Tag: summer-movies

  • ‘Run’ Exclusive Interview: Marques Houston

    7XCokaOh

    Opening in theaters on August 29th is the new alien invasion movie ‘Run’, which was directed and co-written by Chris Stokes (‘You Got Served’) and produced and co-written by actor Marques Houston (‘Fat Albert’).

    yuxxvFvWvABLawqwlGR8o3

    In addition to Houston, the film also stars Annie Ilonzeh (‘Peppermint’), Drew Sidora (‘Step Up’), Erica Mena (‘The Stepmother 3’), Claudia Jordan (‘Middle Men’), Erica Pinkett (‘Secret Society 3: ‘Til Death’), Jensen Atwood (‘Velvet Jesus’), Ken Lawson (‘Malibu’s Most Wanted’), and Obba Babatunde (‘Black Dynamite’).

    Marques Houston stars in 'Run'.
    Marques Houston stars in ‘Run’.

    Moviefone recently has the pleasure of speaking with co-writer, producer and actor Marques Houston about his work on ‘Run’, developing the screenplay, his character’s motivations, designing the look of the aliens, collaborating on the set with the cast, and his close working relationship with director Chris Stokes.

    You can read the full interview below or click on the video player above to watch our interviews with Houston, Annie Ilonzeh, Erica Pinkett, Erica Mena, and Claudia Jordan.

    Related Article: The ‘Alien: Romulus’ Comic-Con Panel Brings Footage and Facehuggers to Hall H

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    Moviefone: To begin with, can you talk about developing the screenplay with Chris Stokes and the themes you wanted to explore as a writer?

    Marques Houston: Well, as you know, my business partner, Chris Stokes, who’s also co-writer and director, he came up with the story idea. He gave me a call and pitched it to me over the phone and I was really thrilled by the idea. I felt like it was a great idea. I felt like it was something that hadn’t been done before, and it was very original. So, in writing the screenplay, his thing was that he wanted to do a sci-fi movie where it had all the energy and running and all that sci-fi stuff, but he wanted to make it a love story. So, I said, “Let’s really home in on the love story,” because he’s a huge fan of Steven Spielberg and James Cameron, and how their movies always have a great love story, something that you just root for the characters and you want them to win. So, we wanted to go with a great love story. We put in the love story of my character and Annie’s character as a couple in turmoil that we’re getting engaged and I get left at the altar. Then her girls take her on this girls’ trip because she’s so depressed. In the interim of all of that, now here we have this alien invasion. But it’s specified to where they are. So, it’s kind of like it’s happening all over the world, but we really wanted to center it on their story, on the girl’s story with myself included and everything like that. So, we did a great love story first and then we put the action on top of that love story. That’s how we were able to attack the screenplay. That’s what we really were going with, centering in on the camaraderie between the girls, the love story between myself and Annie’s character, and really the ultimate idea of a story of survival and how these friends must work together to survive. The thing is, you don’t see any movies like this with an urban cast, like with a high sci-fi twist. That was a challenge, making a story like that with believable sci-fi, so it’s not corny or like a comedy. We really wanted to make a serious movie, but this situational high concept idea that these aliens are taking over.

    MF: Can you talk about how your character Andre, deals with being left at the alter by his fiancé, and does his feelings change after the alien invasion?

    MH: Well, being left at the altar is not fun for anybody, of course. I’ve never experienced that before, but I can only imagine the hurt and just the heartfelt crushing that that can deliver, especially to a man’s ego. He’s like, “I got left at the altar. What are you talking about?” So, that was the story point for me, it was like, how do I really get into that feeling of being abandoned? Then going to the hills to try to save the one person that abandoned you, and then you realize that all that stuff that’s downstairs is just not important. It’s like, “What are we even fighting about? Now we’re trying to survive.” Then it becomes a test of loyalty and love, and how do we let all the nonsense go that we were fighting about? How do we really get together and show that true love and that true bond, and how do we survive together?

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    MF: From a producer’s standpoint, can you talk about designing the look of the aliens and using both practical and visual effects?

    MH: That was Chris. He had all these concept aliens in his brain, and he went to paper with it. It took him a couple of months to fine tune and really get what he wanted, and how he wanted to see the alien’s attack. These aliens, I mean, we all think about aliens as the little head with the big eyes. So, we wanted to go with aliens that kind of reminded us of the aliens that we get scared of, that we’re used to seeing. A lot of movies nowadays portray aliens more as monsters. They have all these legs, and it’s like this monster, you know? ‘Alien’ was such a huge hit, and it changed the whole dynamic of how people seen aliens as more like monsters. We wanted to see these aliens as more of like higher beings, human kind of things, that move like humans, they do everything like humans, but they’re still, higher than us. So, that was the concept behind it. It took almost a year to get everything done with the CG and producing this. It was very expensive to put it on the screen. It wasn’t AI, we didn’t want to use AI, we really wanted to have it be realistic. We also brought in like a stunt actor to become the alien so that we can get that realistic feel as well as, versus the CGI. We did a lot of creative things in creating and putting this movie together. Just to see it all done was amazing for me. I’m so happy and thrilled that it’s done, and I can’t wait for people to see it.

    MF: What was it like working with the rest of the cast and was there room for improvisation on set?

    MH: So, we put the cast together with a group of people that we’ve worked with before and we’re familiar with including Annie Ilonzeh, Erica Mena, Erica Pinkett. It was our first time working with Claudia Jordan. We worked with Drew Sidora before, and Obba Babatunde, who’s just a veteran, we worked with him before. So, we really wanted to have a family feel of a cast because we needed the camaraderie of the girls and that bond to really pour through on the screen. We wanted it to be believable. So, we didn’t want to have a whole bunch of strangers just meet each other for the first time. We wanted that charismatic element to this cast so that when you’re in there and you’re watching the movie, you don’t want anybody to die. You’re trying to root for everybody. You’re just so excited about everybody living. We want somebody to be like, “Oh, no, I didn’t want that to happen.” So, that’s what was important with the cast for us and for me as a character, I know that I love to be funny in real life. So, when I was doing Andre, and I was kind of just thinking about what kind of character I was going to be. I really loved Will Smith in ‘Independence Day’. I loved the fact that he was serious, and he saved the world, but he was also funny. He had moments where he could be funny and he could be charismatic, and he could still give you a laugh and then still give you some toughness. So, I really did pull from that experience for myself, as an actor, and I just wanted to come off well and I hope it did.

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    MF: Finally, can you talk about your close friendship with Chris Stokes and what it’s like to work with him on set?

    MH: I’ve known Chris since I was eight years old. He was my manager when I was younger. We’re business partners now. We’ve worked together for so long. We kind of mirror each other’s thoughts and we know what each other’s going to do and what each other’s going to think. I know him as a director, he knows me as an actor and as a writer. It’s great to be able to work with somebody that you’ve known for so long and that you can bounce ideas off each other and creatively. It really is a bond that that we have together because we’ve done so many movies together. It’s like working with your best friend, and it’s great.

    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    What is the plot of ‘Run’?

    When Melissa (Annie Ilonzeh) leaves her fiancé Andre (Marques Houston) at the altar, her best friends convince her to go to a Cabin in the woods on a much needed “Girls Trip” to get her mind off things. But things take a huge turn when their friend Jenny (Claudia Jordan) is found mutilated in the middle of the woods. When the news announces an all-out Alien attack on the Nation, the girls will now have to try their best to survive.

    Who is in the cast of ‘Run’?

    • Annie Ilonzeh as Melissa
    • Marques Houston as Andre Pierce
    • Drew Sidora as Britney Sidora
    • Erica Mena as Donnie Mena
    • Claudia Jordan as Jennifer Jordan
    • Erica Pinkett as Brandy Pickett
    • Jensen Atwood as Avery
    • Ken Lawson as Ronald
    • Obba Babatunde as the President of the United States
    'Run', directed by Chris Stokes, opens in theaters on August 29th.
    ‘Run’, directed by Chris Stokes, opens in theaters on August 29th.

    List of Movies similar to ‘Run’:

    Buy Tickets: ‘Run’ Movie Showtimes

    Buy Alien Invasion Movies and TV on Amazon

     

  • Movie Review: ‘Caught Stealing’

    (L to R) Yvonne (Zoë Kravitz) and Hank (Austin Butler) have a moment outside a New York bar in Columbia Pictures 'Caught Stealing'. Photo: Niko Tavernise.© 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Yvonne (Zoë Kravitz) and Hank (Austin Butler) have a moment outside a New York bar in Columbia Pictures ‘Caught Stealing’. Photo: Niko Tavernise.© 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Opening in theaters August 29 is ‘Caught Stealing,’ directed by Darren Aronofsky, written by Charlie Huston, and starring Austin Butler, Zoë Kravitz, Matt Smith, Regina King, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Carol Kane, and Benito Martinez Ocasio.

