Tag: mubi

  • Movie Review: ‘Die My Love’

    (L to R) Jennifer Lawrence and Robert Pattinson in 'Die My Love'. Photo Seamus McGarvey/Mubi.
    (L to R) Jennifer Lawrence and Robert Pattinson in ‘Die My Love’. Photo Seamus McGarvey/Mubi.

    Opening in theaters November 7 is ‘Die My Love,’ directed by Lynne Ramsay and starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek, LaKeith Stanfield, Gabrielle Rose, and Nick Nolte.

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    Related Article: Robert Pattinson Being Considered for Cast of Third ‘Dune’ Movie

    Initial Thoughts

    Jennifer Lawrence in 'Die My Love'. Photo Kimberley French/Mubi.
    Jennifer Lawrence in ‘Die My Love’. Photo Kimberley French/Mubi.

    Lynne Ramsay has written and directed only five feature films in 26 years, and ‘Die My Love’ comes eight years after her previous effort, 2017’s ‘You Were Never Really Here.’ Based on Ariana Harwicz’s 2012 novel of the same name, ‘Die My Love’ treads similar psychological ground as some of Ramsay’s earlier films, with this one portraying both postpartum depression and the dissolution of an unhappy marriage.

    But despite an incendiary performance from Jennifer Lawrence, and strong support from Robert Pattinson and Sissy Spacek, ‘Die My Love’ never really takes off. It’s filmed incredibly well – by now a Ramsay trademark – and has a string of powerful moments, yet at some point it settles into a kind of cyclical structure that just ends up repeating itself, making for an initially absorbing but frustrating viewing experience.

    Story and Direction

    Director Lynne Ramsay on the set of 'Die My Love'. Photo Kimberley French/Mubi.
    Director Lynne Ramsay on the set of ‘Die My Love’. Photo Kimberley French/Mubi.

    The film opens inside the decaying, shabby farmhouse that Grace (Lawrence) and Jackson (Pattinson) are moving into, which we learn belonged to Jackson’s uncle before he offed himself upstairs. But the only ghosts in the house are the ones in Grace’s head. They’ve moved to the middle of nowhere in Montana to get out of city life and let Grace concentrate on writing a novel, while one-time musician Jackson settles into a job as a truck driver that takes him away for days at a time.

    At first they romp around the house like playful, overgrown children, sexing and drinking with relish, but once Grace gets pregnant and gives birth, all that comes to an end – even though Grace is still horny, Jackson doesn’t want anything to do with that and his trips get even longer. That leaves Grace alone with the baby and her own increasingly fractured and tormented thoughts – which soon turn into increasingly destructive actions that seem to tip into full-blown psychosis.

    Director Lynne Ramsay on the set of 'Die My Love'. Photo Kimberley French/Mubi.
    Director Lynne Ramsay on the set of ‘Die My Love’. Photo Kimberley French/Mubi.

    Is it the loneliness or the postpartum depression that does Grace in? It’s left ambiguous, but we suspect the former more than the latter. Either way, whether she literally tears the bathroom apart or has a quick (possibly imaginary) fling with the biker down the road (a barely there LaKeith Stanfield), Grace is on a downward spiral – until she isn’t. She gets better for a bit, and then does it all again, rinse and repeat.

    And that’s ultimately the problem with ‘Die My Love’: it ends up chasing its own tail, becoming more stylized and self-indulgent as it goes along and less interesting to watch. Jackson and his mom, Pam (Sissy Spacek) try to help but seem hapless in the face of Grace’s force-of-nature rush to set her whole life on fire (dog lovers beware: things don’t end well for the family pet). There are moments of clarity and beauty and profundity, but they’re fleeting in an otherwise exhausting catalog of erratic behavior that portrays mental illness as a kind of Grand Guignol.

    Cast and Performances

    (L to R) Jennifer Lawrence and Robert Pattinson in 'Die My Love'. Photo: Kimberley French/Mubi.
    (L to R) Jennifer Lawrence and Robert Pattinson in ‘Die My Love’. Photo: Kimberley French/Mubi.

