Tag: the-wrecking-crew

The new buddy cop action movie ‘The Wrecking Crew’, which was directed by Ángel Manuel Soto (‘Blue Beetle’), premieres on Prime Video beginning January 28th.

Written by Jonathan Tropper (‘The Adam Project’), the film stars Jason Momoa (‘Aquaman’), Dave Bautista (‘Guardians of the Galaxy’), Morena Baccarin (‘Deadpool’), Jacob Batalon (‘Spider-Man: No Way Home’), and Stephen Root (‘Office Space’).

Moviefone recently had the pleasure of speaking with Jonathan Tropper about his work on ‘The Wrecking Crew’, developing the script with Jason Momoa and Dave Bautista, writing for them specifically, the buddy cop genre, balancing the comedy and action, director Ángel Manuel Soto’s contributions to the script, and how he feels about actors improvising on set.

Tropper also discussed his work on the upcoming ‘Star Wars: Starfighter’, what it’s like writing a ‘Star Wars’ movie, what fans can expect from the new film, and what will surprise them the most.

Related Article: Shawn Levy and Ryan Gosling’s ‘Star Wars’ Movie is Titled ‘Starfighter’

Moviefone: To begin with, I understand that you developed the idea for the movie with Jason Momoa and Dave Bautista. Can you talk about that and what it’s like writing specifically for them?

Jonathan Tropper: We all worked together on a show called ‘See’ on Apple TV, and that’s where I really discovered them. ‘See’ was a pretty serious drama. I mean, it was an action show, but it was a lot of drama. Their roles were very heavy and very dramatic. But the minute the camera stopped rolling; they were just so funny. The banter between them, their appreciation for comedy, and their love for comedy. They both have this desire not to just be seen as monolithic action heroes, but to also do human characters and do comedy. So, we had talked a lot about that, and we had also all discovered our mutual love for the action movies of the late ‘80s and the early ‘90s, in particular Shane Black’s movies. So, we’d always talked about stuff like that. Then we went our separate ways after the show and staid loosely in touch but forgot about it. Then Dave put out that Tweet, which started the whole ball rolling again. I don’t remember who reached out to who first, but I remember in speaking to Jason, he already had a strong idea of wanting it to be estranged brothers, he wanted them to be dealing with daddy issues and he wanted it in Hawaii. He wanted to really show the underbelly of Hawaii and not to show the touristy version of Hawaii. So that was already in place. Dave had some ideas about his character as well. I took that whole thing and then began creating the story. I went out to Hawaii and Jason knows a lot of people out there. I was able to meet a lot of people, see the important places and learn some of the history so that I knew how to weave in what I needed to weave in. It just felt very organic, and it happened quickly. From the time Dave put out that Tweet, to the time we were out there pitching it and selling it and then writing it and making it. As far as movie development goes, it happened fast.

MF: The movie gives off major ‘Lethal Weapon’ and ‘Tango & Cash’ vibes. Can you talk about your love for the buddy cop genre and other films that influenced you?

JT: I think ‘Lethal Weapon’ was a big influence for us, for sure. I think that’s the one where we all kept saying “’Lethal Weapon’ in Hawaii, right?” We all talked about that and ‘48 Hrs.’ and even movies like ‘Running Scared’. I know Ángel our director has mentioned that movie once or twice. But it’s movies that retain the grit of an action drama while you’re doing comedy. There’s just a great dissonance to the comedy being put in this gritty setting, which is something I’ve loved about all those movies. It’s life or death stakes. It’s gritty, it’s dirty. The action is, incredibly visceral and at the same time, it’s funny. So, I think there’s a rich history. We certainly didn’t invent or even reinvent the genre, and we kind of leaned into the tropes of it. We just wanted to celebrate it.

MF: Can you also talk about the tone of the script and finding the right balance between action and comedy?

JT: For me, it always starts with character, and these are two brothers who have a share trauma that goes back to their childhood that instead of bringing them together has torn them apart. So, that’s the beating heart of the movie. I think Jason and Dave’s performances really do convey that. For me, that was always the most important part, the comedy, you could always dial that up or down in the dialogue and in the set pieces, but to me, the most important part was to make sure the beating heart of the movie was the relationship between these two brothers. So that’s where I put my primary focus and having just worked with those guys for a long time, I kind of know the rhythms of their speech. So, it was fun to write for them but that was the easy part. The important part was just tracking their emotional journey together.

