Tag: tom-burke

  • Movie Review: ‘Black Bag’

    Michael Fassbender stars as George Woodhouse in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Michael Fassbender stars as George Woodhouse in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    ‘Black Bag’ receives 9 out of 10 stars.

    Opening in theaters on March 14th, ‘Black Bag’ feels for all the world like Steven Soderbergh set himself and writer David Koepp the challenge of blending a thorny, John le Carré story with the effortlessly cool and stylish work the director was doing in his ‘Limey’ era.

    The prolific filmmaker (who also serves as his own cinematographer and editor), has been on a real tear of late –– this is his second film in a matter of months (he had experimental ghost story ‘Presence’ out back in January –– and by any reasonable reckoning, it is by far the superior entry in his canon.

    Related Article: Every Steven Soderbergh Movie, Ranked!

    Is ‘Black Bag’ worth spying at your local theater?

    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    Soderbergh is most certainly on top form here, crafting a twisty, thoughtful and timely piece of drama about trust and deception, and the difficulty of maintaining a relationship when much of your life is built on lies –– either ferreting them out or maintaining them.

    Having gathered one of the best casts in a while, he uses them in excellent ways, Koepp’s script providing a cluster of superb characters to get their teeth into, especially Michael Fassbender and Cate Blanchett.

    It’s not a spy movie in the ‘Mission: Impossible‘ mold (the stunt budget here would probably pay for a day of craft service on a Tom Cruise film), but it’s intellectual and frisky, always keeping you on the back foot, unsure of who to believe.

    Script and Direction

    Director Steven Soderbergh on the set of 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Director Steven Soderbergh on the set of ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    Credit to David Koepp for here concocting a fascinating screenplay filled to the brim with interesting personalities and crackling drama.

    We’re introduced to a group of operatives who work for Britain’s National Cyber Security Center, whose mission is to take down cyber threats to the UK and the wider world. But when the organization learns there is a mole working to get hold of their software worm known as Severus, which has the ability to integrate itself into nuclear facilities and wreak havoc, Fassbender’s George Woodhouse is tasked with sniffing out the traitor (or traitors).

    Unlike, say, ‘Jason Bourne‘, George’s primary weapon here is his brain and his culinary skills (no, really) as he invites a group of colleagues to a dinner party where the secret ingredient in one dish is a healthy serving of truth serum. Along with his wife Kathryn, who might well be even smarter and more dangerous than George (and who he’s led to believe could be a mole herself), he tasks his guests with playing party games that lead to personal revelations.

    (L to R) Regé-Jean Page as Col. James Stokes and Michael Fassbender as George Woodhouse in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Regé-Jean Page as Col. James Stokes and Michael Fassbender as George Woodhouse in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    But the real secret here that the fireworks are less grenades and bullets and more inner demons, as everyone has something they’re hiding and no-one is simply good or bad.

    In Soderbergh’s hands, the screenplay comes to smooth, stylish life, scored with a jazzy David Holmes track that suits its near-timeless feel. Aside from some of the vehicles and the obvious tech angle, this is a story that could have been set in the 1960s without losing any of its power.

    Yet the technology aspect gives it an extra frisson in this age of misinformation and shady online morals.

    Cast and Performances

    (L to R) Michael Fassbender as George Woodhouse and Marisa Abela as Clarissa Dubose in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Michael Fassbender as George Woodhouse and Marisa Abela as Clarissa Dubose in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    As we mentioned earlier, this is one of the most impressive casts assembled in a movie so far this year, and they bring the script to fizzy, emotional life.

    Fassbender’s Woodhouse comes across as a combination of the intensity of his take on Magneto and the fastidiousness of his character in ‘The Killer.’ This is a committed patriot, a man who rarely lets emotion conflict with his mission. And Fassbender brings such cool effectiveness to the role, especially when a secret about his past comes to light (let’s just say his father was not the most faithful when it came to the sanctity of marriage).

    Blanchett, for her part is feline cool, slinky and lethal in her way, and always keeping her intensions close to her chest. Kathryn is a clear match for her husband in skillset –– and her role is a highlight in a movie that features plenty of them.

    Regé-Jean Page is Colonel James Stokes, a ramrod loyal agent who serves under Woodhouse and is dating Harris’ character. While the actor has tackled characters such as this before, Stokes is more complicated and a tinder box, ready to explode.

