Tag: michele-austin

  • Movie Review: ‘Hard Truths’

    Marianne Jean-Baptiste in 'Hard Truths'. Copyright: Thin Man Films Ltd.
    Marianne Jean-Baptiste in ‘Hard Truths’. Copyright: Thin Man Films Ltd.

    Opening in theaters on January 10th, ‘Hard Truths’ finds director Mike Leigh back in some familiar modern-day territory after a couple of trips to the past for previous two movies ‘Mr. Turner’ and ‘Peterloo.’

    It’s also a welcome reunion for the filmmaker and one of his main muses, actor Marianne Jean-Baptiste, who here runs with a superbly-crafted character brimming with vinegar and criticism, who is nevertheless revealed to be a woman carrying heavy emotional burdens.

    Related Article: Mike Leigh, Marianne Jean-Baptiste and Michele Austin Talk ‘Hard Truths’

    Will ‘Hard Truths’ make you face tough questions?

    (L to R) David Webber, Marianne Jean-Baptiste, and Tuwaine Barrett in 'Hard Truths'. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.
    (L to R) David Webber, Marianne Jean-Baptiste, and Tuwaine Barrett in ‘Hard Truths’. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.

    ‘Hard Truths’ sees Leigh in humane, typically layered form, working once more with a small cast and getting some truly nuanced, realistic performances out of them. It’s the latest example of the filmmaker’s process, where he largely has his actors build their characters from the ground up, resulting in something special even if it is small-scale.

    Don’t go expecting easy, pat answers about grief and growth here –– that’s not what the British director specializes in. Instead, it’s a tender exploration of a character who is oh so easy to hate rather than connect with, since Pansy is a woman whose view of the world has slowly curdled, making her extremely tough to take upon first meeting.

    She storms through the world like she’s permanently got a grudge against it, screaming into wakefulness every morning as though haunted by permanent nightmares. Her acid-sharp tongue is quick to bring out the worst in everyone else, from her cowed husband and son to shop workers and almost anyone –– except perhaps for her loving sister.

    Script and Direction

    'Hard Truths' director Mike Leigh. Photo: Myrna Suarez.
    ‘Hard Truths’ director Mike Leigh. Photo: Myrna Suarez.

    “Script” here is something of a misnomer, since Leigh tends to largely shy away from traditional screenplay methods, preferring to come up with concepts and ideas he writes down, before meeting with the actors and giving them some details about the characters, letting them workshop the performance before bringing them together into a rehearsal room where they start to work out the beats of the film.

    Leigh keeps his department heads abreast of any developments. The lack of script means the heads must especially listen to and respond to the inclinations of the actors. Once the actors arrive at the point in their improvisations where the film’s story begins, they meet with the department heads. Together, creative leads and actors develop each character’s dress, appearance, and the design of spaces they will inhabit.

    For ‘Hard Truths,’ that has led to a powerhouse central performance from Jean-Baptiste, who burns her way through the role and brings plenty of empathy to Pansy.

    On the visual front, Leigh keeps things simple and unfussy, the better for the characters to live and breathe. This isn’t a filmmaker who needs to dress his films up with whip pans or Dutch angles. Which is not to say his movies are ever ugly or boring.

    Performances

    (L to R) Marianne Jean-Baptiste and Michele Austin in in 'Hard Truths'. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.
    (L to R) Marianne Jean-Baptiste and Michele Austin in in ‘Hard Truths’. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.

    Jean-Baptiste is of course the focus, but the rest of the cast make the movie work alongside her.

    Marianne Jean-Baptiste as Pansy

    Jean-Baptiste comes in like a wrecking ball here, Pansy possibly the most ironically-named character to land on screen in a while (especially since she can’t stand bouquets of flowers). She’s a boiling, seething rage monster who darkens the air around her and seems perpetually locked in a prison of her own making.

    Yet she’s also so completely entertaining and empathetic, Jean-Baptiste once again proving why she’s one of the best in the business (she scored an Oscar nomination for Leigh’s ‘Secrets & Lies’ in 1996).

