Tag: kelvin-harrison-jr

  • Glenn Close and Billy Porter Join New ‘Hunger Games’ Prequel

    (Left) Glenn Close arrives at the 14th Governors Awards in the Ray Dolby Ballroom at Ovation Hollywood on Tuesday, January 9, 2024. Credit/Provider: Trae Patton / @ A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Billy Porter arrives on the red carpet of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Phil McCarten / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    (Left) Glenn Close arrives at the 14th Governors Awards in the Ray Dolby Ballroom at Ovation Hollywood on Tuesday, January 9, 2024. Credit/Provider: Trae Patton / @ A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Billy Porter arrives on the red carpet of The 91st Oscars® at the Dolby® Theatre in Hollywood, CA on Sunday, February 24, 2019. Credit/Provider: Phil McCarten / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Preview:

    • Glenn Close and Billy Porter are the latest addition to the new ‘Hunger Games’ prequel.
    • Jhaleil Swaby is also aboard, playing the character of Panache.
    • Francis Lawrence is again directing the movie.

    While the cameras are now rolling on the new ‘Hunger Games’ franchise entry, prequel offering ‘Sunrise on the Reaping’, you might think that the stream of casting would dry up. You’d be mistaken!

    Two more big names and more of a rising star are the latest people to be announced, as Deadline reports that Glenn Close will be Drusilla Sickle, Billy Porter has the role of Magno Stift and Jhaleil Swaby (‘The Lake’) will play Panache.

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    Here’s ‘Sunrise on the Reaping’ producer Nina Jacobson on Close’s casting:

    “Glenn Close is a dream Drusilla. She brings so much of her intellect and imagination to each role, creating characters who are unforgettable and iconic. I think Glenn and Francis will have a ball bringing Drusilla from the page to the screen.”

    And regarding Porter:

    “Billy is one of those rare performers who can dazzle and devastate in equal measure on stage and screen. He made an indelible impression on me when we worked together on Pose, both as an actor and a human being. Casting this show has felt like winning the lottery every time one of our idols said yes to us.”

    Related Article: Ralph Fiennes, Maya Hawke and More on for Latest ‘Hunger Games’ Prequel

    What’s the story of ‘The Hunger Games: Sunrise on the Reaping’?

    'The Hunger Games: Sunrise on the Reaping' is scheduled for release on November 20, 2026. Photo: Lionsgate.
    ‘The Hunger Games: Sunrise on the Reaping’ is scheduled for release on November 20, 2026. Photo: Lionsgate.

    While the previous prequel took place 64 years before the events of the original trilogy, ‘The Hunger Games: Sunrise on the Reaping’ is set 24 years before that trio of Jennifer Lawrence films in the world of Panem, commencing on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.

    Those games are an important event in the canon as the victor was Haymitch Abernathy, the only winner from District 12 before Lawrence’s Katniss Everdeen and Josh Hutcherson’s Peeta Mellark’s tie win. Haymitch continues on to become a mentor, a character in the original movies played by Woody Harrelson.

    Who else has been cast in ‘The Hunger Games: Sunrise on the Reaping’?

    (Left) Joseph Zada to star as Haymitch Abernathy in 'The Hunger Games: Sunrise on the Reaping'. Photo credit: Hugh Stewart. (Right) Whitney Peak to star as Lenore Dove Bard in 'The Hunger Games: Sunrise on the Reaping'. Photo: Kate Whyte.
    (Left) Joseph Zada to star as Haymitch Abernathy in ‘The Hunger Games: Sunrise on the Reaping’. Photo credit: Hugh Stewart. (Right) Whitney Peak to star as Lenore Dove Bard in ‘The Hunger Games: Sunrise on the Reaping’. Photo: Kate Whyte.

    The cast also includes Joseph Zada and Whitney Peak, who will play Haymitch Abernathy and the woman he loves, Lenore Dove Baird.

    Ralph Fiennes is the latest actor to play the calculating Coriolanus Snow, who we meet as a younger man in previous prequel ‘The Ballad of Songbirds and Snakes,’ there played by Tom Blyth and was most famously portrayed by Donald Sutherland as President Snow in the original four movies.

    Maya Hawke, most recently seen in ‘Maestro’ and ‘The Kill Room’ and who provided the voice of Anxiety in ‘Inside Out 2,’ will be Wiress, former Hunger Games champion–turned–District 12 mentor.

    Lili Taylor, as Deadline has learned, will be Mags, another former champion who is now a mentor for one of the District 12 tributes. And Ben Wang, who broke out in Disney+ series ‘American Born Chinese’ and will be one of the leads of ‘Karate Kid: Legends,’ has landed the role of District 12 Tribute Wyatt Callow.

