Tag: robert-kirkman

  • Yvette Nicole Brown: Super Star and Super Fan

    Variety's Celebratory Brunch Event For Awards Nominees Benefitting Motion Picture Television Fund - ArrivalsYvette Nicole Brown may be living her best life. All she just needs is some more quality time with Oprah.

    For the self-admitted super-enthusiast of all things entertainment, Brown’s got just about all her bases covered: she’s a prominent network TV actress (see the insta-classic sitcom “Community” and the current incarnation of “The Odd Couple”); she’s turned her addiction to “The Walking Dead” into regular guest spots on the aftershow “Talking Dead”; she put her red carpet reporter hat on to host the Hollywood Foreign Press Association official live stream of the SuperMansion” to her flourishing voice actress career — which includes stints as Beyoncé on “Bojack Horseman” and Amanda Waller on “DC’s Super Hero Girls.”

    She’s the ultimate fusion of star and fan, as she reveals in a wide-ranging conversation with Moviefone that includes her thoughts on her ongoing projects, her take on the current season of “TWD,” her outspoken Twitter account, the long-apparent genius of Donald Glover, her lifelong love for the late Garry Marshall, and why she needs a real sit-down with the Queen of All Media.

    Moviefone: When the Stoopid Monkey guys called you for “SuperMansion,” were you already a fan, or did you have to check it out?

    Yvette Nicole Brown: I was already a fan. I love stop-motion animation, so they had me with that. You add in Bryan Cranston and Keegan-Michael Key, I’m sold. I got a call about an audition. I think people think there’s some glamorous world where people just get calls going, “We need you on set tomorrow, darling!” No, it’s, “Would you like to audition for ‘SuperMansion’?” “Yes I would.” So I auditioned twice, and I got the nod.

    What did you want to bring to it? Once you got a sense of the role, and you knew the show already, what did you want to bring your contribution?

    I wanted her to be wacky, unpredictable, and fun. Every time Portia came to the scene, or Zenith came to the scene, I wanted them to know that it was going to be crazy fun. I hope that’s what I brought.

    Did you have to think, “Do I do it mostly in my own voice? Or do I put on a weird cartoon voice?”

    I think I was thinking “talk show host,” and she has to have gravitas, and she has to have an Oprah way of speaking. And I did her kind of like in reference to Oprah at first, and then the more we recorded, we realized how crazy she is. So we needed to take Oprah to, like, crazy town. So then it got kind of morphed into more of a mixture of Oprah sensibilities and wanting to help people, but then just a wacky black woman

    Have you met Oprah?

    I have met Oprah, but I haven’t met Oprah. I’ve had the, “Hi, I’m Yvette, I love you” moment, but I want to have a sister-girl sit-down, fry-some-chicken, talk-about-life moment, and I hope one day I achieve enough where I can get that invitation.

    One of the things I love about you is that you are a fan as much as you are a pro.

    I am a fan more than I’m a pro.

    Tell me what’s happening inside your head in a case like this, as in some of the other things you do where you’re living out the fan dream, when you get to show up thinking “I’d pay you guys to be here.”

    I actually hosted the Golden Globes red carpet for the Hollywood Foreign Press and Twitter and I had a moment where it was like, “I need to cut somebody a check. This right here …” Or refuse the check they give me, because this is my childhood dream come true.

    I’m interviewing Mel Gibson and Vince Vaughn and Tracee Ellis Ross and Octavia Spencer and Donald Glover. To get to talk to a couple of my friends, hours before they got their first Golden Globe, and to know that that moment of anticipation and excitement is saved forever, and me getting my chance to wish them well publicly is saved forever, there is nothing greater.

    Let’s talk about one of those friends, Donald Glover, for a second. You knew he was talented. You knew he was multi-talented, but what’s been happening lately …

    Listen, if you Google me talking about Donald Glover as far back as 2009 or ’10, I have said this from the beginning: I have never met anyone more talented in every creative endeavor than Donald Glover. He can dance, he can sing, he can draw, he can bake, he can write, he can rap. When we were there first season, and he brought in sweet potato pies, little mini pies that he had made himself? “The baby bakes? Looks like the baby bakes, too.”

    There’s nothing that he can’t do, and also, he’s very efficient with time. When they yelled cut on “Community,” I went to the craft services table, as anybody who watched me balloon on that show will know. When they yelled cut on “Community,” Donald went and sat in front of his computer and wrote a song, or went and sat in front of his computer and wrote a script, or did a treatment. No time is wasted. I don’t know if he sleeps now, there was a moment in time where Donald wasn’t sleeping. He was like, “I’ve got too much. I’ve got to get it out.” So he’s the truth.

