Tag: split

  • ‘Speak No Evil’ Exclusive Interview: James McAvoy

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    Opening in theaters on September 13th is the new psychological thriller ‘Speak No Evil’, which was directed by James Watkins (‘The Woman in Black’) and is a remake of the 2022 Danish film of the same name.

    The movie stars James McAvoy (‘X-Men: First Class’ and ‘Split’), Mackenzie Davis (‘Terminator: Dark Fate’), Scoot McNairy (‘Batman v Superman: Dawn of Justice’), and Aisling Franciosi (‘The Last Voyage of the Demeter’).

    Related Article: James McAvoy Making Directorial Debut with ‘California Schemin’’

    James McAvoy stars in 'Speak No Evil'.
    James McAvoy stars in ‘Speak No Evil’.

    Moviefone recently had the pleasure of sitting down in-person with James McAvoy to talk about his work on ‘Speak No Evil’, his first reaction to the screenplay, his approach to his character and his motivations, working with the cast, and collaborating on set with director James Watkins.

    You can read the full interview below or click on the video player above to watch our interviews with McAvoy, Mackenzie Davis, Scoot McNairy and director James Watkins.

    (L to R) Paddy (James McAvoy) and Ciara (Aisling Franciosi) in 'Speak No Evil', directed by James Watkins.
    (L to R) Paddy (James McAvoy) and Ciara (Aisling Franciosi) in ‘Speak No Evil’, directed by James Watkins.

    Moviefone: To begin with, what was your first reaction to the screenplay and why did you want to be part of this project?

    James McAvoy: There are two things. I really liked the fact that there was this couple that were good people, and they were unhappy, and they had a relationship that you would never wish on your worst enemy. Then you’ve got these bad people who are so incredibly deeply, passionately in love, and you know they’re having sex every other minute, and It’s the kind of relationship you could only dream of. I thought that was such a good juxtaposition to have the bad people be the thing you aspire to, and the good people be the thing you would never want to be.

    MF: Can you talk about your approach to playing Paddy and what are his true motivations?

    JM: I mean, his motivations are completely selfish and self-serving, and he’s a complete narcissist, and he’s a sociopath. He’s toxically masculine and happy about it, which is the key thing I think, was that as much as he’s all these bad things, he does have one thing that not everybody does. Lots of good people don’t have this. He has the secret to being happy. He’s got loads of rage issues, he’s got loads of anger, all that, and he’s abusive and he’s manipulative, but he’s happy and that is such a draw for people to be around. You can go like, how’s that person got there? I want to get there because so many good people don’t have that capacity, it seems.

    (L to R) Agnes Dalton (Alix West Lefler), Louise Dalton (Mackenzie Davis) and Ben Dalton (Scoot McNairy) in 'Speak No Evil', directed by James Watkins.
    (L to R) Agnes Dalton (Alix West Lefler), Louise Dalton (Mackenzie Davis) and Ben Dalton (Scoot McNairy) in ‘Speak No Evil’, directed by James Watkins.

    MF: What was it like working with Mackenzie Davis and Scoot McNairy?

    JM: Mackenzie and Scoot were incredible, as was Aisling who played Ciara, Paddy’s wife, but I think Louise played by Mackenzie is less vulnerable. She sees the problem that Paddy could present much earlier. Ben is played by Scoot, and he gives an incredible performance. Scoot is much more like Paddy in real life than I am, not sociopathic or dangerous, but he’s a man of the woods. He hunts and he can fix things and can build his own house. He’s much more Paddy than me, and he plays this injured, kind of hurt masculine creature so well, and so he’s much more vulnerable. If Paddy’s like a lion searching the herd for the lame beast that he can take down the easiest, when he sees Ben, he’s like, “That’s our mark. That’s who we want”. He’s just so ripe for the brainwashing that Paddy wants to perform.

    MF: The film deals with some dark subjects but also includes kids in the cast, what was it like working with them on set?

    JM: They were great. They had the summer of their lives. It was like two kids, similar age, running about a big farmstead with loads of countryside around us, searching for bugs and doing arts and crafts and doing class, and then coming in every now and again and doing a really messed up scene about abuse. So, it was interesting and strange to see just how relaxed and okay they were. We were constantly checking in with them, constantly checking in with their families and their chaperones to make sure everything was okay. But they seemed great, and so professional, admirably professional like up there with Saoirse Ronan when she was 12 years old professional. They were brilliant.

    (L to R) James McAvoy (as Dalton) and Director James Watkins on the set of 'Speak No Evil'.
    (L to R) James McAvoy (as Dalton) and Director James Watkins on the set of ‘Speak No Evil’.

    MF: Finally, what was James Watkins like to work with as a director on set?

    JM: He’s free, open, really welcoming of ideas and suggestions, but at the same time, tightly calibrating and orchestrating this tightrope walk, which on one side of it has a lot of comedy, and then the other side has a lot of scares and fear and horror, but you can’t really jump either side until the end of the movie. You’ve got to stay on that tightrope so that both things are always possible. But he was brilliant. He had it so tightly wound.

