In honor of Anderson’s recent Oscar wins, Moviefone is counting down every film Paul Thomas Anderson has ever directed from worst to best, including his latest.
(L to R) Emily Watson and Adam Sandler in ‘Punch-Drunk Love’. Photo: Sony Pictures Releasing.
A socially awkward and volatile small business owner (Adam Sandler) meets the love of his life (Emily Watson) after being threatened by a gang of scammers.
Daniel Day-Lewis in ‘Phantom Thread’. Photo: Focus Features.
In 1950s London, a renowned dressmaker’s (Daniel Day Lewis) meticulous lifestyle begins drastically changing as his relationship with his young muse (Vickey Kreps) intensifies.
Philip Seymour Hoffman in ‘The Master’. Photo: The Weinstein Company.
Freddie (Joaquin Phoenix), a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd (Phillip Seymour Hoffman), the charismatic leader of a new “religion” he forms after World War II.
(L to R) Alana Haim and Cooper Hoffman in ‘Licorice Pizza’. Photo: United Artists Releasing.
The story of Gary Valentine (Cooper Hoffman) and Alana Kane (Alana Haim) growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.
On one random day in the San Fernando Valley, a dying father (Jason Robards), a young wife (Julianne Moore), a male caretaker (Phillip Seymour Hoffman), a famous lost son (Tom Cruise), a police officer (John C. Reilly) in love, a boy genius, an ex-boy genius (William H. Macy), a game show host (Phillip Baker Hall) and an estranged daughter (Melora Walters) will each become part of a dazzling multiplicity of plots, but one story.
Joaquin Phoenix in ‘Inherent Vice.’ Photo: Warner Bros. Pictures.
In Los Angeles at the turn of the 1970s, drug-fueled detective Larry “Doc” Sportello (Joaquin Phoenix) investigates the disappearance of an ex-girlfriend (Katherine Waterson).
The cast of ‘Boogie Nights’. Photo: New Line Cinema.
Set in 1977, back when sex was safe, pleasure was a business and business was booming, idealistic porn producer Jack Horner (Burt Reynolds) aspires to elevate his craft to an art form. Horner discovers Eddie Adams (Mark Wahlberg), a hot young talent working as a busboy in a nightclub, and welcomes him into the extended family of movie-makers, misfits and hangers-on that are always around. Adams’ rise from nobody to a celebrity adult entertainer is meteoric, and soon the whole world seems to know his porn alter ego, “Dirk Diggler”. Now, when disco and drugs are in vogue, fashion is in flux and the party never seems to stop, Adams’ dreams of turning sex into stardom are about to collide with cold, hard reality.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
When their evil nemesis resurfaces after 16 years, a band of ex-revolutionaries reunite to rescue the daughter of one of their own. (Leonardo Di Caprio)
Daniel Day-Lewis in ‘There Will Be Blood’. Photo: Paramount Vantage.
Ruthless silver miner, turned oil prospector, Daniel Plainview (Daniel Day Lewis), moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday (Paul Dano) suspects Plainview’s motives and intentions, starting a slow-burning feud that threatens both their lives.
But there was also the usual dull presenter banter, some truly rude moments of worthy winners played off (the ‘KPop Demon Hunters’ songwriting team even had the lights switched off on them, for which O’Brien apologized) and awkward insertions of politics, no matter how important the cause.
Overseeing the Oscars for the second time, comedian, writer and former late night host O’Brien proved he has what it takes to do this job.
His opening skit, dressed as Amy Madigan’s Aunt Gladys from ‘Weapons,’ chased through different other Oscar nominated movies by a bunch of kids, was a winner.
And if his opening monologue veered between pointed political jabs and some softballs that drew muted responses, it was still superior to other recent efforts. He was even able to smoothly deal with technical issues that plagued the ceremony, such as sound problems and cutting back to him unexpectedly.
