Tag: parenthood

  • 7 Movies To Make You Wish Rick Moranis Was Still Acting

    7 Movies To Make You Wish Rick Moranis Was Still Acting

  • Whew! ’30 Rock’ Will Stream on Hulu Along With ‘Parenthood’

    “30 Rock” wants to go to there — “there” being Hulu.

    Fans were devastated that the Emmy-winning comedy is leaving Netflix at the end of September. But don’t worry — you’ll be able to binge rewatch “30 Rock” on Hulu!

    As part of a deal with NBC Universal, Hulu will begin streaming “30 Rock” and beloved family drama “Parenthood.” The former will be available Oct. 1, while the latter while debut on the streaming service in early 2018.

    Hulu will also premiere Paul Reiser’s new period comedy “There’s Johnny,” set behind the scenes of “The Tonight Show.” The show was originally set to stream on NBC’s now-dead service Seeso.

    NBC and Hulu signed a similar deal recently for the entire archive of “Will & Grace,” which has been revived for another season (and premieres Thursday).

    These deals aren’t a big surprise, since NBC Universal owns 30 percent of Hulu.

  • Dax Shepard Encouraged Wife Kristen Bell to ‘Suck Off Josh Duhamel’s Mustache’ in ‘CHiPs’

    People's Choice Awards 2017 - Red CarpetIf you ask Kristen Bell, her Good Place is working alongside her husband.

    Her previous collaborations with her actor/writer/director hubby Dax Shepard have included her films “When in Rome” and “Veronica Mars,” his film “Hit & Run,” commercials for various Samsung products and that epic homemade African vacation video set to Toto’s “Africa.” And now, Bell’s got a choice, bitchy role in “CHiPs” (out Friday), Shepard’s latest on-screen and behind-the-lens project, playing the indifferent, almost-single-and-already-mingling soon-to-be ex-wife to his motorcycle officer Jon Baker.

    And after a considerably great career year that included the success of solo projects, like her clever new series “The Good Place” and her film “Bad Moms,” Bell reveals that she’d have no qualms if the couple worked side-by-side as often as they’re able for the rest of their careers: for example, he even handpicked the hot, handsome actor she gets to make out with in front of him without batting a jealous eye.

    But, as she reveals to Moviefone, “Dateline NBC’s” Keith Morrison could have a shot … if only his wife were more flexible.

    Moviefone: I want you to walk me through this. Usually, you’ll get a gig, and you’ve got to say to Dax, “I’m going to be kissing this guy in this movie, this is what the director needs from me.” The situation’s is a little different with this one. Did you get to pick the guy you get to kiss?

    Kristen Bell: Sort of. Weirdly, Dax is very disconnected from sexual interactions on camera. He doesn’t really think they count, and, in a way, they don’t. But he very much encouraged me to try and suck off Josh Duhamel‘s mustache.

    We knew we needed a babe. Josh is the No. 1 babe we know. We just called him out of the blue and said, “Would you do a day on ‘CHiPs’? Can we write you in? Because we need a hunk.” He said, “Of course!” We were very grateful.

    Then I just adore him so much, and he played that part so sincerely. That’s why it was so funny, because when you’re hearing Jon moan in the background in pain and Karen is ignoring him, and Josh’s character Rick is like, “Is he OK?” It’s so real, it’s heartbreakingly funny.

    Were you testing Dax at any point to see how far you can go with this and see if I can get any kind of reaction?

    I know for a fact I would never get a reaction. I could have put my hands down Josh’s pants, and the only person I would have surprised — or offended — is Josh.

    Does it work the other way around, when you see him do love scenes?

    Sometimes. At one point on “Parenthood” I was like, when he was making out with Minka Kelly, I’m like, “Oh, you didn’t let me know that this happened.” And he was like, “Am I supposed to just announce it to you?”

    It is a weird, touchy situation because you should technically tell your spouse, but at the same time, you don’t want to make a big deal out of it. But you know what? I think that if he gets a freebie here and there, good for him. Good for him!

    Do you guys have certain rules or philosophies about when you work together, like there’s a professional mode you try to be in?

    Because we’re in the acting world, a lot more slides. We’re allowed to have PDA. Yeah, if we were at an accounting firm or a lawyer’s firm, we probably couldn’t have as much PDA as we have on set. But because it’s a community of artists, a lot more is taken with a grain of salt. We don’t actually separate anything. I married him because I enjoy spending time with him, and I trust him. Those are the same reasons I want to work with him.US-ENTERTAINMENT-GOLDEN-GLOBE-ARRIVALSI think a lot of people in Hollywood are afraid to work with their significant others — they don’t want to appear to come as a packaged deal always, or whatever. Do you guys feel that way? Or would you rather do almost everything together?

