It appears he’s been taking his time to develop a new movie and is in the process of casting it. As you might expect for the filmmaker, he’s been able to attract some big names, including Leonardo DiCaprio, Sean Penn and Regina Hall.
v5LFHnAkFrOnjfi1aaL9n4
What’s the story of Paul Thomas Anderson’s latest movie?
‘Licorice Pizza’ director Paul Thomas Anderson
That’s the big mystery about the movie for now –– Anderson hasn’t publicly released the logline for his latest.
All that Deadline was able to discover was that it has a contemporary setting, and that this represents PTA in big, commercial mode.
DiCaprio, Penn and Hall will be the leads in the film, but this one is planned for a large ensemble, suggesting something on the scale of, say, ‘Magnolia’, which also had big stars in its cast.
Director Paul Thomas Anderson on the set of ‘Licorice Pizza’
Warner Bros. has made a deal with the filmmaker thanks to Picture Group co-chairs/CEOs Michael De Luca and Pam Abdy, who worked with Anderson on ‘Licorice Pizza’ when they were at MGM. That resulted in three Oscar nominations, so you can understand why the director might want to work with them again, and especially with the big machine of a studio like Warners to help promote the movie.
It’s also a win for the studio, which was able to secure DiCaprio’s services at a time when he’s in the middle of awards season for his role in ‘Killers of the Flower Moon’.
Penn, meanwhile, has a couple of new movies due this year with ‘Daddio’ and ‘Gonzo Girl’, while this also marks a reunion with Anderson after his small, yet memorable role in ‘Pizza’.
And Hall (who produced ‘Gonzo Girl’) is shooting musical drama ‘O’Dessa’, while also being part of upcoming comedy series ‘Q Talks’, in which actors will give talks on expert subjects they’ve never studied and scripts they’re seeing for the first time.
When will the movie be in theaters?
The new film has yet to confirm a release date.
(L to R) Robert De Niro and Leonardo DiCaprio in ‘Killers of the Flower Moon,’ coming soon to Apple TV+.
(L to R) Dan Stevens as John Dean and Betty Gilpin as Mo Dean in Starz’s ‘Gaslit.’
Premiering on Starz beginning April 24th is new mini-series ‘Gaslit,’ which is based on the podcast “Slow Burn” by Leon Neyfakh.
Set during the Watergate scandal, Martha Mitchell (Julia Roberts), wife of President Richard Nixon’s Attorney General John N. Mitchell (Sean Penn), becomes the first person to publicly announce that Nixon was involved in Watergate, throwing her husband’s personal and professional life into crisis.
Moviefone recently had the pleasure of speaking with Dan Stevens and Betty Gilpin about their work on ‘Gaslit.’
A7R9b6Hq
You can read our full interview with Dan Stevens and Betty Gilpin below or click on the video player about to watch our interviews with Stevens and Gilpin, Shea Whigham, Darby Camp, and executive producer Robbie Pickering.
Moviefone: To begin with Dan, what was it about this project that interested you?
Dan Stevens: I think it was getting the chance to kind of explode a bubble of history that I knew a little bit about, but it’s always fun when somebody lays out a series like this. The podcast that it was based on was utterly fascinating. My wife and I were gripped to that, just blowing up bubble after bubble of untold story corners of something that everybody thinks they know the bare bones about.
It’s really cool when you get to see something laid out in a different way that really kind of changes your perspective on things. I always enjoy that as a listener or a viewer. You come away thinking, “That’s not how it was told to me at all.” It’s a very refreshing perspective.
MF: What was the most interesting thing you learned about the Watergate scandal from working on this series?
DS: It is frequently described as a very stupid situation, but I think just realizing how unnecessary the whole thing was. I thought that the shenanigans that they were organizing were because it was very close and that this was a last-ditch attempt to snatch victory. They were going to win, hands down going to win, and I think that speaks to the dangerous ambition that was behind so much of the willpower of the situation.
Even though they were 19 points ahead and the victory was in the bag, they’re still going to play dirty, and events cascade from that. I still can’t quite get my head around it. That was something that really shocked me. I thought, why did they do this at all?
Dan Stevens as John Dean in Starz’s ‘Gaslit.’