    2oCIRl00rIbchiGl75kai7

    Related Article: Darren Aronofsky in Early Talks to Direct Guru Thriller ‘Breakthrough’

    Initial Thoughts

    Austin Butler stars as Hank in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Austin Butler stars as Hank in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Known primarily for intense psychological dramas that often skirt the horror genre, director Darren Aronofsky has pivoted to a dark crime comedy with ‘Caught Stealing,’ from a screenplay by Charlie Huston based on the latter’s novel. Following the director’s last effort, the heavy, tragic ‘The Whale’ (2022), ‘Caught Stealing’ finds Aronofsky in a relaxed mode and even having some fun, while also returning to his hometown of New York City (setting of his first film, 1998’s ‘Pi’).

    While it’s nice to see Aronofsky go in a lighter direction, he doesn’t always successfully navigate some of the more abrupt tonal switches in ‘Caught Stealing,’ making the narrative a somewhat jarring and uneven experience. Still, he manages to keep the movie unpredictable and loose, aided immensely by great performances from Austin Butler, Zoë Kravitz, Liev Schreiber, Regina King and others.

    Story and Direction

    (L to R) Austin Butler, Matt Smith and Director Darren Aronofsky on the set of Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Austin Butler, Matt Smith and Director Darren Aronofsky on the set of Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Henry ‘Hank’ Thompson (Austin Butler) is a former California high school baseball star – his career cut short by injury and tragedy – and now a semi-permanently wasted bartender living and working in Lower Manhattan’s Alphabet City circa 1998. His patient girlfriend Yvonne (Zoë Kravitz) loves him but wants to know if he’s a man who can ‘keep his s**t together.’ Hank is put to the test when his punk rocker neighbor Russ (Matt Smith) asks him to watch his cat while Russ heads to London to see his ailing father – only for Hank to get a serious beating by two Russian thugs who come looking for Russ.

    But that’s only the beginning of Hank’s problems. After getting out of the hospital minus one kidney, Hank is harassed by the thugs again, this time with a drug baron (Benito Martínez Ocasio, aka Bad Bunny) in tow. Soon even more people are involved in whatever trouble Russ has landed Hank in, including detective Elise Roman (Regina King) and Orthodox Jewish gangsters Lipa (Liev Schreiber) and Shmully (Vincent D’Onofrio).

    Director Darren Aronofsky on the set of Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Director Darren Aronofsky on the set of Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    ‘Caught Stealing’ begins on a dark yet still humorous note, gets even more grim as it goes along, and finally takes a slightly more absurd turn as it barrels toward its conclusion. Aronofsky rides those tonal shifts the best he can, but one particularly shocking moment halfway through is a bit difficult to recover from. The plot also grows more convoluted as it goes along, with one exposition dump in the middle delivered so fast that it’s hard to sort out just who’s screwing over who.

    Yet the film, ostensibly a caper, also stays resolutely unique thanks to its eclectic characters – including Russ’s adorable cat, played by Tonic — the grainy throwback sheen given the film by Aronofsky and cinematographer Matthew Libatique, its authentically gritty and diverse late-‘90s NYC milieu, and a propulsive soundtrack from post-punk act Idles.

    Cast and Performances

    (L to R) Russ (Matt Smith) hands over the keys to Hank (Austin Butler) in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Russ (Matt Smith) hands over the keys to Hank (Austin Butler) in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Aronofsky has assembled a glittering ensemble for ‘Caught Stealing,’ but it’s still all tied together by the commanding work of Austin Butler. After a wasted performance earlier this summer in ‘Eddington,’ he’s got far more to work with, gradually peeling away the layers of Hank’s dissolution and lack of focus to get at the hurt, grief, and anger underneath. It’s a complex performance that showcases the actor’s rare ability to be both a leading man and a chameleon.

    The rest of the cast is up to the task as well, but come in and out of the movie in fits and starts. Zoë Kravitz does solid, sympathetic work as Yvonne in her relatively brief screentime, while Regina King is both tough and enigmatic, and Matt Smith takes a big swing as the annoying, histrionic Russ. But our favorites are undoubtedly Liev Schreiber and Vincent D’Onofrio, whose Lipa and Shmully threaten to steal the last third of the film away from Butler with their funny yet strangely menacing repartee.

    Final Thoughts

    Zoë Kravitz stars as Yvonne in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    Zoë Kravitz stars as Yvonne in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    Thought we wished we could see more of those Hebrew crime barons – they really should be in more of the movie — ‘Caught Stealing’ gets by on the charm of its leading man and that darn cat. It’s also nice to see Darren Aronofsky play in a different field as a filmmaker, even if he doesn’t quite master the balance of absurd comedy and grittier melodrama. As with all the director’s films, ‘Caught Stealing’ is set in a reality that’s slightly off-kilter from ours, and while it’s not top-tier Aronofsky, it’s a welcome change of pace.

    ‘Caught Stealing’ receives a score of 70 out of 100.

    (L to R) Russ (Matt Smith) and Hank (Austin Butler) find the storage unit in Columbia Pictures 'Caught Stealing'. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Russ (Matt Smith) and Hank (Austin Butler) find the storage unit in Columbia Pictures ‘Caught Stealing’. Photo by: Niko Tavernise. © 2025 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    What is the plot of ‘Caught Stealing’?

    Former high school baseball star Hank Thompson (Austin Butler) is now a bartender living in downtown New York City. When his punk-rock neighbor Russ (Matt Smith) asks him to take care of his cat for a few days, Hank finds himself caught in the middle of a motley crew of angry gangsters — and has to find out what they want and why he’s their target.

    Who is in the cast of ‘Caught Stealing’?

    • Austin Butler as Henry “Hank” Thompson
    • Zoë Kravitz as Yvonne
    • Matt Smith as Russ
    • Regina King as Roman
    • Liev Schreiber as Lipa
    • Vincent D’Onofrio as Shmully
    • Griffin Dunne as Paul
    • Benito Martínez Ocasio as Colorado
    • Carol Kane as Bubbe
    (L to R) Pavel (Nikita Kukushkin), Colorado (Bad Bunny), and Aleksei (Yuri Kolokolnikov) rough up Hank (Austin Butler) in Columbia Pictures 'Caught Stealing'. Photo: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.
    (L to R) Pavel (Nikita Kukushkin), Colorado (Bad Bunny), and Aleksei (Yuri Kolokolnikov) rough up Hank (Austin Butler) in Columbia Pictures ‘Caught Stealing’. Photo: Niko Tavernise. © 2024 CTMG, Inc. All Rights Reserved. **ALL IMAGES ARE PROPERTY OF SONY PICTURES ENTERTAINMENT INC. FOR PROMOTIONAL USE ONLY. SALE, DUPLICATION OR TRANSFER OF THIS MATERIAL IS STRICTLY PROHIBITED.

    List of Darren Aronofsky Movies:

    Buy Tickets: ‘Caught Stealing’ Movie Showtimes

    Buy Darren Aronofsky Movies On Amazon

    L11fRu1O
  • Movie Review: ‘The Toxic Avenger’ (2025)

    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, 'The Toxic Avenger,' a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, ‘The Toxic Avenger,’ a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    Opening in theaters on August 29th is ‘The Toxic Avenger’, which is a reboot of the 1984 cult classic and was directed by Macon Blair (‘Brothers’).

    ONHy8weYYsZexyU7f3Yu66

    The film stars Peter Dinklage (‘Game of Thrones’) in the title role, as well as Jacob Tremblay (‘Room’), Taylour Paige (‘Beverly Hills Cop: Axel F’), Elijah Wood (‘The Lord of the Rings: The Fellowship of the Ring’), and Kevin Bacon (‘Footloose’).

    Related Article: San Diego Comic-Con 2025: ‘The Toxic Avenger’ Panel Brings Crazy Action

    Initial Thoughts

    Peter Dinklage as “Winston Gooze” in the action, comedy, horror film, 'The Toxic Avenger', a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Peter Dinklage as “Winston Gooze” in the action, comedy, horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    While it’s not going to win any Oscars, ‘The Toxic Avenger’ reboot is the best possible updated version of the 1984 cult classic. Director Macron Blair clearly understood the assignment and delivers over-the-top action, violence, and humor, but also injects the movie with an emotional core that makes you care about the characters.

    Peter Dinklage’s performance as the pre-Toxic Avenger Winston Gooze anchors the film and creates a sympathetic character for the audience to root for. His relationship with his son played by Jacob Tremblay is the emotional heart of the film, and they are joined by hilariously over-the-top performances from the film’s villains, played by Kevin Bacon and Elijah Wood.

    Story and Direction

    Director Macon Blair at the San Diego Comic-Con premiere of 'The Toxic Avengers'. Photo: Cineverse.
    Director Macon Blair at the San Diego Comic-Con premiere of ‘The Toxic Avengers’. Photo: Cineverse.

