Tag: sophie-thatcher

  • Charles Melton and Sophie Thatcher Join ‘Her Private Hell’

    (Left) Charles Melton as Joe in 'May December'. Photo: François Duhamel / Courtesy of Netflix. (Right) Sophie Thatcher as Iris in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (Left) Charles Melton as Joe in ‘May December’. Photo: François Duhamel / Courtesy of Netflix. (Right) Sophie Thatcher as Iris in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    Preview:

    • Charles Melton and Sophie Thatcher have been cast in ‘Her Private Hell.’
    • The movie marks Nicolas Winding Refn’s return to big screen work.
    • Neon is backing the new movie.

    If you’re a fan of Nicolas Winding Refn’s enigmatically stylistic take on thrillers, dramas and horror movies, you might have been waiting to see when he’d get back into the director’s chair for a new big screen project.

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    The man behind ‘Drive,’ ‘Only God Forgives’ and ‘Pusher,’ has been busy working on TV series in the last few years, but thanks to a story in Deadline that reported Charles Melton nabbing a lead role, there was also a tweet from distributor Neon confirming he’s cooking up “something groovy” called ‘Her Private Hell,’ with Melton, Sophie Thatcher, Kristine Froseth and Havana Rose Liu in the cast.


    What’s the story of ‘Her Private Hell’?

    Charles Melton attends Netflix's 'May December' Los Angeles premiere at Academy Museum of Motion Pictures on November 16, 2023 in Los Angeles, California. Photo by Natasha Campos/Getty Images for Netflix.
    Charles Melton attends Netflix’s ‘May December’ Los Angeles premiere at Academy Museum of Motion Pictures on November 16, 2023 in Los Angeles, California. Photo by Natasha Campos/Getty Images for Netflix.

    This being Refn, most of the pertinent details are still being kept quiet for now. But if we know anything about what the man whose last movie was ‘The Neon Demon’ is coming up with, we can expect something dangerous and stylish.

    The Danish director recently said his next film would shoot in Tokyo, Japan and would involve “lots of glitter, sex, and violence”.

    Which is not all that surprising, since he does love a story set overseas (see: ‘Only God Forgives,’ which dives into Bangkok’s criminal underworld).

    Related Article: Julianne Moore and Natalie Portman Talk Todd Haynes’ ‘May December’

    What else has Nicolas Winding Refn worked on?

    Elle Fanning stars in 'The Neon Demon'. Photo: Amazon Studios.
    Elle Fanning stars in ‘The Neon Demon’. Photo: Amazon Studios.

    As we mentioned, Refn last made theatrical release ‘The Neon Demon,’ and since then has been channeling his efforts into short films and TV series.

    He wrote and directed fantasy/mystery short ‘Touch of Crude’ and last year brought us another short, ‘Beauty Is Not a Sin.’

    There was also Prime Video’s 2019 miniseries ‘Too Old to Die Young,’ which starred Miles Teller as Detective Martin Jones, who leads a double life as a killer for hire in Los Angeles’ deadly underground. He suffers an existential crisis which leads him deeper into a blood splattered world of violence.

    And in 2022, he was behind Netflix crime thriller series ‘Copenhagen Cowboy,’ which tracks Miu (Angela Bundalovic), who travels through Copenhagen’s criminal netherworld.

    Perhaps more surprisingly, he was also the creator and executive producer on a new TV adaptation of Enid Blyton’s children’s book series ‘The Famous Five’ starting 2023.

    It’s definitely not what we’d expect from Refn but he explained his reasoning for pursuing the project to Deadline:

    “I didn’t read until I was 13 so TV was a big thing for me as an eight-year-old coming to the States. Scooby Doo had something that just magically transported me into this adventure land, so this feels like a very full circle that’s coming to completion. And I’m finally making something that my kids would actually watch. I’ve always liked the concept of not really wanting to be an adult; staying in ‘adventure land’ forever. ‘The Famous Five’ feels like one of the very few things that you literally hand down the generations.”

    Where else can we see Charles Melton, Sophie Thatcher, Kristine Froseth and Havana Rose Liu?

    (L to R) Julianne Moore as Gracie Atherton-Yoo with Charles Melton as Joe in 'May December'. Photo: Courtesy of Netflix.
    (L to R) Julianne Moore as Gracie Atherton-Yoo with Charles Melton as Joe in ‘May December’. Photo: Courtesy of Netflix.

