Writer/director Nancy Meyers has set her new movie up at Warner Bros.
Penélope Cruz, Kieran Culkin and Jude Law are among the cast.
It’s scheduled for a Christmas Day, 2027 release.
While she once bestrode the cinematic world like a rom-com colossus, famed for skillful scripts, fabulous settings and big-name casts, it has been more than a decade since we’ve had a movie from writer/director Nancy Meyers.
Now, though, Meyers has finally set up a new project and found a studio home for it at Warner Bros.
Kieran Culkin accepts the Oscar® for Actor in a Supporting Role during the live ABC Telecast of the 97th Oscars® at the Dolby® Theatre at Ovation Hollywood on Sunday, March 2, 2025.
The story here is almost more about the behind-the-scenes drama than what may end up on screens.
In 2023, when Meyers first set it up at Netflix, the movie was reportedly titled ‘Paris Paramount.’ It was said to focus on a young writer-director who falls in love with a producer. The pair make several successful films before breaking up, both romantically and professionally. They are forced back together when a new, great project arises, and they find themselves having to deal with high stakes and volatile stars.
Meyers had Michael Fassbender and Scarlett Johansson circling roles alongside Cruz and Wilson, but Netflix balked at a requested $150 million budget.
We don’t know how much of the script has changed and what the new budget is, but it seems Warner Bros. is happy to proceed (ironically, by the time it hits theaters, Netflix may own the studio…)
When will Nancy Meyers’ new movie land on screens?
Warner Bros. has set a December 25, 2027 release date for the film. Happy Meyers-Mass, everyone!
Everyone has a favorite Christmas movie, right? Whether it’s ‘A Christmas Story,’ ‘Elf’ or even ‘Die Hard,’ Christmas movies play ad nauseam on television throughout the month of December.
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But where are all the Thanksgiving Day films?
In honor of the annual holiday, Moviefone is counting down the top twenty Thanksgiving Day themed movies of all time!
Now, to qualify for this list the film must either take place at Thanksgiving or involve the holiday in some way, and we are only counting theatrical releases, so sorry ‘A Charlie Brown Thanksgiving.’
2009’s ‘The Blind Side’. Photo: Warner Bros. Pictures.
The story of Michael Oher (Quinton Aaron), a homeless and traumatized boy who became an All American football player and first round NFL draft pick with the help of a caring woman (Sandra Bullock) and her family.
In an attempt to remind her family of their privilege and help them bond, Ms. Anna Barker (Courtney Henggeler) invites Pilgrim reenactors to stay with them over Thanksgiving. When the “actors” refuse to break character, the Barker family learns that there is such a thing as too much gratitude.
Join Butterball the turkey and Missy the Dodo as they come to the rescue of Thanksgiving and embark on an unforgettable, clock-racing countdown to a holiday dinner. It’s a Thanksgiving Movie for the ages.
Nelson (Keanu Reeves)is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara (Charlize Theron). She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.
1992’s ‘Scent of a Woman’. Photo: Universal Pictures.
Charlie Simms (Chris O’Donnell) is a student at a private preparatory school who comes from a poor family. To earn the money for his flight home to Gresham, Oregon for Christmas, Charlie takes a job over Thanksgiving looking after retired U.S. Army officer Lieutenant Colonel Frank Slade (Al Pacino), a cantankerous middle-aged man who lives with his niece and her family.
Country girl Rebecca (Carla Gugino) has spent most of her life on a farm in South Dakota, and, when she goes away to college in Los Angeles, Rebecca immediately feels out of place in the daunting urban setting. She is befriended by a savvy party animal named Crawl (Pauley Shore), who convinces the ambivalent Rebecca to stay in the city. When Thanksgiving break rolls around, Rebecca, no longer an innocent farm girl, invites Crawl back to South Dakota, where he pretends to be her fiancé.
Keller Dover (Hugh Jackman) faces a parent’s worst nightmare when his 6-year-old daughter, Anna, and her friend go missing. The only lead is an old motorhome that had been parked on their street. The head of the investigation, Detective Loki (Jake Gyllenhaal), arrests the driver, but a lack of evidence forces Loki to release his only suspect. Dover, knowing that his daughter’s life is at stake, decides that he has no choice but to take matters into his own hands.
