Still from ‘Demon Slayer: Infinity Castle’. Photo: Sony Pictures.
Preview:
‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ won the US box office this weekend.
The movie has earned more than $300 million globally.
‘The Conjuring: Last Rites’ dropped to second place.
Though September is usually viewed as a sluggish time for the box office, Sony’s latest release, Japanese anime movie ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ has struck gold, opening to an impressive $70 million, the biggest opening ever for an anime title and more than double 1999’s ‘Pokémon: The First Movie’, which launched to $31 million.
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It’s just the latest big hit for the medium, following the success of ‘KPop Demon Hunters’, the Sing-Along version of which Sony released in collaboration with Netflix. But while ‘Demon Hunters’ technically doesn’t register on the charts, ‘Demon Castle’ is a theatrical bona fide sensation.
How did ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ do elsewhere?
Still from ‘Demon Slayer: Infinity Castle’. Photo: Sony Pictures.
The new movie, which represents the first part of a trilogy, has already earned plenty of money globally, $300 million to be exact, including more than $200 million in its native Japan where it has become the country’s third-highest-grossing release of all time.
‘The Conjuring: Last Rites’, which had its own successful launch last weekend, took a 69% tumble, making $26.1 million, and bringing its domestic total to $131.1 million.
Third was ‘Downton Abbey: The Grand Finale’, looking to wrap up the series, which started on TV in the UK and previously spawned two other movies. This latest entry made $18.1 million, a little ahead of 2022’s ‘Downton Abbey: A New Era’.
In fourth place, we find ‘The Longest Walk’, the dystopian dramatic thriller adapted from the Stephen King story. It opened to $11.5 million, which considering its troubled development history, is seen as a minor victory for making it to screens at all.
And in fifth, Disney/Pixar’s ‘Toy Story’ was re-released in 2,375 theaters to mark its 30th anniversary, and it made $3.5 million.
Most of the rest of the top 10 was held by current movies, though another sequel, ‘Spinal Tap II: The End Continues’, debuted to a somewhat disappointing $1.67 million in ninth from 1,920 theaters.
(L to R) Christopher Guest and Rob Reiner in Bleecker Street’s ‘Spinal Tap II: The End Continues’. Credit: Bleecker Street / Kyle Kaplan.
‘KPop Demon Hunters’ is the technical winner of this week’s box office.
The movie has been on Netflix for two months but landed in theaters for a sing-along version.
‘Weapons’ also continues to do well.
Netflix is not traditionally a company that releases its movies on the big screen, preferring to drive people towards the app on TVs and elsewhere. There have been exceptions –– award-worthy movies scored short qualifying theatrical runs and Greta Gerwig negotiated an IMAX run for her in-the-works ‘Narnia’ effort.
But there hasn’t been anything like ‘KPop Demon Hunters’, the story of a K-pop superstar girl group who also just so happen to save the world from demonic forces, which has been on the streaming services servers for two months now, surging to become the second-most watched movie on the platform, with some of its songs soaring into download charts.
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Netflix decided to ride the movie’s popularity, and released it as a “sing-along” version on 1,700 screens across North America (and more internationally), scoring a reported figure of between $18-$20 million, which makes it the highest grossing release of the weekend. But there’s an asterisk…
Here’s where things get more complicated. Since Netflix doesn’t release box office figures and wouldn’t comment about ‘Demon Hunters’ actual earnings, the data comes via exhibition sources and rival studios with access to certain data.
So the actual, final tally may never be known.
Which means that Zach Cregger’s successful horror pic ‘Weapons’ technically counts as the top earner for the weekend with $15.6 million from 3,631 cinemas in its third week for an impressive global total of nearly $200 million, through Sunday.
What else happened at the box office this weekend?
If we are to fully count ‘KPop Demon Hunters’ as the top of the charts, that makes ‘Weapons’ a strong second place.
Disney’s ‘Freakier Friday’ fell to third place, making $9.2 million for a global total of $112.3 million.
Fourth was ‘Fantastic Four: First Steps’, which despite early promise hasn’t really lived up to Marvel’s hopes. It took in $5.9 million for a current global total of $490.1 million.
And in fifth, we find animated outing ‘The Bad Guys 2’, which made $5.1 million and had earned $149.1 million globally.
In other box office news, Apple’s ‘F1’, the Brad Pitt-starring racing drama, roared past $600 million worldwide this weekend to become the most successful original movie of 2025.
Can I watch the Sing-Along version of ‘KPop Demon Hunters’ at home?
You can! In a move that surprised few, Netflix announced that the sing-along version of the movie would arrive on servers on Monday August 25th, so by the time you’re reading this, you’d be able to go and sing along to “Golden” or ‘Takedown” in the comfort of your own home (though from the viewing figures, plenty of you were already doing that).
It’s fair to say that the Marvel movies, specifically the Marvel Cinematic Universe releases, have reached “cultural event” status. And there’s a strong case to be made that the MCU is a currently a pop culture juggernaut, the likes of which we haven’t since the original ‘Star Wars‘ trilogy hit theaters for the first time.
It is a great time to watch the Marvel movies in order now and you can watch them all on Disney Plus in 4K format. You can even plan virtual Marvel movie nights with your friends using Disney+ GroupWatch feature.
(L to R) Chris Evans and Sebastian Stan in ‘Captain America: The First Avenger’. Photo: Marvel Studios.
During World War II, Steve Rogers (Chris Evans) is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull (Hugo Weaving) – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
The story follows Carol Danvers (Brie Larson) as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
After being held captive in an Afghan cave, billionaire engineer Tony Stark (Robert Downey Jr.) creates a unique weaponized suit of armor to fight evil.
