Tag: peter farrelly

  • CinemaCon 2026: Amazon MGM Studios Presentation

    The cast of 'Spaceballs: The New One' at CinemaCon 2026. Photo Credit: Greg Doherty/Getty Images for Amazon MGM Studios.
    The cast of ‘Spaceballs: The New One’ at CinemaCon 2026. Photo Credit: Greg Doherty/Getty Images for Amazon MGM Studios.

    Preview:

    • Amazon MGM Studios made its presentation to the 2026 CinemaCon crowd.
    • Among the movies promoted were ‘The Sheep Detectives’ and ‘Spaceballs: The New One’.
    • There was also a look at Michael B. Jordan’s ‘The Thomas Crown Affair’.

    After making its first trip to CinemaCon last year, Amazon MGM Studios has certainly been enjoying a good year at the box office so far, largely thanks to the huge success of ‘Project Hail Mary’ (which, as announced at the panel, just crossed $525 million at the global box office, cementing it as the company’s biggest movie to date, and will see its theatrical window extended, Amaze! Amaze! Amaze!).

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    Hoping to keep the momentum rolling, the studio unveiled new looks at this year’s crop of movies and beyond including ‘The Sheep Detectives’ and ‘Masters of the Universe’. But if you were expecting a surprise announcement about casting for the new James Bond movie, there was none –– but VP of Film Courtenay Valenti did promise it’ll be worthy of the venerable franchise’s legacy.

    Related Article: ‘Masters of the Universe’: Nicholas Galitzine Offers New Costume Look

    Here’s what was revealed…

    ‘The Thomas Crown Affair’

    Michael B. Jordan poses backstage with the Oscar® for Actor in a Leading Role during the 98th Oscars® at Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Etienne Laurent / The Academy
    Michael B. Jordan poses backstage with the Oscar® for Actor in a Leading Role during the 98th Oscars® at Dolby® Theatre at Ovation Hollywood on Sunday, March 15, 2026. Credit/Provider: Etienne Laurent / The Academy
    Copyright: ©A.M.P.A.S.

    First out of the gate (even though it isn’t out until next March) was newly minted Oscar winner Michael B. Jordan‘s remake of the 1968 caper movie –– previously re-imagined in 1999, which the actor is directing and starring in.

    After a look at some fun footage, Jordan himself took the stage to talk up the fact that Jon Batiste is crafting the music for the movie. He also brought out co-star Adria Arjona, complimenting her “intensity, wit, and fire” while calling her “an incredible scene partner.” Their cat-and-mouse relationship (as art thief and the insurance investigator tracking him down) is at the core of the movie.

    Kenneth Branagh, meanwhile, plays the antagonist, the person that Jordan’s Crown targets. Jordan says he made the movie for big screens.

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    ‘Masters of the Universe’

    Nicholas Galitzine stars in 'Masters of the Universe'. Photo: Amazon MGM Studios.
    Nicholas Galitzine stars in ‘Masters of the Universe’. Photo: Amazon MGM Studios.

    Hoping for another big hit, Amazon MGM is putting a lot of weight behind ‘Masters of the Universe’, which adapts the 1980s toy line and cartoon series (and was already focus of a notoriously unsuccessful 1987 movie).

    Stars Nicholas GalitzineCamila Mendes and director Travis Knight took the stage to introduce a new look at the film. Galitzine, of course, was hefting He-Man’s classic power sword, which is surely some sort of safety violation.

    Jared Leto stars in 'Masters of the Universe'. Photo: Amazon MGM Studios.
    Jared Leto stars in ‘Masters of the Universe’. Photo: Amazon MGM Studios.

    Some fresh footage from the movie –– which Knight and co. described as tackling how someone is challenged to step up beyond what they think they can do –– was screened after Galitzine had the audience lift the fake swords they received as he recited He-Man’s classic transformation line

    The new scene shows Galitzine’s Prince Adam and Mendes’ Teena reuniting on Earth before they travel to Eternia to battle the evil Skeletor (Jared Leto), which in turn leads into the new trailer.

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    ‘The Beekeeper 2’

    Jason Statham stars as Clay in director David Ayer's 'The Beekeeper.' An Amazon MGM Studios film. Photo Credit: Courtesy of Amazon MGM Studios. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
    Jason Statham stars as Clay in director David Ayer’s ‘The Beekeeper.’ An Amazon MGM Studios film. Photo Credit: Courtesy of Amazon MGM Studios. © 2024 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.

    Another jump ahead in time for a quick look at footage from Jason Statham action sequel ‘The Beekeeper 2’. It’s pretty much exactly what you’d expect from The Stath, and should keep fans happy. Statham himself appeared via video to exclaim, “some people say less is more. I say more is more.”

