Tag: twister

  • Movie Review: ‘Twisters’

    (from left) Kate (Daisy Edgar-Jones) and Tyler (Glen Powell) in 'Twisters', directed by Lee Isaac Chung.
    (from left) Kate (Daisy Edgar-Jones) and Tyler (Glen Powell) in ‘Twisters’, directed by Lee Isaac Chung.

    Opening in theaters on July 19th, ‘Twisters’ is real throwback movie making –– which makes sense, since it effectively follows (though rarely directly references) the 1996 Jan de Bont-directed original.

    Which means you don’t have to have seen the 1990s movie to enjoy the new one, which serves as a callback to that era of filmmaking. It’s sitting firmly in big-scale event-movie territory, and the hand of executive producer Steven Spielberg can be felt, if lightly.

    Related Article: Glen Powell joins Daisy Edgar-Jones in Tornado-fuelled sequel ‘Twisters’

    Will ‘Twisters’ Blow You Away?

    (from left) Lily (Sasha Lane) and Tyler (Glen Powell) in 'Twisters', directed by Lee Isaac Chung.
    (from left) Lily (Sasha Lane) and Tyler (Glen Powell) in ‘Twisters’, directed by Lee Isaac Chung.

    At one point, it looked as though ‘Twisters’ might be headed down the road of a sequel to the original that would feature the daughter of Helen Hunt and Bill Paxton’s characters. But the path has instead led it to a much more standalone place, drawing only on the concept of storm chasers (and, early on, including a nod to the storm-monitoring device known as “Dorothy” from the 1996 movie).

    It’s a smart move, as ‘Twisters’ is allowed to mostly stand on its own, and it provides enough entertainment value to blow past any problems.

    ‘Twisters’: Script and Direction

    (from left) Daisy Edgar-Jones, Glen Powell and director Lee Isaac Chung on the set of 'Twisters'.
    (from left) Daisy Edgar-Jones, Glen Powell and director Lee Isaac Chung on the set of ‘Twisters’.

    With a script that nods back to ‘Twister’ in credits form (the original movie’s writers Michael Crichton and Anne-Marie Martin score a “based on characters created by” mention, the new film is written by Joseph Kosinski (the ‘Top Gun: Maverick’ director flirted with making this a few years back in its development stage) and Mark L. Smith (yes, the man behind ‘The Revenant’).

    In many ways, it leans more towards Kosinski’s blockbuster sensibility, in both the positive and negative senses. The screenplay is a slick machine, running you from windy set-piece to spinning scenes of destruction, but taking its foot off the pedal enough to fill in some decent character detail for at least Edgar-Jones’ Kate and Powell’s Tyler.

    Yet with that shape come the predictable cliches that always seem to be swept up too. There are shortcuts to emotional drama and some of the supporting characters might as well carry signs reading “uptight martinet” or “nervy reporter” instead of seeming like real people. Still, the movie around them is fun enough to handwave that away.

    Minari’ director Lee Isaac Chung is probably tired of people being surprised that he went from directing an intimate, personal drama of family struggles to a huge-scale thriller where cars and people go flying. But he brings some echo of his past work to this latest effort, dialing down on what makes the lead characters tick, while, along with cinematographer Dan Mindel and the talented effects team, make the tornado scenes work. And the personal stakes don’t end with our heroes –– there are scenes of locals impacted by the terrifying twisters and even some sneaky chat about climate change.

    ‘Twisters’: Performances

    (from left) Dexter (Tunde Adebimpe), Lily (Sasha Lane), Ben (Harry Hadden-Paton), Boone (Brandon Perea), Dani (Katy O’Brian), Javi (Anthony Ramos), Tyler (Glen Powell) and Kate (Daisy Edgar-Jones) in 'Twisters', directed by Lee Isaac Chung.
    (from left) Dexter (Tunde Adebimpe), Lily (Sasha Lane), Ben (Harry Hadden-Paton), Boone (Brandon Perea), Dani (Katy O’Brian), Javi (Anthony Ramos), Tyler (Glen Powell) and Kate (Daisy Edgar-Jones) in ‘Twisters’, directed by Lee Isaac Chung.

    From the marketing, this could well have been re-titled “the Daisy Edgar-Jones and Glen Powell Show”, with a subtitle of “also featuring Anthony Ramos and some other people”. While the focus is mostly certainly on the lead duo, Ramos and one or two others do get moments to shine.

