Tag: the-terminator

  • ‘Secrets of the Bees’ Interview: James Cameron and More

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    Premiering March 31st on National Geographic, and April 1st on Disney+ and Hulu is the new documentary series ‘Secrets of the Bees’, which was executive produced by James Cameron (‘Titanic’, ‘Avatar: Fire and Ash’).

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    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’.

    Moviefone recently had the pleasure of visiting Lightstorm Entertainment’s offices, along with other members of the press, to speak with James Cameron and Dr. Samuel Ramsey about the new docuseries ‘Secrets of the Bees’, finding the story in post-production, the special cameras utilized for the project, the science of the series, what they hope viewers learn from the show, and why nature is important to Cameron.

    You can watch the full interview below or click on the video player above to watch the interview.

    Related Article: Director James Cameron and Kate Winslet Talk ‘Avatar: The Way of Water’

    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'. Photo: Jami Philbrick.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’. Photo: Jami Philbrick.

    Moviefone: To begin with, Mr. Cameron, can you talk about developing the show’s narrative in the post-production process and discovering the story based on the incredible footage you were able to capture?

    James Cameron: It’s a recursive effect. You go in with a rough script and you go in with experienced people who have done this kind of macro photography out in the field. It’s basically a wish list or a hope list. You go and if you get the right people on the team, you’re going to get the results that you wanted, you’re going to get the kind of mind-blowing footage that you want. But when you do discover something new, then the script changes and the edit will change. So, you put it together and you rough it in according to what your game plan was, but you also must be ready to follow a lead and write new dialogue. We find that the voiceover narration and so on and the way in which it’s structured and explained is quite fluid right through to the end of postproduction. So, the story is continuing to reveal itself to us as we go along. I mean, I’d say all documentaries are like that, but certainly natural history documentaries at this kind of scale are absolutely like that. The story’s constantly revealing itself to you as you go along, just as nature is constantly revealing itself to science as you go along. It’s kind of a parallel process.

    Cinematographer Owen Carter filming the broomstick bee (Osmia bicolor) sequence in 'Secrets of Bees'. Photo credit: National Geographic/Nadege Laici.
    Cinematographer Owen Carter filming the broomstick bee (Osmia bicolor) sequence in ‘Secrets of Bees’. Photo credit: National Geographic/Nadege Laici.

    James, can you talk about the cutting-edge camera technology you utilized to make this series?

    JC: Well, our camera team is very experienced with macro photography and have been doing it for decades. The camera technology itself wasn’t really the leap forward. It was really, how do we configure the hive environment around various other environments like tunnels and things that were done with the solo bees. But how do we get into their world? So, you know, I’m not an expert in animal photography, where you’re creating an environment that, we’ve got the best people in the world to do that. But it’s about not interfering with their behavior, making it seem natural for them but still getting the camera in a manner that’s reasonably predictable, that the bee or the animal will do that behavior right in front of the lens. When you have a little tiny area of photography, you have a very shallow depth of field, and this is always the problem with macro photography. So, it’s really about the human in the loop experience team, and these days, less than breakthroughs in the optics, per se.

    A scene from 'Secrets of Bees'. Photo credit: National Geographic.
    A scene from ‘Secrets of Bees’. Photo credit: National Geographic.

    Dr. Ramsey, from a scientific point of view, can you talk about what you learned about the world of bees from this project?

    Samuel Ramsey: So, the way that these kinds of things often work is that when you’re conducting science, sometimes you just don’t have the time and space to be patient. A lot of the most incredible discoveries come from patience. What Jim was just talking about, about being able to get those cameras into that space, you can’t just leave the camera there forever. The bees will cover it in propolis, and wax and you’ll never be able to see anything. You’ve got to get it in there and wait, watch, and really spend the time looking at what they’re doing and hope for the best. That can be really difficult at times in science, but it’s in these spaces where you have the resources and the team that comes along with working with National Geographic, where you can really do this incredible stuff because we’re working with people who do all of this for a living, who are the best, and the top of their field at doing this sort of stuff. So then, with the bees that were using these leaves as a way of covering up the smell from the hornets, that’s the first time that that’s ever been documented. It is incredible to watch them do something like this, and of course, all of us were blown away. We expected that they would be able to do something like that, but not specifically that because it showed that they weren’t just looking for one thing and doing something on instinct. They had the ability to think, “Well, if I can’t find this, maybe I’ll use this as an alternative and it will allow us to cover the smell so that the hornets don’t kill us.” It’s an incredible process. But what it really involves a lot of is patience, because we go there, we’re looking for something specific, but we don’t know exactly what we’re going to see. We must wait and watch and really drill down and allow for time to show us the incredible secrets of the bees.

    A beekeeper holds a honey frame which has a large group of honey bees on it at the University of Colorado in 'Secrets of Bees'. Photo credit: National Geographic/Ryan Tidman.
    A beekeeper holds a honey frame which has a large group of honey bees on it at the University of Colorado in ‘Secrets of Bees’. Photo credit: National Geographic/Ryan Tidman.

    Dr. Ramsey, what do you hope viewers learn about bees from this series?

    SR: I want people to take away from this series that bees are working hard in the background doing things that keep our entire ecosystem healthy. They don’t get enough attention and they certainly don’t get protected nearly enough. Oftentimes when we say, “Save the Bees,” we mean “Save the Bee.” We’re thinking about the one bee species that we keep inside of a box because that’s the one that’s the most precious to us and it’s the one that we know the best. But they are the canary in the coal mine for the other 20,000 species of bees out there that we don’t have as close a connection with, and we’ve been able to show in this documentary some of their secret lives that they’re living underground and inside of tubes and the kinds of ways that they’re interacting with the world. If we couldn’t show that to people, it would be easier for them to discount that those things are important. But now that we’re able to put that front and center in front of people’s eyes, we want them to take away from that that these organisms are important, that they’re incredible, and we want them to expand that phrase of “Save the Bee” back to “Save the Bees” to keep the rest of them safe, healthy, and happy.