Scientist Bruce Banner (Edward Norton) scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts (Gwyneth Paltrow) and James ‘Rhodey’ Rhodes (Don Cheadle) at his side, must forge new alliances – and confront powerful enemies.
Against his father Odin’s (Anthony Hopkins) will, The Mighty Thor (Chris Hemsworth) – a powerful but arrogant warrior god – recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.
When an unexpected enemy emerges and threatens global safety and security, Nick Fury (Samuel L. Jackson), director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
When Tony Stark’s (Robert Downey Jr.) world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. Faced with an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor (Chris Hemsworth) must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster (Natalie Portman) and force him to sacrifice everything to save us all.
(L to R) Chris Evans and Scarlett Johansson in ‘Captain America: The Winter Soldier’. Photo: Marvel Studios.
After the cataclysmic events in New York with ‘The Avengers’, Steve Rogers (Chris Evans), aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow (Scarlett Johansson), Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon (Anthony Mackie). However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
Light years from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
When Tony Stark (Robert Downey Jr.) tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron (James Spader) emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Doctor Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Following the events of ‘Age of Ultron’, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man (Robert Downey Jr.) or Captain America (Chris Evans), which causes an epic battle between former allies.
Natasha Romanoff (Scarlett Johansson) aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
Following the events of ‘Captain America: Civil War’, Peter Parker (Tom Holland), with the help of his mentor Tony Stark (Robert Downey Jr.), tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture (Michael Keaton), emerges.
Chadwick Boseman as T’Challa / Black Panther in 2018’s ‘Black Panther.’
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent, to prevent Wakanda from being dragged into a world war.
After his career is destroyed, a brilliant but arrogant surgeon (Benedict Cumberbatch) gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela (Cate Blanchett).
Just when his time under house arrest is about to end, Scott Lang (Paul Rudd) once again puts his freedom at risk to help Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos (Josh Brolin). A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos (Josh Brolin). With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
Shang-Chi (Simu Liu) must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization and his father, Xu Wenwu (Tony Leung).
Peter Parker (Tom Holland) and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury (Samuel L. Jackson) uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Tom Holland in ‘Spider-Man: No Way Home.’ Photo: Marvel Studios.
Peter Parker (Tom Holland) is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange (Benedict Cumberbatch) the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man. Teaming with other Multiverse Spider-Men (Tobey Maguire and Andrew Garfield), they must now work together to take out the Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jamie Foxx) and other Spider-Man villains from around the multiverse.
The Eternals are a team of ancient aliens who have been living on Earth in secret for thousands of years. When an unexpected tragedy forces them out of the shadows, they are forced to reunite against mankind’s most ancient enemy, the Deviants.
Doctor Strange (Benedict Cumberbatch), with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
After his retirement is interrupted by Gorr the God Butcher (Christian Bale), a galactic killer who seeks the extinction of the gods, Thor Odinson (Chris Hemsworth) enlists the help of King Valkyrie (Tessa Thompson), Korg, and ex-girlfriend Jane Foster (Natalie Portman), who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
On a mission to make Christmas unforgettable for Peter Quill (Chris Pratt), the Guardians head to Earth in search of the perfect present. The special follows Drax the Destroyer (Dave Bautista) and Mantis (Pom Klementieff) as they set out to give Quill the best Christmas ever, after discovering that Yondu (Michael Rooker) ruined the holiday for him as a child.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly), along with with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) , and Scott’s daughter Cassie Lang (Kathryn Newton), find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible and pits them against Kang the Conqueror (Jonathan Majors).
Carol Danvers (Brie Larson), aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan (Iman Vellani), aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Together, this unlikely trio must team up and learn to work in concert to save the universe.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner).
With ‘The Fantastic Four: First Steps‘, which welcomes “Marvel’s First Family” to the MCU, opening in theaters on July 25th, Moviefone has ranked every Marvel Cinematic Universe movie ever made, including the latest!
Note: We are only including MCU movies, not the MCU Disney+ series and mini-series.
(L to R) Don Lee, Angelina Jolie, Richard Madden, Salma Hayek, Gemma Chan, and Lia McHugh in Marvel Studios’ ‘Eternals.’ Photo: Marvel Studios.
The Eternals are a team of ancient aliens who have been living on Earth in secret for thousands of years. When an unexpected tragedy forces them out of the shadows, they are forced to reunite against mankind’s most ancient enemy, the Deviants.
Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith (Christopher Eccleston) returns to plunge the universe back into darkness. Faced with an enemy that even Odin (Anthony Hopkins) and Asgard cannot withstand, Thor (Chris Hemsworth) must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster (Natalie Portman) and force him to sacrifice everything to save us all.
Against his father Odin’s (Anthony Hopkins) will, The Mighty Thor (Chris Hemsworth) – a powerful but arrogant warrior god – recklessly reignites an ancient war. Thor is cast down to Earth and forced to live among humans as punishment. Once here, Thor learns what it takes to be a true hero when the most dangerous villain of his world sends the darkest forces of Asgard to invade Earth.
With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press and the public to share his technology with the military. Unwilling to let go of his invention, Stark, with Pepper Potts (Gwyneth Paltrow) and James ‘Rhodey’ Rhodes (Don Cheadle) at his side, must forge new alliances – and confront powerful enemies.
Edward Norton in ‘The Incredible Hulk.’ Photo: Marvel Studios.
Scientist Bruce Banner (Edward Norton) scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
After his retirement is interrupted by Gorr the God Butcher (Christian Bale), a galactic killer who seeks the extinction of the gods, Thor Odinson (Chris Hemsworth) enlists the help of King Valkyrie (Tessa Thompson), Korg, and ex-girlfriend Jane Foster (Natalie Portman), who now wields Mjolnir as the Mighty Thor. Together they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly), along with with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas) , and Scott’s daughter Cassie Lang (Kathryn Newton), find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible and pits them against Kang the Conqueror (Jonathan Majors).