    Daisy Edgar-Jones as Kate Cooper

    Daisy Edgar-Jones as Kate in 'Twisters', directed by Lee Isaac Chung.
    Daisy Edgar-Jones as Kate in ‘Twisters’, directed by Lee Isaac Chung.

    Daisy Edgar-Jones is our focus here, her storm expert Kate enjoys the lion’s share of the characterization, including a dramatic, tragic introduction and a full arc that finds her re-discovering her passion for tackling tornadoes (she’s less looking to chase them, more find a way to shut them down).

    And in the actress, Chung could not have picked a more luminous lead –– several moments work because Edgar-Jones’ expressive face make that happen, and she’s certainly got the dramatic chops to carry the storyline. Plus, her chemistry with Powell is palpable, even if the romantic side is more bubbling under than raging storm.

    Glen Powell as Tyler Owens

    Glen Powell as Tyler in 'Twisters', directed by Lee Isaac Chung.
    Glen Powell as Tyler in ‘Twisters’, directed by Lee Isaac Chung.

    Between ‘Hit Man’ and now this, Glen Powell is spending 2024 proving that he has full-on star power. His introduction ladles on the smug-but-likeable charm and partly thanks to the actor, Owens has more depths that you might suspect from first glance. Sure, he’s cocky and arrogant, but Powell infuses him with those extra layers.

    Anthony Ramos as Javi

    Javi (Anthony Ramos) in 'Twisters', directed by Lee Isaac Chung.
    Javi (Anthony Ramos) in ‘Twisters’, directed by Lee Isaac Chung.

    Anthony Ramos is probably regretting signing on to this latest big-scale film –– after being overshadowed by Optimus Prime in ‘Transformers: Rise of the Beasts’, he’s now playing third fiddle to his co-stars. Still, Javi is enough of a solid character to prove worthy of the actor.

    Maura Tierney as Cathy Cooper

    Maura Tierney as Cathy in 'Twisters', directed by Lee Isaac Chung.
    Maura Tierney as Cathy in ‘Twisters’, directed by Lee Isaac Chung.

    Appearing as Kate’s mother, Maura Tierney makes the most of her couple of scenes, playing well against Edgar-Jones and Powell.

    Supporting Cast

    (from left) Mike (Stephen Oyoung), Peter (Alex Kingi), Scott (David Corenswet), Javi (Anthony Ramos) and Kate (Daisy Edgar-Jones) in 'Twisters', directed by Lee Isaac Chung.
    (from left) Mike (Stephen Oyoung), Peter (Alex Kingi), Scott (David Corenswet), Javi (Anthony Ramos) and Kate (Daisy Edgar-Jones) in ‘Twisters’, directed by Lee Isaac Chung.

    As we mentioned in the scripting section, the rest of the characters are largely archetypes, with future ‘Superman‘ David Corenswet essentially a reboot of the snooty, profit-chasing character Cary Elwes played in the original. The rest of Tyler’s storm-chasing team are a fun bunch, but only get the occasional moment to impact the story.

    ‘Twisters’: Final Thoughts

    (from left) Tyler (Glen Powell) and Kate (Daisy Edgar-Jones) in 'Twisters', directed by Lee Isaac Chung.
    (from left) Tyler (Glen Powell) and Kate (Daisy Edgar-Jones) in ‘Twisters’, directed by Lee Isaac Chung.

    With a film such as ‘Twisters’, there’s always a debate to have whether it justifies its existence. But by not (mostly) looking to reboot the 1996 movie or go the legacy route, it proves to offer enough fun, its nostalgic nature not tied directly to ‘Twister’ but instead the sort of movie that one typified.

    It’s driven by two great leads and certainly throws enough at the screen (literally in certain scenes) to make its basic concept work.

    ‘Twisters’ receives 8 out of 10 stars.

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    What’s the story of ‘Twisters’?

    ‘Twisters’ stars Daisy Edgar-Jones, Glen Powell and Anthony Ramos as equal forces, with opposing motivations, who come together to try to predict, and possibly tame, the immense power of tornadoes.

    Edgar-Jones stars as Kate Carter, a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi (Ramos) to test a groundbreaking new tracking system.

