(L to R) Josh Brolin and Colman Domingo star in Paramount Pictures’ ‘The Running Man.’
‘The Running Man’ is not necessarily the movie you might expect director Edgar Wright to make; he’s brought his own zippy visual style to genre comedies set in the horror, cop and alien invasion world, but has also plowed his own lane with the likes of ‘Last Night in Soho.’
Still, he does everything he can to liven up a fairly –– yet not completely straightforward studio wannabe blockbuster.
Script and Direction
Director Edgar Wright on the set of Paramount Pictures’ ‘The Running Man,’ starring Glen Powell.
Wright, working alongside Michael Bacall (with whom he adapted the box office flop-turned-cult favorite ‘Scott Pilgrim vs. the World’) here sets his sights on Stephen King’s darkly dystopian tale of a working man trying to help his family by entering America’s most dangerous game show.
In places, it’s almost surprising that Paramount, with its recent, shall we say, political moves, is still putting this one out, since it takes the prescient King book as its basis and mostly smartly updates it for our trying times.
There is a problem inherent in movies such as this which the new ‘Running Man’ (let’s not forget there was a much looser adaptation in the 1980s starring Arnold Schwarzenegger) in that it is tempted to batter you over the head with its message as much as possible. Wright and Bacall don’t entirely escape that particular sinkhole, but they do at least inject plenty of dark humor in to the screenplay.
And as a director, Wright has always been a dynamic craftsman –– while he tones things down here from the days of ‘Shaun of the Dead,’ there is plenty of his flare on display.
Cast and Performances
Glen Powell stars in Paramount Pictures’ ‘The Running Man’.
Glen Powell is really the only person who gets much screentime, and he’s a charismatic central figure who can get across the burning anger of his character.
But on the supporting front, the likes of William H. Macy, Colman Domingo and particularly the director’s ‘Scott Pilgrim’ star Michael Cera have fun in different types of roles.
Final Thoughts
Colman Domingo stars in Paramount Pictures’ ‘The Running Man’.
‘The Running Man’ certainly delivers on the action side of things, and some of its satirical message really hits home. It’s just a problem that it goes on too long with diminishing returns and ultimately wimps out (no spoilers) on King’s big finish.
‘The Running Man’ receives 70 out of 100.
Josh Brolin stars in Paramount Pictures’ ‘The Running Man’.
What’s the story of ‘The Running Man’?
Desperate to save his sick daughter, working-class Ben Richards (Glen Powell) is convinced by The Running Man’s charming but ruthless producer to enter the deadly competition game as a last resort.
But Ben’s defiance, instincts, and grit turn him into an unexpected fan favorite – and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.
Who is in the cast of ‘The Running Man’?
Glen Powell as Ben Richards
Josh Brolin as Dan Killian
Colman Domingo as Bobby “Bobby T” Thompson
William H. Macy as Molie Jernigan
Lee Pace as Evan McCone
Michael Cera as Elton Parrakis
Emilia Jones as Amelia Williams
Katy O’Brian as Laughlin
(L to R) Josh Brolin and Director Edgar Wright on the set of Paramount Pictures’ ‘The Running Man’.
In director Wes Anderson’s 11th full-length feature film, ‘The Phoenician Scheme,’Benicio del Toro stars as Anatole ‘Zsa-zsa’ Korda, a wealthy 1950s industrialist who somehow keeps just barely avoiding death as he pursues his greatest venture yet, rebuilding the infrastructure of the obscure region of Phoenicia. To make sure his affairs are in order, Zsa-zsa reaches out to his estranged daughter, a nun named Liesl (Mia Threapleton), to join him on his quest and take over if necessary.
Accompanied by administrative assistant Bjørn (Michael Cera), pursued by assassins, and challenged by a business consortium that hopes to foil his plans, Zsa-zsa and Liesl hit the road to meet with Zsa-zsa’s own network of investors and raise the money necessary to cover the shortfall (‘The Gap’) in his funding. Along the way, Zsa-zsa (sort of) rediscovers his own humanity and begins to repair his relationship with Liesl.
As with all Anderson movies, ‘The Phoenician Scheme’ is a mix of whimsy, deadpan comedy, and emotional truth, set in Anderson’s distinctive, colorful, and surreal world, and stacked with a cast of both Anderson regulars and new players that this time includes Scarlett Johansson, Bryan Cranston, Tom Hanks, Riz Ahmed, Jeffrey Wright, Willem Dafoe, Benedict Cumberbatch, and Bill Murray (as God, of course). Anderson, del Toro, Threapleton, Johansson, Cera, and Cranston were on hand recently for a press conference about the film, and Moviefone was there to get the details.
Wes Anderson says that the movie’s protagonist, business tycoon Anatole ‘Zsa-zsa’ Korda, was based partially on his father-in-law, a Lebanese businessman named Fouad Malouf to whom the movie is dedicated.
