The cast of ‘Spaceballs: The New One’ at CinemaCon 2026. Photo Credit: Greg Doherty/Getty Images for Amazon MGM Studios.
Preview:
Amazon MGM Studios made its presentation to the 2026 CinemaCon crowd.
Among the movies promoted were ‘The Sheep Detectives’ and ‘Spaceballs: The New One’.
There was also a look at Michael B. Jordan’s ‘The Thomas Crown Affair’.
After making its first trip to CinemaCon last year, Amazon MGM Studios has certainly been enjoying a good year at the box office so far, largely thanks to the huge success of ‘Project Hail Mary’ (which, as announced at the panel, just crossed $525 million at the global box office, cementing it as the company’s biggest movie to date, and will see its theatrical window extended, Amaze! Amaze! Amaze!).
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Hoping to keep the momentum rolling, the studio unveiled new looks at this year’s crop of movies and beyond including ‘The Sheep Detectives’ and ‘Masters of the Universe’. But if you were expecting a surprise announcement about casting for the new James Bond movie, there was none –– but VP of Film Courtenay Valenti did promise it’ll be worthy of the venerable franchise’s legacy.
First out of the gate (even though it isn’t out until next March) was newly minted Oscar winner Michael B. Jordan‘s remake of the 1968 caper movie –– previously re-imagined in 1999, which the actor is directing and starring in.
After a look at some fun footage, Jordan himself took the stage to talk up the fact that Jon Batiste is crafting the music for the movie. He also brought out co-star Adria Arjona, complimenting her “intensity, wit, and fire” while calling her “an incredible scene partner.” Their cat-and-mouse relationship (as art thief and the insurance investigator tracking him down) is at the core of the movie.
Kenneth Branagh, meanwhile, plays the antagonist, the person that Jordan’s Crown targets. Jordan says he made the movie for big screens.
Nicholas Galitzine stars in ‘Masters of the Universe’. Photo: Amazon MGM Studios.
Hoping for another big hit, Amazon MGM is putting a lot of weight behind ‘Masters of the Universe’, which adapts the 1980s toy line and cartoon series (and was already focus of a notoriously unsuccessful 1987 movie).
Stars Nicholas Galitzine, Camila Mendes and director Travis Knight took the stage to introduce a new look at the film. Galitzine, of course, was hefting He-Man’s classic power sword, which is surely some sort of safety violation.
Jared Leto stars in ‘Masters of the Universe’. Photo: Amazon MGM Studios.
Some fresh footage from the movie –– which Knight and co. described as tackling how someone is challenged to step up beyond what they think they can do –– was screened after Galitzine had the audience lift the fake swords they received as he recited He-Man’s classic transformation line…
The new scene shows Galitzine’s Prince Adam and Mendes’ Teena reuniting on Earth before they travel to Eternia to battle the evil Skeletor (Jared Leto), which in turn leads into the new trailer.
Another jump ahead in time for a quick look at footage from Jason Statham action sequel ‘The Beekeeper 2’. It’s pretty much exactly what you’d expect from The Stath, and should keep fans happy. Statham himself appeared via video to exclaim, “some people say less is more. I say more is more.”
The new movie will see the Beekeeper society looking to overthrow the US government. At this point in time, the jokes write themselves…
Back to 2026’s schedule, and the quirky mystery drama about a herd of sheep who must solve the murder of their beloved shepherd (Hugh Jackman).
Jackman himself arrived on stage (along with co-stars Nicholas Braun, and a returning Galitzine) to tout the film, which also boasts a considerable cast in both live-action (Emma Thompson) and voice (too many to list) form. It’s described as “a warm deeply human story about finding your place in the world.” And we got an extended look at the movie.
Gareth Evans (‘The Raid’) returns with a new action movie, this one starring Sope Dirisu in the story of Colt, a Vietnam veteran turned contract killer, goes on the run after assassinating a gangland boss.
David Leitch in Paris for ‘Bullet Train.’ Credit: Oliver Vigerie/Sony Pictures.
With confetti and chaos, the new movie from director David Leitch launched into a first look at a team of social media types who make videos about, well, how to rob banks.
Leitch came on stage with Pete Davidson, and Davidson revealed that this group of robbers livestreams their crimes and robberies. “They’re putting an end to greed and corruption one heist, and one video, at a time,” he said, before Rhenzy Feliz and Anna Sawai were confirmed to be the other two robbers. Leitch wanted to capture the energy of a manic YouTube video, before a video message from the rest of the cast played.
Mahershala Ali attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26, 2017 in Hollywood, California. Photo by Kevin Mazur/Getty Images.
More action, this time a visceral thriller starring Mahershala Ali and following a hitman struggling to balance his job with his faith & fatherhood. Bassam Tariq directs.
Ali took the stage to enthuse about how the movie checked every box for him, and he introduced some intense footage.
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After a quick look at ‘Verity’ (which we’re surprised wasn’t spotlighted more given its Colleen Hoover origins) it was time for…
‘Spaceballs: The New One’ logo. Photo: Amazon MGM Studios.
The much-anticipated ‘Spaceballs’ sequel was introduced by originator Mel Brooks (via video), with cast members Bill Pullman, Josh Gad, Lewis Pullman, Daphne Zuniga and to great response, Rick Moranis actually present to introduce a first look at the movie, which is as funny as you might hope for. Let’s just say the ‘Star Wars’ sequel trilogy is heavily targeted for spoofing.