    Bumble bee passes nectar from her fore legs to hind legs in 'Secrets of Bees'. Photo credit: National Geographic.
    Bumble bee passes nectar from her fore legs to hind legs in ‘Secrets of Bees’. Photo credit: National Geographic.

    Mr. Cameron, what do you hope people learn from watching this series?

    JC: Well, you’re opening several different areas here. So, in terms of what I think the series in general is trying to convey, and the ‘Secrets of the Bees’ is an excellent example, is a sense of wonder about the natural world, because we won’t appreciate and make space for and protect that which we don’t love and don’t care about. The way to get people to care about things is to put them into it in a way that’s accessible, that’s not scientifically off-putting. Our primary purpose is not to sound very strident warnings, but as the series has progressed, we have shifted our emphasis a little bit toward this is what is endangered, this is what we may lose. You start off with “Isn’t this amazing?” Therefore, “Isn’t this precious? Oh, and by the way, it’s at risk.” That’s the last leg of that. “What can you do personally?” We don’t get into that that much, but that’s a critical area. I think this is where, when you start the conversation, it’s important not only as documentarians but as the National Geographic in general, to have answers. I think one of the issues that we all face in a global population of eight billion people is, what can I as an individual do? I can’t influence policy, and we all think of it as a government top-down system, and it doesn’t have to be. Let me give you an example. I’m vegan, I want to say that right up front. Animal agriculture is responsible for so much deforestation and loss of habitat that impacts not only bees but all species. The way in which we do our food system with massive industrial agriculture that’s mostly monocropping is also highly deleterious to bees, so it’s not just as simple as insecticides. It’s also, the simplification of monocropping just vast fields of corn or soy or wheat versus diversified vegetables and fruits, which is really what we should be eating as the intelligent hominids on the planet. For example, as a thought experiment, if people just stopped eating meat, which you can and you’d be healthier if you did, we could re-wild more than half of the planet, more than half of the area that’s been dedicated to agriculture, could be re-wild. That would be very good for the bees and for just about every other species out there. So, we make choices as a civilization and as individuals, and those choices have consequences. I think that the way to start getting people to think of those consequences is to let them see the victims, if you will. So, if we can relate to these bees, these hardworking ladies in these hives all over the world, then we may start to make better choices.

    Asian giant Hornet portait at the entrance of an Asian honeybee hive in 'Secrets of Bees'. Photo credit: National Geographic.
    Asian giant Hornet portait at the entrance of an Asian honeybee hive in ‘Secrets of Bees’. Photo credit: National Geographic.

    Finally, Mr. Cameron, nature plays an important role in many of your films including ‘The Abyss’, ‘Titanic’, and the ‘Avatar’ franchise. Can you talk about why nature is important to you as a storyteller?

    JC: I grew up living in a suburban neighborhood, but two blocks away a forest began that went for hundreds of miles. This was in Canada, so it was a rural area, and I grew up with a natural curiosity. I spent all my time out in the fields and out in the woods collecting bugs, snakes, frogs, turtles, and everything that I could get my hands on. I was reading about it and doing dissection, preservation, and drawing it all up, so I was a junior naturalist. Nobody asked me to do this, nobody told me to do it, it was just my natural curiosity. So, I know that that’s always been a driver throughout my life. Before I settled in on a career in film, I went to college to study astronomy and physics, believe it or not. So, I think curiosity is our superpower as human beings and I think science is a natural extension of that. Yes, of course we all reap the benefits in our technological world of science. But I think science in and of itself is just an amazing thing, and I have such respect for researchers and my curiosity is very broad.

    'Secrets of the Bees' premieres on Disney+ and Hulu April 1st.
    ‘Secrets of the Bees’ premieres on Disney+ and Hulu April 1st.

    What is the plot of ‘Secrets of the Bees’?

    Hosted and narrated by BAFTA and Emmy-winning National Geographic Explorer Bertie Gregory, ‘Secrets of the Bees’ uses groundbreaking filming technology to reveal the extraordinary world of bees. With the expertise of entomologist and fellow National Geographic Explorer Dr. Samuel Ramsey, the series uncovers their astonishing architecture and intelligence, unlocking their secrets and featuring never-before-filmed moments.

    Who is the host of ‘Secrets of the Bees’?

    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'. Photo: Jami Philbrick.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’. Photo: Jami Philbrick.

    List of James Cameron Movies:

    Buy James Cameron Movies on Amazon

  • ‘Osiris’ Exclusive Interview: Linda Hamilton

    (L to R) Linda Hamilton and Brianna Hildebrand in 'Osiris'. Photo: XYZ Films.
    (L to R) Linda Hamilton and Brianna Hildebrand in ‘Osiris’. Photo: XYZ Films.

    Opening in theaters on July 25th is the new sci-fi action film ‘Osiris’, which was directed by William Kaufman (‘Daylight’s End’) and stars Max Martini (‘13 Hours: The Secret Soldiers of Benghazi’), Brianna Hilderbrand (‘Deadpool’), LaMonica Garrett (‘Arrow’), and Linda Hamilton (‘Terminator 2: Judgment Day’).

    Moviefone recently had the pleasure of speaking with legendary actress Linda Hamilton about her work on ‘Osiris’, her first reaction to the screenplay, playing a survivor, working with the cast, practical effects vs. VFX, shooting aliens and her love for sci-fi, as well as her experience making ‘The Terminator’ movies and the legacy of Sara Connor in pop culture.

