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  • ‘Good Fortune’ Digital and Blu-ray Interview: Aziz Ansari

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    Available on premium digital November 7th before releasing on Blu-ray, DVD, and an Amazon-Exclusive 4K UHD Combo Pack on December 9th from Lionsgate is the new comedy ‘Good Fortune’, which was written, directed and stars Aziz Ansari (‘Master of None’).

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    In addition to Ansari, the movie also stars Seth Rogen (‘The Studio’), Keke Palmer (‘The Pickup’), Sandra Oh (‘Sideways’), and Keanu Reeves (‘John Wick’).

    'Good Fortune' director, writer, producer and actor Aziz Ansari.
    ‘Good Fortune’ director, writer, producer and actor Aziz Ansari.

    Moviefone recently had the pleasure of speaking with director, writer, producer, and actor Aziz Ansari about his work on ‘Good Fortune’, developing the screenplay, the themes he wanted to explore, directing himself and his friend Seth Rogen, casting Keanu Reeves, working with his cinematographer and editor, the Blu-ray and DVD extras, and if he will direct again.

    You can read the full interview below or click on the video player above to watch our interview.

    Related Article: Keanu Reeves and Gard Hollinger Talk Roku Docuseries ‘Visionaries’

    (L to R) Keanu Reeves and Aziz Ansari in 'Good Fortune'. Photo: Lionsgate.
    (L to R) Keanu Reeves and Aziz Ansari in ‘Good Fortune’. Photo: Lionsgate.

    Moviefone: To begin with, can you talk about having the idea for the film, developing the screenplay and the themes that you wanted to explore as a director?

    Aziz Ansari: Well, I spent a lot of time in L.A. To me, the ideas of this movie are in your face when you’re here in L.A., whether it’s wealth disparity or whatever. The goal with the movie was to do a film that explored those things in a funny way. That was a challenge in writing the screenplay. It was, how do you talk about the stuff, but also make it entertaining and funny?

    MF: I know you directed episodes of ‘Master of None’, but did you always plan on directing a movie someday and what are the challenges of directing yourself in a film?

    AA: In Netflix’s ‘Master of None’, I directed, acted and wrote, and I loved doing that. I loved that process and working that way. I’d always wanted to take that and do that same thing in a film. ‘Good Fortune’ was my first shot at doing it, and it was similar in ways that I expected and challenging in ways that I didn’t expect, but I learned so much and I’m excited to try it again.

    Aziz Ansari in 'Good Fortune'. Photo: Lionsgate.
    Aziz Ansari in ‘Good Fortune’. Photo: Lionsgate.

    MF: What were some of the unexpected challenges and how did you overcome them?

    AA: I guess just how different the editing process was. When you’re editing a TV episode, it’s 30 minutes. It’s just so much more contained and you’re also working from a canvas that’s starting from a TV show, so things have already been set up and you kind of have a world. Whereas in a film, you’re setting everything up and it’s a much different canvas in several ways.

    MF: I know you have been friends and colleagues with Seth Rogen for a long time. What is it like directing your friend in a movie?

    AA: You know, it’s not that different. I mean hopefully you become friendly with everybody, and that’s kind of what you’re doing all the time. But we’ve known each other for a long time, and he has a lot of trust in me and has always been really kind with his advice and everything. It was great having him as a partner on this.

    Seth Rogen in 'Good Fortune'. Photo: Lionsgate.
    Seth Rogen in ‘Good Fortune’. Photo: Lionsgate.

    MF: Was there a shorthand between the two of you on set, and since Seth is an accomplished filmmaker in his own right, did he give you any advice while making the movie?

    AA: I think there is, and he knew what I was trying to do, and he knew how to help me and how to be there for me. I mean, he was the first person I showed the script to, and the script changed over time, and we would talk about the ending and talk about, what does the movie need? What’s great is that he was able to collaborate not just on his character, but he was thinking about the movie.

    MF: Did you write the role of the angel Gabriel for Keanu Reeves, and did you have any idea he would be that funny in the film?

    AA: I didn’t know who was going to play the angel, and then his name came up, and I thought, wow, that would be incredible if that’s possible. We had a meeting and he read the script, and he liked it, and he signed up and he was so generous with his time. We talked a lot about the character, worked on his scenes a lot, rehearsed a lot, and once he signed up, I tried to really tailor the role to him and really play to his strength as an actor, specifically with his comedy. He’s so funny playing a guy that’s very sweet and innocent, but kind of dumb and it just felt perfect for this part. As soon as the trailer dropped, people were like, “Oh my God, this is the most perfect casting! Keanu is an angel.” I’m so happy that he was the guy and that it all worked out.

    Keanu Reeves in 'Good Fortune'. Photo: Lionsgate.
    Keanu Reeves in ‘Good Fortune’. Photo: Lionsgate.

    MF: Did Keanu bring anything unexpected to the role?

    AA: He’s just such an iconic screen presence, and there’s things he brought that you can’t put in a script. He’s just such a wonderful actor and he knows his craft so well that he brought things to it that I don’t know how to verbalize, but it’s on screen. I remember when we did our first preview screening and when his face comes up on the big screen, you’re like, “There’s a reason this guy’s been a movie star for many decades. He has something.”

    MF: Can you talk about working with your DP to choose lenses and decide on the composition of shots?

    AA: Our DP was Adam Newport-Berra, who’s incredible. He won an Emmy for his work on ‘The Studio’ with Seth. He and I talked a lot about, just how did we want to show LA? I talked to him a lot about showing the LA that you see in strip malls and just this neon L.A. We talked a lot about ‘Paris, Texas’. If you watch ‘Paris, Texas’, there’s a lot of green and it was how those fluorescent lights would react to film back in the day. I thought that look would be cool to have in this movie, so that was a reference point for us. I didn’t want a lot of flashy camera work. I wanted it to be simple. I didn’t want to move the camera around too much. I kind of wanted it to be straightforward. He was just a great collaborator and partner, and another guy that also was always thinking about the film, not just his job and his role as a DP. But he did a wonderful job, and I can’t say enough about him.

    (L to R) Aziz Ansari and Keanu Reeves in 'Good Fortune'. Photo: Lionsgate.
    (L to R) Aziz Ansari and Keanu Reeves in ‘Good Fortune’. Photo: Lionsgate.

    MF: What was the post-production process like for you? Did you enjoy working with your editor to assemble the film?

    AA: Well, Daniel (Haworth) is a friend and he worked with me on ‘Master of None’ Season 2, and I was excited to collaborate with him on this. Look, when you’re editing a movie, you’re locked in a little dark room with this person for many weeks and it’s an interesting relationship. But you start with the first cut of the movie, which is probably two hours and change and you wash it down and then you start chipping away at it and you figure out what’s the story here. You know, what do we need to lose? How do we get to this faster? It becomes a lot of problem solving and he was a great partner to have, and we got it there.