    Jennifer Lawrence is at her best when she just lets raw emotion and impulse pour out of her, which makes ‘Die My Love’ something of a tour de force. Unafraid to bare her flesh and equally fearless about getting it dirty and bloodied, Lawrence plunges headlong into the role of Grace with fervor, keeping your eyes glued on her even when the rest of the movie falters. She approaches the character with both dark humor and grim abandon, daring the viewer to stay with her on the ride – and succeeding through her strength as an actor alone.

    Robert Pattinson does his best here, but Jackson is simply not as present, either physically or psychically, and the character is merely reactive to whatever Grace throws at him. Sissy Spacek injects some empathy into the proceedings, but in a similar fashion, the role of Pam is not developed enough. It’s also a shame we don’t see more of Nick Nolte as Jackson’s dementia-addled father, whose few moments onscreen are moving.

    Final Thoughts

    Jennifer Lawrence in 'Die My Love'. Photo Kimberley French/Mubi.
    Jennifer Lawrence in ‘Die My Love’. Photo Kimberley French/Mubi.

    ‘Die My Love’ is the second movie this season about a young mother cracking under the strain, with ‘If I Had Legs I’d Kick You’ also making the experience a harrowing one. The films both use dark humor and surreal imagery, but differ in important ways: Grace, in her own fashion, embraces motherhood, while Rose Byrne’s Linda in ‘If I Had Legs’ admits at a pivotal moment that she didn’t want to be a mother in the first place.

    It’s up to the individual viewer how relatable each performance is, but the work by both actors is Oscar-worthy even if neither film develops a clear narrative or theme. In the meantime, ‘Die My Love’ is Lynne Ramsay’s most internalized film since her early efforts ‘Ratcatcher’ and ‘Morvern Callar,’ and perhaps her most difficult to embrace – and even a harder one to love.

    ‘Die My Love’ receives a score of 65 out of 100.

    (L to R) Jennifer Lawrence and Robert Pattinson in 'Die My Love'. Photo: Kimberley French/Mubi.
    (L to R) Jennifer Lawrence and Robert Pattinson in ‘Die My Love’. Photo: Kimberley French/Mubi.

    What is the plot of ‘Die My Love’?

    Grace and Jackson move from New York City to Jackson’s rural childhood home in Montana in search of a quieter life. As they adjust to their new surroundings and become parents, Grace begins to struggle with feelings of isolation and psychological distress. Her deteriorating mental health gradually drives their marriage into unsettling and unpredictable territory.

    Who is in the cast of ‘Die My Love’?

    • Jennifer Lawrence as Grace
    • Robert Pattinson as Jackson
    • Sissy Spacek as Pam
    • LaKeith Stanfield as Karl
    • Nick Nolte as Harry
    • Gabrielle Rose as Jen
    • Debs Howard as Marsha
    • Sarah Lind as Cheryl
    Director Lynne Ramsay on the set of 'Die My Love'. Photo: Mubi.
    Director Lynne Ramsay on the set of ‘Die My Love’. Photo: Mubi.

    Other Lynne Ramsay Movies:

    Buy Tickets: ‘Die My Love’ Movie Showtimes

    Buy Jennifer Lawrence Movies on Amazon

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  • ‘The End’ Exclusive Interview: Michael Shannon

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    Opening in theaters on December 6th in limited release is ‘The End,’ directed by Joshua Oppenheimer (‘The Act of Killing’), and starring Michael Shannon, Tilda Swinton, George MacKay, and Moses Ingram.

    Moviefone recently had the pleasure of speaking with Michael Shannon about his work in the film, in which he plays the patriarch of a well-off family who have retreated to a luxurious underground bunker after climate change has brought about the end of human civilization.

    Michael Shannon in 'The End'. Photo: Mubi.
    Michael Shannon in ‘The End’. Photo: Mubi.