    Related Article: James Cameron Drops Hints of a “Secret” New ‘Terminator’ Project He’s Overseeing

    Linda Hamilton in 'Osiris'. Photo: XYZ Films.
    Linda Hamilton in ‘Osiris’. Photo: XYZ Films.

    Moviefone: To begin with, can you talk about your first reaction to the screenplay and why you wanted to be a part of this project?

    Linda Hamilton: It was a real fast handoff. It came to me during the strike, so it was darn convenient, it was one of the protected independents, and so it was an opportunity to get something done during the strike, because I don’t like sitting around at home. But more than that, it was just fun. She had a Russian accent, and I was all in. I hadn’t done one for 35 years or something like that. So, then you think, “Oh, muscle memory”, I loved playing Russian, but you really must start all over again. So, it was local, it was fast, it was hard, and it was Russian. Why not?

    MF: Your character, Anya is a survivor, and obviously you have played survivors in the past. Can you talk about Anya’s resilience and your approach to playing her?

    LH: Yes. I certainly do play survivors, but situationally, I enjoyed it, the different situation of, we don’t really know much about her, everyone is a bit mysterious in this film. But then, as she tells the story, and you realize the size of the problem. I really enjoyed monsters on a spaceship, how much fun is that? I love Sci-Fi. So, it was just down and dirty, and fast, and I like to work like that too. I like to support newer filmmakers, and it felt like the cast was strong. It’s situations like this where you really fall extra in love with moviemaking, just these committed actors, kind of exhausted, the characters are bandaged, and hardened, and filthy, and they were the greatest troupe. I’d like to go acting with all of them, they were just so solid, and really helping each other out, and welcoming of me. It was just fantastic to work like that. It always is great to work like that, but you don’t always get to work like that.

    (L to R) Max Martini and Brianna Hildebrand in 'Osiris'. Photo: XYZ Films.
    (L to R) Max Martini and Brianna Hildebrand in ‘Osiris’. Photo: XYZ Films.

    MF: What was it like working with Max Martini and Brianna Hilderbrand?

    LH: Well, as I’ve said, I didn’t have a lot of time to get all my prep on, I was so busy getting the character ready. I think I went in one day for fittings, and I think maybe I worked or went in to sit with them. It’s great if you can be there from the beginning, and see what they’re building, but that did not happen. I didn’t really have the time. So, when I showed up, everybody was just great, so welcoming, so supportive, and the actors were like a troop. Max is so handsome. I was like, “Who is this guy”? He’s so good and such a leading man, in an action film. All of them, I could have felt that way, they all lent something, I thought it was well cast. Brianna was lovely. It was just fun, three days of fun.

    MF: You mentioned you love science fiction. What do you love about the genre and what was it like shooting aliens on screen?

    LH: Well, that’s good. There was a lot of pressure to do this and do that. William is phenomenal about knowing what he needs. We went in for some re-shoots and he said, “I need this shot”. The stuff that gets lost on the big days, but really is going to sell it. Like me changing ammo, or whatever. He’s very confident. As far as the genre, I just think I got really bored with professional women, and beautiful women parts, you know what I mean? I like the wild side. I like unpredictable. I like surprising people. I don’t want to look the same, or be the same, or do the same. So, I enjoy those wilder parts. I just love how rich the world is, and the possibilities.

    (L to R) LaMonica Garrett, Max Martini and Michael Irby in 'Osiris'. Photo: XYZ Films.
    (L to R) LaMonica Garrett, Max Martini and Michael Irby in ‘Osiris’. Photo: XYZ Films.

    MF: The film features a lot of practical effects, and you obviously have experience working with visual effects on the ‘Terminator’ movies, so what was it like for you personally to make that adjustment and have something in front of you to work off in this film?

    LH: Oh, I can play all different ways. You just tell me what I’m seeing. I’m very quick, because you must be when you’ve done a lot of action. You just must be quick on your feet. I started with blue screen before green screen. I’ve gotten to be here during a very interesting time. Because in the early days I did ‘King Kong Lives’, I know it’s probably your favorite film of all time. It’s the one that no one ever talks about. But what we had doing that film was a green screen and one moving arm, a foot, and a head that were practical. The rest you had to make up in your mind. You know what I mean? We didn’t do anything in those days to help an actor figure out where the eye line was, or what they’re seeing. You had to do a whole lot of mental work to make it come alive when there’s nothing there. So, I feel like I got some good training.

    Linda Hamilton in 'Terminator 2: Judgment Day'. Photo: Tri-Star Pictures.
    Linda Hamilton in ‘Terminator 2: Judgment Day’. Photo: Tri-Star Pictures.

    MF: Finally, I’m sure you are aware of the incredible impact your role as Sarah Connor in ‘The Terminator’ movies has had on pop culture. Looking back on that now, how does it feel to know that this character and your performance means so much to so many people?

    LH: Well, that’s something that only hits decades later, really, the size of the impact. You must get back a few generations to see what it really is. It was never my intention; (my appearance in ‘Terminator 2: Judgment Day’) was not vanity at all. It was simply, I better look like a hardened soldier. I said to Jim (Cameron), because he hadn’t written it yet, and I said, “Make her crazy, she’s been living with this knowledge of the future for all these years.” So, I contributed a little bit, and I then worked out hard, but it never occurred to me that I was going to represent the future empowered female actor. You know what I mean? You’re not thinking about impact like that. So, I’m a little uncomfortable with the whole legacy thing, and I think that if you live long enough, I’m 68 now, I’m like, wow, I suddenly am an icon and a legacy, just because I’m 68. Those words start coming out from people, and I’m so uncomfortable with it, like on set, I’m like, “No, no, no, I’m just a working actor, I am not all that.” That’s not false modesty, it’s like that was never the effort, that was a lucky accident that happened because of the timing, and because I worked hard, for sure. I think really my entire legacy rests on the fact that I didn’t cut my hair, when Jim wanted me to, It made perfect sense that she’s getting out of the mental hospital, this is in the second movie, and she’s going to cut her hair off because then a soldier has nothing for you to grab. I was like, “Why don’t I just throw it back in a ponytail?” I think the difference is that I didn’t have to look like a man to be strong. I think it all hinged on the fact that I kept my hair long. So, it’s funny, it’s just a little moment, but I think it was the fact that a woman can be feminine and strong.