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    What is the plot of ‘Speak No Evil’?

    A dream holiday in a beautiful country house becomes a psychological nightmare.

    Who is in the cast of ‘Speak No Evil’?

    • James McAvoy as Paddy
    • Mackenzie Davis as Louise Dalton
    • Scoot McNairy as Ben Dalton
    • Aisling Franciosi as Ciara
    • Alix West Lefler as Agnes Dalton
    • Dan Hough as Ant
    (L to R) Ben Dalton (Scoot McNairy) and Paddy (James McAvoy) in 'Speak No Evil', directed by James Watkins.
    (L to R) Ben Dalton (Scoot McNairy) and Paddy (James McAvoy) in ‘Speak No Evil’, directed by James Watkins.

    Other James McAvoy Movies:

    Buy Tickets: ‘Speak No Evil’ Movie Showtimes

    Buy James McAvoy Movies on Amazon

     

  • Every M. Night Shyamalan Movie, Ranked

    Director M. Night Shyamalan on the set of Warner Bros. Pictures’ crime drama thriller 'Trap,' a Warner Bros. Pictures release.
    Director M. Night Shyamalan on the set of Warner Bros. Pictures’ crime drama thriller ‘Trap,’ a Warner Bros. Pictures release. Photo Credit: Sabrina Lantos. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    Director M. Night Shyamalan is one of the most original and visionary filmmakers of his generation.

    Often compared to the great Steven Spielberg himself, Shyamalan burst on to the scene in the late 1990s with his Academy Award nominated blockbuster, ‘The Sixth Sense.’ Perfecting his signature “twist endings,” Shyamalan has delighted fans with surprising films like ‘Unbreakable,’ it’s sequels ‘Split‘ and ‘Glass,’ ‘Signs,’ The Village,’ ‘Old‘ and most recently ‘Knock at the Cabin.’

    After four seasons of serving as director and showrunner on the Apple TV+ series ‘Servant,’ Shyamalan returns to the big screen with his latest thriller ‘Trap,’ which stars Josh Hartnett and opens in theaters on August 2nd.

    In honor of its release, Moviefone has ranked every movie filmmaker M. Night Shyamalan has ever directed, including his latest.

    Without further ado, let’s begin!


    16. ‘After Earth‘ (2013)

    M. Night Shyamalan's 'After Earth'.
    M. Night Shyamalan’s ‘After Earth’. Photo: Sony Pictures Releasing.

    One thousand years after cataclysmic events forced humanity’s escape from Earth, Nova Prime has become mankind’s new home. Legendary General Cypher Raige (Will Smith) returns from an extended tour of duty to his estranged family, ready to be a father to his 13-year-old son, Kitai (Jaden Smith).

    When an asteroid storm damages Cypher and Kitai’s craft, they crash-land on a now unfamiliar and dangerous Earth. As his father lies dying in the cockpit, Kitai must trek across the hostile terrain to recover their rescue beacon. His whole life, Kitai has wanted nothing more than to be a soldier like his father. Today, he gets his chance.

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    15. ‘The Last Airbender‘ (2010)

    M. Night Shyamalan's 'The Last Airbender'.
    M. Night Shyamalan’s ‘The Last Airbender’. Photo: Paramount Pictures.

    The story follows the adventures of Aang (Noah Ringer), a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.

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    14. ‘The Happening‘ (2008)

    M. Night Shyamalan's 'The Happening'.
    M. Night Shyamalan’s ‘The Happening’. Photo: 20th Century Fox.

    When a deadly airborne virus threatens to wipe out the northeastern United States, teacher Elliott Moore (Mark Wahlberg) and his wife Alma (Zooey Deschanel) flee from contaminated cities into the countryside in a fight to discover the truth. Is it terrorism, the accidental release of some toxic military bio weapon — or something even more sinister?

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    13. ‘Praying with Anger‘ (1992)

    M. Night Shyamalan's 'Praying with Anger'.
    M. Night Shyamalan’s ‘Praying with Anger’. Photo: Cinevistaas.

    An alienated, Americanized teenager (Shyamalan) of East Indian heritage is sent back to India where he discovers not only his roots but a lot about himself.

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    12. ‘The Visit‘ (2015)

    M. Night Shyamalan's 'The Visit'.
    M. Night Shyamalan’s ‘The Visit’. Photo: Universal Pictures.

    A brother (Ed Oxenbould) and sister (Olivia DeJonge) are sent to their grandparents’ remote Pennsylvania farm for a week, where they discover that the elderly couple (Deanna Dunagan and Peter McRobbie) is involved in something deeply disturbing.

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    11. ‘Lady in the Water‘ (2006)

    M. Night Shyamalan's 'Lady in the Water'.
    M. Night Shyamalan’s ‘Lady in the Water’. Photo: Warner Bros.

    Apartment building superintendent Cleveland Heep (Paul Giamatti) rescues what he thinks is a young woman (Bryce Dallas Howard) from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.