    In addition to the two leads, we also now know that McKenna Grace, who has appeared in the recent ‘Ghostbusters’ movies, will be in the movie as Maysilee Donner, Haymitch’s fellow District 12 Tribute, while Jesse Plemons has the role of Plutarch Heavensbee, as brought to life by Philip Seymour Hoffman in the original movies.

    Kieran Culkin accepts the award for Male Supporting Actor - Motion Picture at the 82nd Annual Golden Globe Awards, airing live from the Beverly Hilton in Beverly Hills, California on Sunday, January 5, 2025, at 8 PM ET/5 PM PT, on CBS and streaming on Paramount+. Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.
    Kieran Culkin accepts the award for Male Supporting Actor – Motion Picture at the 82nd Annual Golden Globe Awards, airing live from the Beverly Hilton in Beverly Hills, California on Sunday, January 5, 2025, at 8 PM ET/5 PM PT, on CBS and streaming on Paramount+. Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.

    Finally, recent Academy Award winner Kieran Culkin is to play Caesar Flickerman (the eccentric host character played in the first film series by Stanley Tucci).

    As for the new additions?

    Close’s Sickle is the cruel escort to the District 12 Tributes, while Porter’s Stift is her estranged husband and the Tributes’ uninspired designer.

    Swaby’s Panache, meanwhile is a crude and aggressive career tribute from District 1, known for his arrogance and ruthlessness.

    ‘The Hunger Games: Sunrise on the Reaping’: Collins and the filmmakers talk

    Director Francis Lawrence in 'The Hunger Games: The Ballad of Songbirds and Snakes.' Photo Credit: Murray Close.
    Director Francis Lawrence in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Murray Close.

    Here’s Suzanne Collins’ statement on the new book and movie:

    “With ‘Sunrise on the Reaping’, I was inspired by David Hume’s idea of implicit submission and, in his words, ‘the easiness with which the many are governed by the few… The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question ‘Real or not real?’ seems more pressing to me every day. From the beginning, Lionsgate has been a wonderful home and partner for the ‘Hunger Games’ franchise, and I’m very excited to be collaborating with Adam and the team as we bring this next story to theaters in 2026.”

    And here’s Lionsgate Motion Picture Group Chair Adam Fogelson:

    “Suzanne Collins is a master storyteller and our creative north star. We couldn’t be more fortunate than to be guided and trusted by a collaborator whose talent and imagination are so consistently brilliant. We know ‘Hunger Games’ fans worldwide will be spellbound by where Suzanne has focused this next extraordinary story. The Second Quarter Quell is legendary and looms large over the history of the Games, even into the time of Katniss Everdeen a quarter-century later. Like fans around the globe, we are eagerly anticipating this exciting return to Panem.”

    When will ‘The Hunger Games: Sunrise on the Reaping’ be in theaters?

    Lionsgate will have the new movie in theaters on November 20th, 2026.

    'The Hunger Games: Sunrise on the Reaping' opens in theaters on November 20, 2026.
    ‘The Hunger Games: Sunrise on the Reaping’ opens in theaters on November 20, 2026.

    Other Movies in ‘The Hunger Games’ Franchise:

    Buy ‘The Hunger Games’ Movies On Amazon

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  • Ralph Fiennes and More Join New ‘Hunger Games’ Prequel

    (Left) Ralph Fiennes. Photo: Jeff Spicer/Getty Images. (Center) Maya Hawke. Photo: Trevor Tweeten. (Right) Lili Taylor. Photo: Michael Loccisano/Getty Images for The National Audubon Society.
    (Left) Ralph Fiennes. Photo: Jeff Spicer/Getty Images. (Center) Maya Hawke. Photo: Trevor Tweeten. (Right) Lili Taylor. Photo: Michael Loccisano/Getty Images for The National Audubon Society.

    Preview:

    • Ralph Fiennes will be President Snow in the new ‘Hunger Games’ prequel.
    • Maya Hawke, Lili Taylor and Kelvin Harrison Jr. are also joining the cast.
    • The movie is set 24 years before the main movies.

    Though we’ve been seeing a drip feed casting process for the new prequel to ‘The Hunger Games’ –– that would be ‘Sunrise on the Reaping,’ in case it had somehow slipped your mind –– that turned into something of a torrent this week with a slew of new announcements.

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    Deadline brought the biggest news: Ralph Fiennes, who has a little bit of form playing the Big Bad in a book-based movie franchise, will become the latest actor to play the calculating Coriolanus Snow, who we meet as a younger man in previous prequel ‘The Ballad of Songbirds and Snakes,’ there played by Tom Blyth and was most famously portrayed by Donald Sutherland as President Snow in the original four movies based on Suzanne Collins’ novel trilogy.

    This is what producer Nina Jacobson of Color Force had to say about the new casting:

    “We wanted to honor Donald Sutherland by having one of this generation’s greatest actors play President Snow 24 years before Katniss Everdeen entered the arena. Working with Ralph has been on my bucket list since he traumatized me for life in ‘Schindler’s List.’ It’s genuinely a thrill to welcome him to the Hunger Games.”

