Tag: robert-de-niro

  • What if Martin Scorsese Directed ‘The Lion King’? Watch and See

    Warning: This may ruin your childhood memories. So get that through your f–king head now before it’s too f–king late. The creative folks at BloodBlitz Comedy — the evil geniuses behind “If Harry Potter Was the Villain,” “If Elsa Was the Villain,” and “If Joffrey Was the Hero” — recently took on “The Lion King,” imagining how the Disney movie would look if Martin Scorsese created a trailer.

    The result is “Lion King: A Tale of Two Mobsters,” which uses audio from Scorsese’s “Casino” and turns Timon and Pumbaa into Robert De Niro and Joe Pesci, complete with (bleeped) f-bombs and lines to poor Simba like “You sh-t-kicking stinky horse manure smelling motherf–ker, you. You f–k me up over there, I’ll stick you in a hole in the f–king desert, you understand?” Yikes! If only Pesci and De Niro just sang a few bars from “Hakuna Matata,” everything would be OK.

    Here’s the “trailer”:


    As one commenter requested, next they should do “If Tarantino Directed Toy Story.” “To infinity and be–“ [EAR SLICE]

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  • Watch Tom Hiddleston Do a Classic Robert De Niro Impression, in Front of De Niro

    That Loki is impressive as hell. “The Graham Norton Show” alongside Robert De Niro, Anne Hathaway, and Kenneth Branagh — what a great lineup! — and the conversation turned to impressions.

    Tom Hiddleston stole the show, and started his mimic-fest by doing an impression of Owen Wilson from “Midnight in Paris.” Tom said he’s been made to do impressions of his “Avengers” co-stars, and admitted a Christopher Walken impression is easy … but pretty much irresistible, so he did that too. Then he braved a De Niro impression, on the same couch as De Niro.

    Tom said he’s memorized pages of the “Heat” script and re-enacted a scene, acknowledging that De Niro would be familiar with it, since he was there, shooting the 1995 scene with Al Pacino. It’s kind of hilarious to see Tom explain the scene as if he is the expert, but he’s self-deprecating about it and it’s very charming, especially when he demonstrates both roles for De Niro.

    Watch and love:


    Ten points to Gryffindor for the bravery to attempt that scene in front of the legend. De Niro seemed to appreciate it. At least he was a good sport about it. You have to imagine he gets “you talkin’ to me?” a thousand times a day, so he must have patience about these things.

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  • Robert De Niro Walks Out of ‘Negative’ Interview, Readers Take Sides

    You talkin’ to Robert De Niro? Better not be talkin with “negative inference” or he will not stand for it, darling. De Niro is promoting “The Intern,” because that’s part of the job, and the 72-year-old actor walked out of an interview with the U.K.’s Radio Times after an interview started to rub him the wrong way. After reading the rundown from Radio Times, many fans are backing De Niro, arguing that the reporter editorialized and framed things in a negative light when writing up the story of De Niro’s ill-fated interview.

    For example, the interviewer wrote that De Niro looked “depressed” and said something “glumly,” which already has a negative connotation. Here’s a portion of the write-up, shortly after De Niro answered the reporter’s question about how he preserves against “autopilot” when he’s been doing his job for so long:

    …De Niro swivels his eyes up from the floor and asks me to pause the voice recorder.

    “Why?”

    “Could you just do it?”

    I do it. He then pops up out of his chair, starts pacing madly and says he’s cutting short the interview because of the “negative inference” of what I just said.

    “What, about the bankers?!” I am genuinely amazed.

    “All the way through,” says De Niro. “All the way through, negative inference.”

    “Er, like where else?”

    “The whole way through and I’m not doing it. I’m not doing it, darling.”

    “But,” I suggest, “all I’ve been doing is asking you reverential questions about your methods as an actor.”

    “You’re probably not even aware that you’re doing it, the negative inference, the negative inference.”

    “That’s quite a presumption.”

    “I’m a very good reader of character.”

    “So am I.”

    De Niro has paced all the way to the door by this point, and is sticking his head out, looking in vain for an aide to come along and save him. Walking into the corridor alone doesn’t seem to be an option.

    “Hang on,” I say, “so where else am I being negative?”

    “The question about being on auto-pilot – negative inference.”

    “Wait, but I asked that question to establish how it is you manage not to be on auto-pilot.”

    “There’s a negative inference.”

    “I have to say, now that you’re going on about it, it makes me think you were on auto-pilot and you’re super-sensitive about it.”

