There was no casting attached at the time, but now Deadline reports that the new movie will mark a dual reunion for Fennell, as she’s landed Margot Robbie and Jacob Elordi for the lead roles.
Robbie and Fennell’s collaboration stretches back to the director’s film debut, 2020’s ‘Promising Young Woman,’ in which Robbie was originally going to star, but stepped aside because she felt Carey Mulligan would be a better choice. That was, as it happens, the right move, with Mulligan earning an Oscar nomination.
Still, Robbie and her LuckyChap company produced the movie, and reunited with Fennell for her next film, ‘Saltburn’ (which starred Elordi as wealthy scion Felix Catton). Fennell also worked with Robbie by appearing in ‘Barbie’.
1939’s ‘Wuthering Heights’. Photo: United Artists.
Brontë’s book, published in 1847 under her pseudonym Ellis Bell, follows Heathcliff (Elordi), an orphan-turned-foster-son who falls in love with the daughter of the family who owns the estate on which he now lives, Wuthering Heights.
After running away, Heathcliff rises up through the ranks of the gentry and exacts revenge on the families — the Earnshaws and the Lintons — who kept him from his true love, Catherine Earnshaw (Robbie).
What previous adaptations of ‘Wuthering Heights’ have there been?
(L to R) Ralph Fiennes and Juliette Binoche in 1992’s ‘Wuthering Heights’. Photo: United Artists.
Upcoming for Elordi is Guillermo del Toro’s ‘Frankenstein’ and a TV series called ‘The Narrow Road to the Deep North,’ directed by Justin Kurzel.
When will Fennell’s ‘Wuthering Heights’ be seen on screens?
The new ‘Wuthering Heights’ is in pre-production and will shoot next year in the UK.
While it has MRC agreeing to stump up the money to produce the film, it has yet to lock down a studio home. Though we can imagine many companies will be happy to snatch this one up given the pedigree of Fennell and Robbie in particular.
(Left) Charles Melton as Joe in ‘May December.’ Photo: François Duhamel / Courtesy of Netflix. (Center Left) Cailee Spaeny in director Sofia Coppola’s ‘Priscilla.’ Photo: A24. (Center Right) Jake Gyllenhaal as Sgt. John Kinley in ‘The Covenant,’ directed by Guy Ritchie, a Metro Goldwyn Mayer Pictures film. (Right) Anne Hathaway in Apple TV+’s ‘WeCrashed.’
Preview:
Creator Lee Sung Jin is developing a new series of ‘Beef’.
Anne Hathaway, Jake Gyllenhaal, Charles Melton and Cailee Spaeny are circling the leads.
Scripts for the new season are in place.
While we could certainly see a way forward for the characters in ‘Beef’ Season 1, it would appear that Netflix and creator Lee Sung Jin are going the anthology route for the series, taking a leaf out of Ryan Murphy’s ‘American Horror Story’/‘American Crime Story’ shows or Noah Hawley’s ‘Fargo’, which both switch out characters and stories between seasons.
But the idea of more ‘Beef’ is hardly a shock, since the first season has been scooping up trophies left, right and center, including at this past weekend’s Screen Actors Guild Awards. And from the sounds of Deadline’s new report, the cast is set to get even starrier.
The first batch of ‘Beef’ episodes charted the aftermath of a road rage incident between two strangers.
Danny Cho (Steven Yeun), a failing contractor with a chip on his shoulder, goes head-to-head with Amy Lau (Ali Wong), a self-made entrepreneur with a picturesque life. The increasing stakes of their feud unravel their lives and relationships.
(L to R) Lee Sung Jin, Ali Wong and Steven Yeun attend Netflix’s Los Angeles premiere of ‘BEEF’ at Netflix Tudum Theater on March 30, 2023 in Los Angeles, California. Photo by Charley Gallay/Getty Images for Netflix.
Details are extremely scarce on the new season, which Jin and his writers have apparently already worked on. But apparently it’ll pivot from characters feuding one-on-one to couples clashing.