    And the thing that I always say about him, too — and I know I gush about him a lot publicly, but I’m so proud of him — he’s also a good man. There’s a lot of people that get a pass for bad behavior because they’re talented, and this industry rewards bad behavior, and you see people that are horrible just continue to get opportunity after opportunity. Donald deserves every opportunity he gets because he’s still a decent human being.

    I don’t think being Lando Calrissian is going to change him. I don’t think being a Golden Globe-winning show creator and actor is going to change him. I think he’s a good egg and will remain a good egg until the Lord calls him.

    Tell me about being an actress, and being Yvette on camera, too. You’re straddling both worlds now. What’s cool about that for you?

    You know what’s cool about it is I always think of acting as an offering. I don’t use it to take; I use it to give. I feel like there’s a lot going on in the world, and if I can be a part of something that makes people forget something at their job, or something in politics or whatever, for 30 minutes, what a gift that is. So I look at acting as an opportunity to say, “What can I give to people today?”

    I think of my Twitter page the same way. The hosting and the “Talking Dead” is me taking. It’s me as little Yvette from east Cleveland being around people whose work energizes me. It’s me getting to talk about television shows that I absolutely love. So it’s very evenly measured. I give and I take, and I hope that I give in the same measure that I take so that the scale stays balanced.

    You, of course, are a well-known “Walking Dead” superfan. Do you think they’ll ever let you on the show to act? Or is it too meta?

    It probably is too meta! I think I could probably be a walker. I’ve talked to Greg Nicotero and Scott Gimple about being a walker. My only thing is, I’ve done prosthetic work before on “Percy Jackson,” and it’s very long hours, and they shoot in the summer in Atlanta, and I’m a girl that likes comfort! So I joke and say, “If they ever want to do a flashback to before the zombie apocalypse in an air conditioned room, I am the girl to call.” But as long as they’re in the woods with soot and dirt on their faces in the summer time, I’m going to have to pass.

    Super polarizing season this year.

    It is!

    What side of the pole are you on?

    I have always been someone that affords a creator the opportunity to create the show that they want to make. I respect Robert Kirkman, I respect Dave Alpert, I respect Scott Gimple, Gale Anne Hurd, Greg Nicotero. They are telling their story, and I as a fan do not have a right to dictate the ride they take me on. I can get out of the car, but I don’t get to ride in someone’s passenger seat or back seat and dictate where they’re taking me. That’s just rude.

    So I thought that the first episode was brutal, but I felt that in order to pay homage to the comic book, it had to be. I feel like those of us that have watched the show from the very beginning, we’ve seen entrails out of people, we’ve seen bloated walkers in wells, we’ve seen people literally ripped to shreds. The reason that episode, the first episode, destroyed as much as it did, was because it was someone that we had been with from the very beginning, and it happened to him.

    But we’ve seen violence equal to, or at times worse, than what we saw in that episode. So I’m not going to tap out because a show about zombies is violent. And I also am not going to tap out before I see the person that caused the violence get their comeuppance. I believe the second half of this season is going to be amazing. I believe that my group is going to find themselves again and come together, and fight back this evil as they always do, and I’m going to be on my couch watching it when it happens.

    At the Globes, Meryl Streep made a sensation, and you yourself have been outspoken on Twitter about politics. I find it ironic that Donald Trump is someone who used his celebrity platform to actually end up in the highest office of the United States of America, and yet actors shouldn’t say anything?

    Isn’t that interesting? Doesn’t the irony just wash over you like an acid bath? That’s what someone said on Twitter. I thought that was a perfect way to say it. I’ve never felt that your vocation prevents you from being American. I never thought that your vocation or your profession prevents you from speaking up about things that grieve your spirit.

    I believe that you are given a platform to use responsibly. I try to do everything in my life with love, with kindness, and with care. When the nation is confronted with someone who mocks disabled people, who assaults women, who vilifies religion — certain religions — and vilifies certain races and ethnic groups, who tears down the family of a soldier who has passed away, who’s called women pigs, and dogs. As a black woman, a double minority, who would I be if I did not speak out against that evil?

    And I don’t care what office he’s in. He’s not the best of America. I’m not saying he can’t be better. It is my sincere prayer that he will get better. But I’m saying what I’ve seen right now, as long as it stays like this, as long as I’ve got air in my breath and Twitter followers, I don’t care if it’s five of us by the time I’m done, I will continue to speak about the things that are not the best of us.

    As a celebrity that’s very wired into social media, you’re a bigger target than me when people disagree with you. How do you handle that?

    Most of them are ignorant — and I didn’t say “dumb,” I said “ignorant.” They don’t know, and a lot of them don’t know that they don’t know. That’s not saying they can’t open up a book, Google a reputable news source and find out, they just don’t know. So the first thing I try to see is, is this someone that is reachable? Because if they’re reachable and they just don’t know, then I’m going to try to share what I can to pull them back from the brink.