    His jaw starts working and he looks wildly around the room as if in search of a window to jump through. “I’m not doing this, darling,” he says.

    “I think you’re very condescending.”

    “Oh, you think ‘darling’ is condescending?”

    I suppose this is what’s called the artistic temperament…”

    It goes on, but based on reaction to the original story and others, readers seem to be Team De Niro, and not just because he’s a famous actor and therefore can do no wrong. Things definitely get heated in the comments at the reporter’s expense, fairly or unfairly, but here’s a polite response that sums up the consensus: “You did have a negative inference. Sorry.” However, not everyone supported the legend. As one reader put it, “I can’t believe there are so many negative comments aimed at the interviewer here, I say good on her for Robert De Niro on his spoiled brat behaviour. As far as I could make out there was nothing wrong with the question she asked, she was simply trying to understand his process.”

    What do you think?

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  • Robert De Niro Praises ‘Terrific’ Anne Hathaway

    He’s a two-time Academy Award winner who has appeared in more than 95 films alongside Hollywood’s most talented actresses, so any form of praise from Robert De Niro speaks volumes.

    And in filming “The Intern” with Anne Hathaway, the veteran actor found a formidable costar.

    “She’s great, She’s terrific,” he gushes to Jimmy Fallon on “The Tonight Show.” “It was a long shoot and a difficult one, but worth every bit of time.”

    The comedy sees him as a senior intern at online fashion website, whose wisdom and life experience makes him Mr. Popular among his cohorts, including his boss, played by Hathaway.

    For De Niro, staying busy and employed in his senior years is something that he shares with his character, whom he describes as happy to be “wanted, needed, appreciated, have a job.”

    “I’m retired, so therefore I have to create new things to do,” he says of the character, “and there’s plenty to do in a certain sense, but in another, there’s not anything to do. So, he’s very happy to get involved with these young people who start this startup—it’s very successful.”

     

    Looking ahead, De Niro has a project on Bernie Madoff on HBO, and he’s working on a Martin Scorsese film called “The Irishman” with Al Pacino and Joe Pesci.

    The Intern opens on Sept. 25.

    Click here to watch “The Tonight Show” segment featuring Robert De Niro.

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  • Best of Late Night TV: Ariana Grande’s Musical Impressions, Jake Gyllenhaal’s Cake Revenge on Amy Schumer

    If you’re like us and value your sleep, you probably nodded off into your Ambien dreamland before the party started on post-prime time TV. Don’t worry; we’ve got you covered. Here’s the best of what happened last night on late night.

    Ariana Grande isn’t always that great at being Ariana Grande (DonutGate) but she’s pretty much perfect at being Britney Spears, Christina Aguilera, and Celine Dion. Watch her mimic her peers in “The Tonight Show Starring Jimmy Fallon’s” classic Wheel of Musical Impressions game: Robert De Niro, also on “The Tonight Show,” confirmed he has a project coming up with Martin Scorsese, Al Pacino, Joe Pesci, and *maybe* Harvey Keitel. The working title is “The Irishman.” De Niro also did a Jimmy Fallon impression to match Jimmy’s impressions of him. “The Tonight Show” also did a great GOP debate spoof, “The Debating Game” a version of “The Dating Game” with three candidates (with Fallon as Trump, obviously) trying to win over an undecided voter: Jake Gyllenhaal was on “Late Show With Stephen Colbert” and responded to Amy Schumer’s cake theft. Amy, who was on Stephen’s show last Friday, lived in Jake’s house for a while. (Jake said everyone in Hollywood knows each other and just lives in the same house.) While in Jake’s house, Amy found a frozen cake reading “Happy Birthday,” so she ate it, and taped herself eating it. So Stephen enabled Jake’s revenge, breaking out a similar-looking wrapped cake so Jake could eat it on air. “Hey, princess, what’s going on?” Jake said, looking into the camera. Stephen also took a bite, and Jake instructed him to “bite where I bit.” “The Late Show” also mixed the 2016 presidential race with “The Hunger Games” to create “The Hungry For Power Games”: Josh Brolin and Seth Meyers had a “Back in My Day” chat, getting all grandpa (GILFs?) about how things were simple and better way back when … before Starbucks started serving alcohol: John Stamos talked to Jimmy Fallon about being a GILF on his new show “Grandfathered” and — since Stamos is a sitcom king — they made their own sitcom openings. Love the fake set and wigs: Paul Bettany was on “Conan” and continued the “Avengers” team’s beef against Jason Statham. Jason had dissed the “Avengers” for all the stunt doubles they use and Paul suggested Jason get an acting double. Over on “The Late Late Show,” Pauley Perrette and Alice Cooper covered James Corden in some of Alice’s makeup to give him the Alice Cooper rock star treatment:
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  • ‘Goodfellas’: 25 Things You (Probably) Didn’t Know About Scorsese’s Masterpiece

    “I want people to get infuriated by it,” Martin Scorsese said of his initial impulse in making “Goodfellas.” “I wanted to seduce everyone into the movie and into the style. And then just take them apart with it.”

