Tag: the-cloverfield-paradox

  • New ‘Cloverfield’ Movie in the Works

    2008's 'Cloverfield' directed by Matt Reeves.
    2008’s ‘Cloverfield’ directed by Matt Reeves.

    Just when you thought that Paramount had pretty much given up on the ‘Cloverfield’ universe that kicked off with 2008’s Matt Reeves mystery monster movie, the studio makes a move to keep the beast – or at least, whatever strange story is told this time – going.

    Babak Anvari, who directed ‘Wounds’, ‘Under The Shadow’ and, most recently, Netflix thriller ‘I Came By’ is now aboard to call the shots on the new movie.

    Naturally, there are zero details to be found as to the story for this one – but given that J.J. Abrams is among the producers, that’s not too surprising. But the movie has been in the works for a while now, with Joe Barton (who wrote horror movie ‘The Ritual’ and created TV series ‘Giri/Haji’) working on the script since at least January of last year.

    Along with Abrams the producers include regular collaborators Bryan Burk, Reeves and Drew Goddard, the latter of which, of course, wrote the original ‘Cloverfield’.

    Released amidst a hush-hush campaign that had the briefest of teasers before the movie’s actual arrival, ‘Cloverfield’, which saw a giant monster attacking New York, and the group of twentysomethings who document the disaster with home video cameras.

    John Gallagher Jr., Mary Elizabeth Winstead, and John Goodman in director Dan Trachtenberg's '10 Cloverfield Lane.'
    (L to R) John Gallagher Jr., Mary Elizabeth Winstead, and John Goodman in director Dan Trachtenberg’s ’10 Cloverfield Lane.’

    It spawned a spin-off/sequel called ‘10 Cloverfield Lane’, which saw Mary Elizabeth Winstead trapped in a survival cellar with John Goodman and John Gallagher Jr., as an alien invasion seemingly happened outside. The movie was adapted from a stand-alone script called ‘The Cellar’ and, as directed by Dan Trachtenberg (who would go on to make ‘Prey’), was also a success.

    Then came ‘The Cloverfield Paradox’, set aboard a space station and set in the same universe. Paramount originally had high hopes for the movie, but ultimately sold it off to Netflix, which put it online after one trailer on Super Bowl weekend in 2018. Directed by Julius Onah, it did not score the same acclaim as the first two films.

    “The movie is meant to be entertainment, to give people the sort of thrill I had as a kid watching monster movies,” Abrams told Time around the time of the first movie. “I hadn’t seen anything that felt that way for many years. I felt like there has to be a way to do a monster movie that’s updated and fresh. So we came up with the Youtubification of things, the ubiquity of video cameras, cell phones with cameras.”

    “The age of self-documentation felt like a wonderful prism through which to look at the monster movie,” Abrams continued. “Our take is what if the absolutely preposterous would happen? How terrifying would that be? The video camera, we all have access to. There’s a certain odd and eerie intimacy that goes along with those videos. Our take is a classic B monster movie done in a way that makes it feel very real and relevant, allowing it to be simultaneously spectacular and incredibly intimate.”

    There’s no release date set for the new ‘Cloverfield’ movie.

    Gugu Mbatha-Raw in director Julius Onah's 'The Cloverfield Paradox.'
    Gugu Mbatha-Raw in director Julius Onah’s ‘The Cloverfield Paradox.’
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  • A ‘True’ ‘Cloverfield’ Sequel Is Coming to Theaters, But It’s Not ‘Overlord’

    Forget “The Cloverfield Paradox” — it sounds like producer J.J. Abrams wouldn’t mind.

    According to Variety, he was featured in taped footage during Paramount’s CinemaCon presentation. He talked about his “batsh*t crazy” supernatural World War II film “Overlord,” which will not be the fourth “Cloverfield” movie. There were rumors that it might be, but kill those off before they spread.

    Instead, Abrams said “we’re actually developing a true, dedicated Cloverfield sequel” that will release in theaters. (Unlike “Paradox,” which was barely a “Cloverfield” movie and released on Netflix.)

    So it sounds like the “fourth” film in the franchise will be more in line with “Cloverfield” (2008) and “10 Cloverfield Lane” (2016). That would be welcome.

    Back to “Overlord,” which shared footage during CinemaCon. Here’s a synopsis for the horror thriller:

    “The story follows two paratroopers who are caught behind enemy lines after their plane crashes on a mission to destroy a German Radio Tower in a small town outside of Normandy during the D-Day invasion. After reaching their target, the two paratroopers come to realize that besides fighting off Nazi soldiers, they also must combat against supernatural forces that are a result of a secret Nazi experiment.”

