Tag: martin-sheen

  • The 16 Craziest Things That Happened During the Filming of ‘Apocalypse Now’

    The 16 Craziest Things That Happened During the Filming of ‘Apocalypse Now’

    United Artists

    Now back in theaters for its 40th anniversary “Apocalypse Now,” is both one of Francis Ford Coppola‘s most celebrated films and one of the most notoriously troubled productions in history.

    It was released on August 19, 1979, more than three years after Coppola began shooting. What went wrong?

    As Coppola said at Cannes, making the film was just like the U.S in Vietnam. “We were in the jungle, there were too many of us, we had access to too much money, too much equipment, and little by little we went insane.”

    Here’s some of what went down in the Philippine jungle:

    1. Original star Harvey Keitel was fired after six weeks

    Warner Bros.

    Coppola hired Harvey Keitel based on his work in Martin Scorsese’s “Mean Streets.” After he watched the first week’s footage, Coppola decided to fire him, yielding the first dramatic headlines of the production: “Coppola loses his beard, 38 lbs and Star Keitel.’ He was replaced by Martin Sheen. The only footage of Keitel that made it into the film is a shot of him from the back on the boat.

    2. Martin Sheen was really drunk, and really bleeding, during his Saigon Hotel scene

    In this excerpt from Eleanor Coppola‘s Emmy-winning documentary “Hearts of Darkness: A Filmmaker’s Apocalypse,” Sheen recalls shooting the scene where Willard smashes a mirror in his hotel room: “ I was so drunk, I couldn’t stand up, frankly. I was so intoxicated, I didn’t realize how close to the mirror I was.” Despite bleeding profusely, Sheen insisted on continuing filming.  Eleanor adds that Marty was so unpredictable at that point, she thought he might lunge at the camera or attack Francis,.

    3. Sheen had a heart attack and received the last rites

    Paramount

    You’ve surely heard Sheen had a heart attack during production. What you might know is that he crawled out of his room at 2 a.m. and a quarter of a mile down the local highway before finding help. “He had suffered a serious heart attack and even received last rites from a priest who did not speak English,” Eleanor Coppola says in “Hearts of Darkness.” He took six weeks off and, not wanting to halt the already over-budget production, said that he had suffered from heat stroke.

    4. Coppola didn’t want word of Sheen’s heart attack to get out

    In “Hearts of Darkness, co-producer Tom Sternberg recalls he got a phone call from his secretary, who said “Marty’s had a heart attack and Francis doesn’t want to admit it.” Coppola is later heard on tape saying, “If Marty dies, I want to hear everything is okay, until I say, ‘Marty is dead.’”

    5. Coppola mortgaged his house to finish the film

    Paramount

    Coppola had financed the movie himself, thanks to his success with the “Godfather” films, but had already blown the $13 budget. To finish the movie, he mortgaged his considerable estate to secure additional money from United Artists. If the film hadn’t earned at least $40 million, he would have lost it all. (“Apocalypse Now” went on to earn more than $78 million during its initial release, as well as 2 Oscars, and shared top prize at the Cannes Film Fest.)

    7. Filming took place in the middle of a real war

    Paramount

    Coppola made a deal with Philippine President Ferdinand Marcos to lease his helicopters — if they weren’t needed in actual fighting. (The U.S. military refused to participate in a film about the Vietnam war).  Because of the Civil War in the south, every day the Philippine government sent different pilots, who hadn’t participated in the rehearsals. Even worse,  in the middle of a complicated shot, the helicopters would often be called away to fight the rebels in the nearby hills.

    8. A typhoon destroyed several sets

    In May 1976, the Philippines was hit by a typhoon that killed 374 people and destroyed many of the movie’s sets, including the Playboy Bunny set. The production closed down for 2 months to rebuild.

    9. Coppola insisted on serving up a real French feast during the French Plantation scene

    Miramax

    Before filming the French Plantation scene (which was cut for theatrical release but added back for “Apocalypse Now: Redux“), Coppola insisted that the white wine  be served ice cold and red wine should be served at 58 degrees. “I want the French to say, ‘My God, how did they do that?,’” he says in “Hearts of Darkness.” He made the decision to cut the entire sequence right after shooting it.

    10. Marlon Brando demanded a $1 million down payment — then almost didn’t show

    United Artists

    After Al Pacino turned down the part, another “Godfather” star, Marlon Brando, agreed to play Willard’s target, the mysterious Col. Kurtz. He was supposed to lose weight for the role and read the novel “Heart of Darkness” that inspired the movie. He did neither. Instead he turned up 88 lbs overweight and completely unprepared. At one point, he threatened to take Coppola’s initial $1 million without ever setting foot on set.

    (A Brando biographer disputes that the actor was unprepared and says that not only did the two communicate extensively about the character beforehand, Coppola was simply looking for a scapegoat at that point in filming.)

    11. Brando spent his first days on set improvising his character

    Paramount

    According to “Hearts of Darkness,” Coppola spent several days of the actor’s precious time in improvisation before shooting a single scene. He figured that getting Brando to start improvising (which he did throughout his scenes) was better than trying to get him to memorize a script. (On the “The Godfather,” cue cards were pasted all over the set because Brando often forget his lines.)

