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Tag: lisa-henson

  • Robert Eggers Reportedly Directing New ‘Labyrinth’

    (Left) Director Robert Eggers on the set of his film 'Nosferatu', a Focus Features release. (Right) David Bowie as Jareth in 'Labyrinth.' Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.
    (Left) Director Robert Eggers on the set of his film ‘Nosferatu’, a Focus Features release. (Right) David Bowie as Jareth in ‘Labyrinth.’ Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.

    Preview:

    • Robert Eggers is reportedly to make a new ‘Labyrinth’ movie.
    • The likes of Scott Derrickson and Fede Álvarez have been attached in the past.
    • The 1986 original starred Jennifer Connelly and David Bowie.

    Writer/director Robert Eggers has his most recent stab at celluloid fear, ‘Nosferatu’ on screens at the moment. The movie, a new version of what was a bootleg take on ‘Dracula’ features some truly creepy character work and both psychological and physical horror.

    Given that, and his history with movies such as ‘The Witch,’ ‘The Northman’ and ‘The Lighthouse,’ he might not appear to be the first person you’d think to tackling a remake of a film originally brought to screens by Muppet maestro Jim Henson, which for all its scarier themes, is mostly a family fantasy adventure.

    And yet, at least according to reporter Jeff Sneider, that’s exactly what could happen, as Sony has Eggers setting his sights on a reboot of 1986 movie ‘Labyrinth.’

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    What’s the story of ‘Labyrinth’?

    (L to R) David Bowie as Jareth and Jennifer Connelly as Sarah in 'Labyrinth.' Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.
    (L to R) David Bowie as Jareth and Jennifer Connelly as Sarah in ‘Labyrinth.’ Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.

    The original movie was directed by Henson and naturally features a fair amount of fresh felt creations from his workshop.

    Jennifer Connelly stars as Sarah Williams, a teenager forced by her father and stepmother to babysit her baby stepbrother, Toby, while they are out.

    The child will not stop crying, and Sarah wishes that he would be taken away. Out of the blue, he stops crying and when she looks for him in his crib, she learns that her wish was granted, and the Goblin King Jareth (David Bowie) has taken him to his castle in the Goblin City in the middle of a labyrinth. Sarah repents and asks Jareth to give him back, but Jareth tells her that she has to rescue him before midnight.

    Sarah finds some willing allies, but the question remains… Will they rescue Toby in time?

    Henson came up with the original story alongside Dennis Lee, and script duties were handed over to Monty Python member Terry Jones (with Elaine May contributing an uncredited polish to boost the characters and humor of Sarah and Jareth).

    Related Article: Brian Henson Talks ‘Labyrinth’ Digital Re-Release and Playing Hoggle

    What has happened with the new version so far?

    The CEO of the Jim Henson Company, Lisa Henson.
    The CEO of the Jim Henson Company, Lisa Henson.

    Eggers considering the new movie might not be as strange as it sounds, as Sony and the Jim Henson Company (run by Henson’s daughter, Lisa) has had horror filmmakers attached in the past.

    There have been loose plans to make a new ‘Labyrinth’ film for several years, though a direct sequel would certainly seem to be a tough ask given the death of Bowie in 2016. The challenge of finding someone who could channel his unique energy is surely a huge one.

    At one point, ‘Alien: Romulus’ filmmaker Fede Álvarez was planning to direct before he announced in 2020 that he had stepped down. At the time, it was reported that the project was still moving forward with ‘Doctor Strange’ and ‘The Black Phone’ director Scott Derrickson taking over at the helm.

    Yet Derrickson revealed last year that his version had stalled at the script stage. Here’s what he told Comicbook.com:

    “I don’t know what’s happening with that. We never got the script all the way to a place where the studio wanted to make it, but I was very proud of the work that we did on it. And it’s a hard, hard project to turn into something commercially viable, because it’s so imaginative and surreal that there’s no way that it can be done cheaply. And at the same time, it’s so daring and different that it is a tough movie for a studio to feel competent that it has enough commercial value to earn a profit. So I think that it’s a tough nut to crack, but all I can tell you is I’m very proud of the work that we did on it. We certainly had a great film in mind. Because the project is still in development, I probably shouldn’t say… I think we had a really cool idea, but I don’t want to blow that in case the movie does get made.”

    While the issue of Bowie remains up in the air, Connelly has said that she at least had conversations about returning, though she admitted to Collider that she wasn’t sure where the movie was going to land.

