Tag: Roger Vadim

  • Screen Legend Brigitte Bardot Dies at 91

    Brigitte Bardot in the documentary 'Bardot'. Photo: RTL.
    Brigitte Bardot in the documentary ‘Bardot’. Photo: RTL.

    Preview:

    • Brigitte Bardot has died at the age of 91.
    • She was a screen icon known for a variety of movie roles.
    • Bardot retired from her acting career to pursue activism.

    Brigitte Bardot, the French actress, singer, model and cultural force whose sensuality, spirit and later humanitarian zeal helped define modern cinema and public life, has died at the age of 91.

    Her passing was announced on Sunday by the Brigitte Bardot Foundation, the animal-welfare organization she founded, which said it was with “immense sadness” that it confirmed her death.

    20000426

    Among Bardot’s most enduring credits are her roles in ‘…And God Created Woman,’ ‘Contempt,’ ‘The Truth’ and ‘Viva Maria!’, films that not only showcased her on-screen magnetism but helped reshape international perceptions of feminine freedom and beauty.

    Related Article:  It: Chapter 2’ & ‘The Wire’ Actor James Ransone Dies at the Age of 46

    Brigitte Bardot: Early Life and Career Beginnings

    Brigitte Bardot in 1956's 'And God Created Woman'. Photo: Cocinor.
    Brigitte Bardot in 1956’s ‘And God Created Woman’. Photo: Cocinor.

    Born on September 28, 1934, in Paris, Brigitte Anne-Marie Bardot grew up in a conservative household before discovering dance and modeling in her teens.

    Her striking looks and effortless presence quickly brought her to the attention of filmmakers, and by 1956, at the age of 22, she had risen to global fame with Roger Vadim’s provocative ‘…And God Created Woman.’ The film’s success made her one of the most recognizable faces of post-war cinema and a symbol of sexual liberation.

    Brigitte Bardot: Film, Fashion, and Cultural Influence

    Brigitte Bardot in 1956's 'And God Created Woman'. Photo: Cocinor.
    Brigitte Bardot in 1956’s ‘And God Created Woman’. Photo: Cocinor.

    Bardot’s work in the late 1950s and 1960s spanned French art house and international productions. She collaborated with celebrated directors like Henri-Georges Clouzot, Louis Malle and Jean-Luc Godard, balancing roles in dramatic works such as ‘The Truth’ and ‘Contempt’ with lighter fare and international co-productions like ‘Shalako.’

    Brigitte Bardot: From Stardom to Activism

    Brigitte Bardot in the documentary 'Bardot'. Photo: RTL.
    Brigitte Bardot in the documentary ‘Bardot’. Photo: RTL.

    In 1973, Bardot retired from acting at just 39 years old, choosing instead to devote herself to animal rights. In 1986, she established the Brigitte Bardot Foundation for the Welfare and Protection of Animals. Over decades, she campaigned passionately against practices such as seal hunting, animal testing and fur farming, channeling her fame into tangible advocacy for the voiceless.

    At the same time, Bardot’s outspokenness extended into politics, where her often controversial remarks and positions drew both support and criticism, leading to multiple legal convictions in France for inciting racial hatred. Her public life in later years was as complex as her film legacy.
    Voice and Values

    Bardot’s transition from screen goddess to activist reflected a powerful, if sometimes polarizing, personal evolution. Devoted to animal welfare with equal fervor to her early embrace of artistic freedom, she used her global stature to challenge cruelty and spotlight suffering. Her foundation continues that work, upholding the mission she championed for decades.

    Brigitte Bardot: Legacy

    Brigitte Bardot’s life, marked by beauty, rebellion and devotion, will be remembered as one that continually defied easy definition — and one that reshaped the contours of 20th-century culture forever.

    She is survived by her husband Bernard d’Ormale and her son, Nicolas-Jacques Charrier.

    Brigitte Bardot in 1956's 'And God Created Woman'. Photo: Cocinor.
    Brigitte Bardot in 1956’s ‘And God Created Woman’. Photo: Cocinor.

    Selected Movies Featuring Brigitte Bardot:

    Buy Brigitte Bardot Movies and TV on Amazon

    VrtvxPZv
  • Sydney Sweeney Starring in New ‘Barbarella’

    Sydney Sweeney as Cassie Howard in HBO's 'Euphoria.'
    Sydney Sweeney as Cassie Howard in HBO’s ‘Euphoria.’ Photo: Eddy Chen/HBO.