    12. Real people played the severed heads — through 38 takes

    Paramount

    The people who were playing the severed heads sat in their boxes in the ground from 8 in the morning until 6 at night: Coppola did 38 takes. Between takes, they were covered with umbrellas to shield them from the hot sun.

    13. People were really doing drugs on set

    United Artists

    Sam Bottoms, who plays surfing soldier Lance, admitted he dropped acid during filming, but not during the Do Long Bridge sequence where his character is tripping. “I was doing speed then. We were working lots of nights and I wanted a speedy sort of edge. We were bad, we were just bad boys,” he says in “Hearts of Darkness.”

    14. Dennis Hopper and Marlon Brando hated each other

    United Artists

    Dennis Hopper, who admits in “Hearts of Darkness” that his career was at a low point and he was happy to go anywhere and make any movie at the time, was only cast 2 weeks before his scenes. Coppola was afraid to put “crazy” Hopper with Marlon Brando in a scene and he was right: The two hated each other. They had to shoot their shared scenes in separate shots. When Kurtz throws the book at Hopper’s character and calls him a “mutt,” that was probably one of Brando’s many improvisations.

    15. Coppola contemplated suicide or injury to get out of finishing the film

    Paramount

    As he says at one point in “Hearts of Darkness,” “I’m going to be bankrupt anyway. I’m thinking of shooting myself.” He was so desperate to get off the film, he contemplated what kind of sicknesses he could get or how he could maybe injure himself by falling off a platform, so he could have “a graceful way out.”

    16. Coppola convinced John Milius the film was going to win a Nobel Prize

    John Milius, who wrote the original script, recalls that he was called in to put the script back together after Coppola’s extensive revisions.  He was told by the frustrated crew to talk some sense into Coppola. Instead, Francis had him convinced this was the first film that would win the Nobel Prize.

  • 17 Things You Never Knew About ‘Apocalypse Now’ on its 40th Anniversary

    17 Things You Never Knew About ‘Apocalypse Now’ on its 40th Anniversary

    United Artists

    It’s now been 40 years since Francis Ford Coppola gave us one of the greatest and most mind-bending war movies of all time. “Apocalypse Now” has lost none of its power over the decades. So strap on your helmet and head up-river to learn some interesting trivia about the background and infamously troubled production of “Apocalypse Now.”

    1. Writer John Milius listened exclusively to music by The Doors and Richard Wagner while he worked on the screenplay. Milius said he believed The Doors to be “the music of war,” a fact which greatly upset the members of the band.

    2. The majority of the dialogue had to be re-recorded during post-production, as the jungle environments and heavy background noise made much of the original dialogue impossible to use.

    3. Coppola originally offered the role of Captain Willard to “The Godfather” star Al Pacino. Pacino declined, telling Coppola he had no interest in spending months shooting in a swamp.

    Paramount Pictures

    4. Pacino was also one of several actors Coppola considered as a potential replacement for Marlon Brando, who repeatedly threatened to quit.

    5. Harvey Keitel was originally cast as Willard and was fired after two weeks of filming. At least one shot of Keitel’s Willard made it into the final version of the film.

    6. Martin Sheen largely improvised the scene where Willard has a meltdown in his hotel room. Sheen was heavily intoxicated and actually cut his hand when he punched the mirror.

    United Artists

    7. Sheen’s brother Joe Estevez plays an essential but uncredited role in the movie. Estevez served as a stand-in for his brother while Sheen was recuperating from a heart attack, and also provided the voice-over work for a large portion of Captain Willard’s narration.

    8. Coppola opted to frame Colonel Kurtz in shadow for most of his scenes, mainly to hide the fact that Brando arrived on-set extremely overweight.

    United Artists

    9. The friction between Brando and Coppola became so great that Assistant Director Jerry Ziesmer eventually took over filming for Brando’s scenes.

    10. Harrison Ford specifically chose his character’s name, “G. Lucas,” in tribute to “Star Wars” and “American Graffiti” director George Lucas. Lucas was once slated to direct “Apocalypse Now” himself, which he envisioned as a faux-documentary.

    11. The film’s famously disaster-ridden production is chronicled in the 1991 documentary “Hearts of Darkness: A Filmmaker’s Apocalypse.” The production went so far over budget that Coppola was forced to mortgage his house and winery in order to finish filming.

    Triton Pictures

    12. Widespread drug abuse was another major problem during filming. Dennis Hopper reportedly caused a teenage Laurence Fishburne to become addicted to heroin.

    13. Because the film includes no opening title card or credits, Coppola needed to include the shot of the graffiti tag “Our Motto: Apocalypse Now” in order to ensure the film could be copyrighted.

    United Artists

    14. The American Humane Association slammed the film with an “Unacceptable” rating after it was discovered the scene where the water buffalo is slaughtered was actually real.

    15. Coppola repeatedly struggled with his vision for the ending of the movie. Originally, the screenplay ended with Kurtz convincing Willard to join him and both men dying in a military airstrike, but Coppola opted for a less depressing finale.