Henry Cavill in ‘Highlander’. Photo: Henry Cavill’s Instagram Account.
It might still be busy shooting, but the re-imagining of the 1980s action movie is one of the bigger titles on the horizon for the studio.
With Henry Cavill starring as the immortal warrior who must battle others of his kind, it promises plenty of set pieces.
Cavill and director Chad Stahelski (‘John Wick’) are halfway through filming, but the former took time out to appear via video and offer some early footage.
(L to R) LeBron James and Tweety in ‘Space Jam: A New Legacy’. Photo: Warner Bros. Pictures.
When LeBron (LeBron James) and his young son Dom (Cedric Joe) are trapped in a digital space by a rogue A.I. (Don Cheadle), LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars as you’ve never seen them before. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even ‘King’ James by playing the game their own way.
Stephen Curry in the documentary ‘Stephen Curry: Underrated’. Photo: A24 and Apple TV+.
The remarkable coming-of-age story of Stephen Curry, one of the most influential, dynamic, and unexpected players in basketball history—and his rise from an undersized college player to a four-time NBA champion.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
After dominating the boxing world, Adonis Creed (Jordan) has thrived in his career and family life. When a childhood friend and former boxing prodigy, Damian Anderson (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian — a fighter with nothing to lose.
Daniel Kaluuya in ‘Judas and the Black Messiah’. Photo: Warner Bros. Pictures.
Chairman Fred Hampton (Daniel Kaluuya) was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal (LaKeith Stanfield) to help them silence him and the Black Panther Party. But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo’¦ louder than ever.
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
Oakland, California. Young Afro-American Oscar Grant (Jordan) crosses paths with family members, friends, enemies and strangers before facing his fate on the platform at Fruitvale Station, in the early morning hours of New Year’s Day 2009.
(L to R) Michael B. Jordan and Sylvester Stallone in ‘Creed’. Photo: Metro-Goldwyn-Mayer Pictures.
The former World Heavyweight Champion Rocky Balboa (Sylvester Stallone) serves as a trainer and mentor to Adonis Johnson (Jordan), the son of his late friend and former rival Apollo Creed (Carl Weathers).
(L to R) Michael B. Jordan and Chadwick Boseman in ‘Black Panther’. Photo: Marvel Studios.
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother (Angela Bassett), his princess-kid sister (Letitia Wright), members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent (Martin Freeman), to prevent Wakanda from being dragged into a world war.
Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
Jordan would go on to star in ‘Creed II‘ before stepping into the director’s chair himself for ‘Creed III‘, which were both executive produced by Coogler, and even made a cameo in Coogler’s ‘Black Panther: Wakanda Forever‘.
In honor or Jordan’s recent Best Actor Oscar win for ‘Sinners’, Moviefone is counting down the 20 best movies and TV shows of Michael B. Jordan’s impressive and groundbreaking career.
(L to R) Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell in 2015’s ‘Fantastic Four.’ Photo: 20th Century Fox.
Four young outsiders (Miles Teller, Kate Mara, Jamie Bell and Jordan) teleport to a dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend (Toby Kebbell) turned enemy.
A young boy finds a powerful otherworldly weapon, which he uses to save his older adoptive brother from a crew of thugs. Before long, the two of them are also pursued by federal agents and mysterious mercenaries aiming to reclaim their asset.
An aimless young man (Keanu Reeves) who is scalping tickets, gambling and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
Based on the true story of First Sergeant Charles Monroe King (Jordan), a soldier deployed to Iraq begins to keep a journal of love and advice for his infant son. Back at home, senior New York Times editor Dana Canedy (Chanté Adams) revisits the story of her unlikely, life-altering relationship with King and his enduring devotion to her and their child.
(L to R) Miles Teller, Michael B. Jordan and Zac Efron in ‘That Awkward Moment’. Photo: Focus Features.
Best pals Jason (Zac Efron) and Daniel (Miles Teller) indulge in casual flings and revel in their carefree, unattached lives. After learning that the marriage of their friend Mikey (Jordan) is over, they gladly welcome him back into their circle. The three young men make a pact to have fun and avoid commitment. However, when all three find themselves involved in serious relationships, they must keep their romances secret from one another.
The powerful true story of Harvard-educated lawyer Bryan Stevenson (Jordan), who goes to Alabama to defend the disenfranchised and wrongly condemned — including Walter McMillian (Jamie Foxx), a man sentenced to death despite evidence proving his innocence. Bryan fights tirelessly for Walter with the system stacked against them.
Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s (Chadwick Boseman) death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.
Michael B. Jordan as John Kelly in Prime Video’s ‘Without Remorse.’ Photo: Amazon.
When a squad of Russian soldiers kills his family in retaliation for his role in a top-secret op, Sr. Chief John Kelly (Jordan) pursues the assassins at all costs. Joining forces with a fellow SEAL (Jodie Turner-Smith) and a shadowy CIA agent (Jamie Bell), Kelly’s mission unwittingly exposes a covert plot that threatens to engulf the U.S. and Russia in an all-out war. Torn between personal honor and loyalty to his country, Kelly must fight his enemies without remorse if he hopes to avert disaster and reveal the powerful figures behind the conspiracy.