After his career is destroyed, a brilliant but arrogant surgeon (Benedict Cumberbatch) gets a new lease on life when a sorcerer takes him under her wing and trains him to defend the world against evil.
When Tony Stark (Robert Downey Jr.) tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron (James Spader) emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.
Carol Danvers (Brie Larson), aka Captain Marvel, has reclaimed her identity from the tyrannical Kree and taken revenge on the Supreme Intelligence. But unintended consequences see Carol shouldering the burden of a destabilized universe. When her duties send her to an anomalous wormhole linked to a Kree revolutionary, her powers become entangled with that of Jersey City super-fan Kamala Khan (Iman Vellani), aka Ms. Marvel, and Carol’s estranged niece, now S.A.B.E.R. astronaut Captain Monica Rambeau (Teyonah Parris). Together, this unlikely trio must team up and learn to work in concert to save the universe.
Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang (Paul Rudd) must embrace his inner-hero and help his mentor, Doctor Hank Pym (Michael Douglas), protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
Following the events of ‘Captain America: Civil War’, Peter Parker (Tom Holland), with the help of his mentor Tony Stark (Robert Downey Jr.), tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture (Michael Keaton), emerges.
When Tony Stark’s (Robert Downey Jr.) world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.
During World War II, Steve Rogers (Chris Evans) is a sickly man from Brooklyn who’s transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull (Hugo Weaving) – Adolf Hitler’s ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
Natasha Romanoff (Scarlett Johansson) aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.
The story follows Carol Danvers (Brie Larson) as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.
On a dark and somber night, a secret cabal of monster hunters emerge from the shadows and gather at the foreboding Bloodstone Temple following the death of their leader. In a strange and macabre memorial to the leader’s life, the attendees are thrust into a mysterious and deadly competition for a powerful relic—a hunt that will ultimately bring them face to face with a dangerous monster.
After being held captive in an Afghan cave, billionaire engineer Tony Stark (Robert Downey Jr.) creates a unique weaponized suit of armor to fight evil.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red.
Just when his time under house arrest is about to end, Scott Lang (Paul Rudd) once again puts his freedom at risk to help Hope van Dyne (Evangeline Lilly) and Dr. Hank Pym (Michael Douglas) dive into the quantum realm and try to accomplish, against time and any chance of success, a very dangerous rescue mission.
Peter Parker (Tom Holland) and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury (Samuel L. Jackson) uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Shang-Chi (Simu Liu) must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization and his father, Xu Wenwu (Tony Leung).
On a mission to make Christmas unforgettable for Peter Quill (Chris Pratt), the Guardians head to Earth in search of the perfect present. The special follows Drax the Destroyer (Dave Bautista) and Mantis (Pom Klementieff) as they set out to give Quill the best Christmas ever, after discovering that Yondu (Michael Rooker) ruined the holiday for him as a child.
(L to R) Charlize Theron and Benedict Cumberbatch in ‘Doctor Strange in the Multiverse of Madness.’ Photo: Marvel Studios.
Doctor Strange (Benedict Cumberbatch), with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.
Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
When an unexpected enemy emerges and threatens global safety and security, Nick Fury (Samuel L. Jackson), director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!
Following the events of ‘Age of Ultron’, the collective governments of the world pass an act designed to regulate all superhuman activity. This polarizes opinion amongst the Avengers, causing two factions to side with Iron Man (Robert Downey Jr.) or Captain America (Chris Evans), which causes an epic battle between former allies.
After finding themselves ensnared in a death trap, seven disillusioned castoffs must embark on a dangerous mission that will force them to confront the darkest corners of their pasts.
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother, his princess-kid sister, members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent, to prevent Wakanda from being dragged into a world war.
After the cataclysmic events in New York with ‘The Avengers’, Steve Rogers (Chris Evans), aka Captain America is living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow (Scarlett Johansson), Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon (Anthony Mackie). However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.
Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his home-world and the end of Asgardian civilization, at the hands of a powerful new threat, the ruthless Hela (Cate Blanchett).
Light years from Earth, 26 years after being abducted, Peter Quill (Chris Pratt) finds himself the prime target of a manhunt after discovering an orb wanted by Ronan the Accuser.
Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel’s First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner).
As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos (Josh Brolin). A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment – the fate of Earth and existence itself has never been more uncertain.
Peter Parker (Tom Holland) is unmasked and no longer able to separate his normal life from the high-stakes of being a super-hero. When he asks for help from Doctor Strange (Benedict Cumberbatch) the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man. Teaming with other Multiverse Spider-Men (Tobey Maguire and Andrew Garfield), they must now work together to take out the Green Goblin (Willem Dafoe), Doctor Octopus (Alfred Molina), Electro (Jamie Foxx) and other Spider-Man villains from around the multiverse.
Robert Downey Jr. in ‘Avengers: Endgame.’ Photo: Marvel Studios.
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos (Josh Brolin). With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
‘The Fantastic Four: First Steps’ launched to $118 at the domestic box office.
It notched the fourth-biggest box office launch so far this year.
Yet its initial figure was behind ‘Superman’s.
In the battle of the 2025 superhero blockbusters, it appears the Man of Steel is still the strongest. Still, despite opening slightly lower than James Gunn’s DC Studios launch, the latest entry in the Marvel Cinematic Universe still got off to a strong start.
‘The Fantastic Four: First Steps’, which finally brings Marvel’s “First Family” into the MCU, made $118 million in its first weekend.
This latest Marvel effort stretched to $218M global opening, with $100 million from international markets..
