Tag: kristen-bell

  • Adam Scott Meeting His Childhood Hero Mark Hamill Will Give You Chills

    Last night, Adam Scott‘s childhood dream came true, when Mark Hamill finally answered his birthday party invitation. Sure, the “Star Wars” icon was nearly 40 years late, but Scott still called it “one of the best moments of my life.”

    The “Parks and Recreation” and “Big Little Lies” star was on “Jimmy Kimmel Live” yesterday, which also happened to be Star Wars Day. Kristen Bell was guest host for Jimmy, who is taking time off to tend to his newborn son, and she got Adam to talk about his lifelong love for Star Wars. Adam, now 44, said he invited Mark Hamill (Luke Skywalker) to his birthday party back when “The Empire Strikes Back” was about to come out, which would’ve been in 1980.

    So Adam wrote Mark Hamill a letter, asking him to the party, and kinda thought the actor might really show up. But he didn’t. (Liam Neeson would’ve.) Adam said he wasn’t crushed, he imagined Hamill must’ve been incredibly busy. In the middle of telling his story, the “Star Wars” theme music started playing, and Adam was visibly surprised. They cut to Mark Hamill, with a lightsaber in hand, coming in from backstage.

    Adam Scott’s reaction. He was all of us. You can tell he’s a real fan, and that was real shock.

    Watch and love:

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  • Kristen Bell Sets Up ‘Frozen’ Promposal on ‘Jimmy Kimmel Live’

    Taking over for Jimmy Kimmel last night, Kristen Bell announced, “I’m in charge tonight, so I can do whatever I want.” That ended up being a “promposal,” a la her hit movie “Frozen.”

    First, Bell picked two audience members “at random” to play a game called “The Fast and the Frozenest.” Zoe was dressed as Elsa and Sarah as Anna — “the better one,” Bell joked. She then sent them out to Hollywood Blvd. to find a guy dressed like Kristoff.

    As soon as the women dashed out the front door, Bell leveled with the audience that it was all a set-up: “Sarah’s high school prom is coming up in a few weeks and one of her classmates, a guy named Michael, asked her to help ‘prompose’ to her.” The other girl, an actress, “is probably halfway home by now,” Bell said as we watched Sarah find a guy wearing a giant Kristoff head.

    Bell admitted that the two had never even gone on a date before and that, “This could all go terribly wrong. But you gotta admit that it would be great TV, right?”

    When Sarah returned with Kristoff, Michael took off the character’s head and got Bell to sing, “Do You Want To Build a Snowman” but with new lyrics: “Do you want to be his prom date…. if you say no, he’ll have to take his Mom!” Fortunately, Sarah said yes.

    Watch the whole promposal here:

    Jimmy Kimmel is taking the rest of the week off after announcing Monday night that his newborn son is recovering from heart surgery.

  • Why CHIPs Star Kristen Bell Loves Working with Husband Dax Shepard

    Kristen Bell of CHIPS
    Kristen Bell of CHIPS

    Why Kristen Bell Loves Working with Husband Dax Shepard

    She loves a man in uniform and she loves a man on a motorcycle. Luckily for Kristen Bell, she gets a little of both in husband Dax Shepard in their new comedy “CHIPs.”

    Shepard wrote and directed the reboot of the old TV show about California Highway Patrol officers in their latest collaboration.

    “I loved working with my husband,” the actress tells Made in Hollywood reporter Julie Harkness Arnold. “I married him because I like spending time with him. I also married him because I trust him. And that’s really what it is. When we work together we get to spend time together.”

    Kristen Bell Defers to Dax Shephard on Set, But at Home …

    Professionally, Shepard knows just how to treat her, she says.

    “He writes to my strengths when he writes roles for me,” says Bell, who has appeared with Shepard in commercials and in the comedy “Hit and Run,” which he also wrote and co-directed. “So it’s perfect, because I know he wants his movies to look good. But he wants me to look good. It’s a safety net. I know he’s on my team. I would work for him any day of the week.”

    So does she ever feel compelled to offer some helpful suggestions?

    “At home, for sure,” she says. “But he knows a lot more about moviemaking than I do. And our whole life together is: Best idea wins. So if I have a better idea at home, it wins. If he has a better idea on set, it wins. It’s not really about who comes up it. … It’s not an ego competition.”

    Bell never watched the original TV show, though she did have her minor encounters with with the lawmen of the highways while growing up in Michigan.

    “I haven’t actually ever been pulled over in California,” she says. “When I was a teenager, sure, because you’re speeding all the time when you’re a teenager because you don’t realize the rules exist to keep people safe.”

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  • Dax Shepard Encouraged Wife Kristen Bell to ‘Suck Off Josh Duhamel’s Mustache’ in ‘CHiPs’

    People's Choice Awards 2017 - Red CarpetIf you ask Kristen Bell, her Good Place is working alongside her husband.

    Her previous collaborations with her actor/writer/director hubby Dax Shepard have included her films “When in Rome” and “Veronica Mars,” his film “Hit & Run,” commercials for various Samsung products and that epic homemade African vacation video set to Toto’s “Africa.” And now, Bell’s got a choice, bitchy role in “CHiPs” (out Friday), Shepard’s latest on-screen and behind-the-lens project, playing the indifferent, almost-single-and-already-mingling soon-to-be ex-wife to his motorcycle officer Jon Baker.