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    10. ‘Wide Awake‘ (1998)

    M. Night Shyamalan's 'Wide Awake'.
    M. Night Shyamalan’s ‘Wide Awake’. Photo: Miramax Films.

    The tale of a ten-year-old boy (Joseph Cross) in a Catholic school who, following the death of his beloved grandfather (Robert Loggia), embarks on a quest to discover the meaning of life.

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    9. ‘Old‘ (2021)

    M. Night Shyamalan's 'Old'.
    M. Night Shyamalan’s ‘Old’. Photo: Universal Pictures.

    A group of families on a tropical holiday discover that the secluded beach where they are staying is somehow causing them to age rapidly – reducing their entire lives into a single day.

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    8. ‘Split‘ (2017)

    M. Night Shyamalan's 'Split'.
    M. Night Shyamalan’s ‘Split’. Photo: Universal Pictures.

    Though Kevin (James McAvoy) has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher (Betty Buckley), there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey (Anya Taylor-Joy), Kevin reaches a war for survival among all of those contained within him — as well as everyone around him — as the walls between his compartments shatter apart.

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    7. ‘The Village‘ (2004)

    M. Night Shyamalan's 'The Villiage'.
    M. Night Shyamalan’s ‘The Villiage’. Photo: Buena Vista Pictures Distribution.

    When a willful young man (Joaquin Phoenix) tries to venture beyond his sequestered Pennsylvania hamlet, his actions set off a chain of chilling incidents that will alter the community forever.

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    6. ‘Glass‘ (2019)

    M. Night Shyamalan's 'Glass'.
    M. Night Shyamalan’s ‘Glass’. Photo: Universal Pictures.

    In a series of escalating encounters, former security guard David Dunn (Bruce Willis) uses his supernatural abilities to track Kevin Wendell Crumb (James McAvoy), a disturbed man who has twenty-four personalities. Meanwhile, the shadowy presence of Elijah Price (Samuel L. Jackson) emerges as an orchestrator who holds secrets critical to both men.

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    5. ‘Trap‘ (2024)

    Josh Hartnett as Cooper and Ariel Donoghue as Riley in Warner Bros. Pictures’ crime drama thriller 'Trap,' a Warner Bros. Pictures release.
    (L to R) Josh Hartnett as Cooper and Ariel Donoghue as Riley in Warner Bros. Pictures’ crime drama thriller ‘Trap,’ a Warner Bros. Pictures release. Photo Credit: Sabrina Lantos. Copyright: © 2024 Warner Bros. Entertainment Inc. All Rights Reserved.

    A father (Josh Hartnett) and teen daughter (Ariel Donoghue) attend a pop concert, where they realize they’re at the center of a dark and sinister event.

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    4. Knock at the Cabin (2023)

    M. Night Shyamalan's 'Knock at the Cabin'.
    M. Night Shyamalan’s ‘Knock at the Cabin’. Photo: Universal Pictures.

    While vacationing at a remote cabin, a young girl (Kristen Cui) and her parents (Jonathan Groff and Ben Aldridge) are taken hostage by four armed strangers (Dave Bautista, Nikki Amuka-Bird, Abby Quinn, and Rupert Grint) who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

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    3. ‘Signs‘ (2002)

    M. Night Shyamalan's 'Signs'.
    M. Night Shyamalan’s ‘Signs’. Photo: Buena Vista Pictures Distribution.

    A family (Mel Gibson, Joaquin Phoenix, Rory Culkin, and Abigail Breslin) living on a farm finds mysterious crop circles in their fields which suggests something more frightening to come.

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    2. ‘The Sixth Sense‘ (1999)

    M. Night Shyamalan's 'The Sixth Sense'.
    M. Night Shyamalan’s ‘The Sixth Sense’. Photo: Buena Vista Pictures Distribution.

    Following an unexpected tragedy, a child psychologist named Malcolm Crowe (Bruce Willis) meets a nine year old boy named Cole Sear (Haley Joel Osment), who is hiding a dark secret.

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    1. ‘Unbreakable‘ (2000)

    M. Night Shyamalan's 'Unbreakable'.
    M. Night Shyamalan’s ‘Unbreakable’. Photo: Buena Vista Pictures Distribution.

    An ordinary man (Bruce Willis) makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price (Samuel L. Jackson), a man who suffers from a disease that renders his bones as fragile as glass

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  • James McAvoy Starring in ‘Speak No Evil’

    James McAvoy as Kevin Wendell Crumb in 2016's 'Split.'
    James McAvoy as Kevin Wendell Crumb in 2016’s ‘Split.’

    James McAvoy was at the core of two big Blumhouse horror movies in recent years –– M. Night Shyamalan’s ‘Split’ and its allied follow-up to ‘Unbreakable’, ‘Glass’.