MF: Betty, with all the crazy characters in this series, Mo Dean seems to be the only one with her “head on straight.” Can you talk about that?
Betty Gilpin: That’s right. Martha had her head on straight, too. It’s just a different kind of head, I guess. What struck me was, I didn’t realize there was so much time between the break-in and the discovery of the break-in. Of course, during which Martha was the only person saying the administration is behind this, you guys are crazy, and no one wanted to listen to her. I didn’t realize that it had been so long, this huge secret. Mo is kind of pushing John to do the right thing, I think that is a beautiful part of the story.
I think she’s inspired by Martha Mitchell. It wasn’t in vogue to be yourself out loud. It’s very popular now to be the brash social media version of yourself, your most authentic loudest self. But your public persona back then was very buttoned up and formal, and who you were behind closed doors was none of the public’s business.
I think Martha Mitchell was one of the only people who there was no difference between who she was at home and in front of the cameras, and she was going to say how she felt and the truth that she knew in public, whether her husband and the administration liked it or not. She’s kind of the birth of social media without social media. She’s incredible!
Betty Gilpin as Mo Dean in Starz’s ‘Gaslit.’
MF: Can you both discuss how Mo felt about John Dean the first time she met him?
BG: How did Mo feel? Well, when she first met him, I think it was one of those tender dates where you think, “What have I just left? I could just go. This isn’t going to work out.” I think she got douchebag vibes, honestly. I’m sorry, Dan. But then I think once that charm was turned on, she fell in love.
DS: Did you say douchebag vibes?
BG: Was that intentionally laced into your performance?
DS: I think there’s something inherently douche-baggy about the ambitious drive of a character like John Dean. I think, whether it’s specifically that man or just in general, I find that kind of man endlessly fascinating, slightly pathetic and a bit funny. I think that makes for a very enjoyable character to dive into, and think, why is he going after this? What’s the endgame?
MF: He wants to be Attorney General, is that correct?
DS: Maybe. Maybe that’s the very endgame. I think before that even happens it’s just about being in with the boys, which is such a lame ambition, but it’s the ambition of so many, and it always makes me laugh. Just the lengths that guys will go to have that sense of validation from a group of crusty old men in suits. I don’t get it, but it’s fun. It’s not exclusive. It was invented somewhere closer to home and I think it’s true of any administration. Circles of power make people do crazy things.
MF: Betty, what was it like working with actor and director Matt Ross on this project?
BG:Matt Ross is an incredible director. He’s also an incredible actor. I think having a director who is also an actor and gets what is conducive to helping make a good scene is so immensely helpful and really fun. The set was amazing. It was one of the funniest experiences I’ve had on a set.
I loved working with Dan Stevens. We had the best time together. You never know if between takes the actor that you are working opposite is going to reveal themselves to be a sociopath who thinks the postal service is controlled by mice. So that was out of the way. We had the best time and I think it shows in this series. We’ve become great friends.
Opening in theaters on November 26th is acclaimed filmmaker Paul Thomas Anderson’s ninth feature film, ‘Licorice Pizza.’ The movie fallows the story of a teenage actor growing up in the San Fernando Valley in the early 1970s, who falls in love with a twenty-five-year-old woman while working together on several different business ventures over the course of a summer. The movie boasts an excellent cast including musician Alana Haim (from the rock group Haim), Cooper Hoffman (son of the late Philip Seymour Hoffman), Benny Safdie (‘Good Time’), Bradley Cooper (‘A Star is Born’), Tom Waits (‘Seven Psychopaths’), and Oscar winner Sean Penn (‘Milk’). The result is Paul Thomas Anderson’s unique version of a romcom, a brilliant and tender film about growing up, with Oscar worthy performances from both Alana Haim and Bradley Cooper.
The film begins by introducing us to Gary Valentine (Hoffman), a 15-year-old actor and entrepreneur living in Encino, California in the early 1970s. He soon meets Alana Kane (Haim), a 25-yeard old woman working dead-end jobs with no plans for her future. Gary professes his love to Alana right away, who of course rejects him due to his age, but the two become fast friends. Throughout the summer, they audition for films together, start a waterbed company, and even work for Joel Wachs’ (Safdie) mayoral campaign. They also meet several celebrities including actress Lucille Doolittle (Christine Ebersole), actor Jack Holden (Penn), director Rex Blau (Waits), and Barbara Streisand’s boyfriend, Jon Peters (Cooper). As their friendship grows, each becomes jealous of the other when they both begin dating people their own age, and this tears a rift in their relationship and businesses together. Eventually, they both realize how much they truly care for each other.