    And after a considerably great career year that included the success of solo projects, like her clever new series “The Good Place” and her film “Bad Moms,” Bell reveals that she’d have no qualms if the couple worked side-by-side as often as they’re able for the rest of their careers: for example, he even handpicked the hot, handsome actor she gets to make out with in front of him without batting a jealous eye.

    But, as she reveals to Moviefone, “Dateline NBC’s” Keith Morrison could have a shot … if only his wife were more flexible.

    Moviefone: I want you to walk me through this. Usually, you’ll get a gig, and you’ve got to say to Dax, “I’m going to be kissing this guy in this movie, this is what the director needs from me.” The situation’s is a little different with this one. Did you get to pick the guy you get to kiss?

    Kristen Bell: Sort of. Weirdly, Dax is very disconnected from sexual interactions on camera. He doesn’t really think they count, and, in a way, they don’t. But he very much encouraged me to try and suck off Josh Duhamel‘s mustache.

    We knew we needed a babe. Josh is the No. 1 babe we know. We just called him out of the blue and said, “Would you do a day on ‘CHiPs’? Can we write you in? Because we need a hunk.” He said, “Of course!” We were very grateful.

    Then I just adore him so much, and he played that part so sincerely. That’s why it was so funny, because when you’re hearing Jon moan in the background in pain and Karen is ignoring him, and Josh’s character Rick is like, “Is he OK?” It’s so real, it’s heartbreakingly funny.

    Were you testing Dax at any point to see how far you can go with this and see if I can get any kind of reaction?

    I know for a fact I would never get a reaction. I could have put my hands down Josh’s pants, and the only person I would have surprised — or offended — is Josh.

    Does it work the other way around, when you see him do love scenes?

    Sometimes. At one point on “Parenthood” I was like, when he was making out with Minka Kelly, I’m like, “Oh, you didn’t let me know that this happened.” And he was like, “Am I supposed to just announce it to you?”

    It is a weird, touchy situation because you should technically tell your spouse, but at the same time, you don’t want to make a big deal out of it. But you know what? I think that if he gets a freebie here and there, good for him. Good for him!

    Do you guys have certain rules or philosophies about when you work together, like there’s a professional mode you try to be in?

    Because we’re in the acting world, a lot more slides. We’re allowed to have PDA. Yeah, if we were at an accounting firm or a lawyer’s firm, we probably couldn’t have as much PDA as we have on set. But because it’s a community of artists, a lot more is taken with a grain of salt. We don’t actually separate anything. I married him because I enjoy spending time with him, and I trust him. Those are the same reasons I want to work with him.US-ENTERTAINMENT-GOLDEN-GLOBE-ARRIVALSI think a lot of people in Hollywood are afraid to work with their significant others — they don’t want to appear to come as a packaged deal always, or whatever. Do you guys feel that way? Or would you rather do almost everything together?

    I would do everything together. I’m not sitting in the audience of my life. I’m not watching how I’m being perceived, I’m not tracking how I’m being perceived. I don’t really care. I care if I wake up happy and I go to bed happy. So I could try to keep tabs on this idea of who people think I am, or where they think I fit, but it’s all so meaningless, and it changes with the wind. I just care much more about being happy on a day-to-day basis, so I want to be with and work with my husband.

    What is especially fun about working with him, just him as the creative artist?

    That he creates a dynamic on set where the No. 1 priority is fun. He has a meeting, I guess it’s about once a week, with everybody on set, where he calls everyone to a huddle and he says, listen, “We are here to have fun. First and foremost, we are making movies. Everyone wants to do this. We are the lucky ones, which means we have a responsibility to have fun. If you’re not having fun, come see me, let me know how I can help. If you don’t want to be here, you’re welcome to go. God speed in everything that you do. But let’s accomplish this day with having a lot of fun.”

    It makes me just levitate with pride to see the man I love conduct himself like that, and be an influence of joy over so many people.

    Where do you fit into his world of being a gearhead with cars and motorcycles? Is there any place in there for you?

    No, the blender confuses me! That is not my world. I have no interest. I like that he likes them. I watch a lot of motorcycle videos with him, and I smile, and I nod. I love him so much, and all of his cute interests.

    Are you seeing your kids being drawn into that? As the protective mom, are you like, “Um, hey …”?

    Our oldest daughter just learned to ride a bike, yesterday actually. No, it’s not something I hesitate on, because they wear their helmets. If they’re interested in it, my hesitancy isn’t going to make them uninterested in it. I think you have to follow the kid. They’re not going to do anything too dangerous that I’d ever have to be worried about.

    Do you see little actors in them yet?

    Yeah, they both have a flair for drama. But I think all two and three-year-olds do. But yeah, they do both like to tell jokes, which is kind of cool.

    Are they good at telling their jokes?

    For a two and three-year-old, yeah. Like calling things different names, pulling the one-two switcheroo. Yeah, they’re pretty decent at it.

    What’s the fun of playing a shitty person?

    It’s just so exciting to be that selfish. It also feels very wrong, and very, what’s the word? It feels risky, and a little scary, which is what makes it fun. Because I would never act that way in real life, because I’m too worried about the consequences. But in pretend mode, there are no consequences.

    You had a real high-wire act of doing that on “The Good Place.” But keeping her somebody that we still are invested in, and talk about a payoff. That season was fantastic.

    Oh, I’m so happy!

    Tell me about finding how to indulge in her worst attributes, but still keep the audience invested in her.

