Tag: scott-derrickson

  • Movie Review: ‘Black Phone 2’

    Ethan Hawke as the Grabber in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    Ethan Hawke as the Grabber in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

    Opening in theaters October 17 is ‘Black Phone 2,’ directed by Scott Derrickson and starring Ethan Hawke, Mason Thames, Madeleine McGraw, Jeremy Davies, Demián Bichir, Miguel Mora, and Arianna Rivas.

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    Related Article: ‘The Black Phone’s Scott Derrickson to Make New ‘Night of the Hunter’ Movie

    Initial Thoughts

    (L to R) Finn (Mason Thames) and The Grabber (Ethan Hawke) in 'Black Phone 2', written and directed by Scott Derrickson. Photo: Universal Pictures.
    (L to R) Finn (Mason Thames) and The Grabber (Ethan Hawke) in ‘Black Phone 2’, written and directed by Scott Derrickson. Photo: Universal Pictures.

    2022’s ‘The Black Phone,’ directed by Scott Derrickson from a script by him and C. Robert Cargill (based on a short story by Joe Hill), was a fresh, supernaturally-slanted take on the serial killer trope, told through the lens of Derrickson’s own childhood memories of growing up in a working-class Denver, Colorado neighborhood in the 1970s. It featured Derrickson’s uncanny ability to craft scenes filled with menace, as well as genuinely harrowing work from Ethan Hawke as the child killer known as the Grabber and Mason Thames as his latest victim.

    Although ‘The Black Phone’ was a self-contained story, Derrickson and Cargill have found a way to extend the narrative with ‘Black Phone 2,’ which also brings back Hawke, Thames and Madeleine McGraw as the sister of Thames’ character. Leaning more heavily into the supernatural, and wearing influences like the ‘Nightmare on Elm Street’ films and ‘The Shining’ more outwardly, the slow-burning ‘Black Phone 2’ strains at times to force its narrative forward but still delivers an often-frightening and gorier new chapter of the story.

    Story and Direction

    (L to R) Ethan Hawke and director Scott Derrickson on the set of 'Black Phone 2'. Photo: Universal Pictures.
    (L to R) Ethan Hawke and director Scott Derrickson on the set of ‘Black Phone 2’. Photo: Universal Pictures.

    It’s four years since Finney ‘Finn’ Blake (Thames) was held captive by the Grabber (Hawke), finally killing him and escaping with the help of calls from the murderer’s previous, dead victims on a disconnected rotary phone in the Grabber’s basement lair. Still plagued by trauma from his encounter, Finn at first does not want to hear that his younger sister Gwen (McGraw) is having psychic dreams – just like their mother, who ended her own life – in which she sees three dead, mutilated boys at a Christian youth camp called Alpine Lake.

    After learning from their father (Jeremy Davies, more dazed this time around) that their mother worked at the camp years ago, Gwen insists that she and Finn – along with their friend Ernesto (Miguel Mora, returning from the first film but this time as his doomed character’s brother) — head up there to find out what happened to the boys before the dreams drive her mad. Snowed in with the camp’s manager (Bichir), his niece (Rivas) and a pair of administrators, the group are besieged not just by Gwen’s ever more vivid dreams but physical manifestations as well – and increasing signs that the Grabber himself is reaching out from beyond the grave to take revenge on Finn and Gwen.

    The lonely, windswept, snowbound camp, its buildings’ big picture windows looking out on absolute darkness at night, is a highly effective setting for ‘Black Phone 2.’ Derrickson wrings the most atmosphere out of that, but saves his most unnerving moments for Gwen’s dreams, which are filmed in Super 8 (another Derrickson trademark that goes back to ‘Sinister’). The grainy, faded look adds a layer of unreality to the dreams that is hard to shake, especially as the movie’s spirits begin to appear. As in the first film, the director also knows how to get maximum terror out of a ringing phone and a static-filled line – two things that are often more unsettling than most of us want to admit.

    (L to R) Director Scott Derrickson and Madeleine McGraw on the set of 'Black Phone 2'. © 2025 Universal Studios. All Rights Reserved.
    (L to R) Director Scott Derrickson and Madeleine McGraw on the set of ‘Black Phone 2’. © 2025 Universal Studios. All Rights Reserved.

    Some of the characters – like Finn, Gwen, and Bichir’s Armando, are well-drawn and given more depth, while others, like the Blakes’ now-sober but dazed dad, get the short end of the stick. Perhaps more controversially, Derrickson and Cargill’s script provides the Grabber with more of an origin story this time, while also explicitly making him into a supernatural being. The story also labors to tie the Blakes and the Grabber together in a more unified way. Whether that makes the universe of the film smaller and less mysterious is a matter of debate, but it makes the script more contrived this time around.

    The film also bends the grounded vibe of its predecessor to allow for events in dreams to affect the physical world, which brings this narrative closer to that of ‘A Nightmare on Elm Street’ and its well-loved ‘Dream Warriors’ threequel. It’s not an entirely successful gambit, but it doesn’t detract from the still-heartfelt and genuinely terrifying story at hand.

    Cast and Performances

    (L to R) Finn (Mason Thames), Ernesto (Miguel Mora) and Gwen (Madeleine McGraw) in 'Black Phone 2', directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.
    (L to R) Finn (Mason Thames), Ernesto (Miguel Mora) and Gwen (Madeleine McGraw) in ‘Black Phone 2’, directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.

    Although he arguably has less screen time here, Ethan Hawke is still skin-freezing as the Grabber, bringing an intensity to the role that makes him one of the more striking horror creations of the past decade.