    I would do everything together. I’m not sitting in the audience of my life. I’m not watching how I’m being perceived, I’m not tracking how I’m being perceived. I don’t really care. I care if I wake up happy and I go to bed happy. So I could try to keep tabs on this idea of who people think I am, or where they think I fit, but it’s all so meaningless, and it changes with the wind. I just care much more about being happy on a day-to-day basis, so I want to be with and work with my husband.

    What is especially fun about working with him, just him as the creative artist?

    That he creates a dynamic on set where the No. 1 priority is fun. He has a meeting, I guess it’s about once a week, with everybody on set, where he calls everyone to a huddle and he says, listen, “We are here to have fun. First and foremost, we are making movies. Everyone wants to do this. We are the lucky ones, which means we have a responsibility to have fun. If you’re not having fun, come see me, let me know how I can help. If you don’t want to be here, you’re welcome to go. God speed in everything that you do. But let’s accomplish this day with having a lot of fun.”

    It makes me just levitate with pride to see the man I love conduct himself like that, and be an influence of joy over so many people.

    Where do you fit into his world of being a gearhead with cars and motorcycles? Is there any place in there for you?

    No, the blender confuses me! That is not my world. I have no interest. I like that he likes them. I watch a lot of motorcycle videos with him, and I smile, and I nod. I love him so much, and all of his cute interests.

    Are you seeing your kids being drawn into that? As the protective mom, are you like, “Um, hey …”?

    Our oldest daughter just learned to ride a bike, yesterday actually. No, it’s not something I hesitate on, because they wear their helmets. If they’re interested in it, my hesitancy isn’t going to make them uninterested in it. I think you have to follow the kid. They’re not going to do anything too dangerous that I’d ever have to be worried about.

    Do you see little actors in them yet?

    Yeah, they both have a flair for drama. But I think all two and three-year-olds do. But yeah, they do both like to tell jokes, which is kind of cool.

    Are they good at telling their jokes?

    For a two and three-year-old, yeah. Like calling things different names, pulling the one-two switcheroo. Yeah, they’re pretty decent at it.

    What’s the fun of playing a shitty person?

    It’s just so exciting to be that selfish. It also feels very wrong, and very, what’s the word? It feels risky, and a little scary, which is what makes it fun. Because I would never act that way in real life, because I’m too worried about the consequences. But in pretend mode, there are no consequences.

    You had a real high-wire act of doing that on “The Good Place.” But keeping her somebody that we still are invested in, and talk about a payoff. That season was fantastic.

    Oh, I’m so happy!

    Tell me about finding how to indulge in her worst attributes, but still keep the audience invested in her.

    That’s what I love most of all, is seeing someone on paper who is inherently unlikable, and figuring out how I can force you to invest in her. How do I captivate you enough that you’ll root for me, despite doing all these hideous things?

    It’s just one of my favorite challenges, and I think that a lot of it is something I can’t describe, that I can only sort of feel when I’m doing something that is likable, or emotionally interesting, or when I can bate someone to root for me. I can’t really describe when I’m doing that, but I feel like when I’m reading characters, like when I read “[Forgetting] Sarah Marshall,” or I read Eleanor from “Good Place,” I inherently know where to place those things.

    Were you watching closely the reaction to the finale? Were you keeping an eye on social media and that kind of thing?

    A little bit. I looked at it the day after, and I was very, very happy with the response. Because I was worried people would figure it out.

    How much do you know about what’s ahead? Are you at full stop like the rest of us, or … ?

    More than I wish I did!

    Really?

    Mike Schur just pitched me Season 2 and possibly Season 3, then also threw out a couple actual endings of where it could go. I don’t know if ending is the right word. He is an incredibly impressive individual, and it is very exciting to be a part of a show that literally has no boundaries, because you can do anything.

    When we’re having this pitch conversation, I’m like, “How are you even going to show that? What do you even mean?” The ideas are very big. They always relate to a lesson in ethics or morality. It always ties in with something greater. Its heartbeat is still comedic, and I’m just unendingly impressed with our writers’ room for thinking of these weird, weird-ass ideas.

    You mentioned the ethical conundrums that “The Good Place” brings up, and we’re in interesting moment in the world, ethically, where I think we’re all looking at what’s right and what’s not right. What do you think people can draw from looking at a character like Eleanor, who seems like a crappy person on the surface, but has redeeming features? How do we apply that to the world that we’re living in now?