    Naomie Harris, herself a veteran of the Bond movies (she played Moneypenny during the Craig era) is another cool customer, quirky shrink Dr. Zoe Vaughan who treats the rest of her colleagues but might be as messed up as they are. She’s utterly brilliant in the role, taking no crap from anyone but also coming across as complicated as those she oversees.

    (L to R) Tom Burke as Freddie Smalls and Michael Fassbender as George Woodhouse in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Tom Burke as Freddie Smalls and Michael Fassbender as George Woodhouse in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    Tom Burke is all seething regret and resentment as Freddie Smalls, a formerly hotshot agent who has somewhat lost himself in addictions to various narcotics and pleasures. Burke, a chameleon of an actor, really digs into the role and is hugely entertaining.

    Finally in the main cast, we have ‘Industry’ and ‘Back to Black’s Marisa Abela playing Clarissa Dubose, the youngest of the friend group, who is dating Freddie but can’t quite believe what she’s got herself into. But as with everyone else, there’s more to her than that.

    But we would be remiss if we didn’t mention sterling support from Pierce Brosnan, himself a former James Bond, who has a small role but earns every moment of his screen time as Arthur Stieglitz, one of the group’s superior officers who feels himself superior in every way. It’s a great piece of casting, not just for the espionage movie tie-in.

    Final Thoughts

    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    It might not hold the sort of action antics we’re used to from Bond, Bourne or even Ethan Hunt, but if you’re a fan of the complex, knotty and well-drawn characters of le Carré, this will certainly make you smile(y).

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    What’s the story of ‘Black Bag’?

    ‘Black Bag’ follows legendary intelligence agents George Woodhouse (Michael Fassbender) and his beloved wife Kathryn (Cate Blanchett).

    When she is suspected of betraying the nation, George faces the ultimate test –– loyalty to his marriage or his country.

    Who also stars in ‘Black Bag’?

    • Cate Blanchett as Kathryn Woodhouse
    • Michael Fassbender as George Woodhouse
    • Marisa Abela as Clarissa Dubose
    • Tom Burke as Freddie Smalls
    • Naomie Harris as Dr. Zoe Vaughan
    • Regé-Jean Page as Col. James Stokes
    • Pierce Brosnan as Arthur Stieglitz
    (L to R) Actor Michael Fassbender and director Steven Soderbergh on the set of 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Actor Michael Fassbender and director Steven Soderbergh on the set of ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    List of Steven Soderbergh Movies and TV Shows:

    Buy Tickets: ‘Black Bag’ Movie Showtimes

    Buy Steven Soderbergh Movies on Amazon

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  • ‘Black Bag’ Interview: Cate Blanchett and More

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    Opening in theaters on March 14th is the new spy thriller ‘Black Bag’, which was written by David Koepp (‘Jurassic Park’ and ‘Mission: Impossible’) and directed by Oscar winning filmmaker Steven Soderbergh (‘Traffic’ and ‘The Limey’).

    The film stars Oscar winner Cate Blanchett (‘Blue Jasmine’), Michael Fassbender (‘The Killer’), Marisa Abela (‘Back to Black’), Naomie Harris (‘Skyfall’), Regé-Jean Page (‘The Gray Man’), Tom Burke (‘Living’), and Pierce Brosnan (‘Goldeneye’).

    (L to R) Naomie Harris, Cate Blanchett and Tom Burke star in director Steven Soderbergh's 'Black Bag'.
    (L to R) Naomie Harris, Cate Blanchett and Tom Burke star in director Steven Soderbergh’s ‘Black Bag’.

    Related Article: Every Steven Soderbergh Movie, Ranked!

    Moviefone recently had the pleasure of speaking with Cate Blanchett, Naomie Harris and Tom Burke about their work on ‘Black Bag’, Blanchett’s first reaction to the screenplay and exploring her character’s marriage, Harris and Burke’s characters’ motivations, and working with legendary filmmaker Steven Soderbergh.

    You can read the full interview below or click on the video player above to watch the interview.

    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Cate Blanchett stars as Kathryn St. Jean in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    Moviefone: To begin with, Cate, can you talk about your first reaction to David Koepp’s screenplay and the opportunity to explore this intriguing marriage dynamic between George and Catherine?