    That’s what I love most of all, is seeing someone on paper who is inherently unlikable, and figuring out how I can force you to invest in her. How do I captivate you enough that you’ll root for me, despite doing all these hideous things?

    It’s just one of my favorite challenges, and I think that a lot of it is something I can’t describe, that I can only sort of feel when I’m doing something that is likable, or emotionally interesting, or when I can bate someone to root for me. I can’t really describe when I’m doing that, but I feel like when I’m reading characters, like when I read “[Forgetting] Sarah Marshall,” or I read Eleanor from “Good Place,” I inherently know where to place those things.

    Were you watching closely the reaction to the finale? Were you keeping an eye on social media and that kind of thing?

    A little bit. I looked at it the day after, and I was very, very happy with the response. Because I was worried people would figure it out.

    How much do you know about what’s ahead? Are you at full stop like the rest of us, or … ?

    More than I wish I did!

    Really?

    Mike Schur just pitched me Season 2 and possibly Season 3, then also threw out a couple actual endings of where it could go. I don’t know if ending is the right word. He is an incredibly impressive individual, and it is very exciting to be a part of a show that literally has no boundaries, because you can do anything.

    When we’re having this pitch conversation, I’m like, “How are you even going to show that? What do you even mean?” The ideas are very big. They always relate to a lesson in ethics or morality. It always ties in with something greater. Its heartbeat is still comedic, and I’m just unendingly impressed with our writers’ room for thinking of these weird, weird-ass ideas.

    You mentioned the ethical conundrums that “The Good Place” brings up, and we’re in interesting moment in the world, ethically, where I think we’re all looking at what’s right and what’s not right. What do you think people can draw from looking at a character like Eleanor, who seems like a crappy person on the surface, but has redeeming features? How do we apply that to the world that we’re living in now?

    I believe in second chances. I think that’s what this show also explores. I also believe in symbiotic relationships, and that the world has to be a compromise. And that it’s very dangerous when you put one person’s needs above another’s, because there’s that book they keep quoting, “What We Owe to Each Other.” It’s important and necessary for our survival for us to live a harmonious life, and I think as long as that’s valued, everything can get better.

    But that also requires listening to the people you disagree with, from both sides. My takeaway from the last year of Earth is, I’ve refused to be in an echo chamber. I don’t believe people are inherently evil. I want to listen to people with opposing viewpoints. I want to understand why they believe that.

    Because something we’ve forgotten is that most of us want the same things for our country. We want better education. We want better healthcare. We want everyone to be safer on the streets. So we just have to figure out the best solution. Not tear each other down, while also not accomplishing anything.

    It’s not easy to break out of those echo chambers, because I’ve been actively attempting to do just that.

    It’s still hard. But you have to do it. There is no solution if you don’t do it.

    And “Bad Moms” — when I heard the next one was going to have the Christmas element, I’m like, that is genius on a story level, that’s genius on a marketing level. What gets you excited about putting those characters in the holiday context?

    Yeah! Particularly Kiki, because she’s so easily stressed out, and she’s such a people-pleaser. Those are the two things you need to put to bed in order to survive the holidays. I’m excited just to work with everybody again, but I think that’s the only place it could go. It’s the one thing that’s bigger than the mom drama, is holiday drama.

    Tell me about your opportunity to interview “Dateline’s” Keith Morrison. Everything you hoped for and more?

    Everything! Sweeter than I imagined. Absolutely sweeter, and more nervous than I imagined. He was very nervous, more nervous to be in the seat of the interviewee than I was to be in the seat of the interviewer.

    You were ready — that was apparent.

    But I didn’t feel it. Look at him. I was like, this is the guy to be interviewed by, and I’ve got to flip the script here.

    Where did your Keith fandom begin?

    We love true crime, and I think, over the last 10 years, we’ve watched a lot of television. We stumbled upon “Dateline.” It’s on every night of the week. It used to be our nightly show. That’s kind of morbid, but it was also very interesting, and we just were captivated by this storyteller who his narration was incomparable to anyone else’s, his vocabulary, his smoky pipes. It was just, you wanted him to narrate your life. So it’s no surprise that he’s the voice of Waze now. That’s who you want to tell you how to get where. Yeah, and we just both slowly fell in love with him.

    What was the fun fact that you walked out of there with about Keith?

    That he’s as in love with his wife as I am with my husband. Because we were talking about how lucky in love we are, and how that matters above all else, and he said the sweetest thing: because I’ve said he’s my hall pass before, he said, “You know what my wife said to me as I left this morning?” He goes, “‘Hey, you’re nobody’s hall pass.’” And I said, “God, I respect her so much. That’s exactly what she should say to you. That is exactly what she should say to you.”

    You’re going to take some time off in the fall. Can we expect a new vacation video from you guys?

    If we get on vacation, I will do my damnedest! Yeah, we’ve blown it a couple times, because we’ve gone to places where we were like, “We should have looked up a song to do here.” After we did it, we tried to make a commitment, but we blew it. We blew it.

    You’ve been working so much lately. What do you want to do? What parts of your life to you want to connect more with or expand out with some time off?

    I really want to learn to sew. Probably wasn’t the answer you were expecting, but I do. I’ve been really thinking about how to research to buy a good sewing machine, because I really want to learn to sew. I don’t know why. I just want to.