I’m a big fan of Paul Thomas Anderson, and remember seeing ‘Magnolia’ for the first time and thinking, “Someday, this guy is going to make the great American movie, but this isn’t quite it.” Then, less than ten years later, I watched ‘There Will Be Blood’ and said, “Wow, he did it. He made the quintessential American film.” Paul Thomas Anderson is one of the greatest directors of my lifetime, right up there with Quentin Tarantino, Spike Lee, Christopher Nolan, Wes Anderson and the Coen Brothers. ‘Licorice Pizza’ is one of Paul Thomas Anderson’s best films, right up there with ‘There Will Be Blood,’ ‘Boogie Nights and ‘Inherent Vice.’ It’s basically Anderson’s version of a romantic comedy, and a sort of modern day ‘Harold & Maude.’ While the difference in age between Gary and Alana is problematic, Anderson handles it in such a sweet and innocent way that you almost forgive the filmmaker for even “going there.” It also helps that Alana rejects Gary’s attempts at love throughout most of the film.
‘Licorice Pizza’ also marks the second time this year we’ve seen the son of a late actor taking on a role that their father might have done had they been alive and age appropriate. We saw this first when James Gandolfini’s son Michael played a young Tony Soprano in ‘The Many Saints of Newark,’ and now with Cooper Hoffman, whose late father, Oscar winner Philip Seymour Hoffman was a constant collaborator with Anderson. I have to admit that through most of the movie I did not like the character of Gary and found him to be annoying, but I think that was the point. I’d compare him to Jason Schwartzman’s character in ‘Rushmore.’ So, in that sense, Hoffman did a great job creating a very irritating character that you don’t really care for through a majority of the movie. But what the young actor does that is truly incredible is that he turns you around before the end of the film and makes you feel sympathy and really root for his character. You should definitely keep an eye on Cooper Hoffman, I think he is going to have a long career.
But the big discovery in ‘Licorice Pizza’ is the brilliant and layered work done by musician turned actress Alana Haim. She absolutely lights up the screen and steals every scene she is in. She carries the weight of the film and gives one of the best performances of the year. The actress is absolutely commanding in the movie and has fantastic chemistry with Hoffman. Haim definitely deserves an Academy Award nomination, and in a very tough year, I hope she will not be forgotten. She’s fun, smart, tough, vulnerable, and makes it all look effortless. It’s also worth mentioning that Haim’s real-life sisters and bandmates play her sisters in the movie, and their real-life parents also have roles as their parents.
(L to R) Bradley Cooper, Cooper Hoffman, and Alana Haim in ‘Licorice Pizza’
Bradley Cooper gives an Oscar worthy and very funny performance as an out-of-control Jon Peters. He’s not in a lot of the movie, but just enough to be considered for a Best Supporting Oscar nom. But I did find it interesting that Anderson chose to change a lot of the celebrity’s names, like Lucille Ball is now Lucille Doolittle and William Holden is Jack Holden, but he didn’t change Jon Peters’ name, and I’d be curious to know why, especially since he is the only “real person” that comes off looking bad in the film. Sean Penn is also very strong as Jack Holden and has some fun scenes with a motorcycle and Tom Waits, who is clearly channeling John Huston. There are also some really fun cameos including Anderson’s wife, Maya Rudolph, comedic actor John Michael Higgins, Sasha Spielberg (daughter of Steven) and George DiCaprio (father of Leonardo).
While the movie is supposedly loosely based on the childhood of Tom Hanks’ producing partner Gary Goetzman, Anderson also grew up in the San Fernando Valley in the 70s and clearly put some of his own experience in the movie. The director also captures the feeling of the 70s perfectly, a changing time both culturally and politically, which the film reflects, especially with the 1970s gas crisis looming in the background. In the end, Paul Thomas Anderson has delivered another masterpiece with ‘Licorice Pizza,’ an entertaining, funny, and sweet film about the fleetingness of youth and love, in a love letter to his own youth and the city he loves.