    But you’ve got someone in power working against that by calling news fake, and vilifying journalists, and saying that anything that is said that doesn’t come from this source is not true. I knew something was wrong when he told his followers not to watch the DNC. So I watched the RNC. I watched every minute of it. I’ve watched every debate from all of the parties. I am fully aware of every single person that ran. I watched everything. That’s how you make a decision.

    So if all you hear is one side of a story, and you have someone saying, “My side is the truth, but that person is lying,” how will you know? My heart broke when he did what he did to that CNN reporter. My heart broke. Because this is a man that has the most power in the world telling the people that are going to keep him in check “You don’t matter. Your questions don’t matter, and what you put out is not real. Because you’re saying things about me that I don’t like.”

    If he was a decent man, and he heard that a foreign power had intruded in our electoral process, and he cared about this country, he would say, “Stop everything. Let’s redo all of this. Because I don’t want it if I didn’t earn it, and I definitely don’t want it if somebody wants me because it benefits them, and that person is possibly a war criminal.”

    You guys don’t know yet about the future of “The Odd Couple”?

    We don’t. No idea. No, we have no idea. We literally will find out in May, and they have us until June. And listen, we did the best we could, CBS did the best they could, Nielsen numbers count. That’s why I’ve been begging to everyone, I’m like, “Guys just watch these last three. If you’ve never seen the show, please tune in.”

    They put us behind Matt LeBlanc‘s show and we held on 100% to his — and he was a rerun, and we held on to all of it. That’s the first time this season we’ve held on to 100% of our lead-in. I think Matt into Matthew [Perry] would have been a really great opportunity for our show. I don’t know why it never happened.

    Did you get to have many encounters with Garry Marshall before we lost him last year?

    I did. There’s actually a video of me talking to [TV Line’s] Michael Ausiello where I cried like a baby through the whole interview about Garry. He was simply the best that there was. The only person I can think of that even comes close to his level of caring for other people is Henry Winkler. The two of them are cut from the same cloth.

    This, in my opinion, perfectly encapsulates who Garry Marshall was: he said, “It’s nice to be important, but it’s more important to be nice.” And he lived that. I don’t care if you were a street sweeper, or President of the United States. Garry treated you exactly the same and it was with love and kindness. And if you were rotten, he let you know you were rotten, and you didn’t have to be that way. You could do better, because we don’t do that here. And he created sets with lovely, wonderful people for that reason.

    I felt his loss stronger in certain instances than some family members that I lost, because there’s not a time in my life where he wasn’t a part of it. I love entertainment, so at every point in my life, there’s a Garry Marshall moment, a Garry Marshall memory. Then to get to work with him, and he was lovely, funny, and an encyclopedia of sitcom info.

    When he did the episode he did with us, getting to act with him was amazing because he’s got little tidbits: “When you cross, you make sure you ring the doorbell, then knock on the door — it’s funnier.” And sure enough, if you rang the doorbell and then knocked, the crowd went “Yaaah!” It’s like he understood the math of how a joke hit someone in the funny bone.

  • Will ‘The Walking Dead’ Really Make It to Season 12 (or Even Beyond)?

    How long should “The Walking Dead” last, and would you give the same answer today that you would’ve given last year or the year before?

    This week, the Internet dug up some quotes that TWD comic book writer Robert Kirkman dropped into his Letter Hacks column last May. No idea why the quotes are just circulating now, other than that the longevity of the series is always an interesting talking point and fans get bored over the winter break.

    In Issue 154, which came out in early May 2016, a fan asked what would happen when the show caught up to the comics, because it seemed to be happening quickly.

    Here’s Kirkman’s response (via Moviepilot):

    This came up in a couple letters, and yeah I can see how going from #75 to #100 in 8 episodes may cause some concern. But the show does double back on the comic from time to time, like presenting the Billy and Ben plot in a new way. Plus we’re still 54 issues ahead… Or really, 54 and a half since the cliffhanger interrupted the events of #100…

    Yeah, look at it this way … it took us 6 seasons to get to 100. It won’t take us 6 years to get to 200 and that will take us to season … TWELVE. And we’ll STILL be ahead of the show at that point.

    And if the show is still going strong at season 12 … well, that would be about the most amazing thing ever … so we’ll all be too busy celebrating to worry about anything.

    Season 12! Did he mean it? Kirkman’s letter was printed after the Season 6 finale, but long before AMC aired the October Season 7 premiere.