Cementing its 2025 success, Warner Bros. enjoyed plenty of awards love this year, as Paul Thomas Anderson finally got his Oscar (six, in fact) for ‘One Battle After Another’ and ‘Sinners’ also took home plenty of trophies.
Talking of ‘Sinners’, Michael B. Jordan, whose Actor in a Leading Role ascension over waning prior favorite Timothée Chalamet (his ‘Marty Supreme’ went home empty handed) ended with Jordan on stage thanking those who had blazed a trail before him.
Elsewhere, ‘The Secret Agent’ sadly landed zero awards, but Netflix had a very good night, as ‘KPop Demon Hunters’ won two awards and ‘Frankenstein’ three, with the streaming service behind a variety of other triumphs.
Having actors –– particularly those with a film to promote or remember –– hand out awards has often led to some leaden banter, and this year was no exception. Even the star power of Robert Downey Jr. and Chris Evans couldn’t bring a lame bit to life, while one featuring Sigourney Weaver, Pedro Pascal and Grogu (pimping the upcoming ‘Star Wars’ movie) only really worked because of Weaver’s commitment (“Get away from him, you bitch!” she growled at nominee Kate Hudson, who had been cosying up to the critter in the audience).
Anna Wintour might not be everyone’s first choice for a co-presenter, but there she was, alongside ‘The Devil Wears Prada 2’s Anne Hathaway in a moment that felt like Disney selling the sequel more than looking to celebrate the Costume Design or Hair and Makeup categories.
There was more mixed luck with reunions –– the ‘Bridesmaids’ cast brought their moment to life with true comic power while Ewan McGregor and Nicole Kidman just looked award handing out Best Picture and recalling ‘Moulin Rouge!’.
Three big things happened last night in terms of history. There was the first tie in 14 years (only the seventh in Oscar history) as ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the Live-Action Short Film honors.
‘Sinners’ cinematographer Autumn Durald Arkapaw became the first woman (and woman of color) to win her category, while the first ever Casting award was handed to ‘One Battle’s Cassandra Kulukundis. Long-favoured Actress winner Jessie Buckley, meanwhile, became the first Irish woman to take home her category for her work in ‘Hamnet’.
The annual remembrance for those in the industry was well handled and featured three major spotlights. First, Billy Crystal gave a moving speech about friend and collaborator Rob Reiner (who was murdered in his home last year alongside his wife, Michele), and was then joined by other cast members of Reiner movies.
Rachel McAdams took the stage to pay tribute to the likes of Diane Keaton and Catherine O’Hara, and then the big finish –– Barbra Streisand arrived to memorialize her ‘The Way we Were’ co-star and cinema icon Robert Redford, before singing for the first time in public (she had all but stopped due to stage fright issues and frustration) in years for a memorable finale to the segment.
‘One Battle After Another’ was the biggest winner of the night, with Paul Thomas Anderson’s latest taking Picture, Director, Adapted Screenplay, Supporting Actor (for no-show Sean Penn), Editing and, handed out for the first time this year, Casting.
‘Sinners’ was also successful, as Michael B. Jordan nabbed the top male acting award out from ‘Marty Supreme’s Timothée Chalamet (who had been the favorite for a while, but whose momentum had slowed of late), while its director Ryan Coogler scored Adapted Screenplay, composer Ludwig Göransson landed Best Original Score and Cinematographer Autumn Durald Arkapaw made more history as the first woman to win her category at the Oscars.
Elsewhere, ‘KPop Demon Hunters’ continued its successful run with two awards (Animated Feature and Original Song for “Golden”), while ‘Weapons’Amy Madigan got a rapturous reception as she took Supporting Actress for her creepy, wild turn as Aunt Gladys.
While ‘One Battle After Another’ has been the presumed winner the entire awards season, having taken home Best Picture at every major award show including Critics Choice, Golden Globes, and BAFTA, ‘Sinners’ won Outstanding Performance by a Cast in a Motion Picture at the Actor Awards, building some momentum for the Ryan Coogler helmed film.