Wes Anderson: I had a sort of idea of a tycoon, a Euro-tycoon, like somebody who would’ve been in an Antonioni movie or something. I did have this idea that he was probably hurting, that he was going to be in physical distress. Somehow, that was the image, of this guy who you sort of can’t kill, and he has a very expensive watch, something like that. But in the course of time, it started mixing with my father-in-law, my wife’s father, Fouad, who was an engineer and a businessman and he had all these different projects in different places. He was a kind, warm person, but very intimidating, and he had all his business in these shoeboxes. He walked [my wife] through his work at a certain point, because he thought if he is not able to see everything through, she needs to know what he’s got. And her reaction was what [Mia’s character says] in the movie: “This is just crazy.” So it was a mixture of those two things.
2) The Opening Credits Sequence Was Shot In Slow Motion
For the sequence that plays under the opening credits – a single take filmed from overhead in which an injured Zsa-zsa recovers from his wounds in a bath as a fleet of nurses tend to him – Benicio del Toro says that Wes Anderson proposed a strange way to shoot it.
Benicio del Toro: I sat in the bathtub and Wes walked up to me and he said, “We’re gonna shoot this in slow motion.” And I said, “Oh, cool”…And then he said, “But I need everyone to act really fast.” And now I went, “Wait a second, if we’re gonna act fast and you’re gonna be doing it in slow motion, doesn’t that cancel the slow motion? Let’s do it in normal speed.” And he said, “No, no, no, no, it’s gonna be different.” And then I got to see it after he put it together. We were there for a long time ’cause it was all done in one take. We did it, I don’t know, like, 30 times? It was a lot of moving pieces. There’s a lot of nurses, I think six or seven, they’re doing different things…But basically, I think that when you see it, it’s unique.
3) Mia Threapleton Did A Lot Of Research To Play A Nun
To prepare for her role as Liesl, Zsa-zsa’s estranged daughter who has become a nun, Mia Threapleton dove into studying Catholicism before heading to the shoot at Studio Babelsberg in Berlin.
Mia Threapleton: I had, I think, three months from the time of finding out that I had been offered the job to when I landed in Berlin. So that felt like a good amount of time to just get claws-deep into this as much as I can. Which included, but was not limited to, talking to a deacon of a Catholic church, going to Rome — because I had to go there for a fitting — absorbing as much Catholicism that was there, and reading the Bible, chatting with Wes about portions of the Bible…I did send [Wes] my little to-do list of things that I was doing and he said, “Yes, this all looks very, very good.”
4) This Was Michael Cera’s First Wes Anderson Filmmaking Experience
A new member to the Wes Anderson stable of players is ‘Scott Pilgrim vs. the World’ star Michael Cera, who recalled his initial rehearsals with Benicio del Toro, Mia Threapleton, and the director.
Michael Cera: It was really the first time we’d all met, and it was just like developing a sense of our little team, our little unit. We did rehearse and we read the scenes, but I mostly remember our lunches together, and just getting our little rhythm going together. For me, it was sort of the first time saying the lines out loud and trying the accent — kind of like lightly getting in, dipping into it slowly. But it didn’t kind of get up to speed until we started, I feel like. And then we just picked our lane.
5) Mia Threapleton’s Veil Originated With Tableware
While doing costume tests for her role as Liesl, who is a nun, Mia Threapleton says she came upon a very unusual inspiration for her veil.
Mia Threapleton: There was some sort of mock nun habit, and some polite little plimsoll shoes, and it was very nice. But the one thing that was missing was a proper veil. I think all we had were nurse’s caps or something like that and [Wes] just was like, nah, it’s not quite right. It was reaching the end of the day, and we were trying to figure out how to make this work. I looked over to the coffee table and there was a napkin from lunch that was not stained with anything, so I said, “Does anybody have any hair pins?” I quickly pinned this thing to my head, and Wes came over and [he adjusted it], and took a photo of it, and that’s apparently where the veil came from.
6) Wes Anderson Creates Characters With Actors In Mind
Over the years, Wes Anderson has assembled a top-shelf troupe of actors who regularly appear in his movies, from Bill Murray to Owen Wilson to Scarlett Johansson (now on her third Anderson outing) to Jeff Goldblum. Anderson says that he (and frequent co-writer Roman Coppola) wrote several parts in ‘The Phoenician Scheme’ with specific performers in mind.
Wes Anderson: The part for Scarlett we did think, okay, if Scarlett will do this, then we had her in mind for that. Bryan and Tom Hanks together, I think the characters partly came out of imagining them as much as it was the other way around. And Benicio too. So, yeah, many of the roles we sort of cast ’em as we go, and I tend to also, as soon as we have the idea, I tend to send the email and say, “this could be like maybe October” or something like that and try to get on the books if they’ll have me.