The overseas debut is 13% ahead of ‘Thunderbolts*’, 11% ahead of ‘Superman’ and 4% above ‘Captain America: Brave New World’ and more importantly, ahead of projections.
For its part, ‘Superman’ has now topped the half-billion milestone, now at $502.7M worldwide, including $213.2M from international.
Now we’ll have to see how ‘Fantastic Four’ performs going forward. In its favor, it only really has ‘Superman’ as direct competition in terms of genre and audience for a few weeks.
What else happened at the box office this weekend?
‘Superman’ slipped to second place after two weeks at the top –– earning $24.9 million from 3,930 screens, a 57% decline from last weekend. The movie has generated $289.5 million domestically and $502.7 million globally.
Third place went to ‘Jurassic World Rebirth,’ which made $13 million from 3,550 venues in its fourth weekend.
The dinosaur outing has grossed $301 million in North America and $718 million globally, which is impressive, but still behind the other ‘Jurassic World’ franchise entries, which all crossed the $1 billion mark.
Fourth past the post was ‘F1′, the Brad Pitt-starring racing movie set in the world of Formula One.
It took $6.2 million in its fifth lap around the track. That’s a 37% decline from the previous weekend, bringing ticket sales to $165.6 million domestically and $509 million worldwide. Decent, but it carries a hefty $250 million plus budget and anyway, backers Apple are not so worried about theatrical returns as other companies.
Finally, Paramount’s animated musical ‘Smurfs’ rounded out the top five with $5.4 million from 3,504 venues, a 50% drop from its disappointing $11 million debut.
So far, the family film has earned $22.7 million at the domestic box office and $46 million internationally for a worldwide tally of $69 million. Not great!
Marvel Studios’ Kevin Feige at Disney’s 2024 CinemaCon Presentation. Photo: Disney.
Preview:
Kevin Feige has given a wide-ranging interview about the state of Marvel.
He touched on the delays with ‘Blade’.
He also admitted that recent disappointments necessitated a change in thinking.
With the studio’s latest giant release –– and one of its biggest gambles in years on the way via ‘The Fantastic Four: First Steps’, Marvel boss Kevin Feige took the opportunity to address some of the topics that have been floating around, including recent underperforming movies and TV series under the Marvel Cinematic Universe, his own future (spoiler alert: he aims to stick around!) and more.
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Among the other subjects? The long-gestating and troubled development of a new ‘Blade’ movie, and his team’s new seven-year plan for new movies and shows and whether we’ll see actors from end credits cameos in the future.
(Left) Mahershala Ali attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. Photo by Kevin Mazur/Getty Images. (Right) Marvel Studios’ ‘Blade.’
Blade, the Daywalking half-human-half-vampire character most famously played by Wesley Snipes, was announced for a reboot back at 2019’s San Diego Comic-Con. Since then, it has been a drawn-out log of multiple script drafts, directors coming and going, different time periods considered and, all through it, Oscar winner Mahershala Ali staying attached to the lead role.
Here’s what Feige had to say about it:
“You can start and have a good script and make it a great script through production, but we didn’t feel confident we could do that on ‘Blade’. We didn’t want to do that to Mahershala and didn’t want to do that to us. we landed on modern day and that’s what we’re focusing on. We didn’t want to put a leather outfit on Mahershala and have him start killing vampires.”
Feige also joked that Ryan Coogler –– who is developing a third ‘Black Panther’ outing for the company –– added to the delay by utilizing some of the costumes the company had created for a Prohibition-era take on the story in his own recent hit, ‘Sinners’.
The executive also touched on complaints that the sheer output and deepened connectivity between the Disney+ MCU series and the big screen outings were feeling like homework and turning off viewers who hadn’t seen them, which in turn hurt the box office revenues of ‘The Marvels’ and ‘Thunderbolts*’:
“Some of them were still feeling the residual effects of that notion of, ‘I guess I had to have seen these other shows to understand who this is,’ I think if you actually saw the movie, that wouldn’t be the case, and we make the movie so that’s not the case. But I think we still have to make sure the audience understands that.”
According to Feige, the company has a seven-year plan to take it up to 2032, admitting that while he most much of it will stay on track, projects are on magnets on a board in a conference room so they can move around as necessary.
His answer wasn’t entirely convincing, but he took a stab at explaining the change:
“We had started even before what had happened to the actor happened, we had started to realize that Kang wasn’t big enough, wasn’t Thanos, and that there was only one character that could be that, because he was that in the comics for decades and decades. Because of the Fox acquisition, we finally had it, and it was Dr. Doom. So we had started talking about Dr. Doom even before we officially pivoted from Kang. And in fact, I had started talking with Robert [Downey Jr.] about this audacious idea before ‘Ant-Man 3’ even came out. It was a long plan that we had, to take one of our greatest characters and utilize one of our greatest actors.”
What’s next for Marvel?
As mentioned, ‘The Fantastic Four: First Steps’ lands in theaters on Friday.
Given some recent big missteps, low box office returns for its movies and complaints about the interconnectedness of the Disney+ shows, the team behind the Marvel Cinematic Universe had its work cut out to prove that it still has what it takes to compete in the crowded comic book genre field.
Add to that the pressure to properly –– after two attempts of variable quality back when 20th Century Fox owned the rights –– introduce Marvel’s “First Family” to the MCU, and you have the recipe for one almighty stress headache.
Fortunately, in switching focus from an overloaded schedule and chaotically overstuffed character roster, the studio has found its feet again, with a movie that really works.