It’s also been assumed that Paul Thomas Anderson would finally receive Best Director from the Oscars, especially after winning Outstanding Directorial Achievement from the DGA, but don’t count out a surprise win from Coogler just yet.
Speaking of ‘Sinners’, although Timothée Chalamet won Best Actor for ‘Marty Supreme’ from Critic’s Choice and the Golden Globes, he failed to win at BAFTA, and lost to Michael B Jordan at the Actors Awards, which signals trouble for Chalamet’s Oscar run.
On the other hand, ‘Hamnet’s Jessie Buckley has had virtually no competition in her race to the Best Actress Oscar and after winning every other major award, I don’t think anything can stop her from taking home gold on Oscar night.
Best Supporting Actress seems like a two-way race between Golden Globe winner Teyana Taylor for ‘One Battle’ and Actor Awards winner Amy Madigan for ‘Weapons‘, however, ‘Sinners’ Wunmi Mosaku is still in the mix.
Finally, the Best Supporting Actor category is fairly wide open, with BAFTA and Actor Awards winner Sean Penn currently the frontrunner fighting off Golden Globe winner Stellan Skarsgård for ‘Sentimental Value’. But the Oscars love a surprise, so if ‘Sinners’ has a big night, Delroy Lindo could end up having a surprise win.
Below are our predictions for who will win Oscars on Sunday at the 98th Academy Awards. We are only breaking down our predictions for the six major categories, Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Well, now we finally have a real race!
Since the start of this awards season it has seemed preordained that director Paul Thomas Anderson’s ‘One Battle After Another’ would finally earn the filmmaker a long overdue win for Best Picture. The film has won almost every precursor needed to be the frontrunner, including wins at Critics Choice, Golden Globes, BAFTA, and the all important Producers Guild of America Awards.
However, don’t count ‘Sinners’ out just yet! After grabbing an Outstanding Performance by a Cast in a Motion Picture win at the Actor Awards, as well as Michael B. Jordan’s win for Outstanding Performance by a Male Actor in a Leading Role, the vampire epic now has real momentum.
It also did better at the box office than ‘One Battle’, which sometimes but not always is a factor. But keep in mind that Outstanding Performance by a Cast in a Motion Picture at the Actor Awards is basically a recognition of ensemble acting and not necessarily a film award. And while ‘One Battle’ was also in that category, I don’t buy into the narrative that ‘Sinners’ “beat” ‘One Battle’ for Best Picture at SAG.
It now seems like we have a two-way race but ‘Hamnet’ is still in the mix after winning a Golden Globe for Best Motion Picture – Drama, and remember it was produced by Oscar favorite Steven Spielberg.
Keep in mind that the Academy uses a preferential ballot for Best Picture, meaning the winner isn’t simply the film with the most No. 1 votes. Instead, voters rank the nominees, and if no film receives more than 50% of the first-place votes, the movie with the fewest No. 1 votes is eliminated and its ballots are redistributed to the next highest-ranked film on those ballots. That process continues until one film crosses the 50% threshold. In other words, it’s not just about passion at the top — it’s about broad support.
The real question isn’t only who voters rank No. 1, but which film consistently appears in the No. 2 and No. 3 spots and can accumulate support as other contenders fall away. My guess is that many voters may not rank ‘Sinners’ first, but could place it second or third, giving it a plausible path in later rounds. Still, the safer bet remains ‘One Battle’, which feels more likely to build the majority coalition needed to win.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Just like the Best Picture race, since the start of this current awards season it has seemed like this was “Paul Thomas Anderson’s Year”, and that the ‘Boogie Nights’ director would finally win his long-awaited Best Director Oscar. With directorial wins at every other award show including Critics Choice, Golden Globes, BAFTA, and the all important Directors Guild Awards, it does look like Anderson will finally win Best Director at the Oscars.