Three high school students (Dane DeHaan, Alex Russell and Jordan) make an incredible discovery, leading to their developing uncanny powers beyond their understanding. As they learn to control their abilities and use them to their advantage, their lives start to spin out of control, and their darker sides begin to take over.
Between personal obligations and training for his next big fight against an opponent with ties to his family’s past, Adonis Creed (Jordan) is up against the challenge of his life.
After dominating the boxing world, Adonis Creed (Jordan) has thrived in his career and family life. When a childhood friend and former boxing prodigy, Damian Anderson (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian — a fighter with nothing to lose.
(L to R) Michael B. Jordan and Kevin Durand in ‘Fruitvale Station.’ Photo: The Weinstein Company.
Oakland, California. Young Afro-American Oscar Grant (Jordan) crosses paths with family members, friends, enemies and strangers before facing his fate on the platform at Fruitvale Station, in the early morning hours of New Year’s Day 2009.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne by factions within his own country as well as without. Using powers reserved to Wakandan kings, T’Challa assumes the Black Panther mantle to join with ex-girlfriend Nakia (Lupita Nyong’o), the queen-mother (Angela Bassett), his princess-kid sister (Letitia Wright), members of the Dora Milaje (the Wakandan ‘special forces’) and an American secret agent (Martin Freeman), to prevent Wakanda from being dragged into a world war.
The former World Heavyweight Champion Rocky Balboa (Sylvester Stallone) serves as a trainer and mentor to Adonis Johnson (Jordan), the son of his late friend and former rival Apollo Creed (Carl Weathers).
Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
But there was also the usual dull presenter banter, some truly rude moments of worthy winners played off (the ‘KPop Demon Hunters’ songwriting team even had the lights switched off on them, for which O’Brien apologized) and awkward insertions of politics, no matter how important the cause.
Overseeing the Oscars for the second time, comedian, writer and former late night host O’Brien proved he has what it takes to do this job.
His opening skit, dressed as Amy Madigan’s Aunt Gladys from ‘Weapons,’ chased through different other Oscar nominated movies by a bunch of kids, was a winner.
And if his opening monologue veered between pointed political jabs and some softballs that drew muted responses, it was still superior to other recent efforts. He was even able to smoothly deal with technical issues that plagued the ceremony, such as sound problems and cutting back to him unexpectedly.
Cementing its 2025 success, Warner Bros. enjoyed plenty of awards love this year, as Paul Thomas Anderson finally got his Oscar (six, in fact) for ‘One Battle After Another’ and ‘Sinners’ also took home plenty of trophies.
Talking of ‘Sinners’, Michael B. Jordan, whose Actor in a Leading Role ascension over waning prior favorite Timothée Chalamet (his ‘Marty Supreme’ went home empty handed) ended with Jordan on stage thanking those who had blazed a trail before him.
Elsewhere, ‘The Secret Agent’ sadly landed zero awards, but Netflix had a very good night, as ‘KPop Demon Hunters’ won two awards and ‘Frankenstein’ three, with the streaming service behind a variety of other triumphs.
Having actors –– particularly those with a film to promote or remember –– hand out awards has often led to some leaden banter, and this year was no exception. Even the star power of Robert Downey Jr. and Chris Evans couldn’t bring a lame bit to life, while one featuring Sigourney Weaver, Pedro Pascal and Grogu (pimping the upcoming ‘Star Wars’ movie) only really worked because of Weaver’s commitment (“Get away from him, you bitch!” she growled at nominee Kate Hudson, who had been cosying up to the critter in the audience).
Anna Wintour might not be everyone’s first choice for a co-presenter, but there she was, alongside ‘The Devil Wears Prada 2’s Anne Hathaway in a moment that felt like Disney selling the sequel more than looking to celebrate the Costume Design or Hair and Makeup categories.
There was more mixed luck with reunions –– the ‘Bridesmaids’ cast brought their moment to life with true comic power while Ewan McGregor and Nicole Kidman just looked award handing out Best Picture and recalling ‘Moulin Rouge!’.
Three big things happened last night in terms of history. There was the first tie in 14 years (only the seventh in Oscar history) as ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the Live-Action Short Film honors.
‘Sinners’ cinematographer Autumn Durald Arkapaw became the first woman (and woman of color) to win her category, while the first ever Casting award was handed to ‘One Battle’s Cassandra Kulukundis. Long-favoured Actress winner Jessie Buckley, meanwhile, became the first Irish woman to take home her category for her work in ‘Hamnet’.
The annual remembrance for those in the industry was well handled and featured three major spotlights. First, Billy Crystal gave a moving speech about friend and collaborator Rob Reiner (who was murdered in his home last year alongside his wife, Michele), and was then joined by other cast members of Reiner movies.
Rachel McAdams took the stage to pay tribute to the likes of Diane Keaton and Catherine O’Hara, and then the big finish –– Barbra Streisand arrived to memorialize her ‘The Way we Were’ co-star and cinema icon Robert Redford, before singing for the first time in public (she had all but stopped due to stage fright issues and frustration) in years for a memorable finale to the segment.
‘One Battle After Another’ was the biggest winner of the night, with Paul Thomas Anderson’s latest taking Picture, Director, Adapted Screenplay, Supporting Actor (for no-show Sean Penn), Editing and, handed out for the first time this year, Casting.
