rowland and Trevante Rhodes, shooting the painting sequence, and shooting the film at his studios in Atlanta.

    You can read the full interview below or click on the video player above to watch our interviews with Perry, as well as Kelly Rowland and Trevante Rhodes.

    Kelly Rowland and Writer/Director/Producer Tyler Perry on set of 'Mea Culpa.'
    (L to R) Kelly Rowland and Writer/Director/Producer Tyler Perry on set of ‘Mea Culpa.’ Photo: George Burns / Perry Well Films 2 / Courtesy of Netflix.

    Moviefone: To begin with, can you talk about developing the screenplay and the themes you wanted to explore with this film as a director?

    Tyler Perry: For me, I’ve been a fan of these kind of thrillers since the ’80s, when I first started watching them with my mom. But as far as the screenwriting goes, my process is a little different than a lot. I don’t block it out. I don’t do different charts, or things like that. All I do is start with the characters and see where they lead me to, and that’s where this all came up. These people live in my head rent-free, so I must get them out on paper so they can go away.

    Kelly Rowland as Mea in 'Mea Culpa.'
    Kelly Rowland as Mea in ‘Mea Culpa.’ Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    MF: Can you talk about Mea’s marriage and relationship with her in-laws, how that affects her emotionally and eventually leads her to Zyair?

    TP: I think like a lot of people, she was unhappy on so many levels in her personal life, even though it looks so great on the outside. Unhappy with holding the secrets, unhappy with holding all the support and holding it all up. I see all that can be extremely difficult for this character, and it leads her to a level of vulnerability that allows this moment to happen, that probably wouldn’t have happened, had everything been good in her life, but I think it caught her at a very vulnerable time.

    Trevante Rhodes as Zyair in 'Mea Culpa.'
    Trevante Rhodes as Zyair in ‘Mea Culpa.’ Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    MF: Can you talk about Zyair’s motivations and his relentless pursuit of Mea?

    TP: Not only that, but I also think he’s relentless in his pursuit of every woman he likes. He’s just somebody who is very much into his art and his creation, and sex, and the wildness of it all. So, he’s a very interesting kind of character that was a lot of fun to write, and a lot of fun to direct Trevante in that role.

    Related Article: Tyler Perry Brings New Dramedy ‘Sistas’ to BET

    Trevante Rhodes as Zyair and Kelly Rowland as Mea in 'Mea Culpa.'
    (L to R) Trevante Rhodes as Zyair and Kelly Rowland as Mea in ‘Mea Culpa.’ Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    MF: Can you talk about casting Kelly Rowland and Trevante Rhodes, and specifically why they were right for these characters?

    TP: I started with Kelly, because it’s all about Mea, and as she and I were talking, her being a producer, we started talking about who would be best to play the role, and she was really excited about Trevante. I had worked with him many years ago when I gave him his first shot on one of my television shows, and this is before ‘Moonlight,’ before any of those things. I thought, “This is great to have this reunion for us.” He read the script, and he’s like, “Oh yeah, I’ll come do this for you.” So that’s how it all started, man. I’m just really excited for them both.

    Trevante Rhodes as Zyair and Kelly Rowland as Mea in 'Mea Culpa.'
    (L to R) Trevante Rhodes as Zyair and Kelly Rowland as Mea in ‘Mea Culpa.’ Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    MF: From a technical standpoint, can you talk about the challenges of shooting the erotic painting sequence?

    TP: think that the challenges were, the paint was cold, and when they were putting it on, it was colder. I don’t know why it was so cold, but Trevante was like, “Hey man, this paint is cold.” But we managed to get the scenes. As far as the other part of it, there’s an intimacy coordinator who works directly with every actor that I work with about what they’re comfortable with, and what they’re not comfortable with, when we get into those scenes. So, I want to make sure they’re comfortable first, and then we can literally paint the scene for the audience to see.

    Kelly Rowland and Writer/Director/Producer Tyler Perry on set of 'Mea Culpa.'
    (L to R) Kelly Rowland and Writer/Director/Producer Tyler Perry on set of ‘Mea Culpa.’ Photo: George Burns / Perry Well Films 2 / Courtesy of Netflix.

    MF: Finally, I understand that you shot the film in 20 days. Can you talk about how you were able to do that with your production crew at Tyler Perry Studios in Atlanta?