    The new movie will see the Beekeeper society looking to overthrow the US government. At this point in time, the jokes write themselves…

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    ‘The Sheep Detectives’

    Hugh Jackman in 'The Sheep Detectives'. Photo: Amazon MGM Studios.
    Hugh Jackman in ‘The Sheep Detectives’. Photo: Amazon MGM Studios.
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    Back to 2026’s schedule, and the quirky mystery drama about a herd of sheep who must solve the murder of their beloved shepherd (Hugh Jackman).

    Jackman himself arrived on stage (along with co-stars Nicholas Braun, and a returning Galitzine) to tout the film, which also boasts a considerable cast in both live-action (Emma Thompson) and voice (too many to list) form. It’s described as “a warm deeply human story about finding your place in the world.” And we got an extended look at the movie.

    ‘A Colt is My Passport’

    Gareth Evans (‘The Raid’) returns with a new action movie, this one starring
    Sope Dirisu in the story of Colt, a Vietnam veteran turned contract killer, goes on the run after assassinating a gangland boss.

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    ‘How to Rob a Bank’

    David Leitch in Paris for 'Bullet Train.' Credit: Oliver Vigerie/Sony Pictures.
    David Leitch in Paris for ‘Bullet Train.’ Credit: Oliver Vigerie/Sony Pictures.

    With confetti and chaos, the new movie from director David Leitch launched into a first look at a team of social media types who make videos about, well, how to rob banks.

    Leitch came on stage with Pete Davidson, and Davidson revealed that this group of robbers livestreams their crimes and robberies. “They’re putting an end to greed and corruption one heist, and one video, at a time,” he said, before Rhenzy Feliz and Anna Sawai were confirmed to be the other two robbers. Leitch wanted to capture the energy of a manic YouTube video, before a video message from the rest of the cast played.

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    Your Mother Your Mother Your Mother

    Mahershala Ali attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. Photo by Kevin Mazur/Getty Images.
    Mahershala Ali attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. Photo by Kevin Mazur/Getty Images.

    More action, this time a visceral thriller starring Mahershala Ali and following a hitman struggling to balance his job with his faith & fatherhood. Bassam Tariq directs.

    Ali took the stage to enthuse about how the movie checked every box for him, and he introduced some intense footage.

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    After a quick look at ‘Verity’ (which we’re surprised wasn’t spotlighted more given its Colleen Hoover origins) it was time for…

    ‘Spaceballs: The New One’

    'Spaceballs: The New One' logo. Photo: Amazon MGM Studios.
    ‘Spaceballs: The New One’ logo. Photo: Amazon MGM Studios.

    The much-anticipated ‘Spaceballs’ sequel was introduced by originator Mel Brooks (via video), with cast members Bill PullmanJosh Gad, Lewis PullmanDaphne Zuniga and to great response, Rick Moranis actually present to introduce a first look at the movie, which is as funny as you might hope for. Let’s just say the ‘Star Wars’ sequel trilogy is heavily targeted for spoofing.

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    ‘Highlander’

    Henry Cavill in 'Highlander'. Photo: Henry Cavill's Instagram Account.
    Henry Cavill in ‘Highlander’. Photo: Henry Cavill’s Instagram Account.

    It might still be busy shooting, but the re-imagining of the 1980s action movie is one of the bigger titles on the horizon for the studio.

    With Henry Cavill starring as the immortal warrior who must battle others of his kind, it promises plenty of set pieces.

    Cavill and director Chad Stahelski (‘John Wick’) are halfway through filming, but the former took time out to appear via video and offer some early footage.

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    ‘I Play Rocky’

    Peter Farrelly accepts the Oscar® for original screenplay during the live ABC Telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Aaron Poole / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Peter Farrelly accepts the Oscar® for original screenplay during the live ABC Telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Aaron Poole / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    The chaotic making of the 1976 Sylvester Stallone classic is the subject of this based-on-truth film from director Peter Farrelly.

    He strode on stage with some of his cast to talk about the movie, one he described as “for dreamers” before cueing up a first look.

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    And with a sizzle reel for other projects on the way, the curtain fell on the Amazon MGM presentation!

    'Masters of the Universe' opens in theaters on June 5th.
    ‘Masters of the Universe’ opens in theaters on June 5th.
  • Matt Dillon and Stephan James Join ‘I Play Rocky’

    (Left) Matt Dillon in 'The House That Jack Built'. Photo: TrustNordisk. (Right) Stephan James in 'Race'. Photo: Entertainment One Films.
    (Left) Matt Dillon in ‘The House That Jack Built’. Photo: TrustNordisk. (Right) Stephan James in ‘Race’. Photo: Entertainment One Films.