    Cate Blanchett: Yes, well, I’d already agreed to do it before I read the script, because obviously when you know David Koepp is writing it and Steven Soderbergh is going to direct it, you know it’s going to be a great adventure. So, then when Steven said he wanted Michael (Fassbender) to play George, I went, “Oh, that’s perfect.” But I was surprised by just how elusive their relationship was, but also how the absolute bedrock of their relationship is that they would die for each other. I find that deeply romantic, and particularly after they’ve been together a long time. They’ve clearly decided not to have children and they’re devoted to their work. But the only thing they’re devoted to more is each other. So, I think that there was an intensely romantic thing at the heart of this film, which was not something you necessarily associate with a texture in the movies that Steven makes.

    (L to R) Naomie Harris as Dr. Zoe Vaughn and Cate Blanchett as Kathryn St. Jean in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Naomie Harris as Dr. Zoe Vaughn and Cate Blanchett as Kathryn St. Jean in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    MF: Naomie, can you talk about your approach to playing Zoe, and since she is a therapist to a group of spies, can she truly trust anything they say, and how does she navigate that?

    Naomie Harris: Well, I think she must be two steps ahead of them. I mean, she’s immensely intuitive, insightful and hugely intelligent, as well as being a little morally corrupt and slightly unorthodox in her methods. She’s basically created her own way of working in that environment where morality rules don’t matter. All that matters are results. Are the spies mentally sound and are they staying on mission? That’s it for her.

    (L to R) Tom Burke as Freddie Smalls and Michael Fassbender as George Woodhouse in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Tom Burke as Freddie Smalls and Michael Fassbender as George Woodhouse in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    MF: Tom, can you talk about how Freddie’s personal life is affecting his professional life?

    TB: Yeah, I mean, it’s alluded to in the dialogue and in everything that happens, I suppose, as well. You do feel like amid what must be an incredibly careful and focused skill set for his career, that there’s a completely improvised element of his own life that involves drinking, drugging and an awful lot else. That’s very interesting to play because it seems like a paradox, but also it makes sense that somebody like that might be drawn to a high-risk career. It’s to kind of accommodate that need or that drive.

    (L to R) Actor Michael Fassbender and director Steven Soderbergh on the set of 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Actor Michael Fassbender and director Steven Soderbergh on the set of ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    MF: Tom, as an actor, what is it like being on a Steven Soderbergh set? What was he like to work with as a director?

    TB: He has an amazing understanding of how to optimize what his actors are bringing to each scene and it’s not least to do with energy and time. I don’t know if I’ve ever seen that handled quite so caringly or felt that handled quite so caringly.

    Director Steven Soderbergh on the set of 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    Director Steven Soderbergh on the set of ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    MF: Cate, you’ve worked with Steven Soderbergh before, how was this experience similar or different than the last time you worked together?

    CB: Well, we’d worked together years ago on a film called ‘The Good German’, which I think about three and a half people saw. But which Steven has said is one movie he was so completely happy with, and it was such an interesting experience for me. So, it was just a deepening of that experience. He’s so economical and so relaxed while he gives time to people to do what they do. So, he’s very respectful to every single department and grateful to every single department who are working towards making the movie great. What he doesn’t have any truck for is people who are lazy and unprepared. So, he makes you really want to bring your best for him. You want to be ready. If you say to him, “I need to go again”, he’ll go, “Don’t worry about it, I’m only going to use those four frames,” because he’s editing in his head. I mean, he’s like a machine with the biggest heart. You know, he really cares about the actors that he works with and every single member of the crew. So, before I worked with him, I don’t think I could even imagine that those two parts of a cinema artist could coexist as beautifully as they do in him.

    (L to R) Regé-Jean Page as Col. James Stokes, Naomie Harris as Dr. Zoe Vaughn and Michael Fassbender as George Woodhouse in director Steven Soderbergh's 'Black Bag', a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.
    (L to R) Regé-Jean Page as Col. James Stokes, Naomie Harris as Dr. Zoe Vaughn and Michael Fassbender as George Woodhouse in director Steven Soderbergh’s ‘Black Bag’, a Focus Features release. Credit: Claudette Barius/Focus Features © 2025 All Rights Reserved.

    MF: Finally, Naomie, what surprised you about working with Steven Soderbergh?