But what about Ryan Coogler? While he has yet to win a director’s award this season, he is definitely Anderson’s biggest competition, especially now that the film is surging late. Typically, Best Picture and Best Director go hand in hand, but not always, and much like when Damien Chazelle won best director for ‘La La Land‘ but ‘Moonlight‘ went on to win Best Picture, we could see a similar spilt this year. But if we do, I think it is more likely that Anderson still wins Best Director, and the surprise win comes for ‘Sinners’ in Best Picture.
Let’s be honest, the Academy usually don’t get it right! They could be thinking that Coogler will return with another film in the near future, and want to finally reward Anderson now for ‘One Battle’ as well as his overall career, assuming that Coogler’s time will come sooner than later. While I would love to see an upset and have Coogler win, I would also like to see the Academy finally reward Anderson for his body of work, which I think will be the final result on Oscar night.
This is the race to really keep an eye on! The Oscars love a surprise, and if there is going to be a big surprise on Oscar night, it will be in this category.
Timothée Chalamet began the awards season with wins from Critics Choice and Golden Globes, making it look like he was a lock for a Best Actor win at the Oscars. But, when he lost the BAFTA to Robert Aramayo for ‘I Swear‘, who is not even in the Oscar race, it left the young actor’s Oscar chances vulnerable.
That brings us to Michael B. Jordan, who in my opinion gave the best performance of the year, and recently beat Chalamet at the all important Actor Awards. Historically, one Actor Award win is not enough to ensure an Oscar win, as demonstrated by Chalamet last year when he won Best Actor from SAG for ‘A Complete Unknown‘ but then lost the Oscar race to Adrien Brody for ‘The Brutalist‘. But Jordan has the surging momentum of ‘Sinners’ behind him and a lot of goodwill from Academy voters, while Chalamet seems to be cooling off and has fueled criticism for his unusual Oscar campaign style and recent comments on “ballet and opera.”
There is also a theory that Chalamet is really being rewarded for his performance last year in ‘A Complete Unknown’, when he should have won, and not his performance this year in ‘Marty Supreme’. The Academy tends to do that and often tries to make up for their past mistakes. For example, after not nominating Paul Giamatti for ‘Sideways‘, which he should have been nominated for, the following year he was nominated for ‘Cinderella Man‘. So, if Chalamet does win, it will be for playing Bob Dylan and not for playing Marty Mauser!
Also working against Chalamet is the fact that the Academy typically does not give young actors the Best Actor trophy. They love giving the Best Actress award to young actresses, examples including Gwyneth Paltrow, Jennifer Lawrence, Emma Stone, and recently Mikey Madison. But, if Chalamet were to win, he would be just a few months shy of breaking Adrien Brody’s record as the youngest Best Actor recipient ever for his first win in ‘The Pianist‘. Jordan is just reaching his prime as an actor, and with a long body of work to his credit, voters could see him as a strong alternative, especially with his recent win and the ‘Sinners’ surging.
While Chalamet is statistically the frontrunner, I feel like there will be a big surprise on Oscar night and I’m betting on Jordan for the win.
There really is not much to say here. If there is any locked category this year, it is this one.
‘Hamnet’s Jessie Buckley is one win away from a “perfect award season’. After winning Best Actress at Critics Choice, Golden Globes, BAFTA, and the Actor Awards, she is almost guaranteed a win on Oscar night.
Does she have any competition? A little, but not much. Rose Byrne won a Golden Globe for ‘If I Had Legs I’d Kick You‘, but that’s because the Globes split the Best Actress race into two different categories, Drama and Musical or Comedy. So, Byrne did not compete in the same category as Buckley. When she has, she has lost to the ‘Hamnet’ star, and I see no reason that will not continue to take place.
Kate Hudson has been campaigning hard, but this is the only nomination ‘Song Sung Blue‘ received, and I don’t think that is enough to compete with Buckley and ‘Hamnet’, which received 8 overall nominations. ‘Sentimental Value’ does not seem to have the same momentum it did earlier in the season, leaving actress Renate Reinsve without a real path to the gold. And with two Oscars already on her shelf, Emma Stone’s nomination was more or less given just to round out the five nominees, not unlike some of Meryl Streep‘s past nominations.