    Preview:

    • Matt Dillon and Stephan James are boarding new drama ‘I Play Rocky’.
    • Anthony Ippolito is playing Sylvester Stallone in the movie.
    • Peter Farrelly is in the director’s chair.

    A little over a month since we learned that director Peter Farrelly had picked Anthony Ippolito to play Sylvester Stallone in the tumultuous making-of story of one of the classic sports movies –– that would be ‘Rocky’ –– we now know two of the names joining him in ‘I Play Rocky.’

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    Deadline reports that Matt Dillon (‘Crash’) and Stephan James (‘Race’) have signed on to the film, playing Frank Stallone Sr. (Sly’s dad) and Carl Weathers (who played Apollo Creed in ‘Rocky’ and beyond) respectively.

    They join AnnaSophia Robb (‘Rebel Ridge’), who has the role of Sasha Czack, Stallone’s girlfriend at the time, and future wife.

    Related Article: Anthony Ippolito to be Sylvester Stallone in ‘I Play Rocky’

    What’s the story of ‘I Play Rocky’?

    Sylvester Stallone and Carl Weathers in 'Rocky'.
    (L to R) Sylvester Stallone and Carl Weathers in ‘Rocky’. Photo: United Artists.

    Peter Gamble (‘Office Uprising’) wrote the script for this one, which follows a struggling actor with a partially paralyzed face and a speech impediment writes a script that a big movie studio wants to buy, but he refuses to sell it unless he gets to play the lead.

    Turning down an offer of life-changing money, he instead works for pennies to get the movie made with himself in the starring role.

    The movie became the biggest box office hit of 1976, notching 10 Oscar nominations and winning Best Picture.

    A cultural touchstone that established Stallone as a Hollywood legend, the ‘Rocky’ franchise, distributed by United Artists and later MGM, remains one of the most iconic and financially successful sports film franchises of all time, with $1.7 billion in grosses between the original films and their ‘Creed’ spin-offs.

    Where else can we see Matt Dillon and Stephan James?

    Matt Dillon in 'High Desert,' now streaming on Apple TV.
    Matt Dillon in ‘High Desert,’ now streaming on Apple TV.

    Dillon, who earned an Oscar nomination for his role in ‘Crash’, was seen in Wes Anderson’s ‘Asteroid City’ and the Apple TV series ‘High Desert’. His most recent gig was this year’s ‘The Fence.’

    James appeared in ‘If Beale Street Could Talk’. Next he’ll be seen starring opposite Alan Ritchson in Netflix’s sci-fi actioner ‘War Machine.’

    When will ‘I Play Rocky’ punch its way to screens?

    While Amazon MGM Studios has this one aiming for a theatrical release, the company has yet to specify a date.

    Sylvester Stallone in 'Rocky'. Photo: United Artists.
    Sylvester Stallone in ‘Rocky’. Photo: United Artists.

    Movies in the ‘Rocky’ Franchise:

    Buy ‘Rocky’ Movies On Amazon

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  • Anthony Ippolito to be Sylvester Stallone in ‘I Play Rocky’

    (Left) Anthony Ippolito as Al Pacino of the Paramount+ original series 'The Offer'. Photo: Nicole Wilder/Paramount+ ©2022 Paramount Pictures. All Rights Reserved. (Right) Sylvester Stallone in 1977's 'Rocky.' Photo: United Artists.
    (Left) Anthony Ippolito as Al Pacino of the Paramount+ original series ‘The Offer’. Photo: Nicole Wilder/Paramount+ ©2022 Paramount Pictures. All Rights Reserved. (Right) Sylvester Stallone in 1977’s ‘Rocky.’ Photo: United Artists.

    Preview:

    • Anthony Ippolito has landed the starring role as Sylvester Stallone in ‘ I Play Rocky’.
    • Peter Farrelly is directing.
    • It’ll chronicle the making of ‘Rocky’.

    It’s been more than a year since we reported on Peter Farrelly agreeing to direct based-on-truth, behind-the-scenes movie ‘I Play Rocky’, which chronicles Sylvester Stallone’s efforts to land the lead in the boxing classic he set up.

    Now we know, via The Hollywood Reporter, that Anthony Ippolito has landed the role of Stallone.

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    This marks the second time Ippolito will play an iconic Italian-American actor, as his most notable previous credit was as Al Pacino in Paramount+ series ‘The Offer’, itself a look at the difficult production of ‘The Godfather’.

    Related Article: Peter Farrelly Directing Movie About the Making of ‘Rocky’

    What’s the story of ‘I Play Rocky’?