‘Sinners’ was also successful, as Michael B. Jordan nabbed the top male acting award out from ‘Marty Supreme’s Timothée Chalamet (who had been the favorite for a while, but whose momentum had slowed of late), while its director Ryan Coogler scored Adapted Screenplay, composer Ludwig Göransson landed Best Original Score and Cinematographer Autumn Durald Arkapaw made more history as the first woman to win her category at the Oscars.
Elsewhere, ‘KPop Demon Hunters’ continued its successful run with two awards (Animated Feature and Original Song for “Golden”), while ‘Weapons’Amy Madigan got a rapturous reception as she took Supporting Actress for her creepy, wild turn as Aunt Gladys.
While ‘One Battle After Another’ has been the presumed winner the entire awards season, having taken home Best Picture at every major award show including Critics Choice, Golden Globes, and BAFTA, ‘Sinners’ won Outstanding Performance by a Cast in a Motion Picture at the Actor Awards, building some momentum for the Ryan Coogler helmed film.
It’s also been assumed that Paul Thomas Anderson would finally receive Best Director from the Oscars, especially after winning Outstanding Directorial Achievement from the DGA, but don’t count out a surprise win from Coogler just yet.
Speaking of ‘Sinners’, although Timothée Chalamet won Best Actor for ‘Marty Supreme’ from Critic’s Choice and the Golden Globes, he failed to win at BAFTA, and lost to Michael B Jordan at the Actors Awards, which signals trouble for Chalamet’s Oscar run.
On the other hand, ‘Hamnet’s Jessie Buckley has had virtually no competition in her race to the Best Actress Oscar and after winning every other major award, I don’t think anything can stop her from taking home gold on Oscar night.
Best Supporting Actress seems like a two-way race between Golden Globe winner Teyana Taylor for ‘One Battle’ and Actor Awards winner Amy Madigan for ‘Weapons‘, however, ‘Sinners’ Wunmi Mosaku is still in the mix.
Finally, the Best Supporting Actor category is fairly wide open, with BAFTA and Actor Awards winner Sean Penn currently the frontrunner fighting off Golden Globe winner Stellan Skarsgård for ‘Sentimental Value’. But the Oscars love a surprise, so if ‘Sinners’ has a big night, Delroy Lindo could end up having a surprise win.
Below are our predictions for who will win Oscars on Sunday at the 98th Academy Awards. We are only breaking down our predictions for the six major categories, Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.
Leonardo Di Caprio as Bob Ferguson in ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Photo Courtesy Warner Bros. Pictures.
Well, now we finally have a real race!
Since the start of this awards season it has seemed preordained that director Paul Thomas Anderson’s ‘One Battle After Another’ would finally earn the filmmaker a long overdue win for Best Picture. The film has won almost every precursor needed to be the frontrunner, including wins at Critics Choice, Golden Globes, BAFTA, and the all important Producers Guild of America Awards.
However, don’t count ‘Sinners’ out just yet! After grabbing an Outstanding Performance by a Cast in a Motion Picture win at the Actor Awards, as well as Michael B. Jordan’s win for Outstanding Performance by a Male Actor in a Leading Role, the vampire epic now has real momentum.
It also did better at the box office than ‘One Battle’, which sometimes but not always is a factor. But keep in mind that Outstanding Performance by a Cast in a Motion Picture at the Actor Awards is basically a recognition of ensemble acting and not necessarily a film award. And while ‘One Battle’ was also in that category, I don’t buy into the narrative that ‘Sinners’ “beat” ‘One Battle’ for Best Picture at SAG.
It now seems like we have a two-way race but ‘Hamnet’ is still in the mix after winning a Golden Globe for Best Motion Picture – Drama, and remember it was produced by Oscar favorite Steven Spielberg.
Keep in mind that the Academy uses a preferential ballot for Best Picture, meaning the winner isn’t simply the film with the most No. 1 votes. Instead, voters rank the nominees, and if no film receives more than 50% of the first-place votes, the movie with the fewest No. 1 votes is eliminated and its ballots are redistributed to the next highest-ranked film on those ballots. That process continues until one film crosses the 50% threshold. In other words, it’s not just about passion at the top — it’s about broad support.
The real question isn’t only who voters rank No. 1, but which film consistently appears in the No. 2 and No. 3 spots and can accumulate support as other contenders fall away. My guess is that many voters may not rank ‘Sinners’ first, but could place it second or third, giving it a plausible path in later rounds. Still, the safer bet remains ‘One Battle’, which feels more likely to build the majority coalition needed to win.
(L to R) Leonardo Di Caprio and Director/Writer/Producer Paul Thomas Anderson on the set of ‘One Battle After Another.’ A Warner Bros. Pictures Release. Photo Credit: Merrick Morton.
Just like the Best Picture race, since the start of this current awards season it has seemed like this was “Paul Thomas Anderson’s Year”, and that the ‘Boogie Nights’ director would finally win his long-awaited Best Director Oscar. With directorial wins at every other award show including Critics Choice, Golden Globes, BAFTA, and the all important Directors Guild Awards, it does look like Anderson will finally win Best Director at the Oscars.