    The movie begins by introducing us to Winston Gooze, a down on his luck janitor trying to raise his teenage stepson Wade (Jacob Tremblay), after his wife’s sudden death. Winston works at a factory owned by billionaire health guru Bob Garbinger, who with the help of a crime boss is manufacturing toxic beauty products. We also meet J.J. Doherty (Taylour Paige), an investigative journalist trying to expose Garbinger’s illegal practices after he had her mentor killed.

    With evidence in hand to ruin Garbinger, he sends a group of assassins led by his brother Fritz Garbinger (Elijah Wood) to kill J.J. But they mistakenly kill Gooze instead and dump his body in a pool of chemical waste, transforming him into the hero the Toxic Avenger (played by suit performer Luisa Guerreiro).

    Using his newfound powers, Winston becomes a local hero as the Toxic Avenger and tries to reconnect with Wade. But when Bob discovers his identity, he dispatches Fritz and an army of assassins to capture Wade and lure the Toxic Avenger to his death. Now, Winston must team up with J.J. to save Wade and stop Bob for good.

    Screenwriter/Director Macon Blair on the set of the action, comedy, horror film, 'The Toxic Avenger', a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Screenwriter/Director Macon Blair on the set of the action, comedy, horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    Director Macon Blair, who helmed last year’s ‘Brothers’ and starred in ‘Blue Ruin’ and ‘Green Room’ is one filmmaker that you want to keep your eyes on. Blair has elevated the source material and delivered a script that while incorporating the tone, violence and humor of the original, focuses on the relationship between Winston and Wade, creating an emotional core for the film and forcing you care about what happens to these strange characters.

    Blair’s direction is also impressive, moving the camera in an interesting way, and using practical effects rather than VFX, which helps with the campy tone. Blair accomplishes his goal with ‘Toxic Avenger’, recapturing the strange tone and over-the-top gore and campiness of the original, while creating something new, with a real heart, that audiences can relate to.

    Cast and Performances

    (L to R) Peter Dinklage as “Winston Gooze” and Jacob Tremblay as “Wade” in the action, comedy,horror film, 'The Toxic Avenger', a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    (L to R) Peter Dinklage as “Winston Gooze” and Jacob Tremblay as “Wade” in the action, comedy,horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    Peter Dinklage was perfectly cast as Winston Gooze and beings so much heart and sympathy to the role. However, Dinklage’s performance as the Toxic Avenger is a voice role only, but suit performer Luisa Guerreiro does fantastic work and her performance with Dinklage’s added audio works seamlessly.

    Jacob Tremblay, who first came to fame as a child actor in films like ‘Room’ and ‘Wonder’, is now a young man and once you get over that shock, he gives a heartfelt performance as Wade. Tremblay has great chemistry with Dinklage and is at his best in their scenes together early in the film.

    Kevin Bacon as “Bob Garbinger” in the action, comedy, horror film, 'The Toxic Avenger', a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Kevin Bacon as “Bob Garbinger” in the action, comedy, horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    The film’s villains are all great, including the over-the-top Kevin Bacon, who seems to be having a lot of fun chewing up the scenery. Julia Davis also gives an excellent evil performance as Bob Garbinger’s love interest and assistant, but its Elijah Wood as Fritz Garbinger that really steals the film, playing the character as a dangerous yet sympathetic villain, who is just looking for his brother’s love and approval.

    Actress Taylour Paige, last seen in ‘Beverly Hills Cop: Axel F’ as Eddie Murphy’s daughter, is fine in her role but ultimately not give enough to do and gets lost in the film’s shocking moments and its various over-the-top characters.

    Final Thoughts

    Elijah Wood as “Fritz Garbinger” in the action, comedy, horror film, 'The Toxic Avenger', a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Elijah Wood as “Fritz Garbinger” in the action, comedy, horror film, ‘The Toxic Avenger’, a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    Again, while it’s not going to win any Oscars, ‘The Toxic Avenger’ is exactly what it should be, a gore-filled, campy, over-the-top remake of the original. Director Macon Blair injects the film with enough heart for the audience to truly care about the characters, and the cast is excellent, led by a commanding performance from Peter Dinklage, and wild performances from Kevin Bacon and Elijah Wood. Fans of the original and the genre in general, should be very happy with the new film.

    ‘The Toxic Avenger’ (2025) receives a score of 75 out of 100.

    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, 'The Toxic Avenger,' a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, ‘The Toxic Avenger,’ a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    What is the plot of ‘The Toxic Avenger’?

    When a downtrodden janitor, Winston Gooze (Peter Dinklage), is exposed to a catastrophic toxic accident, he’s transformed into a new kind of hero: The Toxic Avenger. Now, Toxie must rise from outcast to savior, taking on ruthless corporate overlords and corrupt forces who threaten his son (Jacob Tremblay), his friends, and his community. In a world where greed runs rampant… justice is best served radioactive.

    Who is in the cast of ‘The Toxic Avenger’?

    • Peter Dinklage as Winston Gooze / the Toxic Avenger (voice)
    • Luisa Guerreiro as the Toxic Avenger (suit performer)
    • Jacob Tremblay as Wade Gooze
    • Taylour Paige as J.J. Doherty
    • Kevin Bacon as Bob Garbinger
    • Elijah Wood as Fritz Garbinger
    • Sarah Niles as Mayor Togar
    • Julia Davis as Kissy Sturnevan
    • Julian Kostov as Budd Berserk
    • David Yow as Guthrie Stockins
    • Macon Blair as Dennis
    • Rebecca O’Mara as Shelly Gooze
    • Jonny Coyne as Thad Barkabus
    • Jane Levy as Cheerful Insurance Representative (voice)
    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, 'The Toxic Avenger,' a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.
    Luisa Guerreiro as “Toxie” in the action, comedy, horror film, ‘The Toxic Avenger,’ a Cineverse release. Photo courtesy of Yana Blajeva/Legendary Pictures.

    List of Movies and TV Shows in ‘The Toxic Avenger’ Franchise:

    Buy Tickets: ‘The Toxic Avenger’ Movie Showtimes

    Buy ‘The Toxic Avenger’ Movies On Amazon

    gMUigPJC
  • Movie Review: ‘Eden’

    Sydney Sweeney stars in 'Eden'. Photo: Vertical.
    Sydney Sweeney stars in ‘Eden’. Photo: Vertical.

    Opening in theaters August 22 is ‘Eden,’ directed by Ron Howard and starring Jude Law, Sydney Sweeney, Ana de Armas, Vanessa Kirby, Daniel Brühl, Richard Roxburgh, Toby Wallace, and Felix Kammerer.

    qJbzGlcXK9cJ2FujFFYPn5

    Related Article: Director Ron Howard Talks ‘Eden’ and Working with his All-Star Cast

    Initial Thoughts

    (L to R) Jude Law and Vanessa Kirby on the set of 'Eden'. Photo: Jasin Boland.
    (L to R) Jude Law and Vanessa Kirby on the set of ‘Eden’. Photo: Jasin Boland.

    We can’t say that ‘Eden’ is a very good movie, but we will say it’s a pretty entertaining one. Based on a true story, the latest from veteran director Ron Howard (‘Thirteen Lives’) is perhaps the most un-Ron Howard-like film of his career – a dark, sometimes brooding, sometimes over-the-top exploration of human beings giving into their worst impulses instead of coming together to help each other.

    Noah Pink’s screenplay offers a cynical view of what happens when people try to disconnect from the rest of the world, and the movie’s ultimate insights are not exactly news. It also suffers from uneven pacing and tonal issues. But its intermittently gripping story and solid performances from its topline cast – especially Sydney Sweeney and Ana de Armas – make it fascinating to watch.

    Story and Direction

    Ron Howard on the set of 'Eden'. Photo: Jasin Boland.
    Ron Howard on the set of ‘Eden’. Photo: Jasin Boland.

    In 1929, German doctor Friedrich Ritter (Jude Law) and his partner Dore Strauch (Vanessa Kirby) settle on a remote atoll in the Galapagos Islands called Floreana, where Ritter aims to create a simpler life away from the brutal post-World War I environment that is fostering fascism around the world. Three years later, having read about Ritter’s exploits – which have made him famous back home – Heinz Wittmer (Daniel Brühl) and his pregnant new wife Margret (Sydney Sweeney), along with Heinz’s son Harry (Jonathan Tittel), arrive on Floreana to follow in Ritter’s footsteps and create their own homestead.

    But Ritter and Dore, who are nothing if not world-class misanthropes, are not pleased at the intrusion. “Nothing about our life here is magic,” Ritter warns the idealistic Heinz, adding that “failure is inevitable” for the couple, who make a fairly successful go at it despite Ritter’s admonishments. Yet Ritter, Dore, and the Wittmers are all unhappy at the arrival of the Baroness Eloise Bosquet de Wagner Wehrhorn (Ana de Armas), a debauched denizen of European high society who shows up with her two male lovers and the intent of building an exclusive resort on Floreana.