    Sylvester Stallone and Carl Weathers in 'Rocky'.
    (L to R) Sylvester Stallone and Carl Weathers in ‘Rocky’. Photo: United Artists.

    The new movie, set up at Amazon MGM Studios and written by Peter Gamble, chronicles the true Hollywood story about an unknown actor with an unshakable belief that he wasn’t just meant to write Rocky — he was meant to be Rocky Balboa.

    Told “no” at every turn, Stallone bets everything on himself, holding the line on playing the lead against seemingly impossible odds. The result is the ultimate underdog story behind the ultimate underdog movie.

    Ippolito had a similar approach to his own role –– when he learned the movie was being made, he created and sent in his own audition tape directly to the producers, landing the role in the process.

    ‘I Play Rocky’: The producers speak

    Peter Farrelly accepts the Oscar® for original screenplay during the live ABC Telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Aaron Poole / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Peter Farrelly accepts the Oscar® for original screenplay during the live ABC Telecast of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Aaron Poole / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Toby Emmerich, the former Warner Bros. Motion Picture chief, is one of the main producers and had this to say:

    “I’ve been a fan of Peter Farrelly as both a filmmaker and a person since getting to work with him on the music for ‘Dumb and Dumber’. But it was ‘Green Book’ that made me think of Pete for this inspiring screenplay. Christian Baha and I feel blessed to have Pete at the helm for this movie. And like the unknown Stallone starring in Rocky, Pete will be conducting a worldwide search to discover another actor who just needs one shot — in ‘I Play Rocky’ — to show the world what he can do.”

    Well, now they have that actor!

    When will ‘I Play Rocky’ be on screens?

    While Amazon MGM Studios has yet to confirm a release date, we do know this one is currently being set as a theatrical movie.

    Sylvester Stallone in 'Rocky'. Photo: United Artists.
    Sylvester Stallone in ‘Rocky’. Photo: United Artists.

    Movies in the ‘Rocky’ Franchise:

    Buy ‘Rocky’ Movies On Amazon

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  • ‘Dear Santa’ Interview: Bobby Farrelly and Peter Farrelly

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    Premiering on Paramount+ and digital platforms November 25th is the new Christmas comedy ‘Dear Santa’, which was directed and produced by Bobby Farrelly (‘Champions’) and written and produced by Peter Farrelly (‘Green Book’).

    The new movie reunites the Farrelly brothers with ‘Shallow Hal’ star Jack Black (‘The Super Mario Bros. Movie’), and in addition features Robert Timothy Smith (‘Star Wars: Skeleton Crew’), Brianne Howey (‘Batwoman’), Hayes MacArthur (‘The Way Back’), Keegan-Michael Key (‘Wonka’), P.J. Byrne (‘The Wolf of Wall Street’), and Post Malone as himself.

    (L to R) Director and producer Bobby Farrelly and screenwriter and producer Peter Farrelly talk 'Dear Santa'.
    (L to R) Director and producer Bobby Farrelly and screenwriter and producer Peter Farrelly talk ‘Dear Santa’.

    Related Article: Woody Harrelson and Kaitlin Olson Talk Basketball Comedy ‘Champions’

    Moviefone recently had the pleasure of speaking with Bobby and Peter Farrelly about their work on ‘Dear Santa’, developing the screenplay, getting the movie greenlit, reuniting with Jack Black, directing children, the movie’s tone, P.J. Byrne’s unusual performance, casting Post Malone, and their favorite Christmas movies.

    You can read the full interview below or click on the video player above to watch our interviews.

    (L to R) Director and producer Bobby Farrelly and screenwriter and producer Peter Farrelly talk 'Dear Santa'.
    (L to R) Director and producer Bobby Farrelly and screenwriter and producer Peter Farrelly talk ‘Dear Santa’.

    Moviefone: To begin with, Peter, can you discuss developing the screenplay with the other writers and the themes you wanted to explore with this movie?

    Peter Farrelly: Well, it wasn’t my idea. It came from Kevin Barnett and Pete Jones, guys we collaborate with a lot. They just came in and said, “What about this? A kid writes a letter to Santa, but he misspells it and instead writes it to Satan.” I was like, “Yeah, let’s do it.” That’s a good movie. It’s a comedy first. It’s like there was a devil in ‘Damn Yankees’ but it never got dark, and that’s what this is. And no better person to play the devil than Jack Black who’s innately lovable. You know his heart is in the right place. I’m not saying Satan’s is, but this Satan’s heart is in the right place.

    MF: Bobby, is a Christmas movie about Satan a difficult project to get greenlit?

