In honor of the new film, Moviefone is counting down the top 20 Rock and Roll biopics of all time.
NOTE: Since the term “Rock and Roll” can cover several different genres of music, we are only including movies about musical artists who were known for performing popular music within the rock genre, including jazz, blues, country, rap, etc.
Bruce Springsteen (Jeremy Allen White), a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past.
(Left) Sam Riley as Ian Curtis in ‘Control’. Photo: The Weinstein Company.
The story of Joy Division’s lead singer Ian Curtis (Sam Riley), from his schoolboy days in 1973 to his suicide on the eve of the band’s first American tour in 1980.
Jaafar Jackson as Michael Jackson in ‘Michael’. Photo Credit: Glen Wilson.
Discover the story of Michael Jackson (Jaafar Jackson), one of the most influential artists the world has ever known, and his life beyond the music, tracing his journey from the discovery of his extraordinary talent as the lead of the Jackson Five, to the visionary artist whose creative ambition fueled a relentless pursuit to become the biggest entertainer in the world, highlighting both his life off-stage and some of the most iconic performances from his early solo career.
(L to R) Alia Shawkat as Robin Robins, Riley Keough as Marie Currie, Scout Taylor-Compton as Lita Ford, Kristen Stewart as Joan Jett, and Dakota Fanning as Cherie Currie in ‘The Runaways’. Photo: Summit Entertainment.
Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning), two rebellious teenagers from Southern California, become the frontwomen for the Runaways — the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley (Michael Shannon), the band becomes a huge success.
Lou Diamond Phillips as Ritchie Valens in ‘La Bamba’. Photo: Columbia Pictures.
Los Angeles teenager Ritchie Valens (Lou Diamond Phillips) becomes an overnight rock ‘n’ roll success in 1958, thanks to a love ballad called “Donna” that he wrote for his girlfriend. But as his star rises, Valens has conflicts with his jealous brother, Bob (Esai Morales), and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly (Marshall Crenshaw).
Jamie Foxx as Ray Charles in ‘Ray’. Photo: Universal Pictures.
Born on a sharecropping plantation in Northern Florida, Ray Charles (Jamie Foxx) went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
(L to R) Gary Oldman as Sid Vicious and Chloe Webb as Nancy Spungen in ‘SId and Nancy’. Photo: Palace Pictures.
January 1978. After their success in England, the punk rock band Sex Pistols venture out on their tour of the southern United States. Temperamental bassist Sid Vicious (Gary Oldman) is forced by his band mates to travel without his troubled girlfriend, Nancy Spungen (Chloe Webb), who will meet him in New York. When the band breaks up and Sid begins his solo career in a hostile city, the turbulent couple definitely falls into the depths of drug addiction.
Paul Dano as Brian Wilson in ‘Love & Mercy’. Photo: Lionsgate.
In the late 1960s, the Beach Boys’ Brian Wilson (Paul Dano and John Cusack) stops touring, produces “Pet Sounds” and begins to lose his grip on reality. By the 1980s, Wilson, under the sway of a controlling therapist, finds a savior in Melinda Ledbetter (Elizabeth Banks).
Taron Egerton as Elton John in ‘Rocketman’. Photo: Paramount Pictures.
The story of Elton John‘s (Taron Egerton) life, from his years as a prodigy at the Royal Academy of Music through his influential and enduring musical partnership with Bernie Taupin (Jamie Bell).
(L to R) Reese Witherspoon as June Carter and Joaquin Phoenix as Johnny Cash in ‘Walk the Line’.
A chronicle of country music legend Johnny Cash‘s (Joaquin Phoenix) life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Set in the influential New York music scene of the early 60s, ‘A Complete Unknown’ follows 19-year-old Minnesota musician Bob Dylan‘s (Timothée Chalamet) meteoric rise as a folk singer to concert halls and the top of the charts – his songs and mystique becoming a worldwide sensation – culminating in his groundbreaking electric rock and roll performance at the Newport Folk Festival in 1965.