    It’s the first R-rated movie for Abrams’ Bad Robot, which produces the “Cloverfield” franchise, and also the “Star Trek” and “Mission: Impossible” movies.

    Variety approved of the “Overlord” teaser shown:

    The “Overlord” footage lived up to the hype. There’s eerie shots of dead soldiers hanging from trees, genetically modified Nazis, and disembodied and fanged heads.

    “Overlord” was directed by Julius Avery, and stars Jovan Adepo, Wyatt Russell, Jacob Anderson, Dominic Applewhite, Pilou Asbæk, Iain De Caestecker, John Magaro, and Mathilde Ollivier. It opens in theaters October 26.

    There’s no word yet on when the fourth “Cloverfield” movie will open. Or can we just call it the third movie, and let “Paradox” drift out into space?

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  • How Many People Have Watched ‘The Cloverfield Paradox’ and ‘Altered Carbon’?

    Did Netflix’s ambitious gamble on “The Cloverfield Paradox” pay off? Like another sci-fi Netflix original, “Bright,” it received scathing reviews, but millions still tuned in, according to Nielsen numbers.

    “Cloverfield Paradox”‘s post-Super Bowl debut was only announced during the game, so those terrible reviews hadn’t hit yet. According to just-released Nielsen numbers, the space-set sequel pulled in 2.8 million U.S. viewers within the first three days. And 5 million watched in the first week.

    Impressive, but not compared to the 11 million viewers who watched the much-hyped “Bright” during its first three days of release, according to Nielsen. They did not release seven-day figures for the Will Smith cops-and-Orcs flick, which is now one of Netflix’s most-watched original titles of all time.

    Fans were expecting the third “Cloverfield” film, formerly called “The God Particle,” to hit theaters, not Netflix, so the realization that “Oh my god I can watch it right now!” made it an immediate must-stream. Netflix reportedly paid Paramount $50 million for the rights to the film. (So that works out to $10 per viewer so far.)

    Altered CarbonAs for its new sci-fi TV series, “Altered Carbon,” Nielsen reports that 3.7 million subscribers have tuned in in the first three days. That’s nowhere near the return of “Stranger Things,” which drew 15.8 million viewers. But then again, “Stranger Things” already had a dedicated fan base to propel its second season.

    Netflix hasn’t released its own data on these titles. Those numbers might be a lot higher since Nielsen ratings only cover the U.S. and don’t track viewers who watch on their mobile devices or computers.

    Naturally, “Bright 2” has already been greenlit. And J.J. Abrams promises a fourth “Cloverfield” movie is in the works.

    As for more “Altered Carbon,” even if there is a second season, it seems unlikely star Joel Kinnaman will be back, since he’s just signed up for a series based on the movie “Hanna.”

    [Via Variety]

  • Netflix Reportedly Paid More Than $50 Million for Panned ‘The Cloverfield Paradox’

    Future “Cloverfield” movies, including “Overlord,” are still expected to be released in theaters.

    The third “Cloverfield” movie dropped on Netflix right after the Super Bowl in a very clever marketing trick. It had only just recently been rumored that what was ultimately called “The Cloverfield Paradox” would be skipping the usual release in theaters and going straight to Netflix.

    The Hollywood Reporter says Paramount and producer J.J. Abrams were worried “Paradox” would disappoint at the box office in its planned April release, so they handed it over to Netflix. THR says the deal made over the holidays was worth more than $50 million, with Paramount still retaining rights for a release in China and home entertainment.

    Off-hand, it seems like a good deal for Paramount. It makes the movie “instantly profitable for the studio,” as THR put it, and “avoids a (likely) misfire and costly marketing campaign.”

    What about Netflix? Is this a good deal for them? They don’t release viewing number data, unlike box office receipts. But Paul Verna of eMarketer told THR it’s a win for Netflix either way. “It gets them attention and captures some viewing right off the bat.” And even if Netflix doesn’t get a lot of viewers for the movie, “they still got a brand jolt.”

    As of now, “The Cloverfield Paradox” has only a 20 percent rating on Rotten Tomatoes from 66 reviews. The audience score is slightly higher at 56 percent from 6,082 user reviews. Not exactly a knockout. The previous two movies — “Cloverfield” and (especially) “10 Cloverfield Lane” — were much more warmly received by fans and critics.

    According to TheWrap, Paramount still plans to release future “Cloverfield” series installments in theaters. “Cloverfield 4,” currently being called “Overlord,” is set during World War II and has a theatrical release date of October 26.

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