    Ben Wang in Columbia Pictures 'Karate Kid: Legends'. Photo: Sony Pictures.
    Ben Wang in Columbia Pictures ‘Karate Kid: Legends’. Photo: Sony Pictures.

    And that’s not all! Maya Hawke, most recently seen in ‘Maestro’ and ‘The Kill Room’ and who provided the voice of Anxiety in ‘Inside Out 2,’ will be Wiress, former Hunger Games champion–turned–District 12 mentor.

    Also on new additions list? Lili Taylor, who Deadline has learned will be Mags, another former champion who is now a mentor for one of the District 12 tributes. And Ben Wang, who broke out in Disney+ series ‘American Born Chinese’ and will be one of the leads of ‘Karate Kid: Legends,’ has landed the role of District 12 Tribute Wyatt Callow.

    Last, and by no means least among the newcomers (in franchise terms) is Kelvin Harrison, Jr., last seen in ‘O’Dessa,’ who Jeff Sneider reports will be Beetee Latier, champion of the 34th Hunger Games and father of Ampert Latier, who is a Tribute in the new movie. Fun fact: Jeffrey Wright played Beetee in three of the original movies.

    Franchise veteran Francis Lawrence is directing once again from a script by Billy Ray, and the cameras are now rolling.

    Related Article: New ‘Hunger Games’ Prequel Finds Leads in Joseph Zada and Whitney Peak

    What’s the story of ‘The Hunger Games: Sunrise on the Reaping’?

    'The Hunger Games: Sunrise on the Reaping' is scheduled for release on November 20, 2026. Photo: Lionsgate.
    ‘The Hunger Games: Sunrise on the Reaping’ is scheduled for release on November 20, 2026. Photo: Lionsgate.

    While the previous prequel took place 64 years before the events of the original trilogy, ‘The Hunger Games: Sunrise on the Reaping’ is set 24 years before that trio of Jennifer Lawrence films in the world of Panem, commencing on the morning of the reaping of the 50th Hunger Games, also known as the Second Quarter Quell.

    Those games are an important event in the canon as the victor was Haymitch Abernathy, the only winner from District 12 before Lawrence’s Katniss Everdeen and Josh Hutcherson’s Peeta Mellark’s tie win. Haymitch continues on to become a mentor, a character in the original movies played by Woody Harrelson.

    Who else has been cast in ‘The Hunger Games: Sunrise on the Reaping’?

    (Left) Joseph Zada to star as Haymitch Abernathy in 'The Hunger Games: Sunrise on the Reaping'. Photo credit: Hugh Stewart. (Right) Whitney Peak to star as Lenore Dove Bard in 'The Hunger Games: Sunrise on the Reaping'. Photo: Kate Whyte.
    (Left) Joseph Zada to star as Haymitch Abernathy in ‘The Hunger Games: Sunrise on the Reaping’. Photo credit: Hugh Stewart. (Right) Whitney Peak to star as Lenore Dove Bard in ‘The Hunger Games: Sunrise on the Reaping’. Photo: Kate Whyte.

    These new arrivals bolster a cast that already included Joseph Zada and Whitney Peak, who will play Haymitch Abernathy and the woman he loves, Lenore Dove Baird.

    In addition to the two leads, we also now know that McKenna Grace, who has appeared in the recent ‘Ghostbusters’ movies, will be in the movie as Maysilee Donner, Haymitch’s fellow District 12 Tribute, while Jesse Plemons has the role of Plutarch Heavensbee, as brought to life by Philip Seymour Hoffman in the original movies.

    Kieran Culkin accepts the award for Male Supporting Actor - Motion Picture at the 82nd Annual Golden Globe Awards, airing live from the Beverly Hilton in Beverly Hills, California on Sunday, January 5, 2025, at 8 PM ET/5 PM PT, on CBS and streaming on Paramount+. Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.
    Kieran Culkin accepts the award for Male Supporting Actor – Motion Picture at the 82nd Annual Golden Globe Awards, airing live from the Beverly Hilton in Beverly Hills, California on Sunday, January 5, 2025, at 8 PM ET/5 PM PT, on CBS and streaming on Paramount+. Photo: Sonja Flemming/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved.

    Fiennes’ casting resolves one rumor –– there has still been chatter about recent Academy Award winner Kieran Culkin mulling an offer to play Caesar Flickerman (the eccentric host character played in the first film series by Stanley Tucci.) Nothing official has been announced about that yet, so we can only assume a deal is still being worked on if at all.

    Elle Fanning has also been linked with the role of a younger Effie Trinket; the effusive stylist as portrayed by Elizabeth Banks in the original ‘Hunger Games’ movies. But that has yet to be confirmed.