    MF: Was there anything you had to cut that was heartbreaking for you?

    AA: Nothing heartbreaking. It’s just like the writing process. You lose things as you evolve the project and, in the edit, it evolves again and certain things go.

    (L to R) Keanu Reeves, Seth Rogen and Aziz Ansari in 'Good Fortune'. Photo: Lionsgate.
    (L to R) Keanu Reeves, Seth Rogen and Aziz Ansari in ‘Good Fortune’. Photo: Lionsgate.

    MF: The house featured in the film is an amazing location. How did you find it and has it been use in any other movies of TV shows?

    AA: I don’t know about any other films or TV, but I think it was in a Travis Scott video or something, and maybe a Beyonce video? I can’t remember. But that was our location manager, Jay Trainer. He found that place and we fought for it because that location is so central to the film, and it is a character in the movie. He found that for us and made it work.

    MF: Can you talk about the Blu-ray and DVD release? Are there deleted scenes or a commentary to look forward to?

    AA: I did a commentary track. I think there’s bloopers, and there’s some behind the scenes docs. I love physical media and I hope if people have a ‘Good Fortune’ Blu-ray on their shelf, that’d be awesome.

    (L to R) Keanu Reeves and Aziz Ansari in 'Good Fortune'. Photo: Lionsgate.
    (L to R) Keanu Reeves and Aziz Ansari in ‘Good Fortune’. Photo: Lionsgate.

    MF: Finally, do you plan on directing again in the future?

    AA: I have a couple other movies I’ve been thinking about, and I’d love to make another film soon. It was such a great experience. I feel like I learned a lot and I’d love to do it again.

    'Good Fortune' will be available on premium digital November 7th before releasing on Blu-ray, DVD, and an Amazon-Exclusive 4K UHD Combo Pack on December 9th. Photo: Lionsgate.
    ‘Good Fortune’ will be available on premium digital November 7th before releasing on Blu-ray, DVD, and an Amazon-Exclusive 4K UHD Combo Pack on December 9th. Photo: Lionsgate.

    What’s the plot of ‘Good Fortune’?

    A well-meaning but rather inept angel named Gabriel (Keanu Reeves) meddles in the lives of a struggling gig worker (Aziz Ansari) and a wealthy capitalist (Seth Rogen).

    Who is in the cast of ‘Good Fortune’?

    'Good Fortune' will be available on Blu-ray, DVD, and an Amazon-Exclusive 4K UHD Combo Pack on December 9th. Photo: Lionsgate.
    ‘Good Fortune’ will be available on Blu-ray, DVD, and an Amazon-Exclusive 4K UHD Combo Pack on December 9th. Photo: Lionsgate.

    List of Aziz Ansari Movies and TV Shows:

    Buy Tickets: ‘Good Fortune’ Movie Showtimes

    Buy Aziz Ansari Movies on Amazon

  • Movie Review: ‘Smurfs’

    (L to R) Hefty Smurf (Alex Winter), Vanity Smurf (Maya Erskine), Worry Smurf (Billie Lourd, Ken (Nick Offerman), Smurfette (Rihanna), No Name (James Corden), and Brainy Smurf (Xolo Mariduena) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    (L to R) Hefty Smurf (Alex Winter), Vanity Smurf (Maya Erskine), Worry Smurf (Billie Lourd, Ken (Nick Offerman), Smurfette (Rihanna), No Name (James Corden), and Brainy Smurf (Xolo Mariduena) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    ‘Smurfs’ receives a 4 out of 10 stars.

    Coming exclusively to theaters on July 18th, it should come as no surprise to anyone that ‘Smurfs‘ is geared towards a much younger audience.

    Directed by Chris Miller, and featuring the voices of many talented actors including Rihanna (Smurfette), James Corden (No Name), Nick Offerman (Ken), and John Goodman (Papa Smurf), ‘Smurfs’ is designed to capture the hearts of its target audience, which is young children.

    Related Article: ‘Mission Impossible’ and ‘The Running Man’ Lead the Paramount Presentation

    Initial Thoughts

    (L to R) No Name (James Corden) and Smurfette (Rihanna) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    (L to R) No Name (James Corden) and Smurfette (Rihanna) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    ‘Smurfs’ was made to introduce a whole new generation to to the lovable blue creatures that sometimes go up against evil wizards. On paper this concept might sound silly, but many of us grew up with our own version of the Smurfs, and it is nice that the younger generation has theirs now, as well.

    Director Chris Miller knows his way around an animated feature, having worked on many including ‘Puss in Boots‘ and ‘Shrek the Third‘, so expectations were high going into this one.

    Script and Direction

    Director Chris Miller on the set of 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    Director Chris Miller on the set of ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    One thing that every parent knows is that little kids do not have a long attention span. Because of that, animated features need to be able to keep their attention with bright colors, humor geared towards them, and action sequences. There needs to be something going on at all times or they will start to lose interest.

    Something that ‘Smurfs’ does is keep moving, that is for sure, but because of this, it loses a lot of the explanation and exposition that is needed to properly tell the story. For those that do not know (or remember) the lore of Smurfs, some key plot points will not hit as hard – or even make sense.

    Papa Smurf (John Goodman) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    Papa Smurf (John Goodman) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    The main message of the movie is taking the time to find your thing, and what you bring to the table. Smurfs have names based on their personality traits. For example, Brainy Smurf, Hefty Smurf, and Grouchy Smurf. No Name has tried thousands of things, but has not yet discovered what he is good at, which is why he is nameless at the start of the film.

    The confusion comes with other Smurfs having names like Ron and Ken, so why doesn’t No Name at least have a regular name until he finds his thing? This is never explained and while kids probably will not pick up on it, parents are sure to be perplexed.

    Director Chris Miller on the set of 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    Director Chris Miller on the set of ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    The animation itself is simple enough, but looks great on the big screen. ‘Smurfs’ is bright, colorful, and vibrant. Even when scenes take place in the evil Gargamel and Razamel’s lairs, it never gets too dark or scary. Later in the film, the plot points find a way to let the animators explore a few different styles. This is the best scene in the movie. It’s equal parts fun and creative.

    While adults are sure to be rolling their eyes at many of the corny dad jokes being told, kids will be cracking up. This movie leans into the type of humor that it knows its audience wants, for better or worse.

    Cast and Performances

    Ken (Nick Offerman) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    Ken (Nick Offerman) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    ‘Smurfs’ has a star-studded cast that includes many of the greatest actors working today. With so many Smurfs in the village, some of them only have a line or two to deliver, but they all still bring their A-game.