But what about Ryan Coogler? While he has yet to win a director’s award this season, he is definitely Anderson’s biggest competition, especially now that the film is surging late. Typically, Best Picture and Best Director go hand in hand, but not always, and much like when Damien Chazelle won best director for ‘La La Land‘ but ‘Moonlight‘ went on to win Best Picture, we could see a similar spilt this year. But if we do, I think it is more likely that Anderson still wins Best Director, and the surprise win comes for ‘Sinners’ in Best Picture.
Let’s be honest, the Academy usually don’t get it right! They could be thinking that Coogler will return with another film in the near future, and want to finally reward Anderson now for ‘One Battle’ as well as his overall career, assuming that Coogler’s time will come sooner than later. While I would love to see an upset and have Coogler win, I would also like to see the Academy finally reward Anderson for his body of work, which I think will be the final result on Oscar night.
This is the race to really keep an eye on! The Oscars love a surprise, and if there is going to be a big surprise on Oscar night, it will be in this category.
Timothée Chalamet began the awards season with wins from Critics Choice and Golden Globes, making it look like he was a lock for a Best Actor win at the Oscars. But, when he lost the BAFTA to Robert Aramayo for ‘I Swear‘, who is not even in the Oscar race, it left the young actor’s Oscar chances vulnerable.
That brings us to Michael B. Jordan, who in my opinion gave the best performance of the year, and recently beat Chalamet at the all important Actor Awards. Historically, one Actor Award win is not enough to ensure an Oscar win, as demonstrated by Chalamet last year when he won Best Actor from SAG for ‘A Complete Unknown‘ but then lost the Oscar race to Adrien Brody for ‘The Brutalist‘. But Jordan has the surging momentum of ‘Sinners’ behind him and a lot of goodwill from Academy voters, while Chalamet seems to be cooling off and has fueled criticism for his unusual Oscar campaign style and recent comments on “ballet and opera.”
There is also a theory that Chalamet is really being rewarded for his performance last year in ‘A Complete Unknown’, when he should have won, and not his performance this year in ‘Marty Supreme’. The Academy tends to do that and often tries to make up for their past mistakes. For example, after not nominating Paul Giamatti for ‘Sideways‘, which he should have been nominated for, the following year he was nominated for ‘Cinderella Man‘. So, if Chalamet does win, it will be for playing Bob Dylan and not for playing Marty Mauser!
Also working against Chalamet is the fact that the Academy typically does not give young actors the Best Actor trophy. They love giving the Best Actress award to young actresses, examples including Gwyneth Paltrow, Jennifer Lawrence, Emma Stone, and recently Mikey Madison. But, if Chalamet were to win, he would be just a few months shy of breaking Adrien Brody’s record as the youngest Best Actor recipient ever for his first win in ‘The Pianist‘. Jordan is just reaching his prime as an actor, and with a long body of work to his credit, voters could see him as a strong alternative, especially with his recent win and the ‘Sinners’ surging.
While Chalamet is statistically the frontrunner, I feel like there will be a big surprise on Oscar night and I’m betting on Jordan for the win.
There really is not much to say here. If there is any locked category this year, it is this one.
‘Hamnet’s Jessie Buckley is one win away from a “perfect award season’. After winning Best Actress at Critics Choice, Golden Globes, BAFTA, and the Actor Awards, she is almost guaranteed a win on Oscar night.
Does she have any competition? A little, but not much. Rose Byrne won a Golden Globe for ‘If I Had Legs I’d Kick You‘, but that’s because the Globes split the Best Actress race into two different categories, Drama and Musical or Comedy. So, Byrne did not compete in the same category as Buckley. When she has, she has lost to the ‘Hamnet’ star, and I see no reason that will not continue to take place.
Kate Hudson has been campaigning hard, but this is the only nomination ‘Song Sung Blue‘ received, and I don’t think that is enough to compete with Buckley and ‘Hamnet’, which received 8 overall nominations. ‘Sentimental Value’ does not seem to have the same momentum it did earlier in the season, leaving actress Renate Reinsve without a real path to the gold. And with two Oscars already on her shelf, Emma Stone’s nomination was more or less given just to round out the five nominees, not unlike some of Meryl Streep‘s past nominations.
The safe money is clearly on Jessie Buckley to win Best Actress, and at this point it would take a miracle for anyone else to beat her and win.
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
This is another very interesting category and one to keep an eye on for big surprises on Oscar night!
With no real frontrunner, Best Supporting Actor is wide-open and really anybody’s for the taking.
The season began with Benicio del Toro positioned as the frontrunner for ‘One Battle’, but the actor has yet to win for that performance, putting his chances of winning the Oscar in doubt.
His co-star, Sean Penn, could be considered a slight frontrunner after winning BAFTA and the Actor Award, but with two Oscars already to his name, I’m not sure the Academy is ready to hand him his third just yet. I also think that having both actors from ‘One Battle’ in the same category will split the vote, leaving them both empty handed on Oscar night.
Jacob Elordi received a surprise win for ‘Frankenstein‘ at the Critics Choice Awards, but the young actor was unable to capitalize on it and has yet to win a second award.
Veteran actor Stellan Skarsgård won the Golden Globe, but also was not able to capitalize with a second win, and with ‘Sentimental Value’s momentum cooling off, I’m not sure it will be enough to earn him the trophy.