    Related Article: Filmmaker Jeff Nichols Talks ‘The Bikeriders’ Digital Release

    Shannon’s character, simply known as ‘Father,’ may have contributed to the collapse of the Earth’s ecosystem as head of a fossil fuel conglomerate. Despite its bleak subject matter, ‘The End’ is a full-blown musical featuring 13 original songs all performed by the members of the cast.

    You can read the full interview below or click on the video player above to watch our interview with Michael Shannon.

    Michael Shannon talks 'The End'. Photo: Mubi.
    Michael Shannon talks ‘The End’. Photo: Mubi.

    Moviefone: Had you seen Joshua’s two documentaries [‘The Act of Killing’ and ‘The Look of Silence,’ both about the mass murder of Indonesian citizens by a brutal far-right regime in the mid-1960s] and having seen those, was finding out what he wanted to do with this kind of a curveball in a way?

    Michael Shannon: When I first met with Josh, I had not seen the documentaries. I had heard about them, they’re rather legendary, but I hadn’t actually seen them. So I had a pretty fresh palette going into it. All I had to go on was our conversation and then reading the script. But after I signed on, I watched both of the films, and found them exquisite and painful and all the things that everybody else probably has, and I didn’t really find it to be a curveball. Josh talks about these three films, ‘The Act of Killing,’ ‘Look of Silence,’ and ‘The End’ as being a triptych. He actually got the idea to make ‘The End’ based on the time that he spent in Southeast Asia and meeting a wealthy entrepreneur who was building an underground bunker. So I guess he could have made a documentary about that guy, I don’t know. But he decided instead to make his first narrative film.

    MF: What was your reaction reading the script and learning that it was a musical combined with a post-apocalyptic drama?

    MS: I was thrilled. I am really disinterested in doing something that’s been done before. I think there’s probably too many movies and TV shows in general, and that people spend too much time watching them. But if you’re going to go through the trouble of making something — and it is trouble, trust me, because he devoted years of his life to making this movie. It wasn’t easy, and it took a small village to get the thing financed. But if you’re going to go through all that, then you better make something that’s unique, and I definitely feel like he’s accomplished that.

    Tilda Swinton in 'The End'. Photo: Mubi.
    Tilda Swinton in ‘The End’. Photo: Mubi.

    MF: When you do look at a script, do you have an immediate reaction? Do you have to keep turning the pages, and become aware that you want to be involved in it, or on the other hand, do you read 10 pages and are like, “No, this is not for me”?

    MS: Yeah, it’s pretty quick. I don’t like reading screenplays anyway. I don’t know when that happened — it used to be that when anybody thought to send me a screenplay, I was overwhelmingly excited to see it. But I guess just through the years as you read stacks and stacks of them, they become less and less appealing. But yeah, you usually know pretty quick. But this film is about things that are really important to me, and I could tell that basically from the get-go. So this was a very easy script for me to get through.

    MF: Do you see a parallel with the story in ‘The End’ to the political moment that we’re in now?

    MS: A parallel? Well, it’s interesting, because I guess that’s where your mind is inclined to head, but it’s important to remember that this problem existed before Trump was elected. Even if Kamala Harris got elected or Jill Stein or whoever, it’s been a problem. It’s been a problem since the ‘60s, we’ve known about this for decades and we haven’t done enough to fix it or solve it because, frankly, we’re delusional. Not everybody on an individual basis is delusional. There are a lot of people that are aware of the problem and want to do something about it as individuals, but as a society, I feel like within the United States, there are all different kinds of people obviously, but the United States of America as a country, as a collective country, is mentally ill. It’s like a crazy person that needs treatment, and I don’t know who’s going to give us this treatment. I’m pretty sure it won’t be Donald Trump, but we need some serious time away in a clinic somewhere with a bunch of people saying, “Let’s get to the bottom of this, because you’re clearly very dysfunctional.”

    (L to R) Tilda Swinton and Michael Shannon in 'The End'. Photo: Mubi.
    (L to R) Tilda Swinton and Michael Shannon in ‘The End’. Photo: Mubi.