    ‘The Hunger Games: Sunrise on the Reaping’: Collins and the filmmakers talk

    Director Francis Lawrence in 'The Hunger Games: The Ballad of Songbirds and Snakes.' Photo Credit: Murray Close.
    Director Francis Lawrence in ‘The Hunger Games: The Ballad of Songbirds and Snakes.’ Photo Credit: Murray Close.

    Here’s Suzanne Collins’ statement on the new book and movie:

    “With ‘Sunrise on the Reaping’, I was inspired by David Hume’s idea of implicit submission and, in his words, ‘the easiness with which the many are governed by the few… The story also lent itself to a deeper dive into the use of propaganda and the power of those who control the narrative. The question ‘Real or not real?’ seems more pressing to me every day. From the beginning, Lionsgate has been a wonderful home and partner for the ‘Hunger Games’ franchise, and I’m very excited to be collaborating with Adam and the team as we bring this next story to theaters in 2026.”

    And here’s Lionsgate Motion Picture Group Chair Adam Fogelson:

    “Suzanne Collins is a master storyteller and our creative north star. We couldn’t be more fortunate than to be guided and trusted by a collaborator whose talent and imagination are so consistently brilliant. We know ‘Hunger Games’ fans worldwide will be spellbound by where Suzanne has focused this next extraordinary story. The Second Quarter Quell is legendary and looms large over the history of the Games, even into the time of Katniss Everdeen a quarter-century later. Like fans around the globe, we are eagerly anticipating this exciting return to Panem.”

    When will ‘The Hunger Games: Sunrise on the Reaping’ be in theaters?

    Lionsgate wants the new movie in theaters on November 20th, 2026.

    'The Hunger Games: Sunrise on the Reaping' opens in theaters on November 20, 2026.
    ‘The Hunger Games: Sunrise on the Reaping’ opens in theaters on November 20, 2026.

    Other Movies in ‘The Hunger Games’ Franchise:

    Buy ‘The Hunger Games’ Movies On Amazon

    Cz6dmiOg
  • Pharrell Williams and Michael Gondry’s ‘Golden’ Scrapped

    (Left) Pharrell Williams arrives for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Michael Gondry accepts the Academy Award for Best Original Screenplay during the 77th Annual Academy Awards at the Kodak Theatre in Hollywood, CA on Sunday, February 27, 2005. HO/AMPAS. Credit/Provider: HAND OUT. Copyright: AMPAS
    (Left) Pharrell Williams arrives for the 84th Annual Academy Awards® from Hollywood, CA February 26, 2012. Credit/Provider: Heather Ikei / ©A.M.P.A.S. Copyright: ©A.M.P.A.S. (Right) Michel Gondry accepts the Academy Award for Best Original Screenplay during the 77th Annual Academy Awards at the Kodak Theatre in Hollywood, CA on Sunday, February 27, 2005. HO/AMPAS. Credit/Provider: HAND OUT. Copyright: AMPAS

    Preview:

    • Pharrell Williams and Michel Gondry are ending editing work on their movie ‘Golden.’
    • Kelvin Harrison Jr., Halle Bailey and Da’Vine Joy Randolph were among the stars.
    • The film is unlikely to ever see the light of day.

    It’s a hard, old truth in Hollywood and beyond that movies can hit roadblocks at any stage in the process. Some are lost forever in the deep wells of development hell. Others reach production, but money issues curtail shooting, or problems arise.

    And then there are the unusual stories of movies that make it all the way through the shoot, only to fall apart at the final hurdle.

    In the last couple of years, we’ve seen the frustrating behavior of Warner Bros., overseen by money-grubbing CEO David Zaslav, who has decreed that movies he and his accountants aren’t sure will be financially viable should be locked away or deleted forever, the studio instead taking a tax hit: ‘Batgirl’ and ‘Coyote Vs. Acme’ are the two that we know about.

    But ‘Golden,’ the movie formerly known as ‘Atlantis,’ a collaboration between musician Pharrell Williams and visual stylist/filmmaker Michel Gondry, is a different case altogether.

    According to Variety, they’ve been editing the new movie, and have decided it simply doesn’t work. And that’s despite Universal assigning a release date for May.

    What’s the story of ‘Golden?’

    Pharrell Williams stars in director Morgan Neville’s 'Piece By Piece', a Focus Features release. Photo: Courtesy of Focus Features / © 2024 Focus Features LLC.
    Pharrell Williams stars in director Morgan Neville’s ‘Piece By Piece’, a Focus Features release. Photo: Courtesy of Focus Features / © 2024 Focus Features LLC.

    ‘Golden’ came about following Universal’s collaboration with Pharrell on ‘Piece by Piece.’ Distributed by the company’s Focus Features arm, the unusual biopic told his life story through the medium of LEGO animation.