    But while Shyamalan has moved on to other subjects, McAvoy is reuniting with the company for a new film, a remake of 2022 Danish thriller ‘Speak No Evil’.

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    What’s the story of ‘Speak No Evil’?

    The basic synopsis for the original movie reads as follows… “A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness.”

    Suffice to say, it really doesn’t end well for one side of that story, but we won’t dig into it any further to avoid spoiling anything. Director Christian Tafdrup wrote the script with brother Mads, and the new movie will be based on their screenplay.

    We would expect though, there to be some significant thematic changes for American audiences, as the original dips into some Eurocentric views on politics. But with commentary on fascism running through it, that’s something that a new movie could certainly also draw from that, given the state of American politics.

    'M3GAN' producer and CEO of Blumhouse Productions Jason Blum.
    ‘M3GAN’ producer and CEO of Blumhouse Productions Jason Blum.

    Who is making the new movie?

    James Watkins, the British director who has made movies such as cult thriller ‘Eden Lake’ and the wildly successful, Daniel Radcliffe-starring ‘The Woman in Black’, which became the most profitable British horror title in history, earning more than $129 million worldwide, is on for the remake.

    Watkins, who has also made terror sequel ‘The Descent: Part 2’ and branched out beyond the horror genre for crime drama ‘Bastille Day’ and small screen entries such as ‘Black Mirror’ episode “Shut Up and Dance” and crime thriller series ‘McMafia’, has written the script and will make the new movie.

    He most recently oversaw an update of a much older title –– a TV adaptation of 1965 spy thriller movie ‘The Ipcress File.’

    As usual, Blumhouse boss Jason Blum will be among the producers alongside Christian Tafdrup, Paul Ritchie, Jacob Jarek, and Bea Sequeira, serving as executive producers.

    McAvoy is no stranger to remakes –– he was seen in 2021’s ‘My Son’, which was drawn from 2017 French thriller ‘Mon Garcon’. And he was more recently back on TV screens as Lord Asriel in the third and final season of book adaptation ‘His Dark Materials. In addition to that, he appeared on stage in ‘Cyrano de Bergerac’ and worked with Sharon Horgan in the BBC’s COVID lockdown-set ‘Together’, which was nominated for a Scottish BAFTA.

    Blumhouse and Universal are clearly confident in this one, with a flag already planted on August 9th, 2024, as a release date.

    James McAvoy as Kevin Wendell Crumb in 2019's 'Glass.'
    James McAvoy as Kevin Wendell Crumb in 2019’s ‘Glass.’

    Other Blumhouse Productions Movies:

    Buy Blumhouse Movies On Amazon

     

  • Every M. Night Shyamalan Twist, Ranked

    Every M. Night Shyamalan Twist, Ranked

  • ‘Glass’ Star Sarah Paulson on the Film’s Big Twist

    ‘Glass’ Star Sarah Paulson on the Film’s Big Twist

    Universal/Disney

    Given the film’s boffo box office, chances are that you have already seen “Glass,” M. Night Shyamalan‘s conclusion to the superhero saga that started with “Unbreakable” and continued with “Split” (so, of course, Bruce Willis, James McAvoy and Samuel L. Jackson are back). And, given that this is a Shyamalan film, it ends with a pretty colossal twist.

    We spoke with Sarah Paulson, who costars as the psychiatrist tasked with unraveling the truth behind the supposed heroes, about what she knew about thw twist and what her favorite element of it was. Beware, because, of course, SPOILERS.

    Moviefone: How much did Night tell you about your group, The Clover Folk?

    Paulson: [laughs] The Clover Folk! The secret society? You know, he told me but it was all there on the page. That’s all that was there. The biggest question was which hand was the tattoo going to go on. And I have not seen the movie so I wonder if this is a thing people will notice on repeated viewings, but we did versions where you see the tattoo before we see the tattoo with Bruce at the end of the movie. I don’t know if, when I’m looking at Sam’s X-rays, we did versions where you could see a little bit of it. I don’t know where Night ended up with that in the edit.

    But that was the main discussion – where do we put it, where are we going to see it? Let’s do versions when we see it here and he’ll decide if we ever see it when he’s editing it.

    That’s so interesting. Now I want to go back and look for it.

    I know. I wonder… Because if you’re not really looking for it, you wouldn’t notice.

    You weren’t pulling down your shirt sleeves or anything?

    No, it was very much an issue during costume fittings, to make sure all of my sleeves were, on its own, able to conceal it without much effort and if we wanted to reveal it, we could.

    Did he ever indicate that this was an idea that he’d had from the beginning, with this group that shadows these heroes?

    Well, listen, the man had almost 20 years to think about it. So whatever he decided, he decided long ago, but because he has so much invested in this, because the characters are so beloved to him, he would sometimes be like, “No, I do want to see the tattoo beforehand!” or “No, I don’t want to see the tattoo!” He wanted to be able to have the option in the edit.

    What was your favorite aspect of this element?