    But the movie belongs to Mason Thames and especially Madeleine McGraw, both older and wiser – and a masterstroke for Derrickson to get them both back. Finn and Gwen are suffering from PTSD in their own way, and both actors offer up a raw portrait of two kids deeply suffering from trauma. In the end, it’s McGraw’s emotional, complex performance that stands out the most, marking her as an actor to watch.

    The supporting cast is capable in all respects, but Demián Bichir also deserves mention: his customary warmth, earthiness, and humanity bring depth and empathy into a character that could have easily been one-dimensional.

    Final Thoughts

    (L to R) The Grabber (Ethan Hawke) and Gwen (Madeleine McGraw) in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    (L to R) The Grabber (Ethan Hawke) and Gwen (Madeleine McGraw) in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

    ‘Black Phone 2’ doesn’t just recycle the first film, like many horror sequels, and while not every new direction it takes works, the film is still a mostly gripping and unsettling affair. Scott Derrickson remains a master of sustaining a mood of dread throughout, and gets the most out of those truly eerie dream sequences.

    If the story twists itself to get to where the filmmakers want it to go, and the logic of the movie wobbles from time to time, it makes up for those flaws with some truly great performances, the director’s use of space, shadow, and texture, and the ominous netherworld in which it’s set. If the ‘Elm Street’ movies had kept playing it straight, they might have ended up here.

    ‘Black Phone 2’ receives a score of 80 out of 100.

    (from left) Finn (Mason Thames) and The Grabber (Ethan Hawke) in 'Black Phone 2', directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.
    (from left) Finn (Mason Thames) and The Grabber (Ethan Hawke) in ‘Black Phone 2’, directed by Scott Derrickson. © 2025 Universal Studios. All Rights Reserved.

    What is the plot of ‘Black Phone 2’?

    In 1982, four years after the events of ‘The Black Phone,’ Finney Blake is trying to deal with the trauma of his experience with the now-dead Grabber. Meanwhile, his sister Gwen starts having terrifying visions of mutilated children and nightmares that include a ringing phone.

    Who is in the cast of ‘Black Phone 2’?

    • Mason Thames as Finney Blake
    • Madeleine McGraw as Gwen Blake
    • Ethan Hawke as the Grabber
    • Demián Bichir as Armando
    • Miguel Mora as Ernesto Arellano
    • Jeremy Davies as Terrence Blake
    • Arianna Rivas as Mustang
    • Anna Lore as Hope
    • Graham Abbey as Kenneth
    • Maev Beaty as Barbara
    The Grabber (Ethan Hawke) in 'Black Phone 2', directed by Scott Derrickson. Photo: Universal Pictures.
    The Grabber (Ethan Hawke) in ‘Black Phone 2’, directed by Scott Derrickson. Photo: Universal Pictures.

    Other Scott Derrickson Movies:

    Buy Tickets: ‘Black Phone 2’ Movie Showtimes

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  • Movie Review: ‘The Gorge’

    (L to R) Miles Teller and Anya Taylor-Joy in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    (L to R) Miles Teller and Anya Taylor-Joy in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    ‘The Gorge’ receives 6 out of 10 stars.

    Premiering on Apple TV+ on February 14th, ‘The Gorge’ is the latest release from the tech giant’s film arm to skip theaters and debut on its streaming service.

    While it doesn’t have the clout of, say, the George Clooney/Brad Pitt-starring ‘Wolfs,’ it’s hard not to think that Apple has largely forgotten about this one, even with some promotion on TV and via billboards.

    Related Articles: Miles Teller Starring in ‘The Gorge’ for director Scott Derrickson

    Should you venture in the ‘The Gorge’?

    Anya Taylor-Joy in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    Anya Taylor-Joy in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    In the universe of the movie, of course you shouldn’t go into the gorge! Various characters take turns explaining why that’s A Very Bad Idea, but of course the story must find an excuse for our central figures to venture in (as it happens, a quite silly reason, mostly brought about because they’re attractive people who must endanger their mission because they’re attracted to each other).

    The major issue of the movie is a common one to mystery box adventures such as this –– once the truth is revealed, it’s never as interesting as when you’re being teased about what might be lurking in the titular valley, your imagination going wild.

    And while the creative team (particularly director Scott Derrickson) try to keep things twisty, it all devolves into some very generic action tropes.

    Script and Direction

    Miles Teller in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    Miles Teller in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    While director Derrickson usually tends to generate his own movies (even for the likes of Marvel’s ‘Doctor Strange,’) here he’s working from a script by Zach Dean, whose previous credits include the likes of ‘Deadfall,’ ’24 Hours to Live’ and ‘The Tomorrow War,’ none of which are particularly going to win many awards for inventiveness beyond coming up with a hooky concept.

    The big downfall for the ‘The Gorge’ is that Dean layers in plenty of little details about the characters, but those then become signposts for you to guess how the rest of the movie is going to play out. Will their sharp-shooting skills end up being helpful? Yep! Will Miles Teller’s Levi channel his PTSD into something that affects the outcome of the story? Affirmative! Is there something more to Sigourney Weaver’s mysterious employer? Copy that!

    Yes, these are all basic storytelling devices, but here they’re so basic as to be ridiculous. You might as well have giant screens pop up behind our heroes proclaiming, “this will be important later!”

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    Also, as mentioned above, once the Gorge is demystified, everything becomes even more rote –– ticking clock survival issues, one character or the other under threat from what is inside (that’s not a huge spoiler –– we learn early on that there is something in there, and even the trailers nod to the concept) and then revelations that impact the story. It’s just… sort of bland once it’s all laid bare.