    Best known for his role as Reggie on the CW series ‘Riverdale,’ Melton has been on a roll in scoring roles in critically acclaimed films from interesting directors that kicked off with Netflix drama ‘May December,’ directed by Todd Haynes and also starring Natalie Portman and Julianne Moore.

    Melton earned rave reviews and a Golden Globe nomination.

    He most recently starred in the A24 pic ‘Warfare’ from directors Alex Garland and Ray Mendoza and recently wrapped production on the highly-anticipated second season of feud drama ‘Beef’ at Netflix.

    Sophie Thatcher as Iris in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Sophie Thatcher as Iris in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    Thatcher, meanwhile, is best known for ‘The Boogeyman,’ ‘Heretic’ and, most recently, ‘Companion,’ and has a starring role in Showtime series ‘Yellowjackets.’

    American-Norwegian actor Froseth played a young Betty Ford in Showtime’s ‘The First Lady’ and appeared in Apple TV+ series ‘The Buccaneers.’ Her recent movies include ‘Sharp Stick’ and ‘How to Blow Up a Pipeline.’
    Actress and model Havana Rose Liu made her name as the lead in the satirical comedy ‘Bottoms’ and recently appeared in Sundance hit ‘Lurker.’

    She’s currently filming Jesse Eisenberg’s untitled musical comedy with A24 alongside Julianne Moore, Paul Giamatti and Halle Bailey.

    When will ‘Her Private Hell’ be in theaters?

    Neither Neon nor Refn are saying anything about when the movie might be landing in theaters, but it could conceivably be ready for release next year.

    Charles Melton attends Netflix's 'May December' Los Angeles premiere at Academy Museum of Motion Pictures on November 16, 2023 in Los Angeles, California. Photo by Natasha Campos/Getty Images for Netflix.
    Charles Melton attends Netflix’s ‘May December’ Los Angeles premiere at Academy Museum of Motion Pictures on November 16, 2023 in Los Angeles, California. Photo by Natasha Campos/Getty Images for Netflix.

    List of Charles Melton Movies and TV Shows:

    Buy Charles Melton Movies on Amazon

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  • Movie Review: ‘Companion’

    (L to R) Jack Quaid as Josh and Sophie Thatcher as Iris in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Jack Quaid as Josh and Sophie Thatcher as Iris in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    ‘Companion’ receives 8 out of 10 stars.

    Opening in theaters on January 31st is ‘Companion,’ directed by Drew Hancock and starring Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, and Rupert Friend.

    Initial Thoughts

    Jack Quaid as Josh in 'Companion'. Photo: Warner Bros. Pictures.
    Jack Quaid as Josh in ‘Companion’. Photo: Warner Bros. Pictures.

    The feature debut of writer and director Drew Hancock, ‘Companion’ is a sci-fi satire with a seasoning of horror and a sharp edge of social criticism. Set in a near future that’s not too far removed from our own present day, the story touches on dysfunctional relationships, the nature of consciousness, issues of control, toxic masculinity, and modern-day alienation, all wrapped up in one tightly-written 100-minute package.

    Our advice? Skip the latest trailer for the movie, which gives away one major plot twist that, even though it occurs relatively early in the movie, abruptly and wholeheartedly changes the fabric and genre of the film. We’ll try to write around it here, although it may be difficult and you might find some arguable spoilers ahead. But even if you know or guess that reveal, there are still others in the film that keep it suspenseful, invigorating, often funny, and sometimes horrifying. Either way, ‘Companion’ is a clever genre mash-up that keeps solid control of its tone and thematic undercurrents almost all the way to the end.

    Story and Direction

    Sophie Thatcher as Iris in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    Sophie Thatcher as Iris in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    “There have been two moments in my life when I was happiest. The first was the day I met Josh.” So says Iris (Sophie Thatcher) as ‘Companion’ opens on their meet-cute in a supermarket. Iris is poised, beautiful, a bit timeless; Josh (Jack Quaid) is awkward, yet seemingly warm and funny. Iris also describes the second happiest moment in her life – but we’ll leave that out for now.