    TP: Well, all the interiors on the show were on the lot, so I could move from one building to the next building, to the next building. That’s cutting down on so much time and moving to different locations, it cuts down on so much. My team is phenomenal, so we know how to move and make things work and go as quick as the actors can handle. I just don’t understand why there’s so much time wasted in this business. When I first got in, I would see millions of dollars wasted. I’ve seen hours and hours wasted on bad decisions. So, I like to be efficient, make the right decisions, get in and get out, and get the show done.

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    What is the Plot of ‘Mea Culpa’?

    When criminal defense attorney Mea Harper (Kelly Rowland) takes on the murder case of artist Zyair Malloy (Trevante Rhodes), the truth isn’t as obvious as it seems. While she tries to determine the innocence or guilt of her cagy-yet-seductive client, it is uncovered that everyone is guilty of something.

    Who is in the Cast of ‘Mea Culpa’?

    Kelly Rowland as Mea and Trevante Rhodes as Zyair in 'Mea Culpa.'
    (L to R) Kelly Rowland as Mea and Trevante Rhodes as Zyair in ‘Mea Culpa.’ Photo: Bob Mahoney / Perry Well Films 2 / Courtesy of Netflix.

    Other Movies Directed by Tyler Perry:

    Buy Tyler Perry Movies on Amazon

     

  • Hollywood A-List Actors Make Offer To Help End Actors Strike

    (Far Left) George Clooney in Universal Pictures' 'Ticket to Paradise.' (Center Left) Emma Stone in 'Gangster Squad.' Photo Courtesy of Warner Bros. (Center Right) Ben Affleck as Phil Knight in 'Air.' Photo: Courtesy of Amazon Studios. © Amazon Content Services LLC. (Far Right) Scarlett Johansson in Marvel Studios' 'Black Widow.' Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.
    (Far Left) George Clooney in Universal Pictures’ ‘Ticket to Paradise.’ (Center Left) Emma Stone in ‘Gangster Squad.’ Photo Courtesy of Warner Bros. (Center Right) Ben Affleck as Phil Knight in ‘Air.’ Photo: Courtesy of Amazon Studios. © Amazon Content Services LLC. (Far Right) Scarlett Johansson in Marvel Studios’ ‘Black Widow.’ Photo courtesy of Marvel Studios. ©Marvel Studios 2021. All Rights Reserved.

    Preview

    • Hollywood top earners meet with SAG-AFTRA leaders, offering to remove the cap on membership dues
    • The actors are asking for better work conditions and pay, including residuals from streaming services and protection from AI
    • The AMPTP and SAG walked away from the table on October 11, unable to come to an agreement on a deal

    The biggest stars in Hollywood may have a solution to help end the actors’ strike, offering to remove the $1 million cap on membership dues, as well as a “bottom-up” residual structure to help actors lower on the call sheet to be paid first.

    George Clooney, Scarlett Johansson, Tyler Perry, And More Spoke With SAG-AFTRA Leaders

    George Clooney and Tiffany Boone on the set of Netflix's 'The Midnight Sky.'
    George Clooney and Tiffany Boone on the set of Netflix’s ‘The Midnight Sky.’

    Deadline has learned exclusively that some of the top-paid actors in Hollywood met with SAG-AFTRA leaders on Tuesday to find a way to end the actors strike. George Clooney, who spoke with Deadline, confirms the meeting:

    ‘A lot of the top earners want to be part of the solution,” the two-time Oscar winner told Deadline. “We’ve offered to remove the cap on dues, which would bring over $50 million to the union annually. Well over $150 million over the next three years. We think it’s fair for us to pay more into the union. We also are suggesting a bottom-up residual structure — meaning the top of the call sheet would be the last to collect residuals, not the first. These negotiations will be ongoing, but we wanted to show that we’re all in this together and find ways to help close the gap on actors getting paid.”

    Alongside Clooney, stars such as Tyler Perry, Scarlett Johansson, Ben Affleck, Ryan Reynolds, Meryl Streep, Reese Witherspoon, Jennifer Aniston, Emma Stone, Bradley Cooper, Laura Dern, and Kerry Washington were a part of Tuesday’s Zoom meeting (via THR).

    SAG-AFTRA leaders have brought the offer to the negotiating committee.