    Bobby Farrelly: Well, it is a movie that we worked on for many years. It took 10 years to get the script right. So along the way, we did have studios who were interested in the concept, but we never felt like it was at the right place. So finally, Jeremy Kramer, over at Paramount who had been working with us for years on this, shepherding, got Pete’s and Ricky Blitt‘s new script, and he thought, “You know what? This is it. The time’s right, let’s do it.” So, Paramount did it, and here we are. The trick is doing it in a way where it’s fun and it’s not too dark, and it’s a Christmas story, and then it has a nice happy message and that sort of thing. We didn’t want to turn it into a horror movie by any stretch of the imagination.

    Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    MF: Peter, was it more difficult to get this movie made than some of your past films?

    PF: They’re never easy. There are no easy movies to make. But Jeremy Kramer, he took the bull by the horns and really made this thing happen because it wasn’t easy. After ‘Dumb and Dumber’, you would’ve thought we could walk in anywhere and make a movie. No. They’re like, “Yeah, well that was a Jim Carrey movie. You guys are lucky to be at the party.” So, you’re still going to fight to get your next movie on, which was ‘Kingpin’, but it’s not easy. They’re never easy. So, no matter what you do, it’s hard in this space.

    MF: Peter, can you talk about creating the right tone for the screenplay?

    PF: I don’t think the tone is dark. I would never describe it as dark. I mean, it’s a light telling of the thing. It’s slightly edgy for a PG-13 movie and this is a goofy Satan. This isn’t ‘The Exorcist’. This is a goofy Satan who’s moved by a kid’s niceness to become nice. The message is quite uplifting, I think, at the end.

    (L to R) Director Bobby Farrelly and Jack Black on the set of Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    (L to R) Director Bobby Farrelly and Jack Black on the set of Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    MF: Bobby, can you talk about finding the right tone for the movie on set?

    BF: It feels like when (Satan) shows up, it feels like this might get dark, but it’s Jack, and he plays it in a way where he’s very likable and you go with him. He’s won over by the kid and what a nice kid he is and the spirit of Christmas and all that. So, he changes much more than the kid changes. The kid doesn’t get swayed at all by him. In fact, to the contrary, Jack’s character has an arc to him.

    MF: Bobby, what was it like directing young actor Robert Timothy Smith, and is there a trick to getting a great performance from a child actor?

    BF: Well, we’ve directed some kids in the past, but never this many. What I learned about kids is first, you treat them like everyone else because they are just as talented as any adults we’ve ever worked with. It’s a shorter day. There’s a lot of things that must happen. They must go to school, and you can only work so many hours and all that. But boy, they’re good actors, and they can keep up with the adults even if they improvise or go off the page. It was a joy. It was a lot of fun working with this talented young actor and the kids around him. Kai Cech who plays his girlfriend and Jaden Carson Baker, who plays his best friend, Gibby, those guys were all great, and they’re nice kids too, so it was a lot of fun to work with.

    (L to R) Jack Black and Robert Timothy Smith star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    (L to R) Jack Black and Robert Timothy Smith star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    MF: Peter, why was Smith the right young actor for this role?

    PF: That kid, he reminded me of a young Albert Brooks. His delivery is very adult, but it’s like a nebbish kind of Woody Allen. I thought the kid was good.

    MF: Peter, what was it like working with Jack Black again after ‘Shallow Hal’ and can you talk about what he brings to this role?

    PF: Well, again, because he’s supposed to be like a goofy Satan, you want somebody who’s lovable and not dark and somebody who everybody is familiar with. He’s the way he was in ‘School of Rock’ where he was a little edgy, and he is dealing with kids, but he’s also adult because he’s trying to teach the kids something, but he’s not teaching in this one. But in any case, you need somebody like that, and that openness and that likability carries the movie. I hate to think what would’ve happened if we’d made the movie with somebody who has a dark element.

    (L to R) Robert Timothy Smith, Jaden Carson Baker, Jack Black and Post Malone star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    (L to R) Robert Timothy Smith, Jaden Carson Baker, Jack Black and Post Malone star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    MF: Bobby, what was it like working with Post Malone and when you cast a popular musician in a movie to perform one of their own songs, are you able to request the song they sing or did Malone choose the song himself that he performs in the concert sequence?