    Cut to the now happy, loving pair cruising in their self-driving car to an isolated lake house, where they join two other couples: the sarcastic Eli (Harvey Guillén) and gentle Patrick (Lukas Gage), and the more caustic Kat (Megan Suri) and Sergey (Rupert Friend), the latter a rather shady, solicitous Russian who happens to own the house – and treats Kat as just another possession, according to her. Iris, meanwhile, is positive that Kat hates her and even asks her why during a moment alone. “Because you make me feel replaceable,” Kat says, her words more pregnant with meaning than they might seem at first.

    After their first night of partying and drinking, the next morning sees one houseguest subjected to an unwanted, overly aggressive advance – which then leads to bloodshed. And that in turn leads to the first big twist of ‘Companion,’ which – as we noted earlier – has already been telegraphed in the film’s trailer and marketing. It establishes a plot conceit that isn’t exactly original – it’s been used in plenty of films and TV shows before – but develops it in a way that slyly says something about relationships and gender dynamics today that is both hilarious and depressingly true.

    (L to R) Jack Quaid as Josh and Sophie Thatcher as Iris in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Jack Quaid as Josh and Sophie Thatcher as Iris in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    That first major reveal, however, is not the whole of the story. From that point, ‘Companion’ turns into a combination of crime, farce, and sci-fi thriller as more twists are revealed, including the reason why everyone has assembled at Sergey’s peaceful house in the first place and what some members of the group have been hiding from others. That leads to complication upon complication, as the situation grows even more bizarre and each potential solution to the problem leads to more disastrous consequences. By the time we get to the end – kind of a funnier take on the close of an Alex Garland film – no one and nothing is left undamaged.

    ‘Companion’ perhaps labors a bit toward that ending, and there are certain plot and motivational holes that come to the surface the more you think about them, but that’s a minor distraction at best. Another minor quibble is that, while Hrishikesh Hirway’s original score – an eerie play on strings and female vocals that echoes ‘Rosemary’s Baby’ – and Hancock’s needle drops are on the money, the latter are deployed perhaps one or two times too often, leading to an aural predictability that feels a little manipulative. Nevertheless, the song cues for the most part evoke a dreamy mix of nostalgia and folk horror that provide a terrific counterpart to the vicious onscreen action.

    And make no mistake, it’s vicious, all right, as is the futuristic critique of certain social and gender dynamics that are increasingly present in the real world. “The world is rigged against people like me,” rages one character toward the end, and while they may be right in some ways, their anger and frustration are taken out in the entirely wrong direction. ‘Companion’ has a whole lot going on under the surface about relationships, love, self-identity, and self-worth, and how all those things can be poisoned and perverted by the technological tools made available to us.

    The Cast

    (L to R) Lukas Gage and Sophie Thatcher as Iris in 'Companion'. Photo: Warner Bros. Pictures.
    (L to R) Lukas Gage and Sophie Thatcher as Iris in ‘Companion’. Photo: Warner Bros. Pictures.

    Sophie Thatcher delivered a striking performance late last year in ‘Heretic,’ and she’s impressed us as well in ‘Yellowjackets’ and others. As Iris, she initially evokes a kind of timeless, throwback beauty and a beguiling sense of a woman fully open to the idea of love and pleasing someone else – until those ideas are all upended by what happens to her. Iris goes on a voyage of self-discovery that’s not always in her control, and Thatcher handles the character’s evolution with subtlety and a growing sense of outrage that portends more for both her and the world of the film. It’s terrific work from this rising young actor.

    Jack Quaid is already a genre favorite thanks to his lead roles on ‘The Boys’ and ‘Star Trek: Lower Decks,’ making his mark in both with characters that start out on the back foot and eventually find their way toward something resembling confidence in themselves. His character here, Josh, is revealed here in layers, each one peeling off to expose an increasingly complicated man whose view of the world is ultimately transactional and dark. Drew Hancock’s excellent script gives him and Thatcher a lot to work with, and even the supporting players – especially Harvey Guillén (‘What We Do in the Shadows’), Lukas Gage (‘Smile 2’), and Megan Suri (‘It Lives Inside’) — get their moments to shine.

    Final Thoughts

    (L to R) Jack Quaid as Josh and Megan Suri as Kat in New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    (L to R) Jack Quaid as Josh and Megan Suri as Kat in New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    Hopefully we’ve managed to get through this review without spoiling ‘Companion’ for you, for while it does touch on issues and concepts that aren’t new, it remixes them in a way that is best experienced without knowing much going in. And it lands its themes without hitting the viewer over the head with them, subtly leaving certain questions unanswered while still taking the viewer on a twisty, entertaining, morbidly funny ride.