Quirky and rebellious April Burns (Katie Holmes) lives with her boyfriend (Derek Luke) in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother (Patricia Clarkson) has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father (Oliver Platt) struggles to drive her family into the city, April — an inexperienced cook — runs into kitchen trouble and must ask a neighbor for help.
1995’s ‘Home for the Holidays’. Photo: Paramount Pictures.
After losing her job, making out with her soon-to-be former boss, and finding out that her daughter plans to spend Thanksgiving with her boyfriend, Claudia Larson (Holly Hunter) faces spending the holiday with her unhinged family.
Siblings Wednesday (Christina Ricci) and Pugsley Addams (Jimmy Workman) will stop at nothing to get rid of Pubert, the new baby boy adored by parents Gomez (Raul Julia) and Morticia (Anjelica Huston). Things go from bad to worse when the new “black widow” nanny, Debbie Jellinsky (Joan Cusack), launches her plan to add Fester to her collection of dead husbands.
For decades, next-door neighbors and former friends John (Jack Lemmon) and Max (Walter Matthau) have feuded, trading insults and wicked pranks. When an attractive widow (Ann-Margret) moves in nearby, their bad blood erupts into a high-stakes rivalry full of naughty jokes and adolescent hijinks.
A luxury condo manager leads a staff of workers to seek payback on the Wall Street swindler who defrauded them. With only days until the billionaire gets away with the perfect crime, the unlikely crew of amateur thieves enlists the help of petty crook Slide to steal the $20 million they’re sure is hidden in the penthouse.
‘Thanksgiving’ Parade from TriStar Pictures and Spyglass Media Group, LLC Thanksgiving.
After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the holiday. Picking off residents one by one, what begins as random revenge killings are soon revealed to be part of a larger, sinister holiday plan.
Two turkeys from opposite sides of the tracks must put aside their differences and team up to travel back in time to change the course of history—and get turkey off the holiday menu for good.
1987’s ‘Planes, Trains and Automobiles’. Photo: Paramount Pictures.
An irritable marketing executive, Neal Page (Steve Martin), is heading home to Chicago for Thanksgiving when a number of delays force him to travel with a well meaning but overbearing shower curtain ring salesman, Del Griffith (John Candy).
Skyler Gisondo is joining the new ‘Meet the Parents’ movie.
He’s playing Ben Stiller’s character’s son.
The film is titled ‘Focker-in-Law’.
And so, we have another Focker.
Yes, while technically, we met the kids of Ben Stiller’s Gaylord “Greg” Focker and Teri Polo’s Pam in ‘Little Fockers’, with the fourth movie –– now officially titled ‘Focker-in-Law’–– in pre-production, the team has found someone to play the grown version of Henry, their son.
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
Much of the new movie’s exact narrative remains under wraps, but we do know it’ll focus on a potential new addition to the family –– Ariana Grande has the role of Henry’s fiancée, an alpha type who would likely mesh well with Greg Focker’s imposing father-in-law, Jack Byrnes (Robert De Niro).
Confirmed as returning so far for this one are Stiller, Polo, De Niro, Blythe Danner (as Pam’s mother, Dina) and Owen Wilson as Kevin Rawley, Greg’s former rival for Pam’s affections.
Apart from being part of one of the biggest movie currently in theaters (‘Superman’, in case you forgot us mentioning it in the intro), Gisondo has been seen in a few movies of late, including ‘Licorice Pizza’, ‘The Starling’ and ‘The Binge’.
But perhaps most pertinent to this new potential job is that he has form playing the son of a Ben Stiller character –– he’s Nick Daley, Larry’s (Stiller) kid in 2014’s ‘Night at the Museum: Secret of the Tomb’.
We predict far fewer exhibits will come to life in this new comedy, though De Niro’s character does act like an angry dinosaur from time to time…
When will ‘Focker-in-Law’ hit theaters?
Universal previously announced that the movie will be out for Thanksgiving next year, planting a flag in November 25th, 2026.
(L to R) Robert De Niro and Ben Stiller in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
John Hamburg, who co-wrote all three prior films, wrote the screenplay for the new feature and is set to direct.
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Wilson plays Kevin Rawley, the laidback rival of Stiller’s character (who becomes less so as the story goes on).