7) A Wes Anderson Script Requires Time and Concentration To Read
Bryan Cranston says that Anderson’s screenplays are so packed with details and information that a quick read is not only not possible, but not recommended.
Bryan Cranston: Until you see the cartoon, as Wes puts it, the animatic — the full animatic film that he voices all the characters on — until you actually see that, it’s not always clear where he’s going, because the scripts are very dense in detail. There is no skimming in a Wes Anderson-Roman Coppola script. And oftentimes, I go, wait, what was that? If you miss one little bit, it’s not going to track, so you have to really read them carefully to understand. That’s probably why you read it three or four times.
8) Benicio del Toro Wanted To Cut Dialogue – But Couldn’t Figure Out What To Cut
Benicio del Toro is in just about every scene in ‘The Phoenician Scheme’ and delivers reams of dialogue as Zsa-zsa Korda. But when he tried to reduce the amount of lines he had to say, he couldn’t make it work.
Benicio del Toro: There were a couple moments where I went up to Wes and I said, “Well, maybe we can take this dialogue out.” And then I went back to it, and it wasn’t as good. So I had to go up to him and go like, “I think you need to put it back, ’cause we’re passing information that I think you need.” But that’s why I couldn’t join these people every day for dinner. I had to go up into my room and talk to myself, you know?
9) Wes Anderson’s Films Are Not As ‘Calculated’ As They Look
Even though Wes Anderson’s movies all share a look and stylization that makes them easily recognizable as his work, Scarlett Johansson says that within Anderson’s carefully composed framing and designs there is still lots of room for the actors to experiment.
Scarlett Johansson: The blocking may be specific, and the camera moves are specifically what they need to be, and there’s sometimes a timing element to it, which is a little bit more, I don’t want to say restrictive, but it’s just particular, I guess. But then the performances, I think [Wes is] very playful within that, because he’s just enjoying it and encouraging variety. I’ve gotten some questions when we’ve done press for Wes’s films, and it seems that it comes across that everything is so calculated. But I think the actual process of it doesn’t feel that way at all. Maybe, again, because the camera moves are very calculated, and sometimes there’s specific props and all of that stuff, and the edit is very sharp, it gives it a feeling that it’s so calculated, but I don’t think the performances are. If it becomes so calculated it doesn’t work, because then it feels like a schtick or something.
Wes Anderson says that he doesn’t always know what he’s trying to say with his movies, and that it sometimes takes seeing the completed film for him to understand what it’s about.
Wes Anderson: After making the movie and seeing it when we have it all put together, then I think sometimes you realize what you had in mind, but you’re not totally conscious of it. I told my agent my theory, and he was like, “That’s obvious — of course that’s what the movie is. I don’t understand, how could you not know that?” But I didn’t realize it was obvious. I think the whole story of the movie, this whole mission that [Zsa-Zsa] goes on in our movie, he’s being confronted with the possibility of his death again and again. And what he thinks he has is a business plan that he wants to make sure goes through. But I think maybe from the beginning, in a way, his whole business plan is really a mechanism for him to get back together with [his daughter]. He’s acting like he’s making her his successor, and really, it’s more about what’s going to happen between the two of them right now. The business plan almost becomes like a ritual for him to be reunited with his daughter, and in that sense, his plan goes great.
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What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
(L to R) Benicio Del Toro, Mia Threapleton and Michael Cera star in ‘The Phoenician Scheme’.
Moviefone recently had the pleasure of speaking with Benicio del Toro, Michael Cera and Mia Threapleton about their work on ‘The Phoenician Scheme’. Del Toro discussed his experience reuniting with director Wes Anderson and what he enjoys about working with him, while Cera talked about what it was like to join Wes Anderson’s company of actors and explore the unique worlds he creates on screen, and Threapleton discussed her character’s estranged relationship with her father and why she accompanies him on his journey.
You can read the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Benicio, can you talk about reuniting with director Wes Anderson after ‘The French Dispatch’ and what do you enjoy about working with him?
Benicio del Toro: Well, I enjoy everything, especially the final product. But the character for ‘The Phoenician Scheme’ is a much more challenging character, full of contradictions, with a hell of an arc that it required a lot of motivation to say the least. It kept me up at night, put it that way, to make sure that I deliver what needs to be delivered day in, day out. But I think that Wes’s foundation as a filmmaker, aside from the fact of the visionary he is, also, he’s an incredible writer. He really is. We were talking about this. The script reads like a novel. You could publish it and it would read like a novel. Usually, I get many scripts, I’ve done many movies, and in many of them, I create the backstory of my character. Here, I think you get the backstory of all our characters that have arcs. Michael’s, Mia’s and me, we all have arcs, but we also get the backstory, which it reads like a novel would do that. So, I think that’s the thing that makes Wes’s projects for me so powerful, beyond just a comedy or a beautiful story. Something that his movies always have, is that you can touch them, but the foundation is a story and the writing, and I think that’s really one of his strengths.