    Related Article: Talks Between Striking Actors and the Major Studios Have Broken Down After Another Day of Negotiation

    The SAG-AFTRA Strike Has Been Going For Over 98 Days

    SAG-AFTRA members Nia Vardalos and Octavia Spencer walk the line at Disney Studios in Burbank, CA on 9/20.
    SAG-AFTRA members Nia Vardalos and Octavia Spencer walk the line at Disney Studios in Burbank, CA on 9/20. Photo courtesy of SAG.

    The SAG-AFTRA strike began on July 14, 2023, and has been ongoing for over 98 days. The actors are seeking a new deal for better work conditions and wages as well as residuals, especially since streaming has changed the landscape of entertainment. They also seek protection from the use of AI, something that can replicate an actor’s likeness and performance.

    The strike has caused a significant pause in the entertainment industry, along with the WGA strike, which began on May 2, 2023. Recently, the WGA has reached an agreement with the AMPTP after a grueling 148 days. Due to the SAG strike, the actors are prohibited from doing promotion or publicity work for any struck projects, meaning they cannot appear on red carpets for premieres or take part in interviews. All production is halted, with the exception of a production where an interim agreement has been approved by SAG-AFTRA.

    The negotiations between SAG-AFTRA and AMPTP paused on October 11, without reaching a deal.

    SAG-AFTRA on strike.
    SAG-AFTRA on strike. Photo courtesy of SAG-AFTRA.

    Movies Affected by the SAG-AFTRA Strike:

    Buy ‘Deadpool’ Movies On Amazon

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  • Kerry Washington and Oprah Winfrey Starring in ‘Six Triple Eight’

    Kerry Washington
    Kerry Washington on ABC’s ‘Scandal.’ Photo: ABC/DANNY FELD

    Kerry Washington and Oprah Winfrey are headed off to war.

    No, they haven’t somehow signed up for the military, they’ll instead lead the cast of Tyler Perry’s new film for Netflix, ‘Six Triple Eight’.

    In case that title has you furrowing your brow, here’s some background details: ‘Six Triple Eight’ tells the true story of the 855 women who joined the war effort with little knowledge of their Herculean task at hand, which was to sort through and fix the three-year backlog of undelivered mail. Facing discrimination, unfamiliar land and a war-torn country, they persevered and succeeded—in record time—in sorting over 17 million pieces of mail. Their efforts allowed American soldiers to reconnect with their families and loved ones back home. Per a press release from Netflix when the film was originally announced last month, “The motto that kept them going each day was one they created themselves: ‘No Mail, Low Morale.’ The women of the 6888 weren’t just delivering mail, they were delivering hope.”

    Drawing from an article written by Kevin M. Hymel and published in WWII History Magazine about the 6888th Postal Directory Battalion, Perry sparked to the story and wrote the script for the new movie, his fourth for Netflix.

    Oprah Winfrey from OWN's 'Super Soul Sunday.'
    Oprah Winfrey from OWN’s ‘Super Soul Sunday.’

    The real-life heroes have largely been written out of, or ignored by, history books, but their recognition took a step forward when President Joe Biden signed the bill for the women to receive the Congressional Gold Medal, Congress’ highest honor last March.

    Perry has recruited Washington––who will also be an executive producer on the movie––and Winfrey to star. But they’re just the tip of the ensemble for this one, which also includes Ebony Obsidian, Milauna Jackson, Kylie Jefferson, Shanice Shantay, Sarah Jeffery, Pepi Sonuga, Jay Reeves, Jeanté Godlock, Moriah Brown, Baadja-Lyne Odums, Gregg Sulkin, Dean Norris, Sam Waterston and Susan Sarandon.

    Having juggled a few ideas in the wake of working on his most recent movie, ‘A Jazzman’s Blues’ (also for Netflix), Perry decided to push ahead on his World War II project, moving quickly to lock in the cast he needed.

    The director started the cameras rolling on this one this week, so the battalion will finally see their story told on screen for the first time. He had considered turning the idea into a TV series (with Krystal M. Harris providing the script), but the movie version has leapfrogged past that.

    Washington, probably still best known for TV series ‘Scandal’, was last seen on screen in ‘The School for Good and Evil’. Winfrey, who built a huge media career in addition to winning awards as an actor, is among the producers of an upcoming film adaptation of ‘The Color Purple’ musical, itself based on the 1985 movie that launched Winfrey’s movie career with an Oscar nominated role.

