M. Emmet Walsh in ‘Outlaw Posse.’ Photo: Quiver Distribution.
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Actor M. Emmet Walsh has died at the age of 88.
He was known for movies such as ‘Blood Simple’ and ‘Blade Runner’.
‘Knives Out’ director Rian Johnson is among those who have paid tribute.
M. Emmet Walsh, a reliable, fondly appreciated character actor known for corrupt cops, deadly crooks, and zany comedic performances, has died days short of his 89th birthday.
The actor’s manager Sandy Joseph and publicist Cynthia Snyder announced his death on Wednesday. Walsh died on Tuesday in St. Albans, Vermont, following cardiac arrest.
Here’s Snyder’s statement:
“In a remarkable career spanning six decades on stage, in film and television, he became widely recognized for his standout portrayals of such memorable characters.”
M. Emmet Walsh: Early Life and Career
M. Emmet Walsh in ‘Critters.’ Photo: New Line Cinema.
Born in 1935 in Ogdensburg, New York, Walsh was raised in Vermont. He kicked off his acting career in typical fashion, with guest roles in TV series in the 1960s and 70s, but unlike some of his peers, he continued to juggle big and small screen jobs throughout his life (his most recent small screen appearance was 2022’s ‘American Gigolo’ series.)
Early TV gigs included small roles on shows such as ‘The Doctors’, ‘All in the Family’, ‘Ironside’ ‘Bonanza’, ‘The Waltons’, ‘The Rockford Files’ and the pilot of ‘The Bob Newhart Show’.
His first cinematic appearance was in an uncredited role in 1969’s ‘Midnight Cowboy’ but he got his initial credit on ‘Alice’s Restaurant’ the same year.
Walsh has long been considered a reliable supporting performer –– so reliable, in fact, that legendary movie critic Roger Ebert once coined the Stanton-Walsh Rule, which held that “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad,” though he admitted it wasn’t an infallible rule.
Walsh had his own rule when it came to his career:
“I approach each job thinking it might be my last, so it better be the best work possible. I want to be remembered as a working actor. I’m being paid for what I’d do for nothing.”
M. Emmet Walsh: Tributes Paid
Director Rian Johnson, who worked with Walsh on ‘Knives Out’, was among those who paid tribute via social media:
Emmet came to set with 2 things: a copy of his credits, which was a small-type single spaced double column list of modern classics that filled a whole page, & two-dollar bills which he passed out to the entire crew. “Don’t spend it and you’ll never be broke.” Absolute legend. ♥️ pic.twitter.com/hP8Ml1fBGi
(L to R) Margaret Qualley as “Jamie” and Geraldine Viswanathan as “Marian” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
With the Coen brothers taking some time off from each other after more than three decades of making films together, Joel Coen directed the eerie, intense ‘The Tragedy of Macbeth’ with Denzel Washington, while Ethan Coen has gone in a decidedly different – if also somewhat more familiar — direction.
Writing with his wife (and occasional Coens editor) Tricia Cooke, Ethan has come up with ‘Drive-Away Dolls,’ a combination of road movie, comedic caper, and lesbian romance that comes across in the style of earlier Coen brothers laughers like ‘Raising Arizona’ or ‘The Big Lebowski.’ But while the two leads have a sweet and even sexy chemistry, the laughs are only intermittent and the movie ends up as a trifle more than anything else.
Story and Direction
(L to R) Actor Margaret Qualley, actor Geraldine Viswanathan and director/writer/producer Ethan Coen on the set of ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
Jamie (Margaret Qualley) and Marian (Geraldine Viswanathan) are two young women who are part of Philadelphia’s lesbian community circa December 1999. Jamie is spur-of-the-moment, unfiltered, and endlessly horny, wrecking her latest relationship with cop Sukie (Beanie Feldstein) when she is caught cheating on her. Marian, on the other hand, is uptight and generally unhappy with her life, which Jamie sees as a cue that her friend needs to get out in the world and get some action.
The two decide to reboot their lives with a road trip to Tallahassee, Florida, where Marian wants to do some reading and bird-watching while Jamie wants to stop at every lesbian bar they can find along the way and get them both laid. The pair hit the road in a one-way rental courtesy of drive-away agency operator Curlie (Bill Camp) – except that Curlie has given them the wrong car.
Unbeknownst to the ladies, the trunk contains cargo both strange and decidedly illegal, and the two women find themselves soon pursued by two goons (C.J. Wilson and Joey Slotnick) sent in hot pursuit by their boss (Colman Domingo), who answers to an even higher, more sensitive authority. How Jamie and Marian deal with the situation could either shatter their friendship, end their lives, or both.
(L to R) Actor Geraldine Viswanathan, actor Margaret Qualley, and director/writer/producer Ethan Coen on the set of ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
As one might ascertain, ‘Drive-Away Dolls’ (the original title, ‘Drive-Away Dykes,’ was deemed not marketable by the studio) sounds a lot like it’s in the vein of the deadpan, surreal comedies that Joel and Ethan Coen were perhaps best-known for during their 34 years of making films together. While the siblings have made more somber films together as well, like the brilliant ‘No Country for Old Men,’ as well as drama/comedy hybrids like ‘Fargo’ and ‘A Serious Man,’ it’s their zanier work like ‘Raising Arizona,’ ‘The Big Lebowski,’ and ‘O Brother Where Are Thou?’ that audiences arguably associate most with them.