    AMC presents "Talking Dead Live" for the premiere of "The Walking Dead"For reference, “Walking Dead” Issue 100 covered Negan’s first meeting with our group, when Lucille took Glenn’s life. We saw that in the Season 7 premiere. The Season 7 midseason finale, which aired in December and included Spencer’s death, was covered in Issue 111. The comic book is currently up to Issue 162, which will be printed January 4, 2017.

    The TV show is still about 50 issues behind and a lot happens in those issues, so fans don’t really need to worry about a “Game of Thrones” situation where the TV show outpaces the source material. However, fans may need to worry about how much TWD is too much TWD. Is there such a thing?

    TV shows rarely stay strong well into the double digits, and Season 7’s dip in the ratings (and fan indignation) revealed that the show is not indestructible even with longterm viewers. That said, “The Walking Dead” is still the biggest thing on TV for 18-49 viewers, so AMC probably hopes it does continue to Season 12 and beyond.

    How long should the show continued, in your opinion?

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  • ‘The Walking Dead’ Season 7 Will Push Apart Rick’s Group

    Is it too late to not pick a fight with Negan and the Saviors? Sigh. “The Walking Dead” Season 7 starts October 23, and we’ve been warned that one of our group meeting Lucille up close is just the beginning. Robert Kirkman, who writes the “Walking Dead” comic books and executive produces the AMC show, talked to Entertainment Weekly about the arrogance of Rick Grimes’s group up to Season 6, including misinterpreting the situation in Alexandria as the situation in the new world at large.

    “They kept encountering groups along the way that weren’t as prepared as them. Alexandria, to a certain extent, is kind of their downfall because they encounter these people that are completely unprepared for this and they’re like, “Oh my God, we’re the s—. Like, these people know nothing about what they’re doing, and we have to teach them and we have to show them our ways and our ways are best.”

    As Kirkman noted, that blinded them to the fact that there are others out there — like Negan and the Saviors — “that maybe survived worse, and maybe did worse things to survive those things, and are maybe more prepared than they could ever be, because there are a lot of lines that Rick and his group won’t cross that Negan and his group have had in their rearview mirror for years. So it really changes things. It’s not just a death, it’s a fundamental shift in their outlook on this world that’ll change everything.”

    Season 7 is meant to expand our group’s world even more, introducing new survivors in smaller groups and larger communities like The Kingdom, along with Hilltop — which was introduced in Season 6 — and the Saviors base.But we’re really concerned about the people we’ve known and loved for years. (There are already enough people to follow without adding more. Just saying.) EW asked Kirkman how the “blame game” is going to work, in terms of Rick’s group reacting to what happens with Negan. Kirkman’s answer promises more trouble ahead even within our group:

    “It’ll introduce a new level of fear for these characters that hasn’t really been present since the first couple of seasons. That fear’s going to affect them all in different ways, but it will be pushing them apart in a lot of different ways as well, so there’s going to be a lot of division in the group and a lot of conflict.”

    Sucks to live in the apocalypse, y’all. The farm isn’t looking too bad right about now. All they had to do was lead those walkers out and rebuild the barn. But in terms of the comic book, that “division” kinda sounds like foreshadowing of Maggie’s big move, no?

    Anyway, our team’s dark times get darker starting Sunday, October 23 at 9 p.m. ET on AMC.

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  • How Patrick Fugit Was Possessed by Robert Kirkman’s ‘Outcast’

    Patrick Fugit in Cinemax's OUTCASTWhen we first met Outcast,” he more than lives up to the title, playing a man whose entire life has been defined by the demonic possession of his mother, leading him to lead a pariah-like existence in the small town increasingly plagued by bodily invasions from another realm.

    The brainchild of “The Walking Dead” creator Robert Kirkman — and like that project, based on the Kirkman-penned Image Comics that debuted in 2014 — “Outcast’s” horrific charms quickly found their demonic way into Fugit’s head, and the actor reveals the joys of finding bright spots in the darkness, getting bloodied up and repossessing the possession genre.

    On getting possessed by Kirkman’s writing:

    Patrick Fugit: “I had watched and somewhat enjoyed ‘The Walking Dead,’ but it was the scenes that they sent. They were scenes that were written just for the [casting] session, because they weren’t releasing the first script yet, so the scenes were a lot about Kyle’s struggle, Kyle’s sort of darkness.

    “But then there was also this great scene … a scene between him and his wife before they had a daughter, before anything dark or tumultuous happened with their relationship, and it was a very bright, very sweet scene that really communicated like a totally different side and like an inner brightness in Kyle that was really nice to explore. Particularly, when it was shrouded by darkness in the second scene, which is more him talking to the reverend and recounting what happened between him and his mother when he was young, and the possession.