That’s certainly a nice twist on the concept, and opens up possibilities for the future –– will we see families fight? Companies? Countries?
Who is being considered for ‘Beef’ Season 2?
(L to R) Anne Hathaway and Jake Gyllenhaal in ‘Love & Other Drugs.’ Photo: 20th Century Fox.
While Deadline cautions that talks are at a very early stage and deals have most certainly not been locked in place yet, word is that Jin is courting Anne Hathaway and Jake Gyllenhaal (who already played a troubled couple in 2010 movie ‘Love & Other Drugs’) alongside Charles Melton and Cailee Spaeny.
Hathaway and Gyllenhaal need little introduction, as they’re established stars. Melton, who was best known for ‘Riverdale’, broke out big last year in movie terms with ‘May December’, for which he was nominated for a slew of awards.
Spaeny, meanwhile, has had some solid roles, including in ‘Pacific Rim: Uprising’ and ‘Vice’ (plus TV series such as ‘Mare of Eastown’ and ‘Devs), but has earned rave reviews for her performance as Priscilla Presley in Sofia Coppola’s ‘Priscilla’.
A24 and Netflix are looking to get this one moving to maintain the momentum, hoping for a shoot in late summer or fall.
(L to R) Lee Sung Jin, Ali Wong and Steven Yeun attend Netflix’s Los Angeles premiere of ‘BEEF’ at Netflix Tudum Theater on March 30, 2023 in Los Angeles, California. Photo by Charley Gallay/Getty Images for Netflix.
(Left) Jacob Elordi as Felix Catton in ‘Saltburn.’ Photo: Amazon MGM Studios. Amazon MGM Studios. (Right) 1931’s ‘Frankenstein.’ Photo: Universal Pictures.
Preview:
‘Saltburn’s Jacob Elordi has boarded Guillermo del Toro’s ‘Frankenstein’.
He replaces Andrew Garfield in playing the monster.
Oscar Isaac, Mia Goth and Christoph Waltz are all aboard the Netflix film.
Mary Shelley’s classic, literary horror-genre-goosing novel ‘Frankenstein’ is something that filmmaker Guillermo del Toro has had on his To-Do list for more than a decade.
Now, Deadline reports that Garfield has had to drop out, just one more ripple effect of last year’s strikes still impacting schedules. But the good news for the director is that Jacob Elordi, whose star is on the rise thanks to ‘Saltburn’ and ‘Priscilla’, is now lined up to step in.
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What’s the story of ‘Frankenstein’?
1931’s ‘Frankenstein.’ Photo: Universal Pictures.
Shelly’s literary game-changer follows Victor Frankenstein (Isaac), a brilliant but egotistical scientist who brings a creature (Elordi) to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.
Del Toro is writing, directing and producing alongside J. Miles Dale, who served as a producer on del Toro’s ‘Cabinet of Curiosities’ for Netflix, where this new movie is also based.
Who else is in Guillermo del Toro’s ‘Frankenstein’?
What has del Toro said about ‘Frankenstein’ in the past?
Director Guillermo del Toro for ‘Guillermo del Toro’s Pinocchio.’
“The only way to do the Shelley novel is to actually do a four-hour miniseries,” he told MTV in 2008. “But I think there are permutations in which you can tell the myth in a different way.”
Obviously, he’s clearly found a way to make the story work as a movie –– and has now cracked the script.
It’ll need to be something fresh –– Shelley’s book has been adapted many times in many ways for all sorts of media. But we can trust del Toro will bring his distinctive stamp to the story of the doctor who reanimates dead bodies and the creature he creates that faces hatred from the local villagers.
Guillermo del Toro poses backstage with the Oscar® for Animated Feature Film during the live ABC telecast of the 95th Oscars® at Dolby® Theatre at Ovation Hollywood on Sunday, March 12, 2023.
Quite what he intends to do with it is a mystery for now, but he may choose to tweak it in a modern-day setting or stick to more of a period feel. Either way, this is certainly something we know this director can do.