    I believe in second chances. I think that’s what this show also explores. I also believe in symbiotic relationships, and that the world has to be a compromise. And that it’s very dangerous when you put one person’s needs above another’s, because there’s that book they keep quoting, “What We Owe to Each Other.” It’s important and necessary for our survival for us to live a harmonious life, and I think as long as that’s valued, everything can get better.

    But that also requires listening to the people you disagree with, from both sides. My takeaway from the last year of Earth is, I’ve refused to be in an echo chamber. I don’t believe people are inherently evil. I want to listen to people with opposing viewpoints. I want to understand why they believe that.

    Because something we’ve forgotten is that most of us want the same things for our country. We want better education. We want better healthcare. We want everyone to be safer on the streets. So we just have to figure out the best solution. Not tear each other down, while also not accomplishing anything.

    It’s not easy to break out of those echo chambers, because I’ve been actively attempting to do just that.

    It’s still hard. But you have to do it. There is no solution if you don’t do it.

    And “Bad Moms” — when I heard the next one was going to have the Christmas element, I’m like, that is genius on a story level, that’s genius on a marketing level. What gets you excited about putting those characters in the holiday context?

    Yeah! Particularly Kiki, because she’s so easily stressed out, and she’s such a people-pleaser. Those are the two things you need to put to bed in order to survive the holidays. I’m excited just to work with everybody again, but I think that’s the only place it could go. It’s the one thing that’s bigger than the mom drama, is holiday drama.

    Tell me about your opportunity to interview “Dateline’s” Keith Morrison. Everything you hoped for and more?

    Everything! Sweeter than I imagined. Absolutely sweeter, and more nervous than I imagined. He was very nervous, more nervous to be in the seat of the interviewee than I was to be in the seat of the interviewer.

    You were ready — that was apparent.

    But I didn’t feel it. Look at him. I was like, this is the guy to be interviewed by, and I’ve got to flip the script here.

    Where did your Keith fandom begin?

    We love true crime, and I think, over the last 10 years, we’ve watched a lot of television. We stumbled upon “Dateline.” It’s on every night of the week. It used to be our nightly show. That’s kind of morbid, but it was also very interesting, and we just were captivated by this storyteller who his narration was incomparable to anyone else’s, his vocabulary, his smoky pipes. It was just, you wanted him to narrate your life. So it’s no surprise that he’s the voice of Waze now. That’s who you want to tell you how to get where. Yeah, and we just both slowly fell in love with him.

    What was the fun fact that you walked out of there with about Keith?

    That he’s as in love with his wife as I am with my husband. Because we were talking about how lucky in love we are, and how that matters above all else, and he said the sweetest thing: because I’ve said he’s my hall pass before, he said, “You know what my wife said to me as I left this morning?” He goes, “‘Hey, you’re nobody’s hall pass.’” And I said, “God, I respect her so much. That’s exactly what she should say to you. That is exactly what she should say to you.”

    You’re going to take some time off in the fall. Can we expect a new vacation video from you guys?

    If we get on vacation, I will do my damnedest! Yeah, we’ve blown it a couple times, because we’ve gone to places where we were like, “We should have looked up a song to do here.” After we did it, we tried to make a commitment, but we blew it. We blew it.

    You’ve been working so much lately. What do you want to do? What parts of your life to you want to connect more with or expand out with some time off?

    I really want to learn to sew. Probably wasn’t the answer you were expecting, but I do. I’ve been really thinking about how to research to buy a good sewing machine, because I really want to learn to sew. I don’t know why. I just want to.

    I love doing stuff with my hands. I do a ton of crafts with my kids. That stuff makes me happy. I’m feeling my nurturer-gatherer, want to like use glitter and sew at home. I don’t know. I’ll probably have a line of, like, kitten puffy paint sweatshirts on Etsy by the fall. I really want to learn to sew. And we really want to go on an RV trip with our family — like, drive around the country.

    If you don’t shoot that — come on! You’ve got to shoot that.

    Oh yeah, we’ll shoot that for sure, for sure, for sure! Yeah, we really want to take our kids in an RV.

    There’s not much I’m feeling I’m lacking — other than the sewing machine — because we go to the sand dunes a couple times a year, so he gets to off-road. That means we get to live in the motor home, which we love. We travel for work. We see cool places. I get to play dress-up for premieres. The other days of the week, I take my kids to school. So I feel pretty fulfilled.

  • Lauren Graham Says ‘Gilmore Girls: A Year In the Life’ Leaves No Question Unanswered

    Premiere Of Netflix's "Gilmore Girls: A Year In The Life" - ArrivalsIt’s been a while, but Lauren Graham is talking as fast as she can once again. And she’s loving every minute of it.