    While the Wittmers, Ritter, and Strauch are all accustomed to the rigors of life on the island, the Baroness is not, and she soon sets a chain of events in motion that find all three groups – Ritter and Strauch, the Wittmers, and the Baroness and her entourage – constantly shifting allegiances and ultimately turning on each other. It’s a scenario that’s not unexpected, and Pink’s screenplay often forces the characters into situations and decisions to drive the intended narrative, rather than let it flow out of the characters organically. The result is a story that moves in fits and starts and often has the characters acting mainly get the story from one pre-determined point to the next.

    (L to R) Felix Kammerer, Ana de Armas and Toby Wallace in 'Eden'. Photo: Vertical.
    (L to R) Felix Kammerer, Ana de Armas and Toby Wallace in ‘Eden’. Photo: Vertical.

    This leads to a lack of urgency in the proceedings, with only a wild scene in which Margret gives birth by herself – as she is attacked by wild dogs all while the Baroness’ lovers raid the Wittmers’ food supplies – approaching levels of tension and outright horror that suggests the ghastliness of the overall situation. Other events play out largely as one might expect, and the tone veers from one of grim reality to outright camp (as in a late dinner party scene that made us think of a similar sequence in ‘The Rocky Horror Picture Show’ – albeit without the latter’s shocking reveal of what was on the menu).

    Howard is more than confident on a technical and visual level (the Australian location shoot makes the isolation of Floreana feel real), but doesn’t seem as sure-footed in handling the tonal shifts or the overall darker nature of the material. The result is a movie in which you know what’s going to happen in the end – but you still want to keep looking to see if the film completely collapses or not (which it almost does in the third act).

    Cast and Performances

    (L to R) Felix Kammerer, Ana de Armas and Toby Wallace in 'Eden'. Photo: Jasin Boland.
    (L to R) Felix Kammerer, Ana de Armas and Toby Wallace in ‘Eden’. Photo: Jasin Boland.

    Everyone’s German accents waver throughout the film (except for Daniel Brühl’s, of course), but the performances are on solid footing for the most part. Sydney Sweeney does the best work overall, downplaying her physical attributes while effectively and subtly charting Margret’s journey from innocence and fear to strength and even a kind of ruthlessness. At the other end of the scale, de Armas is wildly flamboyant and outlandish but far more entertaining than her bland turn in ‘Ballerina’ earlier this year.

    Law also gives quite a complicated and over-the-top performance, with his steel chompers (Ritter has his originals removed to prevent infection) and un-self-conscious full frontal nudity, and while Kirby is quite good at portraying Dore’s smirking distaste for others (“They’re clearly suffering…shall we f**k?” she inquires to Ritter at one point, evidently turned on by others’ misery), she doesn’t get nearly enough to do as she should, and is mostly left standing around reacting to the others.

    Final Thoughts

    (L to R) Daniel Brühl and Jude Law star in 'Eden'. Photo: Vertical.
    (L to R) Daniel Brühl and Jude Law star in ‘Eden’. Photo: Vertical.

    A film about people separating into their own camps and battling each other while the rest of civilization burns certainly has its relevance in our current situation, although it’s rich coming from the director who introduced the world by and large to JD Vance. And as with that woeful film, there’s a kind of lack of substance underneath the hood of ‘Eden’ that makes it ultimately a shallow exercise.

    But nevertheless, it’s neither the complete disaster some folks have made it out to be, nor is it anywhere near a high point on Howard’s filmography. It works as misery porn about good-looking actors getting nasty, deceitful and violent with each other, although that may not be the result its director intended.

    ‘Eden’ receives a score of 55 out of 100.

    Vanessa Kirby stars in 'Eden'. Photo: Vertical.
    Vanessa Kirby stars in ‘Eden’. Photo: Vertical.

    What is the plot of ‘Eden’?

    A group of disillusioned outsiders abandon modern society in search of a new beginning, settling on a remote, uninhabited island. But their utopian dream quickly unravels as tensions spiral, desperation takes hold, and a twisted power struggle leads to betrayal, violence, and death.

    Who is in the cast of ‘Eden’?

    • Jude Law as Dr. Friedrich Ritter
    • Vanessa Kirby as Dora Strauch
    • Daniel Brühl as Heinz Wittmer
    • Sydney Sweeney as Margret Wittmer
    • Ana de Armas as Baroness Eloise Bosquet de Wagner Wehrhorn
    • Jonathan Tittel as Harry Wittmer
    • Richard Roxburgh as Allan Hancock
    • Toby Wallace as Robert Phillipson
    • Felix Kammerer as Rudolph Lorenz
    'Eden' opens in theaters on August 22nd. Photo: Vertical.
    ‘Eden’ opens in theaters on August 22nd. Photo: Vertical.

    List of Ron Howard Movies and TV Shows:

    Buy Tickets: ‘Eden’ Movie Showtimes

    Buy Ron Howard Movies on Amazon

    px3aNlDq
  • Early ‘Superman’ Home Release Makes Sense For ‘Peacemaker’

    David Corenswet as Superman and Rachel Brosnahan as Lois Lane in DC Studios’ and Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.
    David Corenswet as Superman and Rachel Brosnahan as Lois Lane in DC Studios’ and Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.

    Preview: 

    • ‘Superman’ had its home release only one month after its theatrical release, which seems very early for a big comic book movie.
    • After the events of ‘Peacemaker’ Season 2, this makes sense. 
    • Fans who missed ‘Superman’ in theaters will want to watch it since it has ties to the second season of ‘Peacemaker’.

    When the home release date of ‘Superman‘ was first released, many people felt it was way too soon. Not only is the movie still playing in theaters, it is still bringing in money. A home release date of August 15th is just 35 days after its theatrical release. This is quick for any movie, but for a comic book movie? It is almost unheard of.

    tj0MlYZpL4B5pcVJfoIJe1

    Then, after watching the first episode of ‘Peacemaker‘, it became instantly clear why DC Studios did this. The events of ‘Superman’ tie into key plot points of this season and while it is not required viewing, it certainly helps with the storytelling.

    Related Article: James Gunn’s ‘Superman’ Tops the Box Office Again as ‘Smurfs’ Stumbles

    ‘Peacemaker’ Makes Changes To Season 1 To Fit Into The DCU

    (L to R) Nathan Fillion as Guy Gardner, Isabela Merced as Hawkgirl and Edi Gathegi as Mr. Terrific in DC Studios’ and Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.
    (L to R) Nathan Fillion as Guy Gardner, Isabela Merced as Hawkgirl and Edi Gathegi as Mr. Terrific in DC Studios’ and Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Ent. All Rights Reserved. TM & © DC.

    At the end of ‘Peacemaker’ Season 1, fans lost their minds when the Justice League showed up. Now that the DCEU has gone the way of the buffalo, and the DCU is the new canon, James Gunn needed to correct a few things. To no one’s surprise, he did so brilliantly, proving what a mastermind he is.

    ‘Peacemaker’ Season 2 starts off with a “Previously On” however, it highlights that it is the DCU, not the DCEU. Because of this some events are slightly altered, with the major one being that instead of the Justice League showing up, it is the Justice Gang, who are prominently featured in ‘Superman’. This includes Nathan Fillion (Guy Gardener), Isabela Mercad (Hawkgirl), and Edi Gathegi (Mister Terrific).

    ‘Superman’ Events Are Referenced Multiple Times In ‘Peacemaker’ Season 2

    (L to R) John Cena and Danielle Brooks in 'Peacemaker' season 2. Photo: Curtis Bonds Baker/Max.
    (L to R) John Cena and Danielle Brooks in ‘Peacemaker’ season 2. Photo: Curtis Bonds Baker/Max.

    Also in the premiere episode of ‘Peacemaker’ Season 2 is an interview between Christopher Smith (John Cena), also known as Peacemaker, and the Justice Gang, which he hopes to join. While Mr. Terrific is absent, Hawk Girl, Guy Gardener, and Maxwell Lord (Sean Gunn) are present. They mostly poke fun at Peacemaker, delivering a hilarious scene.

    There are also several times in this episode (and later in the season) that the “Luther event” is mentioned. This is, of course, in reference to the pocket universe that Lex Luther (Nicholas Hoult) opened up, nearly destroying Metropolis in the process. Frank Grillo also reprises his role as Rick Flag Sr., who is acting director or A.R.G.U.S. while Amanda Waller is being investigated.

    Early Home Release For ‘Superman’ Just Makes Sense Now

    Frank Grillo in 'Peacemaker' season 2. Photo: Jessica Miglio/Max.
    Frank Grillo in ‘Peacemaker’ season 2. Photo: Jessica Miglio/Max.

    With all of these ties to James Gunn’s ‘Superman’, it makes sense why DC Studios opted to give it a home release. As mentioned, it is not necessary to watch it in order to understand what it happening in ‘Peacemaker’ Season 2, but it will give you more insight into why A.R.G.U.S. is so afraid of dimensional rifts.