And hopefully, Netflix will give the result some proper big-screen treatment before it ends up on the company’s servers, and we’re glad del Toro is getting to tick another long-held dream film off his list.
As for Elordi, he’s worked on Paul Schrader’s next film, ‘Oh Canada’ and indie drama ‘On Swift Horses’. He’ll also be back for the next season of HBO’s ‘Euphoria’, due in 2025.
Directed by James Gunn, Peter Quill (Chris Pratt), still reeling from the loss of Gamora (Zoe Saldaña), must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
(L to R) Maddie (Jennifer Lawrence) and Percy (Andrew Barth Feldman) in Columbia Pictures’ ‘No Hard Feelings.’
Directed by Gene Stupnitsky, Maddie (Jennifer Lawrence) thinks she’s found the answer to her financial troubles when she discovers an intriguing job listing: wealthy helicopter parents looking for someone to “date” their introverted 19-year-old son, Percy (Andrew Barth Feldman), and bring him out of his shell before he leaves for college. But awkward Percy proves to be more of a challenge than she expected, and time is running out before she loses it all.
Joaquin Phoenix in ‘Napoleon,’ premiering in theaters around the world on November 22, 2023.
Directed by Ridley Scott, ‘Napoleon’ is an epic that details the checkered rise and fall of French Emperor Napoleon Bonaparte (Joaquin Phoenix) and his relentless journey to power through the prism of his addictive, volatile relationship with his wife, Josephine (Vanessa Kirby).
(L to R) Robert De Niro and Leonardo DiCaprio in ‘Killers of the Flower Moon,’ coming soon to Apple TV+.
Directed by Martin Scorsese, when oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.
(L to R) Jake Ryan, Jason Schwartzman and Tom Hanks in director Wes Anderson’s ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Pop. 87 Productions/Focus Features.
Directed by Wes Anderson, the itinerary of a Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events.
Timothée Chalamet as Willy Wonka in ‘Wonka.’ Photo by Eric Charbonneau.
Directed by Paul King, Willy Wonka (Timothée Chalamet) – chock-full of ideas and determined to change the world one delectable bite at a time – is proof that the best things in life begin with a dream, and if you’re lucky enough to meet Willy Wonka, anything is possible.
(L to R) Natalie Portman as Elizabeth Berry and Julianne Moore as Gracie Atherton-Yoo in ‘May December.’ Photo: Francois Duhamel / courtesy of Netflix.
Directed by Todd Haynes, twenty years after their notorious tabloid romance gripped the nation, a married couple (Julianne Moore and Charles Melton) buckles under pressure when an actress (Natalie Portman) arrives to do research for a film about their past.
Directed by David Fincher, after a fateful near-miss, an assassin (Michael Fassbender) battles his employers, and himself, on an international manhunt he insists isn’t personal.
Directed by Nida Manzoor, a merry mash up of sisterly affection, parental disappointment and bold action, ‘Polite Society’ follows martial artist-in-training Ria Khan (Priya Kansara) who believes she must save her older sister Lena (Ritu Arya) from her impending marriage. After enlisting the help of her friends, Ria attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.
Owen Wilson as Carl Nargle in the comedy film, ‘Paint,’ an IFC Films release. Photo courtesy of IFC Films.
Directed by Brit McAdams, Carl Nargle (Owen Wilson), Vermont’s #1 public television painter, is convinced he has it all: a signature perm, custom van, and fans hanging on his every stroke… until a younger, better artist (Ciara Renée) steals everything (and everyone) Carl loves.
Keanu Reeves as John Wick in ‘John Wick: Chapter 4.’ Photo Credit: Murray Close.
Directed by Chad Stahelski, John Wick (Keanu Reeves) uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.
Spider-Man/Miles Morales (Shameik Moore) in Columbia Pictures and Sony Pictures Animations’ ‘Spider-Man: Across the Spider-Verse.’
Directed by Joaquim Dos Santos, Justin K. Thompson and Kemp Powers, Miles Morales (Shameik Moore) returns for the next chapter of the Oscar®-winning Spider-Verse saga, ‘Spider-Man: Across the Spider-Verse.’ After reuniting with Gwen Stacy (Hailee Steinfeld), Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. But when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders and must redefine what it means to be a hero so he can save the people he loves most.