    NH: I think one of the shocking things for me about working with Steven was just how much freedom he gives to actors. He truly casts well and then he completely trusts you to make of the characters what you will. I’ve never had that much liberty. So, in the beginning I was really intimidated by it. But then it’s such a liberating and an empowering experience where you’re just like, this person believes in me so much that I can make any choice that I want. So, I really learned a lot from working with him.

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    What’s the story of ‘Black Bag’?

    ‘Black Bag’ follows legendary intelligence agents George Woodhouse (Michael Fassbender) and his beloved wife Kathryn (Cate Blanchett).

    When she is suspected of betraying the nation, George faces the ultimate test –– loyalty to his marriage or his country.

    Who also stars in ‘Black Bag’?

    • Cate Blanchett as Kathryn Woodhouse
    • Michael Fassbender as George Woodhouse
    • Marisa Abela as Clarissa Dubose
    • Tom Burke as Freddie Smalls
    • Naomie Harris as Dr. Zoe Vaughan
    • Regé-Jean Page as Col. James Stokes
    • Pierce Brosnan as Arthur Stieglitz
    Oscar® nominee Steven Soderbergh arrives on the red carpet of The 93rd Oscars® at Union Station in Los Angeles, CA on Sunday, April 25, 2021. Credit/Provider: Matt Petit / A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Oscar® nominee Steven Soderbergh arrives on the red carpet of The 93rd Oscars® at Union Station in Los Angeles, CA on Sunday, April 25, 2021. Credit/Provider: Matt Petit / A.M.P.A.S. Copyright: ©A.M.P.A.S.

    List of Steven Soderbergh Movies and TV Shows:

    Buy Tickets: ‘Black Bag’ Movie Showtimes

    Buy Steven Soderbergh Movies on Amazon

     

  • Movie Review: ‘Furiosa: A Mad Max Saga’

    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Opening in theaters on May 24th is the fifth film in the ‘Mad Max’ franchise and a prequel/spinoff to 2015’s Oscar-nominated ‘Mad Max: Fury Road’ entitled ‘Furiosa: A Mad Max Saga’, which was once again directed by visionary filmmaker George Miller.

    The film features Alyla Browne (‘Three Thousand Years of Longing‘) and Anya Taylor-Joy (‘Dune: Part Two’) both as Furiosa, the role played by Charlize Theron in ‘Fury Road’. The cast also includes Chris Hemsworth (‘Thor: Love and Thunder’) as Dementus, Tom Burke (‘Mank’) as Praetorian Jack, Lachy Hulme (‘The Matrix Reloaded’) as Immortan Joe, and Angus Sampson (‘Insidious: The Red Door’) reprising his ‘Fury Road’ role as The Organic Mechanic.

    Related Article: Chris Hemsworth Talks Marvel’s ‘Thor: Love and Thunder’

    Initial Thoughts

    Tom Burke as Praetorian Jack and Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    (L to R) Tom Burke as Praetorian Jack and Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Returning to the cinematic world he created, filmmaker George Miller once again delivers an exciting and thrilling adventure, which acts as both a prequel and a spinoff to ‘Fury Road’. While ‘Furiosa’ is more character driven than its predecessor it still features the same level of visually stunning action sequences, which are enhanced this time around by the character development. Both Alyla Browne and Anya Taylor-Joy give extremely strong performances as Furiosa, but it is Chris Hemsworth in his first truly great post ‘Thor’ performance as the evil yet hysterically funny biker villain, Dementus.

    Story and Direction

    Anya Taylor-Joy and director George Miller on the set of Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    (L to R) Anya Taylor-Joy and director George Miller on the set of Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Beginning decades before ‘Fury Road’, the film first introduces us to a young Furiosa (Browne), who lives in a secret eutopia far away from the Wasteland called the Green Place of Many Mothers. When bikers accidentally come across their home, Furiosa bravely warns her people, but is abruptly kidnapped by the bikers and taken to their leader, the Warlord Dementus (Hemsworth). After a desperate rescue attempt by her mother (Charlee Fraser) fails, Furiosa is raised by Dementus so he can gain her trust and discover the location of her home to take it for his own.