    Also, because the Justice Gang is in the series, although not often, seeing ‘Superman’ allows viewers to get to know them and their dynamic a little bit more, rather than being thrust into the chaotic conversation that is going on during Peacemaker’s interview without any backstory.

    The best part? If you so wish, you can still see ‘Superman’ in theaters, as it is still playing.

    David Corenswet as Superman in Warner Bros. Pictures’ 'Superman', a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment. All Rights Reserved. TM & © DC.
    David Corenswet as Superman in Warner Bros. Pictures’ ‘Superman’, a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment. All Rights Reserved. TM & © DC.

    List of Movies and TV Shows Featuring Superman:

    Buy Tickets: ‘Superman’ Movie Showtimes

    Buy Superman Movies On Amazon

    Bpj7G4CK
  • Movie Review: ‘Honey Don’t!’

    Margaret Qualley stars as Honey O’Donahue in writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.
    Margaret Qualley stars as Honey O’Donahue in writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.

    Opening in theaters August 22 is ‘Honey Don’t!,’ directed by Ethan Coen and starring Margaret Qualley, Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Billy Eichner, Gabby Beans, Lera Abova, and Talia Ryder.

    8N2UcE2ejhzUMGhNUO2gg1

    Related Article: Margaret Qualley, Josh Brolin And Guy Pearce Joining Ridley Scott’s Sci-fi Dystopia ‘The Dog Stars’

    Initial Thoughts

    Margaret Qualley stars as Honey O’Donahue in writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.
    Margaret Qualley stars as Honey O’Donahue in writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.

    The second chapter in a proposed lesbian B-movie trilogy dreamed up by director/writer Ethan Coen and his wife, writer/editor Tricia Cooke, ‘Honey Don’t!’ follows up the pair’s first installment, 2024’s ‘Drive-Away Dolls.’ But while that was a caper/buddy road comedy that benefited (as far as it went) from the affection between Margaret Qualley and Geraldine Viswanathan, ‘Honey Don’t!’ is a takeoff on the noir genre that is saved only by another great performance from Qualley and the handful of spicy sex scenes she shares with Aubrey Plaza.

    The rest of ‘Honey Don’t!’ — named after a Carl Perkins song — is even more insubstantial that ‘Drive-Away Dolls’ ended up being, with a formless script that plays like a rough draft and an overabundance of plot strands and characters that drift in and out of the picture without anything meaningful to tie them together. It’s barely a movie, making us wish that Ethan and his brother Joel would reunite.

    Story and Direction

    (L to R) Writer Tricia Cooke, actor Margaret Qualley and writer/director Ethan Coen on the set of their film 'Honey Don't!', a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.
    (L to R) Writer Tricia Cooke, actor Margaret Qualley and writer/director Ethan Coen on the set of their film ‘Honey Don’t!’, a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.

    Story and direction: two things that ‘Honey Don’t!’ is badly in need of. Qualley plays Honey O’Donahue, a tough, queer private detective who lives and works in the arid town of Bakersfield, California, where she stays close to her sister (Kristen Connolly) – who is on the edge of poverty with her six kids – and does her best to protect and help her.

    Although local cop Marty (Charlie Day) – who refuses to accept that the glamorous Honey is a lesbian – insists that the car accident death of a potential client is an open-and-shut case, Honey has her suspicions. Those lead her to a local church called the Four-Way Temple and its pastor, the sleazy Drew Devlin (Chris Evans), who is smuggling drugs when not luring vulnerable young women into his bed and fetish gear. The investigation turns personal when Honey’s own family is dragged in, dredging up ghosts from her past even as she begins a torrid affair with an evidence room officer, MG Falcone (Aubrey Plaza).

    Charlie Day stars as Marty Metakawitch in writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release. Credit: Courtesy of Focus Features / © 2025 Focus Features LLC
    Charlie Day stars as Marty Metakawitch in writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release. Credit: Courtesy of Focus Features / © 2025 Focus Features LLC

    As with many noirs, neo or otherwise, the story is often fragmentary. But there’s nothing else beyond Qualley’s central performance to keep our interest. Most of the other cast members – except perhaps for Plaza and Day – make little to no impression, many of the jokes don’t land, and scenes meander about with little tension or vitality. The movie feels like Coen and Cooke slapped it together on the fly, and the drab, parched setting saps whatever energy the story may possess.

    There’s something in here about female empowerment and the need to stop submitting to patriarchal figures, but it’s handled so limply that any thematic concerns have no weight. And the story’s dénouement is so abrupt and baffling that one is left wondering what the hell happened. One major subplot ends up going absolutely nowhere at all – an indication of just how slipshod and lazy the entire film seems.

    Cast and Performances

    (L to R( Aubrey Plaza and Margaret Qualley star in writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.
    (L to R( Aubrey Plaza and Margaret Qualley star in writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release. Credit: Karen Kuehn / © 2025 Focus Features LLC.

    Margaret Qualley is the sole reason to stick around in ‘Honey Don’t!’ Her Honey is tough, frank, and fun even if the rest of the movie around her is dismal, and she shines in Honey’s procession of brightly-colored flowered dresses. Her line readings are deliberately staccato and flat in the noir tradition, and there’s just enough revealed about her to be frustrating, because Honey is a terrific character looking for a better movie.

    Aubrey Plaza and Qualley truly sizzle in their sex scenes, but Plaza’s Falcone is too much of a cypher and is let down by the script toward the end. Chris Evans is simply miscast: the former (and future?) Captain America is too arch here and much better served by movies like ‘Materialists.’ Charlie Day earns some chuckles as the lunkheaded but sweet-natured Marty, and Gabby Beans deserves more to do as Honey’s assistant Spider, but everyone else fades into the blazing Bakersfield sun.

    Final Thoughts

    Chris Evans stars as Drew Devlin in writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release. Credit: Karen Kuehn / © 2025 Focu Features LLC.
    Chris Evans stars as Drew Devlin in writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release. Credit: Karen Kuehn / © 2025 Focu Features LLC.

    There is the hint of a far more interesting movie here, and making the classic noir detective figure into a lesbian could add a fresh new spin to the genre. But ‘Honey Don’t!’ just does not work.

    Like ‘Drive-Away Dolls,’ this has the quirks, violence, and casual comedy of a Coen brothers movie, but even less of whatever magical focus the combination of Joel and Ethan brings to their best films. This feels more like self-indulgence, cheapening even what’s supposed to be a B-movie.

    ‘Honey Don’t!’ receives a score of 30 out of 100.

    urOrbjPE

    What is the plot of ‘Honey Don’t!’?

    In Bakersfield, California, female private detective Honey O’Donahue (Margaret Qualley) investigates a woman’s death and tangles with the head of a mysterious church.

    Who is in the cast of ‘Honey Don’t!’?

    • Margaret Qualley as Honey O’Donahue
    • Aubrey Plaza as MG Falcone
    • Chris Evans as Reverend Drew Devlin
    • Lera Abova as Cher
    • Charlie Day as Marty Metakawitch
    • Gabby Beans as Spider
    • Talia Ryder as Corinne
    • Kristen Connolly as Heidi O’Donahue
    • Billy Eichner as Mr. Siegfried
    • Jacnier as Hector
    • Josh Pafchek as Shuggie
    • Kale Browne as Honey’s Father
    • Kara Petersen as Mia Novotny
    Writer/director Ethan Coen’s 'Honey Don't!', a Focus Features release opens in theaters on August 22, 2025. Credit: Courtesy of Focus Features / © 2025 Focus Features LLC
    Writer/director Ethan Coen’s ‘Honey Don’t!’, a Focus Features release opens in theaters on August 22, 2025. Credit: Courtesy of Focus Features / © 2025 Focus Features LLC

    List of Ethan Coen Movies:

    Buy Tickets: ‘Honey Don’t!’ Movie Showtimes

    Buy Coen Brothers Movies on Amazon

     

  • Movie Review: ‘The Thursday Murder Club’

    (L to R) Celia Imrie, Ben Kingsley, Helen Mirren and Pierce Brosnan in 'The Thursday Murder Club', which will launch on 28th August 2025 exclusively on Netflix. Photo: Netflix.
    (L to R) Celia Imrie, Ben Kingsley, Helen Mirren and Pierce Brosnan in ‘The Thursday Murder Club’, which will launch on 28th August 2025 exclusively on Netflix. Photo: Netflix.

    Launching on Netflix on August 28th is ‘The Thursday Murder Club’, which represents an adaptation of author Richard Osman’s popular murder mystery novel.

    s9q2deZnwTHZAtRmWmG6c5

    Directed by Chris Columbus (‘Harry Potter and the Philosopher’s Stone’), the movie stars Helen Mirren (‘The Queen’), Pierce Brosnan (‘The World is Not Enough’), Ben Kingsley (‘Sexy Beast’), Celia Imrie (‘The Best Exotic Marigold Hotel’) and Naomi Ackie (‘Blink Twice’).