Taking Stan Lee and Jack Kirby’s work as their inspiration, the various writers who contributed to ‘The Fantastic Four: First Steps’ (that would be Josh Friedman, Eric Pearson, Jeff Kaplan and newcomer Ian Springer) have managed to find a tone and a style of a peppy, retro-futuristic vision that both pays tribute to the characters’ 1960s comics origins and also feels like a fresh approach unmoored (at least until the end) from the wider universe.
Keeping the focus on the leads and ditching a labored repeat of the Four’s origin story (we’re introduced to the characters having already been through their traumatic encounter with cosmic radiation, the backstory helpfully filled in via a TV show about them and montages) proves to be a strength of the new movie, allowing more time for the cast to shine.
Also, this feels like a more human group, foibles and all, even if they have superpowers.
In directing terms, this is the most confident that Marvel has been in years, ‘WandaVision’ veteran Matt Shakman delivering a movie that has the feeling of being finely tooled rather than slapped together to meet a release date deadline.
From the visuals, whose effects feel finished and work for the world the movie portrays to the performances, which all blend together, this is a truly solid effort from the company.
If there are issues to be found, it’s in the creeping influence of the wider Marvel storyline –– it’s hard to truly feel threat when you know that the main cast will be back in future movies. Yes, that’s part and parcel for introductions, and no-one truly expects the company to bring in some of its most famous icons only to slaughter them, but the tropes are tropes for a reason.
But the journey this story takes remains much more enjoyable than the clumsily drawn and edited exploits of ‘Captain America: Brave New World’.
You might be feeling Pedro Pascal overload right now given the sheer amount of recent roles and pop cultural dominance, but there’s no doubting the humanity and sensitivity he brings to super-genius Reed Richards. This is a hero who, despite his incredible smarts, isn’t always as sure of himself as he might be, and impending fatherhood weighs heavy on him.
Pascal is suitably smooth when needed, but enjoyably nerdy.
He plays well off of Vanessa Kirby’s Sue Storm, who is better used than previous takes on the character and benefit from Kirby’s ability to bring life to a woman facing a big life change while embracing her abilities.
Joseph Quinn is an entertainingly endearing Johnny Storm, still a ladies’ man, but here much more well-rounded than the usual hunky version of the hero.
Ebon Moss-Bachrach, helped by some excellent effects work, is a less tortured, more assured take on The Thing.
Around the leads, the world is filled out effectively by the threats: Ralph Ineson’s rumbling tones are put to good use as Galactus, while Julia Garner brings steely menace but also real heart to the role of Shalla-Bal, the Silver Surfer who heralds the arrival of her planet-munching master.
And the likes Mark Gatiss (as an enthusiastic TV host) and Paul Walter Hauser (as a fun, different take on Harvey Elder, the Mole Man of the comics), bring quality to smaller supporting roles.
Though the mid-credits scene feels the strain of setting up the next step in the Four’s adventures, it’s a minor issue for a movie that is well thought-out, purposefully designed and truly fun to watch.
If Marvel can keep up this level of quality over quantity going forward, the prospects are bright, as this is the most purely satisfying MCU effort since the heady days of ‘Avengers: Endgame’.
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What’s the story of ‘The Fantastic Four: First Steps’?
Set against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, ‘The Fantastic Four: First Steps’ introduces Marvel’s First Family — Reed Richards/Mister Fantastic (Pedro Pascal), Sue Storm/Invisible Woman (Vanessa Kirby), Ben Grimm/The Thing (Ebon Moss-Bachrach) and Johnny Storm/Human Torch (Joseph Quinn) as they face their most daunting challenge yet.
Forced to balance their roles as heroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus (Ralph Ineson) and his enigmatic Herald, Silver Surfer (Julia Garner). And if Galactus’ plan to devour the entire planet and everyone on it weren’t bad enough, it suddenly gets very personal…
Who is in the cast of ‘The Fantastic Four: First Steps’?
Moviefone recently had the pleasure of speaking with director Jake Schreier about the ‘Thunderbolts*’ digital release and his work on the film. The director discussed his initial pitch to Marvel, selecting the characters, the asterisk in the title, the ‘New Avengers’ reveal, the ‘The Fantastic Four: First Steps’ cameo in the second end credit scene, deleted scenes, and Florence Pugh’s opening scene stunt, as well as addressing the rumors that he will direct the MCU’s upcoming new ‘X-Men’ movie.
You can read the full interview below or click on the video player above to watch our interview.
‘Thunderbolts*’ director Jake Schreier.
Moviefone: To begin with, can you talk about your first meeting with Marvel Studios and the pitch that got you the job directing ‘Thunderbolts*’?
Jake Schreier: Well, know the pitching process at Marvel takes a long time. I think there were maybe seven meetings over the course of seven months. So, the first meeting was just me talking to Brian Chapek and just having a very loose conversation about the idea for the movie, which I thought was neat. Eric Pearson and he had come up with this great setup where it was about a set of contract killers being sent to kill each other and to be disposed as opposed to being put together in some sort of team, which was a neat slip on the expectation. I just talked about my favorite movies that related to that and that sense of tension and what you would want to bring to a movie like that. Then the conversation grew month after month. Each time I would bring something a little bit new. I like to pitch on things, show people, if we were already making the movie together, this is the sort of stuff that I would start doing. I think the second one is that I did make a kind of reference reel of movies. Not that the movie should be like this movie, but these are kind of moments of tension within other movies about groups of people that don’t trust each other, and how important that was to what we were building here. I think that included ‘Ronin’, and it included ‘Toy Story 3’, a very disparate group of movies and ‘Mission: Impossible – Ghost Protocol’, all kinds of different stuff. Then at subsequent meetings, there was concept art for what the void could look like, and then a storyboard in certain sequences from the film. We had talked about the elevator sequence, this funny idea of if it was all about trust or a trust fall, if they must climb up back-to-back, which is an idea that Brian had, that was fun. I took that and storyboarded it just to show what that might feel like. So yeah, it was more of a long beat by beat process. I think, one thing about working at Marvel was, Kevin (Feige) always says, “Always be fussing.” The movie is never really done until they kind of pry it out of your hands and you must release it. You’re always looking to improve it. So, to some degree, it’s not so much about the specific pitch or everything kept changing after I came on board, but it’s about will this work out as a working relationship? Are the ideas flowing and will you push each other to make it better? It felt like Brian, and I worked so well together in this movie, and that felt like a really strong core to build from.
