Tag: the-abyss

  • ‘Secrets of the Bees’ Interview: James Cameron and More

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    Premiering March 31st on National Geographic, and April 1st on Disney+ and Hulu is the new documentary series ‘Secrets of the Bees’, which was executive produced by James Cameron (‘Titanic’, ‘Avatar: Fire and Ash’).

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    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’.

    Moviefone recently had the pleasure of visiting Lightstorm Entertainment’s offices, along with other members of the press, to speak with James Cameron and Dr. Samuel Ramsey about the new docuseries ‘Secrets of the Bees’, finding the story in post-production, the special cameras utilized for the project, the science of the series, what they hope viewers learn from the show, and why nature is important to Cameron.

    You can watch the full interview below or click on the video player above to watch the interview.

    Related Article: Director James Cameron and Kate Winslet Talk ‘Avatar: The Way of Water’

    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'. Photo: Jami Philbrick.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’. Photo: Jami Philbrick.

    Moviefone: To begin with, Mr. Cameron, can you talk about developing the show’s narrative in the post-production process and discovering the story based on the incredible footage you were able to capture?

    James Cameron: It’s a recursive effect. You go in with a rough script and you go in with experienced people who have done this kind of macro photography out in the field. It’s basically a wish list or a hope list. You go and if you get the right people on the team, you’re going to get the results that you wanted, you’re going to get the kind of mind-blowing footage that you want. But when you do discover something new, then the script changes and the edit will change. So, you put it together and you rough it in according to what your game plan was, but you also must be ready to follow a lead and write new dialogue. We find that the voiceover narration and so on and the way in which it’s structured and explained is quite fluid right through to the end of postproduction. So, the story is continuing to reveal itself to us as we go along. I mean, I’d say all documentaries are like that, but certainly natural history documentaries at this kind of scale are absolutely like that. The story’s constantly revealing itself to you as you go along, just as nature is constantly revealing itself to science as you go along. It’s kind of a parallel process.

    Cinematographer Owen Carter filming the broomstick bee (Osmia bicolor) sequence in 'Secrets of Bees'. Photo credit: National Geographic/Nadege Laici.
    Cinematographer Owen Carter filming the broomstick bee (Osmia bicolor) sequence in ‘Secrets of Bees’. Photo credit: National Geographic/Nadege Laici.

    James, can you talk about the cutting-edge camera technology you utilized to make this series?

    JC: Well, our camera team is very experienced with macro photography and have been doing it for decades. The camera technology itself wasn’t really the leap forward. It was really, how do we configure the hive environment around various other environments like tunnels and things that were done with the solo bees. But how do we get into their world? So, you know, I’m not an expert in animal photography, where you’re creating an environment that, we’ve got the best people in the world to do that. But it’s about not interfering with their behavior, making it seem natural for them but still getting the camera in a manner that’s reasonably predictable, that the bee or the animal will do that behavior right in front of the lens. When you have a little tiny area of photography, you have a very shallow depth of field, and this is always the problem with macro photography. So, it’s really about the human in the loop experience team, and these days, less than breakthroughs in the optics, per se.

    A scene from 'Secrets of Bees'. Photo credit: National Geographic.
    A scene from ‘Secrets of Bees’. Photo credit: National Geographic.

    Dr. Ramsey, from a scientific point of view, can you talk about what you learned about the world of bees from this project?

    Samuel Ramsey: So, the way that these kinds of things often work is that when you’re conducting science, sometimes you just don’t have the time and space to be patient. A lot of the most incredible discoveries come from patience. What Jim was just talking about, about being able to get those cameras into that space, you can’t just leave the camera there forever. The bees will cover it in propolis, and wax and you’ll never be able to see anything. You’ve got to get it in there and wait, watch, and really spend the time looking at what they’re doing and hope for the best. That can be really difficult at times in science, but it’s in these spaces where you have the resources and the team that comes along with working with National Geographic, where you can really do this incredible stuff because we’re working with people who do all of this for a living, who are the best, and the top of their field at doing this sort of stuff. So then, with the bees that were using these leaves as a way of covering up the smell from the hornets, that’s the first time that that’s ever been documented. It is incredible to watch them do something like this, and of course, all of us were blown away. We expected that they would be able to do something like that, but not specifically that because it showed that they weren’t just looking for one thing and doing something on instinct. They had the ability to think, “Well, if I can’t find this, maybe I’ll use this as an alternative and it will allow us to cover the smell so that the hornets don’t kill us.” It’s an incredible process. But what it really involves a lot of is patience, because we go there, we’re looking for something specific, but we don’t know exactly what we’re going to see. We must wait and watch and really drill down and allow for time to show us the incredible secrets of the bees.