    Dementus soon sets his sights on taking over the Citadel from its leader, Immortan Joe (Lachy Hulme). But when his first attempt fails, he negotiates what he wants from Joe in exchange for Furiosa, who will be groomed as a wife to breed. After the exchange, Furiosa (now Taylor-Joy) eventually escapes and meets a transporter, or a Road Warrior if you will, named Praetorian Jack (Tom Burke). Jack agrees to teach her his ways in exchange for her help transporting goods for Immortan Joe and as time passes, she slowly becomes the character we remember from ‘Fury Road’, albeit a slightly younger version. But, when Dementus and his biker horde wage war on Immortan Joe, it gives Furiosa her chance at revenge and possibly finally returning home.

    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    To be fair, I’ve never been a huge fan of the ‘Mad Max’ franchise. The first two films, ‘Mad Max’ and ‘Mad Max 2’ were a little too slow for me. ‘Mad Max Beyond Thunderdome’ injected more humor into the franchise and therefore was a bit more enjoyable. Miller certainly reinvented the franchise with ‘Fury Road’, which I enjoyed but not as much as most. The action was incredible and visually beautiful to watch, but the story was complicated and the characters, while interesting, were not explored or developed enough for me to ultimately care.

    That is not the case with ‘Furiosa’ as Miller really takes his time to tell the title character’s backstory and develop not only her, but Hemsworth’s villain and Burke’s Jack as well. By the end of the movie, you really care about the characters and what happens to them. That only adds to the excitement of the action sequences, which in some ways are better than the last film. Miller has truly created a captivating world, and ‘Furiosa’ allows him to explore it in a way he never has before.

    Heavy Metal Action

    An action scene being filmed on the set of Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    An action scene being filmed on the set of Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Miller out does himself this time with a barrage of stunning, high-octane action sequences that rival what was seen in ‘Fury Road.’ Along with his cinematographer Simon Duggan, Miller conceives grand, sweeping master shots of the desolate Wasteland while also serving up metal-crashing explosive action sequences. One such scene involves a big rig truck barreling through the desert at top speeds while being attacked by bikers and hybrid helicopter-bikes. It’s unlike anything we’ve seen before from Miller in this universe and ups the action from the previous installments.

    Furiosa

    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    Anya Taylor-Joy as Furiosa in Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Alyla Browne and Anya Taylor-Joy are both excellent as Furiosa and give a seamless performance together. However, it is worth noting that they equally share the role, and Taylor-Joy does not appear until the halfway mark. Once she does, her dialogue is limited, but the actress excels at expressing her emotions physically or with just a quick look. Taylor-Joy transforms into the basic character we know from ‘Fury Road’ quite well, and in the end is a dead ringer for Theron’s version. She also has great chemistry with Burke, and I’m glad they gave Furiosa an alley to relate to and care for.

    But it is Browne who carries much of the film, and really builds the character for Taylor-Joy to take over. Browne creates a believably strong character and lays the groundwork for what is to come. The young actress is great opposite Hemsworth, making Furiosa and Dementus’ volatile relationship fun to watch.

    Chris Hemsworth’s Killer Performance

    Chris Hemsworth in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    Chris Hemsworth in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved.

    While he was unarguably great in the MCU movies, Chris Hemsworth has struggled ever since to find a role that fit him quite as well as Thor. He has had some success with the ‘Extraction’ movies, but not since ‘Avengers: Endgame’ has he really been able to tap into both his physical strength and his surprising comedic abilities … until now.

    Dementus is the perfect Chris Hemsworth role! It allows him to be physically imposing, over-the-top funny, and as evil as he wants to be. The actor plays the character with an evil charm and a sadistic humor but is also physically believable in his action sequences. While Browne and Taylor-Joy might be the heart of the movie, Hemsworth steals every scene he’s in and may now be the best villain in the ‘Mad Max’ franchise.

    Final Thoughts

    Chris Hemsworth and director George Miller on the set of Warner Bros. Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    (L to R) Chris Hemsworth and director George Miller on the set of Warner Bros. Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Photo Credit: Jasin Boland. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    The film’s ending does beg questions about how this connects to ‘Fury Road’ and the future of the franchise, but it doesn’t take away from the emotionally affective and visually exciting theatrical experience the audience has just had. And at just over two and half hours, I can honestly say that it never felt long and kept my attention throughout.