MF: Michael, what was it like for you to join Wes Anderson’s company of actors and have an opportunity to explore the unique worlds he creates on screen?
Michael Cera: It’s such a wonderful group to join. Wes just populates his productions with the most amazing people you can think of, and Mia included in that. It’s so much fun to come in. It’s always an exciting thing about jumping into a project that has this caliber of people working on it, and yeah, the worlds are just so much fun. This movie is an anthology in a way where it’s like the three of us are this unit that hop from story to story, and each one of those was brought to life by the various guest players that would come in for that week or two weeks to work on their sequence and inject a whole new energy and atmosphere into the movie. It was just amazing, and it’s great seeing those people show up and bring that character to life in front of your eyes too, and see what they look like suddenly, and sound like.
MF: Finally, Mia, can you talk about Sister Liesl’s estranged relationship with her father and why she decides to help him on his journey?
Mia Threapleton: I think when we meet her, she has her own reasons for agreeing to meet with him, which are not just because she’s been invited, but she has a lot of unanswered, long time burning questions. Because he’s invited her, I think she realizes, “Okay, he wants something from me. Well, I will acquiesce to this, but I can also get him to give me the answers that I want as well.” So, it’s a little bit like a business negotiation initially, and then by the end of that conversation, I think she realizes, “Okay, actually this is a lot larger than I thought that it was going to be, and maybe he can give me more answers over time. Maybe I’ll find out more information.” I think because of her upbringing within a convent, she literally says it. “I forgive you. We’re taught to.” So, I think there is this forgiving side of her, but I also think that she sees that he is very complex and complicated and wants to understand that more. But perhaps that’s one of the many reasons why she decides to stick it out with this rapscallion, if you will.
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What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
After being disappointed by his last outing, ‘Asteroid City’, I’m happy to report that director Wes Anderson has returned to form with ‘The Phoenician Scheme’, which is awkwardly funny and gives off ‘Royal Tenenbaums’ vibes. The movie takes full advantage of Anderson’s unique and quirky humor and is beautiful to look at. Each frame is meticulously designed, and is so breathtaking, it’s like watching at a moving painting.
Benicio del Toro gives a commanding performance as notorious businessman and family patriarch Zsa-zsa Korda, while Mia Threapleton is wonderful in her role as Sister Liesl, Korda’s only daughter and heir to his empire. But its actor Michael Cera that gives one of the best performances of his career as the mysterious Bjørn Lund. Cera is perfectly cast in the role and seems born to be in a Wes Anderson film as his own quirky persona fits the filmmaker’s aesthetic like a glove.
The film begins by introducing us to Zsa-zsa Korda (del Toro), a notorious businessman who has survived several assassination attempts. Fearing that his enemies will eventually be successful, Korda summons his only daughter Liesl (Threapleton) who has recently joined a convent and suspects him of killing her mother. Despite having nine young sons, Korda has chosen Liesl to be his heir and take over his empire. Korda believes that his risky new enterprise, will provide for his family for generations to come.
Korda and Sister Liesl embark on a journey to secure the rest of the funds they’ll need for their venture by visiting acquaintances like Leland (Hanks) and Reagan (Cranston), Marty (Wright), Cousin Hilda (Johansson), and eventually Korda’s brother Uncle Nubar (Cumberbatch), who may be Liesl’s real father. They travel with a mysterious young man named Bjørn Lund (Cera), who becomes Korda’s personal assistant and has feelings for Sister Liesl. Along the way Korda survives several attempted assassinations from an opposing group led by Excalibur (Rupert Friend), each time having a near death experience where he goes to heaven and eventually speaks to God (Murray).
Wes Anderson’s quirky brand of humor is not for everyone, but it is my favorite type of humor. I love absurdly bizarre situations played dead serious, and no one does that better than Anderson. ‘The Royal Tenenbaums’ is my favorite of his films, although I really enjoyed the recent ‘The French Dispatch’, and ‘Phoenician Scheme’ is very similar to ‘Tenenbaums’. Both revolve around an eccentric, arrogant, rich patriarch who struggles with being a father and has delusions of grandeur.
Anderson is a unique and singular director. No one else before him or after has ever made a movie that looks like a Wes Anderson film. Everything you see in a Wes Anderson movie was thought out and meticulously placed. Each frame of his movies is like watching a beautiful moving painting. The gorgeous over the head shot of Korda in a bathtub that runs during the opening credits is a perfect example. Congratulations to Anderson and is production design team for their attention to detail, which makes this film and Anderson’s work in general a visual delight.
The three leads completely carry the film including del Toro, Threapleton and Cera. Benicio del Toro, who first worked with Anderson on the criminally underrated ‘The French Dispatch’ fits in to Anderson’s world exceedingly well. Here he is commanding, purposely over-the-top at times, but also measured, playing deadpan at the right moments and he has excellent chemistry with Threapleton.