    Derrickson has been an inventive, smart director in the past (he’s specialized in horror and gets to apply those skills from about midway here), but the material just doesn’t do him justice. While he gets good work out of the main pair, it’s all in service of something that you might have found lurking in a dusty corner of a video store many years ago.

    There’s nothing wrong with exploring that corner, but ‘The Gorge’ doesn’t really have much to say about it or do with it that’s fresh.

    Performances

    (L to R) Miles Teller and Anya Taylor-Joy in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    (L to R) Miles Teller and Anya Taylor-Joy in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    Miles Teller’s Levi is our main way into the story, a former marine and expert marksman who these days splits his time between helping out his old commanders and lucrative private military contract work. Is he haunted by his past? You betcha!

    Yet despite that seemingly seen-it-before backstory, Teller makes Levi into something compelling, and his chemistry with his co-star is what keeps this from sinking into B-movie territory (at least until the character stuff is swallowed up by CG nonsense).

    Likewise, Anya Taylor-Joy is an expert at giving extra depth to slightly closed-off characters and makes sniper Drasa come alive on screen. She is likewise saddled with some less-than-fresh baggage (in her case, a suicidal father looking to end his life before cancer does it for him), but nevertheless makes it work.

    The connection between the main pair is what makes any of this worth watching at all.

    There are precious few other characters in the movie, since it’s stripped-down tale of terror. But Weaver, as mentioned, has little to do and while British actor Sopé Dìrísù does what he can with his role, he largely serves as an exposition delivery service, briefing Levi on why the guard posts exist for the Gorge at all (though not telling him the whole story and quickly exiting the film).

    Final Thoughts

    Miles Teller in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    Miles Teller in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    There is certainly a lot promised here by the basic concept; trouble is, once you promise big things, you have to deliver, and ‘The Gorge’ never truly does.

    With a decent first half introducing watchable characters played by charismatic actors, the second half lets the side down in a big way with dodgy effects, predictable plot turns and a waste of the likes of Sigourney Weaver (who surely signed on to this thing for the money more than any satisfying chance at character work).

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    What’s the plot of ‘The Gorge’?

    Two elite snipers (Miles Teller and Anya Taylor-Joy) are assigned a mysterious mission: to guard either side of a deep and impenetrable gorge, without knowing what actually lies beneath them.

    Who is in the cast of ‘The Gorge’?

    • Miles Teller as Levi
    • Anya Taylor-Joy as Drasa
    • Sigourney Weaver as Bartholomew
    • Sope Dirisu as J.D.
    • William Houston as Erikas
    (L to R) Anya Taylor-Joy and Miles Teller in 'The Gorge,' premiering February 14, 2025 on Apple TV+.
    (L to R) Anya Taylor-Joy and Miles Teller in ‘The Gorge,’ premiering February 14, 2025 on Apple TV+.

    List of Scott Derrickson Movies:

    Buy Scott Derrickson Movies on Amazon

  • Demián Bichir Joins ‘The Black Phone 2’

    Oscar®-nominated actor Demian Bichir prior to the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider
    Oscar®-nominated actor Demian Bichir prior to the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider
    Todd Wawrychuk /©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Preview:

    • Demián Bichir has been cast in ‘The Black Phone 2.’
    • Scott Derrickson is returning to direct.
    • The horror sequel will be in theaters in October 2025.

    Given how successful the original ‘The Black Phone’ was back in 2021 (it made $161 worldwide, which might not seem huge, but the budget was a thrifty $18 million), it’s not surprising that Universal and Blumhouse made a deal with co-writer/director Scott Derrickson to scare up another instalment.

    Derrickson is in pre-production now on ‘The Black Phone 2’, which will somehow see the return of Ethan Hawke’s terrifying masked child-snatcher The Grabber.

    And now, according to Deadline, Demián Bichir has joined the cast for the horror sequel.

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    What’s the story of ‘The Black Phone 2’?

    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in 'The Black Phone,' directed by Scott Derrickson.
    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    In case you need a refresher, or don’t know the story of the original, here’s the basic synopsis:

    Set in 1978 Colorado, ‘The Black Phone’ is adapted from a short story by Joe Hill and sees the shy 13-year-old Finney Shaw (Mason Thames) abducted by a sadistic killer known as “The Grabber” (Hawke).

    Thereafter, Finney is held captive in a soundproof basement, where he discovers a disconnected black rotary phone. Mysteriously, the phone begins to ring, and Finney hears the voices of The Grabber’s previous victims, who offer him advice and clues to escape. Meanwhile, Finney’s younger sister, Gwen (Madeleine McGraw), experiences psychic visions that might help locate him.

    Zero plot details have been released for the sequel, though we do know that Hawke, Thomas and McGraw will all be back alongside co-stars Jeremy Davies and Miguel Mora.

    As for what the story could conceivably be? We’ll have to wait and see what Derrickson and regular co-writer C. Robert Cargill have cooked up, but there are different ideas to speculate about –– we could be looking at a narrative partly set in the past, exploring the Grabber’s crimes before he took Finney and was ultimately defeated.

    Or perhaps the pair could be looking to go down an even more supernatural route, setting the character up to become more of a Freddy Kruger figure who can haunt the people who stopped him.

    Related Article: Ethan Hawke Talks Horror Film ‘The Black Phone’

    Who will Demián Bichir play in ‘The Black Phone 2’?