Enter Delroy Lindo. Keep in mind that this is his first nomination this entire awards season, meaning that he has not had the opportunity to compete with his fellow nominees yet. It’s not unheard of for an actor to suddenly enter the Oscar race and win. Marcia Gay Harden successfully pulled that off when she won Best Supporting Actress for ‘Pollock‘ over Kate Hudson, the presumed frontrunner for ‘Almost Famous‘.
With ‘Sinners’ surging, Michael B. Jordan’s possible win, no real front runner in this category, and Lindo’s overall likability in the industry, I do think that he will pull off the win on Oscar night.
While its not as wide-open as Best Supporting Actor, Best Supporting Actress is really between two, maybe three actresses at this point.
Let’s just get this out of the way. Much like the two ‘One Battle’ actors in the Supporting Male category, I think ‘Sentimental Value’s Elle Fanning and Inga Ibsdotter Lilleaas will cancel each other out. Neither has won any major award this season, and with the film’s lack of momentum, I doubt either actress has a real shot to win.
While Wunmi Mosaku did win BAFTA, I’m not sure that will be enough to win an Oscar. ‘Sinners’ popularity could give her a boost, and if Lindo and Jordan fail to win, this could be where ‘Sinners’ gets an acting award. But since I do think Jordan and Lindo will be triumphant, I’m thinking this award will be given to someone else.
Teyana Taylor won a Golden Globe, and her film is the frontrunner for Best Picture. It would be odd for ‘One Battle’ to win Best Picture with no wins in the actor categories, so if it were to win an acting Oscar, it will be here. But Taylor has some real competition from veteran actress Amy Madigan.
The ‘Weapons’ actress began the season winning Critics Choice, but bounced around a bit before recently winning the all important Actor Award. That doesn’t make her the frontrunner, but puts her on par with Taylor. Working against Madigan is that she is ‘Weapons’ only nomination, but it’s not unheard of for an actor to win for a movie that received no other nominations. It happened when Kathy Bates won Best Actress for ‘Misery‘.
So while it’s a tight race, I think that Madigan’s long career and versatile body of work will in the end give her an edge over Taylor.
Deon Cole hosts the 57th NAACP Image Awards on February 28th. Photo: Paramount+.
Preview:
‘Sinners’ took home the big prizes at the 2026 NAACP Image Awards.
‘Paradise’ and Cynthia Erivo were also among the winners.
The event took place Saturday night at the Pasadena Civic Auditorium.
Following the difficult, insulting moments of this year’s BAFTA Awards, the NAACP Image Awards, hosted by Deon Cole, which took place Saturday night at the Pasadena Civic Auditorium, were a chance to balance things out.
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And Ryan Coogler’s ‘Sinners’ proved to be the big winner, going home with 13 awards following a nomination count of 18. Star Michael B. Jordan himself won both a Best Actor award and was honored with Entertainer of the Year.
The ceremony also paid tribute to the late Rev. Jesse Jackson, with NAACP CEO Derrick Johnson and Samuel L. Jackson honoring the late civil rights activist, whose family was in attendance at the ceremony.
Michael B. Jordan says the ‘Creed’ TV spin-off is happening.
It’ll be focused on Donnie’s daughter, Amara.
Amazon MGM is backing the series.
He might be focused on other projects right now (more on those lower down the page), but Michael B. Jordan hasn’t totally forgotten about the ‘Creed’ world. In fact, he’s looking to keep it growing.
“We’re spinning off doing Adonis’s daughter, Amara’s story, the television show that’s picked up at Amazon. So you’ll be seeing different parts of the Creed-verse, I like to call it. These little IPs are going to keep the universe alive without it being completely reliant on just me to push it through the finish line every time, as a boxer. I’ll be adjacent.”
Following the success of ‘Creed III’, which Jordan stepped up to direct as well as star in, there has been talk for a while about a fourth.
In late 2023, Jordan himself went on the record to say that another big screen outing was “for sure.”
But there hasn’t been much forward movement on that front, since Jordan has been keeping himself occupied elsewhere.
Still, him talking up the Amara TV series at least means it’s still on his mind.
The show would focus on the daughter of Donnie (Jordan) and Tessa Thompson‘s Bianca, who was played in ‘Creed III’ by Mila Davis-Kent. She has to deal with hearing issues (which Bianca also has) and is showing interest in boxing like her father.
So we may well see that crop up in the show. And that’s not the only TV series in the works –– one featuring the Delphi gym as seen in the movies is also developing.
What is Michael B. Jordan working on?
Most recently reuniting with regular collaborator Ryan Coogler for the wildly successful ‘Sinners,’ Jordan is currently busy with his second directorial outing, a remake of ‘The Thomas Crown Affair’ for Amazon MGM.
Director Ryan Cooler and the cast of ‘Sinners’ at the New York Premiere. Photo: Warner Bros.
‘Sinners‘ follows twin brothers Smoke and Stack (Michael B. Jordan) as they attempt to leave their troubled lives behind and return to their hometown. Moviefone was in attendance at a recent press conference, which featured stars Michael B. Jordan, Wunmi Mosaku, Miles Caton, Delroy Lindo, and director Ryan Coogler.