    A beekeeper holds a honey frame which has a large group of honey bees on it at the University of Colorado in 'Secrets of Bees'. Photo credit: National Geographic/Ryan Tidman.
    A beekeeper holds a honey frame which has a large group of honey bees on it at the University of Colorado in ‘Secrets of Bees’. Photo credit: National Geographic/Ryan Tidman.

    Dr. Ramsey, what do you hope viewers learn about bees from this series?

    SR: I want people to take away from this series that bees are working hard in the background doing things that keep our entire ecosystem healthy. They don’t get enough attention and they certainly don’t get protected nearly enough. Oftentimes when we say, “Save the Bees,” we mean “Save the Bee.” We’re thinking about the one bee species that we keep inside of a box because that’s the one that’s the most precious to us and it’s the one that we know the best. But they are the canary in the coal mine for the other 20,000 species of bees out there that we don’t have as close a connection with, and we’ve been able to show in this documentary some of their secret lives that they’re living underground and inside of tubes and the kinds of ways that they’re interacting with the world. If we couldn’t show that to people, it would be easier for them to discount that those things are important. But now that we’re able to put that front and center in front of people’s eyes, we want them to take away from that that these organisms are important, that they’re incredible, and we want them to expand that phrase of “Save the Bee” back to “Save the Bees” to keep the rest of them safe, healthy, and happy.

    Bumble bee passes nectar from her fore legs to hind legs in 'Secrets of Bees'. Photo credit: National Geographic.
    Bumble bee passes nectar from her fore legs to hind legs in ‘Secrets of Bees’. Photo credit: National Geographic.

    Mr. Cameron, what do you hope people learn from watching this series?

    JC: Well, you’re opening several different areas here. So, in terms of what I think the series in general is trying to convey, and the ‘Secrets of the Bees’ is an excellent example, is a sense of wonder about the natural world, because we won’t appreciate and make space for and protect that which we don’t love and don’t care about. The way to get people to care about things is to put them into it in a way that’s accessible, that’s not scientifically off-putting. Our primary purpose is not to sound very strident warnings, but as the series has progressed, we have shifted our emphasis a little bit toward this is what is endangered, this is what we may lose. You start off with “Isn’t this amazing?” Therefore, “Isn’t this precious? Oh, and by the way, it’s at risk.” That’s the last leg of that. “What can you do personally?” We don’t get into that that much, but that’s a critical area. I think this is where, when you start the conversation, it’s important not only as documentarians but as the National Geographic in general, to have answers. I think one of the issues that we all face in a global population of eight billion people is, what can I as an individual do? I can’t influence policy, and we all think of it as a government top-down system, and it doesn’t have to be. Let me give you an example. I’m vegan, I want to say that right up front. Animal agriculture is responsible for so much deforestation and loss of habitat that impacts not only bees but all species. The way in which we do our food system with massive industrial agriculture that’s mostly monocropping is also highly deleterious to bees, so it’s not just as simple as insecticides. It’s also, the simplification of monocropping just vast fields of corn or soy or wheat versus diversified vegetables and fruits, which is really what we should be eating as the intelligent hominids on the planet. For example, as a thought experiment, if people just stopped eating meat, which you can and you’d be healthier if you did, we could re-wild more than half of the planet, more than half of the area that’s been dedicated to agriculture, could be re-wild. That would be very good for the bees and for just about every other species out there. So, we make choices as a civilization and as individuals, and those choices have consequences. I think that the way to start getting people to think of those consequences is to let them see the victims, if you will. So, if we can relate to these bees, these hardworking ladies in these hives all over the world, then we may start to make better choices.