Hulu is headed to Mars with “The First,” which just shared its first teaser.
This Sean Penn project should not be confused with the upcoming film “First Man,” which stars Ryan Gosling as Neil Armstrong, the first man on the moon.
If you’re not confused yet, try watching the teaser trailer below, which may do the trick. It goes deep and metaphysical, but never spells out that it follows the first human mission to Mars. Perhaps they are saving specifics for the official trailer, and wanted to make this a true “teaser.”
The new Hulu series comes from Netflix’s “House of Cards” creator Beau Willimon. This is Sean Penn’s most major television role — if we’re considering Hulu streaming “television.” Penn plays one of the astronauts headed to Mars, with Natascha McElhone as aerospace magnate Laz Ingram.
“The First is created by Beau Willimon (‘House of Cards’) and stars Sean Penn. Set in the near future (2030), this groundbreaking story explores the challenges of taking the first steps towards Mars. Viewers will get an intimate look at the dedicated characters trying to reach the unknown while dealing with the psychological and physical toll it takes to achieve the impossible.”
“The First” also stars LisaGay Hamilton, Hannah Ware, Keiko Agena, Rey Lucas, James Ransone, Anna Jacoby-Heron, Brian Lee Franklin, and Oded Fehr.
“It’s a story about the human spirit,” Beau Willimon said back when the series was first ordered (via Deadline). “About our indomitable need to reach for unknown horizons. About people working toward the greatest pioneering achievement in human history. And about the cost of that vision, the danger and sacrifice – emotional, psychological, and physical – that’s required to achieve it. How ordinary, imperfect people band together and overcome a myriad of obstacles to grasp the extraordinary.”
“The First” will stream all eight episodes on Hulu on September 14.
The best description of the Michael Douglas drama “The Game” came from director David Fincher upon the movie’s release 20 years ago this week (on September 12, 1997). Fincher said it was a film about a “fashionable, good-looking Scrooge, lured into a ‘Mission: Impossible‘ situation with a steroid shot in the thigh from ‘The Sting.’”
That weird mishmash of redemption fable, action thriller, and long-con caper proved to be a modest hit, one that helped Fincher prove that his success with 1995’s “Seven” hadn’t been a fluke. It also became a cable staple for years. Nonetheless, as often as you’ve watched “The Game,” the tricky, twisty tale still has some secrets, involving the movie’s behind-the-scenes drama. 1. “The Game” makes a lot more sense if you think of it as a movie about movies. After all, Douglas’ character, Nicholas Van Orton, essentially finds himself the lead in a thriller, surrounded by actors and sets, only he doesn’t know how the script is supposed to play out. Given all of the red herrings shown in “The Game,” neither does the viewer. As Fincher told The Independent upon the film’s release, “Movies usually make a pact with the audience that says: We’re going to play it straight; what we show you is going to add up. But we don’t do that. In that respect, it’s about movies and how movies dole out information.”
2. Screenwriters John Brancato and Michael Ferris wrote the screenplay in 1991. They soon had rookie director Jonathan Mostow attached, with a cast led by Kyle MacLachlan and Bridget Fonda. That incarnation fell through, and Mostow, who remained aboard as a producer, ended up making his directing debut with the hit thriller “Breakdown.” 3. Fincher (above, right) was set to direct “The Game” until Brad Pitt had a hole in his schedule, allowing Fincher to make “Seven” first. Later, he’d hire “Seven” screenwriter Andrew Kevin Walker to revise Brancato and Ferris’ script.
4. An early script change aged Nicholas from a man in his twenties or thirties to a middle-aged man contemplating his own mortality. That allowed the filmmakers to cast Douglas, at the time a top box office draw, who could help the production drum up a bigger budget. 5. One early casting snafu had Jodie Foster in line to co-star with Douglas as his daughter. In fact, early in both stars’ careers, Douglas had played Foster’s dad in 1972’s “Napoleon and Samantha,” made when Douglas was 27 and Foster was 9. In 1996, however, Douglas was 51 and Foster was 33, and he reportedly didn’t think the 18-year age gap made them convincing as father and daughter. He wanted Foster to play his sister instead.