    John Goodman voices the beloved Papa Smurf. This character is very well known, which you would think would add some pressure to the role, but he voices him perfectly. John Goodman’s voice is soothing and very fatherly that it instantly works.

    James Corden does a great job as No Name, who is struggling throughout most of the movie. He brings a timidness to him that is needed to believe his journey. One of the most memorable characters is Mama Poot, voiced by the always hilarious Natasha Lyonne. She knows how to deliver a punchline, even if the line written is silly.

    Rihanna in "Friend Of Mine" music video from 'Smurfs'. Photo: Paramount Pictures.
    Rihanna in “Friend Of Mine” music video from ‘Smurfs’. Photo: Paramount Pictures.

    The trailers teased that this movie was going to be a musical, going so far as to cast the incredibly talented Rihanna in the lead as Smurfette. From the start, it was clear that music was going to be the main focus, and while there are some songs kids will be singing on repeat, none of them standout as the hits of the summer.

    Rihanna does a decent job as Smurfette, making her a likable enough character who encourages No Name throughout the film. That said, the script she is given does the character no favors, causing her backstory to feel rushed and come out of nowhere. Still, Rihanna does what she can with what she is given.

    Final Thoughts

    (L to R) Papa Smurf (John Goodman), No Name (James Corden), Smurfette (Rihanna) and Brainy Smurf (Xolo Mariduena) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    (L to R) Papa Smurf (John Goodman), No Name (James Corden), Smurfette (Rihanna) and Brainy Smurf (Xolo Mariduena) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    ‘Smurfs’ is a good introduction to these characters for a new generation, but it is also lacking so much of what older generations love about them. The story is rushed and lacks a lot of explanation that is needed in order for it to make sense. It isn’t all bad though as the animation is pretty, Rihanna can sing (we all know that), and the messages of never giving up on yourself are important.

    Despite a script filled with dad jokes that will land with the kids and leave adults rolling their eyes, it has its moments. If there were to be more movies in the franchise, kids will surely gobble them right up.

    Say what you will, ‘Smurfs’ certainly knows what its target audience wants, and delivers on it.

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    What’s the story of ‘Smurfs’?

    When Papa Smurf (John Goodman) is mysteriously taken by evil wizards, Razamel and Gargamel, Smurfette (Rihanna) leads the Smurfs on a mission into the real world to save him. With the help of new friends, the Smurfs must discover what defines their destiny to save the universe.

    Who is the cast of ‘Smurfs’?

    • Rihanna (Smurfette)
    • James Corden (No Name)
    • Nick Offerman (Ken)
    • John Goodman (Papa Smurf)
    • JP Karliak (Gargamel / Razamel)
    • Sandra Oh (Moxie Smurf)
    • Dan Levy (Joel)
    • Natasha Lyonne (Mama Poot)
    • Xolo Mariduena (Brainy Smurf)
    (L to R) Papa Smurf (John Goodman) and No Name (James Corden) in 'Smurfs' from Paramount Animation. Photo: Paramount Pictures.
    (L to R) Papa Smurf (John Goodman) and No Name (James Corden) in ‘Smurfs’ from Paramount Animation. Photo: Paramount Pictures.

    List of Movies featuring the Smurfs:

    Buy Tickets: ‘Smurfs’ Movie Showtimes

    Buy Smurfs Movies On Amazon

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  • Movie Review: ‘The Tiger’s Apprentice’

    Henry Golding as Hu and Brandon Soo Hoo as Tom in 'The Tiger’s Apprentice,' streaming on Paramount+, 2024.
    (L to R) Henry Golding as Hu and Brandon Soo Hoo as Tom in ‘The Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    Launching on Paramount+ February 2nd, ‘The Tiger’s Apprentice’ represents a solid dose of forward momentum for the portrayal of Chinese mythology on screen for more general audiences.

    It’s a shame, though, that the film –– which we’d recommend for its entertaining voice cast more than anything in the script itself –– is an entertaining enough romp for younger audiences but seems unlikely to come across as anything other than second tier when truly boundary-pushing animation exists.

    Does ‘The Tiger’s Apprentice’ Earn its Stripes?

    Henry Golding as Hu and Sandra Oh as Mistral in 'The Tiger’s Apprentice,' streaming on Paramount+, 2024.
    (L to R) Henry Golding as Hu and Sandra Oh as Mistral in ‘The Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    In development for a long time, and handed off between different filmmakers, ‘The Tiger’s Apprentice’ has been on one of those journeys where you have to wonder if something happened to it along the way. It was, at one point, being considered as a theatrical release, but is now arriving direct to streaming.

    There is less of a negative aura about such shifts these days, in a time when there are truly superb streaming shows and movies, but it’s tough to discount the idea that the finished product here just doesn’t scream “theatrical release”. The animation, while certainly competent, can be a little jerky with its human characters in particular (one scene, a vision for the main character, is much more aesthetically pleasing) and the storyline, as we’ll dig into, is a reheated offering of something we’ve seen many times before.

    ‘The Tiger’s Apprentice’: Script and Direction

    Brandon Soo Hoo as Tom in 'The Tiger’s Apprentice,' streaming on Paramount+, 2024.
    Brandon Soo Hoo as Tom in ‘The Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    Perhaps the biggest issue with ‘The Tiger’s Apprentice’ is in its basic structure. Though some stories are trotted out time and again because they’ve proven to work, here you can really feel that the authentic ethnic detailing layered over the exceedingly basic skeleton doesn’t quite cover the seen-it-before aspect at its core.

    Adapted from the young adult novel by Laurence Yep by David Magee (an Oscar nominee for his work on ‘Life of Pi’) and Christopher Yost (a veteran of Marvel movies and who you suspect provided much of the quippiness on display here), the script has its moments, but struggles to overcome the notion that you’re watching the 534th take on material that the likes of ‘Harry Potter’, ‘Percy Jackson’ and any number of other, better examples have tackled.

    The young target audience, of course, likely won’t mind too much, enjoying the colorful, jokey characters and the rising stakes. But anyone who has seen a movie of this sort will soon find themselves making a mental checklist of what to expect –– the wise mentor (in this case, a grandmother who loses her life to the main villain), the grouchy new guide, the wide-eyed kid who had no idea he possessed magic powers, the goofy sidekick, the noble sidekick, the baddie with an all-purpose idea to wipe humanity off the face of the Earth and rule the darkness that follows, etc., etc.