    In the end, ‘Furiosa: A Mad Max Saga’ is an exciting, action-packed, character driven film that succeeds on most levels. Director George Miller has created another visually stunning action adventure, that really takes its time to set up the characters and build on the world from the previous films. While Alyla Browne and Anya Taylor-Joy are wonderful together as the title character, Chris Hemsworth brings the action and the fun in one of his finest roles to date.

    ‘Furiosa: A Mad Max Saga’ receives 8.5 out of 10 stars.

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    What is the plot of ‘Furiosa: A Mad Max Saga’?

    Set 15 to 20 years before the events of ‘Mad Max: Fury Road’, as the world falls apart, young Furiosa (Alyla Browne) is snatched from the Green Place of Many Mothers and into the hands of a Biker Horde led by the Warlord Dementus (Chris Hemsworth). While two Tyrants war for dominance over the Citadel, an older Furiosa (Anya Taylor-Joy) survives many trials as she plots a way back home through the Wasteland.

    Who is in the cast of ‘Furiosa: A Mad Max Saga’?

    • Anya Taylor-Joy as Imperator Furiosa
    • Alyla Browne as young Furiosa
    • Chris Hemsworth as Dementus
    • Tom Burke as Praetorian Jack
    • Lachy Hulme as Immortan Joe
    • Nathan Jones as Rictus Erectus
    • Josh Helman as Scrotus
    • John Howard as The People Eater
    • Angus Sampson as The Organic Mechanic
    • Charlee Fraser as Mary Jo Bassa
    Chris Hemsworth in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure 'Furiosa: A Mad Max Saga,' a Warner Bros. Pictures release.
    Chris Hemsworth in Warner Bros. Pictures’ and Village Roadshow Pictures’ action adventure ‘Furiosa: A Mad Max Saga,’ a Warner Bros. Pictures release. Courtesy of Warner Bros. Pictures. Copyright: © 2023 Warner Bros. Entertainment Inc. All Rights Reserved.

    Other Movies Similar to ‘Furiosa:’

    Buy ‘Mad Max’ Movies On Amazon

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  • Movie Review: ‘Living’

    Bill Nighy stars in director Oliver Hermanus' 'Living.'
    Bill Nighy stars in director Oliver Hermanus’ ‘Living.’

    Arriving in theaters on December 23rd, ‘Living’ sees Bill Nighy as a man choosing to try and live even in the face of death and is one of the most moving and poignant movies of the year.

    Though his movies have been adapted many times––‘Seven Samurai’ alone is the basis for a wealth of other films––it’s still the brave filmmaker who chooses to tackle one of Akira Kurosawa’s classics.

    In this case, the brave souls include writer Kazuo Ishiguro and director Oliver Hermanus, who bring a new version of Kurosawa’s 1952 drama ‘Ikiru’ to screens.

    Instead of switching genres, the two have largely faithfully adapted the story (with some changes that shrink the running time to under two hours), moving the setting from 1950s Tokyo to 1950s London. It’s a smart choice, as the themes and emotions of post-war Britain were similar to those of Japan.

    Bill Nighy stars in director Oliver Hermanus' 'Living.'
    Bill Nighy stars in director Oliver Hermanus’ ‘Living.’

    Bill Nighy––who according to Ishiguro was one of the reasons he thought the new film could work at all––plays Mr. Williams, a staid, buttoned-up civil servant who works in a department of the London City Council.

    He’s so sunken into duty and free from emotion that co-workers joke about him being known as “Mr. Zombie.” It’s an apt description for a man who ostensibly appears to be alive, but only in the most basic fashion. Stiff upper lips have rarely been stiffer.

    At work, he’s distant (though not always completely cold) with his colleagues and underlings and more concerned with shuffling papers than being concerned with anyone’s feelings. But then, he’s part of a generation of men raised to be proper and reserved, who have been through a global conflict forever changed.

    Then, at home, the widower is still diffident when it comes to his son, Michael (Barney Fishwick), who, encouraged by wife Fiona (Patsy Ferran), is aiming to confront his father about selling the family home so they can get money to buy their own.

    Williams’ world is detonated (albeit silently since he decides not to tell anyone at first) by diagnosis of terminal cancer. It does at least prompt him to act, leaving work for days on end and heading to a coastal town in search of something more in life. He meets and hangs out with disheveled, frequently drunken writer Mr. Sutherland (Tom Burke), who introduces him to the salacious delights of burlesque shows and crowded pubs, but despite opening up enough to start singing in one bar, Williams stills feels buttoned up, complaining that while he’s finally seeking out a life, he’s not good at it.