    Michele Austin as Chantelle

    If there’s one person who truly goes toe-to-toe with Jean-Baptiste, it’s Austin, who plays her far cheerier sister Chantelle. A hairdresser with two delightful adult daughters, she’s sunshine where Pansy is storm clouds, and the two crackle with energy whenever they share the screen.

    It’s Austin’s character who keeps the film from feeling weighed down, while also allowing for depth and emotion to creep in.

    David Webber as Curtley

    Webber is Pansy’s husband, a man who spends his life either cheerily swapping banter with his plumber colleague or suffering through his wife’s moods –– whether he’s walked in with his shoes still on or hasn’t shooed a fox out of the garden fast enough.

    Webber’s performance is usually quiet and subtle, and he has a good, cowed energy opposite Jean-Baptiste.

    Tuwaine Barrett as Moses

    Barrett is the other key part of the family triumvirate, a hulking, video game-obsessed lad who gets bullied when he’s out on walks and suffers the full brunt of his mother’s disappointment.

    Supporting Cast

    Sophia Brown and Ani Nelson play Chantelle’s vibrant, funny daughters, who have to deal with their own issues, but prove to be charismatic counterpoints to their aunt and his family.

    And then there are the various characters who incur Pansy’s wrath, including Ruby Bentall’s cheery doctor and Gary Beadle as a motorist who becomes annoyed when Pansy won’t move her car from a parking space. They all help fill in the world of the film.

    Final Thoughts

    (L to R) Ani Nelson, Michele Austin, Marianne Jean-Baptiste, Tuwaine Barrett, Sophia Brown, and David Webber in 'Hard Truths'. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.
    (L to R) Ani Nelson, Michele Austin, Marianne Jean-Baptiste, Tuwaine Barrett, Sophia Brown, and David Webber in ‘Hard Truths’. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.

    Leigh’s newest is a healthy, solid return to the sort of movie he does so well, boasting some excellent performances. The story might lose a little pace towards the end, but Jean-Baptiste in particular carries it through.

    ‘Hard Truths’ receives 7.5 out of 10 stars.

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    What is the plot of ‘Hard Truths’?

    Set in London, the plot follows the plight of depressed middle-aged woman Pansy (Marianne Jean-Baptiste) and her relationship with her close ones—including the crumbling relationship with her jovial sister, Chantelle (Michele Austin) – who is opposite in terms of mood, and the state of her other interpersonal relationships.

    Who is in the cast of ‘Hard Truths’?

    • Marianne Jean-Baptiste as Pansy Deacon
    • Michele Austin as Chantelle
    • David Webber as Curtley Deacon
    • Tuwaine Barrett as Moses Deacon
    • Ani Nelson as Kayla
    • Sophia Brown as Aleisha
    • Jonathan Livingstone as Virgil
    'Hard Truths' opens in theaters everywhere on January 10th. Photo: Thin Man Films Ltd.
    ‘Hard Truths’ opens in theaters everywhere on January 10th. Photo: Thin Man Films Ltd.

    List of Mike Leigh Movies:

    Buy Tickets: ‘Hard Truths’ Movie Showtimes

    Buy Mike Leigh Movies on Amazon

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  • ‘Hard Truths’ Exclusive Interview with Cast and Crew

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    Opening in theaters in wide release on January 10th is the latest movie from acclaimed filmmaker Mike Leigh (‘Topsy-Turvy’) entitled ‘Hard Truths’. The new movie reunites Leigh with his ‘Secrets & Lies’ cast members Marianne Jean-Baptiste and Michele Austin, and in addition stars David Webber (‘Captain Phillips’), Tuwaine Barrett (‘Back to Black’), Ani Nelson (‘Crooked House’) and Sophia Brown (‘Beauty and the Beast’).

    Related Article: Movie Review: ‘Hard Truths’

    (Left) Marianne Jean-Baptiste. Photo: Thin Man Films Ltd. (Center) Mike Leigh. Photo: Myrna Suarez. (Right) Michele Austin. Photo: Michael Shelford.
    (Left) Marianne Jean-Baptiste. Photo: Thin Man Films Ltd. (Center) Mike Leigh. Photo: Myrna Suarez. (Right) Michele Austin. Photo: Michael Shelford.