(L to R) Jacob Elordi and Cailee Spaeny in ‘Priscilla.’ Credit: Philippe Le Sourd.
Directed by Sofia Coppola, when teenage Priscilla Beaulieu (Cailee Spaeny) meets Elvis Presley (Jacob Elordi) at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.
Laya DeLeon Hayes as Vicaria in the horror/thriller, ‘The Angry Black Girl and Her Monster,’ an AllBlk/Shudder/RLJE Films release. Photo courtesy of AllBlk/Shudder/RLJE Films.
Vicaria (Laya DeLeon Hayes) is a brilliant teenager who believes death is a disease that can be cured. After the brutal and sudden murder of her brother, she embarks on a dangerous journey to bring him back to life. Inspired by Mary Shelley’s Frankenstein, ‘The Angry Black Girl and Her Monster’ thematically challenges our ideas of life and death. Bomani J. Story, the film’s writer and director, crafts a thrilling tale about a family that, despite the terrors of systemic pressure, will survive and be reborn again.
‘American Fiction’ is Cord Jefferson’s hilarious directorial debut, which confronts our culture’s obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who’s fed up with the establishment profiting from “Black” entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish “Black” book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain.
(Center) Barry Keoghan as Oliver Quick in ‘Saltburn.’ Photo: Amazon MGM Studios. Amazon MGM Studios.
Directed by Emerald Fennell, struggling to find his place at Oxford University, student Oliver Quick (Barry Keoghan) finds himself drawn into the world of the charming and aristocratic Felix Catton (Jacob Elordi), who invites him to Saltburn, his eccentric family’s sprawling estate, for a summer never to be forgotten.
From award-winning director Ben Affleck, ‘Air’ reveals the unbelievable game-changing partnership between a then-rookie Michael Jordan and Nike’s fledgling basketball division which revolutionized the world of sports and contemporary culture with the Air Jordan brand. This moving story follows the career-defining gamble of an unconventional team with everything on the line, the uncompromising vision of a mother (Viola Davis) who knows the worth of her son’s immense talent, and the basketball phenom who would become
(L to R) Harris Dickinson as David Von Erich, Zac Efron as Kevin Von Erich, Stanley Simons as Mike Von Erich, and Jeremy Allen White as Kerry Von Erich in ‘The Iron Claw.’ Photo: A24.
Directed by Sean Durkin, the true story of the inseparable Von Erich brothers (Zac Efron, Jeremy Allen White, Harris Dickinson and Stanley Simons), who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach (Holt McCallany), the brothers seek larger-than-life immortality on the biggest stage in sports.
Directed by Bradley Cooper, this fearless love story chronicles the complicated lifelong relationship between music legend Leonard Bernstein (Cooper) and Felicia Montealegre Cohn Bernstein (Carey Mulligan).
Directed by Greta Gerwig, Barbie (Margot Robbie) and Ken (Ryan Gosling) are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.
From acclaimed director Alexander Payne, ‘The Holdovers’ follows a curmudgeonly instructor (Paul Giamatti) at a New England prep school who is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually he forms an unlikely bond with one of them — a damaged, brainy troublemaker (newcomer Dominic Sessa) — and with the school’s head cook, who has just lost a son in Vietnam (Da’Vine Joy Randolph).
(L to R) Jacob Elordi and Cailee Spaeny in ‘Priscilla.’ Credit: Ken Woroner.
Opening in theaters in limited release on October 27th before expanding wide on November 3rd, ‘Priscilla’ is the latest film by ‘Lost in Translation’ and ‘The Bling Ring’ director Sofia Coppola, which serves as a counterpoint to last year’s ‘Elvis’.
While Baz Luhrmann’s film was almost exclusively about The King, Olivia DeJonge popped up briefly as Priscilla, but she felt like an afterthought, since the focus was on Presley (Austin Butler) and manipulative manager Colonel Tom Parker (Tom Hanks).