    Off the back of roles on shows such as ‘Euphoria’ and ‘The White Lotus’, Sydney Sweeney is keeping her big screen career bubbling in a big way. And she’s become a firm favorite at Sony, with whom she is developing several projects.

    The latest, per Deadline, is a remake of ‘Barbarella’.

    Roger Vadim’s 1968 campy cult classic follows an astronaut from the 41st century (Jane Fonda) who sets out to find and stop the evil scientist Durand Durand (Milo O’Shea), whose Positronic Ray threatens to bring evil back into the galaxy. It was sexy, it was over the top and while it didn’t exactly set the box office alight, it has outlived the critical reaction and remains one of Fonda’s most iconic roles.

    The film was based on the controversial comic books character created by Jean-Claude Forest for serialization in the French ‘V Magazine’ in spring 1962. In 1964, Éric Losfeld published the strips as a stand-alone book titled ‘Barbarella’. The book caused a scandal and became known as the first “adult” comic book, with the title character frequently depicted having sex.

    Several different attempts at a remake have floated around in the last couple of decades.

    Drew Barrymore was briefly attached to a new take on the tale shortly before the arrival of 2000’s ‘Charlie’s Angels’. That one would have seen her playing a woman who discovers a secret about her planet and leading a revolution.

    Scrub forward to 2007 and you have news that Robert Rodriguez had been developing his own version for a few years, planned to star then-girlfriend Rose McGowan. But though he got an offer from a German company to stump up the budget, he didn’t take because it meant shooting overseas, away from his family. And an attempt to set it up with Universal stalled for other financial reasons.

    Jane Fonda in 1968's 'Barbarella.'
    Jane Fonda in 1968’s ‘Barbarella.’ Photo courtesy of Paramount Movie’s YouTube channel.

    “Universal had initially signed on for $60 million,” Rodriguez told The New York Observer, “but then when we were done with the script it wound up at closer to $82 million, and they had just financed a Will Ferrell movie (‘Land of the Lost’) that was a $130 million and they even cut that down to $100 million.”

    Around the same time, veteran James Bond writers Neal Purvis and Robert Wade were hired by Gaumont International Television to script a TV adaptation, one that eventually ended up in the hands of ‘Drive’ director Nicolas Winding Refn. Yet even that ultimately went nowhere, drifting off into the endless wastes of the development galaxy.

    According to Deadline, Sweeney will produce the new movie for Sony, which will now look to lock in a writer and director to move it forward.

    It’s just the latest move for the actor, who already has a role in ‘Madame Web’, due in theaters on February 16, 2024.

    She’s also filmed a role in crime drama ‘National Anthem’, is developing novel adaptation ‘The Registration’ and has mystery TV series ‘The Players Table’ in the works.

    Even more recently, she’s now teaming up with Universal to adapt Marcus Kliewer’s short story ‘The Caretaker’, which tells the story of a young woman who accepts a caretaking job from Craigslist and quickly discovers her responsibilities have stakes far greater (and more dangerous) than she could have ever imagined.

    That one will be produced by Michael Bay’s Platinum Dunes company.

    Sydney Sweeney as Cassie Howard in HBO's 'Euphoria.'
    Sydney Sweeney as Cassie Howard in HBO’s ‘Euphoria.’ Photo: Eddy Chen/HBO.
    9961
  • A look at female filmmakers Mariem Pérez Riera, Susan Lacy & their docs about Rita Moreno, Jane Fonda

    A look at female filmmakers Mariem Pérez Riera, Susan Lacy & their docs about Rita Moreno, Jane Fonda

    Rita Moreno: Just a Girl Who Decided to Go for It (directed by Mariem Pérez Riera)

    Rita Moreno as seen in ‘Rita Moreno: Just a Girl Who Decided to Go for It’

    Beginning her career at the age of 9 playing the lead in Jane Morrison’s ‘Los dos Mundos de Angelita,’ Mariem Pérez Riera decided early on that she wanted to become a film director. In 2005, she founded her own production company, Maramara Films. Riera has directed episodes of the television show ‘Chamacas,’ plus several documentary features and shorts, as well as co-directing the 2007 romantic comedy ‘Maldeamores’ starring Luis Guzmán.