    I like playing everything about her. It’s always fun to place a person with a secret. At the same time, if you have a secret, you’ve got to be really good about concealing it. I haven’t seen the movie but I’ve talked to people who have and they’ve said, “You think there’s something mysterious about her but you don’t think like this happening.” You’re never sure if she’s good or bad.

    “Glass” is now playing everywhere.

  • How ‘Glass’ Connects to ‘Unbreakable’ and ‘Split’

    How ‘Glass’ Connects to ‘Unbreakable’ and ‘Split’

    Glass” marks the culmination of a story that began 19 years ago with the release of “Unbreakable,” M. Night Shyamalan’s tribute to superheroes and more broadly, the visual and narrative language of comic books. Though the prospect of completing its mythology once seemed unlikely, the success of 2016’s “Split,” a psychological thriller that featured a few important overlapping details (including a cameo from Bruce Willis as David Dunn) catapulted it back into the public consciousness. After finally arriving in theaters this weekend, Shyamalan’s long-awaited follow-up answers some lingering questions, clarifies important details about these characters, their lives and their connections to one another, and paints a fuller backdrop for this burgeoning world of super-powered individuals. Beware of spoilers if you have NOT seen “Glass” yet, but here are just a few of the motifs, themes and threads that tie these films together:

    Elijah Price

    Before he played “Avengers” assemblyman Nick Fury, Samuel L. Jackson helped find Shyamalan’s motley crew of super-powered individuals as Elijah Price. Elijah’s own origin story is built on twin interlocked pillars of unhappiness and pain — he was born with a disease that makes his bones susceptible to breaks, ostracizing him from other children. But it’s his resulting escape into comic books that drives the discovery, at a terrible cost, of his eventual adversary, and later, the proof that what he has read on the page of thousands of comics is a thinly-veiled version of reality. After the events of “Unbreakable ,” Elijah’s triumphant epiphany is undercut by almost two decades of institutionalization, but an introduction to Kevin Wendell Crumb (James McAvoy) rekindles his determination to show the world that heroes — and villains — do actually exist.

    David Dunn

    Bruce Willis had long since become one of Hollywood’s toughest guys by the time he took the role of David Dunn, a melancholy security guard who learns he has extraordinary abilities. If “Unbreakable” unveils not just his powers but his purpose, “Glass” gives his efforts meaning: after taking on the responsibility of combating evildoers, he faces his greatest opponent in Crumb, whose strength and endurance rival his own, but whose ferocity as The Beast counterbalances his resolve and moral clarity. Price eventually pits David and Kevin against each other in order to push them to show the true extent of their powers — both to themselves, and to the world at large.

    Kevin Wendell Crumb

    Like Jackson, James McAvoy was no stranger to superheroes before taking the role of Kevin Wendell Crumb, a young man who suffers from Dissociative Identity Disorder whose multiple personalities are in a constant battle for control of his body, which they call “the Light.” Shyamalan actually conceived the character at the time that he was writing “Unbreakable” but eventually cut that story down to focus on the balance of good and evil between that film’s two main characters, David and Elijah. In “Split,” many of Crumb’s personalities were showcased, as well as just a hint of his powers as The Beast, a creature with heightened strength, speed and abilities who’s believed to be the next step in man’s evolution. Because those abilities are largely demonstrated in the service of kidnapping young women whose bodies are later eaten, he soon finds himself in conflict with David; at the same time, Elijah provides his dueling personalities with a clear-eyed authoritative presence to drive them forward, leading to the showdown that occurs during the climax of “Glass.”

    Supporting Cast

    Though David and Elijah anchor the superhero dialectic in “Unbreakable,” a handful of supporting characters throughout that and “Split” play important roles in nudging them towards not just self-discovery but their destinies. Mrs. Price (Charlayne Woodard), Elijah’s mother, introduces him to comic books as a child as a way to get him to venture outside into a very frightening and dangerous world, paving the way for his expertise and even obsession with their conventions as an adult. Joseph Dunn (Spencer Treat Clark), David’s son, becomes his closest confidante as he begins to realize what he has been hiding (even from himself), and Joseph both idolizes him and encourages him to share those gifts with the world.

    And then from “Split,” Casey Cooke (Anya Taylor-Joy) is the only young woman to survive kidnapping by Crumb, and later, to be freed by The Beast. She becomes an unlikely ally after the three are detained, providing Crumb — or at least his buried “real” personality — with much of the unconditional love that he was refused that subsequently unleashed his violent alternates. Meanwhile, there’s also Jai (Shyamalan), a young drug dealer David briefly detains in “Unbreakable” who by the time of “Split” and “Glass” has turned his life around, and now himself works in security. Bonus trivia: the same character appeared in the non-“Unbreakable”-connected “The Village!” How’s that for a twist?

    Colors, Images and Sounds

    Shyamalan’s creation of the world of these characters was very detailed and deliberate, and as far back as “Unbreakable” he associated specific colors with each of the characters — in David’s case, the green of his poncho that conceals his identity, and in Elijah’s, various shades of purple (a color that just viscerally stands out on screen but is used particularly often with villains in comic books). He later adds another color to this landscape with Kevin, whose multiple personalities all in different ways seem to gravitate to some shade of yellow.