We don’t know much about the new movie’s plotline so far, but it’ll reportedly see the son of Stiller’s Greg getting engaged to a headstrong woman (with Ariana Grande) playing the fiancée.
What’s the story of the ‘Meet the Parents’ movies?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
The idea for the ‘Parents’ franchise actually originated years before Ben Stiller accidentally knocked an urn full of ashes from a mantle or milking a cat was ever discussed.
Greg Glienna and Mary Ruth Clarke created and co-wrote an independent film, also titled ‘Meet the Parents,’ back in 1992.
Glienna directed, wrote two original songs, and starred as protagonist Greg: a Chicago advertising agent who travels with his fiancée Pam Burns to meet her parents, Irv and Kay, over a weekend but sets off a series of accidents and causes the family to fall apart.
After Pam’s sister Fay commits suicide, framing Greg in the process, Irv attempts to shoot him but accidentally kills Kay and Pam before dying of a heart attack. So… yes, a little darker even than what followed.
Sensing some potential (albeit with less murder/suicide), Universal bought the rights to the indie movie. The studio hired screenwriter Jim Herzfeld to expand the script and tone down some of the sharper edges, which led to what we all now know as ‘Meet the Parents’ in 2000.
Jay Roach directed that film, with Hamburg re-writing the script. It stars Stiller as Gaylord “Greg” Focker, a male nurse who is looking to propose to his girlfriend, Pam (Polo). Upon learning that Pam’s sister’s fiancé sought her father’s permission to marry, Greg sees an opportunity when they travel to her parents for the wedding.
As it turns out, Pam’s father is the stern, authoritative Jack Byrnes (De Niro), who claims to have been a florist in his career but is in fact a retired CIA counterintelligence officer. And not quite as retired as he claims. Chaos ensues, including the aforementioned urn destruction, injuries and bad behavior from Jack’s beloved cat Mr. Jinx.
(L to R) Blythe Danner and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
Danner played Dina, Jack’s wife who is much less stress-inducing than him, but still less easygoing than Greg’s family. Yet despite all the madness, Greg does manage to convince Jack he’s worthy of Pam and ends up engaged.
That film was a critical and commercial success, grossing $166.2 million domestically and a total of $330.4 million worldwide.
A sequel was greenlit, with Roach returning to direct and Herzfeld and Hamburg once more writing. In 2004’s ‘Meet the Fockers,’ Greg and Pam decide to have Jack and Dina meet his parents.
The eccentric, fun-loving and free-spirited couple are, Bernie Focker (Dustin Hoffman), a lawyer-turned-stay-at-home-dad, and Roz (Barbra Streisand), a sex therapist for elderly couples. While Dina bonds with the Fockers, cracks form between Jack and the Fockers due to their contrasting personalities and backgrounds.
There’s also the small matter of Greg potentially having fathered a child as a teenager with the Focker family house-keeping and renewed tension with Jack. Yet it all works out happily and Greg and Pam marry at the end.
‘Meet the Fockers’ was an even bigger hit, earning more than $279 million domestically and more than $522 million worldwide.
The world had to wait until 2010 for the third entry, ‘Little Fockers,’ which saw Hamburg back writing, this time alongside Larry Stuckey. Paul Weitz took over directing chores.
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‘Little Fockers,’ which finds Greg and Pam preparing to celebrate the fifth birthday of their twins Samantha and Henry.
However, things seem to go awry for Greg when his in-laws, Jack and Dina Byrnes, visit them, and Jack announces he is looking for his successor as the head of the Byrnes family. Jack’s family has been hit by his daughter’s (Pam’s sister) divorce and more disruption, plus some health issues.
Yet more madness follows, though it ends well for both men, even if Greg’s parents announce they’re moving to Chicago to be closer to him and Pam.
This third film was critically panned and not as successful as the previous two entries, ending up with a worldwide total of $310.7 million.
Where else can we see Owen Wilson?
Owen Wilson in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Wilson hasn’t been seen on the big screen since 2023’s ‘Haunted Mansion’, but he’s had work on TV, appearing as Morbius in Marvel’s ‘Loki’ and is currently to be found playing a former golf champion mentoring a talented new young player on Apple TV+ series ‘Stick’.