In fact, Mia Threapleton is a revelation in this film, not surprising as her mother is the iconic Kate Winslet, and obviously the apple doesn’t fall far from the tree. She adapts to Anderson’s style and pacing impressively well, and brings heart and humor to the ridiculous situations her character finds herself in.
Michael Cera, who’s dry delivery was on display in ‘Arrested Development’, ‘Superbad’ and ‘Scott Pilgrim vs. the World’, perfectly fits Anderson’s aesthetic as if the actor was born to be in one of the director’s films. As Bjørn Lund he creates a character that is as likable and sympathetic as he is completely ridiculous. And without giving away any spoilers, the actor is also believable in the character’s surprise turn in the third act.
The returning cast of “Wes Anderson Players” were all welcomed, even if most of their roles only amounted to glorified cameos. Bryan Cranston and Tom Hanks are quite funny as the basketball playing Reagan and Leland, respectively. Jeffrey Wright is equally funny as Marty, electing to adopt a very strange characterization.
Scarlett Johansson, marking her third outing with Anderson, shines like an old school movie star and is excellent in her limited role. Playing the pivotal character of Uncle Nubar, Benedict Cumberbatch is fine but perhaps not as intimidating as the role calls for. Richard Ayoade is very funny as revolutionist Sergio, and Anderson mainstay Bill Murray gives a very dry but hilarious performance as God, of course.
While Wes Anderson’s movies might not be for everyone, ‘The Phoenician Scheme’ is one of his better recent films and is reminiscent of perhaps his greatest movie, ‘The Royal Tenenbaums’. Benicio del Toro, Michael Cera, and Mia Threapleton all give excellent performances, surrounded by a marvelous cast of frequent Anderson collaborators. If you like meticulously beautiful and absurdly funny movies, then this one is for you.
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What is the plot of ‘The Phoenician Scheme’?
Wealthy businessman Zsa-zsa Korda (Benicio del Toro) appoints his only daughter, a nun (Mia Threapleton), as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.
(Left) Colman Domingo as Bayard Rustin in ‘Rustin.’ Photo: David Lee/Netflix. (Right) Richard Dawson in ‘The Running Man’. Photo: Tri-Star Pictures.
Preview:
Colman Domingo has joined the cast of director Edgar Wright’s ‘The Running Man,’ a new adaptation of the early dystopian novel by Stephen King.
Domingo will play the host of a deadly TV reality show in which one person is pursued around the world by hunters, with all looking to win a cash prize.
The role of the host was played by actor and real-life game show host Richard Dawson in the 1987 version of the story, opposite Arnold Schwarzenegger.
Arnold Schwarzenegger as Captain Benjamin “Ben” Richards in ‘The Running Man.’ Photo: Tri-Star Pictures.
‘The Running Man’ is based on an early novel by Stephen King, published in 1982 under the name Richard Bachman. The book, set in a totalitarian United States in the year 2025 (!), follows a man named Ben Richards who, out of work and desperate for money to get medicine for his gravely ill daughter, becomes a contestant on the enormously popular title program, in which one person is pursued by a team of assassins sent to kill them. Paid $100 for every hour he survives and for every hunter he kills, Richards can earn $1 billion if he stays alive for 30 days.
The 1987 film based on the novel, directed by former ‘Starsky and Hutch’ star Paul Michael Glaser and starring Arnold Schwarzenegger as Richards, took a lot of liberties with King’s novel, turning his grim thriller into a much more colorful and even campy action-adventure ride. Wright’s adaptation seems likely to stay more faithful to the original text, although it seems to have retained the element of having multiple contestants in the game instead of just one.
(L to R) Arnold Schwarzenegger and Richard Dawson in ‘The Running Man.’ Photo: Tri-Star Pictures.
In the novel, the main villain is Dan Killian, the head of the TV network, while the game’s host, Bobby Thompson, is a less important character. For the 1987 film, the two were combined as Damon Killian, played by Richard Dawson. An actor by trade, Dawson was best known at the time as the host of the real-life game show ‘Family Feud,’ and his scenery-chewing antics in the movie arguably stole the show from its muscle-bound star.
Josh Brolin will play Dan Killian in Wright’s ‘The Running Man,’ but with the hiring of Domingo, the role of Thompson seems likely to be a more important part of the proceedings as well. Domingo is currently favored for a best actor Oscar nomination for his lead role in the acclaimed ‘Sing Sing,’ and in addition to his Emmy-winning recurring character on HBO’s ‘Euphoria,’ his other credits include ‘Rustin’ (for which he was also Oscar-nominated), ‘Ma Rainey’s Black Bottom,’ ‘The Color Purple,’ and a main role on ‘Fear the Walking Dead.’
Arnold Schwarzenegger as Captain Benjamin “Ben” Richards in ‘The Running Man.’ Photo: Tri-Star Pictures.