    Though he uses a different composer for “Unbreakable” than for “Split” and “Glass” (West Dylan Thorsdon), in the final film Shyamalan skillfully integrates cues from the first two to reinforce the continuity of the characters and to underscore thematic ideas like David’s understated pursuit of criminals. Finally, Shyamalan uses two scenes originally deleted from “Unbreakable” as a look inside the minds of David and Elijah at two particularly fraught moments in their journey in “Glass” that amplify the emotional intensity of their continued, individual and collective search for meaning.

    Eastrail 177

    Unofficially, “Unbreakable,” “Split” and “Glass” form what is known as the “Eastrail 177” trilogy, because it’s the train crash from “Unbreakable” that sets these characters on their path: Elijah, hoping to uncover news of a Super, sabotaged the train, causing all of its passengers except for David to die. Though he is ultimately — and horrifyingly — elated to discover what he’s been searching for, Elijah unexpectedly created two super-powered beings that day, because Kevin’s father died in the crash, leaving the then-child to deal with his mother’s own mental illnesses, which eventually caused his own. The Beast’s eventual discovery of this fact in the final scenes of “Glass” brings not just his own or David’s stories full circle, but Elijah’s, as the unhinged mastermind fulfills his destiny and finally exposes the world to superheroes — even as it comes at the ultimate cost.

  • ‘Glass’ Star Sarah Paulson Was ‘Obsessed’ with ‘Unbreakable’

    ‘Glass’ Star Sarah Paulson Was ‘Obsessed’ with ‘Unbreakable’

    Universal/Disney

    This week sees the release of “Glass” and with it culmination of M. Night Shyamalan‘s shared cinematic universe, which began with “Unbreakable” back in 2000 and continued, to everyone’s surprise, with 2016’s “Split.” And while the big draw is obviously the scenes shared between Bruce Willis, Samuel L. Jackson and James McAvoy, there are new characters introduced in this final chapter, the biggest of which is Dr. Ellie Staple, a psychiatrist treating all three of them for what she perceives as their delusional tendencies. As portrayed by the always-brilliant Sarah Paulson, the doctor is sharp, efficient and harboring (of course) some very huge secrets. She wants to unlock their potential by destroying the notion that any of them are special; it’s an intriguing concept brought to fully-formed life by Paulson.

    We were lucky enough to talk to Paulson about her character, her relationship to the franchise before signing on, and whether or not she’d want to continue playing in the “Unbreakable” sandbox.

    Moviefone: Were you a fan of these movies before you had signed on?

    Paulson: I was obsessed with “Unbreakable.” “Split” I saw in the theater, reluctantly, because the trailer scared the sh*t out of me and I wasn’t sure if I wanted to go there. But my friend Pedro Pascal said, “Come on! We’re going to go!” So we went and I was absolutely entranced by it and I remember Bruce Willis was sitting there, the audience went bananas. And I turned to Pedro and said, “Wait wait wait – what does that mean?” He broke into the most sly smile and said, “It means this is the sequel to ‘Unbreakable.’” I went, “Whaaaat?” and started freaking out. So “Unbreakable” is my favorite of Night’s movies, so it was exciting to watch it three more times before starting this movie just to really immerse myself in that world.

    It’s interesting that you were scared of “Split,” considering you do so many scary things.

    I know, everyone says that. But it’s funny because one really has nothing to do with the other. It’s so fascinating to me, because creating fear for someone who is already frightened, isn’t that hard to imagine. It’s really at the ready for me, because everything terrifies me. It’s a very real thing, folks. Very real.

    You hear about Night’s movies being very secretive and huh-hush. So what was that experience like for you on “Glass?”

    Well I said yes to it before I read it because I met with Night. I was shooting “American Horror Story: Cult” and this movie called “The Post” at the same time — that was in New York and ‘Cult’ was in Los Angeles and Night was coming to LA. He had asked my agent if he could meet with me and I had not a moment of free time because the schedule was so crazy, so he came and had lunch with me in my trailer at work. He didn’t really tell me much about the movie but when he left we exchanged phone numbers and he said, “Listen, in the spirit of full disclosure, I don’t know that this part will even be played by a woman, it might be played by a man. I just want you to know that, since I’m still writing it.” So I thought, There’s nothing I can do about that. You lose a part to another actor, what can you do? But if you’re looking for a man, I’d like to imagine I could pull that off for you but I’m not sure if I can.

    But eventually he called me and said, “I want you to do it.” And I said without having read the script. So that’s really the truth – I didn’t know anything about the movie until I was handed the script by a little man in a backpack and a baseball hat, knocked on the door of the hotel I was staying at and handed me the script. I’m sure he practically waited outside while I read it.

