Tag: rob-reiner

  • 22 Things You Never Knew About ‘The Princess Bride’

    Inconceivable! It’s inconceivable that it’s been 30 years since the release of “The Princess Bride,” on Sept. 25, 1987.

    Rob Reiner‘s beloved and hilarious fairy tale wasn’t a huge hit in theaters, but it did make stars out of Cary Elwes and Robin Wright, become a cult favorite, and generate about a fabillion memes from its endlessly quotable dialogue.

    Still, even though you’ve watched “The Princess Bride” on cable over and over and over, there are still some behind-the-scenes secrets. Read them all now or savor them slowly… as you wish.
    1. Screenwriter William Goldman wrote the novel in 1973, inspired by storytelling requests from his two little girls. One wanted a story about a princess, and the other wanted a story about a bride, so he combined the two.

    2. Over the years that the film was in development, several different directors were attached, including Richard Lester, François Truffaut, Norman Jewison, John Boorman, and Robert Redford (star of the Goldman-scripted “All the President’s Men“). A then-unknown Arnold Schwarzenegger was considered to play Fezzik, A similarly obscure Colin Firth was to play Westley; Christopher Reeve was also interested in the part. Danny DeVito, and then Richard Dreyfuss, were supposed to play Vizzini. And Sting was to play Prince Humperdinck.
    3. Reiner, a longtime fan of Goldman’s novel, got the assignment after the successes of “The Sure Thing” and “Stand By Me” allowed him to make the project of his choice for 20th Century Fox. He had no idea how many other directors had struggled and failed to bring the story before the cameras.

    4. Of course, wrestler André the Giant, at 7’4″ and 520 pounds, was more physically suited to play the giant Fezzik than Arnold. But his thick French accent made his initial line readings all but incomprehensible. Reiner recorded all of Fezzik’s dialogue for him on cassette tape, and the wrestler learned his lines phonetically.
    5. Elwes was dashing enough to play Westley, but could he be funny? He proved he could during his audition by rocking an impression of Bill Cosby‘s Fat Albert.

    6. When Westley says, “Life is pain,” he’s not kidding; in fact, you can see Elwes favoring his left leg in that scene. That’s because he broke his toe in an ATV ride, taken at André’s urging. Elwes didn’t tell Reiner about the injury at first, fearing he’d be fired and replaced.
    7. Mandy Patinkin lobbied to play Inigo Montoya because he knew how the fatherless fighter felt, having lost his own dad at a young age 14 years earlier.

    8. Elwes was seriously injured again during Westley’s swordfight with Christopher Guest‘s Count Rugen. Guest was supposed to clock Elwes with his sword handle, but he was holding back so as not to hurt his co-star, and it looked fake. Elwes told Guest to deck him for real, and he woke up in the emergency room, getting stitches sewn in his head by the same doctor who’d treated his toe. Elwes said the medic remarked, “Well, Zorro! You seem to be a little accident-prone, don’t you?” At least the realism worked, and the take of Guest knocking out Elwes is the one Reiner used in the film.
    9. Wallace Shawn‘s Vizzini may be the veteran character actor’s most memorable role, but he was nervous throughout the shoot, knowing he’d been the third choice to play the Sicilian self-styled genius, and he expected every day that Reiner would fire him.

    10. Screenwriters are seldom invited to the sets of their own movies, but Reiner invited Goldman to come to Derbyshire, in the English countryside, where “Princess Bride” was shooting. Goldman prayed for the production’s success, but his supplications were too loud and ruined a couple takes. He ruined another, during the scene where Buttercup’s (Robin Wright) dress ignites, by exclaiming, “Oh my God, her dress is on fire!”
    11. Billy Crystal based Miracle Max on a combination of his own grandmother and baseball legend Casey Stengel. He and Carol Kane (Max’s wife, Valerie), worked out a whole backstory in private regarding their centuries-long marriage.