    ‘Companion,’ while tackling different ideas, might pair well with ‘It’s What’s Inside,’ the overlooked sci-fi thriller from last year that also threw six friends into a situation where modern technology and social behavior toss all of them into complete emotional and psychological turmoil. There are notions about sex, control, and maturity that crop up in both, and while the latter film was a bit over-stylized in some ways, ‘Companion’ has an uncluttered directorial and writing style that bodes well for Drew Hancock’s future in feature films. ‘Companion’ has a lot on its mind, but skillfully presents Hancock’s argument in a lively genre mash-up that’s thoroughly satisfying.

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    What is the plot of ‘Companion’?

    Josh (Jack Quaid) and Iris (Sophie Thatcher) join four other friends at a remote lakeside cabin for a weekend of fun and relaxation. But things quickly take a bad turn, leading to shocking revelations about who Josh and Iris really are and what their relationship is based on.

    Who is in the cast of ‘Companion’?

    • Sophie Thatcher as Iris
    • Jack Quaid as Josh
    • Lukas Gage as Patrick
    • Megan Suri as Kat
    • Harvey Guillén as Eli
    • Rupert Friend as Sergey
    New Line Cinema’s 'Companion,' a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.
    New Line Cinema’s ‘Companion,’ a Warner Bros. Pictures release. Photo Credit: Courtesy Warner Bros. Pictures. Copyright: © 2025 Warner Bros. Entertainment Inc. All Rights Reserved.

    Sophie Thatcher Movies and TV Shows:

    Buy Tickets: ‘Companion’ Movie Showtimes

    Buy Sophie Thatcher Movies on Amazon

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  • Movie Review: ‘Heretic’

    Hugh Grant in 'Heretic'. Photo: A24.
    Hugh Grant in ‘Heretic’. Photo: A24.

    Opening in theaters November 8th is ‘Heretic,’ directed by Scott Beck and Bryan Woods and starring Hugh Grant, Sophie Thatcher, Chloe East, and Topher Grace.

    Related Article: Hugh Grant to Star in ‘Heretic’, a Horror Movie from the Writers of ‘A Quiet Place’

    Initial Thoughts

    (L to R) Chloe East, Hugh Grant and Sophie Thatcher in 'Heretic'. Photo: A24.
    (L to R) Chloe East, Hugh Grant and Sophie Thatcher in ‘Heretic’. Photo: A24.

    Scott Beck and Bryan Woods, the co-writers of the original ‘A Quiet Place’ and writers-directors of the Adam Driver-starring dinosaur action thriller ’65,’ have returned to helm a much smaller scale horror tale here – but don’t be fooled by its size. In its own insidious way, ‘Heretic’ is quite the cerebral exercise, powered in its first two-thirds by a malevolently good-natured Hugh Grant and a script that tackles the nature of belief and religion in provocative fashion.

    Yet it’s still very much a horror movie, and it’s when ‘Heretic’ begins pulling out the overt shocks and grue that the film kind of loses its way. Yet thanks to the work of Grant and his two co-leads, the film’s setting, and most of Woods and Beck’s script, ‘Heretic’ is still a fun genre exercise with a diabolical edge.

    Story and Direction

    (L to R) Co-director Bryan Woods, Chloe East, and co-director Scott Beck on the set of 'Heretic'. Photo: A24.
    (L to R) Co-director Bryan Woods, Chloe East, and co-director Scott Beck on the set of ‘Heretic’. Photo: A24.

    Sisters Barnes (Sophie Thatcher) and Paxton (Chloe East) are two young Mormon missionaries who are door-knocking in a small mountain town, hitting up homes that have requested further information on the Church of Jesus Christ of Latter-day Saints. For the two women – whose relative innocence is communicated by their pronunciation of words like “porno-ography” in hushed tones – it’s a mostly frustrating day of either no responses or brief exchanges and closing doors.

    So when the cheerful Mr. Reed (Hugh Grant) opens his door to them as a fierce downpour begins, offering them tea and a slice of blueberry pie that his wife is making back in the kitchen – along with a receptive ear to their pitch – they welcome the respite. And after all, his wife is in the kitchen so it’s okay for the two girls to be in the presence of an older man, right?