    “So it was like these two contrasting scenes, and I felt like if the brightness could be carried through and just be surrounded in that shell of turmoil and darkness, it would be cool and interesting. So it was a nice duality that I like about the character. That was kind of what initially got me in there.”

    On all the blood he wears in “Outcast”:

    “Man, I get a lot of blood in the season that we shot! It’s cool. Blood’s like a thing when you’re on set. As soon as you put it on the actor’s face, because then they have to match it later in the day. If you come back like two days later to shoot the second part of that scene, or if we’re like having a fight in this hotel room and my face gets bloody, we shoot that all today, but then like in three days we’ll be filming where I walk outside or something like that, so the blood has to be exactly the same.

    “So productions tend to, like, pussyfoot around blood. They’re like, ‘If we just do like two drops, then we’ll match it no matter what.’ I was like, ‘No – cover my face in blood! I want spit and blood, and I want scars,’ and like that sort of thing. So it was fun.”

    On entering the world of comic-book adaptations:

    “Robert [Kirkman] is like a comic rock star. When we go to anything that has to do with comics, he’s the dude. So I feel there’s a huge responsibility. It’s always been, anything that has to do with comics, or is like an adaptation of a comic, is always sort of as like an unwritten rule, just broached with like a respect, because the audience that you are making that film for cares a lot about the source material. So I felt it was important to get it right, and to really reach for the tone and stuff that Robert and Paul [Azaceta, the artist] have created with the comic.

    “I think there were five or six issues out before I went into really do the screen testing for the show. What was impressive was Robert’s writing of the first episode was good enough that it communicated everything that I had gotten from the comic. So he’s obviously very conscious, and so is Chris Black, about making sure that all those tones and themes parallel each other from the show to the comic.

    “Obviously, we get to explore a lot more in the show, and there’s more texture and depth because we have a greater number of tools and we have a lot more time to tell the stories.”
    Patrick Fugit, Philip Glenister in Cinemax's OUTCASTOn the camaraderie he’s found, on-screen and off-, with his partner-in-exorcism, Philip Glenister (pictured, right), who plays Rev. Anderson:

    “Well, he’s a great actor — I mean, he’s, like, trained. He’s a legitimate actor. Yeah, from very early on, he’s very loose and he’s very humorous. He’s a joker — he’s a bit of a clown, but he’s playing this pretty serious role.

    “We have a lot of scenes inside really uncomfortable situations … where we really got to bond. Kyle and the Reverend have a lot of tension that builds through the scene. They have very different perspectives of what they’re dealing with. Once they start to find the groundwork of all this stuff that’s happening with this small town with the possessions and that sort of thing, both of their views and beliefs are kind of challenged and start to crumble. What they find after that isn’t necessarily the same thing.

    “So they’re on kind of different personal journeys, and that creates a lot of awesome tension for the scenes that we got to do. Doing them with a total titan like Philip is amazing. I just have to try to keep up with him.”

    On what appealed to him about the possession genre:

    “Nothing. When I read the first thing, it was like, it’s about possessions. I was like, ‘All right …’ And then I read the first episode and I was like, “Oh – okay!” It was interesting for me, after I read it, because Robert was doing something that I feel like he’s been good at with ‘The Walking Dead,’ and is also just getting better at, which is taking what we already know about possession genre and that sort of thing, and using that to sort of shift the perspective, shift the rules around. How these things interact with humans, what it means.

    “Then, some really cool stuff that I can’t spoil, but cool stuff towards once we get into the season and really rolling, there are moral choices that surround what these things are and what Kyle can do with and to them, and what happens to the person when he does that. That’s when Reverend and Kyle have a lot of tension as to what the plan should be.

    “So I think it is a possession genre, but it’s a different perspective now with what Robert’s created. Similar to what he does with everything. It’s like he takes something that has trappings or tropes that we’re all familiar with, but then those are sort of set up to misdirect us in a way, which is really cool.”

    “Outcast” premieres tonight (June 3) at 10 p.m. ET/PT.

  • Why ‘The Walking Dead’ Creator Is ‘Disappointed’ With ‘Game of Thrones’ Author

    UPDATE: Robert Kirkman clarified, and joked about, his GRRM quote in a series of tweets:


    Original post:

    There’s a funky kind of nerd rivalry happening with “Game of Thrones” and “The Walking Dead.” They are both insanely popular, with crossover fan bases, and both based on ongoing print series that are now slightly-to-very different from the TV versions. TWD creator Robert Kirkman just did an interview with Rolling Stone, and he dragged GoT author George R.R. Martin into the story to shame! shame! shame! him for spoiling his own work.