    I love doing stuff with my hands. I do a ton of crafts with my kids. That stuff makes me happy. I’m feeling my nurturer-gatherer, want to like use glitter and sew at home. I don’t know. I’ll probably have a line of, like, kitten puffy paint sweatshirts on Etsy by the fall. I really want to learn to sew. And we really want to go on an RV trip with our family — like, drive around the country.

    If you don’t shoot that — come on! You’ve got to shoot that.

    Oh yeah, we’ll shoot that for sure, for sure, for sure! Yeah, we really want to take our kids in an RV.

    There’s not much I’m feeling I’m lacking — other than the sewing machine — because we go to the sand dunes a couple times a year, so he gets to off-road. That means we get to live in the motor home, which we love. We travel for work. We see cool places. I get to play dress-up for premieres. The other days of the week, I take my kids to school. So I feel pretty fulfilled.

  • Dax Shepard Talks ‘CHiPs’ Stunts, Worshipping Toto, and That ‘Scooby-Doo’ Project

    Celebrities Visit Univision's 'Despierta America'If the favorite TV show of your youth had a major high-speed element to it, chances are Dax Shepard might be interested in modernizing it for the movies.

    A self-admitted enthusiast of all things motorized and fast, Shepard’s the first to admit that the despite enduring in many viewers’ memories for four decades, story- and premise-wise there wasn’t a lot of there there in the TV series “CHiPs,” which nevertheless ran for six well-rated seasons on NBC from 1977-1983, best recalled primarily for the motorcycles, the tan California Highway Patrol uniforms and Erik Estrada‘s mega-watt smile.

    That was enough for writer/director/actor Shepard, who, after enthusiastic reviews for his 2012 feature film “Hit & Run,” was hot to helm another supercharged action-comedy and found that “CHiPs” provided all the basic ingredients he was craving but also left him plenty of room for reinvention. With Michael Pena playing Ponch and taking on the Jon role himself, Shepard recruited a cast with razor-sharp chops in both comedy and drama — including Vincent D’Onofrio, Adam Brody, Rosa Salazar, Jane Kaczmarek, and his wife Kristen Bell – and revved the engines.

    And as Shepard reveals to Moviefone, there’s a few more TV-to-big-screen prospects on the horizon — just as long as he gets to do his fair share of stunts.

    Moviefone: Let’s look back to your very first impressions of the TV show “CHiPs” when it was on the air. Were you a kid that like immediately went out and got on your bike right afterwards and tooled around the neighborhood like you were Jon or Ponch?

    Dax Shepard: I did do that, but in all honesty, my brother and I were more likely to be playing Bo and Luke Duke — we both wanted to be Bo Duke. What I really remember about that show was, I was in cold and gloomy Detroit, which was grey for eight months of the year. So you turn on this show, and it was California for an hour. It was palm trees and beaches, then this totally odd couple for us in Michigan: it’s a Latino guy and a white guy, and they’re on motorcycles.

    So those things I loved as a kid: motorcycles, California, and Jon and Ponch somehow, I liked those guys. I didn’t follow the plots of many of those episodes. As I watched them when I was writing this, they make maybe even less sense to me. So what I zeroed in on, the thing I thought made it a globally appealing show, was those things: California and motorcycles.

    That’s pretty much what I think everybody has of “CHiPs” memories to hang on to.

    Yeah, and a great theme song.

    Given you had that sort of mostly blank slate to start with, tell me about your process in building a movie out of that. What did you want to do with it?

    I’m always looking for anything that can combine motorsports and comedy, because all my free time is spent doing, if I’m not with my kids, I’m doing something that you put gas in. What I wanted to make was “Bad Boys” and “Lethal Weapon.” Those are the action-comedies that I love.

    That was the singular goal. I think over the last 10 years, the action-comedies tend to be really comedies, and then they have a little bit of throwaway action. I was more interested in like getting the motorcycle chases right than I was worried about, say, Peña and I being funny or something.

    So yeah, I was just looking for a way to make “Bad Boys” and this was something Warner Bros. felt like there was a big enough of a safety net with the title that they let me do that.

    Given that you’re kind of a gearhead then, where was the line when you wanted to do a stunt, and actor Dax was saying, “Let me do this,” and the director Dax was saying, “Is that the safest option?”

    There was never an internal battle. I don’t have that voice in your head that says, “Don’t do it.” But what I had was two pretty lengthy meetings with the insurance provider during prep, and they just brought in an itemized list of every single stunt, and they said, “OK, which ones do you want to do?” And I said, “Basically, everything but jump 100 feet. I can’t do that.” And they said, “OK, well, let’s talk then.”

    Then we just went through and we compromised, but what was a huge asset that I wouldn’t have even imagined was one was, because I did “Hit and Run,” and I had done 100% of that driving, and I hadn’t crashed a single car in that movie, they know of that kind of thing, which surprised me. So, for instance, on the itemized list, we go through it: “OK, you can’t drive over a car, but we’ll let you go down the staircase.” “OK, you can do a wheelie, but we don’t want you do a front-endo” — even though I did a front-endo. “Can’t do this, you can’t do this.”

    Then I said, “Oh, there’s something that is not on your list that I’m going to do in the movie, which is I’m going to be driving the black car in the opening chase scene.” And they were like, “Why? That’s not even your character.” And I’m like, “Because that’s fun to drive a car like that, and that’s why I’m making this movie so I can do that stupid stuff.” They’re like, “All right, you can drive the car.”