6. That forced Foster off the project altogether, leading her to sue distributor Polygram for $14.5 million, even though her own Egg Productions was a Polygram business partner. Foster alleged that Polygram had breached its agreement with her and that she’d lost money by making herself unavailable for other films; Polygram, in turn, argued that there was no written contract. The suit was ultimately settled out of court. Five years later, Fincher and Foster would bury the hatchet and make “Panic Room.” 7. Still needing a sibling for Douglas, the producers reached out to Jeff Bridges, who turned them down. Finally, they went with Sean Penn.
8.Deborah Kara Unger won the role of Christine, the film’s mysterious female lead, by sending the filmmakers a reel that consisted of her sex-scene footage in David Cronenberg‘s creepy “Crash.” Douglas and Fincher weren’t sure if the audition tape was a joke, but fortunately, they met with her in person and found her charming and capable. 9. While they were waiting to get “The Game” into production, Brancato and Ferris wrote a similar script that became the 1995 Sandra Bullock thriller “The Net.” When “The Game” needed a real-life TV news correspondent for a cameo, the filmmakers sought CNN’s Bernard Shaw, but the channel had a (seldom honored) policy at the time barring its reporters from appearing in fiction films. So the production went instead to legendary CBS and NPR newsman Daniel Schorr, who’d done a similar cameo in “The Net.”
10. As it happened, the day Schorr was to film his sequence in “The Game,” the New York Times published an article critical of news reporters acting in movies, accompanied by a photo of Schorr in “The Net.” Plagued with self-doubt, the newsman nearly backed out of the movie, but he managed to stay and complete the now-memorable scene of him back-talking Nicholas through the tycoon’s TV. 11. Douglas said his moody, tormented performance was inspired in part by the divorce proceedings he was going through during the shoot. “It was a time for me to use a lot of myself in the picture,” he recalled.
12. The paramedic who shines a light into Nicholas’ eyes after his climactic fall was a cameo role for Spike Jonze, a Fincher pal who was taking a similar career path, from music video director to feature filmmaker. Within two years, Jonze would make his feature debut with “Being John Malkovich.” 13. “The Game” wasn’t the massive hit that “Seven” was. Still, the $50 million production earned a healthy $48 million in North America and a total of $109 million worldwide.
14. In 2012, Fincher recalled that his partner and frequent producer, Ceán Chaffin, had told him not to make “The Game.”
“In hindsight, my wife was right,” he told IndieWire. “We didn’t figure out the third act, and it was my fault, because I thought if you could just keep your foot on the throttle it would be liberating and funny. I know what I like, and one thing I definitely like is not knowing where a movie is going.”
Believe it or not, Sean Penn first became famous for being a hilarious comic actor. Yep, the intense, Method-acting, two-time Oscar-winner made his big splash playing blissed-out teenage surfer dude Jeff Spicoli in “Fast Times at Ridgemont High.”
Released 35 years ago this week, on August 13, 1982, “Fast Times” not only made Penn a star, but also gave early career boosts to several future A-listers and made the behind-the-camera reputations of director Amy Heckerling (“Clueless“) and screenwriter Cameron Crowe (“Jerry Maguire“). Plus, it became the definitive high school sex comedy of the early 1980s.
Still, as many times as you’ve watched Penn’s Spicoli get a pizza delivered to his class, or pressed the pause button on Phoebe Cates‘s bikini scene, there’s plenty you may not know about “Fast Times.” 1. Late in his “Almost Famous” underage rock journalist phase, the baby-faced, 22-year-old Crowe went undercover for an entire school year as a student at Clairemont High School in San Diego. His reporting on the sociology of Southern California teens became a non-fiction book in 1981, which in turn was the source for the future filmmaker’s first screenplay.
2. Producers offered the screenplay to David Lynch to direct. He turned it down, as the project really wasn’t his kind of movie, but can you imagine how weird and amazing a David Lynch “Fast Times” would have been? 3. Heckerling made her feature directing debut with “Fast Times,” landing the job on the strength of her film-school thesis project, a short called “Getting It Over With,” about a girl trying to lose her virginity.