    (L to R) Demián Bichir, Oscar®-nominee for Performance by an Actor in a Leading Role, and Stefanie Sherk arrive for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S.Copyright: ©A.M.P.A.S.
    (L to R) Demián Bichir, Oscar®-nominee for Performance by an Actor in a Leading Role, and Stefanie Sherk arrive for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S.Copyright: ©A.M.P.A.S.

    Universal and Blumhouse are staying quiet thus far about Bichir’s character.

    Bichir most recently worked on Angelina Jolie’s ‘Without Blood,’ an adaptation of Alessandro Baricco’s book, in which he stars opposite Salma Hayek.

    Other recent credits include ‘Godzilla vs. Kong,’ Robin Wright’s ‘Land,’ George Clooney’s ‘The Midnight Sky,’ and Warner Bros’ horror movie ‘The Nun.’

    When will ‘The Black Phone 2’ be in theaters?

    While Universal and Blumhouse originally scheduled the movie for June 2025, it has since shifted to a surely more appropriate slot of October 17th, 2025.

    Oscar®-nominated actor Demian Bichir during the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider: Richard Harbaugh / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Oscar®-nominated actor Demian Bichir during the 41st Annual Student Academy Awards® on Saturday, June 7, in Hollywood. Credit/Provider: Richard Harbaugh / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Demián Bichir Movies:

    Buy Demián Bichir Movies On Amazon

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  • Scott Derrickson to Direct New ‘Night of the Hunter’ Movie

    (Left) 'The Black Phone' director Scott Derrickson. (RIght) Robert Mitchum in 1955's 'The Night of the Hunter.' Photo: United Artists.
    (Left) ‘The Black Phone’ director Scott Derrickson. (RIght) Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

    Preview:

    • Scott Derrickson is directing a new version of ‘Night of the Hunter’.
    • He’s writing a new adaptation of the 1953 crime novel.
    • Universal is releasing the new movie.

    There is always something of an outcry, particularly online when filmmakers dare to revisit movies that are considered classics.

    But there seems to be less of a reaction to Scott Derrickson, who most recently made horror hit ‘The Black Phone’, setting up a new take on 1955 movie ‘Night of the Hunter’.

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    In this case, it feels less like a cynical IP cash grab and more like a director with a real love for movie history identifying a fresh take on a classic tale.

    What’s the story of ‘Night of the Hunter’?

    Robert Mitchum in 1955's 'The Night of the Hunter.'
    Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

    While the story is best known because of the 1955 Robert Mitchum-starring movie, it originates with a 1953 crime novel written by Davis Grubb.

    Grubb’s book, and the novel, is the story of Harry Powell, a murderous ex-con who takes up the identity of a preacher in order to do his misdeeds. While in prison, a cellmate slated for execution tells Powell that he hid stolen cash with his kids. Upon his release, Powell finds the widow, woos her and marries her, all in a bid to find the loot. Things only gets worse for the kids from there….

    The movie is considered a film noir classic and certainly sets a high bar. The movie, directed by Charles Laughton and also starring Shelley Winters and Lillian Gish, was selected for preservation into the United States National Registry in 1992. It is regularly cited as an influential title by many people working in the industry.

    Who else is working on the new ‘Night of the Hunter’?

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    Derrickson will, as usual, work with his regular creative partner, C. Robert Cargill, who co-wrote the likes of ‘Doctor Strange’, ‘The Black Phone’ and the ‘Sinister’ movies. Together, the pair has become a reliable team of filmmakers across different genres.

    Right now, the duo is deep in preparing to make the sequel to ‘The Black Phone’, which will reunite much of the first movie’s cast, including Ethan Hawke and Mason Thames, and is scheduled to hit screens on June 27th next year.

    Related Article: Director Scott Derrickson Says There’s ‘No Bad Blood’ With Marvel After Leaving ‘Doctor Strange’ Sequel

    When will this new ‘Night of the Hunter’ hit theaters?

    There is no release date for the movie yet, mostly because it’s at a very early stage of development and Derrickson and Cargill will be busy on the ‘Black Phone’ sequel for the foreseeable future.

    Robert Mitchum in 1955's 'The Night of the Hunter.'
    (Right) Robert Mitchum in 1955’s ‘The Night of the Hunter.’ Photo: United Artists.

    Other Scott Derrickson Movies:

    Buy Scott Derrickson Movies on Amazon

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  • Scott Derrickson on Why He Left ‘Doctor Strange 2’

    (Left) 'The Black Phone' director Scott Derrickson. (Right) Benedict Cumberbatch in 'Doctor Strange in the Multiverse of Madness' from Marvel Studios.
    (Left) ‘The Black Phone’ director Scott Derrickson. (Right) Benedict Cumberbatch in ‘Doctor Strange in the Multiverse of Madness’ from Marvel Studios.

    It’s more than a year since Marvel’s ‘Doctor Strange’ sequel ‘Doctor Strange in the Multiverse of Madness’ landed in theaters with Sam Raimi as its director.

    Scott Derrickson, who directed the first ‘Strange’ outing, had been on track to make the second (joining the likes of Jon Favreau, Peyton Reed and the Russo brothers in sticking around for more than one movie about a Marvel character) when he suddenly left the project, citing creative differences.

    He went on to make successful horror movie ‘The Black Phone’ instead and has stuck with terror his latest gig, an entry in anthology creep-fest ‘V/H/S/85’. But according to the filmmaker, he harbors no ill will towards anyone at Marvel, and thinks he made the right choice to leave the movie.