    Related Article: First Look at New Netflix Crime Adaptation ‘The Thursday Murder Club’

    Initial Thoughts

    Helen Mirren in 'The Thursday Murder Club'. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.
    Helen Mirren in ‘The Thursday Murder Club’. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.

    “Cozy Crime” is a genre appellation that some storytellers bristle at, invoking images of basic British TV detective series featuring quirkily named old folk digging into crimes in bucolic countryside landscapes. But when fully embraced and exploited for full entertainment value, it’s one that pays dividends.

    And, on the face of it, ‘The Thursday Murder Club’ could feel like it slots right alongside those sorts of shows –– you could even imagine it airing as a series on Sunday nights on the BBC. Yet this is a big-budget, star-driven movie that has even more to offer.

    Script and Direction

    Chris Columbus attends the NYC Special Screening of 'The Thursday Murder Club' on August 14, 2025 in New York City. Photo by Dimitrios Kambouris/Getty Images for Netflix.
    Chris Columbus attends the NYC Special Screening of ‘The Thursday Murder Club’ on August 14, 2025 in New York City. Photo by Dimitrios Kambouris/Getty Images for Netflix.

    Osman’s book launched a successful series of books and a healthy reading audience, so naturally there was pressure from the start to get the adaptation right. Fortunately, screenwriters Katy Brand (‘Good Luck to You, Leo Grande’) and Suzanne Heathcote (‘Killing Eve’) nail the tone and the basics while making any necessary changes as the story shifts mediums.

    The mystery itself is solid and intriguing, and while you might be able to guess some of the elements, it doesn’t spoil the enjoyment.

    In reality, it’s the characters you end up rooting for, and the screenplay features more than enough wittiness and charm to make them work on the page, even before considering the quality cast attached.

    Chris Columbus certainly has experience bringing beloved British books to screens, and with ‘Thursday Murder Club’ he largely keeps things balanced and stays out of the way of the plot. Aside from some stylish flashbacks to another case, and some great tricks to keep you guessing on the crime front, the movie unfolds without fuss.

    Cast and Performances

    (L to R) Helen Mirren, Sir Ben Kingsley, Pierce Brosnan, and Celia Imrie in 'The Thursday Murder Club'. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.
    (L to R) Helen Mirren, Sir Ben Kingsley, Pierce Brosnan, and Celia Imrie in ‘The Thursday Murder Club’. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.

    It’s not every murder mystery that can boast the talents of Academy Award-winning actors, and this one really makes the most of its cast.

    Helen Mirren is the perfect Elizabeth, a former MI6 operative who can’t shake her investigative training even if she is now living in a retirement home. Imperious, impatient and occasionally impolite (though usually only when she’s frustrated with others), Elizabeth also has a vulnerable streak, not least when dealing with her husband Stephen (a superb Jonathan Pryce), who is struggling with creeping dementia.

    Pierce Brosnan, meanwhile, gets to show off his comedy chops along with his trademark gruff charisma as Ron, a trade union leader who is a key member of the club.

    Also on the team is retired psychologist Ibrahim, played by Ben Kingsley, who applies his training to figuring out motives and schemes. It’s a welcome change of gear for the actor, who puts in an appealingly nervy, quiet performance.

    Celia Imrie’s former nurse Joyce is the new recruit, brought aboard for her medical background and willingness to go along with Elizabeth and co’s ideas –– even when they conflict with local law enforcement.

    (L to R) David Tennant and Henry Lloyd Hughes in 'The Thursday Murder Club'. Photo: Giles Keyte/Netflix. © 2025 Netflix, Inc.
    (L to R) David Tennant and Henry Lloyd Hughes in ‘The Thursday Murder Club’. Photo: Giles Keyte/Netflix. © 2025 Netflix, Inc.

    Around the core cast, a solid group of British character actors adds flavor and spice to the story, including the likes of Ackie (who is a friendly police constable) and David Tennant (as a loathsome property developer whose latest deal threatens the sanctity of the Club’s Cooper’s Chase retirement home.

    Others include Daniel Mays as DCI Chris Hudson, endlessly confounded by our heroes’ meddling and Tom Ellis, who is Ron’s son Jason, a famous fighter sidelined by injury who has found fame on TV.

    Final Thoughts

    (L to R) Tom Ellis and Helen Mirren in 'The Thursday Murder Club', which will launch on 28th August 2025 exclusively on Netflix. Photo: Netflix.
    (L to R) Henry Lloyd Hughes and Helen Mirren in ‘The Thursday Murder Club’, which will launch on 28th August 2025 exclusively on Netflix. Photo: Netflix.

    ‘The Thursday Murder Club’ is an effective, well-crafted example of the murder mystery genre, one that celebrates its source material while also making smart decisions about turning the story into a movie.

    Chances are the film will have you hoping for a spin-off series, but with a batch of books in Osman’s novel series, we may have to settle for more movies.

    But if any further movies can keep up the blend of crafty mystery and genuine emotion on display here, it’ll be a good day for Cozy Crime in general.

    ‘The Thursday Murder Club’ receives a score of 85 out of 100.

    (L to R) Sir Ben Kingsley as Ibrahim Arif, Pierce Brosnan as Ron Ritchie, author Richard Osman, Helen Mirren as Elizabeth Best, Celia Imrie as Joyce Meadowcroft and director Chris Columbus on the set of 'The Thursday Murder Club'. Photo: Courtesy of Netflix © 2024. © 2025 Netflix, Inc.
    (L to R) Sir Ben Kingsley as Ibrahim Arif, Pierce Brosnan as Ron Ritchie, author Richard Osman, Helen Mirren as Elizabeth Best, Celia Imrie as Joyce Meadowcroft and director Chris Columbus on the set of ‘The Thursday Murder Club’. Photo: Courtesy of Netflix © 2024. © 2025 Netflix, Inc.

    What’s the story of ‘The Thursday Murder Club’?

    Four irrepressible retirees spend their time solving cold case murders for fun, but their casual sleuthing takes a thrilling turn when they find themselves with a real whodunit on their hands.

    Who is in the cast of ‘The Thursday Murder Club’?

    • Helen Mirren as Elizabeth Best
    • Pierce Brosnan as Ron Ritchie
    • Ben Kingsley as Ibrahim Arif
    • Celia Imrie as Joyce Meadowcroft
    • Naomi Ackie as Donna de Freitas
    • Daniel Mays as DCI Chris Hudson
    • Tom Ellis as Jason Ritchie
    • Jonathan Pryce as Stephen Best
    • David Tennant as Ian Ventham
    (L to R) Helen Mirren, Pierce Brosnan, Sir Ben Kingsley, Celia Imrie, and Naomi Ackie in 'The Thursday Murder Club'. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.
    (L to R) Helen Mirren, Pierce Brosnan, Sir Ben Kingsley, Celia Imrie, and Naomi Ackie in ‘The Thursday Murder Club’. Photo Credit: Giles Keyte / Netflix. © 2025 Netflix, Inc.

    List of Pierce Brosnan Movies and TV Shows:

    Buy Pierce Brosnan Movies On Amazon

    m7Rvj3KW
  • ‘Snoopy Presents: A Summer Musical’ Interview: Ben Folds

    ewoa3N8U

    Premiering on Apple TV+ August 15th is the first Peanuts musical in over three decades entitled ‘Snoopy Presents: A Summer Musical‘, which features original songs by Emmy Award nominees Jeff Morrow and Ben Folds (Ben Folds Five).

    'Snoopy Presents: A Summer Musical' composer Ben Folds.
    ‘Snoopy Presents: A Summer Musical’ composer Ben Folds.

    Moviefone recently had the pleasure of speaking with musician and composer Ben Folds about his work on ‘Snoopy Presents: A Summer Musical’, his love for Peanuts, writing the music for the special, and why people still love Snoopy and Charlie Brown.

    zZfrYrhQOWJillBtY6XWP5

    You can read the full interview below or click on the video player above to watch our interview.

    Related Articles: ‘Snoopy Presents: Welcome Home, Franklin’ Exclusive Interviews

    (L to R) Lucy, Linus, Peppermint Patty, Charlie Brown, Franklin and Marcie in "Snoopy Presents: A Summer Musical', now streaming on Apple TV+.
    (L to R) Lucy, Linus, Peppermint Patty, Charlie Brown, Franklin and Marcie in “Snoopy Presents: A Summer Musical’, now streaming on Apple TV+.

    Moviefone: To begin with, were you a fan of Charlie Brown and Peanuts when you were growing up, and how did you get involved in the project?