    Kirkman, “Walking Dead” comic book writer and TV series executive producer, is now working many, many issues ahead of the storyline of the AMC show, which premieres Season 7 in October. On the other side of the coin, GRRM has yet to finish the behemoth tome that will be the sixth of seven books in his “A Song of Ice and Fire” series. The first book, “Game of Thrones,” became the title of the HBO show that is currently covering new ground in Season 6.

    GoT viewers are now getting a mix of material from previously published books; new material that’s exclusive to the show; and some stuff that will be in the next books, so it’s being “spoiled” by HBO. Kirkman shamed GRRM in Rolling Stone for telling GoT showrunners David Benioff and Dan Weiss the major bullet points and end game for the rest of his series. That’s not something RK would ever do for showrunner Scott M. Gimple on “The Walking Dead.”

    Here’s that portion of the Rolling Stone Q&A:

    Do you have an end game for Dead in mind?
    For the books? I do. I know how the story wraps up. The big question is when and how far in the distance that is. But I think that most people think, oh, why would he end it? It’s so successful, he’s going to keep throwing shit at the wall to keep it going. And that’s not going to happen. You’ll eventually be able to see that it all kind of comes together.

    There’s still plenty of story for the TV series to get to; you could tell the writers where you’re going, and …
    I would never do that. That’s the one thing I’m disappointed in George R.R. Martin for doing. He should have just been like, F-ck you. You make it up now, I’ll get to mine when I’m ready.

    Eh. Would you have done that, if you were GRRM? It’s a tricky spot to be in. This is his story, so you can understand if he wants the showrunners to hit the big picture notes, even if it will never be *the* definitive adaptation of “A Song of Ice and Fire” since they already skipped so much and changed so many details. But the overall storyline?

    Maybe it’s good that he told D&D so they stay true to GRRM’s characters. Maybe the show should’ve waited a few years to premiere, so there was a better chance of aligning with the books. Or maybe they should’ve added more seasons to the show, with two covering each book so they cover more ground and give more time to finish the story. Maybe, maybe, maybe. But plenty of GoT viewers don’t even read the books, and may not even pick them up until the series is finished, if at all.

    It sucks that book readers are going to be confused by book-to-TV-to-book changes when “The Winds of Winter” finally arrives, but it’s not like Robert Kirkman’s comic book is being slavishly adapted for TV either. Not at all. And both writers are credited as executive producers on their respective shows — which have helped to make them super rich — so they do have responsibilities to their showrunners, as opposed to acting like they are competing with them.

    By the way, slightly off topic but also from the Rolling Stone interview, here’s RK defending the controversial Season 6 finale cliffhanger:

    Did it surprise you when people were up in arms over the recent season finale?
    We knew that people might be upset, but come on! Everybody wants to see what happened. That’s what a cliffhanger is. I’ll probably get crucified for this, but I feel like there’s a culture of instant gratification now: Netflix, social media, everything is on demand at all times. Nothing is withheld. You can’t do 52 episodes a year. It’s just not feasibly possible. If you can do something that has people talking about your show in that gap between seasons, that’s great. We just ask that if you’ve enjoyed the show so far, just know, Season Seven is going to be pretty great.

    It remains to be seen whether showrunner Gimple stuck with Kirkman’s comic book storyline on that cliffhanger reveal or not.

    Anyway, where do you stand on all of this? Would you, as Kirkman or GRRM, share your end game plan with the showrunners or tell them to make it up so you can keep your secrets for the page?

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  • ‘The Walking Dead’ Brilliantly Mocks Glenn’s Season 6 Storyline

    At least we can laugh about it … for now. “The Walking Dead” fans are waiting for Season 6 to return and probably torture Glenn Rhee (“Making a Murderer” and Glenn’s fake-out death in the first half of TWD’s 16-episode season.


    Nice.

    Verdict: Showrunner Scott M. Gimple, we find you guilty of trolling fans.

    Glenn was let off the hook in the first half of the season, but what fresh hell is to come for the father-to-be and his friends? “The Walking Dead” Season 6 returns on Valentine’s Day, Sunday, February 14.

    [h/t: TV Guide]

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  • Shocker! ‘The Walking Dead’ Renewed for Season 7

    That “shocker” comes with free sarcasm, of course, since AMC needs “The Walking Dead” franchise like Daryl Dixon needs his crossbow. AMC just announced that it renewed both “The Walking Dead” and its post-show therapy session, “Talking Dead,” for the 2016-2017 season.

    That’s Season 7 for TWD, which has been sticking with a mid-October to late March/early April schedule of 16 episodes (with a midseason break from early December to early February) since Season 3. It sounds like showrunner Scott M. Gimple, the series’s third showrunner, is keeping his gig for Season 7 and, probably, beyond.