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    What is the plot of ‘Osiris’?

    Special Forces commandos on a mission are abducted mid-operation by a mysterious spacecraft. Upon waking aboard, they find themselves prey to a relentless alien race in a fight for survival.

    Who is in the cast of ‘Osiris’?

    Linda Hamilton in 'Terminator 2: Judgment Day'. Photo: Tri-Star Pictures.
    Linda Hamilton in ‘Terminator 2: Judgment Day’. Photo: Tri-Star Pictures.

    List of Linda Hamilton Movies and TV Shows:

    Buy Linda Hamilton Movies on Amazon

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  • TV Review: ‘FUBAR’

    Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    A core concept about a spy whose family is drawn into his work sounds a lot like James Cameron’s 1994 action-comedy thriller ‘True Lies’, which starred Arnold Schwarzenegger and Jamie Lee Curtis.

    And indeed, such a show exists –– it’s even called ‘True Lies’ and has the same plotline albeit with some tweaks –– but unfortunately that series, which had its first season on CBS, failed to ignite interest with audiences and has been cancelled.

    Premiering its entire first season on Netflix, ‘FUBAR’ is an example of how to do that story with an even lighter touch and while it may not have the title, it does have a not-so-secret weapon: the return of Arnold Schwarzenegger to the blend of laughs and set-pieces that made ‘True Lies’ so entertaining.

    Monica Barbaro as Emma Brunner, Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    (L to R) Monica Barbaro as Emma Brunner, Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    What happens in ‘FUBAR’?

    The series follows Schwarzenegger’s Luke Brunner, a CIA operative with a knack for inventively taking down bad guys (essentially an Arnie character from his 1980s heyday) and a venerable reputation at the agency.

    But Luke, long since realizing the toll his job and its need for total secrecy had on his family –– he’s been divorced from wife Tally (Fabiana Udenio) for nearly 20 years –– is ready to retire. He plans to win his wife back and properly reconnect with his grown children, especially Emma (Monica Barbaro).

    Before he can really call it quits, though, he’s informed that Boro (Gabriel Luna), the son of a terrorist Luke dispatched years ago while working undercover, has resurfaced and is aiming to relaunch his father’s dangerous organization with even more vehemence. So, our hero must go back into the field… Whereupon he discovers that Emma is already there, and that she’s been a CIA operative herself for the last few years. The father-daughter bonding he’d hoped to achieve now takes on a much more elevated, more dangerous nature…

    Created and run by Nick Santora (who previously worked on the likes of ‘Scorpion’ and ‘Reacher’), ‘FUBAR’ is a Skydance Television project.

    Fortune Feimster as Roo Russell, Travis Van Winkle as Aldon Reece in 'Fubar.'
    (L to R) Fortune Feimster as Roo Russell, Travis Van Winkle as Aldon Reece in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Who else appears in ‘FUBAR’?

    This show also features Fortune Feimster, Barbara Eve Harris, Travis Van Winkle, Aparna Brielle, Jay Baruchel, Milan Carter and Scott Thompson.

    Is ‘FUBAR’ worth your time?

    If you’ve been missing the sort of action charisma that Schwarzenegger brings to screens, then this should help mitigate those withdrawal symptoms. The actor and former bodybuilder has had a rough go of it with recent cinematic choices (‘Terminator: Dark Fate’ seemingly putting the final nail in the coffin of his work with that franchise, and others including ‘Iron Mask’ and ‘Killing Gunther’ hardly burnishing his career or box office with glory).

    With ‘FUBAR’, he’s on much more solid territory.

    Schwarzenegger’s on good form as Luke, his usual bravado on display but balanced with a decent sprinkling of vulnerability. While this is a man who absolutely knows he’s one of the best in the business, he’s still prone to making mistakes when it comes to those he loves.

    Fortune Feimster as Roo Russell, Milan Carter as Barry Putt, Aparna Brielle as Tina Mukerji, Travis Van Winkle as Aldon Reece, and Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    (L to R) Fortune Feimster as Roo Russell, Milan Carter as Barry Putt, Aparna Brielle as Tina Mukerji, Travis Van Winkle as Aldon Reece, and Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Related Article: Arnold Schwarzenegger Talks Candidly About the Future of Movies Such as ‘Triplets’ and ‘The Terminator’ Franchise

    Santora and his team has smartly built the ensemble around their leading man so as to take some of the comedy load off him. Milan Carter in particular is well developed as Barry, Luke’s CIA tech guy and “man in the chair” who also happens to be the only person who also knows his family (the two run a gym supply company as their cover story).

    And it’s far from a two-man operation, Luke and Barry surrounded by a team that has both spy capabilities and winning comic personas –– Feimster and Van Winkle give good banter as Roo and Aldo, the duo’s usual backup in the field. As the story develops, all of the cast are given solid running jokes or moments to show what they can do, and the characters feel the benefit of the show’s running time to become more than just throwaway sidekicks.