    Graham, of course, is reprising the most beloved role of her career, the verbally high-octane, pop culturally obsessive and always over-caffeinated Lorelai Gilmore, for Netflix’s eagerly anticipated revival “Gilmore Girls: A Year In the Life.” The event series reunites her with the original cast and creators for a collection of four seasonally-set two-hour episodes that answer all of the lingering questions following the sudden end of the cult hit-turned increasingly popular phenomenon’s seven season run.

    And when Moviefone and a collection of press joined Graham for a fast-paced conversation about her return to Stars Hollow, she was still hitting Lorelei’s top gears: the words, as one would imagine, flew fast and furiously, and the effect was just as appealing as ever before.

    What do you love most about Lorelai? How has she changed now, ten years later?

    Lauren Graham: I love the positive view she has on almost everything, and the sense of fun and joy. I would say not much has changed, which is kind of where we start our story because she’s maybe had a case of slight arrested development, and something about losing her dad is going to propel her forward. But in most ways, in all the ways I loved the character, it’s the same.

    What was the best part about reconnecting with Lorelai? To be able to look at her again and figure out who she was?

    The joy is so much in the language. I always felt a real kinship with this part, and I connected to it so strongly in how Amy writes, in the stories she tells. There have been many parallels in my own life, and I wasn’t done. I was left wanting more when we ended. So it was just incredible to get to do it again.

    Did you always want to see a reunion happen? Or was there a period where you didn’t think it would happen, or you weren’t interested necessarily?

    It wasn’t any of those things. It just kind of, it was never up to me to say yes or no. There were discussions about making a film. We weren’t sure what that would look like. It just sort of evolved into what it became, which was a convergence of the way the world has changed, and the right way to do this material. We started having conversations in earnest I would say like two years ago, or something. Then it was slowly happening maybe a year ago.

    At Netflix, Amy [Sherman-Palladino] said, it took a year and a half to make maybe “Fuller House,” or something, to just make the deal. Because this is all brand new. Nobody knows how to do it. We only had the backlot for this very small window before the “Pretty [Little] Liars” had to take it, and everything had to happen in this certain way. And I’m not a gushy actor – you know, having known me for years, but it was part of the magic of what it felt like. Everything just fell into place.

    It seems like whenever we run into cast members from beloved programs, we’re always asking about reunions, and they’re always saying, “Oh no, you can’t go home again.” Now that you’ve gone home again, what’s your message to those other actors?

    None. This was so unusual. “Friends” ended beautifully. We ended on a season that wasn’t with the creator of the show. For a show like this, it’s really quite a singular voice. There were so many plot points that weren’t sewn up in that seventh season, so even that was perfect in its own way with so many questions were left unanswered. So it wasn’t so much that we went home again, as we sort of needed to give the answers to some of those questions, I think.

    Can you paint a picture of that first day back on set with Alexis Bledel? The moments leading up to the cameras rolling.

    Well, of course you don’t have your first day on set, you have your camera test, or something that’s sort of anticlimactic. I’m just in such a different place. Like, I was saying, it’s like, at the end of like “It’s a Wonderful Life,” I’d be like, “…and you, and you, and you’re here! Taylor Doose, you’re my favorite character!” I was like a complete dork. So I was just very kind of emotional and excited. It was all…I was like a mess. I was just kind of too emotional. I had to pull it together to say my long lines.

    How did you feel about these last four installments?

    It’s hard because, I’m sure there will be people who won’t feel satisfied because that’s just people – for me, it was just really satisfying. There wasn’t any question left unanswered, for me personally.

    Is there anything you had forgotten?

    I’d forgotten the whole thing! I mean, it was a blur of a time for seven years. They don’t allow the hours we used to do anymore. They cut it at 14. We used to regularly do 15, 16, 17. My last day of season seven was 21 hours long. And that wasn’t the first time that had happened. It’s just, it was film, it was the long scenes and dialogue. It’s really theater, in a way, and it’s like filming theater. So it was harder to remember.

    But then if I see it on TV or someone says a line to me…they wanted to play a game today where you guess who said what. And I was like, I could tell you who said what. There’s no problem. Once you say it to me, I snap back in. But if somebody’s like, what’d you think about season four? I’m like, which one was that? What did my hair look like? I don’t remember.

    Are there any other characters that you want to revisit that you’ve done?