    12. So during their lone sequence in the film, Crystal was able to improvise for hours, riffing dialogue that was mostly too R-rated for the family-friendly film. The director’s own laughter ruined several takes. Elwes, who was supposed to be lying “mostly dead,” also couldn’t stop cracking up and had to be replaced by a dummy. Patinkin had such a hard time holding in his laughter that he bruised a rib.
    13. Years of wrestling had left André in constant pain, and he was too weak to hold up Elwes and Wright as the script required. When you see Westley hanging on Fezzik’s back, you’re either looking at Elwes and a stunt double for André, or at Elwes standing on a hidden ramp. When Fezzik lifts Buttercup, Wright is actually being hoisted by hidden cables.

    14. The swordfighting tactics mentioned during Inigo and Westley’s epic duel are real, taken by Goldman from centuries-old fencing manuals. The sequence was one of the last ones filmed, in order to give Elwes and Patinkin plenty of training time.
    15. Both actors took the fight very seriously and trained for months under Peter Diamond and Bob Anderson (the stunt coordinators who’d choreographed the lightsaber duels in the first “Star Wars” trilogy), learning to wield a sword with either hand. As a result, they were able to film it almost without stunt doubles; except for one acrobatic flip, that’s really Elwes and Patinkin doing all that swashbuckling.

    16. But the routine they prepared was too short by half. Diamond and Anderson had demonstrated it in slow motion, but it actually ran under 90 seconds. Reiner needed the duel to last another minute and a half, so, at the 11th hour, the stars turned to old Errol Flynn films for inspiration and added more moves.
    17. Fred Savage and Peter Falk, as the grandson and grandfather reading the story, never met the rest of the cast. Their scenes were filmed last.

    18. There’s an Easter egg in the movie for fans of Reiner’s debut film, mock rock doc “This Is Spinal Tap.” A baseball cap nearly identical to the one Reiner wore in the film, with the logo of the USS Coral Sea, can be seen hanging in Savage’s bedroom. Like many rockers, Dire Straits guitarist Mark Knopfler was a “Tap” fan, and he agreed to score “Princess Bride” on the condition that Reiner work the hat into the new movie. Reiner no longer had the old prop, but he went to great pains to mock up a similar cap — only to learn after the shoot that Knopfler had been kidding.
    19. The movie cost $16 million to make, a modest budget even in 1987. It earned back just $31 million in North American theaters.

    20. “The Princess Bride” earned one Oscar nomination, for Willy DeVille’s song “Storybook Love.” It lost to “(I’ve Had) The Time of My Life” from “Dirty Dancing.”
    21. The movie’s cult of fans was all-encompassing. Elwes recalled getting a compliment on the film from Pope John Paul II, who referred to the movie as “The Princess and the Bride.” Shawn said that someone comes up to him and says, “Inconceivable!” at least every three days, while Patinkin has claimed that no day goes by when someone doesn’t ask him to say, “Hello. My name is Inigo Montoya. You killed my father. Prepare to die!”

    22. Reiner said he was eating dinner one night with his “When Harry Met Sally” screenwriter, Nora Ephron, and her husband, “Goodfellas” screenwriter Nick Pileggi, at a restaurant in New York’s Little Italy. Pileggi had recommended the eatery because mafia boss John Gotti was a regular there, and sure enough, Gotti was there that night with his crew. One of the mobsters shouted at Reiner, “You killed my father! Prepare to die!” The man added, “‘The Princess Bride!’ I love that movie!” Recalled Reiner, “I almost s**t in my pants. When you penetrate guys like that, you know you’ve made it.”

  • 12 Things You Never Knew About ‘Stand by Me’

    What kind of movie is “Stand by Me“? Depends on your age.

    If you’re a kid, it’s a bit of an adventure movie. If you’re a Boomer, it’s a nostalgia piece about growing up in the 1950s. And if you’re a Gen Xer, it’s a different kind of nostalgia piece, about learning to love the movies of the 1980s (the film was released 30 years ago on August 8, 1986), recognizing that director Stranger Things” is full of “Stand by Me” shout-outs.