    United Artists

    16. There are several alternate versions of the film in existence. 2001’s “Apocalypse Now Redux” adds 49 minutes of deleted footage, including the lengthy sequence where Willard and his crew encounter the French plantation owners. A bootleg workprint cut includes even more deleted footage, such as a death scene for Hopper’s character.

    17. 2019 will see the release of “Apocalypse Now: The Final Cut,” a 4K restoration that cuts roughly 20 minutes of footage that was added to “Redux.”

  • A New ‘Anne of Green Gables’ Movie Is Coming to PBS This Thanksgiving

    anne of green gables, tv movie, PBS, ella ballentine“Anne of Green Gables” is once again a hot television property: After Netflix announced an upcoming “Anne” series, another new adaptation of Lucy Maud Montgomery’s classic novel is now coming to PBS.

    The TV movie “Anne of Green Gables” stars Ella Ballentine as the titular orphan, and Martin Sheen as Matthew Cuthbert, the man who takes in Anne along with his sister, Marilla (played by Sara Botsford). The flick was originally produced for Canadian television, and aired in the country back in February.

    According to Canada’s Global News, this adaptation of “Anne” sets itself apart from the iconic 1980s miniseries as “a more modern take on the story, with darker, edgier moments that take it out of the past and into the present.” It was produced in part by Montgomery’s granddaughter, Kate MacDonald Butler.

    This version is unrelated to the upcoming Netflix and CBC co-production, an eight-episode series to be written by Emmy winner Moira Walley-Beckett (“Breaking Bad”) and directed by Niki Caro (“Whale Rider”). That series is set to debut on both the CBC and Netflix sometime in 2017.

    “Anne of Green Gables” airs on PBS on Thanksgiving Day, November 24.

    Photo credit: YouTube/YTV

  • Why Lily Tomlin and Jane Fonda Are (Rightly) Angry About Their Netflix Pay

    Premiere Of Netflix's "Grace And Frankie" - Red CarpetHere’s a recent real-world example of the pay gap that gets discussed a lot in theory: Grace and Frankie,” but they discovered they are getting the same pay as their male co-stars, Martin Sheen and Sam Waterston. Sheen and Waterston are no slouches, but it’s not their show. As the actresses told reporters at Netflix press day (via Zap2it):

    Fonda: “[Tomlin] found out [Waterston and Sheen] are getting the same salary that we are. That doesn’t make us happy.”

    Tomlin: “No. The show is not ‘Sol and Robert’ — it’s ‘Grace and Frankie.’”

    Good for them for saying something publicly, even (or especially) at a Netflix press event. But will it make a difference? Zap2it said Netflix had no comment when they asked for a response to the actress’ claims. It would be nice for them to weigh in on this, one way or the other.

    Pay disparity is, sadly, nothing new. It was only revealed through the Sony hacks that both Jennifer Lawrence and Amy Adams were paid less than their male counterparts for “American Hustle.” The Hollywood Reporter just referenced that pay gap when noting why Jennifer Lawrence and her CAA reps were demanding $20 million for the movie “Passengers.” They wrote that Lawrence “had gotten a smaller percentage of the profit pool from American Hustle than co-stars Bradley Cooper, Christian Bale and even Jeremy Renner. Lawrence – arguably the biggest star of the lot at the time – was getting seven points, while the men got nine each. As Sony president Doug Belgrad noted in a hacked email, ‘It’s a joke that JLa is at 7 and Renner is at 9.’ Having not found that joke funny, sources say Lawrence was prepared to walk away from Passengers if she didn’t get to $20 million on this film…”

    It’s a crime for Jennifer Lawrence to get less than Jeremy Renner, for that movie or any movie, and it’s shameful if Tomlin and Fonda aren’t getting top pay with their top billing. Keep fighting back, ladies!
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  • Jane Fonda and Lily Tomlin Are Blindsided in the ‘Grace and Frankie’ Trailer

    Grace and Frankie
    Netflix has released a trailer for its new original series, “Grace and Frankie,” starring Jane Fonda and Lily Tomlin as the titular women whose lives are turned upside down by a shocking revelation.

    The women are blindsided when their husbands (Martin Sheen and Sam Waterston) tell them that they are gay, and are leaving their wives for each other. They want to get married, Sheen’s character explains, “‘Cause we can do that now.”

    “I know, I hosted that fundraiser,” a frustrated Frankie replies.

    Plenty of hijinks ensue, including Sheen and Waterston trying to explain their relationship — they’re both partners at a law firm, and life partners — to confused friends and relatives. One of Grace’s daughters (Brooklyn Decker) assures her that they’ll find someone for her to talk to about her feelings, while the other (June Diane Raphael) wonders if a support group “for wives of husbands who turned gay in their 70s” even exists.

    Some of the humor seems a little broad, though we trust that the series is in good hands with these capable comediennes at the helm. “Grace and Frankie” also stars Ethan Embry and Baron Vaughn. It hits Netflix on May 8.

    Photo credit: Melissa Moseley for Netflix

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