    Aimee Lou Wood stars in director Oliver Hermanus' 'Living.'
    Aimee Lou Wood stars in director Oliver Hermanus’ ‘Living.’

    He does at least find some solace in Miss Harris (Aimee Lou Wood), a young woman who had worked in his office before moving to a tea house in search of a better job. Her positive energy has a real effect on him, their chaste friendship becoming more of a motivator in his life, even if his son and daughter-in-law confront him about the potential scandal of Williams spending time with her––this is still 1950s London, don’t forget, where people of his standing are expected to be proper.

    And at work, he also becomes more inspired, pushing to help a women’s group get a playground built on a patch of waste ground, seeing it as the most important legacy he can leave behind.

    Opening with beautifully restored archive footage of the period before seamlessly segueing into the movie itself, ‘Living’ is a striking, moving achievement.

    A lot of that is a credit to Nighy, who has excelled in light comedies and heavy dramas (and the occasional blockbuster, acting through CG prosthetics in some of the ‘Pirates of the Caribbean’ movies.)

    Bill Nighy stars in director Oliver Hermanus' 'Living.'
    Bill Nighy stars in director Oliver Hermanus’ ‘Living.’

    Here, he’s the perfect stone-faced performer for Williams, able to imbue the man with an aloof sense of authority that melts into human realization as time marches on and the character learns of his fate. Nighy can say more with a twitch of his lip than some actors can with an entire monologue.

    Which is not to say that Ishiguro’s script isn’t wonderful––it is, finding new layers to the story that even Kurosawa and his esteemed colleagues didn’t dig out.

    Director Hermanus, meanwhile, stages it all with style and grace, an evocation of British life at the time that pops off the screen in different ways, whether it’s the forest of suits and bowler hats boarding a train at the start or the tents full of bawdy behavior that Williams experiences on his trip.

    And Nighy is surrounded by some superb supporting cast members. Wood, a veteran of Netflix series ‘Sex Education’ is a real delight here, her sprightly yet demure Miss Harris a tonic for the viewer as much as she is for Williams. The likes of Alex Sharp, Adrian Rawlings and Oliver Chris shade in his co-workers even if they’re not the biggest part of the story.

    Bill Nighy stars in director Oliver Hermanus' 'Living.'
    Bill Nighy stars in director Oliver Hermanus’ ‘Living.’

    And an awkward scene between Williams and his son is a masterpiece of frosty British reserve, emotions that are bubbling under the surface kept firmly in check.

    If there is one downside to the film, it lies in the pacing towards the end (which also affects the original). Once the inevitable befalls Williams, those left behind are a little at sea, and the narrative is similarly impacted. A slightly overlong speech from a policeman reminiscing about having seen Williams sitting in the playground he helped make a reality feels uncomfortable and momentarily breaks the spell that the movie has so effectively cast.

    Yet it’s a blip in an otherwise unimpeachable film that rewards patience and confirms that Nighy is one of the best actors working today. Like Williams himself, it might seem cold and mannered, but there’s a huge heart at work in ‘Living’.

    ‘Living’ receives 4.5 out of 5 stars.

    Bill Nighy stars in director Oliver Hermanus' 'Living.'
    Bill Nighy stars in director Oliver Hermanus’ ‘Living.’
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  • Florence Pugh Features in the First Pictures of ‘The Wonder’

    Florence Pugh in Netflix's 'The Wonder.'
    Florence Pugh in Netflix’s ‘The Wonder.’

    Everyone might still be talking about the behind-the-scenes and festival drama of ‘Don’t Worry Darling’, but Florence Pugh’s career is about more than that controversial headline magnet.

    With strong reviews out of the Telluride and Toronto film festivals, Netflix has now released some new images from Pugh’s next film, ‘The Wonder’.

    This is the latest drama from Sebastián Lelio, who is responsible for movies such as ‘Disobedience’ ‘Gloria Bell’, ‘The Year of the Tiger’ and ‘A Fantastic Woman’, which took the Oscar for Best Foreign Language Film of the Year.

    For ‘The Wonder’, the director worked with co-writer Alice Birch to adapt the novel by Emma Donoghue, who wrote the book ‘Room’, which itself was turned into a movie that helped Brie Larson win an Oscar.