    Even smaller roles, such as Scott Thompson as the CIA psychiatrist hired to help Luke and Emma figure out their fractured relationship, work well, Thompson at one point breaking out puppets of the pair to aid their communication.

    Barbaro, meanwhile, has to carry more of the dramatic weight and does so with skill and finesse. Though you might not quite always buy her as Arnie’s daughter, she’s more than up to the task of sparring with him and can also hold her own when it comes to the action sequences. At home, meanwhile, she has some funny interactions with her nervy boyfriend, played by Baruchel.

    Monica Barbaro as Emma Brunner, and Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    (L to R) Monica Barbaro as Emma Brunner, and Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Arnie’s limits

    We all know, of course, that Schwarzenegger, for all that he brings to screens, is not the world’s greatest actor. And ‘FUBAR’ certainly stretches that idea in places. He can deliver some of the comedy and a fair portion of the drama, but he’s still more comfortable when things are blowing up or he’s being imposing.

    The show also takes a while to truly hit its stride –– though it kicks off with a fun action sequence, it doesn’t quite manage to hide the early exposition dump to introduce Luke’s situation and various family connections. And there are moments where you really feel like you’re watching a pilot episode for a show.

    Plus, even with the sort of generous budget afforded by Netflix, the stunt sequences will never quite challenge the levels routinely on display in Schwarzenegger’s glory days. And one or two subplots, such as rival gym supply company owners complaining about Luke’s success when he rarely seems to be in the office have the whiff of something quickly whipped up to give Tally more to do when she starts working for him (still unaware of his double life).

    Still, stick with it and the series soon finds the right blend of espionage set up and goofy comedy. It’s the most fun Arnie has had on screen in years and that proves to be infectious.

    ‘FUBAR’ receives 6.5 out of 10 stars.

    Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Other Arnold Schwarzenegger Movies:

    Buy Arnold Schwarzenegger Movies on Amazon

  • Arnold Schwarzenegger Talks His Future Projects

    Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Arnold Schwarzenegger is not a man to mince words. If he wants to say something, he’ll say it. In his career, he’s been a successful bodybuilder, an action legend (even if he’s not necessarily known for Oscar-caliber acting) and a politician.

    These days, he’s also known as an online activist, looking to spread positivity and workout tips on social media and beyond. He also hasn’t completely given up on acting, with new Netflix series ‘FUBAR’ due to start streaming on May 25th.

    In the course of promoting that show, Schwarzenegger has opened up for a wide-ranging interview in The Hollywood Reporter, touching on his successes and failures, both personally and professionally.

    The interview includes the former governor of California talking up the progress of future movie projects, including two of his most famous franchises, the ‘Terminator’ and ‘Conan’, plus offering a disappointing update on the ‘Twins’ sequel, ‘Triplets’.

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    ‘The Legend of Conan’

    The ‘Conan’ movie series, originally adapted by John Milius from Robert E. Howard’s fantasy warrior, has been in limbo –– at least in terms of projects featuring Arnie –– despite reboots with other actors such as Jason Momoa. And Schwarzenegger knows why.

    Here’s what he says of the “pending”, sequel ‘The Legend of Conan’:

    “It’s been pending for the last 10 years. (Fredrik) Malmberg owns the rights. He comes to me and says, ‘Oh, I have a deal with Netflix,’ and when we ask Netflix, they don’t know anything about it. It’s one of those crazy things. I hope he figures it out. I think you do it like ‘Unforgiven’, where you play the age. There’s a great script out there that John Milius wrote, and others have written one. The story is there. There are directors who want to do it. But he has the rights, and until he sells the rights for one or two movies, or for the franchise, there’s nothing you can do about it.”

    Arnold Schwarzenegger as the Terminator in 'Terminator 2: Judgment Day.'
    Arnold Schwarzenegger as the Terminator in ‘Terminator 2: Judgment Day.’

    Related Article: Arnold Schwarzenegger to Star in Prison Thriller ‘Breakout’

    ‘The Terminator’ Franchise

    When it came to one of his most famous franchises –– the one he’s long acknowledged truly launched him as an action icon –– he’s even more forthright. Essentially, the ‘Terminator’ movies are going to move on without him.

    Here’s what Schwarzenegger had to say:

    “The franchise is not done. I’m done. I got the message loud and clear that the world wants to move on with a different theme when it comes to ‘The Terminator’. Someone has to come up with a great idea. ‘The Terminator’ was largely responsible for my success, so I always would look at it very fondly. The first three movies were great. Number four (‘Salvation’) I was not in because I was governor. Then five (‘Genisys’) and six (‘Dark Fate’) didn’t close the deal as far as I’m concerned. We knew that ahead of time because they were just not well written.”

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    ‘Twins’ sequel ‘Triplets’

    And finally, there’s ‘Triplets’, the sequel to the 1988 Ivan Reitman comedy ‘Twins’ which saw Schwarzenegger playing unlikely brothers with Danny DeVito. The new movie had finally been gathering pace in recent years, with first Eddie Murphy and then Tracy Morgan agreeing to play the third unexpected sibling. But according to the actor, it’s on permanent hold following Reitman’s death, mostly because of the director’s son Jason, a filmmaker in his own right. And Arnie’s not pleased.

    Here’s his comment:

    “Jason Reitman f****d it up! Jason Reitman literally stopped the project when his father died. His father wanted to do it really badly. I wanted to do it really badly. Danny DeVito wanted to do it really badly. We had the financing. When his father passed away, Jason says, ‘I never liked the idea’ and put a hold on it. I’m developing another movie with Danny; he’s so much fun to work with and so talented.”

    For more from Schwarzenegger, head to The Hollywood Reporter’s site.

    Arnold Schwarzenegger as Luke Brunner in 'Fubar.'
    Arnold Schwarzenegger as Luke Brunner in ‘Fubar.’ Photo: Christos Kalohoridis/Netflix © 2023.