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    ‘Piece by Piece’ was not exactly a success for the company –– it actually lost money, taking in $10 million worldwide on a $16 million budget –– but given the musician’s long connection to the studio (he’s provided hit music for the ‘Despicable Me’ franchise among others), it was seemingly happy to keep working with him.

    This new movie put him together with Gondry, the French filmmaker behind the likes of ‘Eternal Sunshine of the Spotless Mind’ and ‘Be Kind Rewind.’

    Gondry agreed to direct from a script by Martin Hynes and Steven Levenson.

    Described as a musical expedition set in the summer of 1977 in Virginia Beach, it was to have told more of a coming-of-age story than anything directly influenced by Williams’ story (aside from the setting).

    Here’s what he told Empire about the movie and how it differs from his previous project:

    “ ‘Piece By Piece’ is about my life, whereas ‘Golden’ is about a neighborhood that I grew up in. It’s a coming-of-age story about self-discovery and pursuing your dreams, but it’s so much more magical than that. It’s a celebration of Black life, Black culture, and most importantly, Black joy.”

    And while it was originally named ‘Atlantis’ after the building from Williams’ early life, he also explained the title change:

    “It just speaks to the narrative, the area, the energy and literally everything about the film, which is this analysis of what being ‘golden’ is. Children and grown-ups with inner children within them can connect to it and realise that there’s a golden aspect to them too, whether it’s realised or latent.”

    Together, Gondry and Williams rounded up an impressive cast that included Kelvin Harrison Jr., Halle Bailey, Da’Vine Joy Randolph, Brian Tyree Henry, Janelle Monáe, Missy Elliott, Quinta Brunson, Anderson Paak and Jaboukie Young-White, with cameras rolling last year.

    Related Article: Director Morgan Neville Talks ‘Piece By Piece’, Pharrell Williams and LEGO

    What has happened since then?

    Grammy Award-winning songwriter and producer Pharrell Williams serves as music consultant for the 84th Academy Awards, telecast producers Brian Grazer and Don Mischer. Credit/Provider: Jam Sutton.
    Grammy Award-winning songwriter and producer Pharrell Williams serves as music consultant for the 84th Academy Awards, telecast producers Brian Grazer and Don Mischer. Credit/Provider: Jam Sutton.

    Unfortunately for those anticipating the new movie, it has now been shut down after unanimous agreement from producers and Gondry that the film did not live up to its developed conceit.

    Gil Netter (‘The Blind Side’) was serving as producer alongside Williams and his creative partner Mimi Valdes.

    Here’s what the main duo told Variety about the decision to halt work:

    “When all of us got into the editing room we collectively decided there wasn’t a path forward to tell the version of this story that we originally envisioned. We appreciate all the hard work of the talented cast and crew. While we’re disappointed we can’t deliver this film, we have incredible partners at Universal and will collaborate in a different capacity again soon.”

    And in case you’re wondering whether it’ll find release in some other venue, the disappointing news is that it’ll apparently never see the light of day. So your visions of Gondry and Williams somehow whipping up a hand puppet version of the story are unlikely to come to fruition.

    What else are Pharrell Williams and Michel Gondry working on?

    Kerry Washington in 'The Six Triple Eight'. Photo: Netflix.
    Kerry Washington in ‘The Six Triple Eight’. Photo: Netflix.

    It’s not the pair doesn’t have plenty of other projects to keep them busy.

    Pharrell is currently serving as the men’s creative director at fashion house Louis Vuitton.

    He last contributed original music to the Tyler Perry film ‘The Six Triple Eight,’ released by Netflix in December.

    Gondry’s other movie credits include ‘The Science of Sleep,’ and ‘The Book of Solutions,’ along with Jim Carrey-starring TV series ‘Kidding.’

    His next project is the animated ‘Maya, Give Me A Title,’ about his relationship with his daughter. It will screen at this month’s Berlin Film Festival.

    Oscar®-nominated for Best Song, Pharrell Williams on stage during the live ABC Telecast of The 86th Oscars® at the Dolby® Theatre on March 2, 2014 in Hollywood, CA. Credit/Provider: Michael Yada / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.
    Oscar®-nominated for Best Song, Pharrell Williams on stage during the live ABC Telecast of The 86th Oscars® at the Dolby® Theatre on March 2, 2014 in Hollywood, CA. Credit/Provider: Michael Yada / ©A.M.P.A.S. Copyright: ©A.M.P.A.S.

    Movies and TV Shows Featuring Pharrell Williams:

    Buy Pharrell Williams Movies on Amazon

    2QGDjUMP
  • Movie Review: ‘Mufasa: The Lion King’

    Mufasa (voiced by Braelyn Rankins) in Disney’s 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    Mufasa (voiced by Braelyn Rankins) in Disney’s ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Opening in theaters on December 20th, ‘Mufasa: The Lion King’ represents Disney’s latest trip to the animated canon-to-live-action watering hole. Of course, “live-action” in this case is a slight misnomer as every blade of grass or twist of hair on screen is brought to life with impressive, photorealistic CG.