    Moviefone recently had the pleasure of speaking with director Mike Leigh and actors Marianne Jean-Baptiste and Michele Austin about their work on ‘Hard Truths’, the unique way Leigh makes movies, reuniting with Jean-Baptiste and Austin on set, why they love working with Leigh, their approach to playing their characters, and Leigh’s working relationship with his crew.

    You can watch the full interview below or click on the video player above to watch the interview.

    (L to R) Michele Austin, filmmaker Mike Leigh and Marianne Jean-Baptiste discuss 'Hard Truths'.
    (L to R) Michele Austin, filmmaker Mike Leigh and Marianne Jean-Baptiste discuss ‘Hard Truths’.

    Moviefone: To begin with, Mike, can you talk about developing the idea for this film and the themes that you wanted to explore as a director?

    Mike Leigh: Well, it’s a difficult question. I mean, like all my films, apart from the historical ones, and even that’s not entirely true, it taps into ongoing preoccupations of all kinds. It’s impossible to talk about developing an idea, because it’s quite a complex film. The truth is, as you may or may not know, is that we make these films by embarking on a journey to find out what the film is on the journey of making the film. So, there isn’t an answer to the question really, as such. But you think, oh, that’s what this is. It just grows, really, because you see people say to me, “Where’d you get your ideas for your films?” Well, literally, I’ve only got to walk down the street and walk past ten people I don’t know and there are ten films there. For me, films come from life out there.

    MF: Has your process of making movies changed at all over the year or is it the same as it’s always been?

    ML: Basically, the same since 1965, films and stage plays. I mean, it changes in a way, in subtle ways for each project, because different things have different requirements. It obviously changed in obvious ways when I made those various period films, although it’s still the same process with no script. So no, it hasn’t really changed fundamentally. I mean, we’ll have days when we’ve got days in the location without the crew where we’ll create the scenes, then the crew will arrive, and then we’ll look at it, share it with the cinematographer and the gang, and then we’ll work out how to shoot it and we’ll shoot it. So, the real point about what you’re talking about is that what we shoot is very precise. It comes out of improvisations, out of months of improvisation, and we improvise. We go to the location, we create the scenes scene by scene, sequence by sequence, location by location, in the location, because I can only visualize a scene by being in the actual place. We script through rehearsal. So, we arrive at something very precise through a rehearsal process. I don’t go away and write a script and bring it back.

    Marianne Jean-Baptiste in 'Hard Truths'. Copyright: Thin Man Films Ltd.
    Marianne Jean-Baptiste in ‘Hard Truths’. Copyright: Thin Man Films Ltd.

    MF: Marianne, you’ve worked with Mike before, what do you enjoy about working with him and the specific way that he makes movies?

    Marianne Jean-Baptiste: I feel that I’m at my most creative when working with him. It’s collaborative. It’s freeing. It’s great to be working with somebody that you really trust and can trust as a director that also trusts you. I mean, it’s collaboration in the truest sense of the word. You get to use your imagination. Nobody works like that. I mean, it’s a very efficient way of working, because everybody knows exactly what they must do. You’re not trying to find out what your character’s motivation is in the middle of the day of shooting. There are not multiple takes of things. So, it’s an efficient way of working.

    MF: Michele, can you talk about what it is like to be an actor on a Mike Leigh project?

    Michele Austin: Oh, my goodness. What’s it like? Well, I was going to say it’s much the same, but it’s not, I suppose. The way we create the scenes, when Mike writes the scenes, they tend to be done in the morning, usually, on set. Everything’s always on set on location. So, you sort of have this dual time on the set where you are creating in the morning and honing it and then showing it to the crew maybe in the afternoon, and then it’s shot. We always get home in time for dinner.

    (L to R) Marianne Jean-Baptiste and Michele Austin in in 'Hard Truths'. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.
    (L to R) Marianne Jean-Baptiste and Michele Austin in in ‘Hard Truths’. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.