    In fact, some people were appalled and repulsed at the early screenings of “Goodfellas,” which opened 25 years ago this week (on Sept. 19, 1990). At one test preview, there were mass walkouts within the first 10 minutes. But Scorsese’s angry gesture soon backfired. Viewers did get seduced by the lowlife mobsters (taken from Nicholas Pileggi’s 1985 true-crime book “Wiseguy”) and the director’s own adrenalized filmmaking style. Instead of an assault on the audience, “Goodfellas” became one of the most influential and beloved movies of the past quarter century.

    In honor of “Goodfellas” turning 25 this week, here are 25 things you need to know about Scorsese’s masterpiece. Don’t let that red sauce burn on the stove while you’re reading.
    1. The real Henry Hill was an associate of the Lucchese crime family, who later went into the federal witness protection program in 1980. Pileggi’s interviews with Hill made up the bulk of “Wiseguy.” He earned a reported $480,000 as a consultant on the film, whose details he would later praise as 90 percent accurate.

    2. Unlike the character portrayed by Ray Liotta, who witnesses several murders but never kills anyone himself, Hill admitted to Howard Stern that he had murdered three people on orders from Paul Vario, the real-life model for Paulie Cicero.

    3. The real Tommy De Vito (as played by Joe Pesci) was named Tommy “Two Gun” DeSimone. Unlike the diminutive Pesci, DeSimone was over six feet tall and built like a heavyweight boxer. In the film, he’s whacked for his own unauthorized whacking of made man William “Billy Batts” Bentvena, but in real life, Batts wasn’t the only mafioso that Tommy killed without permission. He also killed Ronald “Foxy” Jerothe. Both victims were associates of John Gotti, future boss of the rival Gambino family.

    4. Paul Vario (renamed Paulie Cicero in “Goodfellas” and played by Paul Sorvino) was the real-life boss of the crew that included Hill, Burke, and DeSimone. Hill claimed that Vario had an affair with his wife, Kare,n (played by Lorraine Bracco) while Hill was in prison, though the movie doesn’t mention it. Vario died in prison in 1988.

    5. Scorsese phoned Pileggi’s office to talk about optioning the film rights to “Wiseguy,” but when the author saw a message that said, “Call Martin Scorsese,” he thought it was a joke and didn’t follow up. But the filmmaker called back and said, “I’ve been looking for this book for years.” Pileggi replied, “I’ve been waiting for this phone call all my life.”
    6. Marlon Brando almost talked Scorsese (pictured, right) out of making “Goodfellas,” saying the director would just be repeating what he’d done in “Mean Streets” and “Raging Bull.” But Scorsese’s longtime editor, Thelma Schoonmaker, read Pileggi’s tale to her husband, legendary British film director Michael Powell. Convinced that the story offered a fresh, funny take on the gangster genre, Powell told Scorsese, “You must do it,” and changed Scorsese’s mind.

    7. Scorsese and Pileggi changed the movie’s title from “Wiseguy” to “Goodfellas” to avoid confusion with CBS’ then-current mob drama series “Wiseguy.”

    8. For the sake of authenticity, Ray Liotta turned to tapes of the FBI’s conversations with Hill. The actor would listen to them in his car and mimic Hill’s speech patterns as he drove to and from the set.

    9. De Niro also relied on Hill for authenticity, going through the FBI to contact their protected witness and quiz Hill about the way Jimmy would hold a cigarette or a shot glass. Sometimes he’d call Hill several times in a day. Scorsese, however, has said he spoke to Hill only once, when the film was nearly finished.

    10. Scorsese often cast his parents in cameos in his movies, but in “Goodfellas,” he really put them to work. His mom plays Tommy’s mom, and his dad plays a mobster (he can be seen cooking sauce in the prison-dinner sequence). But Scorsese also had his parents starch the extraordinarily pointy shirt collars the mobsters wear; he didn’t trust anyone else to do the job right. The senior Scorseses also cooked that stockpot of red sauce that Henry spends all day simmering near the end of the movie.
    11. The notorious “Funny how?” sequence (pictured above) was improvised by Pesci and Liotta, based on a conversation Pesci had once had with someone Scorsese characterized as “a dangerous man.” This time, Pesci got to be the dangerous man. He improvised the lines in rehearsal, Scorsese had them transcribed, and the actors memorized them before the cameras rolled.