    All my friends are stuntmen. I certainly hang out with more stuntmen probably than actors. My stunt coordinator is just a guy I was friends with for years from riding motorcycles, and then I found out he was a stuntman, and I was like, “Oh, you should coordinate ‘Hit and Run,’” then he coordinated this.

    Doing the movie, what was a good day on the bike, and what was a not-so-good day on the bike for you?

    First of all, I got a guy who holds the world record for the longest front-endo, right? So in the beginning train scene, there’s this really crazy long front-endo. I wanted to do a front-endo so we could at least get me coming down and driving away. I did not practice on an 850-pound motorcycle — I’d only done it on a Hypermotard. So I basically just had to do it in front of the crew, and I crashed two or three times, and then we got it on the fourth time. So that was humiliating.

    On the beach I crashed, because I had this huge camera slung out in front of the front wheel, and it was burying it in the sand, so I crashed there. There were a lot of humiliating moments for me in the movie, especially because all my friends are the stunt guys who are the best.

    What was the first motorized vehicle that hooked you on this kind of action? All the way back, when you knew this was like, “I’m going to keep going fast for as long as I live?”

    Yeah, one of my most vivid memories as a kid was Silver Lake, the sand dunes on Lake Michigan, and my father was very into off-roading in the sand dunes. His buddy had a three-wheel dune buggy. I went for a ride in it at maybe three years old, maybe a little younger, and it was the most exhilarating feeling I ever had, yet simultaneously to the pleasure was the front wheel of this three-wheel dune buggy was just kicking sand up in our face. Super high-velocity sand hitting my face, which was so painful, but I was so conflicted because I was enjoying it so much, and I was in so much pain. Probably my first memory.

    Everything in the film ultimately hangs on the rapport that you have with Michael. Tell me about how quickly in the process you realized you could have it with him, and then developing it and kind of making it your own thing.

    Yeah. I didn’t know him at all when I sold this, and I sold it with him attached to star. I said to the studio, “Michael Peña’s got to be Ponch.” They’re like, we love it. Then I left and I was like, I’ve got to go meet Michael Peña and woo him. So I didn’t know him at all. We did rehearse for about four or five weeks, so I was getting to know him.

    But in all truth, I’ve done movies with people who I love, and have had no chemistry with them. I’ve done movies with people I’m ambivalent about and had great chemistry. So there is some element of magic involved in all of it that the camera picks up that you can’t necessarily evaluate within the scene. So it wasn’t really until I started seeing dailies of what we were shooting I was like, “OK, we seem to have something kind of special. There’s something sparky about our relationship.”

    Then I think as he saw that, then it just started kind of growing, and the confidence started growing, and we got even more playful with that dynamic all the way until now we’re on the press tour — basically we followed the same kind of trajectory that the characters did.

    What was interesting about spending time with Erik Estrada?

    The day he came to film, we were shooting in Palmdale. It was 38 degrees, it was raining, and I thought, he’s got to be so mad he’s driven out here to be in this. And he got there, and he was in the best mood, and he was so ready to play and have fun.

    What’s immediately obvious about him when you meet him is you go, “Oh, hell yeah — I see why this guy was a humongous star.” He’s so charismatic, you can’t help but notice it, so it was a blast working with him.

    I thought all the music choices were great — and I couldn’t help but notice the band Toto seems to again have a prominent place in your life.

    It does. It does. What’s funny about that is, that video of “Africa,” which we posted, we probably would have never posted, but I had written in the [“CHiPs”] script that I yell “Turn down the f*cking Toto!” and then I asked Toto for the rights to the song, and they said no initially, because they thought I was making fun of them. And I said, “You’ve got to get me on the phone with [Toto songwriter/producer/lead vocalist] David Paich. I’ve got to tell him I’m a super fan.”

    So I get on the phone with David Paich, and I say, “Listen, I want to send you this video so you really understand the depth to which I love Toto.” So I sent him that video. He emailed me back and said, “I’ve not liked the song this much since I wrote it.” And I was like, “Wow, that’s such a stamp of approval. Then I said to Kristen, “Maybe we should post this.” So in a weird roundabout way, without “CHiPs,” I probably would have never posted that video.

    Are you still going to do a “Scooby-Doo” project for Warner Bros?

    I’ve been working on it for nine months, writing. You’re not allowed to say anything about their crown jewel IPs! It’s like the DC world. They’re very tight. Yeah, the Scooby-verse.

    Like “CHiPs,” what’s that big memory of “Scooby-Doo” that you knew you could build something out from?

    I have a similar relationship to “Scooby-Doo” as I have for “CHiPs,” which is, there’s just elements I love. It’s not that I regard it as “The Sopranos” or something. It’s just like, “Oh, there’s some stickiness to this thing. This dog talks …” Again, they’re a weird duo, this scaredy-cat stoner and this dog. That’s what I can latch on to.

    I tend to just latch on to characters in shows. That’s what I would work off of. For better or worse, I don’t tend to have a lot of reverie for things. I think it’s an asset in some ways, and then it’s offensive in other ways. Again, I felt very liberated to just do whatever movie I wanted to. The show exists perfectly preserved on TV. I can’t take that away. All I can do is offer something different up in the movie.

    Not a ton of boxes you needed to check.

    Yeah, for me. Now, other people probably would have approached it differently. The common approach for this, because they have developed many different versions of this before I got involved, they had always gone the parody route. Someone will be mad it’s not a parody.