    There, she crosses paths with Tyler Owens (Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better.

    As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler, Javi and their crews find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.

    Who else stars in ‘Twisters’?

    'Twisters', directed Lee Isaac Chung.
    ‘Twisters’, directed Lee Isaac Chung.

    Other Movies Similar to ‘Twisters:’

    Buy ‘Twister’ On Amazon

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  • Glen Powell joins ‘Twisters’

    Glen Powell plays "Hangman" in 'Top Gun: Maverick' from Paramount Pictures, Skydance and Jerry Bruckheimer Films.
    Glen Powell plays “Hangman” in ‘Top Gun: Maverick’ from Paramount Pictures, Skydance and Jerry Bruckheimer Films.

    Though he’s been working solidly for a few years now, Glen Powell is certainly having a moment thanks to his breakout role as Lt. Jake ‘Hangman’ Seresin in ‘Top Gun: Maverick’. He’s in demand and is now apparently in talks for another big gig.

    As first reported on The Hot Mic Podcast, Powell has his eye on a role in ‘Twisters’, the follow-up to Jan de Bont’s 1996 heavy weather thriller, which starred Bill Paxton and Helen Hunt.

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    Fresh’ actor Daisy Edgar-Jones is already aboard to star, and we could certainly see her and Powell as a charismatic lead duo.

    Daisy Edgar-Jones in 'Where the Crawdads Sing.'
    Daisy Edgar-Jones in ‘Where the Crawdads Sing.’ Photo courtesy of Sony Pictures.

    Related Article: A Sequel to 1996’s ‘Twister’ is Spinning Up at Universal, and Helen Hunt Could Return

    Tell me about ‘Twister’

    The original movie, which also featured the likes of Cary Elwes, Jami Gertz, Philip Seymour Hoffman, Alan Ruck and Todd Field (yes, the director of ‘Little Children’ and ‘TAR’) told the story of the Hardings (Hunt and Paxton) who must deal with their collapsing marriage even as they reunite to create an advanced weather warning system.

    ‘Twister’ was a success, earning $494 million worldwide, and lauded for its state-of-the-art effects. Yet no sequel was developed until much more recently.

    Mark L. Smith, who wrote ‘The Revenant’ and George Clooney’s ‘The Midnight Sky’, has crafted a script that reportedly focus on the now-grown daughter of Jo and Bill Harding, who is a chip off the old storm-chasing block.

    Steven Spielberg (who was a producer on the 1996 movie) is said to be thrilled by the new screenplay and eager for the movie to be made. And all involved are hoping that they can tempt Hunt back in some capacity, even if just for a cameo. Paxton, of course, sadly died in 2017.

    Despite early work kicking off on this one back in 2020, you can certainly point to ‘Maverick’ being a spur for fresh development on this front. And in fact, that movie’s director Joseph Kosinski was attached to what was then being described as a reboot.

    Though Kosinski ended up leaving to focus on the Formula One racing movie he has in development at Apple with Brad Pitt starring, the behind-the-scenes team is still being led by producer Frank Marshall (his wife and fellow powerhouse producer Kathleen Kennedy worked on the original with Spielberg).

    Now, ‘Minari’s Lee Isaac Chung is in the director’s chair and Edgar-Jones is most likely playing the daughter character. We’ll have to wait and see how Powell fits in.

    Daveed Diggs in 'Extrapolations,' premiering March 17, 2023 on Apple TV+.
    Daveed Diggs in ‘Extrapolations,’ premiering March 17, 2023 on Apple TV+.

    In related ‘Twister’ sequel news, Daveed Diggs has spoken to Insider about another potential follow-up with which he was involved. Hunt stars in the ‘Blindspotting’ TV series that Diggs and Rafael Casal spun off from their indie movie. In 2021 they pitched the idea of Hunt directing a new take on ‘Twister’. But it didn’t happen, and Diggs has his suspicions as to why.

    Here’s what he said,

    “Oh man, I’m not going to get into it mostly because I’m probably going to misremember things. But all I’ll say is there was an opportunity where we were talking about that, and it didn’t happen, and the reasons that it didn’t happen are potentially shady. But shady in the way that we know the industry is shady.”

    The answer, my friends, is probably blowing in the wind.