    Asian giant Hornet portait at the entrance of an Asian honeybee hive in 'Secrets of Bees'. Photo credit: National Geographic.
    Asian giant Hornet portait at the entrance of an Asian honeybee hive in ‘Secrets of Bees’. Photo credit: National Geographic.

    Finally, Mr. Cameron, nature plays an important role in many of your films including ‘The Abyss’, ‘Titanic’, and the ‘Avatar’ franchise. Can you talk about why nature is important to you as a storyteller?

    JC: I grew up living in a suburban neighborhood, but two blocks away a forest began that went for hundreds of miles. This was in Canada, so it was a rural area, and I grew up with a natural curiosity. I spent all my time out in the fields and out in the woods collecting bugs, snakes, frogs, turtles, and everything that I could get my hands on. I was reading about it and doing dissection, preservation, and drawing it all up, so I was a junior naturalist. Nobody asked me to do this, nobody told me to do it, it was just my natural curiosity. So, I know that that’s always been a driver throughout my life. Before I settled in on a career in film, I went to college to study astronomy and physics, believe it or not. So, I think curiosity is our superpower as human beings and I think science is a natural extension of that. Yes, of course we all reap the benefits in our technological world of science. But I think science in and of itself is just an amazing thing, and I have such respect for researchers and my curiosity is very broad.

    'Secrets of the Bees' premieres on Disney+ and Hulu April 1st.
    ‘Secrets of the Bees’ premieres on Disney+ and Hulu April 1st.

    What is the plot of ‘Secrets of the Bees’?

    Hosted and narrated by BAFTA and Emmy-winning National Geographic Explorer Bertie Gregory, ‘Secrets of the Bees’ uses groundbreaking filming technology to reveal the extraordinary world of bees. With the expertise of entomologist and fellow National Geographic Explorer Dr. Samuel Ramsey, the series uncovers their astonishing architecture and intelligence, unlocking their secrets and featuring never-before-filmed moments.

    Who is the host of ‘Secrets of the Bees’?

    (L to R) James Cameron and Dr. Samuel Ramsey talk 'Secrets of the Bees'. Photo: Jami Philbrick.
    (L to R) James Cameron and Dr. Samuel Ramsey talk ‘Secrets of the Bees’. Photo: Jami Philbrick.

    List of James Cameron Movies:

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  • Every James Cameron Directed Movie Ranked

    Every James Cameron Directed Movie Ranked

    (L to R) Director James Cameron and Oona Chaplin on the set of 20th Century Studios' 'Avatar: Fire and Ash'. Photo by Mark Fellman. © 2025 20th Century Studios. All Rights Reserved.
    (L to R) Director James Cameron and Oona Chaplin on the set of 20th Century Studios’ ‘Avatar: Fire and Ash’. Photo by Mark Fellman. © 2025 20th Century Studios. All Rights Reserved.

    Almost 30 years after he first said it, James Cameron is still “The King of the World.”

    Cameron is the highest grossing filmmaker in history having directed 3 of the top 4 highest grossing movies of all time including ‘Avatar‘, ‘Avatar: The Way of Water‘ and ‘Titanic‘, with each film making over $2 billion dollars each.

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    But will his latest film, ‘Avatar: Fire and Ash,’ be added to that top box office list? We’ll find out on December 19th when the film finally opens in theaters, which stars Sam Worthington, Zoe Saldaña and Oona Chaplin.

    In honor of the new film, Moviefone is counting down every film James Cameron has ever directed, including his latest.

    Let’s begin!

    Related Article: James Cameron Says He Has Some Ideas for ‘Avatar’ Animated Spin-Offs


    11. ‘Piranha II: The Spawning‘ (1982)

    1982's 'Piranha II: The Spawning'. Photo: Columbia Pictures.
    1982’s ‘Piranha II: The Spawning’. Photo: Columbia Pictures.