    I mean, I know Parenthood” movie. That’s just such a wonderful group of people. Oh yeah. There’s just no reason not to go to work there. It was so wonderful and fun. I think, and then obviously, somebody should call me to play Dolly in “Hello, Dolly!” because Langley High School really needs a revival.

    Can you talk about when the fact that this was a phenomenon, that this show had a life beyond its existence on television, sunk in with you and how you processed that.

    I try not to process really any of that. I find it’s really unhelpful as a person to get involved in the sort of, I don’t know, that kind of, whatever the hype is around something. I think for me, I did “Guys and Dolls” on Broadway, and the girls waiting for me outside, some of them were quite young. That was just when it was just in reruns. And I thought, “Oh, this is like how I grew up watching ‘The Partridge Family’ or something. It wasn’t in real time. I watched it on reruns, and I thought, ‘Oh that’s interesting.”

    But it was Kelly Bishop, when we were doing the show, who said, “This is going to be one of those shows that people don’t forget, and that people want to know what happened to these people.” She always said, this is this kind of thing that will have legs. And I was like, ‘I’m exhausted!’ So she had the experience maybe, or the vision, to see.

    What would you tell your younger self who’s about to embark on this crazy journey?

    To try and become an actor? It’s so different now. It’s hard for me to accept the degree of technology we have, and also the exposure to famous people. I just wanted to work in a theater in Washington, D.C. It didn’t even occur to me. There was no “American Idol” even. There was “Star Search,” which didn’t really make it look that great. So I think it’s just, you focus on your work and make sure you have a sense of history that came before you. Acting is a craft that you can go back and learn a lot from the people who came before you. So stay out of the internet aspect of it, I guess.

    What’s a favorite show of yours you’d like to ask your friends at Netflix to bring back?

    Oh, gosh, I don’t know. I mean, I loved “Six Feet Under,” but they’re all dead! So we can’t, I mean, I don’t know. I’m trying to think of things that I still watch today. I am a freak, for some reason, for “The Godfather” movies. As many times as I’ve seen them, I watch them continuously.

    What would you want to do next? What’s on the professional to-do list?

    I guess it’s a half-hour comedy. I feel like I’ve had the best experience in the one-hour space that I could possibly have.

    Did you ever look at the old episodes?

    No, I don’t watch myself…Well, I’m writing a book. I have a book coming out in November and it’s called “I’m Talking As Fast As I Can.” It’s a book of essays. It’ll come out the week after the show. The two biggest chapters in it – although it’s not what the whole book is about – is “Gilmore Girls” the first time, and “Gilmore Girls” the second time. So I kind of had to go back and scroll through. I was mainly just struck by my outfits. They were so crazy! So I haven’t really watched it watched it, but I did kind of remind myself.

  • How Jason Ritter Is ‘Helping to Keep’ His Family’s Legacy Alive

    Now that Jason Ritter has a long and varied list of credits all his own, he says he’s prouder than ever to be carrying on a family tradition in Hollywood.

    From his breakthrough role on “Joan of Arcadia” through his roles on an array of well-loved TV series, including “Parenthood,” “Girls,” “Drunk History,” and “Another Period,” as well as numerous film appearances, Ritter has become one of Hollywood’s go-to players.

    How, he’s part of the enviable ensemble assembled by actress Two and a Half Men,” “Togetherness”), as well as a deep bench of TV-friendly faces including Duvall, Natasha Lyonne, Ben Schwartz, Cobie Smulders, Alia Shawkat, and Vincent Piazza.

    And now that his own showbiz bona fides are well-established, Ritter tells Moviefone that he’s become even more reflective about the Hollywood legacy — his father, of course, was TV sitcom icon John Ritter; his grandfather was country star and movie cowboy Tex Ritter; and his younger brother is rising TV actor Tyler Ritter — that he’s upholding.

    Moviefone: There are projects that you do for passion, and then one’s like these to support your friends to some degree — but also to have fun.

    Jason Ritter: Oh my God — it was so much fun! I had been hearing about it for several months before I became involved. Clea had written this part for Melanie, so Melanie was cast. Then I knew Natasha was going to be in it — I knew how close the three of them were, and I was like, “That’s going to be such a fun thing for you guys!”

    I heard my name was being bandied around in the room with Clea and her producers, and Melanie vouched for me as well. And that was exciting. Yeah, it was really fun to hear that I was going to get to join them on this fun journey. As more cast members started being decided on and coming in, I was like, it was getting better and better by the minute. I had just worked with Alia and she’s so great. Yeah, so yeah, it was a lot of fun.

    You’ve got a lot of good work to your credit, and a lot of different kinds of projects and different levels of projects. What are you looking to do these days, when you’re making decision just for you?