    MF: Father starts off as kind of empathetic and congenial, and then you learn more about him and his dark side starts to come out. What was your approach to playing him?

    MS: Of course he’s congenial, that’s how he got through life. I don’t think many people get to be CEOs or run corporate entities by being complete dickheads. Charm is the name of the game. Is he a sociopath? I don’t know. Sociopaths are very charming. I do believe that he does have a sense of morality ultimately, that he’s not a sociopath per se. But I thought about it, the potential or the possibility for it. But I think ultimately he’s just a man dealing with a profound amount of guilt, which I can relate to. I think guilt is a pretty universal feeling, I would hope. I don’t want people to be afflicted by it, but there are some things, like I mentioned earlier, that perhaps people should have a small amount of guilty feelings about. But I think what you see in the process of the film and the process of the story is a reawakening in him. It starts with Son inspiring him to really try and remember how he and Mother met, and it’s like a thawing of sorts. Like in order to cope with this experience that they’re having, he’s created this persona that he’s perpetuating just out of survival mode, but it’s not actually who he is if he really stops to think about it. But that’s the thing, in the aquarium that they’re all stuck in, self-examination can be a very dangerous thing. You would think, “Oh, I have all this time now, I am just going to get to know myself, and journal and all these things.” But that can lead you to some dark corners or some questions that you don’t know how to answer, and I feel like that’s what happens to Father in the movie.

    MF: You’ve sang onstage in a band, but this is the first time that you’ve sang on film, correct?

    MS: Well, I did a miniseries called ‘George and Tammy,’ where I played George Jones, and I sang quite a bit in that. But in terms of cinema, yeah, it’s been a long road, but yes, I don’t think I’ve sang in a movie before.

    (L to R) Michael Shannon, George MacKay and Tilda Swinton in 'The End'. Photo: Mubi.
    (L to R) Michael Shannon, George MacKay and Tilda Swinton in ‘The End’. Photo: Mubi.

    MF: The cast sang mostly live on set. Was that a challenge in any way?

    MS: Well, we rehearsed quite a bit before we started filming, we had three weeks of intensive singing rehearsals and a little bit of dancing rehearsals, and also table work with the script, blocking the scenes. The challenging part about a lot of the musical numbers that involved the whole group is that Josh had something very specific in mind about how he wanted it to move and flow and look. It’s always hard when you’ve got an ensemble of people all in frame at the same time and camera movement and all that. Some of those shots took a lot of takes to get them just the way that Josh saw them in his head.

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    What is the plot of ‘The End’?

    A wealthy family has lived in a vast underground bunker for 20 years while the world above has become uninhabitable and humankind has all but gone extinct. Their carefully controlled life and routines are disrupted by the arrival of a young woman from above who leads them to question everything.

    Who is in the cast of ‘The End’?

    'The End' opens in theaters on December 6th.
    ‘The End’ opens in theaters on December 6th.

    List of Michael Shannon Movies and TV Shows:

    Buy Tickets: ‘The End’ Movie Showtimes

    Buy Michael Shannon Movies On Amazon

     

  • ‘Bird’ Exclusive Interview: Nykiya Adams

    Nykiya Adams in 'Bird'. Photo: Robbie Ryan.
    Nykiya Adams in ‘Bird’. Photo: Robbie Ryan.

    Opening exclusively in New York theaters on November 8th and nationwide November 15th is the new drama ‘Bird’, which was written and directed by Andrea Arnold (‘Fish Tank’), and stars Academy Award nominee Barry Keoghan (‘The Banshees of Inisherin’ and ‘Saltburn’), Franz Rogowski (‘Passages’), and newcomer Nykiya Adams.

    Moviefone recently had the pleasure of speaking with Nykiya Adams about her work on ‘Bird’, her first reaction to the screenplay, her character, her relationship with her father and Bird, working with Barry Keoghan and Franz Rogowski, collaborating with director Andrea Arnold on set, and if she had fun making her first movie.