The safe money is clearly on Jessie Buckley to win Best Actress, and at this point it would take a miracle for anyone else to beat her and win.
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
This is another very interesting category and one to keep an eye on for big surprises on Oscar night!
With no real frontrunner, Best Supporting Actor is wide-open and really anybody’s for the taking.
The season began with Benicio del Toro positioned as the frontrunner for ‘One Battle’, but the actor has yet to win for that performance, putting his chances of winning the Oscar in doubt.
His co-star, Sean Penn, could be considered a slight frontrunner after winning BAFTA and the Actor Award, but with two Oscars already to his name, I’m not sure the Academy is ready to hand him his third just yet. I also think that having both actors from ‘One Battle’ in the same category will split the vote, leaving them both empty handed on Oscar night.
Jacob Elordi received a surprise win for ‘Frankenstein‘ at the Critics Choice Awards, but the young actor was unable to capitalize on it and has yet to win a second award.
Veteran actor Stellan Skarsgård won the Golden Globe, but also was not able to capitalize with a second win, and with ‘Sentimental Value’s momentum cooling off, I’m not sure it will be enough to earn him the trophy.
Enter Delroy Lindo. Keep in mind that this is his first nomination this entire awards season, meaning that he has not had the opportunity to compete with his fellow nominees yet. It’s not unheard of for an actor to suddenly enter the Oscar race and win. Marcia Gay Harden successfully pulled that off when she won Best Supporting Actress for ‘Pollock‘ over Kate Hudson, the presumed frontrunner for ‘Almost Famous‘.
With ‘Sinners’ surging, Michael B. Jordan’s possible win, no real front runner in this category, and Lindo’s overall likability in the industry, I do think that he will pull off the win on Oscar night.
While its not as wide-open as Best Supporting Actor, Best Supporting Actress is really between two, maybe three actresses at this point.
Let’s just get this out of the way. Much like the two ‘One Battle’ actors in the Supporting Male category, I think ‘Sentimental Value’s Elle Fanning and Inga Ibsdotter Lilleaas will cancel each other out. Neither has won any major award this season, and with the film’s lack of momentum, I doubt either actress has a real shot to win.
While Wunmi Mosaku did win BAFTA, I’m not sure that will be enough to win an Oscar. ‘Sinners’ popularity could give her a boost, and if Lindo and Jordan fail to win, this could be where ‘Sinners’ gets an acting award. But since I do think Jordan and Lindo will be triumphant, I’m thinking this award will be given to someone else.
Teyana Taylor won a Golden Globe, and her film is the frontrunner for Best Picture. It would be odd for ‘One Battle’ to win Best Picture with no wins in the actor categories, so if it were to win an acting Oscar, it will be here. But Taylor has some real competition from veteran actress Amy Madigan.
The ‘Weapons’ actress began the season winning Critics Choice, but bounced around a bit before recently winning the all important Actor Award. That doesn’t make her the frontrunner, but puts her on par with Taylor. Working against Madigan is that she is ‘Weapons’ only nomination, but it’s not unheard of for an actor to win for a movie that received no other nominations. It happened when Kathy Bates won Best Actress for ‘Misery‘.
So while it’s a tight race, I think that Madigan’s long career and versatile body of work will in the end give her an edge over Taylor.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
It will start on January 22nd when the Academy of Motion Picture Arts and Sciences announce the Oscar nominees, with the 98th Oscars Ceremony scheduled for March 15th.
At this point, we do have a confirmed frontrunner in the Best Picture race with ‘One Battle After Another‘, but don’t count out ‘Hamnet‘ or ‘Sinners‘ just yet.