    Tyler Perry at the BET Awards.
    Tyler Perry at the BET Awards.
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  • Movie Review: ‘Don’t Look Up’

    Cate Blanchett, Tyler Perry, Leonardo DiCaprio, and Jennifer Lawrence in 'Don't Look Up'
    Cate Blanchett, Tyler Perry, Leonardo DiCaprio, and Jennifer Lawrence in ‘Don’t Look Up’

    Currently in theaters before streaming on Netflix on December 24th is the new comedy from director Adam McKay (‘The Big Short,’ ‘Vice’) called ‘Don’t Look Up.’ The film is a political satire that follows two scientists as they desperately try to convince the media, the President, and a politically divided United States that an asteroid scheduled to collide with Earth in six-months will destroy all life on the planet.

    The new movie features a very impressive cast that includes Oscar winners Leonardo DiCaprio (‘The Revenant’), Jennifer Lawrence (‘Silver Linings Playbook’), Mark Rylance (‘Bridge of Spies’), Cate Blanchett (‘Blue Jasmine’), and Meryl Streep (‘The Iron Lady’), as well as Jonah Hill (‘Moneyball’), Tyler Perry (‘Gone Girl’), Timothée Chalamet (‘Dune’), Ron Perlman (‘Drive’), and pop singer Ariana Grande. The result is a clever comedic satire that has something important to say about the world we live in and presents it in an entertaining way with fantastic over-the-top performances from the entire cast.

    The film begins when astronomers Kate Dibiasky (Lawrence) and Dr. Randall Mindy (DiCaprio) discover an asteroid larger than the one that wiped out the dinosaurs will crash into Earth, destroying all life in approximately six months. They immediately notify NASA and are sent to Washington to debrief President Orlean (Streep) and her son and Chief of Staff, Jason Orlean (Jonah Hill). However, preoccupied with getting her Supreme Court nominee passed by the Senate and a personal scandal of her own, President Orlean dismisses the scientists and declares that they will “sit on this,’’ and not report it to the media.

    Frightened for the future of mankind and not trusting that the President will do the right thing, Mindy and Dibiasky contact a newspaper and agree to go on a popular political morning show hosted by Brie Evantee (Blanchett) and Jack Bremmer (Perry). But when the talk show hosts don’t take the scientists seriously, Kate loses her composer and blurts out on TV that “everyone is going to die.” In the aftermath, Kate becomes a national laughingstock and Dr. Mindy becomes a hero for being the “handsome scientist.” He eventually gets caught-up in his own celebrity and leaves his wife and family for a relationship with Brie. But, when the President’s approval ratings begin to go down, she starts to take the crisis seriously, realizing that saving the planet is the only way she will be reelected.

    Working with the scientists, the President enacts a plan to send Colonel Ben Drask (Perlman) into space to blow up the asteroid. However, just as the plan is about to work, tech billionaire Peter Isherwell (Rylance) contacts the President asking her to abort the mission, and she agrees, much to the dismay of Randall and Kate. Isherwell has discovered that the precious minerals required to make cell phones and computers will soon be depleted on Earth, and that the asteroid possesses an endless supply of the needed materials, which will make them billions of dollars in the process. Their plan is to allow the asteroid to get into our orbit, then send tiny drones to land on it and begin drilling so that pieces fall to Earth but are small enough that it does not destroy it. This news divides the country, with those against it trending on Twitter with #JustLookUp, and its supporters chanting at rallies, “Don’t Look Up.” As the world debates and waits to see if Isherwell and the President’s plan will work, Kate and Randall try to pick up the pieces of their own personal lives, which have been devastated by their new-found celebrity.

    Writer and director Adam McKay, who began his career helming Will Ferrell comedies like ‘Anchorman’ and ‘Talladega Nights,’ made a stark turn to political satire with 2015’s brilliant ‘The Big Short,’ which earned him an Academy Award for Best Adapted Screenplay. He followed it up with the 2018 biopic ‘Vice,’ which also earned him Oscar nominations for Best Director and Best Adapted Screenplay. ‘Don’t Look Up’ is not quite as good as ‘The Big Short,’ which in my opinion is a recent classic. But it is a much stronger film than ‘Vice,’ which was a slow movie that was really only carried by Christian Bale’s commanding performance as former Vice President Dick Cheney. Basically, using the plot of ‘Armageddon’ as a mirror to the pandemic and how our divided country became more divided because of a worldwide health crisis, was a stroke of brilliance and creates the poignant comedy of the film.