    Still, no matter how old you are or how many times you’ve seen the movie, there’s plenty you may not know about the story behind the production, which is often as funny and haunting as the tale told on screen. Pop open some cherry Pez and read on.
    1. You might not think of Adrian Lyne (of “Flashdance” and “Fatal Attraction” fame) as the director best suited to Stephen King’s tale of innocent boyhood, but he was the first filmmaker attached to the project. Fortunately, he was too busy making “9 1/2 Weeks,” so the gig went to Reiner (above, left), then fresh off “This Is Spinal Tap” and “The Sure Thing.”
    2. Reiner’s auditions for the four leads yielded boys whose personalities matched their roles. “I was awkward and nerdy and shy and uncomfortable in my own skin and really, really sensitive,” Wheaton recalled in 2011, “and River was cool and really smart and passionate and — even at that age — kind of like a father figure to some of us. Jerry was one of the funniest people I had ever seen in my life, either before or since, and Corey was unbelievably angry and in an incredible amount of pain and had an absolutely terrible relationship with his parents.”
    3. As the narrator, the adult version of Wheaton’s character, Reiner cast actor David Dukes. But he felt Dukes’ performance was off, so he tried “Spinal Tap” star Michael McKean. He didn’t work either, so Reiner cast his own high school pal Richard Dreyfuss.
    4. The independent studio behind the film was Embassy, owned by Reiner’s “All in the Family” mentor, Norman Lear. But when Lear sold Embassy to Coca-Cola, the new management decided the movie wasn’t commercial enough. So it pulled its financing just two days before the shoot was scheduled to begin. Fortunately, Reiner got Lear to pony up the full $8 million budget out of pocket.
    5. The boys were never really in danger during the famous train-dodge scene. Part of the scene involved stunt doubles — women with close-cropped hair made up to look like the boys. And part of it involved an extra-long telephoto lens to make it look like the train was right behind the boys when, actually, it was still on the far side of the bridge.
    6. The swamp used in the leech scene was man-made, a pond dug out and filled with water by the production crew before the shoot. By the time Reiner was ready to film the scene, it was already overgrown with moss. The leeches were real.
    7. The four young stars got into plenty of misbehavior during their down time. Wheaton rigged the coin-operated arcade games at their hotel so that they could be played for free. Reiner says Phoenix (then 15) lost his virginity to a Phoenix family friend during a night away from the hotel. Feldman says he and Phoenix both smoked pot.
    8. And Kiefer Sutherland, who played bully Ace, claims that O’Donnell tied his babysitter to a bannister, escaped to a Renaissance festival, and ate some cookies that he didn’t realize we’re laced with pot. The others found him in a parking lot, woozy and crying.
    9. The movie was originally titled “The Body,” after the Stephen King story it was based on. The film’s marketers worried that it sounded like a horror movie, a bodybuilding film, or a porno. Reiner came up with the title “Stand by Me” based on the Ben E. King standard that he’d picked to play out over the end of the film.
    10. Lear’s $8 million investment turned out to be a smart move. “Stand By Me” earned back $52 million at the box office.
    11. The movie’s Maine countryside scenes were actually filmed in and around Brownsville, Oregon, where there is now a tourist center devoted to the film. Reiner named his production company Castle Rock after the movie’s fictional town.
    12. The “Stand by Me” screenplay was written by Raynold Gideon and Bruce A. Evans, who’d written the sci-fi romance “Starman.” They earned an Academy Award nomination for Best Adapted Screenplay, the only Oscar nod “Stand by Me” received. They also earned a compliment from Stephen King, who said it was the first filmed version of one of his stories that got it right.

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  • Crowd-Pleasing Movies for Your Next Family Movie Night

    20th Century FoxThe Bagel Bites are still frozen in the middle. Your friend with the popcorn popper sent you the patented “I think I’m going to bail on this one” text. Your uncle just got the entire “Hee Haw” series on Blu-ray and is a little too excited about it.

    These are the things that can, have, and will go wrong on family movie night. Your best defense against movie night fails? Movies so impossible not to love that some states may have laws against not liking them.

    So put those Bagel Bites back in the oven; bust out the microwavable kettle corn; ask your mom if your uncle is really related to anyone — for it’s time to please the whole crowd with your brilliant taste in movies.

    ‘The Princess Bride’ (1987)

    OK, the MPAA is pretty solid — we know “G” movies are good for kids, “R” for adults. Got it. But somewhere along the way, they forgot the “This Movie Is for Anyone on the Planet Who Has a Soul” rating. Because that’s exactly what Rob Reiner‘s “The Princess Bride” is — a soulful, joyfully swashbuckling romance, and a genuinely hilarious take on what it means to tell stories. A super-smart script from William Goldman — the guy who wrote “Butch Cassidy and the Sundance Kid” and “All the President’s Men” — and iconic performances by everyone from Cary Elwes to Andre the Giant mean you’ll be laughing and tearing up right alongside the kids, because this movie doesn’t talk down to anyone. It wears its very big heart right on its very puffy sleeves.