    MF: Marianne, can you talk about your approach to playing Pansy and was it difficult to find the character’s depression and anger and to stay in that state throughout filming?

    MJB: No, not particularly because again, of the process and the way that we create the character. We’re also very strict about, or rather, Mike is strict about it, and we become strict about coming out of character. There’s a process where we warm up and we get into character and then we warm down, if you like, and come out of character. So, there’s none of this sort of method style of living with this tortured character.

    MF: Michele, can you talk about Chantelle’s relationship with Pansy and how she tries to relate to her and help her out of this situation?

    MA: Well, obviously it comes out of all the months of creating their family history. She does adore her sister, I think. I think what is interesting about Chantelle is that she is very positive. She wants to make things better, but not in a kind of sacrificing way. But yeah, she wants her sister to be better and to feel better, but she just doesn’t necessarily have the tools to do that. But I think what I’m struck by with their relationship is that I think in every family, there are difficult relationships that people are trying to make better, they don’t want to give up on, or they want their families to work, and they want people to be happy. I mean, I know that’s one of those awful words, but they do. They want people to be secure and happy and they’re trying their best. I think that the tension, I suppose, is when you have a sister who finds life easy, and you have a sister who struggles a bit and how they sort of rub up against each other. I think that’s her character. Her characteristic is she wants to help, and she wants people to be content. She has a certain level of contentment that she lives with. It was quite a nice state to be in. It’s quite a nice character to inhabit because I’m not like that. I think that it was very interesting to play somebody who is pretty much content and looking for the good things in life and people and having a laugh, and not being as cynical as I am.

    (L to R) David Webber, Marianne Jean-Baptiste, and Tuwaine Barrett in 'Hard Truths'. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.
    (L to R) David Webber, Marianne Jean-Baptiste, and Tuwaine Barrett in ‘Hard Truths’. Courtesy of Simon Mein. Copyright: Thin Man Films Ltd.

    MF: Marianne, can you talk about the improvisation process and do the relationships and backstories for these characters come out of those improvisations?

    MJB: Oh, yeah. I mean, the whole world and everything comes out of improvisations, discussions, and movements. It is all about exploring and discovering who these people are.

    MF: Finally, Mike, as a filmmaker, do you think that you ultimately find the movie in the editing room, or is it in your head on set while you’re filming?

    ML: This kind of film is not the kind of film which you discover in the editing room in the sense that you shoot a lot of wild footage and try and figure it all out afterwards. It’s not one of those. It’s very disciplined. So, in that sense, what you take to the cutting room is very disciplined. I mean, there’s a structure and all of that. However, all films of every kind, be they features or documentaries of any kind, all films are made in the cutting room. That is a fact of filmmaking. That’s to say you take all kinds of variable versions of things and put them together, and then when you put them together, you realize that, well, that can go, or that should be like this, back to front, or that bit’s better than this bit, and you distill it. So, in that sense, of course, like all films, yes, my films are made in the cutting room, but not in the sense of trying to work out what the hell to do with all this wild spaghetti that has been shot in an undisciplined manner.

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    What is the plot of ‘Hard Truths’?

    Set in London, the plot follows the plight of depressed middle-aged woman Pansy (Marianne Jean-Baptiste) and her relationship with her close ones—including the crumbling relationship with her jovial sister, Chantelle (Michele Austin) – who is opposite in terms of mood, and the state of her other interpersonal relationships.

    Who is in the cast of ‘Hard Truths’?

    • Marianne Jean-Baptiste as Pansy Deacon
    • Michele Austin as Chantelle
    • David Webber as Curtley Deacon
    • Tuwaine Barrett as Moses Deacon
    • Ani Nelson as Kayla
    • Sophia Brown as Aleisha
    • Jonathan Livingstone as Virgil
    'Hard Truths' opens in theaters everywhere on January 10th. Photo: Thin Man Films Ltd.
    ‘Hard Truths’ opens in theaters everywhere on January 10th. Photo: Thin Man Films Ltd.

    List of Mike Leigh Movies:

    Buy Tickets: ‘Hard Truths’ Movie Showtimes

    Buy Mike Leigh Movies on Amazon