    Directors Raman Hui, Paul Watling and Yong Duk Jhun do manage to give the movie a grounding in Chinese zodiac beliefs and an authentic feeling of being set in San Francisco (though sometimes falling into bland, generic traps such as having main character Tom attend “San Francisco High School”). As mentioned, the animation style is more serviceable than truly impressive and while not everything can be at the ‘Spider-Verse’ level, these days you do wish more movies would try (it’s a reason we enjoyed ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’).

    ‘The Tiger’s Apprentice’: Performances

    Sherry Cola as Naomi, Sandra Oh as Mistral, Bowen Yang as Sidney, Henry Golding as Hu and Brandon Soo Hoo as Tom in 'The Tiger’s Apprentice,' streaming on Paramount+, 2024.
    (L to R) Sherry Cola as Naomi, Sandra Oh as Mistral, Bowen Yang as Sidney, Henry Golding as Hu and Brandon Soo Hoo as Tom in ‘The Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    If there’s a real saving grace here, it’s the appealing, funny and emotional performances of the voice cast. Though it seems every film (and TV show; witness ‘The Brothers Sun’) with Chinese characters is contractually obliged to include Academy Award winner Michelle Yeoh, she does at least give the underwritten villain role some gravitas.

    As Tom, the young man who discovers he has a magical legacy, Brendan Soo Hoo is an appealing personality who sparks well off the rest of the cast. Henry Golding, meanwhile, is somewhat saddled with the standard grouchy-yet-heroic character of Hu, the Tiger who takes Tom under his wing –– er, paw? –– when the lad’s grandmother gives her life to protect him. In terms of character design, he’s like a kid-friendly Wolverine, even down to the muttonchops when in human form.

    Elsewhere, the basic scripting is helped by a great ensemble that includes the likes of Sandra Oh, Sherry Cola and Bowen Yang, who bring the lines to life and work well against both Golding and Hoo.

    ‘The Tiger’s Apprentice’: Final Thoughts

    Henry Golding as Hu, Sandra Oh as Mistral, Sherry Cola as Naomi and Brandon Soo Hoo as Tom in The 'Tiger’s Apprentice,' streaming on Paramount+, 2024.
    (L to R) Henry Golding as Hu, Sandra Oh as Mistral, Sherry Cola as Naomi and Brandon Soo Hoo as Tom in The ‘Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    Definitely one for the younger crowd, and unlikely to inspire much faith from older audiences, ‘The Tiger’s Apprentice’ is a mildly diverting animated adventure whose welcome diversity can’t disguise the well-used tropes and narrative at its center.

    A fun cast certainly helps, but we’re not sure we see this one launching a franchise any time soon.

    ‘The Tiger’s Apprentice’ receives 6.5 out of 10 stars.

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    What’s the story of ‘The Tiger’s Apprentice’?

    Based on the popular children’s book series of the same name by Laurence Yep, the movie follows Chinese-American teenager Tom Lee (Brandon Soo Hoo), whose life changes forever when he discovers he is part of a long lineage of magical protectors known as the Guardians.

    With guidance from a mythical tiger named Hu (Henry Golding), Tom trains to take on Loo (Michelle Yeoh), a force that is as powerful as a Guardian but with evil intentions to use magic to destroy humanity. To have a fighting chance against Loo, Tom must reunite all twelve Zodiac animal warriors and master his own newly discovered powers.

    Who else is in ‘The Tiger’s Apprentice’?

    The voice cast for ‘The Tiger’s Apprentice’ also includes Lucy Liu, Sandra Oh, Bowen Yang, Leah Lewis, Kheng Hua Tan , Sherry Cola, Deborah S. Craig, Jo Koy, Greta Lee, Diana Lee Inosanto, Patrick Gallagher and Poppy Liu.

    Diana Lee Inosanto as Horse, Poppy Liu as Snake, Greta Lee as Rabbit, Jo Koy as Rooster, Henry Golding as Hu, Patrick Gallagher as Dog, Deborah S. Craig as Pig, Sherry Cola as Naomi and Sandra Oh as Mistral in 'The Tiger’s Apprentice,' streaming on Paramount+, 2024.
    (L to R) Diana Lee Inosanto as Horse, Poppy Liu as Snake, Greta Lee as Rabbit, Jo Koy as Rooster, Henry Golding as Hu, Patrick Gallagher as Dog, Deborah S. Craig as Pig, Sherry Cola as Naomi and Sandra Oh as Mistral in ‘The Tiger’s Apprentice,’ streaming on Paramount+, 2024. Photo Credit: Paramount Pictures/Paramount+.

    Other Movies Similar to ‘The Tiger’s Apprentice’:

    Buy Henry Golding Movies On Amazon

  • First Teaser and Poster for ‘The Tiger’s Apprentice’

    Preview:

    • The poster for animated movie ‘The Tiger’s Apprentice’ is online.
    • The animated movie will feature Michelle Yeoh and Sandra Oh.
    • It’ll land on Paramount+ on February 2nd.

    New animated movie ‘The Tiger’s Apprentice’ has had quite the journey to screens, first picked up as a potential live-action adaptation of Laurence Yep’s 2003 book by Cartoon Network in October 2008, with a script by David Magee (who has some experience with tigers given ‘Life of Pi’).

    The project was cancelled after Cartoon Network stopped developing live-action projects, but Paramount picked it up as an animated adventure movie in 2019, and while it was originally targeting a 2022 release, pandemic delays led to a slot for 2024.

    Now, though, the movie will premiere on Paramount+.

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    What’s the story of ‘The Tiger’s Apprentice’?

    The movie follows the story of Tom Lee, who gets drawn into a magical world against his wishes when his eccentric grandmother who he lives with in San Francisco’s Chinatown turns out to be the guardian of the phoenix egg.

    When his grandmother perishes in battle and is spirited away in a ghost cart, Tom must apprentice with an unlikely mentor –– a tiger, Mr. Hu –– to learn ancient magic and become the egg’s new protector. They team with an unlikely band of exotic creatures, each representing a different sign of the Chinese zodiac, who can morph into human form while retaining their innate animal characteristics.

    Related Article: Guy Ritchie casts Henry Golding, Cary Elwes, Til Schweiger and More in ‘The Ministry of Ungentlemanly Warfare’

    Who lends their voices to ‘The Tiger’s Apprentice’?

    ‘The Tiger’s Apprentice' hits Paramount+ on February 2nd.
    ‘The Tiger’s Apprentice’ hits Paramount+ on February 2nd. Photo: Paramount+.

    ‘The Tiger’s Apprentice’ certainly boasts a top-notch cast, led by Oscar winner Michelle Yeoh and Henry Golding (who shared the screen with her in the live-action ‘Crazy Rich Asians’).