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    Scott Derrickson talks about leaving ‘Doctor Strange in the Multiverse of Madness’

    Rachel McAdams as Dr. Christine Palmer, Benedict Cumberbatch as Dr. Stephen Strange, and Xochitl Gomez as America Chavez
    (L-R): Rachel McAdams as Dr. Christine Palmer, Benedict Cumberbatch as Dr. Stephen Strange, and Xochitl Gomez as America Chavez in Marvel Studios’ ‘Doctor Strange in the Multiverse of Madness.’ Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

    In a new interview to promote his latest work, Derrickson insists that his reasoning for leaving the ‘Strange’ sequel remains solid.

    Here’s what he told The Playlist’s ‘The Discourse’ podcast:

    “All I can say is that what we said publicly is exactly the truth. We had real creative differences. You know, the movie I wanted to make and how I wanted to make it was different than –– it was just increasingly obvious that we were pulling against each other. And that’s how you make a really bad movie, I think. When the producer or the studio and the filmmaker are making different movies, you end up with a monstrosity and, you know, that’s why I had to bounce.”

    Though Sam Raimi’s version of the ‘Strange’ follow-up certainly had its horror-tinged moments, the movie that Derrickson had been developing was, in his words, an “extreme departure” from the first and leaned much more heavily into the scares. But it was not to be.

    Is Derrickson still friendly with Marvel?

    Charlize Theron and Benedict Cumberbatch in 'Doctor Strange in the Multiverse of Madness.'
    (L to R) Charlize Theron and Benedict Cumberbatch in ‘Doctor Strange in the Multiverse of Madness.’

    Despite the differences and his ultimate departure, Derrickson has not burned any bridges with Marvel HQ.

    As he outlines:

    “I went to the premiere. I’m still friends with Kevin [Feige] and everything with me and Marvel is really cool. They invited me to the premiere, and I went. And I’m friends with Sam [Raimi]. I love Sam, so there’s no bad blood over that.”

    In the end, it worked out for everyone. While ‘Multiverse of Madness’ didn’t enjoy quite the same level of critical appreciation as the first movie, it still made almost a billion dollars worldwide. Derrickson, meanwhile, saw ‘The Black Phone’ (adapted from a Joe Hill story and starring Ethan Hawke as a child-snatching baddie) earn more than $180 million worldwide on an $18 million budget.

    ‘V/H/S/85’, meanwhile, will land on horror-focused streaming service Shudder this Friday.

    'The Black Phone' director Scott Derrickson.
    ‘The Black Phone’ director Scott Derrickson.

    Other Movies Similar to ‘Doctor Strange in the Multiverse of Madness:’

    Buy ‘Doctor Strange’ Movies On Amazon

    To watch our exclusive interviews with Scott Derrickson and the cast of ‘The Black Phone,’ please click on the video player below.

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  • Miles Teller Starring in ‘The Gorge’

    Miles Teller plays Lt. Bradley "Rooster" Bradshaw in 'Top Gun: Maverick'
    Miles Teller plays Lt. Bradley “Rooster” Bradshaw in ‘Top Gun: Maverick’ from Paramount Pictures, Skydance and Jerry Bruckheimer Films.

    By any reasonable metric, both writer/director Scott Derrickson and actor Miles Teller have had a very good summer.

    Derrickson might have departed Marvel’s ‘Doctor Strange’ sequel a couple of years ago over creative differences about the superhero sorcerer’s next outing, but he pivoted to an adaptation of a Joe Hill short story, and ‘The Black Phone’ proved to be a big success for the director and Universal.

    Starring Ethan Hawke as a masked, child-snatching terror, the horror movie (co-written with Derrickson’s regular creative partner C. Robert Cargill) earned $150 million globally off the back of a strict, Blumhouse-provided $25 million budget.

    As for Teller, the Netflix thriller ‘Spiderhead’ might not have moved the needle all that much, even with Chris Hemsworth starring as a dodgy scientist experimenting on prisoners. Yet he also co-starred alongside Tom Cruise in the summer’s biggest hit, ‘Top Gun: Maverick’, which crossed the $1.42 billion mark worldwide after several release date delays – which proved to be the right call.

    So why wouldn’t they team up? And that’s exactly what’s happening.

    Derrickson has been toying with the idea of a new project at Skydance called ‘The Gorge’ for some time now. Riding high at the top of his to-do list, he’s still been wavering since his interest was announced back in March, so the Skydance team has been quick to work with him to secure a lead.

    Pictured: Jake Cannavale as Caesar, Juno Temple as Bettye McCartt and Miles Teller as Al Ruddy of the Paramount+ original series THE OFFER. Photo Cr: Nicole Wilder/Paramount+ ©2022 Paramount Pictures. All Rights Reserved.

    As for Teller, he was enjoying some time off after a busy promotional schedule for ‘Spiderhead’, ‘Maverick’ and Paramount+ series ‘The Offer’, but soon agreed to star for Derrickson in the new movie.

    While a lot about the film remains a mystery, we do know that ‘The Gorge’ began life as a spec script by ‘The Tomorrow War’ writer Zach Dean, which Skydance bought last fall and has been developing ever since.

    According to The Hollywood Reporter, it’s best described as a high-action, genre-bending love story about two young people, who despite the corrupt and lethal world they operate in, find a soulmate in each other during a dangerous assignment.

    As for what the title refers to? If you hit the dictionary, a gorge is defined as “a narrow valley between hills or mountains, typically with steep rocky walls and a stream running through it.” That sounds a more likely setting for a high-action event movie than the other definition, “to eat a large amount greedily.”