1) Delroy Lindo Details How His Past Work Helped Him Prepare For ‘Sinners’
Delroy Lindo at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Delroy Lindo is no stranger to films with rich historical and cultural backdrops. He reveals how projects like ‘Da Five Bloods’ and ‘Malcolm X‘ helped him prepare for this role.
Delroy Lindo: I knew that there would be a research component. Ryan had sent me off the top, he sent me two books, Deep Blues by Robert Palmer and Blues People by Amiri Baraka. Amiri Baraka was Leroy Jones when he wrote the book. So I started there and then I listened to a lot of music. Cats like Sunhouse, Muddy Waters, Howlin’ Wolf, Ike Turner… I just steeped myself in the music. There was just an intense research component, which is consistent with how I’ve worked on other historical films.
2) Miles Caton Reveals How He Became Involved In ‘Sinners’
Miles Caton at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
The character of Sammie Moore is a role that needed an actor who can also sing. Miles Caton proved to be the perfect choice. Here, he reveals how he became involved in the movie.
Miles Caton: I was on tour. I was singing background for H.E.R. And towards the end of that tour, somebody at the show had seen me perform and they said that this kid should audition for this movie. We got back home and H.E.R. calls me one day and she tells me, “Little bro, somebody in the crowd saw you perform and they think you should audition for this movie.” I had no idea what it was about or who was attached to it initially. And as time went on, as I sent in my first audition, I got little bits and pieces of information, and then I finally found out it was Ryan Coogler, and just the thought that I’d be able to work with him was just amazing. And then I found out it was starring Michael B. Jordan. And the way the process happened, everything kind of just happened so fast, and the further I got, the closer I felt like it was becoming a real thing. And after the audition process, I got home and Ryan called me from that Oakland phone number, and it literally said Oakland on it. I was like, “Hold on, bro. I don’t know anybody from Oakland, don’t got no friends from Oakland.” And I answered it. And he said he wanted me to be a part of the project, and that was it.
3) Wunmi Mosaku Says ‘Black Panther’ Was Part Of What Made Her Want To Work With Ryan Coogler
Wunmi Mosaku at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
When asked what it is about Ryan Coogler that made her want to say yes, she reveals that ‘Black Panther‘ was a big part of it.
Wunmi Mosaku: I think Black Panther is on in my house at least once a month. For me, I shouldn’t say this as someone in the MCU, but I was not an MCU fan. I didn’t think it was for me. It just wasn’t part of my radar. And then everyone said, “Go watch Black Panther,” and I was like, “Okay, everyone’s going to watch.” I mean, the whole world is going to see Black Panther. I went to see it and I was like, “Oh, this nuance and this heart in a superhero movie. I’m torn. Am I Team Killmonger? Am I Team Black Panther?” I saw and understood them both so deeply, and I felt like it was a revelation that you could tell stories that meant something to someone like me who is not a comic book fan or a superhero fan and make me feel really seen, excited, hopeful. I just felt like a bridge between the diaspora, the continent. I felt like all of a sudden as a Black Brit, African-American culture, African culture, Black… I felt united, and I felt really like it blew my mind, because I didn’t expect Marvel to do that. So that was the first thing I watched, and then I watched everything, and again, just really moved by the heart. There’s always heart,there’s always truth. There’s always US, ancestry, reverence, connection. There is no divide. The first time I really understood the idea of Pan-Africanism was through Ryan. I thought there was a divide, an then I realized there wasn’t. And that was all because of Ryan.
4) Michael B. Jordan Explains How ‘Sinners’ Is A Love Letter To His Grandparents’ Parents
Michael B. Jordan at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Michael B. Jordan reveals how he was able to stay on the right path while working on ‘Sinners’ and how it is a love letter to his great-grandparents.
Micahel B. Jordan: I think one of the great things about filmmaking is, just acting in general, is going right up to the cliff, going right up to the edge of uncertainty and unknowns and then just jumping off and things that are outside of your control. So I think being prepared, knowing the characters inside and out, and then developing up until a point where you’ve done all you could, and now you just have to walk the walk each day. And I think that that uncertainty kind of keeps you on your toes and keeps you locked in; you’re kind of prepare for anything. And when you’re dealing with an incredible cast and you’re in this incredible world, it really builds the illusion and allows you to be locked in and dialed in the entire time. So we shot down in Louisiana, so when you’re out there on those sugarcane fields and those cotton fields, and that’s where your ancestors were, and that’s where my grandmother, my great-grandmother, that was their day-to-day. So when you walk in those spaces and you carry that type of energy and that history with you, these characters, this movie was almost… it was a love letter to my grandparents parents, to my great-grandmother and my great-grandfather. And because you only know your grandmother as being an older woman. And you forget like, “Oh wait, my grandma was 25 at one time, she was 28?
5) Ryan Coogler On Finding The Perfect Balance Of History & Mythical Elements
Director Ryan Cooler at the New York Premiere of ‘Sinners’. Photo: Warner Bros.
Ryan Coogler details how he was able to balance the historical setting of the Jim Crow era in Mississippi and the heightened mythical elements that makes ‘Sinners’ so unique.