    McKay’s script also spoofs several real-life people, as Streep and Hill are clearly playing Donald Trump and Jared Kushner, respectively, Cate Blanchett is a version of cable news hosts Megan Kelly and Mika Brzezinski, and DiCaprio’s Dr. Mindy is a substitute for Anthony Fauci. But while the world of ‘Don’t Look Up’ clearly mirrors our own, McKay makes it clear that this is a fictional universe as comedian Sarah Silverman and journalist Ashleigh Banfield play characters similar to whom they really are, a podcast host and a reporter, respectively, but are given fictional names to demonstrate that this is not happening in “our” world yet, but it certainly could.

    While I loved almost all of the performances, let me start with the one I liked the least, and that was Mark Rylance. The Oscar winner is playing Peter Isherwell as a Steve Jobs/Jeff Bezos/Elon Musk type of character, and he does it quite well, except he’s basically playing the same role he did in ‘Ready Player One.’ Since the characters are so similar, I would have appreciated another casting for Isherwell, or at the very least having Rylance portray the character in a different way.

    Jennifer Lawrence and Leonardo DiCaprio give very strong comedic performances and have a nice chemistry together in the film. They both balance the comedy and drama well, but it’s DiCaprio who is surprisingly hilarious as a decent family man who gets wrapped up in his own celebrity. Lawrence’s character is a little one-note for the first half of the film but reaches a new level when paired with Timothée Chalamet in the third act. Rob Morgan (Mudbound) is also worth mentioning and is very good as a scientist who helps Randall and Kate.

    Tyler Perry and Cate Blanchett steal every scene they are in as a mock-version of MSNBC’s ‘Morning Joe,’ but it’s Blanchett who is truly wonderful as a news anchor more obsessed with power and celebrity than the truth. She is the character that tries to corrupt Dr. Mindy and challenges his values, and the actress is great opposite DiCaprio. I think Blanchett’s performance is so good that she would definitely be nominated for a Best Supporting Actress Oscar if it wasn’t for one thing … and that one thing is Meryl Streep!

    Meryl Streep’s brilliant and commanding performance as essentially a female version of Donald Trump is all anyone is going to talk about after seeing this film and unfortunately, it will take the oxygen out of any conversation that might have taken place about nominating Blanchett. In some ways, correctly so, as Streep is certainly the comedic centerpiece of this film and gives a completely believable over-the-top performance. Streep will probably get a Best Supporting Actress nomination for her role, as she usually gets nominated for just about every film she makes. But this time it will be well deserved as the movie only works if you buy into her ridiculous character, which thanks to her performance, you do.

    I also have to mention Jonah Hill, who as the President’s son and Chief of Staff, gives one of the most sarcastic, funny yet mean-spirited performances of his career. The actor creates a pathetic and outrageously obnoxious character that you absolutely hate but still look forward to seeing in every scene he’s in because you know he’ll have the funniest lines. In the end, Adam McKay has delivered another funny, smart, and poignant political satire, the kind of movie that is not made much anymore, that features strong performances and an important story that reflects our own society.

    ‘Don’t Look Up’ receives 4 out of 5 stars.

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  • Tyler Perry Brings New Dramedy ‘Sistas’ to BET

    Tyler Perry Brings New Dramedy ‘Sistas’ to BET

    BET

    Tyler Perry is introducing some new “Sistas” to BET.

    The producer/writer/director/actor has announced his second series for the cable network, a dramedy titled “Sistas.”

    The show revolves around a group of single black women from different walks of life who bond over their one common thread: why they’re single.

    Viewers will watch the women — played by Kj Smith, Ebony Obsidian, Mignon Von and Novi Brown— navigate their complicated love lives, careers and friendships through the ups and downs of living in a modern world of social media and unrealistic relationship goals.

    Perry signed an overall deal with Viacom in 2017, in which he committed to producing two dramas, two comedies, and a live holiday-themed special to air on BET between October 2019 and September 2020. Perry’s first series under that deal is the White House soap “The Oval.”

    Production on “Sistas” is already underway in Atlanta and the series is slated to premiere this fall.

     

  • Nicholas Hoult, Tyler Perry Join Angelina Jolie Thriller ‘Those Who Wish Me Dead’

    Nicholas Hoult, Tyler Perry Join Angelina Jolie Thriller ‘Those Who Wish Me Dead’

    20th Century Fox

    The upcoming Angelina Jolie thriller “Those Who Wish Me Dead” is shoring up its cast, with two actors joining the flick, and several others reportedly circling the project.

