Aubrey Plaza in ‘The White Lotus’ season 2. Photo: Fabio Lovino/HBO.
The actual plotline for the season remains unknown for now, but if past seasons are anything to go by, it’ll once more see the clientele of a White Lotus resort (this time with Château de La Messardière in Saint-Tropez, France rumored as a main location) dealing with issues of wealth, privilege, dysfunction and, of course, probably a death or two.
Walton Goggins in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
Helena Bonham Carter and Kumail Nanjiani are among the ‘White Lotus’ Season 4 cast.
Chris Messina, Max Greenfield and more will also show up.
The new series will be set at a French resort.
From the start, creator/showrunner Mike White has been able to command an eclectic, often starry cast for HBO series ‘The White Lotus,’ which spins a murder mystery each season at a different resort from the titular fictional chain.
Michelle Monaghan in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
The actual plotline for the season remains a mystery for now, but if past seasons are anything to go by, it’ll once more see the clientele of a White Lotus resort (this time reportedly in France) rocked by a suspicious death or two.
With White writing and directing as always, the season will be shooting this year.
(L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
The Actor Awards Presented by SAG-AFTRA will stream Sunday March 1st on Netflix.
Preview:
‘Sinners’ and ‘One Battle After Another’ won prizes at this year’s Actor Awards.
The ceremony, on behalf of actors’ unions SAG-AFTRA, was shown on Netflix.
Kristen Bell hosted.
While they may forever be known as the SAG awards, the ceremony organized by actors’ unions the Screen Actors Guild and the American Federation of Television and Radio Artists, which were re-titled The Actor Awards last year, returned to screens this evening for their 32nd annual event, broadcast again by Netflix.
Kristen Bell hosts the 32nd Annual Actor Awards at the Shrine Auditorium, Los Angeles, California. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Cast in a Motion Picture
(L to R) Delroy Lindo, Miles Caton, Wunmi Mosaku, Omar Miller, Jayme Lawson, and Michael B. Jordan win Outstanding Performance by a Cast in a Motion Picture for ‘Sinners’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Male Actor in a Leading Role
Michael B. Jordan wins Outstanding Performance by a Male Actor in a Leading Role for ‘Sinners’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley wins Outstanding Performance by a Female Actor in a Supporting Role for ‘Hamnet’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Female Actor in a Supporting Role
Amy Madigan wins Outstanding Performance by a Female Actor in a Supporting Role for ‘Weapons’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by an Ensemble in a Drama Series
Noah Wyle and the cast of ‘The Pitt’ win Outstanding Performance by an Ensemble in a Drama Series for ‘The Pitt’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by an Ensemble in a Comedy Series
(L to R) Seth Rogen, Ike Barinholtz, Chase Sui Wonders and Kathryn Hahn win Outstanding Performance by an Ensemble in a Comedy Series for ‘The Studio’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Male Actor in a Drama Series
Noah Wyle wins Outstanding Performance by a Male Actor in a Drama Series for ‘The Pitt’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Female Actor in a Drama Series
Keri Russell wins Outstanding Performance by a Female Actor in a Drama Series for ‘The Diplomat’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Male Actor in a Comedy Series
Seth Rogen wins Outstanding Performance by a Male Actor in a Comedy Series for ‘The Studio’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Outstanding Performance by a Female Actor in a Television Movie or Limited Series
Michelle Williams wins Outstanding Performance by a Female Actor in a Television Movie or Limited Series for ‘Dying for Sex’ at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Harrison Ford receives the Screen Actors Guild Life Achievement Award at the 32nd Annual Actor Awards. Photo by Rich Polk/Shutterstock for The Actor Awards.
Editorial Note: James White contributed to this article.
As a whole, it was a fairly run-of-the-mill awards ceremony – some tearful speeches, a sprinkling of politics, jokes about Leonardo DiCaprio’s dating life – but got the job done.
Glaser returned to host again, offering a few fun skits (a parody of the Nicole Kidman AMC ad targeting podcasts, and a mash-up for ‘KPop Demon Hunters’ and ‘Marty Supreme’ with a Fran Drescher cameo.
Yes, some of the jokes were entirely predictable, but there were some pointed jabs at CBS News (“see BS News”) and the Epstein Files.