4. Penn, who’d recently made his screen debut in “Taps,” auditioned to play the put-upon Brad, but after a quick conversation, the filmmakers realized he’d make a better Spicoli. Little did they anticipate his Method rigor; throughout the shoot, he stayed in character and insisted on being addressed as “Spicoli,” not “Sean.” 5. A number of actors got roles in the film because of their close ties to Heckerling and Crowe. Judge Reinhold, who played Brad, was her upstairs neighbor. Her ex-husband, David Brandt, and his band were booked to play the high school dance. Another ex, former boyfriend Martin Brest, played the doctor on the biology class field trip. (A couple years later, Brest would direct Reinhold in “Beverly Hills Cop.”) The girl in the car who laughs at Brad’s fast-food pirate costume was Heart guitarist Nancy Wilson, Crowe’s then-girlfriend and future wife.
6. Several other not-yet-famous “Fast Times” actors were also second-generation showbiz kids. Penn was the son of TV director Leo Penn and actress Eileen Ryan. Phoebe Cates (the sexually knowledgeable Linda) was the daughter of Broadway and TV producer Joseph Cates. And Jennifer Jason Leigh (the sexually curious Stacy) was the daughter of TV star Vic Morrow. 7. For labor-rule reasons, most of the cast playing high school students was over 18. A 17-year-old actor named Nicolas Coppola lied about his age and auditioned for the role of Brad, but wound up making his film debut as “Brad’s bud.” Years later, Nicolas Cage would say his miserable experience on “Fast Times” led him to adopt his stage name, since the other young actors made fun of him for being Francis‘s nephew, deliberately misquoting Robert Duvall‘s line in the elder Coppola’s “Apocalypse Now” as “I love the smell of Nicolas in the morning.” Other reports from the set, however, said that Cage got razzed because he was boasting that his family connections would be his fast track to fame.
8. Several other A-listers and future A-listers were up for parts in the film but didn’t get them, including Family Ties” pilot instead and landed a seven-year gig on a hit TV sitcom. 9. Other future stars with bit parts in the film included Forest Whitaker (making his movie debut as school football star Charles Jefferson), as well as Eric Stoltz and Anthony Edwards (who played Spicoli’s pals).
10. Most of the movie was shot in the San Fernando Valley, either at the Sherman Oaks Mall (where Leigh went incognito for a month, preparing for her role by working in an actual pizzeria) or at the vast Van Nuys High School. 11. My Favorite Martian” fame, got the job of playing Spicoli’s nemesis, grumpy teacher Mr. Hand, after Munsters” star was reportedly appalled by the script’s pervasive sexuality and drug use.
12. As would become typical for a Crowe project, “Fast Times” had a stellar classic-rock soundtrack; credit for that goes mostly to Irving Azoff, one of the film’s producers and also the manager of the Eagles and Stevie Nicks. He corralled Nicks, four of the five Eagles, Jackson Browne, and many other stars into recording songs for the two-disc soundtrack. (Heckerling grumbled that she wanted newer, hipper, punkier acts; she got a couple, including the Go-Gos and Oingo Boingo.)
13. Despite the wall-to-wall rock tracks, the movie had no instrumental score, save for stock music from the Universal Studios library. 14. Cates’s notorious topless swimming pool scene was filmed at a private home in West Hills. She’d done extensive nudity in her first film, “Paradise,” but Heckerling recalled that the actress was nervous about filming the pool scene because she feared neighbors would be spying from their rooftops.
15. The film’s budget was reportedly between $4.5 and $5 million. It earned back $27 million, making it a sizable hit for the time. 16. The makers of Vans credited Penn’s performance with popularizing worldwide the slip-on sneakers previously known only to California surfers and skateboarders.
17. “Fast Times” producer Art Linson and Crowe soon whipped up what they called a “spiritual sequel,” a movie about slightly older young adults called “The Wild Life,” with a cast that included Penn’s brother Chris, Stoltz, and Stoltz’s future “Some Kind of Wonderful” co-star Lea Thompson. (Think of it as the “St. Elmo’s Fire” to the original’s “Breakfast Club.”) Directed by Linson, “Wild Life” flopped and has never been released on DVD because of music-rights issues. 18. In 1986, there was a short-lived TV series inspired by “Fast Times at Ridgemont High,” though the only cast members from the 1982 film were teachers Walston and Vincent Schiavelli.