    According to Brian Henson –– Jim’s son and a director in his own right who also works for the family company, there is still life in the project, according to his statement to Comicbook.com:

    “That’s a question you have to ask my sister. My sister Lisa, who’s CEO of the Jim Henson Company. That is a project that we are very excited about, but we can’t talk about it.”

    Nothing official has yet been said about Eggers’ involvement, nor whether he’ll look to make a legacy sequel or re-imagine the original (as he has with his atmospheric ‘Nosferatu’), but we’d certainly be intrigued to see what might result. Does anyone have a set of juggling crystal balls we can use to get a glimpse?

    When will then new ‘Labyrinth’ be in theaters?

    'Labyrinth' is available for purchase or to rent on digital beginning February 6th.
    ‘Labyrinth’ is available for purchase or to rent on digital beginning February 6th.

    With the film still seemingly stuck in development limbo, we’re not even going to guess at this point when it might head to theaters.

    But if Eggers can actually make it happen, then it has a stronger chance than ever of actually getting to screens.

    'Nosferatu' director Robert Eggers.
    ‘Nosferatu’ director Robert Eggers.

    List of Robert Eggers Movies:

    Buy Tickets: ‘Nosferatu’ Movie Showtimes

    Buy Robert Eggers Movies on Amazon

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  • ‘The Dark Crystal’ Digital Re-Release Interview: Lisa Henson

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    Available for purchase or to rent on digital beginning February 6th is the Jim Henson and Frank Oz directed classic ‘The Dark Crystal,’ which was a departure from their work with The Muppets and featured groundbreaking animatronics.

    'The Dark Crystal' will be available for purchase or to rent on digital beginning February 6th.
    ‘The Dark Crystal’ will be available for purchase or to rent on digital beginning February 6th.

    Moviefone recently had the pleasure of speaking with the daughter of Jim Henson and CEO of the Jim Henson Company, Lisa Henson about the digital re-release of ‘The Dark Crystal.’ She discussed the development of the project, why her father wanted to direct something darker and fantasy-driven, the movie’s advances in animatronics, the popularity of the movie, the future of the franchise and the legacy of Jim Henson.

    You can read the full interview below or click on the video player above to watch the interview.

    Related Article: Brian Henson Talks ‘Labyrinth’ Digital Re-Release and Playing Hoggle

    The CEO of the Jim Henson Company, Lisa Henson talks 'The Dark Crystal' digital re-release.
    The CEO of the Jim Henson Company, Lisa Henson talks ‘The Dark Crystal’ digital re-release.

    Moviefone: To begin with, can you talk about the development of this movie and why your father wanted to do something darker and more fantasy-driven after the success of ‘The Muppet Show’ and ‘The Muppet Movie’?

    Lisa Henson: He was not expected to take this kind of turn. He was so successful with ‘The Muppet Show,’ and strangely, he himself decided to stop making ‘The Muppet Show’ and end it after five seasons. That was unusual at the time, but it was very indicative of his personality because he was restless. Even at the height of ‘Sesame Street,’ the Muppets stayed on ‘Sesame Street,’ but he himself decided he wanted to do a different kind of a show, a variety show with the Muppets. Similarly, when the Muppets were at the very height of their success, he was thinking that he wanted to do something else. He didn’t use the word immersive, but more immersive, where the whole world is brought to life. He met Brian Froud after seeing some of his artwork. Really, that partnership and that friendship kicked off the whole development of ‘The Dark Crystal’ because Brian was making creatures that my father knew could be built, but they had never been built before. He looked at those beautiful troll drawings that Brian did, and he had a lot of published work. I think that my father and the puppet builders knew that those things could be built with the techniques that they were starting to work on. He was experimenting as well with slightly different textures with the ‘Saturday Night Live’ puppets, with different sorts of realistic eyeballs. Instead of everything being a fluffy, furry character, these had different sorts of sculpted and molded texture. So, a lot of it was technical. He always wanted to solve a new technical challenge, but he was also very interested in a bigger fantasy world and was very attracted to the art of Arthur Rackham and other British illustrators who made a whole world of creatures. His dream project really was ‘Dark Crystal,’ and he was allowed tremendous freedom in the development. So, you asked about the development. The financier on ‘The Muppet Show’ gave him almost a blank check to do whatever he wanted for this fantasy film. He was able to have people drawing, sculpting, and coming up with new techniques. It’s like the world was developed even before the story was, and the script, which David Odell wrote was really coming in to focus later. So, this was a movie that was a classic world building exercise.