MF: Was the core cast of characters already selected when you came on board and were there characters you wanted to include but were unable to?
JS: They were mostly chosen. I attempted to give input, which was quickly shot down, which I think on the first one I was like, “What if Man-Thing was involved,” which has now been picked up by the internet as though that was ever going to happen, which it wasn’t. They quickly and politely were like, “He was in ‘Werewolf by Night’, which I didn’t know. So that didn’t happen. But then I think before I came on board, they added Robert Reynolds to the mix. That was the biggest change. Then once that was part of it, I mean even in our pitch conversation, everything really ran towards thinking about what it meant to have a character like Sentry and the Void in this movie, and how that tied into Yelena and what she’s going through, and how important that was to build that kind of connection and have that drive the story.
‘Thunderbolts*’ is available on digital now and 4K and Blu-ray on July 29th.
MF: Was the asterisk in the title your idea, and at what point was it decided that the team would really become the ‘New Avengers’?
JS: So, they were always introduced as the New Avengers. Even in the first draft that I read before I came on board. I did pitch the asterisk thing. I think in my last pitch meeting before I got the movie, but I did not expect it to be in the actual title. I thought, “Oh, maybe there could be a billboard somewhere with an asterisk, and they’ll say, “Until we come up with something better.” But yeah, I mean that was the fun thing about working with those guys, and everyone in marketing. They’re very open and collaborative, and they would take ideas like that and really run with them and put their own spin on it. There was just a lot of openness on this movie, I think, to kind of take risks and try to do something different.
MF: So, this was always going to be a ‘New Avengers’ movie, is that right?
JS: Yes, it was always ended. That moment was always baked in. I mean, at least from the time I met on it, that was always where the story landed.
MF: Did you feel added pressure knowing that this was secretly an ‘Avengers’ movie?
JS: I mean, look, there’s enough pressure on these movies no matter what you’re doing. I think obviously it meant that we felt we had to build a story that at one time was this kind of very different story within the MCU about different characters, but it did need in its own way to live up. It was never going to be at the scale of a normal ‘Avengers’ film. But to the legacy of these kinds of great movies that had been made in the MCU, that when you get to that moment, even if it’s through a route that you never expected, you can kind of splint. Even if at first, you’re like, “Wait, what?” You kind of think about it and you’re like, “Okay, no, maybe this could work.” Or at least I want to see them try and see what happens going forward.
MF: Can you talk about the second end-credit scene that teases ‘The Fantastic Four: First Steps’? What was your involvement in that scene and when and where was it shot?
JS: That was late. I mean, I was there, I went to London. So that’s on the set, I think of the new ‘Avengers’ movie (‘Avengers: Doomsday’) that the Russo’s are directing. I think that might’ve been, it was one of the first scenes they shot for it. So, the idea was going to be part of that movie, and then also our end credits scene. So, there were things that it kind of had to do for where our story went, but we also wanted it in a way to be this handoff. It was fun to watch them directed and directed in that context and have it been this sort of, leap of seeing. I think Florence said it was like “Being dropped off at school by your parent, and you look back and like, all right, we’ll have fun guys. Good luck out there. You’re in a new grade now.” So yeah, it was just fun to have everyone kind of collaborate on that and get to see them take that next step on their next journey.
MF: Will there be deleted scenes available on the digital and home entertainment releases, and if so, can you talk about why those scenes were ultimately cut?
JS: Yes. I mean, I must be honest, there’s not a lot that was left on the cutting room floor of this movie. There are little things that got cut out. In the edit, we trimmed things down, but it was more really kind of honing the scenes than it was dropping a lot of full scenes. At first, I was like, “I don’t want any deleted scenes.” Then they were like, “You have to have a few.” So, I put them in there. What I can say is that there’s a very extensive behind the scenes featurette, and a very funny gag reel, which mostly is just cute. But I think the behind-the-scenes stuff, again, we did so much practically on this movie and in camera, and practical effects and returning to this old school style of filmmaking. I think I had a lot of fun, and they really did a great job of capturing that stuff, getting to watch the way those things were put together. I think, again, it’s just a testament to how hard everyone works on these movies, and I think that is fun to see.
MF: I understand that Florence Pugh insisted on doing the stunt in the opening scene where she jumps off a skyscraper herself. Can you talk about working with her and the stunt team to make that possible?
JS: I mean, we had this idea for it, Lee Sung Jin, who wrote multiple drafts of the script, had written in this stunt. That was sort of our version of a Bond opening, but it’s more of an emotional stunt, in a way, where it’s like, it almost seems like it could be a suicide. Then it’s just her kind of malaise in her job, but it takes you into this real character beat that then becomes an action sequence. But again, it’s our spin on it, because it’s what the depressed spy would do. So, I think what was exciting about it was obviously the stunt itself and going somewhere and really doing something like that, because it’s Florence having this great acting beat at the start of that shot. In the same take, we watch her step off the second-tallest building in the world. So, she had to take that on because we can’t really ask her to do that. We could say it was an idea we had. We didn’t even know we were going to shoot it. She was like, “I love heights. Let’s do it.” So, through the whole production, it was kind of finding a place that would make sense. Then, Malaysia seemed promising, but Jason Tamez, our incredible line producer, had to do months of work to coordinate getting up there. Then I think it took three different engineering firms to sign off on the rig, and (Stunt Coordinator) Michael Huggins and our entire rigging team. I mean, the amount of trust that Florence had to have in our team, and you can see how much she trusts them. They are the best at what they do. I can’t believe she did that. Florence is amazing, but also the amount of coordination and work that it takes from everyone else involved to pull something like that off and to be able to stand by it and say, “We could do this.” Because again, at first, Disney Health and Safety quite reasonably just said, “No.” So, it took a lot of pushing and a lot of groundwork on everyone’s part to make it happen.