    It’s not long, however, that the women – particularly Sister Barnes – begin to suspect that something is amiss. Mr. Reed keeps making excuses for his wife not coming out with the pie, even as he good-naturedly begins to listen to their spiel and ever so gently push back on them. For every talking point they roll out about their faith, he responds with a criticism of it, with the conversation gradually expanding into a full-blown back-and-forth on the nature and history of religion itself. And once he manages to lure them deeper into his house – into a library of religious texts and art with two doors on the back wall like something out of a bizarre game show – it’s all too clear that Mr. Reed’s deferential, endlessly well-mannered veneer hides something much more ominous.

    (L to R) Hugh Grant, Sophie Thatcher and Chloe East in 'Heretic'. Photo: A24.
    (L to R) Hugh Grant, Sophie Thatcher and Chloe East in ‘Heretic’. Photo: A24.

    From that point on, it’s spoiler territory, but what we can say is that for its first two-thirds, ‘Heretic’ is not your average horror film: it offers up food for thought and intellectual exercise even as Woods and Beck slowly tighten the screws and thicken the miasma of dread that begins to settle on the proceedings not long after the two girls enter Mr. Reed’s abode. Speaking of which, the set design here is superb: as the missionaries are drawn deeper into the house, it gradually seems to become one of those surreal haunted houses that appears much bigger and more labyrinthine on the inside than it does on the outside.

    Yet the directors also manage to make the proceedings increasingly claustrophobic: during several of their verbal exchanges, the camera gets closer and closer to Grant’s face with each cut, until his features literally fill the screen to accentuate his growing control over the women’s predicament. Never has Grant’s impish grin seemed so dangerous.

    It’s only in the third act that the directors’ precision and control over their own story starts to come loose. While Grant, Thatcher and East all remain on point, the story takes several turns into more conventional horror territory while making Mr. Reed’s eventual endgame more elaborate and a bit harder to swallow. We’re all for leaving things in horror movies unexplained – that’s what makes the genre effective in many instances – but it all ultimately seems like a lot of work for this one man to make his singular point.

    The Cast

    (L to R) Sophie Thatcher and Chloe East in 'Heretic'. Photo: A24.
    (L to R) Sophie Thatcher and Chloe East in ‘Heretic’. Photo: A24.

    It’s easy to get into the delights of Hugh Grant’s work here, but let’s first pay tribute to his costars. Sophie Thatcher (best known as the younger version of Juliette Lewis’ character on ‘Yellowjackets’) and Chloe East are quite convincing as two young Mormon women, filled with unquestioning devotion to their faith, who are at first earnestly interested in talking with Mr. Reed. Thatcher’s Sister Barnes is the more worldly of the two, and the more savvy, while East’s Sister Paxton is somewhat naïve, although it’s clear that both have led largely sheltered lives up to this point. Both believably descend into terror as well, occasionally making less-than-wise decisions but not the kind of stupid mistakes that often take you out of horror films.

    As for Grant, he’s just marvelous. Polite to a fault, seemingly respectful toward the women (at least at first), and full of both glimmering intelligence and good-humored deviousness, he holds the screen even at his most bonkers (such as his impromptu performance of Radiohead’s “Creep”). The charm of his younger days as a stammering, flustered romantic lead is still in evidence, only Grant curdles it into something darker and more toxic – you’re going to have to hear him out no matter what, only he’s not professing his love but expounding on his twisted worldview as if it’s just as enchanting.

    Final Thoughts

    Hugh Grant in 'Heretic'. Photo: A24.
    Hugh Grant in ‘Heretic’. Photo: A24.

    The argument at the center of ‘Heretic’ is a fascinating one that could provide fodder for after-movie debate (we know which side we fall on, but we won’t say more than that). That in itself is somewhat of a rarity in the current horror landscape, which (with some exceptions) has lately tilted toward generational or family trauma as the source of the terrors, supernatural or otherwise, that permeate the stories being told.

    If more in-your-face horror shocks are what you’re looking for, ‘Heretic’ may try your patience. But Woods and Beck, with the help of their three leads, have created a mostly absorbing, if imperfect, thriller with loads of creepy atmosphere. Even if it falters toward the finish line, ‘Heretic’ is an intellectual, psychological, and theological cat-and-mouse game that’s as witty as it is wily.