    A scuba diving instructor, her biochemist boyfriend, and her police chief ex-husband try to link a series of bizarre deaths to a mutant strain of piranha fish whose lair is a sunken freighter ship off a Caribbean island resort.

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    10. ‘Xenogenesis‘ (1978)

    1978's 'Xenogenesis'.
    1978’s ‘Xenogenesis’.

    A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look around the ship. He comes across a gigantic robotic cleaner. Combat ensues.

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    9. ‘The Abyss‘ (1989)

    (L to R) Mary Elizabeth Mastrantonio and Ed Harris in 'The Abyss'. Photo: 20th Century Fox.
    (L to R) Mary Elizabeth Mastrantonio and Ed Harris in ‘The Abyss’. Photo: 20th Century Fox.

    A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver (Ed Harris) soon finds himself on a spectacular odyssey 25,000 feet below the ocean’s surface where he confronts a mysterious force that has the power to change the world or destroy it.

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    8. ‘Avatar: The Way of Water‘ (2022)

    (L to R) Jack Champion and Stephen Lang in director James Cameron's 'Avatar: The Way of Water.' Photo: Walt Disney Studios.
    (L to R) Jack Champion and Stephen Lang in director James Cameron’s ‘Avatar: The Way of Water.’ Photo: Walt Disney Studios.

    Set more than a decade after the events of the first film, learn the story of the Sully family (Jake (Sam Worthington), Neytiri (Zoe Saldaña), and their kids), the trouble that follows them, the lengths they go to keep each other safe, the battles they fight to stay alive, and the tragedies they endure.

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    7. ‘True Lies‘ (1994)

    (L to R) Arnold Schwarzenegger and Jamie Lee Curtis in 'True Lies'. Photo: 20th Century Fox.
    (L to R) Arnold Schwarzenegger and Jamie Lee Curtis in ‘True Lies’. Photo: 20th Century Fox.

    A fearless, globe-trotting, terrorist-battling secret agent (Arnold Schwarzenegger) has his life turned upside down when he discovers his wife (Jamie Lee Curtis) might be having an affair with a used car salesman (Bill Paxton) while terrorists smuggle nuclear war heads into the United States.

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    6. ‘Avatar: Fire and Ash‘ (2025)

    Varang (Oona Chaplin) in 20th Century Studios' 'Avatar: Fire and Ash'. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.
    Varang (Oona Chaplin) in 20th Century Studios’ ‘Avatar: Fire and Ash’. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved.

    In the wake of the devastating war against the RDA and the loss of their eldest son, Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) face a new threat on Pandora: the Ash People, a violent and power-hungry Na’vi tribe led by the ruthless Varang (Oona Chaplin). Jake’s family must fight for their survival and the future of Pandora in a conflict that pushes them to their emotional and physical limits.

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    5. ‘Avatar‘ (2009)

    (L to R) Sam Worthington and Zoe Saldaña in 'Avatar'. Photo: 20th Century Fox.
    (L to R) Sam Worthington and Zoe Saldaña in ‘Avatar’. Photo: 20th Century Fox.

    In the 22nd century, a paraplegic Marine (Sam Worthington) is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.

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    4. ‘The Terminator‘ (1984)

    Arnold Schwarzenegger in 'The Terminator'. Photo: Orion Pictures.
    Arnold Schwarzenegger in ‘The Terminator’. Photo: Orion Pictures.

    In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the “Terminator” (Arnold Schwarzenegger) back to 1984 to kill Sarah Connor (Linda Hamilton), whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior (Michael Biehn) to safeguard Sarah. Can he stop the virtually indestructible killing machine?

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    3. ‘Titanic‘ (1997)

    (L to R) Leonardo DiCaprio and Kate Winslet in 'Titanic'. Photo: Paramount Pictures.
    (L to R) Leonardo DiCaprio and Kate Winslet in ‘Titanic’. Photo: Paramount Pictures.