Upcoming movie work includes medical transport thriller ‘Runner’ and Jeremy Garelick’s new comedy ‘Rolling Loud’, about a father who takes his son to a wild hip-hop festival.
When will the new ‘Meet the Parents’ movie hit theaters?
(L to R) Robert De Niro and Ben Stiller in ‘Meet the Parents’. Photo: Universal Pictures.
Since the details are now starting to come together, Universal is confident enough to plant a flag for this one: the new movie will be out on November 25th, 2026.
And Paramount Pictures has announced it will co-produce the movie and distribute it outside the U.S.
(L to R) Ben Stiller and Robert De Niro in ‘Little Fockers’. Photo: Universal Pictures.
List of Movies in the ‘Meet the Parents’ Franchise:
In honor of Anderson’s new movie, ‘The Phoenician Scheme‘, which opens in select theaters on May 30th before opening wide on June 6th, Moviefone is counting down every film of Wes Anderson’s impressive career, including his latest.
Four tales unfold in Wes Anderson’s anthology of short films adapted from Roald Dahl‘s beloved stories, “The Wonderful Story of Henry Sugar”, “The Swan”, “The Rat Catcher”, and “Poison”.
(L to R) Jason Schwartzman, Adrien Brody and Owen Wilson in ‘The Darjeeling Limited’. Photo: Fox Searchlight Pictures.
Three American brothers (Owen Wilson, Adrien Brody, and Jason Schwartzman) who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other — to become brothers again like they used to be. Their “spiritual quest”, however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).
(L to R) Luke Wilson and Owen Wilson in ‘Bottle Rocket’. Photo: Sony Pictures Releasing.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony (Luke Wilson) joins his friend Dignan (Owen Wilson), who seems far less sane than the former. Dignan has hatched a hair-brained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry (James Caan).
The cast of ‘The Life Aquatic with Steve Zissou’. Photo: Buena Vista Pictures Distribution.
Renowned oceanographer Steve Zissou (Bill Murray) has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned (Owen Wilson), a man who believes Zissou to be his father, and Jane (Cate Blanchett), a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou’s past, including his estranged wife, Eleanor (Anjelica Huston).
(L to R) Jake Ryan, Jason Schwartzman and Tom Hanks in director Wes Anderson’s ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Pop. 87 Productions/Focus Features.
The itinerary of a Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events.
A scene from ‘Isle of Dogs’. Photo: Fox Searchlight Pictures.
In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island that’s a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy (Koyu Rankin) arrives on the island to find his beloved pet.
(L to R) Bill Murray and Jason Schwartzman in ‘Rushmore’. Photo: Buena Vista Pictures Distribution.
When a beautiful first-grade teacher (Olivia Williams) arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max (Jason Schwartzman), who quickly falls in love with her. Max turns to the father (Bill Murray) of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max’s new friend becomes involved with her, setting the two pals against one another in a war for her attention.
(L to R) Bill Murray, Tilda Swinton, Bruce Willis and Edward Norton in ‘Moonrise Kingdom’. Photo: Focus Features.
Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two twelve-year-olds (Jared Gilman and Kara Hayward) who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore – and the peaceful island community is turned upside down in more ways than anyone can handle.
Ralph Fiennes stars in ‘The Grand Budapest Hotel’. Photo: Fox Searchlight Pictures.
The Grand Budapest Hotel tells of a legendary concierge (Ralph Fiennes) at a famous European hotel between the wars and his friendship with a young employee (Tony Revolori) who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
George Clooney as Mr. Fox in ‘Fantastic Mr. Fox’. Photo: 20th Century Fox.
The Fantastic Mr. Fox (George Clooney) bored with his current life, plans a heist against the three local farmers (Michael Gambon, Robin Hurlstone, and Hugo Guinness). The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
(L to R) Bencio del Toro and Léa Seydoux in ‘The French Dispatch’. Photo: Searchlight Pictures.
The staff of an American magazine based in France puts out its last issue, with stories featuring an artist sentenced to life imprisonment, student riots, and a kidnapping resolved by a chef.
The cast of ‘The Royal Tenenbaums’. Photo: Buena Vista Pictures Distribution.