19. Producers hired Moon Unit Zappa, then a newly-minted high school graduate who was considered an authority on Southern California teen slang because of her hit song “Valley Girl,” as a consultant. The “Fast Times” show, which lost a lot from having to be squeaky-clean enough for network TV, lasted just seven episodes. 20. But the show, like the film, provided a launch pad for several future stars, including “CSI’s” Melrose Place” and “Ally McBeal” regular Courtney Thorne-Smith as Stacy, and Patrick Dempsey (!) as slickster Mike Damone.
Ricky Gervais returned for his fourth stint as Golden Globes host on Sunday night, and in true Gervais fashion, the emcee didn’t pull any punches as he gleefully took down a host of different targets in his acerbic monologue.
Gervais opened his bit by calling the crowd “disgusting, pill popping, sexual deviant scum,” and said that after he insulted everyone, he planned on going into hiding somewhere where “not even Sean Penn will find me.” (He also called the actor, who just published an interview with notorious Mexican drug kingpin El Chapo, a “snitch.”) He may need that hideaway, too, as his jabs got uglier from there.
Next on his hit-list was Caitlyn Jenner, who he praised for her courage and trailblazing — though “she didn’t do a lot for women drivers.” (That sharp intake of air you heard was the entire Beverly Hilton Hotel ballroom gasping at the audacity of making fun of Jenner’s brush with the law over that fatal Malibu crash last year.)
He later segued into another daring quip about child rapist Roman Polanski dubbing “Spotlight” “the best date movie ever.”
There were the usual jokes about the Hollywood Foreign Press Association (which famously got Gervais trouble with the organization before), including zingers about the HFPA getting paid off for nominating certain actors, and only honoring big stars so they’d show up (with a special shout-out to Best Actor in a Comedy nominee Matt Damon). Gervais also offered his commentary on Jennifer Lawrence‘s wage gap essay, telling the crowd that he got paid the same as last year’s hosts Amy Poehler and Tina Fey combined, and that studios were cashing in on the all-female reboot trend because they “don’t have to spend too much money on the cast.”
Things wrapped up with Ricky ruminating on the meaning of awards in general (spoiler alert: they’re “worthless”), and revealing that he uses one of his own Golden Globes as a sex toy. “And they asked me to host — four times!” Gervais exclaimed.
Indeed, Ricky. Indeed. Check out the carnage for yourself below.
Sean Penn has filed a $10 million lawsuit against “Empire” creator Lee Daniels, alleging that Daniels defamed him in a recent interview.
Empire” star Terrence Howard‘s legal woes in connection with allegations that Howard abused his ex-wives. Daniels had told THR that he thought Howard was being unfairly scorned in the media in comparison to white actors who had allegedly done the same.
“[Terrence] ain’t done nothing different than Marlon Brando or Sean Penn, and all of a sudden he’s some f—in’ demon,” Daniels said in the interview. “That’s a sign of the time, of race, of where we are right now in America.”
For some context, Daniels was likely referring to Penn’s alleged abuse of his ex-wife Madonna, who he was married to from 1985 to 1989. Vanity Fair points to “the vivid story told in Christopher Andersen’s ‘Madonna: Unauthorized’ about Penn allegedly tying Madonna to a chair for hours and beating her” as the likely source of Daniels’s animosity toward the actor.
But Penn — who has never been arrested for or convicted of domestic violence — did not take kindly to Daniels’s comparison, and filed suit this week seeking $10 million in defamation damages from Daniels. The suit states:
As a result of Penn’s status as a public figure, he has for years been the subject of scandalous, scurrilous, and baseless attacks. But Penn, like any citizen, has a right to defend himself and will no longer tolerate the reckless and malicious behavior of others, who seek to aggrandize themselves or their projects at his expense. Accordingly, and because of Daniels’ defamatory statements, Penn brings this action for monetary relief, and to deter Daniels and others from their defamatory actions.