    Donoghue herself was inspired by a real-life phenomenon from the 19th Century, primarily found in the UK and Europe, of “fasting girls”. They were young, Victorian era girls, usually pre-adolescent, who claimed to be able to survive over indefinitely long periods of time without consuming any food or other nourishment. In addition to refusing food, fasting girls claimed to have special religious or magical powers.

    The story for the movie itself is set in the Irish Midlands, in 1862. A young girl stops eating but remains miraculously alive and well. English nurse Lib Wright is brought to a tiny village to observe eleven-year old Anna O’Donnell (Kila Lord Cassidy). Tourists and pilgrims mass to witness the girl who is said to have survived without food for months.

    Tom Burke, Kíla Lord Cassidy and Florence Pugh in Netflix's 'The Wonder.'
    (L to R) Tom Burke, Kíla Lord Cassidy and Florence Pugh in Netflix’s ‘The Wonder.’

    Is the village harboring a saint ‘surviving on manna from heaven’ or are there more ominous motives at work?

    A big part of the movie is the debate between fact and faith – Pugh’s Wright is a firm believer in the former, where the event has many in the area convinced of the latter.

    “Lib was an incredibly realistic and open-minded character to play,” Pugh told Indiewire. “While that was easy morally to understand, it was also tricky to find that balance. The instinct for her to push back had to be tame and discreet, which is always tricky for me.” And she felt comfortable with her director. “We felt very connected the moment we met,” she wrote. “I felt very safe and heard instantly.”

    And while Pugh would be a good get for any movie, one person on the creative team in particular was happy to reunite with her: Alice Birch, who also wrote ‘Lady Macbeth’, in which Pugh starred.

    “Alice was very happy when Florence signed on,” Lelio said in that same Indiewire interview. “She is an actress who brings a great level of interpretation to her roles. She makes you want to be on her side. You feel invited into a film because of her magnetism and strength. We had to rethink the script in a way. The energy of the scenes were redefined by her presence.”

    ‘The Wonder’s supporting cast is similarly solid, including Tom Burke, Niamh Algar, Elaine Cassidy, Toby Jones, Ciarán Hinds, Dermot Crowley, Brían F. O’Byrne and David Wilmot. The movie will be on Netflix on November 16th.

    Florence Pugh and director Sebastián Lelio on the set of Netflix's 'The Wonder.'
    (L to R) Florence Pugh and director Sebastián Lelio on the set of Netflix’s ‘The Wonder.’
    Tom Burke and Florence Pugh in Netflix's 'The Wonder.'
    (L to R) Tom Burke and Florence Pugh in Netflix’s ‘The Wonder.’
    Florence Pugh and Elaine Cassidy in Netflix's 'The Wonder.'
    (L to R) Florence Pugh and Elaine Cassidy in Netflix’s ‘The Wonder.’
    Florence Pugh, and Kíla Lord Cassidy in Netflix's 'The Wonder.'
    (L to R) Florence Pugh, and Kíla Lord Cassidy in Netflix’s ‘The Wonder.’
    Kíla Lord Cassidy in Netflix's 'The Wonder.'
    Kíla Lord Cassidy in Netflix’s ‘The Wonder.’
    Niamh Algar in Netflix's 'The Wonder.'
    Niamh Algar in Netflix’s ‘The Wonder.’
    Tom Burke, Florence Pugh, and Kíla Lord Cassidy in Netflix's 'The Wonder.'
    (L to R) Tom Burke, Florence Pugh, and Kíla Lord Cassidy in Netflix’s ‘The Wonder.’
    Elaine Cassidy, Toby Jones, Kíla Lord Cassidy, Niamh Algar, and Florence Pugh in Netflix's 'The Wonder.'
    (L to R) Elaine Cassidy, Toby Jones, Kíla Lord Cassidy, Niamh Algar, and Florence Pugh in Netflix’s ‘The Wonder.’
    Tom Burke in Netflix's 'The Wonder.'
    Tom Burke in Netflix’s ‘The Wonder.’
    Toby Jones, Dermot Crowley, and Ciarán Hinds in Netflix's 'The Wonder.'
    (L to R) Toby Jones, Dermot Crowley, and Ciarán Hinds in Netflix’s ‘The Wonder.’
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