Royal Tenenbaum (Gene Hackman) and his wife Etheline (Anjelica Huston) had three children (Ben Stiller, Gwyneth Paltrow, and Luke Wilson) and then they separated. All three children are extraordinary — all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father’s fault. “The Royal Tenenbaums” is the story of the family’s sudden, unexpected reunion one recent winter.
Owen Wilson in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
‘Stick’ receives 7.5 out of 10 stars.
Released on Apple TV+ on June 4th with three episodes (followed by one every Wednesday through July 23rd), ‘Stick’ looks to play a similar game to Apple smash hit ‘Ted Lasso.’
(L to R) Owen Wilson and Peter Dager in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Despite its rampant popularity in the professional sporting world, and a legion of amateur club-swingers who head to courses across the world in their free time, golf is a pastime that hasn’t gotten the toe hold in popular culture to the same level as say football or even soccer.
True, there have been a wealth of movies, including the likes of ‘Tin Cup’ and ‘Happy Gilmore,’ but now ‘Stick’ is looking to level the playing field on the small screen. Or should that be course?
Mostly, though, the sport is more a backdrop for the character work, and especially the arc of Wilson’s Pryce, who seeks redemption on the green and off of it. And, much as with ‘Ted Lasso,’ the series around him aims to be a blend of sports story, hangout comedy and some deeper emotions, not all of them as sunny as the lead’s normal disposition.
Script and Direction
Judy Greer in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Here, teamed with showrunner Christopher Moynihan (‘Marlon,’‘100 Questions’), he looks to open up the world of golf in a way not really explored since Adam Sandler’s heavy hitter –– indeed, the character of teen prodigy Santi, played by Peter Dager, has some resonance with Happy Gilmore, since he’s similarly able to thwack a ball great distances (though he’s less burning with anger, more simmering with resentful tension).
The focus, though, is on Pryce, a man who once flirted with true golfing glory, only to let his own anger issues get in the way –– issues that were inflamed by a past tragedy in his life.
Keller and the writers find a way to play to Wilson’s mostly laidback strengths, but still give him opportunities to go in another, fiercer direction when needed.
(L to R) Marc Maron and Owen Wilson in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Around him, they’ve built an effective set of characters with interesting stories of their own (even Marc Maron’s Mitts, who is mostly the grumpy former caddy-turned-wise old owl has a chance to shine), and if some of the narrative hits a ball into sand trap, the writing retrieves it well enough.
Mariana Treviño in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Owen Wilson has found a good groove on the small screen of late –– he was a highlight of both seasons of ‘Loki’ and here is playing a character he can certainly make work. As Pryce “Stick” Cahill, his good-natured charisma shines through, but he’s also willing to go to darker places when necessary. And he plays well off of everyone else, not least Judy Greer (as Pryce’s ex-wife Amber-Lynn) and Peter Dager’s Santi.
Talking of the young golf whizz, Dager is handed and ably brings to life a more complicated role than just a moody teenager with one standout ability. He’s funny and charming at times, and also able to embody Santi’s frustration when life gets in his way.
As mentioned, Judy Greer has a supporting role, but is typically excellent, balancing exasperation with enthusiasm and real heart.
Peter Dager in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
Santi’s mother Elena is brought to screens by ‘A Man Called Otto’s Mariana Treviño, and she’s also effective, treading a careful path between a mother worried about her son and looking to secure her own future. Her chemistry with Maron’s Mitts is particularly rewarding.
Maron always gives good gruff, and the role of Mitts fits him well. He’s got his own reasons for behaving the way he does, and his history with Pryce works.
Lilli Kay adds some romantic interest to Santi’s life, but is more than simply a reason for him to want to impress people. The role becomes more crucial as the story moves along, that Kay is more than up to the task.
Final Thoughts
Marc Maron in ‘Stick,’ premiering June 4, 2025 on Apple TV+. Photo: Apple TV+.
It might not exactly have quite the same layers as ‘Ted Lasso,’ but if ‘Stick’ doesn’t exactly score a hole in one, it’s able to stay under par and prove to be an effective delivery system for both charming comedy and decent drama.
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What’s the plot of ‘Stick’?
Owen Wilson stars as Pryce Cahill, an over-the-hill, ex-pro golfer whose career was derailed prematurely 20 years ago.
After the collapse of his marriage and getting fired from his job at an Indiana sporting goods store, Pryce hedges his bets, and future, entirely on a troubled 17-year-old golf phenom named Santi (Peter Dager).