    101-year-old Rose DeWitt Bukater (Kate Winslet) tells the story of her life aboard the Titanic, 84 years later. A young Rose (Kate Winslet) boards the ship with her mother (Frances Fisher) and fiancé (Billy Zane). Meanwhile, Jack Dawson (Leonardo DiCaprio) and Fabrizio De Rossi (Danny Nucci) win third-class tickets aboard the ship. Rose tells the whole story from Titanic’s departure through to its death—on its first and last voyage—on April 15, 1912.

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    2. ‘Aliens‘ (1986)

    Sigourney Weaver and Carrie Henn in 'Aliens'.
    (L to R) Sigourney Weaver and Carrie Henn in ‘Aliens’. Photo: 20th Century Fox.

    Ripley (Sigourney Weaver), the sole survivor of the Nostromo’s deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.

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    1. ‘Terminator 2: Judgment Day‘ (1991)

    Arnold Schwarzenegger as the Terminator in 'Terminator 2: Judgment Day.'
    Arnold Schwarzenegger as the Terminator in ‘Terminator 2: Judgment Day.’

    Ten years after the events of the original, a reprogrammed T-800 (Arnold Schwarzenegger)is sent back in time to protect young John Connor (Edward Furlong) from the shape-shifting T-1000. Together with his mother Sarah (Linda Hamilton), he fights to stop Skynet from triggering a nuclear apocalypse.

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  • Beyond Fest Announces Full 2023 Line Up

    Beyond Fest 2023 takes place September 26th - October 10th.
    Beyond Fest 2023 takes place September 26th – October 10th.

    Now entering its 11th year, the highest-attended genre film festival in the US, Beyond Fest is back and bigger than ever.

    The event, which has brought first looks at new movies and more to fans for years, is back this month, comprising 55 features, including 5 world premieres, 3 North American Premieres, 7 US premieres, and 18 West Coast Premieres.

    When and where is Beyond Fest 2023 happening?

    Nicolas Cage in 'Dream Scenario.'
    (Left) Nicolas Cage in ‘Dream Scenario.’ Courtesy of A24.

    This year’s event runs between September 26th – October 10th.

    In partnership with the American Cinematheque and presented exclusively by distributor NEON, Beyond Fest will screen at the Aero Theatre, Los Feliz 3 and Regency Village Theatre.

    Here’s what Head of Programming Evrim Ersoy has to say about this year’s fest:

    “With over 19,000 attendees in 2022, our goal this year was to go bigger while also exposing audiences to new filmmakers who represent the future. We’ve delivered on that promise with a program that has the world’s most celebrated artists like James Cameron, Guillermo del Toro, and Roger Corman joining us alongside some of Cinema’s boldest new voices including Nikhil Nagesh Bhat, Demián Rugna and Macon Blair.”

    Related Article: Beyond Fest’s Full 2022 Line Up Includes ‘Halloween Ends’ and More

    What could I see at the 2023 Beyond Fest?

    John David Washington as Joshua in 20th Century Studios' 'The Creator.'
    John David Washington as Joshua in 20th Century Studios’ ‘The Creator.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Among the offerings at this year’s event are Gareth Edwards’ sci-fi epic ‘The Creator’, which is the opening night movie at the Aero, while Kristoffer Borgli’s comedy-satire sensation, ‘Dream Scenario’, featuring Nicolas Cage, will close things out.

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    Paul Mescal stars in two new movies: first, opposite Andrew Scott and alongside Jamie Bell and Claire Foy, in Andrew Haigh’s metaphysical romantic drama ‘All of Us Strangers’, and then he’s opposite Saoirse Ronan in Garth Davis’ psychological drama ‘FOE’.

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    We can also expect to see Justine Triet’s Palme d’Or winner ‘Anatomy of a Fall’ and Kitty Green’s slow-burn outback thriller ‘The Royal Hotel’.

    Mary Elizabeth Mastrantonio in James Cameron's 'The Abyss.'
    Mary Elizabeth Mastrantonio in James Cameron’s ‘The Abyss.’ Courtesy of Walt Disney Pictures.