    Bill Paxton as Dr. William "Bill/The Extreme" Harding in 1996's 'Twister.'
    Bill Paxton as Dr. William “Bill/The Extreme” Harding in 1996’s ‘Twister.’

    Other Movies Similar to ‘Twisters:’

    Buy ‘Twister’ On Amazon

     

  • ‘Twister’ Sequel in the Works

    Helen Hunt as Dr. Joanne "Jo" Harding and Bill Paxton as Dr. William "Bill/The Extreme" Harding in 1996's 'Twister.'
    (L to R) Helen Hunt as Dr. Joanne “Jo” Harding and Bill Paxton as Dr. William “Bill/The Extreme” Harding in 1996’s ‘Twister.’

    If you’re seeing the sky change around you and hearing the distant rush of a wind vortex, that could be because the long-in-development follow-up to 1996’s ‘Twister’ is once more moving forward at Universal. We’ll let you guess what it’s called. Find out at the end of the story!

    According to Deadline, Universal is working with Warner Bros. (though the latter is only providing financing and will get a cut of any profits) to crank up the wind machines again, 26 years since Jan de Bont had Helen Hunt and Bill Paxton leading a team of storm chasers into the path of giant, swirly twisters, all in the name of science.

    The original movie, which also featured the likes of Cary Elwes, Jami Gertz, Philip Seymour Hoffman, Alan Ruck and Todd Field (yes, the director of new Cate Blanchett drama ‘TAR’) in the story of the Hardings (Hunt and Paxton) who must deal with their collapsing marriage even as they reunite to create an advanced weather warning system.

    ‘Twister’ was a success, earning $494 million worldwide, and lauded for its state-of-the-art effects. Yet no sequel was developed until much more recently.

    Mark L. Smith, who wrote ‘The Revenant’ and George Clooney’s ‘The Midnight Sky’, has crafted a script that reportedly focus on the now-grown daughter of Jo and Bill Harding, who is a chip off the old storm-chasing block.

    Helen Hunt as Dr. Joanne "Jo" Harding and Bill Paxton as Dr. William "Bill/The Extreme" Harding in 1996's 'Twister.'
    (L to R) Helen Hunt as Dr. Joanne “Jo” Harding and Bill Paxton as Dr. William “Bill/The Extreme” Harding in 1996’s ‘Twister.’

    Steven Spielberg (who was a producer on the 1996 movie) is said to be thrilled by the new screenplay and eager for the movie to be made. And all involved are hoping that they can tempt Hunt back in some capacity, even if just for a cameo. Paxton, of course, sadly died in 2017.

    Despite early work kicking off on this one back in 2020, you can certainly point to ‘Top Gun: Maverick’ being a spur for fresh development on this front. And in fact, that movie’s director Joseph Kosinski was attached to what was then being described as a reboot.

    Though Kosinski ended up leaving to focus on the Formula One racing movie he has in development at Apple with Brad Pitt starring, the behind-the-scenes team is still being led by producer Frank Marshall (his wife and fellow powerhouse producer Kathleen Kennedy worked on the original with Spielberg).

    Universal and Kennedy are looking for the right director, and names mentioned so far include ‘Free Solo’ duo Jimmy Chin & Elizabeth Chai Vaserhelyi, ‘Prey’s Dan Trachtenberg and Laika animation boss Travis Knight, who in addition to the stop-motion likes of ‘Kubo and the Two Strings’, found success with live-action ‘Transformers’ prequel ‘Bumblebee’.

    Other candidates are apparently in the mix, but the studio is hoping that the right person or team can be locked in quickly enough to start shooting in the spring. And that proposed title we teased at the start? ‘Twisters’. Yup, bet you’re glad you waited to read that. Will it change? That answer is blowin’ in the wind.

    Bill Paxton as Dr. William "Bill/The Extreme" Harding in 1996's 'Twister.'
    Bill Paxton as Dr. William “Bill/The Extreme” Harding in 1996’s ‘Twister.’
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  • 9 Unforgettable ’90s Disaster Movies, Ranked By Ridiculousness

    9 Unforgettable ’90s Disaster Movies, Ranked By Ridiculousness

  • 14 ’90s Movies That Don’t Really Hold Up

    14 ’90s Movies That Don’t Really Hold Up

  • ‘Twister’: 10 Things You (Probably) Didn’t Know About the Summer Blockbuster

    375181 02: 1996 BILL PAXTON AND HELEN HUNT AS JO HARDING IN THE ACTION THRILLER "TWISTER"Released 20 years ago this week (on May 10, 1996), “Twister” wasn’t just a blockbuster special-effects spectacle that made viable movie stars out of Helen Hunt an Bill Paxton.