In the Best Actor race, Timothée Chalamet seems to be the frontrunner, but will have some competition from Leonardo DiCaprio, Michael B. Jordan and especially Wagner Moura, who recently won a Golden Globe. However, the academy might as well hand the Best Actress Oscar to Jessie Buckley right now, as she is about as solid a lock to win as you can have.
The Academy Awards will air live March 15th on ABC and Hulu.
Moviefone is making its Oscar nomination predictions for the major categories including Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress, ahead of the nominee announcements on January 22nd.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
As a whole, it was a fairly run-of-the-mill awards ceremony – some tearful speeches, a sprinkling of politics, jokes about Leonardo DiCaprio’s dating life – but got the job done.
Glaser returned to host again, offering a few fun skits (a parody of the Nicole Kidman AMC ad targeting podcasts, and a mash-up for ‘KPop Demon Hunters’ and ‘Marty Supreme’ with a Fran Drescher cameo.
Yes, some of the jokes were entirely predictable, but there were some pointed jabs at CBS News (“see BS News”) and the Epstein Files.
And overall, Glaser kept the show moving (it eventually ended roughly 10 minutes late).
There were a lot of expected winners, including several trophies for ‘One Battle After Another,’ ‘Sinners’ and the latest for ‘Marty Supreme’s Timothée Chalamet.
But the surprises were more fun –– ‘Hamnet’ scooped the Motion Picture – Drama award, while ‘The Secret Agent’ nabbed Non-English Language Film and a more unexpected (if entirely deserved) Actor trophy for star Wagner Moura.
A lot of the TV awards for drama and comedy were similar to other shows such as the Emmys, with ‘The Pitt,’‘The Studio’ and ‘Adolescence’ all winning more hardware for their trophy cabinets.
Awards shows are usually a mix of humble and heartfelt, and ‘One Battle’s Teyana Taylor certainly got that in early with her tearful acceptance moment.
Outside of acceptance speeches, Judd Apatow killed it presenting Best Director, nodding to Nikki Glaser’s history babysitting his daughters and his “quiet boycott” of the awards after ‘Trainwreck’ lost to ‘The Martian’ in the comedy category a decade ago.
Wanda Sykes was also on top form as she presented the Stand-Up category, swiping at Bill Maher and particularly Ricky Gervais, whose award she accepted “on behalf of God and trans people.”
And Snoop Dogg was… Snoop Dogg, handing out the first Podcast award, which was won by Amy Poehler for ‘Good Hang.’
There was much praise for Macaulay Culkin, who was presenting Best Screenplay, and scored a standing ovation as he took the stage.
Julia Roberts hyped up her own stint on stage Presenting Best Motion Picture Comedy, while poor George Clooney had to note that he did not get the same reaction presenting drama, a fact reiterated by pal Don Cheadle, who showed up to gently rib him.
Chelsea Handler hosts the 31st Annual Critics Choice Awards. Photo: CCA.
Preview:
Winners of the 31st Critics Choice Awards included ‘One Battle After Another’ and ‘Hamnet.’
‘Frankenstein’ and ‘Sinners’ also took home awards.
The ceremony was hosted by Chelsea Handler.
Though there were few surprises among the big winners at this year’s Critics Choice Awards, where ‘One Battle After Another’ took home a three big trophies (Best Picture, Best Director and Best Adapted Screenplay), the ceremony was nevertheless still a lively, energetic affair, hosted once again by Chelsea Handler.
Following a monologue from Handler that took shots at Warner Bros. CEO David Zaslav and paid loving tribute to Rob Reiner and Diane Keaton, it was on with the show.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Benicio del Toro as Sensei St. Carlos in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Paul Thomas Anderson – ‘One Battle After Another’ – WINNER
The Golden Globes will take place on December 8th.
Despite lots of changes behind the scenes and some serious PR airbrushing, the Golden Globes never quite retained their luster. Still, they’re a big stop on the awards circuit and the nominations were announced today by Marlon Wayans and Skye P. Marshall during a press conference held at the Beverly Hilton in Los Angeles.