    And that’s just the tip of the iceberg. Talking of icebergs, James Cameron will also be in attendance: not bringing ‘Titanic’, but instead to introduce and then discuss the Special Edition of 1989’s ‘The Abyss’. You’d think the man would be too busy working on his ‘Avatar’ sequels, but Beyond Fest has him!

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    There will also be a celebration of genre legend Roger Corman, including a special tribute screening with brand new 35mm prints of ‘Rock ‘n’ Roll High School’, ‘Piranha’, ‘Grand Theft Auto’ and ‘The Raven’ followed by a panel featuring Corman and longtime collaborators Ron Howard, Jon Davison, Amy Holden Jones, Joe Dante and Allan Arkush.

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    Guillermo del Toro will be there to mark 10 years of his robots-vs-giant-monsters pic ‘Pacific Rim’, and maintaining the theme, director Brad Bird will bring his much-loved animation classic ‘The Iron Giant’.

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    Elsewhere, there will be a chance to see the remake of Troma classic ‘The Toxic Avenger’ starring Peter Dinklage as the mutated, mop-wielding hero, and so much more.

    Peter Dinklage in 'The Toxic Avenger.'
    Peter Dinklage in ‘The Toxic Avenger.’ Credit: Legendary Pictures.
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    How can I get tickets for the 2023 Beyond Fest?

    A scene from 'All of Us Strangers.'
    A scene from ‘All of Us Strangers.’ Courtesy of Searchlight Pictures.

    Tickets will be on sale via americancinematheque.com on Friday, September 15th at 10AM PST.

    Visit beyondfest.com and americancinematheque.com for details.

    Idris Elba, Charlie Hunnam and Rinko Kikuchi in Guillermo del Toro's 'Pacific Rim.'
    (L to R) Idris Elba, Charlie Hunnam and Rinko Kikuchi in Guillermo del Toro’s ‘Pacific Rim.’ Photo: Warner Bros.

    Other Movies Playing at Beyond Fest 2023:

    Buy Tickets: ‘The Creator’ Movie Showtimes

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    Buy ‘Pacific Rim’ On Amazon

  • 16 Things You (Probably) Never Knew About ‘The Abyss’

    16 Things You (Probably) Never Knew About ‘The Abyss’

    20th Century Fox

    By the standards of 2019 special effects, “The Abyss” feels like an absolutely unimaginable accomplishment. James Cameron conceived, built and directed a film that mostly takes place underwater, using groundbreaking, proprietary technology not just to complete its special effects but to showcase the actors’ performances and record their dialogue while fully submerged. At the time of its release, it was viewed as a curio and to a commercial misfire (it was the only film of Cameron’s to not open at #1 at the box office). But 30 years later, it remains one of his signature achievements, in terms of the boundary-pushing logistics that went into bringing it to life, and secondarily, in being a lynchpin in Industrial Light & Magic’s ascendance to the top of the industry as a purveyor and provider of special effects.

    Perhaps unsurprisingly, the film has cultivated its own legend over the years, collecting anecdotes and recollections from cast and crew members who struggled to fulfill James Cameron’s vision. But proof of “The Abyss”’ impact on film history (and the director’s own legacy) only continues to grow. On its 30th anniversary, Moviefone looks back at the complicated, often contentious production that led to one of cinema’s most ambitious and influential works.

    1. James Cameron first conceived the premise of “The Abyss” when he was 17, after attending a presentation by Francis J. Falejczyk, the first diver to breathe fluid through his lungs.

    2. Cameron went through many drafts of the script in the years after finishing “Aliens,” during which time he interpolated the idea of remote operated vehicles (inspired by a National Geographic film) and developed the character of Lindsey based on his then-partner Gale Anne Hurd. Hurd and Cameron separated during pre-production of the film and divorced in February 1989, two months after completing principal photography.

    20th Century Fox

    3. Cast and crew alike trained in underwater diving in the Cayman islands to prepare for the film, 40 percent of which would be shot underwater. Ever an innovator, Cameron and his company developed experimental technology that allowed the filmmaker to interact with the actors and record their dialogue live on tape.