‘Drive-Away Dolls’ is squarely in the latter tradition, with a slightly different spin. In addition to directing (this is Ethan’s first narrative feature on his own, following a 2022 Jerry Lee Lewisdocumentary), Ethan also wrote the script with his wife Tricia Cooke, who identifies as queer. Perhaps the freshest aspect of ‘Drive-Away Dolls’ is that its leads, Jamie and Marian, are not solely characterized by their sexuality; yes, the movie features a heaping of sex, and Jamie is determined to get some nookie for both herself and Marian, but it’s not the driving factor of the story or part of its overall themes. It’s just part of who they are.
The relationship between Jamie and Marian is at first caustic, of course – these two couldn’t be more opposite – but it soon unveils a sweeter undertone as they (somewhat predictably) begin to realize that their feelings for each other run deeper than suspected. Qualley and Viswanathan are great together in that regard, and the strongest element of the movie. But the plot – a mishmash of ‘60s and ‘70s road trip B-movies with a dash of psychedelia – is so slight, the ultimate mystery so silly, and the humor so intermittent that ‘Drive-Away Dolls’ ends up feeling like a lark more than anything else. It has its fun moments, but it dissolves from one’s mind the minute it’s over.
Characters With No Names
(L to R) Colman Domingo as “The Chief”, C.J. Wilson and Joey Slotnick as “The Goons” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features
Part of the problem with ‘Drive-Away Dolls’ is that it feels almost like a rough draft version of a Coen brothers film (since Cooke, a film editor by trade, frequently edited the movies made by her husband and brother-in-law, she was an integral part of that process as well). The Coens’ comedies are often fizzy in nature, but the best of them have had either incredibly compelling characters or either a darker or more emotional underpinning that helped turn them into classics.
There’s little of that in ‘Drive-Away Dolls’ outside of the chemistry between Qualley (who looks a lot like her mom, Andie MacDowell, in this film) and Viswanathan, both of whom have great timing, highly expressive faces and effortless presence. Qualley is particularly strong here. But once you get beyond them, the rest of the characters are barely sketched in.
Pedro Pascal stars as “The Collector” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
Most of them don’t even have names, in fact. Domingo, always excellent, is just called the Chief; his goons are literally listed as The Goons in the credits. A cameoing Pedro Pascal is known simply as the Collector (there are a couple of other cameos as well, from Matt Damon and a star we won’t name). We’re always a little suspicious when we see cast lists like this: it’s often a clear sign that these characters are nothing more than stock figures, and little attempt is made to give them any more depth than that (the Goons’ scenes together – one of them constantly yammering and the other mostly silent – also feel like reheated leftovers from two similar characters in ‘Fargo,’ played in that film by Steve Buscemi and Peter Stormare).
But that’s the nature of ‘Drive-Away Dolls’: it’s so sketchily pulled together that despite the warmth of its leads and a few fleeting jokes than land well, it feels like half the movie is missing in a way. And in one sense, it is.
Final Thoughts
(L to R) Geraldine Viswanathan as “Marian”, Margaret Qualley as “Jamie” and Beanie Feldstein as “Sukie” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
The Coen brothers have made some of the most memorable movies of the last 40 years, from their still-stunning debut ‘Blood Simple’ to some of the later masterpieces we mentioned earlier. But from the two narrative movies we’ve seen them make separately – Joel’s ‘Macbeth’ and Ethan’s ‘Drive-Away Dolls’ — it seems like they have very different sensibilities. Based on watching the latter, it almost seems that Ethan needs his brother’s sense of gravitas to balance out his goofier impulses.
We certainly admire the lead performances and the film’s successful attempt to make a queer-centric movie that doesn’t feel like exploitation (not the good kind) or heavy-handed social commentary. But we wish those were in service of something that was funnier in a more organic way and less of a one-dimensional pastiche.
‘Drive-Away Dolls’ receives 5.5 out of 10 stars.
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What is the Plot of ‘Drive-Away Dolls’?
This comedy caper follows Jamie (Margaret Qualley), an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian (Geraldine Viswanathan) who desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Who is in the cast of ‘Drive-Away Dolls’?
Margaret Qualley as Jamie
Geraldine Viswanathan as Marian
Beanie Feldstein as Sukie
Colman Domingo as Chief
Pedro Pascal as Santos
Bill Camp as Curlie
Matt Damon as Senator Channel
Joey Slotnick as Arliss
(L to R) Margaret Qualley as “Jamie” and Geraldine Viswanathan as “Marian” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
Joel and Ethan Coen, better known as the Coen brothers, practically created their own genre and are one of the most acclaimed and celebrated directing teams of all time!
In honor of Ethan Coen’s new film, Moviefone is counting down every film the Coen brothers have ever directed together or apart.
NOTE: For this list we are only including the Coen Brothers full-length feature films, both together and solo, but we are not including their documentaries or participation in anthology movies like ‘Paris, je t’aime.’