Based on the film ‘L’Emploi Du Temps’ by Laurent Cantet and Robin Campillo, the pic follows Vincent (Sandler), who after being fired from his job can’t bring himself to tell his wife and family.
Rather than reveal the truth, he spins a web of lies to conceal his situation. He escalates his lies further when he creates an investment scheme and asks friends to contribute, and the deception threatens to overwhelm his life and his family.
‘Time Out’: the director talks
Here’s Cooper on why he decided to tackle the remake:
“I first encountered Laurent Cantet’s film in 2001, and it’s lived with me ever since. I’ve been thinking about revisiting it for years, but now felt like the right moment — we’re living in a time where questions of identity, work, and self-worth have become impossible to ignore.”
Scott Cooper attends the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
(L to R) Jeremy Strong, Jeremy Allen White, and Bruce Springsteen attend the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
‘Springsteen: Deliver Me from Nowhere‘ tells the story of famous musician Bruce Springsteen during the time in his life when he was writing the album Nebraska, and struggling to deal with trauma from his past.
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Moviefone attended an in-person press conference in support of the film, which featured stars Jeremy Allen White, Jeremy Strong, Odessa Young, musician Bruce Springsteen, and writer/director Scott Cooper. The group shared behind-the-scenes details about the filming of the movie and why now is the right time to tell this story.
1) Bruce Springsteen Reveals Why Now Is The Right Time For ‘Springsteen: Deliver Me from Nowhere’
Bruce Springsteen attends the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
Bruce Springsteen is one of the most beloved and well known musicians in the entire world, so of course he has been approached many times by filmmakers who wish to create a biopic telling his life story. During the press conference, Bruce Spingsteen explains why now is the right time, and why this movie is the right one.
Bruce Springsteen: I like the idea that it really is not quite a music biopic. It’s actually a character-driven drama with some music. So that appealed to me. And also, it’s only a small slice of a period of time in my life when I was 31 and 32 and I was going through some first of some difficult times. And Scott [Cooper] came down and I met Scott along with Warren Zanes, who was the writer of the book, Deliver Me From Nowhere. And we just sat around and talked for an afternoon. I got a feeling from Scott that he knew exactly the kind of picture that he wanted to make. It was very in line with the type of record that Nebraska was. It was a picture that was going to feel, a studio picture that felt like an independent picture. I knew from Scott’s films, which I’d seen, that he had a real talent for capturing blue-collar life, which I was, despite some of the success I’d had, I was still really living in New Jersey and in my community that I grew up in.
2) Jeremy Allen White & Jeremy Strong Were Thrilled To Get To Work With One Another
Bruce Springsteen and Jon Landau have a very good friendship, and have for many years, that is built on trust and support. Jeremy Allen White, who plays Bruce Springsteen, and Jeremy Strong, who plays Jon Landau, were excited to get to work with one another in such close capacity for ‘Springsteen: Deliver Me From Nowhere’.
Jeremy Allen White: I have been an admirer of Jeremy’s for a long time. I might have sent him a message through a mutual friend of ours at one point hoping we would do something together and then when I learned Jeremy was going to do this, I was very excited. But we hadn’t spent time together before we got together to shoot one of the scenes, which was at the diner. Everything fell into place. I trusted Jeremy. I trusted that he had and understanding of the relationship and I trusted that his understanding would be similar to my own because of Scott’s words and also because of the men we have been able to look to and because of the relationship that they have had for so long.
(L to R) Jeremy Allen White and Jeremy Strong attend the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
Jeremy Strong: I agree. There as an ease to it. I’ve admired the hell out of Jeremy and I think he’s a fearless actor. A bone marrow honest actor. There is a natural affinity between us. I had a sense that he might work in a similar way, approach it in a similar way. I knew he would be committed.
3) Bruce Springsteen Explains Odessa Young’s Character & What She Means To Him
Odessa Young’s character in the film, Faye, is not an actual person from Bruce Springsteen’s life, but rather a combination of several people that impacted his life during this time.