    4. Cameron chose Gaffney, South Carolina as the location of the shoot after Duke Power officials abandoned a $700 million power plant that could house the volume of water and the production infrastructure needed for the filmmaker to execute his vision. Holding 7.5 million gallons of water, the 55-foot-deep vessel was the biggest fresh-water tank in the world. A second tank one third as big gave the production a second tank to use for pick-up shots and sequences.

    5. Principal photography was delayed after the tank sprang a leak on the first day of shooting, forcing the production to hire dam-repair experts to stop 150,000 gallons per minute from rushing out.

    6. Cinematographer Mikael Solomon shot scenes with three cameras protected by specially designed, watertight housings. Cameron wanted to see the actors’ faces in the underwater suits and be able to hear their dialogue, so he enlisted Western Space and Marine to design helmets that wouldn’t fog or otherwise obscure their faces, and then added microphones that would provide crystal-clear audio.

    7. The fluid breathing system that the rat is subjected to in the film does actually exist and has been tested thoroughly on animals. However, Ed Harris did not actually breathe the fluid, although there were sequences in which he had to hold his breath in a helmet full of fluid while being towed beneath the surface of the tank.

    20th Century Fox

    8. In order to expedite shooting and maintain the safety of the cast and crew, actors performed scenes at just 33 feet and rarely for more than an hour at a time, eliminating the need for them to decompress in between scenes or sequences. The production additionally hung actors from hoses where they could breathe pure oxygen to help avoid decompression sickness.

    9. Few stunt people were used during shooting. For example, Mary Elizabeth Mastrantonio actually held her breath in order for Harris to drag her underwater. The scene where Catfish (Leo Burmester) fires a machine gun into the water was accomplished using live rounds and extreme safety precautions.

    10. The production as a whole was grueling for the cast and crew, owing partially to Cameron’s dictatorial style but just as much to the logistical complexities of shooting a film that takes place primarily underwater. Even Cameron acknowledged, “I knew this was going to be a hard shoot, but even I had no idea just how hard. I don’t ever want to go through this again.” The shoot eventually went on for six months, subjecting everyone to six-day, 70-hour weeks.

    11. Production went $4 million over budget and took 140 days to shoot. Harris reportedly refused initially to help promote the film; he did participate in the press tour, but has generally declined to discuss its making in subsequent years. Mastrantonio echoed Harris’ sentiments, saying, “The Abyss was a lot of things. Fun to make is not one of them.”

    12. Industrial Light & Magic made its name creating the “water tentacle” after Phil Tippett referred Cameron to them to provide computer-generated visual effects. For what amounted to 75 seconds of computer graphics, ILM worked for six months, photographing the set comprehensively to recreate it in a computer and composite the animation into each frame. In fact, this was one of several sequences so demanding to complete that the film’s release was delayed by more than a month.

    20th Century Fox

    13. Miniatures were used extensively to complete sequences with the mini-submarines. Shots like the one where the subs explore the wreckage of the sunken nuclear sub were accomplished using miniature screens inside each model to project movies of the actors.

    14. The movie’s legendary Special Edition was a restoration of the original cut Cameron prepared for the film, but chopped down mercilessly (and without studio interference) to create the theatrical cut. Unsure of whether or not the visual effects would be done for his original ending, in which a tidal wave threatens the shores of countries across the globe, Cameron elected to remove the sequence and maximize the emotional impact of the rest of the story.

    15. For financial reasons, the “Deepcore” rig set was never dismantled after production wrapped. After the power plant was drained, it remained at the location until 2007, when it was demolished.

    16. Much to this reporter’s consternation, the film has never been released on Blu-ray or even in anamorphic widescreen on DVD. Cameron was reportedly working on a 4K version of the film, but thus far it has never, ahem, surfaced.

  • 15 Remakes of Classic ’80s Movies You’d Totally Pay to See

    15 Remakes of Classic ’80s Movies You’d Totally Pay to See