MF: Finally, there have been several online rumors recently that you will be directing the upcoming ‘X-Men’ movie that Marvel Studios is planning for after ‘Avengers: Secret Wars’. Without confirming the rumors, do you have a particular take on those characters and is that a world you would be interested in exploring as a director if given the chance?
JS: I think just knowing the way the internet works, for right now, if it’s okay, I’m going to plead the fifth on that question. But I can say that I would be very excited. I had a great time working at Marvel, and I’d be very excited to work with them again.
A group of dangerous, unstable antiheroes and castoffs are set up on a doomed mission by a government operative (Julia Louis-Dreyfus), only to find themselves confronting a powerful new menace that threatens Earth.
(L to R) Vanessa Kirby, Ebon Moss-Bachrach, Pedro Pascal, and Joseph Quinn in ‘The Fantastic Four: First Steps’. Photo: Marvel Studios.
Preview:
The end-credit scene of ‘Thunderbolts’ very clearly connects to the events of ‘The Fantastic Four: First Steps’ by revealing their ship arriving in the Marvel Cinematic Universe.
There are several possibilities and theories regarding who exactly is on the ship.
This scene likely takes place immediately after the events of ‘The Fantastic Four: The First Steps’.
Marvel fans have been waiting what feels like forever for ‘The Fantastic Four: First Steps‘, so it came as no surprise when the team was introduced a little bit early into the Marvel Cinematic Universe, during the end-credit sequence of ‘Thunderbolts*‘. Even though all we got was a glimpse of their ship entering the atmosphere, excitement rippled through social media thanks to the fandom.
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While we cannot say for sure yet who is on The Fantastic Four ship and how exactly the events of both films will connect, we can make some pretty good guesses. One thing is for sure, the speculation that the majority of ‘The Fantastic Four: First Steps’ is not set in the Marvel universe we know and love must be accurate, considering The New Avengers team reveals the ship is an interdimensional ship.
For those who do not recall, the end of ‘Thunderbolts*’ teases the arrival of Marvel’s first family by literally bringing them into the MCU, which was a shock to many. The team is now called The New Avengers and is comprised of Yelena Belova (Florence Pugh), Bucky Barnes (Sebastian Stan), Ghost (Hannah John-Kamen), John Walker (Wyatt Russell), Red Guardian (David Harbour), and Bob, also known as Sentry/Void (Lewis Pullman).
When the team is notified that there is a space crisis, it is then discovered that an interdimensional ship has made its way into the Earth’s atmosphere. A close-up on the ship reveals The Fantastic Four logo. There are no more details other than that, which has set the internet ablaze with speculation.
But Who Could Actually Be On The Fantastic Four Ship?
There are many theories about who is actually arriving via The Fantastic Four ship. Most fans do not believe that it will actually be the first family, which includes Reed Richards (Pedro Pascal), Sue Storm (Vanessa Kirby), Johnny Storm (Joseph Quinn), and Ben Grimm (Ebon Moss-Bachrach). We know that Sue Storm is not only pregnant with her first born, Franklin Richards, in ‘The Fantastic Four: First Steps’, but also that she births him because he is seen as a baby in some of the TV spots and trailers.
Comic book readers know how smart this young child is, so it is not far-fetched to think that he is alone on that ship, off looking for help for his planet now that Galactus (Ralph Ineson), the planet eating, monsterous villain, has come to devour it. That said, I highly doubt that is accurate.
Others think that Franklin might be on the ship with Doctor Doom (Robert Downey Jr.), which will be revealed during the end-credit scene of ‘The Fantastic Four: First Steps’. While there is a good chance the connection of the two movies will be confirmed during the end-credit scene, not having the core four characters be on the ship is unlikely. That said, the possibilities are (almost) endless.
Looking at the trailers that have been revealed to the public, it can be inferred that Sue Storm is pregnant when Silver Surfer (Julia Garner) arrives to tell the planet that they will be consumed by Galactus soon, but that she gives birth shortly after, because Franklin is shown later on, several times. However, fans have learned to never trust a Marvel trailer, because if you remember, Hulk was shown fighting in the ‘Avengers: Infinity War‘ trailer and yet he was not in the entire movie. Not even once.
The greatest possibility is that the entire family is on board the ship, with Doom hot on their tails – he has to arrive in the MCU somehow before ‘Avengers: Doomsday‘. This would mean that their home universe was destroyed and they needed to find somewhere else to live, an easy task for Reed Richards. If they did indeed defeat Galactus, then there is a chance Doom has kidnapped Richard using the family’s ship, and they will be eventually following behind it.
The most likely scenario out of all of the above is that Galactus succeeds in consuming the home of The Fanastic Four, forcing them into another dimension. Possibly to save only themselves, or some people that they were able to rescue (similar to how Thor saved some Asgardians after their home was destroyed).
If indeed Galactus has survived, this means that he has the ability to return in the Marvel Cinematic Universe down the line. Considering that he is one of the most powerful, and most beloved Marvel villains, it would be smart to keep him around. The Fantastic Four might be his biggest rival in the comics, but they are not the only one. Seeing him come back, much like Thanos, is something fans would love to see, no matter who he is going up against.