    For Scooby, do you want to do a supercharged Mystery Machine kind of thing?

    That van’s got to get a lot cooler for sure, yeah. It can’t be that ’62 Ford or whatever the hell they were in.

    Would you jump at a chance to do “Dukes of Hazzard” if reboot time rolls around?

    I would. I absolutely would. I’d like to do “Dukes,” I’d like to do “Starsky [& Hutch],” I’d like to do “The Fall Guy.” I think it’s a really cool property waiting to be explored.

    Again, my goal is, take something you know, take something you have an expectation about, and then give you something completely different. That’s just always a very fun experience for me in a movie, when I get something I totally didn’t see coming. That’s kind of what I live for as a moviegoer.

  • Kristen Bell Gets Tips on ‘How to Murder Your Husband’ From ‘Dateline’ Host

    Kristen BellWhat do you do when your husband tries to frame you for murder? If you’re Dateline NBC” host Keith Morrison for help.

    The star of “The Good Place” sat down with Morrison to celebrate the series’ 25th anniversary for EW. She admitted that husband Dax Shepard (of the upcoming “CHiPS” movie), is “a bit of a jokester.” He borrowed her phone and Googled: “How to get away with murdering my husband.”

    “If he ends up dead, how much trouble do you think I’m in?” she asked Morrison.

    He responds, “Well, you’re in trouble anyway for even thinking about it … If anything at all happens to him, it’s your phone, it doesn’t say who Googled it.”

    He then whispers to her, “You know about antifreeze, right?”

    For anyone who’s not a “Dateline” or “Forensic Files” junkie, the not-for-human-consumption car additive has frequently been used to poison spouses. However, as all true-crime junkies know, the formula has been changed so it’s a lot harder to disguised the taste of antifreeze, even in your intended victim’s favorite sports drink.

    Bell and Shepard have been married since 2013, have two children and frequently co-star in ads for Samsung home appliances, thus ranking pretty low on the “likely to murder each other” scale.

  • Fork Yeah! ‘The Good Place’ Renewed for Season 2 on NBC

    the good place, season 2, renewed, renewal, nbc, kristen bellFans of freshman NBC comedy “The Good Place” have reason to shout “Fork yeah!” today: The series has just been renewed for a second season.

    While the show, created by “Parks and Recreation” mastermind Mike Schur, wasn’t a ratings juggernaut by any means, it was a critical darling and buzzy fan favorite that stood out among more formulaic comedic fare that debuted this TV season. The high-concept “Good Place” — about a morally bankrupt woman (Kristen Bell) who mistakenly winds up in the titular heaven-like afterlife, and must then convince the man in charge (Ted Danson) that she deserves to stay — recently ended its first season with a major, mind-blowing plot twist that desperately cried out for resolution (and more episodes).

    After making viewers wait an excruciating 11 days for news, NBC finally announced on Monday that it would indeed be renewing the series.

    “Mike Schur has always had one of the most fertile and imaginative minds in comedy, but what he brought us with the first season of ‘The Good Place’ was just extraordinary,” said NBC president Jennifer Salke in a statement. “We absolutely can’t wait to see where these characters go, literally, in season two. A big thank you to Mike, the writers and cast for delivering a series in which we all take such enormous pride.”

    Season two of “The Good Place” will consist of 13 episodes, just like season one. No word yet on a premiere date, but it will likely debut sometime during the fall TV season.

    [via: TVLine]

  • 6 Childhood Toys That Will (Probably) Be Movies Someday

    Forget books, fairy tales, or plays. Hollywood’s adaptation inspiration seems to be coming straight from the toy chest.

    Trolls” and “Ouija: Origin of Evil” are just two recent movies based on our favorite playthings of the past; there are more than few existing examples of toys being made into movies (for better or for worse), and we can only imagine that even more are being produced as you’re reading this.

    We already predicted days of the year that will (probably) be movies on day, but what about the beloved games and dolls from our childhoods? Here are six movie ideas based on some of the most memorable toys of our youth.

    We’ll be waiting for your call, Hollywood.

    1. Easy Bake OvenAn Easy Bake Oven sits on display in the Hasbro showroom dur
    Picture this: A novice home chef played by Hailee Steinfeld gets a cooking show deal after her Easy Bake Oven YouTube recipes go viral. What the world doesn’t know is … her magical oven has an (adorable) mind of its own. Catherine Zeta-Jones plays the evil network exec / failed chef who gets wind of the oven’s sorcery and attempts to steal its power, along with all of its recipes. Ina Garten voices one of the spoons.

    Tagline: Bake it easy … this Christmas.

    2. Kid Sister / My Buddy Unfortunately, we still haven’t forgotten the catchy little jingle for ’80s sensations Kid Sister and My Buddy, the stuffed friends who would hang out with you because, um, they weren’t actually human and had no choice. We could totally see this as a gritty indie comedy: Kid Sister and My Buddy, all grown up and dealing with the harsh realities of the real world. My Buddy, or Buddy, played by Jason Schwartzman and Kid Sister, Sissy, played by Sarah Paulson, live in LA, go in and out of rehab, still clinging to their glory days as celebrities of Reagan-era yesteryear. They team up to start a Kid Sister/My Buddy “reunion tour” and meet people across America who loved them as kids. They then start to turn their lives around, even though stuff gets really weird and surreal in between. At one point, they dance in an abandoned parking lot to a slowed-down techno version of their respective theme songs. Honestly, we would watch this one.