    Back when they were still filming Season 5, comic book writer/executive producer Robert Kirkman talked about Season 7 (and the comic) to Entertainment Weekly Radio:

    I’m still doing the comic … and plan in doing it for many, many more years,” Robert said. “And right now I would guess that the issues that we are doing as we speak are material that could be adapted into like a Season 10, 11, or 12, depending on how we adapt things. And we’re not stopping. So five years for now we’ll be doing comic books that could be, you know, Season 15. Now, it’s unrealistic to think that a show could go on for that long, but if the show remains successful, the potential is there for that. … All that said, I’m just hoping and praying we make it to Season 7.”

    Well, his prayers were answered on that front. He may have randomly said Season 7, or already knew that Season 6 was a go so he just said the next one, or could that perhaps be when a certain Negan shows up and he’s particularly excited for that storyline?

    Anyway, here’s a quote from Charlie Collier, president of AMC, SundanceTV and AMC Studios, in AMC’s press release announcing the renewals:

    Thank goodness someone had a Magic 8-Ball with them in our many long internal meetings about these renewals. When, on the third shake, ‘without a doubt’ filled the murky blue screen, we knew we had to proceed with new seasons of ‘The Walking Dead’ and ‘Talking Dead. All joking aside, we are so proud to share these shows with fans who have been so passionate, communicative and engaged. We are grateful for and continually impressed by the talent, effort and excellence on continuous display by Robert Kirkman, Scott Gimple, Chris Hardwick and the many people with whom we partner to make these unique shows possible. The result: More Walking and Talking. Hooray.”

    Expect Season 7 to premiere in early-to-mid October, as usual. Congrats, TWD Family!

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  • The One Character ‘The Walking Dead’ (Probably) Won’t Kill

    Melissa McBride as Carol Peletier and Norman Reedus as Daryl Dixon - The Walking Dead _ Season 5, Gallery - Photo Credit: Frank Ockenfels 3/AMCIt’s been said time and time again about the characters on “The Walking Dead”: No one is safe. And while that’s still technically true, executive producer Robert Kirkman has admitted that there’s one notable exception.

    While appearing at a “Walking Dead” panel at New York Comic Con last weekend, Kirkman told the crowd that he purposefully changed Carol’s (Melissa McBride) character from the comics, transforming her from meek abuse victim on the page to the badass survivalist who can blow up an entire town without breaking a sweat that we know onscreen. That was a conscious decision, Kirkman explained, and he’s hesitant to kill her off (for now, anyway) as a result of that significant change.

    “The Carol that’s in the comic was my attempt to show just how broken an individual can become from the zombie apocalypse,” Kirkman told the NYCC crowd. “The Carol in the show, which is a much better character let’s be honest, actually is made stronger by all the more horrible things that happen to her in the show. Killing her would definitely not … we can’t do that.”

    The crowd was mostly in favor of Kirkman’s logic (when the producer asked if anyone wanted Carol to die, most of the assembled shouted “No!,” though a few people did answer “Yes”), and we are, too. After all, Carol really came into her own as the show progressed; she started out fairly forgettable and frankly, annoying (remember the search for Sophia? Oof), but eventually became one of the MVPs of the series. And her recent reprisal of her meek character in an effort to fool the Alexandrians is nothing short of genius.

    As for all those other sad souls the show has lost over the years — and no doubt will continue to lose in the future — Kirkman said he did have some remorse over those decisions.

    “If I didn’t have any regrets, if I didn’t still wish that those characters were around, then I feel like I wouldn’t have done my job,” he said.

    [via: Vulture]

    Photo credit: Frank Ockenfels 3/AMC

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  • ‘The Walking Dead’ Boss Cancels Comic-Con 2015 Plans After Throat Surgery

    Where’s Daryl Dixon with an emotional ugly cry when you need one? Robert Kirkman is the “The Walking Dead” comic book writer and AMC show executive producer, and also producer of the spinoff, “Fear the Walking Dead,” and he has a dozen other jobs. He was going to promote them all this week at Comic-Con 2015. He’s a SDCC staple — Norman Reedus (who is also in Kirkman’s upcoming movie “Air”) even called him “the God of Comic-Con.” But this deity is a little too mortal, and throat surgery is going to bench him from the many panels he was scheduled to speak at this week. Fans will truly be missing a lot of important insight without Kirkman’s voice.