    We can more likely imagine Teller as an action hero trying to survive a wilderness adventure while falling in love than sitting at a table chowing down on food.

    More details will surely follow, but it’s a fair call that Derrickson (and Cargill, who is also among the producers) have worked on the script even before Teller saw it.

    Expect to hear more about casting on this one soon as it sounds like a top priority for all involved.

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.
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  • Movie Review: ‘The Black Phone’

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    Opening in theaters on June 24th is the new supernatural horror film ‘The Black Phone,’ from producer Jason Blum (‘Us’) and director Scott Derrickson (‘Doctor Strange’).

    Based on a short story by Joe Hill, Ethan Hawke stars as The Grabber, a child killer that abducts a 13-year-old boy named Finney (Mason Thames), who begins to receive calls on a disconnected phone from the killer’s previous victims.

    The result is a thrilling story about growing up in the 1970s, that is more interested in exploring the emotions of the kidnapped kids than the flashy villain and features superb performances from young actors Mason Thames and Madeleine McGraw.

    In 1978, we are introduced to Finney (Thames) and Gwen (McGraw), who are brother and sister and living in the Denver area. Their father, Terrence (Jeremy Davies) is an abusive alcoholic raising the kids alone after his wife’s death. Like her mother, Gwen is showing signs of having psychic abilities, which angers her father. The town is on edge because a kidnapper called The Grabber (Hawke) has been abducting children, leaving only black balloons behind after the kids disappear, never to be seen again. After his best friend goes missing, Finney quickly becomes the next victim of The Grabber.

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    Finney is taken to a soundproof room, where he finds a disconnected phone on the wall. He begins to receive calls from The Grabber’s former victims, instructing him on how to escape. Meanwhile, Gwen is determined to find Finney, and against her father’s wishes, begins to help the police by using her powers. Now, Finney will have to summon strength that he didn’t know he had to face his fears and escape The Grabber’s hideout before it’s too late.

    Full disclosure, I’m not a fan of horror movies. But, I am a fan of good filmmaking and storytelling, which is why I liked ‘The Black Phone’ so much. While Scott Derrickson began his career as a horror director with ‘Sinister,’ much like Sam Raimi and James Wan, he has been able to transition to other genres within the horror world like the police drama ‘Deliver Us from Evil’ or the superhero movie ‘Doctor Strange.’ Both films had clear horror elements, even though they were basically a different genre. Derrickson does something similar here, with a horror movie that is really a coming-of-age story for the young lead characters.

    The film is based on a short story by Joe Hill, who is the son of Stephen King. I mentioned this only because I saw a lot of similarities between ‘The Black Phone’ and his father’s ‘The Shining.’ Both films are set in the horror genre, but neither is really a horror movie in the classic sense. ‘The Shining’ is really a haunted house story, that just happens to feature a character with psychic abilities, but that is not the movie’s main focus. The same could be said for this film, as Gwen’s powers are not the main focus but rather an extra attraction, as the real story is about how Finney will overcome his own fears to survive.

    Ethan Hawke is dazzling as The Grabber and is clearly having fun with the role in his limited screen time. Derrickson was wise to limit how much of The Grabber we see, keeping him a dark and mysterious character. Too much of the character would have taken away from Finney’s story of facing his fears and would not have had the same effect on the audience.

    Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) Vance Hopper (Brady Hepner) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    ‘Sinister’ actor James Ransone has a very funny role in the movie, which I won’t spoil but he is perfect in the part. However, Jeremy Davies’ performance as Finney and Gwen’s dad was too one-note for me. I know the character is an alcoholic, still grieving from his wife’s death, and his abuse is there to signal what Finney was too afraid to stand up to, giving him the strength to finally fight against The Grabber. But the character’s true feelings for his kids is never shown in the actor’s performance, and the child abuse scenes were just a bit too much.

    But for me, the true breakout stars of the film are young actors Mason Thames and Madeleine McGraw, who were both excellent as Finney and Gwen, respectively. McGraw is absolutely believable as a young girl confused by her supernatural abilities, and her love for her brother comes is very apparent. For his role, Thames had the challenge of creating a shy and timid kid at the beginning of the film and transcending to a young man who is brave and strong enough to stand up to The Grabber. It’s surprising to see such a layered performance from an actor who is that young, which makes it all the more impressive.

    In the end, ‘The Black Phone’ is a horror movie in the sense that it deals with some horrific themes, and certainly will scare you if that is what you are looking for. But it is really a movie about growing up, facing your fears, and taking control of your own life. Those are themes audiences can relate to, no matter what genre the movie is set in.

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    ‘The Black Phone’ Receives 4 out of 5 stars.

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  • Ethan Hawke Talks ‘The Black Phone’

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.

    Opening in theaters on June 24th is the new supernatural thriller from ‘Doctor Strange’ director Scott Derrickson entitled ‘The Black Phone.’ Produced by Jason Blum, and co-written by Derrickson and C. Robert Cargill, the movie is based on short story by Joe Hill.

    The film reunites Scott Derrickson with his ‘Sinister’ star Ethan Hawke, who plays The Grabber, a child killer that abducts a 13-year-old boy named Finney (Mason Thames). Locked in a soundproof basement, Finney begins to receive calls on a disconnected phone from the killer’s previous victims, instructing him on how to escape.

    In addition to Hawke and Thames, the cast also includes Madeleine McGraw (‘American Sniper’), Jeremy Davies (‘Saving Private Ryan’), E. Roger Mitchell (‘The Equalizer’), and James Ransone (‘Sinister 2’).