And overall, Glaser kept the show moving (it eventually ended roughly 10 minutes late).
There were a lot of expected winners, including several trophies for ‘One Battle After Another,’ ‘Sinners’ and the latest for ‘Marty Supreme’s Timothée Chalamet.
But the surprises were more fun –– ‘Hamnet’ scooped the Motion Picture – Drama award, while ‘The Secret Agent’ nabbed Non-English Language Film and a more unexpected (if entirely deserved) Actor trophy for star Wagner Moura.
A lot of the TV awards for drama and comedy were similar to other shows such as the Emmys, with ‘The Pitt,’‘The Studio’ and ‘Adolescence’ all winning more hardware for their trophy cabinets.
Awards shows are usually a mix of humble and heartfelt, and ‘One Battle’s Teyana Taylor certainly got that in early with her tearful acceptance moment.
Outside of acceptance speeches, Judd Apatow killed it presenting Best Director, nodding to Nikki Glaser’s history babysitting his daughters and his “quiet boycott” of the awards after ‘Trainwreck’ lost to ‘The Martian’ in the comedy category a decade ago.
Wanda Sykes was also on top form as she presented the Stand-Up category, swiping at Bill Maher and particularly Ricky Gervais, whose award she accepted “on behalf of God and trans people.”
And Snoop Dogg was… Snoop Dogg, handing out the first Podcast award, which was won by Amy Poehler for ‘Good Hang.’
There was much praise for Macaulay Culkin, who was presenting Best Screenplay, and scored a standing ovation as he took the stage.
Julia Roberts hyped up her own stint on stage Presenting Best Motion Picture Comedy, while poor George Clooney had to note that he did not get the same reaction presenting drama, a fact reiterated by pal Don Cheadle, who showed up to gently rib him.
The Golden Globes will air on Paramount+ live January 11th, 2026.
Preview:
‘One Battle After Another,’ ‘Hamnet’ and more won at this year’s Golden Globes.
Seth Rogen and Noah Wyle were among the TV nominees who went home with trophies.
The show added Podcast and stand-up categories this year.
The 2026 Golden Globes ceremony happened on Sunday night, and there weren’t a lot of surprises.
Host Nikki Glaser’s opening monologue took some potshots at the Warner Bros./Netflix deal, Leonardo DiCaprio’s penchant for younger girlfriends and, in slightly more pointed moments, the Epstein files and the ongoing, disturbing changes at CBS news.
On the TV front, it also felt a little like a repeat of other awards ceremonies, with the likes of Noah Wyle, Jean Smart and Seth Rogen all picking up trophies after winning at other events.
At least the Podcast category was new, even if Amy Poehler (a popular former Globes host) wasn’t a big shock winner for her ‘Good Hang’ interview show.
But if you were a composer hoping to see your work honored, you were out of luck, since the Globes organizers chose to hand out that category off the air (congratulations and, er, sorry to ‘Sinners’ Ludwig Göransson, by the way).
The Actor Awards Presented by SAG-AFTRA will stream on Netflix March 1st.
Preview:
The nominations for the 2026 Actor Awards have been announced.
‘One Battle After Another’ leads the film field with seven nods.
The ceremony will screen on Netflix once more.
Despite the somewhat surprising decision to change the name of the Screen Actors Guild Awards to the clunkier The Actor Awards presented by SAG-AFTRA, everything else about the performer-focused awards is remaining the same.
Outstanding Performance by an Ensemble in a Drama Series
(L to R) Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sarah Catherine Hook, and Sam Nivola in ‘The White Lotus’ Season 3. Photo: Fabio Lovino/HBO.
The Golden Globes will take place on December 8th.
Despite lots of changes behind the scenes and some serious PR airbrushing, the Golden Globes never quite retained their luster. Still, they’re a big stop on the awards circuit and the nominations were announced today by Marlon Wayans and Skye P. Marshall during a press conference held at the Beverly Hilton in Los Angeles.
And on the TV front, ‘The White Lotus’ and this year’s big small screen sensation, the one-shot drama ‘Adolescence’ have the most nominations for their side of the awards.