And on the TV front, ‘The White Lotus’ and this year’s big small screen sensation, the one-shot drama ‘Adolescence’ have the most nominations for their side of the awards.
Best Performance by a Male Actor in a Supporting Role in Any Motion Picture
(L to R) Teyana Taylor as Perfidia and Sean Penn as Col. Steven J. Lockjaw in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures
Paul Thomas Anderson, ‘One Battle After Another’ Ryan Coogler, ‘Sinners’
Guillermo del Toro, ‘Frankenstein’ Jafar Panahi, ‘It Was Just an Accident’ Joachim Trier, ‘Sentimental Value’
Paul Thomas Anderson, ‘One Battle After Another’ Ronald Bronstein, Josh Safdie, ‘Marty Supreme’
Ryan Coogler, ‘Sinners’
Jafar Panahi, ‘It Was Just an Accident’ Eskil Vogt, Joachim Trier, ‘Sentimental Value’ Chloé Zhao, Maggie O’Farrell, ‘Hamnet’
Cynthia Erivo is Elphaba in ‘Wicked For Good’, directed by Jon M. Chu.
“Dream as One”, ‘Avatar: Fire and Ash’
“Golden”, ‘KPop Demon Hunters’
“I Lied to You”, ‘Sinners’
“No Place Like Home”, ‘Wicked: For Good’
“The Girl in the Bubble”, ‘Wicked: For Good’
“Train Dreams”, ‘Train Dreams’
Image for Taylor Swift’s ‘The Official Release Party of a Showgirl.’
Preview:
Taylor Swift’s ‘The Official Release Party of a Showgirl’ topped the box office.
The album release party movie earned $33 million.
MMA biopic ‘The Smashing Machine’ was third.
Taylor Swift has proved once again that she has the power. Even though her latest cinematic offering, ‘The Official Release Party of a Showgirl’ isn’t a concert film like ‘The Eras Tour’ a couple of years ago, fans flocked to see it on release this weekend.
It’s even more impressive when you consider that Swift dropped word of it around two weeks ago via her (albeit mighty) social channels and there has been little other promotion beyond backers AMC Theaters, who scored another exclusive deal with the singer.
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‘Showgirl,’ an 89-minute listening party that offers fans a look at a new music video and behind-the-scenes footage for her 12th studio album, ‘The Life of a Showgirl,’ took in an impressive $33 million this weekend on a three-day limited run. And with Swift bypassing studios, she and AMC enjoy a bigger cut of any profits.
How did ‘The Official Release Party of a Showgirl’ perform elsewhere?
Image for Taylor Swift’s ‘The Official Release Party of a Showgirl.’
Internationally, the new Swift release earned $13 million, for a $46 million global haul so far. As mentioned, it won’t be sticking around theaters (we’re sure studios and filmmakers will breathe a sigh of relief) and will likely now head to home entertainment channels.
It’s all in support of her latest album, which itself has been breaking records itself despite some mixed reviews.
Here’s AMC’s CEO Adam Aron in a statement about the latest Swift cinema release:
“On behalf of AMC Theatres and the entire theatrical exhibition industry, I extend our sincerest appreciation to the iconic Taylor Swift for bringing her brilliance and magic to movie theatres this weekend. Her vision to add a cinematic element to her incredible album debut was nothing less than a triumph.”
What else happened at the box office this weekend?
Dwayne Johnson stars in ‘The Smashing Machine’. Photo: A24.
The movie, which cost $50 million to produce (and more to market), earned a disappointing third place launch. A24 will likely still be pinning its hopes on this one being an awards contender, and it remains to be seen whether the lackluster financial performance hurts those chances.
Second place went to Paul Thomas Anderson’s ‘One Battle After Another,’ the anarchic comedic action epic starring Leonardo DiCaprio. With $41 million earned to date in the US, it is now PTA’s most successful movie, but with a $130 million-plus price tag, faces a steep climb to breaking even.