    Ben Folds: I mean, I grew up with it, like we all did. There are not many things that we can say that we all grew up with. The Peanuts world is, you know the tone, and you know the characters and Charlie Brown’s is just such a great character. I suppose that Charles Schultz probably saw himself as Charlie Brown, and I think many of us do. I felt like that when I was a kid and I kind of feel like that now. It’s a melancholic, but not depressive place, thoughtful, and he always telegraphs his moods. That’s just deep. So, I don’t know how you could not be a fan. It’s a world that we’ve all lived in and that shows you how good it is. You know, it’s half a century later and it’s surviving, amidst a lot of loud stuff for kids, for decades. This just keeps cruising through because it’s real, and this musical is the same way. It’s taps into the best of both. I mean, it’s gorgeous animation. It’s plenty entertaining. I mean, it’s a musical, you know. But at the same time, we’re allowed to be philosophical inside it, which is why I took the project.

    (L to R) Snoopy, Charlie Brown, Sally and friends in 'Snoopy Presents: A Summer Musical', now streaming on Apple TV+.
    (L to R) Snoopy, Charlie Brown, Sally and friends in ‘Snoopy Presents: A Summer Musical’, now streaming on Apple TV+.

    MF: Can you talk about the process of writing the music for this special and was it a different process than when you write your own music?

    BF: It’s not that different, which is what’s kind of interesting. Some of it is because luckily, my three songs are all Charlie Brown songs. So, I can sit inside his head and get there. They go from him being rather despondent about the state of the camp. It’s going to be mowed over, and they’re going to put malls up and all the generations before, and all the generations after them will be sad about this. He carries all that and over the course of it, of course, they begin to win the battle, so he’s coming up out of a hole. For me, it was like riding life, and I understand him. You know, the specter of Vince Guaraldi was there, I grew up with that and I can do a little bit of that for reference, but it wasn’t that important. What was the most important was the mood that Guaraldi was part of the team that helped set a world. Now, if the music for the original Peanuts had just been crazy stuff, that would have really changed the way that we see it and see the world.

    (L to R) Sally, Charlie Brown and Snoopy in 'Snoopy Presents: A Summer Musical', now streaming on Apple TV+.
    (L to R) Sally, Charlie Brown and Snoopy in ‘Snoopy Presents: A Summer Musical’, now streaming on Apple TV+.

    MF: Finally, can you about the legacy of Peanuts and the timelessness of the characters? Why do audiences still love Charlie Brown, Snoopy, and their friends all these years after they were first created?

    BF: Peanuts has never been something that was so bright and loud that it just jumps out at you. For that reason, I know when I was a kid, I was attracted to that stuff. I liked all the crazy stuff. But what is there when the noise dies down is real life and real thoughts and somehow Peanuts has been able to create that world in a way that has always been entertaining and thoughtful. So, it’s like when all your fair-weather friends have stopped making loud noise and the sugar buzz has worn off, Peanuts is still there, 50 years later. So, when you work inside, you appreciate it even more because I realized how deep Charlie Brown’s personality is. It’s not in what’s said, it’s always been in what hasn’t been said. So, when you see a quiet kid in the back of the class, they get even more quiet and it’s something that might be a deep subject, but we know that they’re thinking about it. Isn’t that more effective than letting the kid spout every single little thing that he’s thinking? So, that informs the songwriting. I love this old school classic songcraft and this is the place for it. So, I feel like the gig had my name written on it personally, and I was quite happy to do it.

    (L to R) Woodstock and Snoopy in 'Snoopy Presents: A Summer Musical', now streaming on Apple TV+.
    (L to R) Woodstock and Snoopy in ‘Snoopy Presents: A Summer Musical’, now streaming on Apple TV+.

    What is the plot of ‘Snoopy Presents: A Summer Musical’?

    In the first Peanuts musical in over three decades, Charlie Brown, Snoopy and the rest of the gang break out in original songs by Emmy Award nominees Jeff Morrow and Ben Folds in the latest franchise special that invites kids and families to discover the magic of summer camp.

    Who is in the voice cast of ‘Snoopy Presents: A Summer Musical’?

    (L to R) Snoopy, Woodstock and Charlie Brown in 'Snoopy Presents: A Summer Musical', now streaming on Apple TV+.
    (L to R) Snoopy, Woodstock and Charlie Brown in ‘Snoopy Presents: A Summer Musical’, now streaming on Apple TV+.

    List of Movies and TV Shows in the ‘Peanuts’ Franchise:

    Buy ‘Peanuts’ Movies On Amazon

     

  • Movie Review: ‘Relay’

    Riz Ahmed in Bleecker Street's 'Relay'. Credit: Bleecker Street.
    Riz Ahmed in Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    Opening in theaters August 22 is ‘Relay,’ directed by David Mackenzie and starring Riz Ahmed, Lily James, Sam Worthington, Willa Fitzgerald, Matthew Maher, Jared Abrahamson, and Victor Garber.

    LHmdnmQBnnwve2eAOYHXp

    Related Article: Sylvester Stallone Out, Lily James in For New Reboot of 1990s Action Thriller ‘Cliffhanger’

    Initial Thoughts

    Lily James in Bleecker Street's 'Relay'. Credit: Bleecker Street.
    Lily James in Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    Featuring a terrific central performance from Riz Ahmed, ‘Relay’ is styled very much in the mold of classic paranoid thrillers from the 1970s like ‘The Parallax View’ and ‘The Conversation.’ It’s not quite as intense and expansive as those, and its third act falls back into a series of rote reveals and action beats, but for its first two-thirds, the film builds an impressive level of tension and dread – not to mention that its primary plot device is an ingenious hook for the story.

    Story and Direction

    Riz Ahmed in Bleecker Street's 'Relay'. Credit: Bleecker Street.
    Riz Ahmed in Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    Ash (Riz Ahmed) is a solitary fixer who helps whistleblowers – but not in the way you might expect. Instead of assisting them to expose the corporation they’ve been working for, Ash helps the would-be whistleblower (who may have second thoughts or is afraid) return whatever incriminating documents or information they have, in exchange for a substantial payout, a new life, and a promise to be left alone.

    A former whistleblower himself, Ash employs a third-party relay service – a phone and text network ostensibly meant for people with hearing disabilities, and the most fascinating aspect of the movie – to ensure that his communications with his clients are anonymous, untraceable, and secure. Ash’s next case is a scientist named Sarah Grant (Lily James), who is being harassed by operatives of the biotech company for which she used to work. She has some devastating information on the company that she wants to give back, and Ash agrees to help her, with all their exchanges conducted through the relay service.

    Ash also monitors his clients from afar – and sometimes from right next to them, since they don’t know who he is – and in the case of Sarah, he begins to develop an attraction that threatens the wall of protection that he’s carefully constructed around himself. Sarah begins to take interest in her silent benefactor as well, even though her former employer’s attack dogs – led by the ruthless Dawson (Sam Worthington) – are doing everything possible to destroy her or worse.

    A scene from Bleecker Street's 'Relay'. Credit: Bleecker Street.
    A scene from Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    David Mackenzie, who directed the excellent ‘Hell or High Water’ in 2016, wrings tons of suspense out of ‘Relay’ for its first two-thirds, with the relay service creating a unique layer of separation between Ash and his clients that emphasizes both Ash’s paranoia and the danger of the work he does. Just as he channeled the classic Western in a modern setting for ‘Hell,’ Mackenzie invokes the thrillers of the ‘70s – right down to the gritty urban setting, in this case New York City – and lures you in as we watch Ash go through every meticulous detail of his business, wondering if and when he might finally slip up.

    It’s only in the third act of Justin Piasecki’s script that ‘Relay’ begins to unravel, as a series of more conventional action beats, as well as a twist that you can sense coming about halfway through the movie, replace the movie’s slow-burn, simmering narrative with something resembling a more conventional action programmer. It’s not a fatal flaw but it takes the edge off ‘Relay’ just as the movie should be really catching fire.

    Cast and Performances

    Sam Worthington in Bleecker Street's 'Relay'. Credit: Bleecker Street.
    Sam Worthington in Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    Riz Ahmed is an expert at underplaying – almost deliberately eschewing dialogue in favor of expressing himself through his eyes, physicality, and remarkable stillness. Just as he did in the excellent ‘Sound of Metal,’ in which he played a hearing-challenged musician, he makes Ash almost consciously non-verbal – this is a man whose past trauma has taught him to say as little as possible and avoid even speaking at all. Despite the walls Ash puts up, however, Ahmed’s subtle compelling work transmits the isolated man’s basic decency and the gradual return of his sense of righteousness.

    Lily James remains one of the more appealing young British actresses working today, and she too generates both charisma and desperation as Sarah, but the fuzzier aspects of her background and some of her choices make the character frustrating at certain points. Sam Worthington delivers a rather standard if snarky villain in Dawson, while unfortunately the great Willa Fitzgerald – so astonishing in ‘Strange Darling’ – gets little to do as Worthington’s right-hand person.

    Final Thoughts

    Riz Ahmed in Bleecker Street's 'Relay'. Credit: Bleecker Street.
    Riz Ahmed in Bleecker Street’s ‘Relay’. Credit: Bleecker Street.