    But even with a filmmaker as talented as Barry Jenkins in charge, what transpires feels like a waste of his time and energy, since the storyline is so generic as to become tiring.

    Related Article: ‘Rebel Ridge’s Aaron Pierre Scores the John Stewart Role in DC Series ‘Lanterns’

    Will ‘Mufasa: The Lion King’ Rule the Cinematic Experience?

    Mufasa (voiced by Braelyn Rankins) in Disney’s 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    Mufasa (voiced by Braelyn Rankins) in Disney’s ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    When Jon Favreau brought the world the 2019 version of Disney animated classic ‘The Lion King,’ he did so with plenty of verve and the musical stylings of Beyonce added to the power of the original music.

    But here’s the question –– did anyone truly, really need to learn how Pride Rock came into being or why everyone calls Scar “Scar,” besides the obvious reason? Like with some other prequels, the movie ultimately rattles off a tiring list of callbacks and nods that can’t paper over the cracks of an entirely predictable story. And not just because you know how it ends, and you’re never particularly worried about anyone involved since we’ve all seen the next chapter.

    Even the music, this time provided by ‘Hamilton’ genius Lin-Manuel Miranda (who was so effective on ‘Moana’) is less than thrilling.

    Script and Direction

    (L to R) Mufasa (voiced by Aaron Pierre) and Taka (voiced by Kelvin Harrison Jr.) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Mufasa (voiced by Aaron Pierre) and Taka (voiced by Kelvin Harrison Jr.) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Perhaps the biggest issue for the new movie lies in Jeff Nathanson’s script. You can practically fill in a bingo card when it comes to references to the original, and if you’re keeping count of every time someone says “everything the light touches” you’d fill two sides of A4 paper. It’s prequelitis at its worst.

    The story of how Mufasa lost his own family but discovered another one (and then largely lost that) all while seeking a promised land where everything will be better is so basic as to be laughable in places.

    (L to R) Pumbaa (voiced by Seth Rogen) and Timon (voiced by Billy Eichner) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Pumbaa (voiced by Seth Rogen) and Timon (voiced by Billy Eichner) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Still, there are some positives to be found –– the intercut moments featuring Pumbaa, Timon, Rafiki and Kiara (daughter of Simba and Nala) are at least more entertaining and poke fun at the franchise in general.

    Jenkins is an accomplished, proven director, but the demands of the technology and fitting his square peg soulfulness into the edges-shaved round hole of Disney at its most rudimentary is rarely a situation that work for either.

    Cast and Performances

    The adoptive brothers of Taka (soon to be known as Scar) and Mufasa are the focus, but there are other roles to be considered too.

    Aaron Pierre as Mufasa

    Mufasa (voiced by Aaron Pierre) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    Mufasa (voiced by Aaron Pierre) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Pierre, so good this year in ‘Rebel Ridge’ and before that in Jenkins’ TV series ‘The Underground Railroad,’ does what he can with the role, and brings the young(er) Mufasa to life with some depth and emotion.

    He may not be James Earl Jones (Mufasa’s legendary original voice, who scores a warm tribute at the start of the movie), but he’s a decent substitute.

    Kelvin Harrison Jr. as Taka

    (L to R) Taka (voiced by Kelvin Harrison Jr.), Sarabi (voiced by Tiffany Boone), Rafiki (voiced by Kagiso Lediga), and Mufasa (voiced by Aaron Pierre) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Taka (voiced by Kelvin Harrison Jr.), Sarabi (voiced by Tiffany Boone), Rafiki (voiced by Kagiso Lediga), and Mufasa (voiced by Aaron Pierre) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Harrison Jr. has more to play as Taka, since his character gets to be first enthusiastic and then bitter, forming the basis for what will become Scar.

    He certainly wrings some emotion out of the role, even if he’s a little undercut by logic issues –– despite one moment late on, you really can’t believe why Mufasa would keep him around.

    Tiffany Boone as Sarabi

    (L to R) Sarabi (voiced by Tiffany Boone), Mufasa (voiced by Aaron Pierre), Rafiki (voiced by Kagiso Lediga), and Taka (voiced by Kelvin Harrison Jr.) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Sarabi (voiced by Tiffany Boone), Mufasa (voiced by Aaron Pierre), Rafiki (voiced by Kagiso Lediga), and Taka (voiced by Kelvin Harrison Jr.) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Sarabi –– the future Queen of Pride Rock –– serves mostly here as love interest for Mufasa and object of obsession for Taka, and while Boone’s performance is sweet and heroic, the role is rarely satisfying.

    Mads Mikkelsen as Kiros

    Kiros (voiced by Mads Mikkelson) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    Kiros (voiced by Mads Mikkelson) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    Mikkelsen, here back on villain duty, is essentially just a snarling plot device who threatens our heroes. He’s the role model for Scar’s eventual personality, and while Mikkelsen always gives good antagonist, the character’s something of a cipher.