    Moviefone recently had the pleasure of speaking with Ethan Hawke about his work on ‘The Black Phone.’

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    You can read our full interview with Ethan Hawke below or click on the video player above to watch our interviews with Hawke, Mason Thames, Madeleine McGraw, and director Scott Derrickson.

    Moviefone: To begin with, can you talk about your approach to playing The Grabber?

    Ethan Hawke: Well, it’s hard with somebody who’s so malevolent, to try to understand them and try to find their motivations, but also just give in to a sense of play. One of the things that was absolutely essential to the character was the masks, and the fact that it wasn’t one mask, that he constantly changes his mask. Why does he do that? Why does he wear a mask and why would he change it? Why is he so damaged that he would do some of the things that he’s doing and what makes him laugh? What makes him happy and what scares him?

    All those essential questions, when you’re building a character, you have to figure out. But a lot of it’s, as soon as I would get the mask on and start moving around in it, it seemed to just reveal itself. And I think that’s just a sign of a very well-written script.

    MF: Is it difficult putting a character like this away when you finish shooting?

    EH: Not to be corny, but it takes a long time to be able to do that. It’s very difficult. I’ve said often that I didn’t want to play villains because of various reasons, but in truth, I really didn’t like playing them when I was younger, because it was hard to let go of the character and not feel them inside of you unlocking aspects of you that you’re not interested in knowing about.

    Who in the hell wants to know more about somebody who locks kids in their basement? You know what I mean? You don’t really want to play that guy. You have to want to be in the movie, and to help make the movie, because you think the movie will be valuable. As I’ve gotten older, it’s been easier and easier for me to invite this stuff in and let it get out.

    The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in 'The Black Phone.'
    (L to R) The Grabber (Ethan Hawke) and Finney Shaw (Mason Thames) in ‘The Black Phone,’ directed by Scott Derrickson.

    MF: You have some really intense scenes with Mason Thames, were you concerned about doing those scenes with such a young actor?

    EH: Yeah, I was a child actor, and so I, of course, was concerned going to set. Like, how am I going to do this? Does this kid understand? The second I met him, all those fears disappeared. He was so playful and so into it, and that’s the nice thing about being around young people is they just love to play. It was clear to him that we were playing an elaborate game of pretend and that it was kind of thrilling to put ourselves in this situation.

    That’s the spirit of performance that you want to have. Just let your imagination go. It’s you in these new circumstances, with these words, go, be it, do it. He loved acting and when somebody loves it, well, then you’re not worried you’re going to negatively impact them because they understand we’re playing pretend.

    MF: Finally, what was your initial reaction to the screenplay when you first read it?

    EH: Couple things. I thought it was kind of brilliant mixing the genres of the classic serial killer movie, but also a ghost story. That it was both at one time, and simultaneously, a coming-of-age story. The movie at its core is really about these young people finding themselves in a world that is not helping them, and that’s what makes it unique. It has the makings of something that could be classic in a way because it takes these familiar genres, but just spins them just around in a circle, so it feels new.

    Ethan Hawke as The Grabber in 'The Black Phone.'
    Ethan Hawke as The Grabber in ‘The Black Phone,’ directed by Scott Derrickson.
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  • ‘Doctor Strange’ Sequel Brings Horror to MCU

    Benedict Cumberbatch in 'Doctor Strange in the Multiverse of Madness' from Marvel Studios.
    Benedict Cumberbatch in ‘Doctor Strange in the Multiverse of Madness’ from Marvel Studios.

    Doctor Strange in the Multiverse of Madness‘ is shaping up to be a major first for the MCU. But, not in ways that people expect. The upcoming sequel, which is directed by Sam Raimi, will be the first horror movie set in the Marvel Cinematic Universe.

    While this may not seem like a major upheaval of the formula Disney and Marvel have going, it could mean a change for the better for the future of the MCU and how Disney approaches its very heavily family friendly franchise.

    Before we get into the MCU present, it’s important to note that Marvel has attempted to make horror movies in the past, outside of the Marvel Cinematic Universe brand. Marvel was dipping into the genre all the way back in 1998 with ‘Blade,’ and one can even argue 2007’s ‘Ghost Rider.’ Both films being massive successes, and ‘Blade’ being a stepping-off point for Marvel creating more comic book films in the future.

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    When most people hear of a film so successful that it allowed Marvel to continue making movies, one wouldn’t think it was a ‘Blade,’ which was dark, violent and a horror film about a B-tier superhero. Not something as big as ‘Iron Man,’ or ‘Captain America.’ While you can easily explain this away as Marvel dipping its foot into the supernatural horror craze of the era, you can’t ignore the impact the film had on the superhero genre going forward.

    Now, what does this mean for the current MCU? While we have a ‘Blade’ film currently in development, it will not be the franchise’s first horror film. But that doesn’t mean ‘Multiverse of Madness’ can’t help influence the tone the film might end up having. But to get to the bottom of that, we have to talk about the movie’s two different directors.

    The first ‘Doctor Strange,’ released in 2016, was directed by Scott Derrickson, one of the prolific horror directors of the 2010s. The mind behind ‘Sinister‘ and ‘Deliver Us from Evil,’ both of which are incredibly terrifying and disturbing. While ‘Doctor Strange’ was a different project for him, it shared similarities with what he had done before. Surreal-sometimes scary-imagery, and otherworldly evil. You can’t argue that ‘Doctor Strange’ just felt different then everything in the MCU that came before it.