In this new film, it’s Elvis who drifts in and out of Priscilla’s life, and the Colonel is only ever heard as a voice on a phone.
How well does ‘Priscilla’ bring her story to life?
Cailee Spaeny in director Sofia Coppola’s ‘Priscilla.’ Photo: A24.
How many people can have claim to have caught a music icon’s eye as a dewy-eyed teenager and actually ended up married to them? Not many.
‘Priscilla’, though it covers a more limited time period than ‘Elvis’, actually makes an advantage of that tighter focus, since it probes more deeply into its title character’s psyche than Luhrmann’s film did, albeit without laboring the points it wants to make. This is no cradle-to-grave examination of Priscilla’s world, preferring instead to chart her younger days. And let’s be honest: did anyone really need to see Cailee Spaeny made up to look like a mid-1990’s Priscilla acting in ‘The Naked Gun?’ Didn’t think so.
While ‘Elvis’ was all about the clash between Elvis and his manager, ‘Priscilla’ has her story at its core, charting the burgeoning relationship and the challenges it faced. It has space for Presley’s commitment to no sex before marriage but also his adulterous ways.
‘Priscilla’ script and direction
(L to R) Jacob Elordi, Cailee Spaeny and director Sofia Coppola on the set of ‘Priscilla.’ Photo: A24.
Coppola naturally has a keen eye (and ear, since she also adapted the script from Priscilla Presley’s memoir ‘Elvis and Me’, written with Sandra Harmon) for the story of a young woman dealing with the pressures of fame as they grow up. After all, she has a little experience in that regard.
And as a filmmaker, she’s long proved able to deliver compelling stories that forefront female characters, and Priscilla Presley’s is a notable example. Coppola truly runs with the idea, sensitively handling the chaos that was her life with Elvis and the pain and sorrow of being somewhat sidelined by the man she devoted her early life to.
Given its much more limited budget and schedule, it’s impressive how much Coppola was able to pull off with this movie.
If there are problems with the film’s, it’s in the pacing, and that Coppola sometimes has to indulge in unnecessary montage to show the passage of time –– did we really need to see Elvis and Priscilla shooting guns in the grounds of Graceland? Or see him take a bulldozer to the house of a deceased family member on the grounds because he doesn’t like it (if it is to be a metaphor for how his quirks such as demanding she indulge in his philosophical patterns demolish the relationship between him and his wife, it’s a leaden one).
And for all the examination of Priscilla’s inner life, there are times when she is frustratingly difficult to read, important moments passed over. Still, it remains a successful look at a woman that so many people think they know through footage and biographies but has rarely had her story told so keenly.
‘Priscilla’: performances
(L to R) Jacob Elordi and Cailee Spaeny in ‘Priscilla.’ Credit: Sabrina Lantos.
This is, without a doubt, Cailee Spaeny’s film. She embodies Priscilla at different ages with empathy and grace. Working with some superb costume and make-up teams, you’ll easily believe that this is the same woman as she grows up with the iconic singer.
Spaeny never overplays the role, even in some big melodramatic moments, and she acts everyone else off the screen. For his part, though, Jacob Elordi makes for a convincing Elvis Presley (he’s not charged with much of the music side of things the way Austin Butler was) and he’s very natural as the man in the quiet moments (and not-so-quiet ones) with Priscilla.
Elvis himself has been brought to the screen many times, but Elordi never seeks to pull off a basic impression –– in concert with Coppola, he finds fresh shades to play and embodies the spirit of the man. He also nails the voice at times. The film, by its nature, had to dive more into the quieter, more intimate moments of the relationship, rather than needing to portray giant concerts (there is clever use of archive footage to show the couple in Vegas and one big musical moment is only briefly glimpsed on TV).
Around them, there is a fully immersed supporting cast, from Priscilla’s stalwart parents (even if they do fluctuate being very protective and somehow ready to let their young daughter fly off to see her older boyfriend) to Elvis’ family and coterie of friends and hangers-on (who enjoy more of his attention than his wife at times).