    Brandon Soo Hoo plays Tom, while the cast also includes Michelle Yeoh as Mrs. Lee, Sandra Oh as Mistral, Henry Golding as Mr. Hu, Sherry Cola as Empress Nü Kua, Leah Lewis as Räv, Bowen Yang as Sidney, Patrick Gallagher as Dog, Deborah S. Craig as Vatten, Kheng Hua Tan as Monkey, Giullian Yao Gioiello as Loo, Rachel Rath as Tom’s mother, Ryan Christopher Lee as Liam and Jo Koy, Greta Deborah Lee, and Lucy Liu, whose roles have yet to be revealed.

    Who has made ‘The Tiger’s Apprentice’?

    The director for the movie is Raman Hui, with Paul Watling and Yong Duk Jhun as co-directors. ‘Spider-Man: Into the Spider-Verse’ filmmaker Bob Persichetti joined the film as a producer in 2022.

    Magee and ‘Thor: Ragnarok’ and ‘Cowboy Bebop’s Christopher L. Yost are behind the script.

    When will ‘The Tiger’s Apprentice’ be on screens?

    ‘The Tiger’s Apprentice’ hits Paramount+ on February 2nd.

    ‘The Tiger’s Apprentice' hits Paramount+ on February 2nd.
    ‘The Tiger’s Apprentice’ hits Paramount+ on February 2nd. Photo: Paramount+.

    Other Movies Similar to ‘The Tiger’s Apprentice’:

    Buy Henry Golding Movies On Amazon

     

  • Official Trailer For Season 2 of ‘Invincible’ Debuts At NYCC

    Preview

    • ‘Invincible’ Season 2 official trailer unveiled during New York Comic Con
    • Season 2 trailer teases multi-verse and dimension jumping
    • Who are the new characters in season 2?

    It’s been over two years since the season one finale of ‘Invincible’. Finally, the second season is just around the corner. The first four episodes will air on November 3rd, with four more episodes releasing in early 2024.

    The animated sequel sees the return of Steven Yeun as Mark Grayson/Invincible, J.K. Simmons as Nolan/Omni-Man, Sandra Oh as Debbie, Gillian Jacobs as Atom Eve, Zazie Beets as Amber Bennett, Walton Goggins as Cecil, Jason Mantzoukas as Rex Splode, Khary Payton as Black Samson, Seth Rogen as Allen the Alien, and Ross Marquand as the Immortal.

    Steven Yeun as the voice of Mark Grayson in 'Invincible' Season 2.
    Steven Yeun as the voice of Mark Grayson in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.

    The series, created by Robert Kirkman, premiered its first season on March 25, 2021. Before it was adapted into an animated series, ‘Invincible’ was a comic book series published by Image Comics.

    The teaser trailer for season 2 was released on July 21, 2023, announcing the premiere date as well as returning and new voice talents. The official trailer was released during Prime Video’s panel at New York Comic Con.

    Related Article: 35 Best Seth Rogen Movies of All Time!

    What Is Season 2 of ‘Invincible’ About?

    J.K. Simmons as the voice of Omni-Man in 'Invincible' Season 2.
    J.K. Simmons as the voice of Omni-Man in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.

    Season 1 left us with Mark and his dad Omni-Man engaged in a brutal battle. The fight resulted in Omni-man fleeing Earth, and Mark Grayson was left clinging to life. Once Mark has healed in a special hospital. He and his mom Debbie went home to resume their lives, telling everyone that Nolan had passed away in an explosion.

    In season 2, we’ll be introduced to new characters as Mark/Invincible faces new enemies, as well as his internal fear that he will turn out just like his father, “When I was a kid, I always wanted to be my dad.” says Mark in the trailer. “What if that happens?”

    It seems like things will become quite devastating in this season. Toward the end of the trailer, a destroyed city sets the background as Mark appears on a large screen broadcasting a message to the people of Earth, “the more you resist, the worse this gets. And if you think you can stop us, don’t forget – I’m invincible.”

    Brand New Threats

    Kevin Michael Richardson as the voice of the Mauler Twins in 'Invincible' Season 2.
    Kevin Michael Richardson as the voice of the Mauler Twins and (Center) Sterling K. Brown as the voice of Angstrom Levy in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.

    “For some, the pain will never fade.” The battle between Invincible and Omni-Man may be over for the time being, but as new threats arise while Mark tries to rebuild his life. One of the new villains this season is Angstrom Levy, voiced by Sterling K. Brown. Angstrom Levy is from the comics and has the ability to travel to other universes – so it looks like there’ll be some dimension-hopping this season.

    Another character from the comics to be introduced in the upcoming season is the Shapesmith, and just as his name suggests, has the ability to shape-shift. He is a Martian and made his first appearance in Invincible issue #18 in 2004.

    Shapesmith in 'Invincible' Season 2.
    Shapesmith in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.

    New voice talents joining Sterling K. Brown include Peter Cullen, Rob Delaney, Calista Flockhart, Phil LaMarr, Luke MacFarlane, Tatiana Maslany, Scoot McNairy, Jay Pharoah, Ella Purnell, Tim Robinson, Ben Schwartz, Rhea Seehorn, Lea Thompson, Paul F. Tompkins, Shantel VanSanten, and more.

    ‘Invincible’ is created by Robert Kirkman, Cory Walker, and Ryan Ottley. Executive producers for the series are Robert Kirkman, David Alpert, Catherine Winder, Simon Racioppa, Margaret M. Dean, Rogen and Evan Goldberg, with Helen Leigh and Walker as co-executive producers.

    Steven Yeun as the voice of Mark Grayson in 'Invincible' Season 2.
    Steven Yeun as the voice of Mark Grayson in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.
    Walton Goggins as the voice of Cecil Stedman and Steven Yeun as the voice of Mark Grayson in 'Invincible' Season 2.
    (L to R) Walton Goggins as the voice of Cecil Stedman and Steven Yeun as the voice of Mark Grayson in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.
    Gillian Jacobs as the voice of Atom Eve in 'Invincible' Season 2.
    Gillian Jacobs as the voice of Atom Eve in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.
    Seth Rogen as the voice of Allen the Alien in 'Invincible' Season 2.
    Seth Rogen as the voice of Allen the Alien in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.
    Ross Marquand as the voice of The Immortal, Jason Mantzoukas as the voice of Rex Splode, Zachary Quinto as the voice of Robot, Bulletproof, Melise as the voice of Dupli-Kate, and Grey Griffin as the voice of Shrinking Ray in 'Invincible' Season 2.
    (L to R) Ross Marquand as the voice of The Immortal, Jason Mantzoukas as the voice of Rex Splode, Zachary Quinto as the voice of Robot, Bulletproof, Melise as the voice of Dupli-Kate, and Grey Griffin as the voice of Shrinking Ray in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.
    Steven Yeun as the voice of Mark Grayson in 'Invincible' Season 2.
    Steven Yeun as the voice of Mark Grayson in ‘Invincible’ Season 2. Credit: Courtesy of Prime Video. Copyright: © Amazon Content Services LLC.