    BF: Here’s the thing. You can write him into the script, but he’s probably going to be out touring or doing something. Those guys are busy. But we were able to get him to come in and he was touring, but we were able to get him to come for three or four days into his schedule, because he read the script and he said, “This is going to be fun.” So, he came and totally delivered it. I love that song that he plays in the movie. It’s called ‘I Like You’, and it was perfect for what we needed our young Liam character to be dancing to on stage. So, it was the perfect song. He was more than happy to do it. We were super lucky to get him. And boy, was he fun to work with. He’s like, “You guys all have to play beer pong with me.” All right. Everyone’s playing beer pong. We worked it into the movie with Robert Timothy Smith’s character. It was a lot of fun. Post, that’s a thing that he does. Anyone he meets, he wants to (play beer pong) after the show. He wants to just do a little bit of that. That’s his version of shooting pool or something. He wants to play a little bit of beer pong, and so we worked it into the story when he was there.

    MF: Bobby, actor P.J. Byrne’s gives an unusual performance with a very specific accent and almost speaks like an English gentleman from the 1800s. Did you direct him to speak like that or did he come up with that on his own?

    BF: You know what? I got to give P.J. his due. He came in with that sort of take on the professor, and as soon as he did it, I was like, “I love it. Absolutely perfect.” P.J.’s, that kind of actor. He has a definite defined take on how he’s going to play it. It wasn’t necessarily how we saw it, but that’s why we hired him. We knew he’d deliver.

    (L to R) Jack Black and Robert Timothy Smith star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    (L to R) Jack Black and Robert Timothy Smith star in Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    MF: Peter, what is the secret to making a great Christmas movie?

    PF: Well, I would say the secret is heart, having heart, but then ‘Bad Santa’ is one of my favorites, and it didn’t have a ton of heart. But it did have some. I guess I’d have to say my favorite Christmas movie is ‘Elf’. I loved ‘Elf’. I could watch ‘Elf’ every year. It’s a fun one to watch. In fact, when we were making ‘Green Book’, we were doing it in December. Viggo Mortensen rented out a whole theater and the whole cast and crew went to watch ‘Elf’ because he loves that movie. It’s interesting, if you look at ‘It’s a Wonderful Life’, there’s some dark little bits in there. Yet ultimately, it’s an uplifting movie, and that’s what we wanted this to be.

    MF: Finally, Bobby, what is your favorite Christmas movie?

    BF: I loved ‘It’s a Wonderful Life’, which is one of the original Christmas classics. But I just loved the way it did have some real drama in it, and real storytelling. It wasn’t a comedy for most of it, but boy, it had a sweet, happy ending. That’s the formula I wanted to follow with ‘Dear Santa’. It’s a tight balance between telling a dark story here or telling a story that’s got a lot of heart and a lot of happiness and ends with a big up note.

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    What is the plot of ‘Dear Santa’?

    A young boy (Robert Timothy Smith) accidentally mixes up his spelling and sends his Christmas list to Satan (Jack Black) instead of Santa.

    Who is in the cast of ‘Dear Santa’?

    • Jack Black as Asmodeus/”Santa Claus”
    • Robert Timothy Smith as Liam Turner
    • Jaden Carson Baker as Gibby
    • Kai Cech as Emma
    • Brianne Howey as Molly Turner
    • Hayes MacArthur as Bill Turner
    • Keegan-Michael Key as Dr. Finklman
    • P. J. Byrne as Mr. Charles
    • Post Malone as himself
    Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, 'Dear Santa'.
    Paramount Pictures presents a Farrelly Brothers / Kraymation Films production, a Bobby Farrelly film, ‘Dear Santa’.

    Other Farrelly Brothers Movies:

    Buy Farrelly Brothers Movies on Amazon

     

  • ‘Green Book’ Director Peter Farrelly’s Next Movie Is Based On ‘The Greatest Beer Run Ever’

    ‘Green Book’ Director Peter Farrelly’s Next Movie Is Based On ‘The Greatest Beer Run Ever’

    Universal

    Green Book” director Peter Farrelly has lined up his next movie, which may or may not involve pizza-folding.

    He will write and direct an as-yet-untitled film called “The Greatest Beer Run Ever: A True Story of Friendship Stronger Than War.”

    Since Farrelly is still best known for comedies like “Dumb & Dumber ” and “There’s Something About Mary,” we imagine a movie without the word “Beer” in the title might better convey the essence of the story: It’s about John “Chickie” Donohue, who, in 1967, decided to track down and share a few beers with his childhood buddies in the Army … while they were fighting in Vietnam.

    Brian Currie and Pete Jones (“Hall Pass“) will co-write the script with Farrelly.

    “Green Book,” which was Farrelly’s first feature film that he didn’t co-direct with brother Bobby,  was nominated for five Academy Awards. It netted Farrelly two Oscars (for best picture and screenplay) and a second win for supporting actor Mahershala Ali.