It’s hard to feel sorry for Sean Penn, but after “The Gunman,” which he starred in and produced, got whacked this weekend by “The Divergent Series: Insurgent,” maybe a little sympathy is in order. Then again, maybe he’s just one more aging male movie star this winter — after Will Smith, Vince Vaughn, and Liam Neeson — who’s run up against the hard fact that girls and young women are the driving forces behind the box office so far in 2015.
“Insurgent’s” success should have been a surprise to no one. It opened with an estimated $54.0 million, only about $600,000 less than the original “Divergent” opened with on this same weekend a year ago. Since the first film, “Insurgent” stars Shailene Woodley, Ansel Elgort, and Miles Teller have become bigger draws. Plus, the new movie has a 3D ticket surcharge that the first one didn’t. Even if it didn’t reach the upper 50s like many pundits were predicting, it was clear that the movie was going to dominate the box office this weekend, to the detriment of every other movie.
It used to be considered a smart strategy to counterprogram against anticipated blockbusters by offering a film that played to the diagonally opposite quadrant. In this case, “The Gunman” would seem to be a draw for older men, the group least likely to be attending a movie like “Insurgent” that’s aimed at girls and young women. Even so, expectations for “The Gunman” were modest — no one seemed to think it would open higher than about $8 million. And still, the movie’s estimated $5.0 million debut (opening in fourth place) didn’t even reach that low bar.
The fate of the Sean Penn action thriller — directed by Pierre Morel, the same filmmaker who made Liam Neeson’s first “Taken” — echoes that of Neeson’s “Run All Night” last week. That action thriller was seen as smart counterprogramming against Disney’s “Cinderella.” But girls and young women bought $67.9 million worth of tickets to the live-action fairy tale, while Neeson’s crime drama sold just $11.0 million worth. A week later, “Cinderella” has grossed a total of $122.0 million, compared to just $19.7 million for “Run All Night.”
Sure, you could argue that Penn’s movie is a special case. For one thing, Penn has never been a box office draw. The two-time Oscar winner has certainly never been seen as an action star, so “The Gunman” is a genre gamble for him. Moreover, it was foolish to open it so soon after “Run All Night.”
Then again, you could argue that it was equally foolish to open “Cinderella” and “Insurgent” just a week apart, and yet neither of them is having trouble selling tickets. And these movies don’t follow too far on the heels of “Fifty Shades of Grey,” which has earned $163.8 million in six weeks and is the top-grossing movie of 2015 so far.
Hollywood likes to treat movies starring or aimed at women as flukes when they’re successful, but how many flukes have to happen in a row before they’re the rule, not the exception? So far this year, women have done most of the muscle-flexing at the box office, while once-reliable box-office leading men like Smith, Vaughn, and Neeson have faltered.
That doesn’t mean action thrillers, especially those driven by older men, can’t succeed in the current landscape. “Kingsman: The Secret Service,” featuring Samuel L. Jackson and unlikely action hero Colin Firth, opened the same day as “Fifty Shades” and has earned $114.6 million to date. This weekend, it was still in the top five, in fifth place, while “Fifty Shades” fell to No. 14. But “Kingsman” was also a surprising, even shocking piece of filmmaking. It certainly appeared fresher and more original than Penn’s “Gunman,” Smith’s “Focus,” Vaughn’s “Unfinished Business,” or Neeson’s “Run All Night” and “Taken 3” (his January 2015 disappointment).
If you can’t muster up that kind of originality in your action thriller, you can at least find an action protagonist with a fresh face, one that makes action heroics palatable to an audience that doesn’t usually patronize action thrillers. Which is why the most credible action butt-kicker currently in theaters is Shailene Woodley.
%Slideshow-188637%
%Slideshow-272400% Sean Penn has been a Hollywood star for over thirty years, but there’s still plenty to know about the Oscar-winning actor.
Born in Southern California, Penn got his start as a teenager under the tutelage of his once-blacklisted father. After several supporting turns in the early ’80s, most memorably as Spicoli in “Fast Times in Ridgemont High” (1982), the future star’s career could have easily stalled. Instead, Penn smoothly transitioned to dramatic roles and quietly solidified his place as a leading man. This week, he’s back in action and starring in “The Gunman.”
From his appearance on “Little House on the Prairie” to his complicated love life, here are 17 things you probably don’t know about Sean Penn.