(Left) William H. Macy in ‘Fargo’. Photo: Gramercy Pictures. (Center) Michael Cera in ‘Superbad’. Photo: Sony Pictures Releasing. (Right) Emilia Jones in ‘CODA’. Photo: Apple Original Films.
Preview:
William H. Macy, Michael Cera and Emilia Jones are joining ‘The Running Man’
Glen Powell is starring alongside Josh Brolin, Lee Pace, Katy O’Brian and Daniel Ezra.
Edgar Wright co-wrote and will direct the Stephen King adaptation.
Arnold Schwarzenegger as Captain Benjamin “Ben” Richards in ‘The Running Man.’
‘The Running Man,’ which King published in 1982 under the pseudonym Richard Bachman, was set in 2025 in an America under a totalitarian regime that uses violent game shows to placate the disenfranchised masses.
The story centered on one desperate man, needing money for his gravely sick daughter, who joins the most popular show, ‘The Running Man,’ in which teams of killers hunt down contestants. The longer that a contestant survives, the more money that person makes. But as the game show’s producers and killers will find out, our conflicted hero will break all the rules and expose the show’s dark secrets.
Powell is playing the main character, while O’Brian would be one of the other contestants.
What do we know about the new recruits for the movie?
Brolin, meanwhile, stars as the ruthless producer of the game show, and Pace is the brutal chief hunter tracking down Powell.
Cera (who starred in ‘Scott Pilgrim’ for the director) will be a naïve rebel who tries to help the desperate man, while Jones is playing a privileged woman blind to the oppression of the government.
(Left) Bill Murray as Frank Cross in ‘Scrooged.’ Photo: Paramount Pictures. (Right) Michael Cera in ‘Scott Pilgrim vs. the World.’ Photo Universal Pictures.
Preview:
Wes Anderson is locking in the cast for his next movie.
Bill Murray, Michael Cera and Benicio Del Toro are the first people added.
Roman Coppola worked on the script with the director.
Writer/director Wes Anderson on the set of ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Roger Do Minh/Pop. 87 Productions/Focus Features
Anderson, who apparently finished the script (working alongside occasional collaborator Roman Coppola) before last year’s writers’ strike, has been keeping the details close to his chest.
“My next feature film will be linear, with Benicio Del Toro in every shot. I can’t tell you much more than that except that it will be about espionage, a father-daughter relationship, and, let’s say, with a rather dark tone.”
With Del Toro already confirmed, Murray is hardly a surprise. He’s worked on nine of Anderson’s movies and bowed out of ‘Asteroid City’ because of a combination of scheduling issues and complaints against his behavior on another movie. It would seem that despite those complaints, Anderson is only too happy to stick by him.
Michael Cera would be a new recruit to the director’s extensive troupe, but we can certainly see him fitting in with the quirky, mannered style that is as much a part of Anderson’s canon as his perfectly composed frames.
Anderson had intended to start shooting the movie last fall, but he had to delay because of the actors’ strike. The plan is now to kick off filming later in the spring.
While this latest project is reportedly going to feature a much smaller cast than the sprawling ensemble of ‘Asteroid City’, we’d expect to learn of at least a few more additions in the coming months.
When will Wes Anderson’s new movie be in theaters?
As of right now, there’s no word on a release date for the movie. Could he have this one done in time for awards season? We’d have our doubts, but anything is possible at this point.
(L to R) Writer/director Wes Anderson, actor Jason Schwartzman and actor Tom Hanks on the set of ‘Asteroid City,’ a Focus Features release. Credit: Courtesy of Roger Do Minh/Pop. 87 Productions/Focus Features.
Premiering on Netflix November 17th, anime series ‘Scott Pilgrim Takes Off’ is the latest adaptation of Bryan Lee O’Malley’s cult graphic novel series, published between August 2004 and July 2010 by Oni Press.
It was first brought to big screens by director Edgar Wright, whose ‘Scott Pilgrim Vs. The World’ was released in 2010. It didn’t do well at the box office, but became a cult favorite, and is still seen as a successful translation of the source material to screens.
Which means that ‘Scott Pilgrim Takes Off’ has even more to prove, following both the original books and the movie. Yet, as it turns out, this animated TV version is more than up to the challenge.
Does Scott Pilgrim successfully cross over into anime?
If you’re a fan of the ‘Scott Pilgrim’ graphic novels, you’ll probably have been anticipating this one, not least because it boasts the movie’s cast on voice duties.
It is a relief, then, to report that ‘Scott Pilgrim Takes Off’ is a roaring success, which is both faithful to the original story but finds fascinating new paths to take –– about which we wish we could say more, but to do so would spoil the fun.
Suffice to say, the initial episode of the show follows almost entirely faithfully along the story of the first book, introducing us once more to Scott’s frosty Toronto existence. He’s a nervy slacker who plays in a bad rock band and is (sort of) dating a highschooler.