    [Via Variety]

  • DGA Film Awards Nominations Cite ‘A Star Is Born,’ ‘Green Book,’ ‘Roma’

    DGA Film Awards Nominations Cite ‘A Star Is Born,’ ‘Green Book,’ ‘Roma’

    Warner Bros.

    After announcing its nominations in the television and documentary categories earlier this week, the Directors Guild of America has now revealed its slate of nominees for its annual film awards — and with it, prognosticators may have a clearer shape of the Oscar race.

    Recent Golden Globe winners “Roma” (Best Director Alfonso Cuaron) and “Green Book” (Best Comedy Film, helmed by Peter Farrelly) were both represented in the DGA’s lineup, as were “A Star Is Born” (Bradley Cooper), “BlacKkKlansman” (Spike Lee), and “Vice” (Adam McKay). Cooper also received a second DGA nomination in the first-time director category, as did newly-minted Writers Guild Awards nominee Bo Burnham (“Eighth Grade”).

    Amazingly enough, this is Lee’s first ever DGA nomination. He seems all but a shoo-in to repeat for an Oscar nomination, too.

    Speaking of the Oscars, the DGA picks typically have lots of overlap with the eventual Academy shortlists of both Best Director and Best Picture. Last year’s DGA champ, “The Shape of Water,” went on to claim both of those Oscar statuettes.

    The full list of nominees is below. The DGA Awards will be handed out on February 2.

    OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM:

    BRADLEY COOPER
    A Star is Born
    (Warner Bros. Pictures)
    Unit Production Manager: Robert J. Dohrmann
    First Assistant Director: Michele “Shelley” Ziegler
    Second Assistant Director: Xanthus Valan
    Second Second Assistant Director: Matthew R. Milan

    ALFONSO CUARÓN
    Roma
    (Netflix)
    Unit Production Manager: Ana Hernandez
    First Assistant Director: Frederic Henocque Albino
    Second Assistant Director: Patrick Heyerdahl
    Second Second Assistant Directors: Luis Fernando Vásquez, Julián ‘Chico’ Valdés, Arturo Garcia

    PETER FARRELLY
    Green Book
    (Universal Pictures)
    Unit Production Managers: Alissa M. Kantrow, John Brister, Franses Simonovich (New York Unit)
    First Assistant Directors: J.B. Rogers, Alejandro Ramia (New York Unit)
    Second Assistant Directors: Paul B. Uddo, Jack McKenna (New York Unit)
    Second Second Assistant Directors: Gerson Paz, Jonathan Warren
    Location Manager: Louis Zuppardi

    SPIKE LEE
    BlacKkKlansman
    (Focus Features)
    Unit Production Manager: Marcei A. Brown
    First Assistant Director: Mike Ellis
    Second Assistant Director: Tracey Hinds
    Second Second Assistant Directors: Jason Perez, Christina Ann Walker, Anastasia Folorunso

    ADAM MCKAY
    Vice
    (Annapurna Pictures)
    Unit Production Managers: Julie Hartley, Jeff Waxman
    First Assistant Director: Matt Rebenkoff
    Second Assistant Director: Joann Connolly
    Second Second Assistant Directors: Yarden Levo, Dave Vogel (Washington D.C. Unit)

    OUTSTANDING DIRECTORIAL ACHIEVEMENT OF A FIRST-TIME FEATURE FILM DIRECTOR:

    BO BURNHAM
    Eighth Grade
    (A24)
    First Assistant Director: Dan Taggatz
    Second Assistant Director: Vic Coram
    Second Second Assistant Director: Evelyn Fogleman

    BRADLEY COOPER
    A Star is Born
    (Warner Bros. Pictures)
    Unit Production Manager: Robert J. Dohrmann
    First Assistant Director: Michele “Shelley” Ziegler
    Second Assistant Director: Xanthus Valan
    Second Second Assistant Director: Matthew R. Milan

    CARLOS LÓPEZ ESTRADA
    Blindspotting
    (Summit Entertainment)
    Assistant Director: La Mar Stewart
    Second Second Assistant Director: Dominic Martin
    Additional Second Second Assistant Director: Armin Houshmandi

    MATTHEW HEINEMAN
    A Private War
    (Aviron Pictures)
    Unit Production Manager: Louise Killin
    First Assistant Directors: George Walker, Peter Freeman (Jordan Unit)
    Second Assistant Directors: Tom Mulberge (UK Unit), Tom Browne (Jordan Unit)
    Second Second Assistant Director: Tarik Afifi (Jordan Unit)

    BOOTS RILEY
    Sorry to Bother You
    (Annapurna Pictures)
    Production Manager: Chris Martin
    First Assistant Director: Brian Benson
    Second Assistant Director: Hilton Jamal Day
    Second Second Assistant Directors: Sam Purdy, Nick Alvarez

    [via: Deadline]

  • ‘Green Book’ Review: This Flawed, Feel-Good Oscar Hopeful Has Its Charms

    ‘Green Book’ Review: This Flawed, Feel-Good Oscar Hopeful Has Its Charms

    Universal

    Every time I see a movie like “Green Book,” I wonder how many more stories about overcoming racism Hollywood needs to tell. And then I glance at the news and realize it’s apparently a lesson that audiences keep needing to learn.