    ‘Heretic’ receives 7 out of 10 stars.

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    What is the plot of ‘Heretic’?

    Two Mormon missionaries (Chloe East and Sophie Thatcher) get more than they bargained for when they knock on the door of a jovial older man (Hugh Grant), whose interest in their religious pitch turns into something much more sinister.

    Who is in the cast of ‘Heretic’?

    • Hugh Grant as Mr. Reed
    • Sophie Thatcher as Sister Barnes
    • Chloe East as Sister Paxton
    • Topher Grace as Elder Kennedy
    (L to R) Chloe East and Sophie Thatcher in 'Heretic'. Photo: A24.
    (L to R) Chloe East and Sophie Thatcher in ‘Heretic’. Photo: A24.

    Other Bryan Woods and Scott Beck Movies and TV Shows:

    Buy Tickets: ‘Heretic’ Movie Showtimes

    Buy Bryan Woods and Scott Beck Movies on Amazon

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  • Movie Review: ‘The Boogeyman’

    Sophie Thatcher as Sadie Harper in 20th Century Studios' 'The Boogeyman.'
    Sophie Thatcher as Sadie Harper in 20th Century Studios’ ‘The Boogeyman.’ Photo by Patti Perret. © 2023 20th Century Studios. All Rights Reserved.

    The Boogeyman’, in theaters June 2nd, is just the latest adaptation of the work by prolific horror master Stephen King. And to stand out in an incredibly, and increasingly crowded field, the new movie needed to be something special.

    Long in development (long enough that it was being worked on when 20th Century Fox was still its own studio, only to be cancelled and revived by the now Disney-owned 20th Century Studios), it’s unfortunate to report that this latest attempt at a scary story is somewhat of a dud, with cheap scares that draw laughter more than screams and some big logic issues.

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    What happens in ‘The Boogeyman’?

    ‘The Boogeyman’ is adapted (by ‘A Quiet Place’s Scott Beck and Bryan Woods, with the most recent work from ‘Black Swan’s Mark Heyman) from King’s short story. Originally published in ‘Cavalier’ magazine in 1973, it was later collected into ‘Night Shift’ in 1978.

    Focused on a 1970s take on an alpha male called Lester Billings who has been traumatized by the death of his children at –– according to him –– the hands (or claws) of a terrifying creature, it’s a swift, brutal tale with a twist, one that the movie takes as its basic concept then expands upon.

    Chris Messina plays Dr. Will Harper a therapist in mourning for his wife, who recently died in a car accident. He’s raising daughters Sadie (Sophie Thatcher) and Sawyer (Vivien Lyra Blair).

    Chris Messina as Will Harper in 20th Century Studios' 'The Boogeyman.'
    Chris Messina as Will Harper in 20th Century Studios’ ‘The Boogeyman.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Into Dr. Harper’s office stumbles Lester Billings (David Dastmalchian), who has a horrific story to tell: his children are dead, and while people will think he did it, they were actually slaughtered by a mysterious shadow creature that lurked in the darkness and toyed with him and his family.

    Harper calls the authorities, but Billings appears to kill himself in a secluded closet within the Harper house, traumatizing the good doctor and his daughters further.

    But that’s only the start of their problems –– both Sadie and Sawyer start seeing strange things, with Sawyer convinced she’s being haunted by the same creature that ruined Billings’ life. But is it all just a projection of their grief? And how does Billings’ widow (Marin Ireland) fit in?

    David Dastmalchian as Lester in 20th Century Studios' 'The Boogeyman.'
    David Dastmalchian as Lester in 20th Century Studios’ ‘The Boogeyman.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Who else is in ‘The Boogeyman?

    The cast also includes LisaGay Hamilton, Maddie Nichols, Madison Hu, Lacey Dover and Daniel Hagan.

    Hopes for ‘Host’ director

    A big plus for the film would seem to be the presence of canny British director Rob Savage, who made a splash in 2020 with his creative, entertaining horror movie ‘Host’ in which a zoom seance held between friends during lockdown goes supernaturally, bloodily and mortally wrong.