    Movies Similar to ‘Invincible’:

    Watch ‘Invincible’ on Amazon

  • Comic-Con 2022: ‘Gremlins: Secrets of the Mogwai’ Announces Cast

    Though there has been talk for a long time about a third ‘Gremlins’ movie, it has never quite managed to materialize.

    But there is movement – more targeted at the younger members of the family – on a new series that will act as a prequel to the first two movies.

    ‘Gremlins: Secrets of the Mogwai’ is an animated series coming to HBO Max and Cartoon Network next year.

    This new show turns the clock back to 1920s Shanghai to explain how 10-year-old Sam Wing (who we meet when he’s much older as shop owner Mr. Wing in the 1984 movie) first crosses path with a certain young Mogwai.

    Sam and Gizmo will embark on a journey through the Chinese countryside, encountering colorful monsters and spirits from Chinese folklore.

    As they attempt to return Gizmo to his family, and discover a legendary treasure, they’ll have to face a power-hungry industrialist and his ever-growing army of evil Gremlins.

    (L to R) Zach Galligan, Sandra Oh, Randall Park, George Takei, and Bowen Yang have all been cast in HBO Max’s ‘Gremlins: Secrets of the Mogwai.’

    Tze Chun is running the show for this new series, and he brought fresh news of the voice cast to this year’s San Diego Comic-Con.

    Previously announced were Ming-Na Wen, James Hong, BD Wong and Izaac Wang, to which we can now add Sandra Oh, Randall Park, George Takei and Bowen Yang. Gizmo, meanwhile, who was previously voiced by Howie Mandel, will here be performed by AJ LoCascio.

    Perhaps the biggest surprise for the panel, though, was word that Zach Galligan – who famously played Billy Peltzer, the lad whose life is turned upside down by Gizmo and the Gremlins in the 1984 original and its 1990 sequel, ‘Gremlins 2: The New Batch’ – is also lending his voice to the new show, but as a new character.

    “I can’t say too much but because it’s 1920s China, I’m not playing Billy because he wasn’t around,” Galligan said following his surprise appearance on the panel. “So I’m playing this cool character. It was really fun and amazing to work with a new group of creative people who are taking a fresh look at the franchise and are expanding the mythology—who knows what they’re going to add. Maybe they’ll add a new transformation or a new rule we don’t know about yet… I think Gremlins fans are going to eat it up.”

    Dropping hints that there are plenty of Easter eggs for film fans to find, Galligan seemed enthused about the new show. “I’ve been doing this a long time; it takes a lot really to surprise me. I thought it was very creative and I thought they did some interesting, very smart things, which to me is more important to being surprised,” he later told TooFab. “I think when it comes down to entertainment, the most important thing is execution. It’s how well you’re gonna tell it. The animation, the visual look of it is great, the voices are great and when you put it together with a good story, you’re going to have a really entertaining show to watch.”

    The panel also included a screening of the whole first episode, though that naturally wasn’t put online.

    HBO Max has yet to announce the date for the new series.

    HBO Max's 'Gremlins: Secrets of the Mogwai is scheduled for 2023.
    HBO Max’s ‘Gremlins: Secrets of the Mogwai is scheduled for 2023.
  • Movie Review: ‘Umma’

    Sandra Oh with Jack-o'-lantern
    Sandra Oh stars in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.

    Opening in theaters on March 18th is the supernatural horror movie ‘Umma,’ from first time feature film director Iris K. Shim. The movie stars Sandra Oh (‘Sideways’) as Amanda, a Korean immigrant haunted by the ghost of her estranged mother, while raising her daughter (Fivel Stewart) on a rural farm.

    The result is a well-made supernatural thriller masquerading as horror film with strong performances from its lead actresses but gets lost in its own exposition towards the movie’s climax.

    Amanda (Oh) lives off-the-grid on a rural farm with her daughter Chris (Stewart), where they work as bee keepers. Amanda is “allergic” to electricity, and must stay away from modern technology, leaving her daughter cutoff from the outside world. Amanda is also estranged from her abusive Korean mother, who she left behind years ago. Never wanting to become her own mother, Amanda has lived her life protecting her daughter, but their relationship has become very co-dependent.

    Trouble begins when Amanda’s uncle from Korea finally tracks her down to deliver her mother’s remains after her recent passing. Curious about her grandmother and the family she’s never known, Chris begins to resent the life Amanda has created for them and even questions her mother’s “sickness.” Soon, Amanda begins to be haunted by the ghost of her mother, and slowly realizes her greatest fear … she is, literally, becoming her own mother!

    Sandra Oh and Fivel Stewart on floor
    (L to R) Sandra Oh and Fivel Stewart star in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.

    What I really like about this movie is that it is so clearly personal and from writer/director Iris K. Shim’s unique point of view. By focusing on Korean tradition and how that effects a person actively running away from their past and heritage is really interesting and is a great launching off point for this psychological thriller. Unfortunately, the movie falls into the trap of its own genre and is derailed in the third act when it retreats to becoming a full-fledged “ghost movie.” But before that, Shim crafts a small, intimate portrait of a mother raising her daughter in fear of her own past.

    Another interesting aspect of Shim’s script is Amanda’s “illness” to electricity. Is it real? Is she truly allergic to electricity, or is it just a manifestation of her own traumatic experience? That’s an important question that the film explores, but again, ultimately drops its urgency when the ghost appears. Shim also explores a very relatable fear that most adults have – the fear of becoming their own parents. That is really at the core of the movie and an element of the screenplay that Shim and Oh explore well. I think if the film had focused on this aspect more, and not reverted to popular horror tropes in the third act, it would have been a more overall satisfying storytelling experience.

    The movie is really a two-hander between Oh and Stewart, but also features supporting performances from Dermot Mulroney and Odeya Rush. Both actors are serviceable in their roles, but otherwise not given a lot to do. Rush’s character seems only to be added to demonstrate the contrast between Chris and other kids her age, which is necessary to drive the story, but some more character development would have been nice. Mulroney plays a local fond of Amanda, who has acted like a surrogate father to Chris over the years. His character is more defined, and while limited, his affection for the mother and daughter comes shining through.

    Sandra Oh scared
    Sandra Oh stars in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.

    Fivel Stewart gives a strong performance as Chris and is a great on-screen partner for Oh. The actress plays the innocent and sheltered teen well, and is excellent when she rebels against her upbringing, not unlike her mother had done years before. But the movie truly belongs to Sandra Oh, who gives a very commanding and grounding performance as Amanda.