    12. The celebrated Steadicam tracking shot through the bowels of the Copacabana was inspired by just a sentence in Pileggi’s book noting that, when Hill would visit the famous nightclub, he’d enter through the kitchen. Scorsese and cinematographer Michael Ballhaus turned Henry and Karen’s arrival for a show at the club into a mini-epic — one of the most famous oners in movie history. The director insisted on getting the entire shot in one take. Ballhaus said it took eight tries, but they got it, and it didn’t even take up a full day of shooting.

    13. Hill claimed that Tommy’s near-lethal pistol-whipping of Billy Batts was fairly accurate, except that in real life, DeSimone hit him so hard that he broke the gun.

    14. During the sequence where Tommy fatally empties his .45 into Spider (Michael Imperioli), poor Imperioli stumbled backward into the bar so forcefully that he slashed his hand on a glass pitcher and had to be taken to the emergency room to have the wound stitched up.

    15. Edward McDonald, the prosecutor who talked Hill into turning state’s evidence, had the guts to suggest to Scorsese that he should play himself in the movie. After giving McDonald a screen test, Scorsese agreed.
    16. Schoonmaker has said that she and Scorsese especially enjoyed putting together the lengthy montage that makes up Henry’s last day as a wiseguy (above) because they made a point of experimenting and violating every rule of classical editing in order to simulate the jagged, out-of-control rhythms of Henry’s cocaine-fueled paranoia. Test audiences found the sequence irritating, prompting Schoonmaker and Scorsese to make the sequence even faster and edgier.

    17. The ratings board initially deemed the film too violent for an R rating. Scorsese had to trim bloodletting from 10 scenes before the board relented.

    18. The 1978 Lufthansa heist, as depicted in the movie, was indeed the largest-value robbery in American history up to that point, netting $5 million in cash and nearly a million more in jewelry. As in the film, law enforcement suspected Jimmy’s crew almost immediately, leading him to have most of the co-conspirators killed. The biggest break in the case didn’t come until 2014 with the arrest of Vincent Asaro, then 78, a former Gambino soldier and alleged co-conspirator (though Hill claimed Asaro wasn’t involved).The loot has never been found.

    19. Henry, at the end of the movie, may have complained about having to live the rest of his life as an ordinary schnook, but it didn’t work out that way. He, Karen and their son and daughter were placed in new identities and new homes in various cities, from Omaha to Seattle. But Hill kept blabbing about his real identity to his neighbors and kept getting arrested on drug charges. Eventually, the FBI booted the Hill family from the program. After 25 years of marriage, Henry and Karen were divorced in 1989.

    20. A year later, of course, “Goodfellas” made him famous. Hill would go on to tell his own story in books, a website, and various radio interviews with Stern. He marketed his spaghetti sauce online and opened a restaurant called Wiseguys in Connecticut. After he appeared alongside Liotta in an Entertainment Weekly photo shoot in 2006, the actor persuaded him to enter rehab. In 2012, he succumbed to complications from heart disease. He died peacefully at 69 in a Los Angeles hospital bed, surrounded by family.
    21. Unlike Henry, Karen Hill and the couple’s children, Gregg and Gina, have maintained assumed identities and kept a relatively low profile. Gregg and Gina did publish a memoir of their own, 2004’s “On the Run: A Mafia Childhood.”

    22. Pileggi’s wife, Nora Ephron, wrote her own movie inspired by Henry Hill, “My Blue Heaven.” It was a comedy about a flamboyant mobster (Steve Martin) struggling with suburban life while in Witness Protection. It actually came out in theaters a month before “Goodfellas.”

    23. In the years after “Goodfellas,” Sorvino would often appear on TV cooking shows, demonstrating that he was an expert at cutting paper-thin slices of garlic with a razor blade, just like Paulie. In 2010, he finally started marketing his own line of pasta sauces.

    24. The film cost a reported $25 million, making it Scorsese’s most expensive picture at that point in his career. It earned back $47 million in North America.

    25. “Goodfellas” was nominated for six Oscars, including Best Picture, Best Director, Best Adapted Screenplay (for Scorsese and Pileggi), Best Editing, and Best Supporting Actress (for Bracco). Pesci won the movie’s only Academy Award, for Best Supporting Actor.
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