    Riera finished the final cut of this new documentary on March 13th, 2020, just as the world was headed into quarantine. Post-production took place during the following year, and the film had its debut at the 2021 Sundance Film Festival. Originally conceived by long-time television creative Norman Lear and Broadway’s Lin-Manuel Miranda, Riera was brought on board as a producer, editor and director in 2019.

    Using archival footage, film clips, and new interviewers with Rita Moreno and those she inspired, the documentary traces her career in Hollywood over seven decades. Ultimately a story about persistence in the face of discrimination, the film exposes the festering wounds of Hollywood’s racist past to show the systematic issues, like colorism, that are still in play today. Moreno is frank about her early days in the biz, being relegated to bit parts – mostly in brown face and with stereotypical accents.

    Even in her Oscar-winning role as Anita in West Side Story, Moreno wore dark makeup and, as an immigrant character, once again a stereotypical accent. She is incredibly open and vulnerable about her struggles with insecurity, with sexual harassment, and with her tumultuous (and ultimately toxic) relationship with Marlon Brando. While the film does not shy away from the lows of Moreno’s career, it really shines when she shines, showcasing the work she did that made her an EGOT – Emmy, Grammy, Oscar, Tony winner – so early in her career.

    The title of the doc comes from a t-shirt bedazzled with the phrase JUST A GIRL WHO DECIDED TO GO FOR IT that Moreno had picked up in Boston and decided to wear to the Television Critics Association Gala, in which she received a lifetime achievement award. Like the shirt itself, Moreno is now able to be inarguably her brassy self at all times. Something to which we can all aspire.
    HDyrLXMDmsBBSwgBqnhkd1

    ‘Rita Moreno: Just a Girl Who Decided to Go for It’ is in theaters now and will air on PBS’s American Masters some time in the future.


    Jane Fonda In Five Acts (directed by Susan Lacy)

    Jane Fonda as seen in ‘Jane Fonda in Five Acts’

    In 1986, filmmaker Susan Lacy created the PBS documentary series known as American Masters. Over the last 35 years, the program has helped produce some of the greatest documentaries about American artists and creators. Titles include ‘Maya Angelou: And Still I Rise,’ ‘James Baldwin: The Price of the Ticket,’ ‘Miles Davis: Birth of the Cool,’ ‘No Direction Home: Bob Dylan,’ and more. Lacy served as executive producer of the series until 2012. She said the concept for the series began with her Master’s degree in American Studies, her belief that American culture should be looked at through the broadest context, and the lack of a true biography series on PBS at the time.

    In 2012, Jane Fonda attended the premiere of ‘Inventing David Geffen’. It blew her mind, and she knew exactly who she wanted to tell her story. She sought out Lacy to work on the project that eventually became ‘Jane Fonda In Five Acts.’ Debuting at the 2018 Sundance Film Festival, the documentary landed on HBO, rather than American Masters. It was nominated for the Primetime Emmy Award for Outstanding Documentary or Nonfiction Special, although it did not win.

    Lacy immediately knew she wanted to take Fonda’s incredibly complicated life story and look at it through the lens of a five act play. Lacy stated she feels that Jane’s final act is as exciting as her first, and you can feel that vision in the documentary itself.

    The first four acts are named after influential men in her life: ‘Henry’ for her father Henry Fonda, ‘Roger’ for her first husband Roger Vadim, ‘Tom’ for her second husband Tom Hayden, and ‘Ted’ for her third husband Ted Turner. Early on in the first act she describes having an aversion to her mother, who on the surface was a perfect mid-century housewife, but like many women who are stifled, was riddled with anxiety and mental illness.

    Fonda recalls as a youth that she felt closer to her dad, stating, “My team is the winning team, my team is the winning team, my dad.” In exploring the ways in which each of these men affected her personal and professional growth, the film highlights her pattern of modeling herself to be whatever the men in her life wanted her to be.

    Handled deftly with the privilege of hindsight, these sections not only illuminate Fonda’s life, but in a way also explore similar struggles many women of her generation felt in a country that was rapidly changing. The final act, entitled ‘Jane,’ looks at where she is now, and the all-too-human contradiction of how each of these men both impeded her and helped her grow.

    A stunning profile of a complex person, ‘Jane Fonda In Five Acts’ excels at capturing all the intricacies that make us who we are and inspires us to keep working on our own unfinished self-portraits.

    8QmHFiyeEtFlAdkRKG9AR2

    ‘Jane Fonda In Five Acts’ is available now on HBOMax.