Best Performance by a Male Actor in a Supporting Role in Any Motion Picture
(L to R) Teyana Taylor as Perfidia and Sean Penn as Col. Steven J. Lockjaw in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Paul Thomas Anderson, ‘One Battle After Another’ Ryan Coogler, ‘Sinners’
Guillermo del Toro, ‘Frankenstein’ Jafar Panahi, ‘It Was Just an Accident’ Joachim Trier, ‘Sentimental Value’
Paul Thomas Anderson, ‘One Battle After Another’ Ronald Bronstein, Josh Safdie, ‘Marty Supreme’
Ryan Coogler, ‘Sinners’
Jafar Panahi, ‘It Was Just an Accident’ Eskil Vogt, Joachim Trier, ‘Sentimental Value’ Chloé Zhao, Maggie O’Farrell, ‘Hamnet’
Cynthia Erivo is Elphaba in ‘Wicked For Good’, directed by Jon M. Chu.
“Dream as One”, ‘Avatar: Fire and Ash’
“Golden”, ‘KPop Demon Hunters’
“I Lied to You”, ‘Sinners’
“No Place Like Home”, ‘Wicked: For Good’
“The Girl in the Bubble”, ‘Wicked: For Good’
“Train Dreams”, ‘Train Dreams’
The 77th Emmys hosted by Nate Bargatze will air on CBS and Paramount+ September 14th.
Preview:
‘The Studio’, ‘Hacks’ and more won at the Emmy Awards.
Noah Wyle and Britt Lower were named lead actors in a drama for their shows.
Nate Bargatze hosted the show.
This year’s Emmy Awards were held on Sunday night, and there were a lot of expected winners, including repeat appearances from Team ‘Hacks‘ (Jean Smart scored fourth award) and ‘The Traitors’.
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Nate Bargatze hosted –– but beyond a relatively fun opening monologue taking expected swipes at TV such as ‘The Bear’ qualifying as comedy rather than drama, he wasn’t all that impressive as emcee for the night. The only element that worked was a running total donation to the Boys & Girls Club of America he promised, which went up and down according to how well winners kept to a 45-second speech limit.
Stephen Colbert was the first presenter of the night, and in a nod to his show being cancelled by CBS (the channel that ran the ceremony this year), asked nominee Harrison Ford to get his resume to Steven Spielberg.
The directing for a Limited Series category featured five women to one man. Of course the man won it! ‘Adolescence’ overseer Philip Barantini took the trophy — the limited series itself won a clutch of awards.
The 2025 Emmy nominees were announced this morning.
‘Severance’, ‘The Penguin’ and ‘The Studio’ scored the most nominations.
‘Paradise’ and Netflix limited series ‘Adolescence’ were among the new arrivals.
The 2025 Emmy Award nominees were announced this morning by ‘What We Do in the Shadows’ actor Harvey Guillen and ‘Running Point’s Brenda Song, though the Television Academy spurred some grumbling by choosing to have two categories –– Outstanding Talk Series and Reality Competition Series –– four hours early on ‘CBS Mornings.’
This year, from a critical and awards standpoint, it was clear that the second season of Apple TV+ sci-fi drama ‘Severance’ was worth waiting for –– it nabbed 27 nominations, including Drama Series and a shot at a clutch of acting awards.
Harrison Ford in ‘Shrinking,’ now streaming on Apple TV+.
It was also a good day for aging actors in terms of awards: Harrison Ford landed his first career Emmy nomination for his role in ‘Shrinking’, making him the second oldest actor to earn one, while Kathy Bates became the oldest woman nominated in the Drama Lead Actress category thanks to her work on ‘Matlock.’
Not having such a great time of it? Elisabeth Moss, who failed to land a nomination for the final season of ‘The Handmaid’s Tale’, while ‘Yellowjackets’ was notably absent from the list and despite the show and its stars repeating, ‘The Bear’s creator Christopher Storer didn’t make the cut this time around.
(L to R) Sandra Diaz-Twine, Trishelle Cannatella, Chris ‘C.T.’ Tamburello, Alan Cumming, Kate Chastain, Mercedes “MJ” Javid in ‘The Traitors’. Photo by: Euan Cherry/Peacock.
(L to R) Jason Isaacs and Maxine Peake in ‘Words of War’. Photo: Decal.
Moviefone recently had the pleasure of speaking with Maxine Peake and Jason Isaacs about their work on ‘Words of War’, Peake’s first reaction to the screenplay and Politkovskaya’s true story, her approach to playing the character, Anna and Alexander’s relationship, Isaacs’ experience working with Peake, and what it was like for Peake to collaborate with director James Strong on set.