    I was worried the last five pages might be missing or I’d heard that he sometimes gives you multiple endings, and you don’t know which one is true. But I got the full script, the whole story was there and the ending included.

    So when he first met you did he lay out the character at all?

    He did. He said the role would be of a doctor who is helping these patients and all three of the characters are from “Unbreakable” and “Split.” I said, “Wait what?” But, again, he said, “It may be a man, it may be a woman, I’m not sure.” But I was like, “You’re telling me that I could be in a movie connected to ‘Unbreakable’ and ‘Split’ and I have to wait until you decide if it’s a man or a woman? Okay. I’ll try to sit tight. Sure.”

    Universal/Disney

    You’ve played characters who have multiple identities or have played multiple characters in the same project, but what was it like working with James during those scenes where he’s toggling between those characters?

    That’s one of the more extraordinary things I’ve ever borne witness to. And that’s the truth. I’ve worked with arguably some of the greatest actors in the world and I have been lucky enough to look into their faces while they’re working and it’s really special. This was like an Olympic event it felt like. And someone should hand him a gold medal. He literally goes in and out of these personalities without taking a breath. It was awe-inspiring and totally irritating because, really, nobody should be that talented, it was kind of annoying.

    When you finally got to do some scenes with Sam and Bruce did you let them know that you were obsessed with “Unbreakable?”

    No I tried to keep it cool because being around Samuel L. Jackson is intimidating enough. The man is about 7-foot-10 and you’ve seen him in every movie that’s ever been made basically. He’s just a legend. But of course he’s the nicest man alive and you both start talking about how much you love “Game of Thrones” and the next thing you know, you’re best friends. I’m the queen of not being able to keep my cool. I tried my best to keep it a little bit under wraps so as not to totally embarrass myself. But it’s not easy for me. It’s not my safe space.

    This movie does open up the world of the “Unbreakable” universe. Has Night talked to you about coming back?

    Well, nothing would make me happier, I have not heard one peep about that. Maybe I can ply Night with enough booze tonight at the premiere where he’ll say, “Well maybe if I were to do it …” But what I think matters is just that people go to this movie and if they go to the movie … If people go to the movie, then they make other movies. So …

     And that’s not all – check back on Monday for more with Paulson, including a breakdown of the movie’s big twist.

    “Glass” is out everywhere, starting tonight.

  • 17 Movies That Came Out In January That Weren’t Totally Terrible

    17 Movies That Came Out In January That Weren’t Totally Terrible

  • ‘Glass’ Review: Not Worth the Wait

    ‘Glass’ Review: Not Worth the Wait

    Universal/Disney

    There is a good film to be made about superheroes existing in the “real” world, and the phenomenon, or perhaps disorder, where ordinary people believe they possess extraordinary abilities. “Glass” is not that film, despite how seriously writer-director M. Night Shyamalan takes both of those ideas, and as always, himself. An overlong, underdeveloped mash-up (or more charitably, payoff) of his brilliant “Unbreakable” and the pulpy “Split,” Shyamalan tries to examine, and rekindle, the magic and intrigue of comic books in the pre-Marvel Cinematic Universe era. But he spends so much time discussing, deconstructing and still somehow indulging their now-boilerplate storytelling conventions that the end result is a movie that feels even less tethered to reality than the ones that it so snobbishly looks down upon.

    Bruce Willis plays David Dunn, a Philadelphia security expert-turned-vigilante in search of Kevin Wendell Crumb (James McAvoy), a serial killer suffering from multiple personality disorder. David’s superhuman abilities soon bring the two men together, but before he can fully defeat Crumb’s monstrous alter ego, The Beast, they’re both apprehended by local police and thrown into an institution for the criminally insane. Once there, David is unwittingly reunited with Elijah Price (Samuel L. Jackson), the homicidal comic book aficionado who sparked his heroic self-discovery decades ago, and all three are offered the opportunity to confront what psychologist Dr. Ellie Staple (Sarah Paulson) believes are delusional beliefs in their own preternatural talents.

    Universal/Disney

    David, Kevin and Elijah begin the difficult process of explaining to Staple how they’re capable of accomplishing such extraordinary feats, and they soon find themselves questioning if what they’ve done is all a matter of serendipity and circumstance. But after Elijah becomes convinced that The Beast is not only a bona fide super human, but somehow the key to all three of them unlocking their full potential, he puts into motion a string of events that threatens the safety of thousands of innocent people and once again forces David to step in and try and prevent his plan from becoming a deadly reality.

    After 20 years of mainstream moviemaking and an approach to storytelling that feels defiantly unchanged in the face of numerous failures (both critical and commercial), it’s clear that Shyamalan believes there’s nothing you can show that cannot be over-explained. The technique worked in “Unbreakable” because it was both providing context for Elijah’s processing of the world — that is, via the visual and narrative mythmaking of comic books — and skillfully foreshadowing revelations that it seems only fair to acknowledge were not the “twists” for which the filmmaker became reductively known. But Shyamalan’s instinct to acknowledge tropes as he’s using them hasn’t aged well, and in “Glass,” he actively undermines the dramatic weight of what should be a moment of self-actualization and culmination of purpose for these three characters. I’m not sure I’ve ever seen a film more determined to talk itself out of embracing what it is, and all of the things that make it special.