And yet Scott is also, apparently, one of the best fighters in the area, since the ‘Pilgrim’ world is one where spontaneous, video game-style battles break out when people are fighting for reasons including winning over someone they have a crush on.
That’s Scott’s challenge when he meets the beautiful, mysterious Ramona Flowers, an American transplant still smarting from a bad breakup with some serious baggage. He becomes somewhat obsessed with her, partly because she rollerblades through his dreams (turns out his subconscious mind is a hyperspace portal that knocks miles off Ramona’s route as a DVD delivery worker… yes, you really do need to key into the story’s specific oddness).
So, when one of Ramona’s ex-boyfriends show up to challenge him to a fight, Scott is only to ready to leap into action.
It’s there that O’Malley and TV co-writer BenDavid Grabinski (‘Happily’) really get to show off the imaginative drive of the show, as they find truly interesting new ways to tell the story.
The writers, who clearly knew that another completely faithful adaptation would be viewed as unnecessary, make some real leaps here, getting a lot of mileage out of experimenting with the basic story engine. It allows for characters who in the book and movie are mostly side players to get their moments to shine –– and truly expands upon the story.
This could well be considered a multiverse variant of ‘Scott Pilgrim’, one that enriches the experience without forgetting what makes it work. The characters feel authentic, and the emotions are still real, even with all the craziness going on around them.
And while Wright was able to pull off some impressive action in his movie version (employing some nifty effects and a creative stunt team), the anime nature of the show means it can go far further in its depiction of the different battles.
Director Abel Gongora brings audacious visual panache to the whole series, whether it is two characters fighting in a plane as it crashes, or paparazzi photographers portrayed as a pack of ninjas.
The anime style fits with the book’s illustration, then brings them to life in vivid and various ways. And the music, meanwhile, is a perfect blend of entirely new material and songs that cropped up in the film. This is the perfect mix of the source and its original adaptation.
‘Scott Pilgrim Takes Off’: Performances
The voice cast of ‘Scott Pilgrim’ Anime Series.
Gathering the movie’s cast back (albeit in isolated recording booths, since the actors have gone on to much bigger, busier careers in the years since release) proves to be another winning aspect of the new production.
Michael Cera, of course, is still great as a low-key Scott, while Kieran Culkin still steals scenes as his unwitting roommate Wallace Wells, who has even more snark to deliver here. Mary Elizabeth Winstead’s Ramona gets to be more than a love interest, while the likes of Satya Bhabha’s Matthew Patel and Johnny Simmons’ Young Neil are expanded far beyond their minor roles in the story.
In a year where the comic book genre has taken something of a beating, this off-beat blend of video games, romance, rock and comedy is the ideal antidote. It’ll please fans of both the book and movie and looks unlike anything out there on TV at the moment.
‘Scott Pilgrim Takes Off’ ranks among the best of genre on small screens this year. As the o omnipresent video game announcer might declare, “Winner!”
‘Scott Pilgrim Takes Off’ receives 9 out of 10 stars.
Adapted by Bryan Lee O’Malley and BenDavid Grabinski, ‘Scott Pilgrim Takes Off’ follows the title character (voiced by Michael Cera) as he falls in love with New Yorker Ramona Flowers (Mary Elizabeth Winstead).
But in order to date her, he must defeat all seven of her evil exes. Then things get even more complicated.
Who else is in ‘Scott Pilgrim Takes Off’?
Thanks to the intervention of Edgar Wright, the entire movie cast is back alongside Michael Cera and Mary Elizabeth Winstead.
Greta Gerwig’s ‘Barbie’ took the box office by storm, and as the audience showed up at the movie theaters all dolled up in pink, ‘Barbie’ quickly became this summer’s movie phenomenon.
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Based on the iconic doll, ‘Barbie’ takes us into Barbie Land, where we meet Margot Robbie’s Sterotypical Barbie as she begins to experience things out of her normal routine – cold showers, sour milk, thoughts of mortality, and the worst of all, flat feet. With Ken (Ryan Gosling) tagging along, Barbie sets off to seek out the answers by traveling to the real world. She soon realizes things in the real world are quite the opposite of everything she knows.
Directed by Greta Gerwig and co-written by Greta Gerwig and Noah Baumbach, the clever story and incredible visuals made ‘Barbie’ the talk of the town. The movie is certified Fresh on Rotten Tomatoes, with an 88% critics score and 83% audience score. Due to it sharing an opening date with Christopher Nolan’s ‘Oppenheimer’, movie fans took the opportunity and turned the dual release into a double-feature event, therefore kicking off the endless waves of “Barbenheimer” memes.
The official synopsis for ‘’Barbie” is below:
“To live in Barbie Land is to be a perfect being in a perfect place. Or you have a full-on existential crisis. Unless you’re a Ken.”