(L to R) George Clooney and Catherine Zeta-Jones in ‘Intolerable Cruelty.’ Photo: Universal Pictures.
A revenge-seeking gold digger (Catherine Zeta-Jones) marries a womanizing Beverly Hills lawyer (George Clooney) with the intention of making a killing in the divorce.
Tim Blake Nelson is Buster Scruggs in ‘The Ballad of Buster Scruggs,’ a film by Joel and Ethan Coen. Photo: Netflix.
Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharpshooting songster (Tim Blake Nelson), a wannabe bank robber (James Franco), two weary traveling performers (Zoe Kazan and Jefferson Mays), a lone gold prospector (Tom Waits), a woman traveling the West to an uncertain future (Tyne Daly) and a motley crew of strangers undertaking a carriage ride.
Michael Stuhlbarg in ‘A Serious Man.’ Photo: Focus Features.
It is 1967, and Larry Gopnik (Michael Stuhlberg), a physics professor at a quiet Midwestern university, has just been informed by his wife, Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman (Fred Melamed).
(L to R) Billy Bob Thornton and James Gandolfini in ‘The Man Who Wasn’t There.’ Photo: USA Films.
A tale of murder, crime and punishment set in the summer of 1949. Ed Crane (Billy Bob Thornton), a barber in a small California town, is dissatisfied with his life, but his wife Doris’ (Frances McDormand) infidelity and a mysterious opportunity presents him with a chance to change it.
Tom Hanks in ‘The Ladykillers.’ Photo: Touchstone Pictures.
An eccentric if not charming Southern professor (Tom Hanks) and his crew pose as a band in order to rob a casino all under the nose of his unsuspecting landlord, a sharp old woman (Irma P. Hall).
Frances McDormand in ‘Blood Simple.’ Photo: Circle Films.
The owner of a seedy smalltown Texas bar (Dan Hedaya) discovers that one of his employees (John Getz) is having an affair with his wife (Frances McDormand). A chaotic chain of misunderstandings lies and mischief ensues after he devises a plot to have them murdered.
(L to R) John Turturro, Tim Blake Nelson and George Clooney in ‘O Brother, Where Art Thou?’ Photo: Buena Vista Pictures Distribution.
In the deep south during the 1930s three escaped convicts (George Clooney, John Turturro and Tom Blake Nelson) search for hidden treasure while a relentless lawman (Daniel von Bargen) pursues them. On their journey they come across many comical characters and incredible situations. Based upon Homer’s Odyssey.
(L to R) Holly Hunter and Nicolas Cage in ‘Raising Arizona.’ Photo: 20th Century Fox.
When a childless couple (Holly Hunter and Nicolas Cage) decide to help themselves to one of another family’s quintuplets their lives become more complicated than they anticipated.
Javier Bardem in ‘No Country for Old Men.’ Photo: Miramax Films.
Llewelyn Moss (Josh Brolin) stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh (Javier Bardem) comes looking for it, with local sheriff Ed Tom Bell (Tommy Lee Jones) hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
Frances McDormand in ‘Fargo.’ Photo: Working Title Films.
Jerry (William H. Macy) a small-town Minnesota car salesman is bursting at the seams with debt but he’s got a plan. He’s going to hire two thugs (Steve Buscemi and Peter Stormare) to kidnap his wife (Kristin Rudrüd) in a scheme to collect a hefty ransom from his wealthy father-in-law (Harve Presnell). It’s going to be a snap and nobody’s going to get hurt until people start dying. Enter Police Chief Marge (Frances McDormand), a coffee-drinking parka-wearing and extremely pregnant investigator who’ll stop at nothing to get her man. And if you think her smalltime investigative skills will give the crooks a run for their ransom, you betcha.
Jeff Bridges in ‘True Grit.’ Photo: Paramount Pictures.
Following the murder of her father by a hired hand, a 14-year-old farm girl (Hailee Steinfeld) sets out to capture the killer. To aid her she hires the toughest US Marshal she can find, a man with true grit, Reuben J Rooster Cogburn (Jeff Bridges).
(L to R) Margaret Qualley as “Jamie” and Geraldine Viswanathan as “Marian” in director Ethan Coen’s ‘Drive-Away Dolls,’ a Focus Features release. Credit: Wilson Webb / Working Title / Focus Features.
Jamie (Margaret Qualley), an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian (Geraldine Viswanathan) desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.
Brad Pitt in ‘Burn After Reading.’ Photo: Focus Features.
When a disc containing memoirs of a former CIA analyst (John Malkovich) falls into the hands of gym employees, Linda (Frances McDormand) and Chad (Brad Pitt), they see a chance to make enough money for Linda to have life-changing cosmetic surgery. Predictably, events whirl out of control for the duo, and those in their orbit.
Oscar Isaac in ‘Inside Llewyn Davis.’ Photo: CBS Films.
In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis (Oscar Isaac) struggles with money, relationships, and his uncertain future.
Jeff Bridges in ‘The Big Lebowski.’ Photo: Paramount Pictures.
Jeffrey ‘The Dude’ Lebowski (Jeff Bridges), a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski (David Huddleston), a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