Bruce Springsteen: I was a guy at the time who, I knew what I was doing for three hours every night. I didn’t have a clue as to what I was doing the other 21. Odessa’s Faye in the film, she symbolizes the potential and the possibilities of those other 21 hours that I was incapable of taking advantage of at the time. But she holds down a very, very important part of the film as she is the symbol of a real life and another life that was waiting for me out there that I wasn’t able to find until much later in my life. And she did such a wonderful job of it. So I thank you.
4) Jeremy Allen White Had Bruce Springsteen Record Himself Reading Scenes From The Script To Help Him Craft The Character
(L to R) Jeremy Allen White and Bruce Springsteen attend the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
In order to help better understand Bruce Springsteen, and the mental state that he was in during this time in his life, Jeremy Allen White asked him to record himself reading a few different scenes from the script.
Jeremy Allen White: I’d been listening to his voice. There were a couple interviews from 1980 I had been listening to a lot and his voice is a little bit different. But I really wanted to hear his accent. So, Bruce recorded himself reading a couple of scenes from the movie. I would listen every morning to Bruce’s reading from a couple of these different scenes. Each of the different characters was one with Adele Springsteen, [played by] Gaby Hoffman, and there was one with Jon. I wanted to hear if there was any change in voice with each of the different characters. That was so nice.
5) Jeremy Allen White Was Thankful Bruce Springsteen Was So Generous With His Time
Jeremy Allen White wanted to be able to do this difficult time in Bruce Springsteen’s life justice, so he was thrilled to be able to work closely with him and have him available if he had questions.
Jeremy Allen White: We spent a little bit of time together prior to filming. But because we didn’t know how much Bruce and Jon were going to be around prior to filming, that was the time we had. And then in that first week, I was really excited to have Bruce around, but also, of course, a little bit intimidated. I think what came with it was, I was very head down and I think fragile, trying to just do justice to the story and to Bruce. Bruce being there, for me, there was a lot of permission there. It felt good that he was there as a guide. The whole time I was making this movie, I was really pushing and searching. And it was so wonderful to have Bruce’s support and voice behind me.
Bruce Springsteen attends the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
Bruce Springsteen: The truth is, Jeremy’s been very modest about his preparation because he came in fully prepared, maybe asked me one or two questions.I had no idea what his preparation had been. He just, day one came, he went on the set and started his performance. And I just watched in amazement.
What is the plot of ‘Springsteen: Deliver Me From Nowhere’?
Bruce Springsteen, a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past as he makes a raw, haunted acoustic album titled ‘Nebraska.’
Who is in the cast of ‘Springsteen: Deliver Me From Nowhere’?
(L to R) Scott Stuber, Scott Cooper, Odessa Young, Jeremy Allen White, Bruce Springsteen, Jeremy Strong, Stephen Graham, Jon Landau, Ellen Goldsmith-Vein and Eric Robinson attend the UK Premiere of 20th Century Studios’ ‘Springsteen: Deliver Me from Nowhere’ during the 69th BFI London Film Festival at Royal Festival Hall, London on October 15th, 2025. Photo by StillMoving.Net for The Walt Disney Company Limited.
There are so many biopics – musical and otherwise –flying around these days that it’s hard for any single one to stand out from the pack. Scott Cooper’s ‘Springsteen: Deliver Me From Nowhere’ – about the making of the Boss’ immersive, bleak 1982 lo-fi masterpiece ‘Nebraska’ – manages to make its mark for about half its two-hour running time.
The part that chronicles Bruce Springsteen’s creative process, as well as the struggle for his manager, his engineers, his label, and finally a depressed Bruce himself to understand what he’s doing, is fascinating and even powerful. The other half of the film – about a pointless romance with a single mom and the now-overdone cliches about the protagonist coming to terms with an abusive, non-loving father – are painful to slog through, especially since they try and fail to tie themselves to the more successful narrative about the album.