    Oh is completely in control of her performance and is at her best when battling the demons of her past in her own head. The actress delivers moments when you’re not quite sure if she’s Amanda, or Amanda possessed by her Umma (the Korean word for Mom), and her performance keeps the audience guessing. Oh has great chemistry with Stewart and is completely believable as a devoted mother becoming unhinged.

    While the film has a great concept and some really interesting characters and situations, it does fall into the trap of the modern horror movie, forgoing its strong set up for standard scares at the end. The true joy of the film is its anticipation of the ghost, but when she actually appears, it’s not as scary as the build-up and a bit anti-climactic. In the end, writer/director Iris K. Shim delivers an original, intriguing, and personal thriller with great performances from its leads, that just doesn’t quite stick the landing.

    ‘Umma’ receives 3 out of 5 stars.

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  • Iris K. Shim Talks ‘Umma’

    Sandra Oh scared
    Sandra Oh stars in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.

    Opening in theaters on March 18th is the new supernatural horror film ‘Umma,’ which was directed by Iris K. Shim (‘The House of Suh’).

    The movie stars Sandra Oh (‘Sideways’) as Amanda, a beekeeper who live off-the-grid, alone on a farm with her daughter Chris (Fivel Stewart). Amanda also suffers from a rare disease that makes her sick when she is exposed to electricity. Amanda is estranged from her own mother, and unbeknownst to her, she has recently passed away.

    Eventually, her remains arrive from Korea, and Amanda begins to be haunted by visions of her own mother. In order to stop the visions, she must finally put her mother’s soul to rest, before she pushes Chris away and her greatest fear comes true … she turns into her own mother!

    In addition to Oh and Stewart, the cast also includes Dermot Mulroney (‘Insidious: Chapter 3’), and Odeya Rush (‘Lady Bird’).

    Moviefone recently had the chance to speak with writer and director Iris K. Shim about her work on ‘Umma.’

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    You can read the full transcript of the interview below or watch the video by clicking on the player above.

    Moviefone: To begin with, can you talk about the process of developing the screenplay and the themes that you wanted to explore with this movie?

    Iris K. Shim: I set out to write a contained horror film. It’s something that I thought that I would be able to make as my first narrative feature. Really, I was pulling on my own experiences of grappling with my identity and my place in this world, both as a Korean and as an American. So, that was really the first steps into the story.

    But then once I started really developing the relationship between mother and daughter, so much of that really came into play in terms of this idea and fear of turning into your mother, which is so universal. I think each culture has its own baggage in terms of what that means. So, the themes of motherhood I know are very present in the horror genre, and we were able to really explore that theme through a more specific lens.

    MF: Can you talk more about Amanda and Chris’ relationship, and how Amanda’s relationship with her own mother is now affecting Amanda’s relationship with her daughter?

    IKS: I always thought of Chris and Amanda’s relationship as the prequel to ‘Grey Gardens’, and the fact that they actually do really enjoy each other’s company. They are actually friends. They’re very close. So, the veneer of this relationship seems loving and healthy at first, but you start to realize that it’s so codependent that they are unable to have their own identity outside of each other. You start to realize that this is not a healthy relationship.

    Really, the big irony for Amanda’s character is that she has gone to the extremes to not become her mother, even so much that she subconsciously has developed this fear around electricity because she is so desperate to create a life for her daughter that is different from her own upbringing.

    But the irony in that is she has created a world that is very much similar to her own upbringing, in terms of that codependence, extreme relationship. So, when Umma’s remains appear at the farm, it really is the thing that they need in order to really learn to resolve their own issues and to be able to form their own identity apart from each other.

    Sandra Oh and Fivel Stewart in bed
    (L to R) Fivel Stewart and Sandra Oh star in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.

    MF: Can you talk about casting Sandra Oh and Fivel Stewart in these roles?

    IKS: We had text Sandra Oh first, and she was really just my dream actress. She was the person that I wrote the script for, hoping that we might be able to get her. When she signed on, it was really about trying to find the right actress, and so we did some chemistry reads with some young actresses. There really was this spark and connection between Fivel and Sandra.

    Also, Sandra is such a generous actor that she really wanted to spend the time with Fivel to create their own relationship, where they could feel that closeness and that fondness for each other that would just naturally and organically show on screen. So, they did a lot of work together and spending time together, and by the time that the cameras were rolling, it really did feel like they were their own little unit together.

    MF: Finally, why did you choose the horror genre as the vehicle to tell this particular story? Are you a fan of horror movies?

    IKS: No. Actually, I didn’t really grow up as a horror fan. I get scared very easily and I’m not really a big fan of the slasher genre. The kind of horror that I really gravitate towards is the psychological. I have a psychology undergraduate degree, and so I think just naturally, I have this curiosity of what goes on in people’s minds.

    Definitely in terms of the horror genre, to me, what’s always scary is when it’s happening in your head and when you have this loss of self, or identity or even just madness. “Am I going crazy? Am I the only one seeing this?” There is this supernatural element to this story, because so much of it is what is going on in Amanda’s head and who is she becoming, and how much of her identity is being fractured? That’s definitely the kind of horror films that I gravitate towards.

    Sandra Oh with Jack-o'-lantern
    Sandra Oh stars in Stage 6 Films ‘Umma.’ Photo by Saeed Adyani.
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  • Movie Review: ‘Turning Red’

    Turning Red falling
    “Turning Red” will debut exclusively on Disney+ (where Disney+ is available) on March 11, 2022. © 2022 Disney/Pixar. All Rights Reserved.

    Films using fantastical transformations to tell stories about awkward life and biological changes are not a new phenomenon. Famous examples have included 1985’s ‘Teen Wolf’, in which Michael J. Fox always wanted to be special, but never expected to start sprouting hair in even more unusual places than usual puberty, while Brian De Palma’s classic Stephen King adaptation ‘Carrie’ had Sissy Spacek gaining some extraordinary powers to wreak revenge on school bullies. Even Pixar’s own ‘Luca’ last year had big body changes at its heart.

    Yet with ‘Turning Red’, which is by turns hilarious and heartfelt, Pixar has fully embraced the idea of dealing with a subject that we all experience but has rarely been so thoughtfully explored on film. Teenage biological shifts are not the studio’s usual subject matter, yet here they are handled so well that it’ll likely spark useful (and maybe one or two awkward) conversations between parents and kids.