    1982's 'The Dark Crystal.'
    1982’s ‘The Dark Crystal.’ Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.

    MF: Can you talk about the groundbreaking animatronics that your father helped create for this project?

    LH: If you put yourself back to pre-CGI, pre-everything, they had no computer support to rely on either visually or even in terms of driving the mechanics. The contemporaneous puppetry is Yoda (from ‘The Empire Strikes Back’ and E.T. (‘E.T. the Extra-Terrestrial’), which in each case, was one character. The Henson Company was building an entire world with hundreds (of puppets). So that was sort of the scale of what they were trying to do, which was also amazingly ambitious. So, some of the same things that were being solved with Yoda and with E.T., whether it was eye blinking or fingers, all these things were mechanical and engineering challenges. Even the foam that something might become, the skin was a challenge, and everything was an engineering challenge. Then ‘Dark Crystal’ doubled, tripled, and quadrupled the challenge by the array of characters that they wanted to put on screen.

    1982's 'The Dark Crystal.'
    1982’s ‘The Dark Crystal.’ Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.

    MF: The film was not well-received at the time of its release but has gone on to become a modern classic. Can you talk about the legacy of the movie, and did your father live long enough to see the movie become beloved by fans? If he was here now, what would he think about the fact that we are still talking about ‘The Dark Crystal’ almost 40 years later?

    LH: I think it makes me wonder what it would’ve been like for him to live and see that both movies, both ‘The Dark Crystal’ and Labyrinth have become enduring classics that are extremely appreciated for the artistry and the innovation that went into them. At the time, ‘Dark Crystal,’ critically was complicated. It was respected on a certain level, but people felt a bit betrayed. “Why are the people who did ‘The Muppets’ doing something that’s a little scary?” But at the same time, there were people who appreciated it, and it did perform well internationally, and maybe even a little better in America than people feared. So, ‘The Dark Crystal’ performed well enough that he was able to get the financing with George Lucas‘s help for ‘Labyrinth.’ Then ‘Labyrinth’ is the one that performed badly. So, they were not both failures, but the ‘Dark Crystal’ while it performed well was a little bit critically complicated because it was just so different from what people expected from him coming off ‘The Muppet Show’ and ‘The Muppet Movie’.

    Netflix's 'The Dark Crystal: Age of Resistance.'
    Netflix’s ‘The Dark Crystal: Age of Resistance.’ Photo: Kevin Baker.

    MF: The franchise recently expanded with Netflix’s prequel series, ‘The Dark Crystal: Age of Resistance,’ are their plans for more live action ‘Dark Crystal’ in the future?

    LH: We are always doing ‘Dark Crystal’ stuff. One of the things we have done between productions is publications and graphic novels. So, we develop storylines for the world of Thra, which if you didn’t know, it is the name of the planet in ‘Dark Crystal.’ So, we are always opening that world up with books and graphic novels in between productions.

    Director Jim Henson and Brian Henson as Hoggle on the set of 'Labyrinth.'
    (L to R) Director Jim Henson and Brian Henson as Hoggle on the set of ‘Labyrinth.’ Photo: The Jim Henson Company. Copyright: Labyrinth Enterprises.

    MF: Finally, can you talk about your father’s legacy and the work of the Jim Henson Company that continues to this day?

    LH: We have a lot of fun managing the legacy, and whether it’s making a brand new ‘Fraggle Rock’ show for Apple or making ‘The Dark Crystal’ prequel series, ‘Age of Resistance’ for Netflix, which was one of the most rewarding experiences of my life. To be able to bring that world to life again, I never thought we would do it. With ‘Fraggle Rock’ as well, those shows were so beautiful and so complicated that being offered by today’s streamers the chance to go back and revisit and do puppet spectaculars again, it’s been wonderful and rewarding.

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    What is the Plot of ‘The Dark Crystal?’

    On another planet in the distant past a Gelfling embarks on a quest to find the missing shard of a magical crystal and restore order to his world before the grotesque race of Skeksis find and use the crystal for evil.

    Who is in the Cast of ‘The Dark Crystal’?

    'The Dark Crystal' will be available for purchase or to rent on digital beginning February 6th.
    ‘The Dark Crystal’ will be available for purchase or to rent on digital beginning February 6th. Photo: ‘Dark Crystal’ theatrical poster with art by Richard Amsel.

    Other Jim Henson Company Movies:

    Buy Jim Henson Movies on Amazon