    ‘Moonrise Kingdom’ (2012)

    Who doesn’t like whimsical things? People not named Wes Anderson, that’s who. In a modern cinematic landscape that’s constantly desaturated, Wes isn’t afraid to bring us Crayola colors and framing that’s so symmetrical it’s weirdly comforting, like an old flannel blanket on a camping trip of yore.

    That’s exactly what “Moonrise Kingdom” is — a raucous camping trip full of the warm fuzzies, but warm fuzzies that are sincere instead of pandering. Its 1960s setting will tickle the nostalgia bone of grown-up guests as they recognize realities that they lived, and for viewers with less years under their scout badges, “Kingdom” is the Technicolor camping trip that dances in their wildly imaginative, sugar-addled heads. It’s a world where simple emotion and desire drive every beat, and everything is just a little magical. Plus, Tilda Swinton and Bill Murray never hurt anything. You should probably invite them to your movie night.

    ‘Groundhog Day’ (1993)

    Did we mention Bill Murray? There are only two types of people who don’t like Bill Murray: Aliens, and people who whisper, “Hail Hydra” in elevators. These are people you do not want at your family movie night.

    What you do want at your movie night, though, is “Groundhog Day.” Murray exudes that sort of world-weary dry humor that kids laugh at the same way they laugh at you stealing their nose. Adults will pick up on themes ranging from existentialism to the Buddhist notion of Samsara as Murray’s beleaguered weatherman relives the same three days over and over and over — until he gets them right. What some folks won’t pick up on is that they’re watching a ridiculously well-crafted romantic comedy; this is the rom-com for people who claim they hate rom-coms.

    We’re calling it now: “Groundhog Day” will be the next generation’s “It’s a Wonderful Life.” Might as well serve it up with gingerbread cookies and pumpkin spice lattes, because it’s a tradition in the making.

    ‘Star Wars: The Force Awakens’ (2015)

    There has been an awakening. You have probably felt it. You have felt it in your cereal. You have felt it in your Underoos. And it is called “Star Wars: The Force Awakens.”

    At this point, the Star Wars theme might as well be our national anthem. It’s our mythology, the song of our people. Everyone can tell you the story of Luke Skywalker, the same way they can tell you the story of Little Red Riding Hood or Superman — and Harrison Ford dosage, your niece gets Daisy Ridley kicking insane amounts of Sith tail, and everyone — even those who don’t get into the film — will spend the entire post-party dishing about what exactly is up with Kylo Ren.

    When Maz Kanata says, “The Force, it’s calling to you. Just let it in,” she’s talking about this movie, in your Blu-ray player, right now. And if Yoda taught us anything, it’s that tiny old aliens always know exactly what they’re talking about.

    Sources

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  • Yippee-Ki-Broadway: Bruce Willis Set to Star in Stage Adaptation of ‘Misery’

    8th Annual Exploring the Arts Gala - ArrivalsWell this is… something. Bruce Willis, who has recently given up trying to choose what projects will be interesting and fresh and retain his brand as a worldwide star and has instead been starring in a series of direct-to-video-ish action movies and other franchise junk (and yet he sat out “Expendables 3”?), will make his Broadway debut this fall in a stage adaptation of Stephen King’s “Misery.” No, this is not some kind of elaborate joke. This is 100% true.

    Willis will play the captive author essayed by James Caan in Rob Reiner’s Oscar-winning film adaptation. Starring opposite him, as the homicidal super-fan Annie Wilkes is Broadway veteran Elizabeth Marvel. William Goldman, who wrote the film adaptation, has returned to write the book for the play (hopefully retaining some of the more fantastical elements that were jettisoned in the final film).

    Little other information has been provided besides the play being a “strictly limited engagement.” But you know we’ll be there, mainly just to show Willis support and encourage him that he doesn’t have to do another action movie co-starring 50 Cent.
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