    Tagline: Stop kidding yourself.

    3. PerfectionThe pitch for this high-stakes thriller would be “Speed” meets “Jumanji” meets “Tron.” In a post-apocalyptic future, a young prodigy (Jaden Smith) is tasked with saving mankind from our enemy planet by completing a mind-boggling city-sized puzzle (basically a large Perfection board) before it combusts. Lily-Rose Depp is the young, newly crowned queen of the villainous Planet Perfecta, and Rachel Weisz is the ailing mother and formerly beloved leader she is trying to impress. Expect lots of laser beams. Christopher Nolan will be asked to direct, but he will most likely decline.

    Tagline: He’s putting the pieces together … for peace.

    4. Wooly Willy
    Magnetic facial-hair wand toy Wooly Willy has been around since the ’50s, but this story clearly must take place in modern-day Brooklyn because, why not? Kevin James is Willy Wooly (see what I did there?), a down-on-his-luck barber who can’t catch a break … or a date! After saving a mysterious woman from falling into a manhole, she gives him her wand, and he figures out he has the ability to transform his facial hair into incredibly realistic disguises. At first, he uses the wand for all sorts of antics, like pretending to be famous to score hot ladies, when really he should have been using it to do all sorts of good. Eventually he does, and ends up with his unassuming podiatrist, Eva Longoria, because movies.

    Tagline: It’s one hairy situation.

    5. Baby Alive / Baby All GoneIn this twisted horror flick, a couple, who has been trying to conceive, buys a Baby All Gone for their neighbor’s kid but realize the doll has transformed into a real, live baby, so they decide to keep it without telling anyone. The campy throwback, directed by The Duffer Brothers, will be filled with spot-on ’90s goodness and all the horror movie references you can count. Something sinister is going on with those cherries, so watch out, kiddos. Cue the creepy nursery songs. That’s one freaky infant.

    Tagline: It won’t stop until they’re … all gone.

    6. Polly PocketEverything seems pretty peachy for Polly Pocket — she’s got a sweet job as a fashion and lifestyle blogger, a cool dream house with lots of layers, roller-skates, waterskis, and tons of friends. But she’s perpetually single, which is NOT acceptable. Watch Polly (Kristen Bell) as she navigates the contemporary dating world (there are so many Tinder jokes) in this cheery, self-aware rom-com. Her love interest (Anthony Mackie) will be a publishing associate whose company is interested in buying her blog, tasked with (secretly) digging deep into her personal life. The only way to do that? Date her! But they totally fall in love and she finds out why he really asked her out in the first place and it’s a huge conflict. Sort of.

    Tagline: Love’s a game. Just keep playing!

  • Dory and ‘Frozen’s’ Princess Anna Chat on ‘The Ellen DeGeneres Show’

    Ellen DeGeneres ShowWhat if Dory the fish met Princess Anna from “Frozen”? Would they build a snowman together?

    This morning on “The Ellen DeGeneres Show,” the host and her guest, “The Good Place” star Kristen Bell, acted out a scene as their famous Disney animated characters. DeGeneres recently did this with Tom Hanks, where the two talked to each other as Dory and Woody from “Toy Story.” “You have children, and you can imagine your children at home watching you and Dory talk to each other, you know?” DeGeneres said, handing over a colorful cutout of Anna.

    With their faces in the cutouts, DeGeneres introduced herself. “Hi, I’m Dory!”

    “Hi, Dory! I’m Princess Anna!” Bell replied cheerfully. “Do you want to build a snowman?”

    But of course, Dory has short-term memory loss, and couldn’t remember either agreeing to build a snowman or even Anna’s name. “I’m Dory! Who are you?”

    And poor Anna just kept smiling! Guess she’ll have to find someone else to build that snowman.

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  • ‘The Good Place’ Star Kristen Bell Ponders Her Own Goodness

    Audiences have certainly sorted House of Lies,” scored a hit comedy film with “Veronica Mars.” Her personal life has also fascinated her fans, from her commitment to veganism to holding off marriage to husband Dax Shepard until same-sex unions were legalized in California to raising two young daughters to her adorable, not-so-mild obsession with sloths.

    But is she a good person?

    The subject of personal goodness lies at the heart of Bell’s adventurous new sitcom “The Good Place,” in which her character Eleanor arrives after a sudden life-ending mishap but soon proves to be a fish out of water, for very good reason, when it comes to fitting in the landscape of expected eternal bliss designed by the chipper afterlife architect Michael (Ted Danson).

    As Bell tells Moviefone, in her own life, she’s doing what she can to stay on a path toward being good, as she defines it — and that includes keeping up a high standard of good work. “I had already been living that way in which my mind spins with every decision I make,” she admits. “That’s not to say I don’t mess up, because I certainly do, and I guarantee you you could pick me apart and find a thousand things wrong. But I’m striving.”

    Moviefone: There was a period in the 1960s when Dean Martin had a hit television show, hit movies and hit music all at the same time. Are you our new Dean Martin?

    Kristen Bell: Oh wow! I don’t know — I don’t think so. I think I’m just having a real lucky streak, and I am going to ride this shooting star until it fizzles!

    It’s got to be pretty nice right now, because you’ve put in the work. You’ve built a nice career, and then to have different things in different directions clicking all at once has to be kind of, is it overwhelming?