    Other Arnold Schwarzenegger Movies:

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  • Arnold Schwarzenegger Starring in ‘Breakout’

    Arnold Schwarzenegger as Sheriff Ray Owens in 'The Last Stand.'
    Arnold Schwarzenegger as Sheriff Ray Owens in ‘The Last Stand.’

    Arnold Schwarzenegger seems to be spending less time on cinema screens these days, his last major release happening in 2019 (though since that was ‘Terminator: Dark Fate’, we can imagine him wanting to take a break). But he’s making moves to snatch a starring role again, agreeing to lead new action thriller ‘Breakout’.

    Scott Waugh, who has made movies including ‘Act of Valor’, ‘Need for Speed’ and the upcoming ‘The Expendables 4’ (which seemingly features almost every action icon bar Schwarzenegger), is on to call the shots for the new film.

    Schwarzenegger here will play Terry Reynolds. When his stepson, Daniel, is framed and sentenced to 25 years in a foreign country, Reynolds recruits some old friends to help makes a daring jailbreak to save him, hoping to overcome an overzealous prison warden in a race against time to avoid capture and flee the country.

    It’s not like Schwarzenegger doesn’t have experience breaking out of prisons –– he did, after all, star in the first ‘Escape Plan’ alongside Sylvester Stallone, but this one promises to be a little less ridiculous.

    Arnold Schwarzenegger as Captain Benjamin "Ben" Richards in 'The Running Man.'
    Arnold Schwarzenegger as Captain Benjamin “Ben” Richards in ‘The Running Man.’

    Related Article: James Cameron Says he’s Considering Another ‘Terminator’ Reboot

    RZA history

    This is not the first time the movie has been in active development, as ‘The Call’s Richard D’Ovidio wrote the screenplay, in cahoots with his regular collaborator (and wife) Nicole D’Ovidio back in 2015.

    Then, rapper-turned-filmmaker RZA was attached to direct at a time when he was looking to make as many films as possible following ‘The Man with the Iron Fists’. But it has since lingered in limbo, not even getting as far as the casting stage. Back then, the setting was Bangladesh, though some elements appear to have changed in the story.

    This time, things appear to be going much more smoothly given the addition of Arnie and the fact that the shoot is due to kick off this year in Eastern Europe.

    But if that’s not enough Schwarzenegger in your life, he has a couple of other projects headed our way –– cinema-wise, he’s back as the president in action comedy ‘Kung Fury 2’, which doesn’t yet have a release date for the States.

    Before that, he’ll be on our TV screens in Netflix’s ‘FUBAR’, in which he plays Luke Brunner, who has kept the truth of his status as an ace CIA agent for decades. He’s anticipating retirement (and looking to win the affections of his divorced wife back), only to learn that his daughter Emma (‘Top Gun: Maverick’s Monica Barbaro) is also an agent and is now in danger undercover with a villain that Luke has dealt with in the past). Cue an awkward team-up that reveals other family secrets and results in lots of things exploding. Think ‘True Lies’ but with a slightly different family dynamic. That will be on screens on May 25th.

    Arnold Schwarzenegger as the Terminator in 'Terminator 2: Judgment Day.'
    Arnold Schwarzenegger as the Terminator in ‘Terminator 2: Judgment Day.’

    Other Movies Starring Arnold Schwarzenegger:

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  • James Cameron Says he’s Considering Another ‘Terminator’ Reboot

    Edward Furlong as John Connor and Arnold Schwarzenegger as the Terminator in director James Cameron's 'Terminator 2: Judgment Day.'
    (L to R) Edward Furlong as John Connor and Arnold Schwarzenegger as the Terminator in director James Cameron’s ‘Terminator 2: Judgment Day.’

    James Cameron is going to be spending most of his future filmmaking time on Pandora, or at least virtually, making the various sequels to ‘Avatar’ and its new follow-up, ‘Avatar: The Way of Water’, which has recently hit theaters.

    But he still has his mind on other franchises that he’s launched or helped along in the years past, including ‘Alita: Battle Angel’. And, if anyone else really wants to touch the subject after the abject failure of ‘Terminator: Dark Fate’, another movie set in the world of Skynet and dangerous technology.

    Talking on the ‘Smartless’ podcast, Cameron admitted that he’d at least had discussions about a potential next ‘Terminator’ movie, though it sounds like it’ll have less to do with Arnold Schwarzenegger’s killer cyborg.

    “If I were to do another ‘Terminator’ film and maybe try to launch that franchise again, which is in discussion, but nothing has been decided, I would make it much more about the AI side of it than bad robots gone crazy,” Cameron told the hosts.

    And he’s also recently been candid about the fate––pun intended––of ‘Dark Fate’, admitting that it had its own issues.

    Linda Hamilton in 'Terminator: Dark Fate.'
    Linda Hamilton in ‘Terminator: Dark Fate.’

    The movie, directed by ‘Deadpool’s Tim Miller and for which Cameron helped crank out the story and worked as producer, was not a big success at the box office, though the filmmaker seems happy that it got made at all.

    “I think, I’m actually reasonably happy with the film. Tim and I had our battles and we’ve both spoken about that, but the crazy thing is we’re still pals. Which is weird. I liked him before the movie, didn’t like him very much during the movie, and I like him now, and I think he feels the same way,” Cameron told Deadline.