The movie opens in black and white, at Bruce’s childhood home in Freehold, New Jersey in 1957, where we learn in quick succession that his mom and dad fight (which, it’s implied, gets physical), that his dad is a drunk, and that these flashbacks are reappear like commercial breaks. It’s a smash cut from there to the stage of Cincinnati’s Riverfront Coliseum in 1981, where the now-adult Bruce (Jeremy Allen White) finishes off his latest massive tour. Afterward, manager Jon Landau (Jeremy Strong) tells Bruce – and us, in the first of many heavy-handed lumps of expository dialogue that Scott Cooper dumps in Strong’s lap – that they should start thinking about what’s next.
And Bruce does just that, moving into a secluded house deep in the woods of Colt’s Neck, New Jersey to begin working on new songs. His influences go far and wide – everything from movies like ‘Badlands’ and ‘The Night of the Hunter’ to the stories of Flannery O’Connor to his real-life glimpses of exhausted, dead-eyed working people sitting in diners (Cooper does capture the worn-down milieu of South Jersey in the ‘80s quite well) – and soon coalesce into a collection of haunting, sparse folk songs about the dark underside of American life that eventually becomes ‘Nebraska.’
That story, as well as the tricky gauntlet that Bruce runs to ultimately convince his manager and his inner circle that he wants to release the songs – recorded on a four-track machine in his bedroom – as is, without the involvement of the E Street Band and without releasing any singles, is the most interesting and lively part of a generally somber movie. But a lot of time is spent on the unresolved, cliched father-son conflict that Cooper tries to staple to the content of ‘Nebraska’ (which stands up quite well without it) and which we’ve seen so many times before that it’s now entered eye-rolling territory (which is not to make light of abusive fathers with substance abuse problems; it’s just that the movie doesn’t do anything new with it).
Also wasting our time is the romance with a local Asbury Park waitress (Odessa Young), who tells us – in another example of bad, trite writing – that she knows what she’s getting into with a sulky rock star who tends to disappear for weeks on end and then undermines that by behaving like it’s not what she expected. It’s a thankless character and storyline made even more insulting by the fact that it was made up for the movie, because somebody felt that Springsteen needed a love story.
The creative and business aspects of the film – Bruce writing the songs (a groanworthy moment or two aside, like when he writes ‘Mansion on the Hill’ after flashing back to his dad taking him to see…guess what), Landau reacting to the songs, Landau politely telling the head of the record label to get stuffed if he has a problem with what Bruce is serving up, and the struggle to master the record so that it sounds exactly as the Boss wants it – are quietly terrific. The rest, including a 10-minute tacked-on coda after the real ending that delves into therapy and borders on ridiculous, is not really worthy of this artist or the masterful album around which the film is constructed.
He doesn’t really look like the Boss, but Jeremy Allen White does capture something of his essence – and when the light or camera captures him a certain way, he almost resembles the man himself. But if he’s a little too broody on occasion, White’s rasp/whisper and body language still tell a lot about the inner turmoil and depression that both hinder and drive the artist. It’s an understated, nuanced performance that avoids the showiness of so many biopic marquee roles.
Equally effective is Jeremy Strong as Jon Landau. Although he’s cursed with some of the movie’s clunkiest dialogue, Strong channels the restrained resolve of one of rock’s most famous managers – gently pushing his client toward what needs to be done to continue their success, but knowing when to pull back and never showing anything but devotion to his client’s needs to the outside world. His warmth and love for Springsteen shine through as well, making their relationship one of the movie’s pillars. It’s also a nice change of pace for Strong after playing the vile Roy Cohn in ‘The Apprentice.’
The rest of the cast don’t have much to work with but do as well as they can. Odessa Young is very good but her character amounts to little as the woman who must be sacrificed at the altar of art, while Stephen Graham grunts and trudges his way through an essentially one-note character. The best of the supporting cast is Paul Walter Hauser as Bruce’s engineer, Mike Batlan, bringing some much-needed levity to a somber piece.