You can read our full interview below or click on the video player above to watch our interviews with Peake and Isaacs, as well as director James Strong, and producer Mark Maxey.
Maxine Peake in ‘Words of War’. Photo: Decal.
Moviefone: To begin with, Maxine, what was your first reaction to the screenplay and learning of Anna Politkovskaya’s true story, and how did you approach playing her in this film?
Maxine Peake: The first reaction, initially, even before the script came in, I was told the script was coming and it was about Anna Politkovskaya. That straight away felt like a no-brainer. Plus, the script is going to have to be bad for me to say no. Then I read Eric’s (Poppen) script, and I thought it was fabulous. I just loved the way it told a domestic life as well as a professional journalistic life. I thought the balance was fabulous. For me, what really struck home was what was happening at home, what was happening in her life with her husband, with her children, and that impact, because I don’t think we see that a lot. We see the intrepid journalist now but what is happening back on home soil for her? It was interesting because it’s set in Russia. We’re playing real-life people. But that for me initially was like, “How’s this going to work?” But I think it’s the right thing to do that we kept our own voices. We were playing as English. I think if we’d have done the accents, it would’ve maybe tilt it into something very different. But I think for me, that was quite an interesting dynamic of creating this character who wasn’t from where I’m from, but was in many ways who I am.
MF: Jason, can you talk about Anna and Alexander’s marriage, how he felt about her work and how that affected both of their lives?
Jason Isaacs: My version of Alexander, because he didn’t tell me these things, but there are some things that are very well-documented. Like he lost his job. He was a shining star in this political chat program, but he was also enjoying the benefits. They might’ve been violently against this newly elected president, (Vladimir) Putin, but nonetheless, he was a popular TV star, and he was not when his wife became infamous. When she really challenged the regime, that was the beginning of his career taking a real downturn. So, I played what my instincts told me must have happened. He was both loving her, respecting her, and jealous of her, and resentful of her and all those things together. It’s not that I played anything because I was opposite a magnificent actress, and I just wanted her to say or do the things I wanted her to do. Acting is never actually about the thing you are doing. It’s about what you want the other person to do. I wanted her to value me. I wanted her to stop doing it. I wanted her not to endanger the family, but maybe it was really my ego. I wanted all those things. I wanted stuff from her. I think something like this happened, but we’re not trying to recreate it as a documentary. We’re trying to tell a dramatic story. So, my version is he had a very troubled time and he had great difficulty with what happened to his wife.
Jason Isaacs in ‘Words of War’. Photo: Decal.
MF: Jason, what was your experience like working with Maxine to create that relationship on screen?
JI: She is a brilliant actress, and the fact is, you do a bunch of research, you do whatever you can. If people are alive, you talk to them. If not, you talk to people who knew them. You read it. Then you look at the script and you just follow your human instincts. Instincts that have been honed over decades and decades of creating human beings that seem in the round. Then James says, “Action.” He let us off the leash a lot to improvise, to try and create a healthy dynamic. You try and make something real, emotional, and truthful happen in the moment, and that’s what it is. He’s an award-winning director for a reason.
MF: Finally, Maxine, what was it like collaborating with director James Strong on set?
MP: It was great because he did let us off the leash, didn’t he? He let us improvise. We just had a freedom. He trusted us to, what Jason said before, do those scenes and they’ve got to feel in the moment, and you’ve got to feel real, and that people are connecting. We didn’t stray a million miles away from the script, but just being able to play that in the moment, and like Jason says, to affect each other, which is the most important thing. Not knowing what was coming next from each other. You have the skeleton of the scene, but just to have different bouncing off points. It’s like a dance. The film looks beautiful as well. You know what I mean? But yeah, it’s the trust. He had trust in us, which you don’t always get.
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What is the plot of ‘Words of War’?
Anna Politkovskaya (Maxine Peake) was a journalist and human rights activist who persisted with reporting on the conflict in Chechnya despite considerable danger to herself and tried to expose corruption within Russia under the governance of Vladimir Putin. She continued in the face of poisoning, intimidation and violence before being the victim of a contract killing in the elevator of her house on October 7, 2006.