    It’s been interesting. I feel like there are times where I have no idea what I’m looking for other than that I know that on some level I’ll know that it’s the right thing. I feel like there are so many different sensibilities in the world, and it’s been nice in the last couple years to have found things that are all different, but that feel right to me.

    Whether it’s a comedy or a drama or science fiction or whatever it is, there’s something about it that makes me go, “Yes, this is the kind of thing that I like and would want to watch.” So I’m hoping for that. I would love to do something that is able to get out there on a bigger scale.

    One of the tough things with independent movies is you’re counting so much on word of mouth, and that either can happen or not happen. It’s nice that now with Netflix and other things like that, years can go by and someone can go, “Oh, I finally saw that,” or “I saw that movie that I had never heard of, and I liked it.” That’s been really great to have that outlet and other outlets where independent movies are shown.

    There are times where I see, like, a huge movie and I’m like, “That would be nice to have a publicity machine saying, ‘This is a good movie’” — which we have in this one. This is one of those rare times where I’m really excited to see that it’s actually coming out and that it has good people behind it and people believe in it.

    We still see you on TV a lot, but do you feel the pull of television a little more? There’s so much happening on TV right now.

    I do, yeah. I definitely do. And there is so much of it now. The interesting thing now is that, to me it almost feels like there’s no more pilot season. It feels like in that period of time of old pilot season, it gets a little bit more intense and there is sort of more volume of scripts and auditions and stuff. But if nothing happens during that period of time, then there’s all these Amazon and Netflix or cable shows, pilots are shooting and casting year-round.

    So I’ve been trying to trust my instincts in that because I also feel like, for me, I’m constantly worried that I’m going to do something that doesn’t feel 100% right, and because it doesn’t feel 100% right, I’m not 100% comfortable and the performance suffers — and then I’ve, like, ruined what I’ve tried to create. Because I think there are times in which you can sort of gamble big and take a shot at something and lose, and then it’s harder to convince people to give you that big of a shot again.

    So I’ve been trying to be careful in only auditioning for things that I really love. And then, the things that I really love are often things that everybody really loves. I’m auditioning against all these movie stars and things like that. It’s tough, but I keep on trying to sort of remind myself that the right thing will happen and to calm down. I would much rather be auditioning for shows that I love and don’t get, than be stuck on something that I feel like I’m bad in, or that I don’t believe in.

    How was your “Girls” experience?

    That was so much fun. I love that show, and I love Lena [Dunham] so much as an artist all around. It was really fun to get to jump into that world, having been a fan of the show. I was like, I had to stop myself from, “That’s Shoshanna right there!” It really feels surreal. Because you’re so invested in them as characters. But yeah, that was really fun.

    And that show really has a sort of — actually a lot like “Parenthood,” it had a sort of independent film feel, even though it’s a show and there’s a budget, there’s a big crew and it’s a big machine. There’s value put on performance and delivery that on some other shows are like, “You didn’t say this word correctly,” or something like that. It’s nice to be given a little bit of freedom as an actor, and I think a lot of the shows that I really respond to, you can see that the actors are really given permission to sort of play around.”

    You don’t have actors who are trying to sort of pair themselves down and cut off their rough edges to fit into the character. They’re able to sort of push out and find new little corners of who they are. Yeah, so “Girls” fit right into that — like, my favorite type of thing. It was really fun to jump into. Also, to be a character that I couldn’t really tell how I even felt about him! I was like, ‘Do I like him, or do I not?”

    There were things missing, and it was funny, I was seeing on Twitter, there was one line that I said, it was like, “I think I’m going to be in love with you soon.” And on Twitter I saw people who were both like, “aw,” and like “ew.” It was so great and I love that thing. Especially in “Girls.” There’s so much of that. The relationship that Lena had with Adam Driver‘s character was so complicated and so interesting and beautiful, and it went back and forth a million times.

    And it’s so nice to have a show like that that doesn’t say, “This is the couple that you’re supposed to feel this way about; this is the couple that you’re supposed to feel this way about …” You’re just like, “We present this couple, and you decide how you feel about it, and we’ll just tell the story — and allow you to get in spirited arguments with your significant other.”

    Are you coming back to the show? It felt final, but everything’s always a little open-ended there.

    I don’t know. To me, it feels like it came to a natural conclusion, but I also thought that before when she went to Japan in the first place. So I never know. But I don’t think so. I think Shoshanna’s moved on to better and brighter pastures.