    Final Thoughts

    (L to R) Kiara (voiced by Blue Ivy Carter) and Simba (voiced by Donald Glover) in Disney’s live-action 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Kiara (voiced by Blue Ivy Carter) and Simba (voiced by Donald Glover) in Disney’s live-action ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    In a world where ‘Wicked’ can serve as an effective and emotionally fulfilling prequel to ‘The Wizard of Oz,’ you really would hope for more from a ‘Lion King’ origin tale.

    Yet sadly, this is merely not embarrassing, providing little that is truly unexpected and settling for a Greatest Hits of ‘Lion King’ lore.

    ‘Mufasa: The Lion King’ receives 5.5 out of 10 stars.

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    What’s the story of ‘Mufasa: The Lion King’?

    ‘Mufasa: The Lion King’ enlists Rafiki (John Kani) to relay the legend of Mufasa (Aaron Pierre) to young lion cub Kiara (Blue Ivy Carter), daughter of Simba (Donald Glover) and Nala (Beyoncé Knowles-Carter), with Timon (Billy Eichner) and Pumbaa (Seth Rogen) lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka — the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny — their bonds will be tested as they work together to evade a threatening and deadly foe.

    Who stars in ‘Mufasa: The Lion King’?

    • Aaron Pierre as Mufasa
    • Kelvin Harrison Jr. as Taka
    • John Kani as Rafiki
    • Seth Rogen as Pumbaa
    • Billy Eichner as Timon
    • Tiffany Boone as Sarabi
    • Donald Glover as Simba
    • Mads Mikkelsen as Kiros
    • Thandiwe Newton as Eshe
    • Lennie James as Obasi
    • Blue Ivy Carter as Kiara
    • Beyoncé Knowles-Carter as Nala
    • Preston Nyman as Zazu
    • Anika Noni Rose as Afia
    • Keith David as Masego
    (L to R) Mufasa (voiced by Aaron Pierre), Young Rafiki (Kagiso Lediga), Taka (voiced by Kelvin Harrison Jr.) and Sarabi (Tiffany Boone) in 'Mufasa: The Lion King'. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.
    (L to R) Mufasa (voiced by Aaron Pierre), Young Rafiki (Kagiso Lediga), Taka (voiced by Kelvin Harrison Jr.) and Sarabi (Tiffany Boone) in ‘Mufasa: The Lion King’. Photo courtesy of Disney. © 2024 Disney Enterprises Inc. All Rights Reserved.

    List of Live-Action Disney Remakes:

    Buy Tickets: ‘Mufasa: The Lion King’ Movie Showtimes

    Buy Live-Action Disney Movies on Amazon

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  • ‘Genius: MLK/X’ Interview: Kelvin Harrison Jr. and Aaron Pierre

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    Premiering February 1st on National Geographic, and streaming February 2nd on Disney+ and Hulu, with the first episode also airing on ABC February 1st is the fourth season of the anthology series ‘Genius,’ which is entitled ‘Genius: MLK/X’ and follows the lives of Martin Luther King Jr. and Malcolm X, played by Kelvin Harrison Jr. (‘Chevalier’) and Aaron Pierre (‘Old’), respectively.

    Kelvin Harrison Jr. and Aaron Pierre talk 'Genius: MLK/X.'
    (L to R) Kelvin Harrison Jr. and Aaron Pierre talk ‘Genius: MLK/X.’

    Moviefone recently had the pleasure of speaking with Kelvin Harrison Jr. and Aaron Pierre about their work on ‘Genius: MLK/X,’ taking on the iconic roles, their approach, their research, and exploring their characters’ private lives.

    You can read the full interview below or click on the video player above to watch our interviews with Harrison Jr., Pierre, Weruche Opia, Jayme Lawson, and executive producers Gina Prince-Bythewood and Reggie Rock Bythewood.

    Related Article: Kelvin Harrison Jr. Talks ‘Chevalier’ and Director Stephen Williams

    Martin Luther King Jr., played by Kelvin Harrison Jr., preaches in 'Genius: MLK/X.'
    Martin Luther King Jr., played by Kelvin Harrison Jr., preaches in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    Moviefone: To begin with, Kelvin, can you talk about your approach to playing this character and how do you prepare to play someone as iconic as Martin Luther King Jr.?