    Nykiya Adams in 'Bird'. Photo: Atsushi Nishijima.
    Nykiya Adams in ‘Bird’. Photo: Atsushi Nishijima.

    Moviefone: To begin with, can you talk about your first reaction to the screenplay and how you became involved with this project?

    Nykiya Adams: I didn’t know the script, so I think it was more of just a surprise. My mum didn’t tell me anything. She was like, “Nykiya, you’ve got to get this.” So, I was like, “I’ll try my best.” But obviously it’s a wonderful experience and I’d love to do it again.

    MF: How would you describe your character in your own words?

    NA: She’s a little diva because she doesn’t care what anyone thinks. If she wants to get the something done and no one wants to do it for her, she’ll go get it done herself. I’ll do the same, so Bailey’s just a more extreme version of me. I can relate to Bailey in a lot of ways. I think because she’s going through changes, she thinks she’s growing up, she’s going to be 13 going on 30. But I think near the end of the film, she realizes she’s got to dial down a bit because at the end of the day, she’s not that old. She doesn’t have to grow up quick, and I think she realizes that. She’s a kid and she must let things happen and fall into place. I can relate to her in a lot of ways. She gets very frustrated very fast. She knows how to deal with it, and she knows how to express her emotions.

    Barry Keoghan in 'Bird'. Photo: Robbie Ryan.
    Barry Keoghan in ‘Bird’. Photo: Robbie Ryan.

    MF: Can you talk about her relationship with her father?

    KA: It’s like a brother and sister relationship because the way they clash so much and the way they make up is like, “Oh, I hate you, but you’re still family, so I love you.” So, it’s that kind of a crazy experience.

    MF: What was it like working with Barry Keoghan?

    KA: It was very easy to create the relationship with him because he’s such a big kid. He’s such a lovely person to be around, and he’s so down to earth. Working with him on set, we’d just switch into our characters, bang, and then we just switch out. We’d literally just be laughing the next minute, and he was just so fun to be around.

    Franz Rogowski in 'Bird'. Photo: Robbie Ryan.
    Franz Rogowski in ‘Bird’. Photo: Robbie Ryan.

    MF: Can you talk about what Bailey sees in Bird and their unlikely friendship?

    KA: I think she just sees herself in him because of how free he is, and she just wants to be like that. I think she just realizes you must take your time with everything and let everything come to you at once. I think that’s why she can warm up to him so quick, because Bird feels like a safe place for her.

    MF: What was it like working with Franz Rogowski to create that relationship?

    KA: The friendship was literally, when Bailey was just getting warm to Bird, it was Nykiya getting warm to Franz. So, the first time Bailey met him was the first time I met him, so the reaction was just real.

    Franz Rogowski in 'Bird'. Photo: Atsushi Nishijima.
    Franz Rogowski in ‘Bird’. Photo: Atsushi Nishijima.

    MF: What was director Andrea Arnold like to collaborate with on set?

    KA: She loves nature. I was given an on-set phone, so I’ll just take pictures of nature and everything. You can see that I took some videos, and it’s in the credits. So, it was fun, and the way she works is just so beautiful.

    MF: Finally, this is your first movie. Was it fun to make and would you like to make more movies in the future?

    KA: Loads of fun. The amount of food I ate, honestly, it’s crazy. Yes, 100%.

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    What is the plot of ‘Bird’?

    12-year-old Bailey (Nykiya Adams) lives with her single dad Bug (Barry Keoghan) and brother Hunter (Jason Buda) in a squat in North Kent. Bug doesn’t have much time for his kids, and Bailey, who is approaching puberty, seeks attention and adventure elsewhere.

    Who is in the cast of ‘Bird’?

    Barry Keoghan in 'Bird'. Photo: Robbie Ryan.
    Barry Keoghan in ‘Bird’. Photo: Robbie Ryan.

    Barry Keoghan Movies and TV Shows:

    Buy Tickets: ‘Bird’ Movie Showtimes

    Buy Barry Keoghan Movies on Amazon

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