    And he’s also open as to why it didn’t work completely. “I think the problem, and I’m going to wear this one, is that I refused to do it without Arnold. Tim didn’t want Arnold, but I said, “Look, I don’t want that. Arnold and I have been friends for 40 years, and I could hear it, and it would go like this: ‘Jim, I can’t believe you’re making a Terminator movie without me.’ ” Cameron laughs. “It just didn’t mean that much to me to do it, but I said, ‘If you guys could see your way clear to bringing Arnold back and then, you know, I’d be happy to be involved.’ ”

    But it snowballed from there, according to Cameron… “And then Tim wanted Linda (Hamilton). I think what happened is I think the movie could have survived having Linda in it, I think it could have survived having Arnold in it, but when you put Linda and Arnold in it and then, you know, she’s 60-something, he’s 70-something, all of a sudden it wasn’t your ‘Terminator’ movie, it wasn’t even your dad’s ‘Terminator’ movie, it was your granddad’s ‘Terminator’ movie,” he admits. “And we didn’t see that. We loved it, we thought it was cool, you know, that we were making this sort of direct sequel to a movie that came out in 1991. And young moviegoing audiences weren’t born. They wouldn’t even have been born for another 10 years.”

    Director James Cameron for 'Avatar: The Way of Water.'
    Director James Cameron for ‘Avatar: The Way of Water.’

    ‘Avatar: The Way of Water’, meanwhile, is doing a little bit better at the box office, though perhaps not with an opening (here in the States at least) as big as it might have been––or that it needs to really earn its expansive budget back.

    ‘The Way of Water’ opened with $134 million after its first weekend, certainly impressive (in an era of fewer movies seeing big numbers), but below Disney’s expectations. And below Cameron’s own real hopes. The director himself had said before its launch that the movie would “have to be the third or fourth highest-grossing film in history” to break even, and this is certainly not that.

    Still, as has been said many times before, no one should count out James Cameron. The movie has still enjoyed the sixth best opening ever for December, the month’s best non-MCU and non- ‘Star Wars’ opening, was 74% ahead of the first ‘Avatar’ ($77 million) and 5.5% ahead of this year’s own box office champ, ‘Top Gun: Maverick’ ($127 million).

    Internationally the film opened to $301 million, bringing the global weekend total to $435 million. It’s the second biggest global start of the year, right at the tail of ‘Doctor Strange in the Multiverse of Madness’ $442 million global bow.

    Jake Sully and Neteyam in 20th Century Studios' 'Avatar: The Way of Water.'
    (L to R): Jake Sully and Neteyam in 20th Century Studios’ ‘Avatar: The Way of Water.’ Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

    And it has been swamping cinema takings in places such as the UK, where it debuted at No. 1 with a gargantuan £11.1 million ($13.5 million). In fairness, no other studio dared open a big release against it, and the film faces little major competition in the coming couple of weeks, so it could well hold on and keep earning big bucks, especially if good word of mouth works in its favor.

    Reviews for the movie across the spectrum from outright pans to raves, somewhat in keeping with the original movie, which, let’s not forget, went on to become the highest-grossing film of all time, until it was unseated by ‘Avengers: Endgame’, and managed to reclaim the title thanks to re-releases.

    Cameron’s latest effectively has the holiday period to itself, at least in terms of major, all-audience releases, so there’s plenty of opportunity ahead for it to scoop up cash like a Pandoran Nalutsa glides through the ocean, hovering up plants and small animals.

    With big spectacle and a desire for audiences to see its distinctive, technologically advanced visuals in theaters, expect ‘The Way of Water’ to stay afloat for a while yet. And even if it doesn’t live up to the 2009 movie’s Biggest Movie Ever, it’s far from a flop. Cameron has said he’d let market forces decide if the ‘Avatar’ universe would continue; the fact that he’s still at work on a third (and the others) suggests that his latest effort is being rewarded.

    Whatever it ends up titled, the third ‘Avatar’ outing is scheduled for release on December 20th, 2024.

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  • Best Time Traveling Movies

    best time traveling movies

    Premiering on Netflix March 11th is the new time-traveling family comedy, ‘The Adam Project.’ Directed by Shawn Levy (‘Free Guy‘), the movie stars Ryan Reynolds as a pilot from the future who travels to 2022 to save the timeline and must team-up with the 12-year-old version of himself (Walker Scobell). The movie also features Zoe Saldana, Jennifer Garner, Catherine Keener, and Mark Ruffalo.

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    Hollywood is no stranger to making movies about time travel, with the first being the 1921 silent film ‘A Connecticut Yankee in King Arthur’s Court.’ 1960’s ‘The Time Machine‘ was the first time traveling movie to win an Oscar (for Best Visual Effects), and dozens of movies about time travel have been released since including ‘Planet of the Apes,’ ‘Time Bandits‘ and ‘Time After Time.’

    In honor of ‘The Adam Project’s release, we are counting down the best time traveling movies of the last 40 years!

    Let’s Begin!


    10) ‘Frequency’ (2000)

    Jim Caviezel Radio
    New Line Cinema

    When a rare phenomenon gives police officer John Sullivan (Jim Caviezel) the chance to speak to his father (Dennis Quaid), 30 years in the past, he takes the opportunity to prevent his dad’s tragic death. After his actions inadvertently give rise to a series of brutal murders he and his father must find a way to fix the consequences of altering time.

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    9) ‘Edge of Tomorrow’ (2014)

    Tom Cruise in Edge of Tomorrow movie
    Warner Bros. Pictures

    Major Bill Cage (Tom Cruise) is an officer who has never seen a day of combat when he is unceremoniously demoted and dropped into combat. Cage is killed within minutes, managing to take an alpha alien down with him. He awakens back at the beginning of the same day and is forced to fight and die again… and again – as physical contact with the alien has thrown him into a time loop.

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    8) ‘The Time Traveler’s Wife’ (2009)

    Eric Bana and Rachel McAdams in Time Travelers Wife movie
    Warner Bros.