    But worse than that, the film is just thoughtlessly conceived, poorly paced and badly constructed. Approximately 90 percent of its running time takes place in the institution where Staple has detained her three would-be Supers, including a protracted breakout sequence and an overlong showdown between David and The Beast that never gains momentum or feels remotely exciting. (The fact that both of them are “just” strong means that when they finally face each other, they mostly push the other one around against a van.) And for a movie obsessed with the real-world implications, and consequences, of individuals acting upon the belief that they possess super powers, procedurally almost nothing feels believable, from the supervision and “treatment” they receive at Staple’s facility to the basic reactions and motivations of both our heroes and the authorities trying to come to terms with their behavior.

    Universal/Disney

    Although I’m not convinced he’s actually in all of the scenes in which his character performs feats of heroism (that poncho covers his face pretty well), Willis moderately rouses from his usual paycheck slumber for the director who gave him some of his biggest hits, and breathes some life into David as he patrols the city and dispenses justice. McAvoy’s ability to shuffle between Kevin’s many personalities remains the remarkable feat of acting that it was in “Split,” but Shyamalan offers almost too many opportunities for him to showcase that talent — it becomes less an expression of internal turmoil than an impressive party trick. Jackson, meanwhile, reconnects with the intense, intimidating calm that made Elijah such an unsettling character in “Unbreakable,” and seems to be having the most fun of the three as he returns to this world.

    Paulson is saddled with what I’m sure seemed like a meaty role on the page, but it proves thankless; she literally spends the entire film trying to convince the characters (and the audience) that there’s nothing special or exceptional about anything that they’re doing, or watching. Unfortunately, she succeeds. Shyamalan also intriguingly brings back not only Anya-Taylor Joy’s Casey from “Split,” but Spencer Treat Clark’s Joseph Dunn from “Unbreakable,” but as witnesses, confidantes and eventually participants in this story, they’re never given enough to do, and their reasons for becoming involved end up feeling overstated and yet largely unjustified.

    From “The Sixth Sense” to “The Village” (yeah, I know), Shyamalan enjoyed an uninterrupted string of hits that took conventions audiences didn’t realize had become part of their movie-watching DNA and somehow delivered the exact kinds of thrills that he seemed to be deconstructing. “Unbreakable,” released at a time before comic book adaptations were an integral part of our moviegoing diet (and daresay, the pop culture firmament), was the film of his that seemed most deserving of a sequel, or some sort of continuation. But “Glass” arrives too late for its own good, both in terms of his career evolution (or lack theerof) and the genre he still seems to think is not taken seriously enough.

    Ultimately, not only does Shyamalan seem to have forgotten what made its two predecessors work so well, but he fails to realize that it’s his lack of imagination, not audiences’, that keeps them from believing in superheroes. All of which is why for better or worse, “Glass” delivers a follow-up that effectively delivers everything that we should have expected, but also proves that the ideas that kept us intrigued for the last 19 years have long since been conclusively and satisfyingly explored.

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  • M. Night Shyamalan Calls ‘Glass’ His $20 Million Version of ‘Avengers’

    M. Night Shyamalan Calls ‘Glass’ His $20 Million Version of ‘Avengers’

    Universal

    For M. Night Shyamalan, more money means more problems. The filmmaker actually prefers to make moves with smaller budgets.

    In a wide-ranging interview with Vulture, Shyamalan compares his low-budget horror flicks like “Glass” and “Split” to mega Marvel blockbusters.

    “I’m like, ‘What if you can give people Avengers for nothing?’ I feel like I can deliver the same-quality movie at $20 million that they can for $200 million or $250 million by hiring the right people and having full control,” he said.

    He added, “It allows me to do whatever I want. Cast whomever, crew whomever, shoot it however, reshoot however, don’t shoot whatever. Take huge risks.”

    Shyamalan explained that had he pitched “Split” to a studio, he would’ve been turned down immediately due to the plot (which involves girls getting abducted and abused).

    Instead, he partnered with Blumhouse Productions to make “Split” on a lower budget. It ended up becoming a huge success at the box office.

    Shymalan likes to make risky bets, but they don’t always pay off. Not only was “The Happening” critically reviled, its own star, Mark Wahlberg, complained it was a “bad movie.”

    As to that, the director said, “It’s totally his call. However he wants to interpret it.”

    Even the box office and critical bombs are helpful in their way.

    “Failure is very cleansing, and success is very confusing,” he said.

    “For example, whatever happens with ‘Glass,’ good or bad, I just want to go back to the blank piece of paper again and feel a connection to whatever the next idea is. When no one is calling you, it helps you do that.”

    “Glass” opens in theaters January 18.