The new sports comedy is about a found family and their relationships set within the world of golf as it has never been shown before.
(Left) Thandiwe Newton in ‘Rogue’. Photo: DirecTV. (Right) Steve Zahn in ‘Diary of a Wimpy Kid: Rodrick Rules’. Photo: 20th Century Fox.
Preview:
Thandiwe Newton and Steve Zahn are aboard the new ‘Anaconda.’
Jack Black and Paul Rudd are starring.
Directors Tom Gormican is rolling the cameras now.
While the original is certainly funny intentionally in places, the 1997 giant snake thriller ‘Anaconda’ is mostly remembered for being ridiculous even when it tries to be horrific (and let’s be honest, a lot of that is due to Jon Voight’s leery schmuck).
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Now, though, Sony’s Columbia arm has a new take on the concept, and this time the focus is firmly on the funny, with Jack Black and Paul Rudd aboard to star.
Jennifer Lopez in 1997’s ‘Anaconda’. Photo: Sony Pictures Releasing.
The original movie starred Jennifer Lopez, Owen Wilson, Ice Cube and Voight, and followed a National Geographic film crew who is hunting for the world’s largest and deadliest snake, only to find the tables turned.
As you might expect, there is a lot of giant snake action.
That first outing didn’t strike critics well but grossed $136 million at the global box office and went on to quickly reach cult classic status.
‘Anaconda’ was followed by a series of films, including 2004’s ‘Anacondas: The Hunt for the Blood Orchid’, which also did good theatrical business, before a plunge into schlock fare with two movies that aired on the Sci-Fi Channel in 2008 (starring David Hasselhoff) and 2009.
1997’s ‘Anaconda’. Photo: Sony Pictures Releasing.
As you might expect given the presence of Black and Rudd, the aim is for the new movie to go a more comedic route.
Tom Gormican, who last brought us Nicolas Cage spoof ‘The Unbearable Weight of Massive Talent’, co-wrote the script with collaborator Kevin Etten and is now rolling the cameras in Australia to take advantage of tax breaks via the Queensland Government through Screen Queensland’s Production Attraction Strategy.
The new story, according to The Hollywood Reporter’s sources, involves a group of friends facing mid-life crises who are remaking their favorite movie from their youth.
They head to the rainforest, only to find themselves in a fight for their lives against natural disasters, giant snakes and violent criminals.
Black will play an erstwhile director, a man stuck in his job as a wedding videographer, while Rudd will play an actor who did a stint on a cop show but sees his Hollywood dreams slipping further and further away.
Newton and Zahn are other childhood friends that join the two on the ill-fated adventure, while Mello will play a Brazilian animal wrangler. Skye is playing Black’s wife.
Where have I seen the new recruits?
(L to R) Thandiwe Newton and Angela Sarafyan in ‘Westworld’. Photo: HBO.
On the small screen, beyond her Emmy-winning turn on ‘Westworld,’ she’s been seen on ‘ER,’ ‘Line of Duty’ and ‘The Slap’ and is heard as Mona on Netflix series ‘Big Mouth.’ She’ll continue her association with the streaming service by showing up on ‘Wednesday’s second season this year.
Brazilian actor Mello is currently found starring opposite Fernanda Torres in Walter Salles’ political drama ‘I’m Still Here,’ which has been doing well this awards season.
Working as an actor since childhood, he last year starred in another Brazilian movie, ‘Bury Your Dead,’ and is also a director, with one of his movies, ‘The Clown,’ serving as his country’s submission for the best foreign language film at the 2013 Oscars.
When will the new ‘Anaconda’ slither on to screens?
With Fully Formed, the company run by producers Brad Fuller and Andrew Form, producing the movie, it has now secured a December 25th release date. Happy Snake-mas!
(L to R) Jennifer Lopez and Ice Cube in 1997’s ‘Anaconda’. Photo: Sony Pictures Releasing.
Jack Black and Paul Rudd may star in a new version of ‘Anaconda’.
Jennifer Lopez and Jon Voight headlined the 1997 original.
Tom Gormican is attached to direct the new movie.
Movie studios love dipping into their archives to find old titles they can slap some remake/re-imagining/legacy sequel paint onto and push into theaters to earn some fresh cash.