It’s interesting to compare ‘Springsteen: Deliver Me From Nowhere’ to last year’s brilliant Bob Dylan biopic ‘A Complete Unknown.’ The latter captures Dylan as the symbolic leader of a sea change in culture and music, while remaining an enigma. The former tries to paint Springsteen as a mystery too, but with the focus on him and not the way he changes the world around him, its impact is not nearly as powerful – especially when Scott Cooper brings more shopworn plot devices into the narrative.
Cringy dialogue like Bruce saying ‘That makes one of us,’ when a car salesman whispers conspiratorially, ‘I know who you are’ only steers this portrait of the Boss dangerously close to self-serving, performative mopiness, although White thankfully pulls it back with the sincerity of his work. If only more of ‘Springsteen: Deliver Me From Nowhere’ were as sincere.
‘Springsteen: Deliver Me From Nowhere’ receives a score of 60 out of 100.
What is the plot of ‘Springsteen: Deliver Me From Nowhere’?
Bruce Springsteen, a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past as he makes a raw, haunted acoustic album titled ‘Nebraska.’
Who is in the cast of ‘Springsteen: Deliver Me From Nowhere’?
Moviefone has compiled a list of the most anticipated movies opening in theaters and/or streaming in September and October of 2025, which not only includes major studio releases but also smaller independent films that you won’t want to miss.
Paranormal investigators Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) take on one last terrifying case involving mysterious entities they must confront.
(L to R) Michael Angelo Covino, Kyle Marvin, Adria Arjona and Dakota Johnson in ‘Splitsville’. Photo: Neon.
When his wife Ashley (Adria Arjona) asks for a divorce, Carey (Kyle Marvin) runs to his friends (Dakota Johnson and Michael Angelo Covino) for support, only to learn that the secret to their happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.
Michael Strassner in Jay Duplass’s ‘The Baltomrons’. Courtesy of Jon Bregel. An Independent Film Company Release.
After cracking a tooth on Christmas Eve, newly sober Cliff (Michael Strassner) embarks on an unexpected May/December adventure through Baltimore with Didi (Liz Larsen), his emergency dentist.
(L to R) Ruby Cruz, Zoey Deutch, and Jonah Hauer-King in ‘The Threesome’. Photo: Vertical.
Connor (Jonah Hauer-King) is a kind and unassuming young man, who, along with his long-time crush Olivia (Zoey Deutch), engages in a threesome with a sweet, alluring stranger named Jenny (Ruby Cruz). This encounter sparks a relationship between Connor and Olivia, leading them to plan a life together. However, their romance faces challenges when Jenny reappears, thrusting all three into a difficult journey toward true accountability and adulthood.
(L to R) Orlando Bloom as “Boxer” and John Turturro as “Boz” in the Psychological Thriller film, ‘The Cut’. Photo courtesy of Republic Pictures (a Paramount Pictures label).
A retired boxer (Orlando Bloom) intends to return to the ring for one last shot at the title, but first he must make the weight. Holed up in a room in Las Vegas with an unscrupulous trainer (John Turturro), he embarks on an intensive and illegal weight-cutting program.
When Mary (Michelle Dockery) finds herself at the center of a public scandal and the family faces financial strife, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.
(L to R) Joshua Odjick as Parker, Jordan Gonzalez as Harkness, David Jonsson as McVries, Cooper Hoffman as Garraty, and Charlie Plummer as Barkovitch in ‘The Long Walk’. Photo Credit: Murray Close/Lionsgate.
Every year, fifty teenage boys meet for an event known throughout the country as “The Long Walk.” Among this year’s chosen crop is “Maine’s Own,” Ray Garraty (Cooper Hoffman). He knows the rules: that warnings are issued if you fall under speed, stumble, sit down. That after three warnings- you get your ticket. And what happens then serves as a chilling reminder that there can be only one winner in the Walk. The one that survives.
Dev Patel appears in ‘Rabbit Trap’ by Bryn Chainey, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute. Photo: Andreas Johannessen.
When a musician (Rosy McEwen) and her husband (Dev Patel) move to a remote house in Wales, the music they make disturbs local ancient folk magic, bringing a nameless child to their door who is intent on infiltrating their lives.