    Ten years ago, we might have started this conversation when we first met: the legacy that you have, the family dynasty in show business with multiple generations now. Now that your career is established and solid you have your own fans and you’ve got a great body of work. What does that legacy mean to you at this stage of your life?

    It’s interesting. Yeah, it has sort of lessened. It’s so interesting, because I found an article, like an old article interview of my dad when he was just starting out. I think it was before “Three’s Company.” I think he had done “The Waltons” and a couple other things. And all of the questions were sort of about his dad. And I was like, “That’s so interesting,” because by the time I came along, it was like this. It was sort of like, “Oh, at the end of the interview, here’s another sort of interesting thing.”

    And what’s been funny is also now that my brother has started to … my younger brother [Tyler Ritter] started to work and get jobs all over the place, as much as I was [telling him] ‘Now, there’s a lot of rejection, you’ve got to stick it out …” He’s like, “I got it, I got it, I got it.” Like, “All right, slow down!” It’s been funny to sort of watch the kind of progression.

    This is also what we do with people that we just meet: We know a certain amount of things about them, and then as we know them more, we know more things about them. Initially, there’s that thing that, like, people can sort of hang their hat on. Well, “This is one thing, I just met you, but I do know, because I have the Internet, that your dad or your grandpa or your brother or whatever is this …”

    I think the main thing that’s sort of felt nice is that, initially, there was … I felt like there was an expectation that eventually I would go into the same kind of things that he did. As I continued to disappoint people on that level and just sort of continue just doing my thing, that expectation has died down, where they’re not expecting me to jump on a sitcom necessarily or do anything like that. Just, like, as much fun as it might have been to see my dad go into being a singing cowboy, that wasn’t his sort of skill set. So he went his own way until people appreciated that for what it was.

    Also, now, it feels nice now that there’s been many years since he passed away, and also even more years since my grandfather passed away — even though I never met him. It’s nice that they’re still talked about and remembered. That feels nice.

    In a way, it almost feels like I’m helping to keep it alive, or something like that.

  • A ‘Parenthood’ Revival Could Happen, Inspired by ‘Gilmore Girls’

    In this age of Peak TV, it seems no television show is ever truly over, with series like “Gilmore Girls,” “Arrested Development,” “Full House,” “Boy Meets World,” “The X-Files,” “24,” “Prison Break,” and “MacGyver” all getting reboots, revivals, spinoffs, or continuation series in recent years. So it makes sense, then, that “Parenthood” creator Jason Katims would want to get in on the trend, too.

    As he explained in an interview with TVLine, Katims would love to return to the Braverman clan some day, catching fans up on what’s been happening with the extended family at the center of the NBC drama, which signed off in 2015 after six seasons. According to TVLine, NBC had apparently tried to get the gang back together again for a one-off Christmas reunion special last year, but those plans never materialized; Katims wouldn’t comment on that scenario, but said that he was very much interested on checking in with his beloved characters some day in the future.

    And “Parenthood” star Lauren Graham is a key reason why Katims is entertaining that idea. According to the creator, when he saw that the actress was reprising her “Gilmore Girls” role for the revival series, “Gilmore Girls: A Year in the Life,” he was intrigued by the concept.

    “I asked someone who was working on it how they structured it and how it all worked,” Katims explained to TVLine. “Because I was thinking that might happen [with ‘Parenthood’] down the road a few years.”

    And while there’s nothing official in the works yet, the creator told TVLine he’s been putting a lot of thought into just how he would bring back the Bravermans.

    ” … [T]he whole thing about ‘Parenthood’ is the kids get a little older and their lives change and then there’s more story to tell,” Katims told the site. “I feel like that will happen at some point. And then it will be a question of, logistically, can we get the actors [back together] at the same time? And then we have to [find an outlet] that wants to [air] it.”

    We know that Graham is definitely on board, since she enthusiastically tweeted about Katims’s interview, also referencing the “Gilmore Girls” revival (and her new, “Gilmore”-centric memoir).


    Whenever he comes up with an idea, we think Katims should definitely give Netflix a call. Keep your fingers crossed, fans.

    [via: TVLine, Lauren Graham]

  • 5 Best Series to Watch Before Entering Parenthood

    Parenthood cast photoThere’s no proven way to completely prepare for the diaper deluge, the restaurant tantrums, and the rest of the beautiful chaos of being a parent. Life and children are too unpredictable. But there are a few TV shows that explore the hardest job you’ll ever love in a way that goes a little deeper than the average laugh-tracked family sitcom. These are the series that don’t incorporate kids just so they can deliver their catchphrases and then adorably toddle off into the wings. These show depict motherhood and fatherhood in all their messy glory, from major childhood milestones to everyday dilemmas.