    Here’s the (surprisingly funny, especially toward the end) update from Robert Kirkman, posted July 7 to his Skybound site:

    People of Earth,

    It is with tremendous regret that I must inform you that I will not be attending Comic-Con International in San Diego this year. I won’t be at the Skybound Comics panel in room 7AB on Thursday, 7/9, from 12-1pm or our Skybound Entertainment panel in room 6BCF from 3:30-4:30pm that same day. I won’t be at the WALKING DEAD or FEAR THE WALKING DEAD panels in Hall H Friday, which are taking place at 12pm and 1pm, respectively. I won’t be at the OUTCAST TV show panel in room 6DE on Saturday, 7/11, from 3-4pm. I won’t be signing at the Image Comics/Skybound – booth #2729. I won’t be at the Skybound Fifth Anniversary and AIR Premiere event. I won’t even be across the street at the Walker Stalker Fan Fest located at Petco Park, where you can get a hands on experience with OVERKILL’S THE WALKING DEAD ahead of its 2016 release. Unfortunately, after years and years of being healthier than my physique would indicate I had to have minor surgery on my throat. Nothing serious, but in the aftermath of such a fun experience, it comes with a brief duration of time where I’m unable to speak so all that pink business inside me can heal. As luck would have it, that period of time overlaps with Comic-Con.

    This is the first Comic-Con I’m missing in well over a decade. While I’m bummed that I can’t be there, there’s nothing keeping you from enjoying all the fun events I mentioned above despite my absence. Have you seen Andrew Lincoln’s eyes up close? You don’t want to miss those! Don’t pass up the opportunity to ask both Patrick Fugit and Kim Dickens how much I enjoyed their performances in Gone Girl (hint, a lot). Believe me when I tell you the trailers we’re debuting for each of these three TV shows and Skybound’s first feature, AIR, are phenomenal and you’re definitely going to want to be among the first to see them. The Skybound booth is going to have all kinds of ridiculously awesome stuff at it, including a crossbow that fires littles foam darts. I’ve been terrorizing people around the office with it for months.

    I plan on making my triumphant Comic-Con return next year, you’ve been warned. Until then I’ll just be catching up on work and eating a lot of ice cream. So go to a panel, buy an overpriced hotdog, and think of me when you’re buying Transformer toys. I wish you all a fun and safe Comic-Con. Someone please be sure to bootleg the Deadpool trailer for me!

    -Robert Kirkman

    There you go — you have your marching orders: Bootleg the “Deadpool” trailer for “The Walking Dead” creator, since he won’t be there in person. Also, the big “Walking Dead” Season 6 trailer will be released this Friday, July 10 during the TWD panel; after it premieres, we should all tweet Kirkman with questions about it, since he seems to have some free time. Get well soon, man!

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  • ‘The Walking Dead’ Spinoff Premieres August 23, 2015


    UPDATE: It was just announced during Comic-Con 2015 that “Fear The Walking Dead” will premiere Sunday, August 23 at 9 p.m. ET on AMC. Season 1 will be six episodes, so this will lead up to the Sunday, October 11 premiere of “The Walking Dead” Season 6.

    Original story:

    “The Walking Dead,” will launch the six episodes of Season 1 this August.

    It’s always nice when The Powers That Be do what makes the most sense, and this timing makes sense. Season 6 of the main “Walking Dead” show will premiere in October, so August is a fitting start for “Fear,” to lead into the mother show. AMC has yet to announce specific premiere dates for either “Fear” Season 1 or “Walking Dead” Season 6 (guessing Sunday, October 11 for the Season 6 premiere), but Robert Kirkman — who executive produces both shows — dropped the August confirmation into a “Fear” Q&A with Fangoria.

    Kirkman noted that “Fear” is being shot digitally, not on film, so it will have a different look from the main show. He also said the L.A.-set “Fear,” which is set at the dawn of the zombie apocalypse, will have “more chaos” and be “more hectic” in its first season and moving into Season 2 than the first season of “The Walking Dead.” Fangoria asked about the potential for a limited event series in another part of the “Walking Dead” universe, and that’s when Kirkman talked about the August premiere and potential for more series:

    There’s always a possibility for [a limited event spin-off], and I certainly wouldn’t rule it out even though I can say there are no current plans to do that. I think everyone is working hard on ‘The Walking Dead’ and ‘Fear the Walking Dead’ to make them the best series they can be, and I think everyone’s happy with their work since we’re all doing our jobs. I’m really excited for ‘Fear the Walking Dead’ to debut in August and for people to see just what we’ve done, but we’re not in a hurry to continue expanding the world of ‘The Walking Dead.’

    It’s important to note that AMC and the producers didn’t rush to capitalize on the success of ‘The Walking Dead’ until we were going towards our sixth season. We’re not going to be focused on too many different things right now. So let’s see how ‘Fear the Walking Dead’ goes first and then we’ll have nine spin-offs, and that’ll be great.”

    We’re very curious to see how “Fear” looks — and also see how well it does in the ratings. TWD was a hit out of the gate and it keeps building steam each season. Will “Fear” do the same? Are you excited for this August premiere or will you wait to see what fans and critics say before deciding to invest your time?


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