(L to R) Michael McKean, Harry Shearer, Christopher Guest in ‘Spinal Tap II: The End Continues’. Photo: Bleecker Street.
Now estranged, Spinal Tap (Michael McKean, Harry Shearer, Christopher Guest) are forced to reunite for one final concert, hoping it will solidify their place in the pantheon of rock ‘n’ roll.
Rebekah Kennedy as “Abigail” in the horror film, ‘Traumatika’, a Saban Films release. Photo courtesy of Saban Films.
A young boy’s night terrors become reality when his mother begins showing signs of demonic possession. What he’s about to experience will haunt him for the rest of his life and claim countless lives across generations.
Sarah (Margot Robbie) and David (Colin Farrell) are single strangers who meet at a mutual friend’s wedding and soon, through a surprising twist of fate, find themselves on a funny, fantastical, sweeping adventure together where they get to re-live important moments from their respective pasts, illuminating how they got to where they are in the present… and possibly getting a chance to alter their futures.
(L to R) Jeremy Ray Taylor as “Julian” and Josh Duhamel as “Tommy Ward” in the action comedy ‘London Calling’, a Quiver Distribution release. Photo courtesy of Quiver Distribution.
After fleeing the UK from a job gone wrong, a down on his luck hitman (Josh Duhamel) is forced to babysit the son (Jeremy Ray Taylor) of his new crime boss (Rick Hoffman) and show him how to become a man.
Omari Hardwick in ‘Xeno’. Photo: Blue Fox Entertainment.
When a fearless teenage girl (Lulu Wilson) stumbles upon a mysterious alien crash-landed in the desert near her home, she discovers that it’s not the kind of extraterrestrial she expected—it’s powerful, unpredictable, and on the run. As government agents (Omari Hardwick) close in, she must protect her new otherworldly friend while uncovering a secret that could change the fate of both their worlds.
Madelaine Petsch as Maya in ‘The Strangers — Chapter 2’. Photo Credit: Courtesy of Lionsgate.
On the final day of their cross country road trip, a couple’s vehicle breaks down, forcing them to take refuge in a remote Airbnb. As night falls, three masked strangers terrorize them until dawn. The film stars Madelaine Petsch, Gabriel Basso and Ema Horvath.
Emma Thompson in ‘Dead of Winter’. Photo: Vertical.
A widowed fisherwoman (Emma Thompson), traveling alone through snowbound northern Minnesota, interrupts the kidnapping of a teenage girl. Hours from the nearest town and with no phone service, she realizes that she is the young girl’s only hope.
(L to R) Mark Wahlberg and LaKeith Stanfield in ‘Play Dirty’. Photo: Prime Video.
Expert thief Parker (Mark Wahlberg) gets a shot at a major heist, but to pull it off he and his team must outsmart a South American dictator, the New York mob, and the world’s richest man.
Maddie Hasson in Bleecker Street and LD’s ‘Bone Lake’. Credit: Bleecker Street and LD Entertainment.
A couple’s romantic vacation at a secluded lakeside estate is upended when they are forced to share the mansion with a mysterious and attractive couple. In this darkly hilarious and seductive horror story, a dream getaway spirals into a nightmarish maze of sex, lies, and manipulation, bringing terrifying secrets to light and triggering a bloody battle for survival.
(L to R) Guy Pearce and DeWanda Wise star in ‘KIlling Faith’. Photo: Film Bridge International.
In the summer of 1859, a widowed physician (Guy Pearce) reluctantly agrees to take a recently freed slave (DeWanda Wise) and her mysterious Caucasian daughter on a five-day journey through the bloody West to find a distant town’s Faith Healer. The woman believes her daughter is possessed. The doctor believes she simply carries The Sickness. Either way the fact remains that every living thing the girl touches mysteriously dies.
A highly sophisticated Program called Ares (Jared Leto) is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.