Whatever happens in ‘The Fantastic Four: First Steps’, we will not have to wait much longer to find out, as the film releases in theaters on July 24th.
Marvel has opted out of a Hall H panel at SDCC 2025
This decision doesn’t mean they don’t have confidence in upcoming projects
James Gunn’s DCU will likely be the big headliner
Marvel has announced that they will not be hosting a Hall H panel at San Diego Comic-Con 2025. After last year’s incredible line-up, this does not surprise me. While I still think it is possible for them to have a surprise screening of ‘The Fantastic Four: First Steps‘, just like they did for ‘Deadpool & Wolverine‘ last year, their skipping out on a full panel this year makes perfect sense.
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Superhero fatigue is real. ‘Thunderbolts*’ is a great movie – audiences and critics agree – and yet it did not perform at the box office. It would not be smart for Marvel to spend a ton of money putting on a massive panel (because there is no point in doing one and not going all out) when they need to save all the pennies they can right now.
Marvel has three more projects left to release in 2025: ‘Ironheart‘, ‘The Fantastic Four: First Steps’, ‘Eyes of Wakanda‘, and ‘Wonder Man‘.
‘Ironheart’, which admittedly Marvel seems to be trying to make people forget about, will be all released by the time San Diego Comic-Con rolls around. The first three episodes come to Disney+ on June 24th, and the final three follow just a week later, on July 2nd. It has been a long time since viewers have seen Riri Williams, so this series needs to be good to make viewers care about her again.
In Marvel comics, she has a close relationship with Tony Stark. Of course, he is no longer alive in the Marvel Cinematic Universe, which has some fans a little bit worried about how her story is going to play out. The trailer for the show looks great, but there will be no need to promote it at SDCC a couple of weeks after it is already streaming on Disney+.
The same can be said for ‘The Fantastic Four: First Steps’, although it comes to theaters the week of SDCC, on July 25th. In 2024, Marvel hosted a “surprise” screening of ‘Deadpool & Wolverine’ on Thursday evening to celebrate its release that week. It is highly likely that they do the same with ‘First Steps’ this year. One would almost think that they had this planned all along, and that is why they like to take the release slot for the week of San Diego Comic-Con.
This saves them from having to pay for an entire panel, but they will still be able to promote their final big project of 2025. If they follow suit from last year, they just might have the cast in attendance as well.
The only 2025 projects that Marvel would be showcasing at a Hall H panel would be the upcoming animated show, ‘Eyes of Wakana’, and ‘Wonder Man’. While we have heard very little about both, there is no reason to save an entire Hall H panel for two projects, and streaming series at that.
‘Eyes of Wakanda’ is a four-episode series, which is premiering at the Annecy International Animation Film Festival on June 9th. Since it will already be old news by the time SDCC comes around, even though the series comes to Disney+ in August, there is no need to do an entire panel just for a short animated series that, unfortunately, Marvel fans do not seem to care about too much anyway. ‘Wonder Man’ would be the only real draw and even that one fans seem to not be too excited for.
‘Avengers: Doomsday’ was recently pushed from May 1, 2026, to December 18, 2026, which is a brilliant move for several reasons, including that the studio will not need to rush out a subpar movie and can take a little bit more time to ensure it has the same impact that ‘Avengers: Infinity War‘ did.
During last year’s Marvel San Diego Comic-Con panel, they went all out for this film. Marvel invited out the Russo Brothers to tease the movie, but the biggest surprise was the reveal that Robert Downey Jr. would be returning to the MCU, not as Iron Man, but as Doctor Doom. It would be extremely difficult to top that, so why even try?
Filming is already underway in London for ‘Doomsday’ and is not expected to wrap until August. It would be disruptive for Marvel to shut down production (even for a day or two) in order to bring some of the cast to SDCC just for a photo opportunity and what would likely be a behind-the-scenes look at the movie. Add in the cost to fly talent back to the States for a quick appearance, the return on investment would simply not be worth it for Marvel.
Plus, now that it is releasing after San Diego Comic-Con 2026, they are likely going to wait until then to show off what they have come up with, while teasing ‘Avengers: Secret Wars‘ at the same time. It is the most logical decision for Marvel to make.
Will DC Take Over SDCC Hall H?
James Gunn at CinemaCon 2025. Photo: Warner Bros.
With Marvel out of the picture, San Diego Comic-Con is DC’s time to shine. While there is no official confirmation at the time of writing, there is a good chance that Co-CEOs James Gunn and Peter Safran will take the stage at Hall H to share what they have in store for fans over the next couple of years.
It is well known that they have a detailed plan for the DC Universe, which kicks off on July 11th with ‘Superman‘. Sure, the movie will have been out for two weeks by SDCC, but this just means they can go into detail about all the characters that make appearances and their future projects. We already know that ‘Peacemaker‘ is heading to the convention. When confirming this on social media, James Gunn said that while he is focusing on the show, he will, of course, “talk about everything.”
It would make much more sense for DC to take advantage of Marvel skipping Hall H this year and host a large panel detailing the upcoming DCU slate. It would mean that they come out on top of the discussions that week, which would certainly not hurt, considering that ‘Superman’ will still be in theaters (and going up against the first week of ‘The Fantastic Four: First Steps’).
Marvel might be skipping San Diego Comic-Con in 2025, but chances are, this means they are going to come with incredible announcements, first looks, and reveals in 2026. Their decision does not mean that they think any less of their upcoming projects; it actually makes a whole lot of sense. This also opens up a window for James Gunn and the DCU to step in and take over this year, which fans would love to see.
San Diego Comic-Con will take place at the San Diego Convention Center July 24th through 27th, 2025.