    No. Weirdly, it’s not overwhelming because I don’t put a ton of stock into it. I have had plenty of projects that have fizzled. I also treat every project the same, in which I don’t really care that much about its success. I care a lot more about my day-to-day life on that project. I care that I feel like I’m doing good, smart, creative work. I care that I’m putting in effort and a lot of hard work into it. I care that I enjoy the circumstances that we’re in, with both the people around us and the environment we’re shooting in. I care about my sleep at night.

    Once all those things align, I believe that’s the recipe for getting something better — as opposed to sleepwalking or not being present through the whole process and then just waiting to check the numbers or what your stats are. I’ve really been able to unplug from the results business.

    Tell me, then: for this one, there’s a lot of obvious reasons to say “yes” to this project, a lot of great ingredients — working with Mike Schur, working with Ted Danson, working with Drew Goddard — but what was the ingredient that you discovered in the doing of it? Once you showed up to work and you were like, “Oh, this part is really cool, too!”

    Because there was no way for me to know this ahead of time, the comedic way in which Mike explains how to be a good person. It genuinely is two of my favorite things: laughing and exploring what being a good person means. And in action, I think it’s going to be a little inspiring to watch — at least I feel like I would be the perfect audience for this show.

    Also, if you talk about in doing it, things I wasn’t expecting: there are four newer actors. There are four cast members people might not be as familiar with who are incredible, and you hope when you hire someone who doesn’t have the resume of Ted Danson that they are still going to be a firework, and man, did we get lucky!

    Mike is incredibly adept at writing for an ensemble. He has developed each character in “The Good Place” neighborhood quite a bit, and it is just … it’s awesome. It makes me so proud of my new friends, going, like, “You are a star! Holy smokes!”

    Because it can be so easy to do in Hollywood, did you find yourself taking steps where you were like, ‘Am I going down the path of not being a good person?” Did you ever have to check yourself at any point?

    Yeah, I think earlier on maybe I did, because particularly in Hollywood where the carrot dangles above your head around every corner, it’s important to consider the ripple effect you have. And now I feel I’ve done enough research into what my ripple effect could be that it’s more of a gut instinct, because I know how my actions affect other people.

    But sure, earlier on, it was like what anyone experiences in life which is, “I hope I’m navigating this to the best of my ability — particularly if my objective is to be kind.”

    As I try to find my own enlightenment, I have these moments in life where I feel this sort of karmic pain of something I did in the past. Do you have things that haunt you?

    Karmic pain, karmic … just … embarrassment! But I think admitting them … Weirdly there’s, in the 12 Steps of A.A., there is a 4th step where you sort of have to identify everything you’ve done wrong, what your culpability is. I take that advice to heart.

    I think dealing with something is better than letting it fester. Even though every, every, every molecule in your body would tell you the opposite. It’s always better if you just say, “Remember when I stole that gumball out of your lunch 27 years ago? I’m sorry about that. I was being a bit of a bully,” you know?

    Being a parent adds a whole new layer, because you’re not just trying to be a good person yourself. You’re trying to guide little people into growing into good people.

    Yeah. Which is the one objective, is to not raise an a-hole. But it’s also interesting because I am such an optimist, I believed people were inherently good. I thought they’d get sidetracked and they’d get selfish, but at their heart, they’re good.

    Raising two kids, I think I’ve changed my tune a little bit. I think we’re born a little bit closer to selfish little monkeys than I had originally thought. And you actually have to learn cooperation instead of domination. And it’s possible. You know, I think you do have to teach people to be good. Now, that said, when I think when they understand goodness and kindness, it’s very easy to fall in line with it.

    American treasure Ted Danson: Tell me about the discovery of how the guy can do, quite probably, anything and make it look good.

    America’s sweetheart. My sweetheart. It’s hard to articulate Ted because he’s just such a dreamy friend and a dreamy co-star. He’s just joy personified. He makes people feel good. He’s a pleasure to be around. It’s not that he doesn’t have depth and he’s just nice, because as you peel away his layers, sure he can get sassy and it’s adorable. But one of the most important things to me in life is being around people who make you feel good, who have a smile on their face, and he is that person.

    Afterlife-wise, did you take the same approach you take in your career? Do you just want to live life and do it well and worry about that stuff later? Or did you have a concept that you tend to stick with?

    In my real life? I certainly hope it’s like The Good Place. It would be great. I mean, the numbers that Mike has run is that it’s only about one in every 500 who are going to The Good Place. So it’s very difficult to get in there. Yeah, very difficult.

    Everybody is obviously super-excited about a “Frozen 2.” Are you in the loop, or are you waiting to find out just like anybody else? Do they tell you where they are in development and things?

    Yes, well, they’re finishing writing the script. They’re not taking their time to develop the script. They’re just not rushing. They don’t need to rush. They have a creative process that works brilliantly, as proven by the first one. And they don’t need to rush for anything, so I know a little bit about what the subjects are and stuff.

    But we’re just basically on call because they’re getting struck by lightning bolts, and then deciding something is perfection, and committing it to pages in the script, and when they feel like it’s Christmas morning for all of us, we’ll see it and start recording. I certainly hope it’s soon, but I also know they’ve been working on everything “Frozen” for quite a few years, and I don’t want to rush them.

    Why are you excited to return to that role?

    Oh wow! Because Anna is very much my gift to who I was as a child.