    You’ll find comedies and dramas both on this list. Because while there’s no more emotional a relationship than the one between a parent and a child, the process of raising little humans is rich with opportunities for all sorts of mishaps and humor. If you’re getting ready to take on the job, these TV shows will be your best and most entertaining parenting boot camp.

    1. ‘Parenthood’ (2010 – 2015)

    An obvious choice, maybe, but nobody on TV does the bittersweet business of life like the Bravermans. This Californian clan is expansive, loud, and always in each other’s business. The show covers a lot of parenting ground in the various branches of the Braverman family tree, from adoption to empty-nesting to caring for a child with special needs. And the ensemble’s multigenerational makeup lets audiences experience the perils of new parenthood with the younger characters while also gleaning pearls of wisdom from the older and more experienced. You’ll want to bring your tissues to this one — though “Parenthood” knows exactly when to rescue your emotions with a dorky family dance party.

    2. ‘The Mindy Project’ (2012 – )

    Can Mindy Lahiri have it all? That’s the outdated query The Mindy Project” spills some secrets that, until now, moms have been afraid to admit, like how being responsible for a sleeping baby can actually add significantly to your Netflix and Twitter time. If you’re concerned that having a child might consume your entire identity, this is the series to remind new parents that you can still be fabulous you.

    3. ‘Empire’ (2015 – )

    This soapy prime-time drama is one to watch when you’re looking to manage your own parenting expectations. Cookie (Empire” parents are the originators of a musical dynasty. Lucious’s cold ambition mixed with Cookie’s ferocious mama-bear love bred the Lyons into a family with members that clash regularly (and sometimes in song), but are certainly never boring. You may make some mistakes as a parent, but you and your family won’t experience in your entire lifetimes the plot twists that the Lyons do in a single episode.

    4. ‘Modern Family’ (2009 – )

    The secret to great parenting is truly accepting that nobody out there knows exactly what they’re doing, least of all the Pritchetts and the Dunphys. “Modern Family” is still going strong because parents all over the world can relate to meddlesome relatives, failed attempts at creating “a teachable moment,” and kids who are too smart for their own good. Blended families may be nosy and suffocating sometimes, but the parents of “Modern Family” wouldn’t give up theirs for all the peace and quiet in the world.

    5. ‘Bob’s Burgers’ (2011 – )

    To embrace the Belchers is to embrace your family’s own unique weirdness. Instead of trying to curb Tina’s (Bob’s Burgers” are among the best teams on TV.

    Sources

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  • ‘Parenthood’ Reunion! Mae Whitman Joins ‘Gilmore Girls’ Revival Alongside Lauren Graham

    NBCUniversal's "2013 Summer TCA Tour" - ArrivalsMae Whitman, who starred alongside Lauren Graham on NBC’s “Parenthood,” will reunite with her onetime onscreen mom in the upcoming “Gilmore Girls” revival.

    TVLine reports that Whitman has signed on for the revival in a cameo role, though the specifics are being closely guarded for now. What the site can tell us, however, is that Whitman “shares a really fun (albeit small) moment with Graham that will delight ‘Parenthood’ fans.”

    Graham played mom Sarah Braverman to Whitman’s daughter Amber for six seasons on the NBC drama, though of course, her portrayal of Lorelai, mother of Alexis Bledel’s Rory on “Gilmore,” preceded that show. Could the scene between Graham and Whitman perhaps have something to do with the awkwardness of Graham’s two TV daughters colliding? Whitman hilariously pointed out the (fake) tension between herself and Bledel when the pair met last summer.

    Regardless of the specifics, we’re excited to see the pair together again onscreen. And considering Whitman is a huge “Gilmore” fan, we’re glad that she’s able to realize her dream of visiting Stars Hollow. If only the rest of us were so lucky.

    The “Gilmore Girls” revival is set to hit Netflix sometime later this year.

    [via: TVLine]

    Photo credit: Getty Images

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  • 10 Crazy Emotional ‘Parenthood’ Moments

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    Farewell, “Parenthood.” You gave us six beautiful seasons of sentimental, gut-wrenching, tears-streaming-down-our-faces scenes. In fact, there are too many to count considering pretty much every episode required a box of tissues. And boy did last night’s series finale not disappoint when it came providing those touching — well, downright heartbreaking — moments we’ve come to expect.

    Let’s remember this beloved series the best way we know how: by crying our eyes out. Here are a few of the most memorably tear-jerking moments in “Parenthood” history. (Spoilers ahead!). So long, Bravermans.