Ryan Coogler: Wunmi [was] talking about Pan-Africanism, and that was a concept that I was always taught and steeped in being from Oakland, California, which was a birthplace at a Black Panther Party for Self-Defense. And all the Gen Xers and the millennials in that area, the Panthers were our uncles and aunts. But the idea of Pan-Africanism was kind of drilled into us, because it became an international organization. You’ll go all over the world and see organizations fighting for self-determination of human beings that were inspired by the Black Panther Party. And when you look at California where we are and we kind of the furthest outpost–Oakland is of a place that’s where Black culture is the dominant culture of a city. And it was a big deal for me to get back to the continent to research for Black Panther. But I got to the continent before I got to the American South and really contemplated a place that my ancestors had been for over four centuries. And it was a more recent place for us than, so there were a lot of questions that I had with myself as to why I hadn’t done that yet, and I had to unlock the reality that there’s a lot of shame involved with that, with Black people who are products of the great migration. You know what I mean? Obviously your ancestors, they migrated from something, usually for the concept of greener pastures, but also you realize things were left behind in that place that was home for so long. And for me, when I realized that these people who were living in this backbreaking form of American apartheid denied the right to vote, denied the right to own anything, and kind of condemned to being a sharecropper, that was all that could be in the 1930s. And every weekend they would affirm that humanity at these juke joints or at church the next day, a lot of times at both. And that art that they were making, it ended up changing the world. You know what I mean? It ended up creating club culture and discotheque culture and also just the concept of pop music. And I realized that this was a mythical story that had never been given the mythical context, if that makes sense.
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
Currently available to watch on HBO Max and a serious contender in this upcoming awards season is the box office smash hit ‘Sinners’ which was written and directed by Ryan Coogler (‘Black Panther’) and stars Michael B. Jordan (‘Creed’) playing the dual roles of twin brothers Smoke and Stack.
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Moviefone recently had the pleasure of sitting down in-person with director Ryan Coogler and Michael B. Jordan to talk about their work on ‘Sinners’, why Coogler was passionate about making this movie and the themes he wanted to explore, while Jordan discussed his approach to playing the Moore brothers and how he made the two roles distinctively different.
(L to R) Director Ryan Coogler and Michael B. Jordan talk ‘Sinners’.
You can watch the full interview below or click on the video player above to watch our interviews.
Moviefone: To begin with, Ryan, can you talk about why you were so passionate about making this movie and the themes you wanted to explore as a filmmaker?
Ryan Coogler: It started with my relationship with my uncle James, who was born in Mississippi, lived there until he was 20, and then moved to Oakland and married my great-aunt, Sammy Lee, who the character Sammy is named after. It was important for me to explore blues music, Mississippi, the Delta Blues and juke joint culture because it was so important to my uncle. It’s kind of passed down to me, and I wanted to do a deep dive on why that music was so important really to a global popular culture. But I also wanted to infuse it with everything in cinema that I loved that I hadn’t had a chance to do yet in my previous films. That’s where the supernatural and the genre elements come to play. As far as the themes, the biggest theme was freedom. You know what I mean? This idea of it, how elusive it can be, how sometimes it can’t be bought. That was the central concept of freedom in these people that are under such great oppression and having to be able to affirm that humanity in a place and a time when it was very difficult.
MF: Finally, Michael, can you talk about the challenges of playing twin brothers and how you were able to make those two characters so distinctively different?
Michael B. Jordan: There were so many challenges. There’s been versions of twins that have been done, and some better than others, and trying to figure out how to make this one a memorable one or just make it work and feel honest. I remember as a kid watching movies like ‘The Parent Trap’, you know what I’m saying? Just as a kid, your imagination, whether you’re pretending you got superpowers or pretending this or whatever, the idea of like, man, if I had a twin, what would I do? Or how would that be? I think being able to imagine that because Smoke and Stack are the same, but they’re completely different. They make up one person. Having Smoke and how he handles his childhood trauma was important and Stack and how he handles his childhood trauma. They had the same experiences, but they have two different perspectives on it. For Smoke, he internalizes a lot of his. He doesn’t talk a lot. He doesn’t want to talk about his pain. He wants to bury it deep and kind of hold onto to that. I know people like that. So, to be able to tap into that in a real way. But Stack is different. He smiles and uses his charm, and he talks his way through his pain because he can’t dwell on it for too long. So, to tap into your childhood trauma and building those characters from the ground up was crucial to build that foundation for me to do the rest of the work and the other things, the layers on top of that like wearing a shoe that is too small for Stack because he’s always moving around. He just never really standing still. As a performer, as an actor, it’s something that I didn’t have to think about, but it helped me be agitated in times and physically be not still. But also, I wore a size too big when it came to Smoke because I wanted him to feel like he couldn’t move a lot and he wanted to be rooted and implanted into the ground. So those were layers to it. The different grill caps that I wore, when I had a certain gold front in, it changed the way I would hold my mouth and speak and my cadence. Smoke spoke few words and slow. Stack was a fast talker, so he was always smiling, always wheeling and always dealing. He’s always selling something. Those are some of the things that I tapped into to kind of help make them a bit different. Just the storytelling, the other characters around Smoke and Stack that allowed me to play off of with Annie and Mary and those dynamics and just a rich world that was created for these characters to blend into.
Two brothers (Michael B. Jordan) return to Clarksdale, Mississippi, in 1932, now wealthy and intent on opening a juke joint in their hometown. But as they open the doors of their new establishment, sinister forces begin to converge upon them and their community.