Sony is doing just that, having kicked off development of a new take on 1997’s ‘Anaconda,’ which, as you can guess, focused on a snake. In this case, a massive snake.
Jennifer Lopez in 1997’s ‘Anaconda’. Photo: Sony Pictures Releasing.
The original movie starred Jennifer Lopez, Owen Wilson, Ice Cube and Jon Voight, and followed a National Geographic film crew who is hunting for the world’s largest and deadliest snake, only to find the tables turned.
As you might expect, there is a lot of giant snake action.
That first outing didn’t strike critics well but grossed $136 million at the global box office and went on to quickly reach cult classic status.
‘Anaconda’ was followed by a series of films, including 2004’s ‘Anacondas: The Hunt for the Blood Orchid’, which also did good theatrical business, before a plunge into schlock fare with two movies that aired on the Sci-Fi Channel in 2008 (starring David Hasselhoff) and 2009.
The Reporter’s sources are pointing to the new story involving a group of friends facing mid-life crises who are remaking their favorite movie from their youth. They head to the rainforest, only to find themselves in a fight for their lives against natural disasters, giant snakes and violent criminals.
But the details are foggier when it comes to the roles that the new actors are considering. There are competing accounts: one has Black playing an erstwhile director, a man stuck in his job as a wedding videographer, while Rudd is an actor who did a stint on a cop show but sees his Hollywood dreams slipping further and further away. It might, however, be the other way round.
‘Loki’s second season scored huge viewership on Disney+ upon its return last week.
Only ‘The Mandalorian’s Season 3 premiere this last March had higher initial viewership.
The show sees the return of Tom Hiddleston’s Marvel character, whose original season debuted in 2021.
After some less than thrilling reviews and audience figures for recent Marvel series such as ‘Secret Invasion’, Disney must be breathing a sigh of relief and offering up blessings to the God of Mischief.
Because the first episode of Season 2 for ‘Loki’, starring Tom Hiddleston, has racked up some healthy viewing figures.
What were the viewing figures for the premiere of ‘Loki’ Season 2?
The premiere of the new season, which dropped on Thursday, October 5th, has garnered 10.9 million views globally within three days of becoming available for streaming, at least according to Disney’s own calculations.
And the Marvel series was not just popular with viewers, but also critics. Season two of ‘Loki’ holds an 88% score on review site Rotten Tomatoes, which makes it certified “fresh”. That goes along with a stellar 94% audience score on the site.
So clearly, people are happy to see the return of Loki and the Time Variance Agency. And we also enjoyed the latest episode.
In fact, the only series that has scored higher than ‘Loki’ is the third season of ‘The Mandalorian’, which landed on Disney+ this past March. Mando’s triumph is not really a surprise since there was plenty of pent-up demand for the return of the ‘Star Wars’ series.
‘Loki’ similarly benefitted from fan anticipation since Season 1 landed all the way in 2021.
The new season picks up immediately in the aftermath of the shocking season finale when Loki (Tom Hiddleston) finds himself in a battle for the soul of the Time Variance Authority.
Along with Mobius (Owen Wilson), Hunter B-15 (Wunmi Mosaku) and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie (Sophia Di Martino), Judge Renslayer (Gugu Mbatha-Raw), Miss Minutes (Tara Strong) and the truth of what it means to possess free will and glorious purpose.
Returning from Season 1 is Eugene Codero as Casey, a low-ranking TVA worker who was shown as a Hunter in a parallel timeline at the end of that first season but will be back in his original role to help Loki and co. Jonathan Majors, meanwhile, is once more playing another Kang variant, this time a 19th century professor named Victor Timely (first glimpsed in an end credits scene of ‘Ant-Man and the Wasp: Quantumania’) who has a strong connection to the organization.
Premiering on Disney+ beginning October 5th is the six-episode second season of the popular Marvel series ‘Loki.’
What is the plot of ‘Loki’ Season 2?
Following the events of ‘Loki’ season 1, Loki (Tom Hiddleston) finds himself in a battle for the soul of the Time Variance Authority. Along with Mobius (Owen Wilson), Hunter B-15 (Wunmi Mosaku) and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie (Sophia Di Martino), Judge Renslayer (Gugu Mbatha-Raw), Miss Minutes (Tara Strong) and the truth of what it means to possess free will and glorious purpose.