MF: I was surprised by how funny Jason and Dave are in the movie? Did you realize how funny they were, and did you play into when writing the script?

JT: Yeah, that’s what I discovered on set when we were doing ‘See’, was like they were doing such heavy dramatic stuff, but the minute the camera stopped rolling, they’re funny guys. They love being funny. They don’t want to be seen it as monolithic action heroes. They want to be seen as actors. They love comedy and I know Dave’s also doing a lot of drama now. I think, like everyone else, they just want to be pushed creatively into areas that they don’t normally get to do. Jason’s been doing a bunch of companies lately, but I think together the distance between the two characters leads to a lot of comedy.

MF: Actor Jacob Batalon has said that he improvised a lot on the set of this movie. As a screenwriter, how do you feel about actors improvising and not saying the words you wrote?

JT: I’ve been lucky that in most cases, they follow the basic rhythms of the script, but bring their own imprimatur to it. Jacob is a funny guy, and I’m always happy to take credit for good improvising. If it doesn’t work out, and sometimes it doesn’t, then it’s the editor’s job and the director’s job to figure out what works and what doesn’t. But the kind of improvising Jacob was doing, I never could have written for him because I didn’t know him. I didn’t know his voice. I don’t have his history. But he was doing something that was authentic to who he is and who that character was and so it only made it better, I think.

MF: Can you talk about working with director Ángel Manuel Soto and did he have ideas that you added to the script?

JT: Ángel is a very powerful creative force. He comes in with a lot of ideas, and he’s also willing to go the distance on ideas before he figures that out if they work or not. So, there was a lot of work with Ángel, and I even went out to New Zealand to do work with him. But there’s a lot of trying things and there’s a lot of exploring things. I know Ángel saw a lot of similarities between Puerto Rico and Hawaii in terms of their histories. It was important to him that we capture some of that in the script. So, I think the real work for me began then because writing the first draft was almost too easy. When he came on board and started pulling threads and trying to really find what he wanted. It led to a lot of great stuff, and it was a lot more work. I’ll also tell you that I had written that whole car chase with the helicopter and everything. But then he sits down and goes, “Well, let’s put these guys on a motorcycle,” and he came up with a whole addition to it. The whole middle section of that action set piece was all his idea. He has a good eye for action. I think this script was important to him for a lot of reasons.

MF: You wrote the upcoming ‘Star Wars: Starfighter’, directed by Shawn Levy. What was it like for you writing a ‘Star Wars’ movie and getting to “play in that sandbox”?

JT: It is every bit as exciting as I hoped it would be, and it is also a lot more work than I thought it would be. It was really one of the probably toughest, most rewarding jobs I’ve ever had. It’s just so much bigger than anything I’ve done because of the history, because of the mythology, and because of the apparatus that comes with it. It was always exciting and had a million pinch me moments but at the same time, it was a lot of work.

MF: Finally, what should ‘Star Wars’ fans expect from the new film, and what do you think will surprise them the most?

JT: I would say that fans should expect something new and different, but in very much the spirit of the original ‘Star Wars’ movies. We really wanted adventure, excitement, wish fulfillment and the joy that we felt as little kids seeing those first versions of the movies. Anything that grows for generations develops a lot more mythology and weight in history. I think we just wanted to go back to the joy and excitement of how it felt when we were kids seeing these movies.

What is the plot of ‘The Wrecking Crew’?

Two half-brothers, a loose cannon cop (Jason Momoa) and a disciplined Navy SEAL (Dave Bautista), must work together to unravel a conspiracy behind their father’s murder in Hawaii.

Who is in the cast of ‘The Wrecking Crew’?

• Jason Momoa as Jonny
• Dave Bautista as James
• Morena Baccarin as Valentina
• Jacob Batalon as Pika
• Stephen Root as Detective Sergeant Karl Rennert
• Temuera Morrison

List of Ángel Manuel Soto Movies:

• ‘Frailty‘ (2012)
• ‘Charm City Kings‘ (2020)
• ‘Blue Beetle‘ (2023)
• ‘The Wrecking Crew‘ (2026)

Buy Jason Momoa Movies on Amazon