    Directed by Peter Farrelly — one half of the gentlemen responsible for “Dumb and Dumber” and “There’s Something About Mary“) — he indulges in the duo’s proclivity for road movies but otherwise restrains himself from turning the true story of a Jamaican classical pianist being driven through the 1960s Deep South by a foul-mouthed Italian bouncer into an unsuitably raunchy, lowest-common-denominator comedy. Mahershala Ali and Viggo Mortensen, as passenger and driver, respectively, form an occasionally discordant but ultimately satisfying pair as their characters’ real-life adventure offers a canny reversal of many of the tropes of movies about learning to see past skin color.

    Mortensen plays Frank “Tony Lip” Vallelonga, a doorman and bouncer who finds himself out of a job when the Copacabana closes for repairs. While scrounging for cash by challenging neighborhood heavyweights to eating contests, he receives an unexpected job offer from Dr. Don Shirley (Ali), a black pianist who needs a driver and valet to shepherd him through the Deep South for a tour with his trio.

    Frank’s insular life in New York — in the same neighborhood his parents lived in before him, and his children would after him — fails to prepare him for the opposition Dr. Shirley faces in towns where the musician cannot eat or use the bathroom in the same venue he is scheduled to perform. Nevertheless, he quickly proves valuable as an enforcer and one-man security team when Shirley, isolated in a different way from not just his band mates or the locals, but what is considered his own culture, occasionally forgets that he is unwelcome among whites as soon as he steps off stage.

    Soon, Frank and Dr. Shirley form an uneasy friendship as they cross the Deep South, discovering uncomfortable truths about each other, and eventually, themselves.

    Universal

    The first part of the movie takes place largely in Frank’s community — full of stereotypical wiseguys and the kinds of Italian caricatures I guess the world has collectively decided are inoffensive. Even so, it comes as a surprise that the performance that Mortensen gives as Frank is quite so broad. But the real Vallelonga’s son, Nick, co-wrote the script with Farrelly and Bryan Hayes Currie, so one imagines that at the very least it’s faithful to who he was. Mortensen gives him a vibrancy and a humanity that makes his transformation into a more tolerant person feel incremental instead of a grand epiphany. As Shirley, meanwhile, Ali taps into a Sidney Poitier-like character type — an exemplary and therefore “harmless” specimen of his race — and finds the frustration, and powerfully, confusion roiling beneath that placid surface.

    Shirley understands all too well what he must do in order to be able to play and enjoy the artistic freedom that his talent affords him, and understands the cost — to his relationships, and to his very sense of identity. He aims to hold both he and Frank to that impossible standard, correcting his driver’s diction, demeanor, behavior and even his worldview, and Ali communicates how exhausting, and exasperating, maintaining that can be.

    Conversely, and though the film seems to soften Frank’s racism (he always seems more frequently adjacent to the most offensive stuff instead of participating in it), he becomes a witness less to Shirley’s race than to his discipline, artistically and personally. He does so while still being able to enjoy the luxury of being a white man who can get into a scuffle or talk back to a mouthy jerk or even just ask for what Shirley has earned and deserves. “Dignity always prevails,” Shirley correctly observes, but Frank knows that it helps to fall back on the language of a tour rider — or, in a clinch, a revolver hidden in his waistband.

    Though they eventually narrow their view to one or two unlucky so-and-sos, Farrelly’s films are very often about families or large communities, and this one is the same — and in particular, it’s about learning that the community in which we live is bigger than we think. Such realizations with regard to race are, certainly at this date, more than a little bit hokey, but this film can be forgiven for showcasing average whiteness learning some important lessons from black exceptionalism, especially with two incredibly gifted actors behind the wheel, steering us towards the better angels of our nature.

    Ultimately, “Green Book” is maybe not a masterpiece, but it’s a master-class from two of our most talented actors. Most of all, it is a balm for times that seem determined to remain volatile, and often painful. It, like the many dozens of movies before it about the black-white relations of generations past, will not likely solve the problems of modern racism, but it’s still an important reminder that we can always learn new things about and from one another — in which case, it’s a good idea to keep one’s mind, and heart, open.

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