(L to R) Kinsley Ben-Adir, Ryan Gosling as Ken, and Ncuti Gatwa in Warner Bros. Pictures’ ‘Barbie,’ a Warner Bros. Pictures release. Photo Courtesy Warner Bros. Pictures.
‘Barbie’ is officially the highest grossing film of 2023, having just crossed $1.3 billion globally. Opening to $162 million, the Margot Robbie-led film has earned $612 million domestically. Already an icon for many, ‘Barbie’ quickly became a social media sensation, with fans posting everything from their movie-going outfits to their Barbie collections. The film is filled with references to many Barbies and Ken dolls from various decades, sending audiences down nostalgia lane.
On the surface, ‘Barbie’ may seem like a fun adventure, much like ‘The Lego Movie’. However, the film has a deeper message and touches on the pressure of expectations, insecurities, and most importantly, what it means to be human.
‘Barbie’ premiere on July 9, 2023 at the Shrine Auditorium in Los Angeles. It was released domestically on July 21, 2023. Currently, it is still playing in some theaters, but as the movie has been in theaters for around 45 days, its theatrical window will soon come to an end. If you want to experience ‘Barbie’ on the big screen, be sure to do it soon.
The movie arrived on digital September 5 for purchase on platforms such as Prime Video, Google Play, Apple TV, Vudu, YouTube, and more for $29.99.
‘Barbie’ has a total runtime of 1 hour and 56 minutes.
Although ‘Barbie’ is leaving the theaters, Warner Bros Pictures has teamed up with IMAX to give fans a limited one-week run of ‘Barbie’ starting September 22nd. As a special treat for the IMAX audience, a special greeting from director Greta Gerwig will play ahead of the film. There will also be exclusive post-credit footage playing after the film, specially selected by Gerwig herself.
Greta Gerwig attends the ‘Barbie’ Press Tour, Sydney Australia 2023. Photography by Caroline McCredie for Warner Bros/NBC Universal. Contact: jade.perry@nbcuni.com.
In regards to the special IMAX release, Jeff Goldstein, President of Domestic Distribution, and Andrew Cripps, President of International Distribution, said:
“We really wanted to super-serve all the fans out there who made this the Summer of ‘Barbie’ in every way imaginable, and we couldn’t think of a better way than to serve up the biggest film of 2023 and the biggest Warner Bros. film of all time on the biggest, most experiential screens around. Thanks to our terrific partners at IMAX and our incredible director, Greta Gerwig, we went a step further and are offering audiences an added incentive with this special post-credits footage. We encourage moviegoers everywhere, whether they’ve seen ‘Barbie’ or not, to see it in IMAX for a can’t-miss moment in film history.”
No word yet when ‘Barbie’ will make its way to streaming, but when it does, it is likely to end up on Max as the film is distributed by Warner Bros/Discovery.
The new series is a fresh, yet recognizable adaptation of O’Malley’s original books, which chronicle how slacker Scott (Cera) goes from dating the enthusiastic Knives Chau (Ellen Wong) to becoming obsessed with the cool courier Ramona Flowers (Winstead).
Trouble is, when Scott starts dating Ramona, he learns he’ll also have to battle her seven evil ex-boyfriends (and one ex-girlfriend) to unlock the power of love and truly win her heart. You know: that old boy-meets-girl-boy-fights-exes-learns-life-lessons story.
Set in “the magical land of Toronto”, the story also brings in garage bands (since Scott plays with a scruffy local outfit called ‘Sex Bob-Om’), crazy video game references and dueling musical acts. Part of Scott’s problem is that he also has an ex, Envy Adams (Larson), who has since gone on to become a huge rock star.
Evans will be Lucas Lee, one of the exes, while Routh plays Todd Ingram, Envy’s new boyfriend and bandmate. Plaza is aboard as Scott’s sweary nemesis Julie Powers, while Anna Kendrick is his sister, Stacey. Schwartzman, meanwhile, is calculating ultimate evil ex Gideon Graves.
Fellow Sex Bob-Om bandmates include Young Neil (Johnny Simmons), Stephen Stills (Mark Webber) and Kim Pine (Pill).
“One of the proudest and most enjoyable achievements of my career was assembling and working with the dynamite cast of ‘Scott Pilgrim’. Since the film’s release in 2010 we’ve done Q&A’s, remembrances and charity read throughs, but there was never the occasion to reunite the whole gang on an actual project. Until now… Original creator Bryan Lee O’Malley, along with writer BenDavid Grabinski have conjured up an anime series of ‘Scott Pilgrim’ that doesn’t just expand the universe, but also…well, just watch it. I’m more than happy to announce that I have helped coax the entire original cast back to voice their characters on this epic new adventure. You are in for a treat.”
As a movie, the story was fun, and stylish and from the looks of this first trailer, the series will be able to both replicate the style of O’Malley’s graphic novel work while also expanding on the craziness (dinosaurs!)
‘Scott Pilgrim Takes Off’ hits Netflix on November 17th.