    It was also the “Apocalypse Now” of weather-themed disaster movies. The film’s production was marked by severe injuries to the stars and crew, a runaway budget, and the cinematographers openly rebelling against the director. Here are the real-life twists you didn’t hear about from the tornado drama’s tempestuous shoot.
    1. The “Twister” screenplay is credited to “Jurassic Park” novelist Michael Crichton and his wife, Anne-Marie Martin, but it was revised by such celebrated script doctors as Joss Whedon (who dropped out of the project because he contracted bronchitis), Steven Zaillian (who dropped out because he was leaving for his honeymoon), and Jeff Nathanson, who was on the set and kept rewriting the script until the end of the shoot.

    2. Helen Hunt was director Mad About You,” before the end of August 1995. Fortunately, “Mad” producer/co-star Paul Reiser offered to push back the start of the show’s production by two and a half weeks to accommodate “Twister” overruns.
    3. Jami Gertz won the role of Paxton’s hapless fiancée because Mira Sorvino (soon to win an Oscar for “Mighty Aphrodite“) refused to go brunette.

    4. Plagued by sunny weather, the production used bright lamps to reduce the exposure and make the skies look dark and stormy. But the lamps blinded Paxton and Hunt (“These things literally sunburned our eyeballs,” Paxton recalled), and they had to wear dark glasses and take eye drops for several days until they recovered.

    Paxton and Hunt also took lumps from being pelted with ice chunks in the hailstorm scene. The two leads had to take hepatitis shots after their scene wallowing in a filthy ditch. In that same sequence, Hunt kept banging her head on a low bridge because she would stand up too quickly, and she also was hit in the head by a truck’s open passenger door in the cornfield sequence. De Bont told Entertainment Weekly, “I love Helen to death, but you know, she can be also a little bit clumsy.” Hunt, who blamed her accidents on exhaustion from the difficult shoot, replied, “Clumsy? The guy burned my retinas, but I’m clumsy.”5. Tensions flared between de Bont and cinematographer Don Burgess‘s camera crew. They complained that de Bont would get upset when they couldn’t turn on a dime and set up new shots on a moment’s notice; he countered that the unpredictable weather meant the shooting schedule had to be flexible. The crew considered getting T-shirts made emblazoned with de Bont’s favorite curse-word phrase, “F—ing Hell S—.” The breaking point came when a camera assistant walked into the frame and ruined a complicated shot involving noisy wind machines, leading de Bont to shove the man into a mud puddle. Burgess and 20 crew members walked. The film was only five weeks into production.

    6. De Bont replaced Burgess with veteran cinematographer Jack N. Green. Unfortunately, Green was hospitalized with a back injury when a house rigged to collapse did so while Green was still inside it. With two days left to shoot, de Bont took over camera duties himself.
    7. Much of the film was shot in Wakita, Oklahoma, where producers purchased and then leveled eight blocks of existing houses, as well as flattening 30 homes built for the shoot. According to the Twister Museum in Wakita (which contains props and memorabilia from the movie), the filmmakers’ destruction of the town was so convincing that a third-party video crew flying overhead saw the fake devastation from the air and landed their helicopter to investigate.

    8. With the lengthy and tumultuous shoot, the need for twice as many effects shots as anticipated (because of the uncommonly clear skies), and late re-shoots that added the prologue about Jo’s childhood, the budget swelled from $70 million to a reported $92 million. But “Twister” grossed $242 million in North America, becoming the second biggest movie of 1996 (only “Independence Day” earned more). Worldwide, the tornado tale sucked up a total of $494 million.
    9. “Twister” was nominated for two Oscars, for Best Visual Effects and Best Sound. It was also nominated for two Razzies, including Worst Supporting Actress (for Gertz, pictured). The Crichtons won the Razzie for Worst Written Film Grossing Over $100 Million.

    10. “Twister” was the first mainstream Hollywood movie released on the then-new home video medium of DVD.

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