(L to R) Cailee Spaeny in ‘Priscilla.’ Credit: Sabrina Lantos.
‘Priscilla’ doesn’t live in the shadow of ‘Elvis’ or previous examinations of its subject’s life. In Sofia Coppola’s assured hands, it works on its own terms, and is helped along by two excellent central performances.
If you were wanting to see the story of one of the most famous women in the world brought to compelling life, ‘Priscilla’ is the film to watch.
‘Priscilla’ receives 8 out of 10 stars.
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What’s the story of ‘Priscilla’?
When teenage Priscilla Beaulieu (Cailee Spaeny) meets Elvis Presley (Jacob Elordi) at a party, the man who is already a meteoric rock- and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.
Through Priscilla’s eyes, the film tells the unseen side of a great American myth in Elvis and Priscilla’s long courtship and turbulent marriage, from a German army base to his dream-world estate at Graceland, covering the time between their first meeting and their fraught final separation.
Who else is in ‘Priscilla’?
Cailee Spaeny (‘Vice‘) as Priscilla Presley (née Beaulieu)
(L to R) Jacob Elordi and Cailee Spaeny star in director Sofia Coppola’s ‘Priscilla.’
Moviefone recently had the pleasure of speaking with Cailee Spaeny and Jacob Elordi about their work on ‘Priscilla,’ bringing her story to the screen, how Spaeny prepared for the role, Elordi’s performance, showing a different side of Elvis, and working with Sofia Coppola.
Cailee Spaeny in director Sofia Coppola’s ‘Priscilla.’ Photo: A24.
You can read the full interview below or click on the video player above to watch our interviews with Spaeny and Elordi, as well as music supervisor Randall Poster.
Moviefone: To begin with, Cailee, how did you prepare to play this role and what was it like bringing Priscilla Presley’s story to the screen?
Cailee Spaeny: Well, it was first the book that she wrote in the 1980s and the script leans heavily on it. Then it was sitting down with Priscilla Presley herself, which I got the honor to do, and just taking the time and letting her walk through this section of her life. She shared little details and moments, and how she was feeling on certain nights or inside jokes they had together. To watch her go back to that time, and maybe she’d giggle a bit thinking about a memory they had together. Those were so precious to have in putting this puzzle piece together.
Jacob Elordi in director Sofia Coppola’s ‘Priscilla.’ Photo: A24.
MF: Jacob, how did you prepare to play Elvis Presley, arguably one of the most famous people in modern history, and what was it like examining his darker side?
Jacob Elordi: For me it was less about what side of him was being portrayed and more about trying to find the human being in him and make it a believable and real person. There were just months of boring study, reading, watching and listening. It would do your head in, just like it did mine in getting ready for it, if I told you about it all.
(L to R) Jacob Elordi, Cailee Spaeny and director Sofia Coppola on the set of ‘Priscilla.’ Photo: A24.
MF: Cailee, can you talk about collaborating with Sofia Coppola on set and what she was like to work with as a director?
CS: She really creates a safe space for everyone to feel like they can collaborate and share their thoughts and opinions. She knows exactly what she wants, but she also knows when to have fun, and remind everyone we’re making a film, and we should all enjoy it while we’re doing it. It was a quick 30-day shoot, but we had a lot of laughs in between and it was a real treat. She was a dream director for me to work with. She was the director I wanted to work with, and it was more than anything I could have imagined.
(L to R) Jacob Elordi and Cailee Spaeny in ‘Priscilla.’ Credit: Sabrina Lantos.
MF: Finally, Jacob, what was it like for you to work with Sofia Coppola? Was it as much fun as you had hoped it would be?
JE: More fun. She let us know immediately that you didn’t have to be dark and brooding and go through all these heavy things to make a good movie. She is the artist. She’s everything that you would want as an actor and more. I love her so much.
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What is the plot of ‘Priscilla’?
The film follows Priscilla Presley (Cailee Spaeny) and her life with Elvis Presley (Jacob Elordi).