(L to R) Daniel Bernhardt and Patton Oswalt in ‘Deathstalker’. Photo: Shout! Studios.
The warrior Deathstalker (Daniel Bernhardt) is tasked by an old witch lady to obtain and unite the three powers of creation – a chalice, an amulet, and a sword – lest the evil magician Munkar get them and use them for nefarious purposes. After obtaining the sword, Deathstalker joins with other travelers going to the Big Tournament to determine the strongest warrior. The false king holds the true princess in captivity, and plots to have Deathstalker killed, and Deathstalker must fight to free the princess.
(L to R) Mark Coles Smith as “Leo,” Maximillian Johnson as “Stan,” Joel Nankervis as “Will,” and Lee Tiger Halley as “Teddy” in the thriller film ‘Beast of War’. Photo courtesy of Well Go USA Entertainment.
When their boat is sunk while crossing the Timor Sea during World War II, a young troop of Australian soldiers must find a way to survive the harsh seas on a quickly shrinking life raft. Hundreds of miles from anywhere, they must confront interpersonal conflicts, enemy attacks, and the advances of one very large, very hungry great white shark.
Dr. Victor Frankenstein (Oscar Isaac), a brilliant but egotistical scientist, brings a creature (Jacob Elordi) to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
‘Pets on a Train’ opens in theaters on October 17th. Photo: Viva Pictures.
When a train unexpectedly starts up, taking only pets with it, the animals discover that Hans, a badger with a grudge is behind it all. While the crash seems inevitable, the animals can count on Falcon, a roguish Raccoon who will do anything to save them.
(L to R) Anne Meara and Jerry Stiller in ‘Stiller & Meara: Nothing is Lost’. Photo: Apple TV+.
Ben Stiller tells the story of his parents—comedy icons Jerry Stiller and Anne Meara—exploring their impact on popular culture and at home, where the lines between creativity, family, life, and art often blurred.
(L to R) Keanu Reeves as Gabriel, Seth Rogen as Jeff, and Aziz Ansari as Ari in ‘Good Fortune’. Photo Credit: Eddy Chen.
A well-meaning but rather inept angel named Gabriel (Keanu Reeves) meddles in the lives of a struggling gig worker (Aziz Ansari) and a wealthy capitalist (Seth Rogen).
Four years after escaping The Grabber (Ethan Hawke), Finney Blake (Mason Thames) is struggling with his life after captivity. When his sister Gwen (Madeleine McGraw) begins receiving calls in her dreams from the black phone and seeing disturbing visions of three boys being stalked at a winter camp known as Alpine Lake, the siblings become determined to solve the mystery and confront a killer who has grown more powerful in death and more significant to them than either could imagine.
Tessa Thompson stars as “Hedda Gabler” in ‘Hedda’. Photo: Amazon MGM Studios.
Hedda Gabler (Tessa Thompson) finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt—pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.
Two conspiracy obsessed young men kidnap the high-powered CEO of a major company (Emma Stone), convinced that she is an alien intent on destroying planet Earth.
(L to R) Margaret Qualley and Ethan Hawke in ‘Blue Moon’. Photo: Sony Pictures Classics.
On the evening of March 31, 1943, legendary lyricist Lorenz Hart (Ethan Hawke) confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers (Andrew Scott) celebrates the opening night of his ground-breaking hit musical “Oklahoma!”.
‘Last Days’ opens exclusively in US theaters on October 24th. Photo: Tanasak “Top” Boonlam.
Determined to fulfill his life’s mission, 26-year-old John Allen Chau (Sky Yang) embarks on a dangerous adventure across the globe to convert the uncontacted tribe of North Sentinel Island to Christianity, while a detective from the Andaman Islands races to stop him before he does harm to himself or the tribe.
Jeremy Allen White as Bruce Springsteen in ‘Deliver Me From Nowhere.’ Photo: 20th Century Studios.
Bruce Springsteen (Jeremy Allen White), a young musician on the cusp of global superstardom, struggles to reconcile the pressures of success with the ghosts of his past