    Our heroine is Chinese Canadian tween Meilin Lee (Rosalie Chiang), who is turning 13 and teetering on the edge of young adulthood. She’s still, however, content to throw herself into her studies (this is a proud nerd who relishes the chance to excel, and won’t apologize for it), spend time with her friends (an excitable group who, like Mei, are all starting to notice cute boys, and are obsessed with a particular cadre of them, boy band 4*Town, with the requisite floppy hair and ridiculous, styled personalities) and is doing her best to live up to her mother’s expectations.

    Meilin running
    Rosalie Chiang as the voice of Meilin in “Turning Red,” which will debut exclusively on Disney+ (where Disney+ is available) on March 11, 2022. © 2022 Disney/Pixar. All Rights Reserved.

    So, when in a moment of heightened emotion, Mei suddenly turns into a giant red panda, she’s understandably flustered at first. Soon, she learns that it’s actually a family “blessing”, endowed thanks to an ancestor who requested the power to transform from the gods in order to protect her family in ancient China. Yet in modern-day – well, 2002 – Toronto, where there are fewer raiders likely to attack, it’s much more an inconvenience.

    Still, how Mei embraces the idea of her panda side is one of the ways that ‘Turning Red’ feels refreshing. A lesser script would have had her endlessly try to hide (and hide from) the situation before begrudging acceptance, but she actually discovers that it can be a big plus and is a potential way for her and her buddies to see 4*Town in concert. Turns out, her classmates love the panda, and it’s soon a rich revenue source as kids queue to pay for selfies and tchotchkes.

    Director Domee Shee and co-writer Julia Cho mine that idea for full comedy potential, but also don’t forget to build the right amount of real emotion into the story too. While the movie explores the cultural and parental pressures exerted on Asian children in particular, it finds a way to do it without (for the most part) relying on tropes.

    Mei Lee and mother on bed
    (L to R) Rosalie Chiang as the voice of Mei Lee, and Sandra Oh as the voice of Ming in “Turning Red,” which will debut exclusively on Disney+ (where Disney+ is available) on March 11, 2022. © 2022 Disney/Pixar. All Rights Reserved.

    Mei’s mother Ming (voiced by Sandra Oh) certainly has high expectations of her daughter, but she’s also a kind and understanding mom when the moment calls for it, worried about Mei and quick to act when she thinks her “red peony” is blooming. The movie also uses her to further examine the weight that tradition and custom place on people who haven’t been young for years yet fall back into familiar roles when their own elders show up.

    While her father is more the quietly supportive type, he has his own role to play and, in keeping with Shee’s award winning short ‘Bao’, when he cooks, the scenes of food are so beautifully realized that you’ll find your stomach starting to rumble.

    Mei’s friends are more than simply support for the lead. Though they’re naturally not as fully shaded, Miriam (Ava Morse), Priya (Maitreyi Ramakrishnan) and Abby (Hyein Park) all bring something to the story, whether it’s loyal friendship, a calm logic, or an insatiable appetite. Together, the foursome is a relatable, often hilarious group, navigating the tricky waters of young womanhood together

    Turning Red kids
    (L to R) Rosalie Chiang (voice of Mei), Ava Morse (voice of Miriam), Maitreyi Ramakrishnan (voice of Priya) and Hyein Park (voice of Abby ) in “Turning Red,” which will debut exclusively on Disney+ (where Disney+ is available) on March 11, 2022. © 2022 Disney/Pixar. All Rights Reserved.

    This is Pixar finding something new to say, breaking away from its usual buddy comedy groove and benefitting from a new, diverse voice in its storytelling. While Mei’s experiences feel specific, nuanced and culturally relevant, they’re also universally relatable.

    It’s not just the narrative that feels groundbreaking for the company. While the Emeryville studio has made a few experimental stabs at visual styles, ‘Turning Red’ draws from anime, kaiju films and other Asian influences to power a playful, kinetic energy all its own.

    Though it is not as dynamic as, say ‘The Mitchells Vs the Machines’, it’s full of fun elements: crash zooms, characters’ eyes flashing to wide-eyed emojis at excited moments, sudden lighting shifts. And even in quieter, beautiful landscape shots of the Toronto skyline or with characters around the dining table, the colors are vibrant, impactful, and striking. Music-wise, Ludwig Göransson’s score soars when needed, while the 4*Town songs written by Billie Eilish and Finneas are hilariously daffy and boy band appropriate.

    Mei Lee in Turning Red
    Rosalie Chiang as the voice of Mei Lee in “Turning Red,” which will debut exclusively on Disney+ (where Disney+ is available) on March 11, 2022. © 2022 Disney/Pixar. All Rights Reserved.

    There are one or two familiar holes that ‘Turning Red’ still falls into – a late emotional turn feels like something from a lesser film and a ritual ceremony is straight out of Mystical Events 101.

    But it’s so good to see that the company is embracing creative people outside of its admittedly impressive roster of veterans. ‘Turning Red’ is proof that Pixar hasn’t lost the magical touch, and that this team is still one of the best in the animation business.

    ‘Turning Red’ receives 4 out of 5 stars.

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  • ‘Killing Eve’ Renewed for Season 3, Gets New Showrunner

    ‘Killing Eve’ Renewed for Season 3, Gets New Showrunner

    BBC America

    Just one day after the sophomore season debut of acclaimed drama “Killing Eve,” the BBC America series has been renewed for a third season.

    The news was announced on Monday at an AMC Networks summit, where it was also revealed that “Killing Eve” would be getting a new showrunner for season three. Unlike with other series, however, where a revolving door of EPs is a major creative red flag, this is a tradition for “Killing Eve,” which has plans in place to install a new head female writer every year it remains on the air.

    Taking over showrunner duties for season three will be British writer Suzanne Heathcote (“Fear the Walking Dead”). She follows season two EP Emerald Fennell, and season one EP Phoebe Waller-Bridge, who created the series.

    “I’m very excited that the ‘Killing Eve’ baton is being passed onto another incredible writer for season three,” Waller-Bridge said in a statement. “We can sleep soundly knowing these characters are safe in Suzanne Heathcote’s hilariously murderous hands.”

    “Killing Eve” has been a success since its launch last year, scoring glowing reviews, lots of awards season attention, and — most crucially — excellent ratings. The series stars Sandra Oh as the titular MI6 agent, who becomes obsessed with the psychopathic assassin Villanelle (Jodie Comer).

    According to AMC Networks president Sarah Barnett, handing “Killing Eve” such an early renewal is “a sign of confidence,” since “we adore this show as much as our fans do.”

    “‘Killing Eve doesn’t do anything in a templated way; we love giving opportunity to three genius women to make their mark,” Barnett added.

    One other way the show has bucked convention is by being simulcast this season by both original network BBC America, and sister net AMC, in an attempt to bring more viewers to the series. With its latest renewal, it will get even more opportunities to do just that.

    [via: The Hollywood Reporter]