    Both Nicholas Hoult and Tyler Perry will be co-starring in the film, which revolves around a 14-year-old boy (played by Finn Little) who witnesses a brutal murder, and is sent into hiding in the wilderness. He enters a program that teaches survival skills, and meets a a woman who occupies a fire tower (played by Jolie), all while being pursued by the killers.

    Variety claimed the exclusive on the Hoult casting news, though the trade didn’t provide any details about his character. Collider, meanwhile, reports that Hoult will be playing one of the killers searching for the boy.

    Collider was first to report the Perry casting scoop, noting that his part is undisclosed for now, but is a supporting one. The site says that Perry was apparently a big fan of writer-director Taylor Sheridan‘s directorial debut, “Wind River,” and the pair have been hoping to collaborate ever since.

    Other actors who may be in the mix for key roles, according to Collider, are Jon Bernthal (playing Jolie’s character’s ex), Jake Weber (playing Little’s character’s father), and Aiden Gillen (playing another one of the murderers, and Hoult’s character’s brother). None of those castings have been confirmed yet.

    [via: Variety, Collider]

  • 2019 Oscars Reveal More Presenters, Including ‘Black Panther’ Stars

    2019 Oscars Reveal More Presenters, Including ‘Black Panther’ Stars

    Marvel Studios

    The Academy of Motion Picture Arts and Sciences is desperately trying to win back some public goodwill, after a disastrous few weeks of poor decision-making surrounding the Oscars telecast. And one way it’s hoping to mend some fences is by inviting a bunch of awesome people to serve as presenters at the ceremony.

    This week, the Academy revealed another round of stars who will hand out awards at the Oscars, which will air without a host for the first time in 30 years. It remains to be seen how that choice will affect the broadcast, but at least the banter between presenters should be pretty solid, if this lineup is any indication.

    The latest batch of presenters is:

    Elsie Fisher, Danai Gurira, Brian Tyree Henry, Michael B. Jordan, Michael Keaton, Helen Mirren, John Mulaney, Tyler Perry, Pharrell Williams, Krysten Ritter, Paul Rudd, and Michelle Yeoh.

    They join the previously announced group from round one:

    Awkwafina, Daniel Craig, Chris Evans, Tina Fey, Whoopi Goldberg, Brie Larson, Jennifer Lopez, Amy Poehler, Maya Rudolph, Amandla Stenberg, Charlize Theron, Tessa Thompson, and Constance Wu.

    The group from round two:

    Javier Bardem, Angela Bassett, Chadwick Boseman, Emilia Clarke, Laura Dern, Samuel L. Jackson, Stephan James, Keegan-Michael Key, KiKi Layne, James McAvoy, Melissa McCarthy, Jason Momoa and Sarah Paulson.

    And the previously snubbed — but thankfully finally invited — acting winners from last year:

    Allison JanneyFrances McDormand, Gary Oldmanand Sam Rockwell.

    The 91st Annual Academy Awards will take place on Sunday, February 24. The show airs live on ABC.

    [via: Oscars.org]

  • ‘A Madea Family Funeral’ Trailer Brings Back Tyler Perry’s Character One Last Time

    ‘A Madea Family Funeral’ Trailer Brings Back Tyler Perry’s Character One Last Time

    Madea
    Lionsgate

    Madea is back — but sadly, she’s saying goodbye.

    Tyler Perry recently revealed he is retiring his famous elderly character, after one final movie, “A Madea Family Funeral,” and a farewell stage tour. And now, he’s released the trailer for Madea’s last hallelujah.

    No, Madea herself is not the person being memorialized. A family reunion turns somber and leads the whole family to travel to backwoods Georgia, where sordid secrets threaten to spill out.

    Madea takes charge of organizing the funeral because, as she notes, “I’ve been burying a lot of men. A lot of ’em.”

    Madea was first introduced on the big screen in 2005’s “Diary of a Mad Black Woman.” Since then, the franchise has made more than $500 million.

    But Perry is ready to retire the character.  “I’m happy to kill that old bitch. I’m tired, man,” hd told SiriusXM radio host Bevy Smith. “I just don’t want to be her age, playing her.”

    “A Madea Family Funeral” opens in theaters March 1, 2019.