    Savage followed that up with DASHCAM, the story of a rude, opinionated live-streaming DJ who encounters something awful when she offers a ride in her car to an old woman. Both movies play out entirely on computer (or phone) screens and are chillingly effective uses of that particular horror genre.

    Yet given both the budget and the scope to expand beyond that, Savage here falters, let down by a corny script that has more tropes than it does storyline and more archetypes than it does characters.

    While Savage brings some level of artistry to it all –– tilting camera shots, effective and evocative use of lighting in some scenes and a genuine sense of unease in one early moment –– it’s not enough to save a story that goes to ridiculous lengths to try and evoke some terror.

    Vivien Lyra Blair as Sawyer in 20th Century Studios' 'The Boogeyman.'
    Vivien Lyra Blair as Sawyer in 20th Century Studios’ ‘The Boogeyman.’ Photo courtesy of 20th Century Studios. © 2023 20th Century Studios. All Rights Reserved.

    Messina and his younger co-stars do what they can to breathe life into their characters (Blair, a veteran of ‘Obi-Wan Kenobi’ and ‘Yellowjackets’), Thatcher appropriately acting scared when needed, but it’s all a losing cause in a movie that will evoke giggles more than a desire to find covers to hide beneath.

    The movie also fails to follow its own internal logic; when Sawyer is introduced as the grieving young girl sleeping with a variety of lights on even before she’s haunted and hunted by the titular creature, it makes absolutely no sense that she’d later be content to sit alone in a darkened room with just the meagre light of a TV screen where she’s playing a PlayStation game to make her feel safe.

    Then there are the usual horror movie conventions wheeled out for the 700th time –– the girls screaming and making noise while their father is oblivious in another room, characters noticing creepy black tendrils littering a hallway and stairway but deciding to investigate anyway. And in a scene that could come out of a horror spoof, Sadie is driven by a friend to a particular house she’s investigating, one littered with graffiti calling the occupant a murderer and with a mailbox bent over on its pole by a vandal, only to asked, “is this the house”? Yes, young lady, we’re pretty sure it’s the house .

    It all builds to something increasingly silly and chaotic, characters making stupid decisions when a clear threat is lurking, and the creature itself switching tactics midway through with no discernible reason. And don’t get us started on the therapist who decides that the best way to cure a traumatized child with issues to do with the dark is immediately to plunge them into a darkened room. The movie makes far too many silly choices such as this to be credible.

    Final Thoughts

    There are plenty of great Stephen King adaptations out there, on screens big and small. ‘The Boogeyman’ is, sorry to report, not among them. This is one nightmare that’s more likely to be lurking in the bargain bin than on anyone’s must re-watch list.

    ‘The Boogeyman’ receives 3.5 out of 10 stars.

    'The Boogeyman' opens in theaters on June 2nd.
    ‘The Boogeyman’ opens in theaters on June 2nd.

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    ‘The Boogeyman’ is produced by 21 Laps Entertainment, and 20th Century Studios. It is set to release in theaters on June 2nd, 2023.

     

  • Pedro Pascal Sci-Fi Western ‘Prospect’ Reveals Trailer, Poster, Release Date

    Pedro Pascal Sci-Fi Western ‘Prospect’ Reveals Trailer, Poster, Release Date

    Prospect, Pedro Pascal
    Dust

    Described as a “retro-futuristic sci-fi western,” “Prospect” will release in theaters November 2.

    This is the first feature film from Gunpowder & Sky’s sci-fi label, Dust. “Prospect” stars Pedro Pascal (“Game of Thrones,” “Narcos,” “Wonder Woman 1984“), Sophie Thatcher (“The Exorcist”), and Jay Duplass (“Transparent”). It was written and directed by Chris Caldwell and Zeek Earl, based off their short film, and won The Adam Yauch Hörnblowér Award at SXSW 2018.

    Here’s the official synopsis:

    “A teenage girl and her father travel to a remote alien moon, aiming to strike it rich. They’ve secured a contract to harvest a large deposit of the elusive gems hidden in the depths of the moon’s toxic forest. But there are others roving the wilderness and the job quickly devolves into a fight to survive. Forced to contend not only with the forest’s other ruthless inhabitants, but with her own father’s greed-addled judgment, the girl finds she must carve her own path to escape.”

    Check out the poster:

    Prospect poster
    Dust

    And here’s the trailer:

    “Prospect” will release nationwide starting November 2.

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