    Due to a genetic disorder, handsome librarian Henry DeTamble (Eric Bana) involuntarily zips through time, appearing at various moments in the life of his true love, the beautiful artist Clare Abshire (Rachel McAdams).

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    7) ‘Hot Tub Time Machine’ (2010)

    John Cusack in Hot Tub Time Machine movie
    MGM

    A malfunctioning time machine at a ski resort takes a man (John Cusack) back to 1986 with his two friends (Rob Corddry and Craig Robinson) and nephew (Clark Duke), where they must relive a fateful night and not change anything to make sure the nephew is born.

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    6) ‘About Time’ (2013)

    Domhnall Gleeson and Rachel McAdams
    Universal Pictures

    The night after another unsatisfactory New Year’s party, Tim’s (Domhnall Gleeson) father (Bill Nighy) tells his son that the men in his family have always had the ability to travel through time. They can’t change history, but they can change what happens and has happened in their own lives. Thus begins the start of a lesson in learning to appreciate life itself as it is, as it comes, and most importantly, the people living alongside us.

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    5) ‘Groundhog Day’ (1993)

    Bill Murray in Groundhog Day movie
    Columbia Pictures

    A narcissistic TV weatherman (Bill Murray), along with his attractive-but-distant producer (Andie MacDowell), and his mawkish cameraman, is sent to report on Groundhog Day in the small town of Punxsutawney, where he finds himself repeating the same day over and over.

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    4) ‘Time Cop’ (1994)

    Jean-Claude Van Damm
    Universal Pictures

    An officer (Jean-Claude Van Damme) for a security agency that regulates time travel, must fend for his life against a shady politician who has a tie to his past.

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    3) ‘Looper’ (2012)

    Willis and Gordon-Levitt
    TriStar Pictures

    In the futuristic action thriller Looper, time travel will be invented but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past where a looper, a hired gun, like Joe (Joseph Gordon-Levitt) is waiting to mop up. Joe is getting rich and life is good until the day the mob decides to close the loop, sending back Joe’s future self (Bruce Willis) for assassination.

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    2) ‘Terminator’ (1984)

    Arnold Schwarzenegger with gun
    Orion Pictures

    In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the “Terminator” (Arnold Schwarzenegger) back to 1984 to kill Sarah Connor (Linda Hamilton), whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior (Michael Biehn) to safeguard Sarah. Can he stop the virtually indestructible killing machine?

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    1) ‘Back to the Future’ (1985)

    Michael J. Fox in Back to the Future movie
    Universal Pictures

    Eighties teenager Marty McFly (Michael J. Fox) is accidentally sent back in time to 1955, inadvertently disrupting his parents’ first meeting and attracting his mother’s romantic interest. Marty must repair the damage to history by rekindling his parents’ romance and – with the help of his eccentric inventor friend Doc Brown (Christopher Lloyd) – return to 1985.

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  • The 10 Best Action Movies on Hulu Right Now

    The 10 Best Action Movies on Hulu Right Now

  • Arnold Schwarzenegger Posts Sweet ‘Terminator 6’ Reunion Photo With Linda Hamilton

    Arnold Schwarzenegger Posts Sweet ‘Terminator 6’ Reunion Photo With Linda Hamilton

    Terminator 2, Linda Hamilton, Arnold Schwarzenegger
    Carolco Pictures

    They’re baaaaack!

    Arnold Schwarzenegger and Linda Hamilton started the “Terminator” franchise in 1984 with “The Terminator,” then returned for the massive hit “Terminator 2: Judgment Day.”

    And then a bunch of other movies were made. But feel free to forget about them because now Ahhhnold and Linda are back for “Terminator 6,” a sequel to their “T2.” The 2019 movie is now filming, with original director James Cameron also back in action as producer.

    Hamilton has returned to her role as Sarah Connor, with Arnold as the Terminator. There are new cast members on board — including Mackenzie Davis and Natalia Reyes, as shown in the first official photo — but fans got a first look at the OG duo back together when Schwarzenegger shared a birthday post for his leading lady:

    Happy birthday! At least she didn’t end up with the same cuts he somehow got, presumably for whatever scenes they shot on September 26.

    “Terminator 6” will also include new characters played by Gabriel Luna and Diego Boneta. The film is being directed by Tim Miller (“Deadpool”) and it is now scheduled to arrive in theaters on November 15, 2019.

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  • First Official ‘Terminator 6’ Photo Has Sarah Connor Leading New Trio

    First Official ‘Terminator 6’ Photo Has Sarah Connor Leading New Trio

    T2: Judgment Day
    TriStar Pictures

    Come with her if you want to live!

    Linda Hamilton was spotted on the set of “Terminator 6” in late June, but now we have the first official photo showing the return of Sarah Conner.

    We first met Hamilton’s Sarah in “The Terminator” in 1984. She returned — and got super-ripped — in “Terminator 2: Judgment Day” in 1991. “Terminator 6” — which is awaiting its official title — is meant to pick up decades after T2 and blow off the other sequels and reboots.

    This official first look at the new “Terminator” also shows off two newbies: Natalia Reyes as Dani Ramos, and Mackenzie Davis as Grace. The photo shows markings on Grace, which may be a hint on her character:

    Terminator 6
    Paramount Pictures

    “Terminator 6” will also include new characters played by Gabriel  Luna and Diego Boneta. And Arnold Schwarzenegger himself is also returning for more “Terminator” action, in a reunion with Linda Hamilton.

    The new “Terminator” is being directed by Tim Miller (“Deadpool“) but still produced by “Terminator” and T2 leader James Cameron.

    “Terminator 6” is scheduled to arrive in theaters on November 22, 2019.

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