    The relatively low-key ‘Relay’ won’t get the big publicity push or elaborate marketing of even an average Hollywood tentpole, but it’s also the kind of movie that audiences claim they want more of – original, adult-oriented, intelligent, and character-driven. It might be a film that finds an audience later on streaming as a result, but it’s worth seeking out in theaters as a cinematic experience that doesn’t rely on IP to succeed. It’s not perfect and you may not walk out completely satisfied, but for the most part, ‘Relay’ gets its message across.

    ‘Relay’ receives a score of 70 out of 100.

    dAW4aLRx

    What is the plot of ‘Relay’?

    Ash (Riz Ahmed) is a world class ‘fixer’ who specializes in brokering lucrative payoffs between corrupt corporations and the individuals who threaten to ruin them. He keeps his identity a secret through meticulous planning and always follows an exacting set of rules. But when a message arrives one day from a potential client (Lily James) needing his protection just to stay alive, the rules quickly start to change.

    Who is in the cast of ‘Relay’?

    • Riz Ahmed as Ash
    • Lily James as Sarah Grant
    • Sam Worthington as Dawson
    • Willa Fitzgerald as Rosetti
    • Matthew Maher as Hoffman
    • Victor Garber as McVie
    • Eisa Davis as Wash
    • Jared Abrahamson as Ryan
    Bleecker Street's 'Relay' on August 22, 2025. Credit: Bleecker Street.
    Bleecker Street’s ‘Relay’ on August 22, 2025. Credit: Bleecker Street.

    List of Riz Ahmed Movies and TV Shows

    Buy Tickets: ‘Relay’ Movie Showtimes

    Buy Riz Ahmed Movies on Amazon

  • Movie Review: ‘Splitsville’

    Dakota Johnson in 'Splitsville'. Photo: Neon.
    Dakota Johnson in ‘Splitsville’. Photo: Neon.

    Opening in limited theaters on August 22nd before expanding wide on September 5th is the new comedy ‘Splitsville‘, directed by Michael Angelo Covino (‘The Climb’) and written by Covino and Kyle Marvin (‘80 for Brady’).

    lOJmPgrPOeHy3zIrcKovC6

    In addition to Covino and Marvin, the film also stars Dakota Johnson (‘Materialists’), Adria Arjona (‘Hit Man’), Nicholas Braun (‘Succession’), O-T Fagbenle (‘Black Widow’), David Castañeda (‘The Umbrella Academy’), and Charlie Gillespie (‘Julie and the Phantoms’).

    Related Article: Dakota Johnson and Adria Arjona Talk New Comedy ‘Splitsville’

    Initial Thoughts

    (L to R) Michael Angelo Covino, Kyle Marvin, Adria Arjona and Dakota Johnson in 'Splitsville'. Photo: Neon.
    (L to R) Michael Angelo Covino, Kyle Marvin, Adria Arjona and Dakota Johnson in ‘Splitsville’. Photo: Neon.

    A bracing comedy blast from start to finish, ‘Splitsville’ uses the foibles of two mixed-up couples – who really don’t know what the hell they want out of love and marriage, especially the men – to power a hilarious farce that often feels like it’s spiraling out of control even as it reveals some raw truths about the way we handle our most intimate relationships.

    Director/co-writer Michael Angelo Covino and co-writer Kyle Marvin both star in the film as the hapless best friends who turn on each other, while Dakota Johnson and Adria Arjona ground the story with what could be career-best performances for both.

    Story and Direction

    Michael Angelo Covino on the set of 'Splitsville'. Photo: Neon.
    Michael Angelo Covino on the set of ‘Splitsville’. Photo: Neon.

    Seemingly happy married couple Ashley (Arjona) and Carey (Marvin) have just witnessed a terrible car crash on the road to their friends’ summer house in the Hamptons – a tragic occurrence that ends bizarrely with the first of many moments of male nudity – when Ashley delivers a second shock to the kind-hearted but kind of sad-sack Carey: she wants a divorce. She’s been unfaithful, and she wants her freedom.

    Carey literally jumps out of the car and runs miles through woods and streams to their destination, where his best friend Paul (Covino) and Paul’s wife Julie (Dakota Johnson) reveal to him that the secret to their marital success is an open marriage. But all is not quite well beneath the surface for them either, and when Carey and Julie sleep together, all hell breaks loose.

    From there, ‘Splitsville’ becomes an increasingly absurd whirlwind of people jumping in and out of bed, falling in and out of love, being dishonest, then honest, and then dishonest again, and trying to navigate their own increasingly confused feelings. Carey offers Ashley an open marriage too, but ends up befriending her succession of flaky lovers, all of whom camp out together at their apartment. Meanwhile, Julie and Carey explore the possibility of finding happiness together, while Paul schemes to win his wife back against increasingly difficult odds.

    (L to R) Dakota Johnson and Adria Arjona on the set of 'Splitsville'. Photo: Neon.
    (L to R) Dakota Johnson and Adria Arjona on the set of ‘Splitsville’. Photo: Neon.

    Covino films all this in either tight shots of his actors’ faces or long takes that follow the characters like a bemused observer, the highlight being one long, almost uninterrupted fight scene between Paul and Carey that wallows in a Three Stooges-like symphony of slapstick and destruction (both men also get their eyebrows singed off at separate points in the movie). Another long take follows the procession of men into Ashley’s life as she dates them, dumps them, and then leaves them to hang about the house with Carey as therapist and erstwhile squad leader.

    Not surprisingly, it’s the men who have the hardest time reconciling their own feelings, expressing themselves through half-hearted violence or man-childish pouting. It all spins madly and madly around, leaping from one laugh-out-loud moment to another, and while ‘Splitsville’ may not possess enough emotional resonance to make it really stick, it will still leave you buzzing with laughter over the absurdity of the situation and the way the characters act out.

    Cast and Performances

    (L to R) Michael Angelo Covino, Simon Webster and Dakota Johnson in 'Splitsville'. Photo: Neon.
    (L to R) Michael Angelo Covino, Simon Webster and Dakota Johnson in ‘Splitsville’. Photo: Neon.

    Dakota Johnson is even better here than she was in ‘Materialists,’ displaying an emotional depth and sensuality that was perhaps not visible in the latter film’s transactional matchmaker. Her Julie is the most grounded of the central quartet, realizing the soonest what she wants and understanding that all her choices haven’t been wise ones. Adria Arjona shows off great comic timing here, also keeping her wits about her while she barrels through a cavalcade of unworthy men only to circle back to where she started.

    Kyle Marvin and Michael Angelo Covino use their own real-life friendship to create the bond between Carey and Paul, two lifelong pals who nevertheless hide a secret competitiveness over everything from the size of their bank accounts to the size of their personal equipment (one’s is far larger than the other’s). While their friendship is stretched far past the breaking point, there’s still an underlying attachment: ‘No knives!’ they both shout at one point in their centerpiece fight, both somehow knowing to stop their toxic masculinity from turning uglier even if they still wreck the place.

    Final Thoughts

    Adria Arjona in 'Splitsville'. Photo: Neon.
    Adria Arjona in ‘Splitsville’. Photo: Neon.

    With humor not in abundance at the box office these days, ‘Splitsville’ manages to resurrect the rom-com, the screwball comedy, and the bedroom farce in one fell swoop. It’s manic, zany, and often absurd, yet still manages to get in a few salient points about the social construct of marriage – mainly that once you unzip that most intimate of relationships, it’s difficult to zip it back up again without leaving a few precious things outside.

    ‘Splitsville’ receives a score of 85 out of 100.

    (L to R) Adria Arjona and Kyle Marvin in 'Splitsville'. Photo: Neon.
    (L to R) Adria Arjona and Kyle Marvin in ‘Splitsville’. Photo: Neon.

    What is the plot of ‘Splitsville’?

    After Ashley (Adria Arjona) asks for a divorce, good-natured Carey (Kyle Marvin) runs to his friends, Julie (Dakota Johnson) and Paul (Michael Angelo Covino), for support. He’s shocked to discover that the secret to their happiness is an open marriage — that is until Carey crosses the line and throws all of their relationships into chaos.

    Who is in the cast of ‘Splitsville’?

    • Dakota Johnson as Julie
    • Adria Arjona as Ashley
    • Kyle Marvin as Carey
    • Michael Angelo Covino as Paul
    • Nicholas Braun as Matt the Mentalist
    • David Castañeda as Fede
    • O-T Fagbenle as Brent
    • Charlie Gillespie as Jackson
    'Splitsville' opens in limited theaters on August 22, 2025, before expanding wide on September 5, 2025. Photo: Neon.
    ‘Splitsville’ opens in limited theaters on August 22, 2025, before expanding wide on September 5, 2025. Photo: Neon.

    List of Dakota Johnson Movies:

    Buy Tickets: ‘Splitsville’ Movie Showtimes

    Buy Dakota Johnson Movies on Amazon

    EeaAWguz