Moviefone recently had the pleasure of speaking with Producer and Marvel Creative Executive Kevin Wright about his work on ‘Loki’ season 2, the show’s time-jumping, if Loki is truly a hero or a villain, Loki and Mobius’ relationship, Tom Hiddleston and Owen Wilson’s on screen chemistry, introducing Victor Timely, and setting up Kang’s variants for other MCU projects.
‘Loki’ Season 2 producer and Marvel Creative Executive Kevin Wright.
You can read the full interview below or click on the video player above to watch our interview.
Moviefone: To begin with, season 2 of ‘Loki’ deals with the concept of time and you also play with time within the story. Can you talk about plotting the second season and the challenges of playing with time?
Kevin Wright: They are immense. We thought, “Hey, we made a show about timelines and multiverse in season one. We’re going to make it even harder on ourselves this season by doing time loops.” It was something we decided really early on, Eric Martin, our head writer, and myself. It was really appealing. Eric had said jokingly early on, but also seriously, “We can land this. It’s going to be messy for a while because we’ve got to take apart the engine and plant flags in various places, but we can get there. It’s just going to take a lot of refinement and fine-tuning.” It was an exciting proposition because we didn’t want to come back and just repeat season one. We knew we couldn’t come back and play the hits, and we knew that the audience was on board for the weird timey stuff in season one, and that if we are smart about it and we make it digestible, they’ll be on board for this too. The trick was just always make it as serviceable as possible so that we can tell our character story. If it doesn’t get in the way of that, if it ever starts feeling like homework, or it’s confusing and not intriguing, we’ve got to recalibrate. So that was always the baseline for us.
MF: One of the questions season 2 asks is: Is Loki truly a hero or a villain at his core? What is your personal opinion?
KW: I think to ever be the best version of yourself, you have to embrace all aspects of your past. Loki has a lot of things in his past that I’m sure would be seen as villainous. He’s been an anti-hero. He’s played completely in that gray. He’s had redemptive arcs. I think what we liked was putting him on the path to heroism and seeing if this character could get there or if it becomes too hard, if he backslides, or if he’s going to make the right choices. Because heroism gets very tough if you’re put in a position where maybe you have nothing to gain from it. So to me, it was about, could this character ever be the best version of himself because we all see the promise, and it feels like the audience is always rooting for him to get there. That was fun to build into the narrative itself.
MF: Can you talk about Loki and Mobius’ relationship in season 2 and Tom Hiddleston and Owen Wilson’s on screen chemistry together?
KW: It’s unreal what the two of those have captured. Look, I think the exciting thing was, people really liked them in season one, and it makes it very easy then to continue on to not only the detective work but the further exploration of these two characters. The great thing in season one was, Mobius disarms Loki in that first episode in the time theater by saying, “I see what you are. I’m not judging you. Let’s have a conversation.” He was very accepting in a way that I don’t think Loki ever had, and it allowed us to kind of get this version of Loki that we hadn’t seen before. So it just felt natural that we could continue to do it this season. But also that Loki hopefully could start disarming Mobius so we could learn more about him and what makes him tick. So for those guys, I’m sure every one of our writers would say it’s a joy to write for them. So it’s about giving them meaty things to dig into because they’re going to bring so much of their own to it, not just in performance, but character, dialogue, and everything. They take it and run with it.
MF: Finally, can you talk about the challenges of introducing He Who Remains last season, as well as Victor Timely this season, and setting up the different variants of Kang for other future Marvel projects?
KW: I think for us, it wasn’t a challenge. I think the fun thing was, we knew we wanted to do Victor. Victor was an idea that we were trying to get into season one, and it was just never going to be able to fit because there’s too much story. But it was exciting because the last thing we’re hearing is that war’s coming. All of these terrible things are happening, and then the most unexpected version of this guy pops up, and he pops up in the past. That was exciting. He was going to be an eccentric. I think for us, we were like, “Are we going to be allowed to do this? Do we have to go further and do the scary version?” It was nothing but embraced because I think it just allows for that much more dynamic storytelling going forward that this guy can be anyone. He can pop up in any form. That’s what gets exciting about it.
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