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    Even with something incredibly different, ‘Doctor Strange’ still was a hit, making $677.7 million at the box office. The numbers don’t lie; audiences enjoyed, well, the strange (no pun intended) and weird. As we’ve seen before, Marvel listens to the box office and the viewers. So, what does that mean for ‘Multiverse of Madness?’

    Enter Sam Raimi, and finally, why a horror movie could lead the MCU in the perfect direction. A lot of MCU fans know Raimi was the director of Marvel’s original ‘Spider-Man’ trilogy. But many more know him as the director of the iconic comedy-horror franchise, ‘The Evil Dead,‘ which was violent, funny and most importantly, scary. Everything that Marvel can use.

    Raimi is quite possibly the best director that can integrate horror into the superhero genre. Many consider the original ‘Evil Dead’ a great first-time horror film, and a great lead into the spooky and the scary. And while ‘Spider-Man’ was a long way from being scary or terrifying, Raimi has shown his props in both genres.

    Director Sam Raimi at San Diego Comic-Con
    Director Sam Raimi at San Diego Comic-Con.

    Horror is very moldable. We’ve seen everything from psychological horror, to comedy, to even humor driven towards the young adult genre. Horror can be done without being terrifyingly scary, which is what I believe to be a major misconception the filmgoing audience has, and is prominent in how people are handling the ideas of ‘Multiverse of Madness’ being a horror film.

    When one looks at horror, all they see is jump scares or brutal, gory violence. But horror can be used in so many ways, some of which has already been shown in the trailer. Everything from dimensional beings such as Gargantos (which in the film bears a striking resemblance to Lovecraft-inspired monsters) and even from everything we’ve seen, Wanda Maximoff (Elizabeth Olsen) herself, which one can argue is a take on the monstrous feminine trope.

    What I’m trying to get at here is that Marvel would be really giving up something special if they don’t go full-in with the horror route. Horror is a genre that is very rarely touched in big name franchises like this, but the MCU has shown it’s not afraid to dip its toes into experimental works, with ‘Eternals‘ being a huge example of this.

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    But as we know, horror can scare away an all-ages audience. You alienate an audience by deviating too far from the mold, and this does seem too far to the normal viewer. This is all leading up to the reason why Marvel adding horror into such a huge franchise is fantastic.

    While early, they’ve shown that horror isn’t something they’re afraid to dive into to fit the source material. If ‘Blade’ had been released with no vampires save for Blade himself, how would that have worked? Or if the Spirit of Vengeance’s skull in ‘Ghost Rider’ was incredibly dumbed down and not realistic? For both films, the horror would have been pretty much non-existent and it would lose the point of the adaptation in the first place.

    Doctor Strange’s comics have always been weird and otherworldly. And while the first movie tackled that fantastically, the second film has a chance to continue. The first movie can be considered a toe-dip, inching people into the idea of an even freakier and out-there sequel. They’ve seen what the world looks like, now what if we go deeper?

    Benedict Cumberbatch in 'Doctor Strange in the Multiverse of Madness' from Marvel Studios.
    Benedict Cumberbatch in ‘Doctor Strange in the Multiverse of Madness’ from Marvel Studios.

    While going deeper keeps it close to the comics, it also helps audiences open to the idea of this sequel breaking genre expectations. While you’d have trouble calling the first movie “scary”, that leaves ‘Multiverse of Madness’ open to pick up that mantle. And as we discussed, Marvel has a crazy number of angles they can take this from.

    But let’s also look at how crazy appealing this can make the horror genre. While we have had superhero horror films in the past, they have been considered cult. ‘Multiverse of Madness’ has a huge chance to change that, welcoming so many viewers into a genre that would have once scared them off, now having them in with open arms.

    It can also show that horror doesn’t just need to be for adults, and can create something that nearly every audience can lose themselves in, without returning home with nightmares (at least I hope not!) With ‘Doctor Strange in the Multiverse of Madness,’ Marvel seems to be setting up their chance at branching out into other genres and experimental plans in the process.

    Whether this works out or not is still to be seen, but I think if any company can pull off getting a massive audience into a new genre of film; it’s Marvel. And I can’t wait to see how spooky they take it!

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  • ‘Doctor Strange 2’ On the Way With Scott Derrickson Returning to Direct

    ‘Doctor Strange 2’ On the Way With Scott Derrickson Returning to Direct

    Disney/Marvel

    Things look promising for Stephen Strange, who wasn’t too healthy at the end of “Avengers: Infinity War.”

    The time-traveling, space-bending Doctor will be back in a second film and so will Scott Derrickson, who co-wrote and directed the first film.

    THR reports that Derrickson has “quietly finalized a deal” to return to direct. It doesn’t sound like he’ll be involved in the writing this time as the search for a writer is “about to get underway.”

    Of course, Benedict Cumberbatch will be back as the mystic doctor, as will Benedict Wong as librarian and sidekick Wong. Rachel McAdams, who played Stephen Strange’s woefully underused love interest, is likely to return as well, per THR.

    While we’ve yet to see how the fates of The Avengers and their allies will play out in “Avengers: Endgame,” announcing a sequel for a particular character is certainly a good sign.

    THR speculates that we’ll get “Doctor Strange 2” in May 2021.

    Before being recruited by Marvel, Derrickson made his bones with horror films such as “The Exorcism of Emily Rose” and “Sinister.”

    No word from Derrickson himself on Twitter today. Yes, he’s still on Twitter, despite threatening to leave following some altercations with critics whom he called out for not loving “Bohemian Rhapsody.”

    [Via THR]