    Kelvin Harrison Jr.: I think it starts with, at least for me, I started looking at interviews, and I just wanted to get a sense of his energy, how he spoke and anything I was picking up now that I was paying a different attention to it. We watch it as a viewer and we watch it as a citizen of America, as a young black man and that’s one thing, but as someone that’s about to embark on this experience to internalize what this man’s existence is, is a completely different thing so that was my first thing. Then the next step was reading his autobiography, reading all the books he wrote, while also traveling to Memphis and Birmingham and Atlanta and his hometown and D.C., and any place I can get my hands on in the little amount of time I had to prepare. After that, it became an investigation of myself, what it meant to be all these different ages, what it meant to deal with anxiety, imposter syndrome, fear, love, and fathers. That’s a whole thing and I love to explore the dynamics between a father and a son, that’s specific. I just took it all in and saw what came out of me. Obviously, there’s the technical stuff, seeing work and dialect coaching but that’s the boring stuff.

    Malcolm X, played by Aaron Pierre, is escorted from Temple in 'Genius: MLK/X.'
    Malcolm X, played by Aaron Pierre, is escorted from Temple in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    MF: Aaron, how did you prepare to play Malcolm X and did you learn anything during your research that really informed your performance?

    Aaron Pierre: Similarly, to what Kelvin said just here, it was step one as it was the extensive research. It was reading, again, the autobiography, reading ‘The Sword and the Shield’ by Peniel E. Joseph, reading Dr. Betty Shabazz‘s perspective, watching the documentary, watching the footage we have of him on panels, interviews and speeches. That was particularly important for me because I feel like arguably there is a lot of misinformation about Malcolm X, and I wanted to find information that was as close to the source as possible. What I mean by that is I wanted to hear from him himself in his autobiography, dictated to Alex Haley. I wanted to hear from those closest to him. I wanted to hear from his community first. Then, again, the same way Kelvin experienced going to these different states that meant something particular to Dr. Martin Luther King, Jr, I was in New York, I was in Harlem, and I was in Washington Heights. I love New York, I love Harlem, and I love Washington Heights. I loved having the opportunity, the privilege to walk around there, to breathe that air, to experience that experience and it informed me so greatly and deeply. I felt empowered by going to these beautiful places and inspired to do my best to portray Malcolm X to the very best of my capabilities and serve his story, and serve his legacy.

    Malcolm X, played by Aaron Pierre, preaches in 'Genius: MLK/X.'
    Malcolm X, played by Aaron Pierre, preaches in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    MF: To follow up, Aaron can you give one example of a misconception about Malcolm X that you wanted to set straight with this movie?

    AP: I think for me, this is of course subjective, this is my personal viewpoint, but I think a common misconception is that he led with violence. The reality is that he led with love, and he led with light. The physical aspect of his dialect and his approach was in direct response to your personal wellbeing, livelihood and safety being directly threatened physically. He was advocating for protecting that, he was advocating for preserving that, he was advocating for safeguarding the dignity and the integrity of that. It wasn’t actively seeking violence and actively seeking physical engagement. It was, God forbid should that present itself, we have the right to defend that. That came from a deep love for his people and his community. I think that’s something that I hope people will gain insight to and after that take the lead to do deeper research themselves into. There’s only so much we can explore in this series, but I’m hopeful that this will inspire people to go and do their own research and get a deeper understanding.

    Martin Luther King Jr., played by Kelvin Harrison Jr., and Coretta Scott King, played by Weruche Opia, in 'Genius: MLK/X.'
    (L to R) Martin Luther King Jr., played by Kelvin Harrison Jr., and Coretta Scott King, played by Weruche Opia, in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    MF: Finally, Kelvin, can you talk about how the series also explores the private lives of Martin Luther King Jr. and Malcolm X and examines their marriages?

    KH Jr.: I mean, listen, these men would’ve been nothing really without these women. Their intelligence is equal to these men’s intelligence. Their passion, their commitment, their integrity for this calling for the people and humanity is huge. I use the example a lot of Vietnam because I think that’s one that’s so clear is Coretta (Scott King) was the one. She was like, “We’re humanitarians and yet in our own country, there is an injustice happening with this Vietnam War. What are we going to do? How do we say we want equality and justice for all people, and we want everyone to be safe and to be taken care of, yet we’re allowing this atrocity to kind of take place?” So, she does that, she speaks out and this inspired him. She supports him even when he’s put in hot water because of it. She redirects his path every step of the way, she re-inspires him, and she holds him accountable for what he said he’s set out to do. I think it’s such a beautiful opportunity for us to give a little backstory into who they were as well as how they got to meet these men, how they built their strength and who are the people surrounding them that put this fire inside them to do what this moment, why are we even making this show right now. It would be an injustice to not speak about them. In some ways, it’s kind of like this show is about them. The reason, once again, that we’re talking about them today is because 60 years ago was the March on Washington, and we’re still talking about it because they led those legacies on and on. They’ve been keeping it alive. For twice their lifetime, these men. You know what I mean? We’re talking about men who died. I mean, that’s one of the beautiful things about the show, and that’s one of the things I’m most proud of, that we get to be a part of.

    Martin Luther King Jr., played by Kelvin Harrison Jr., and Ralph Abernathy, played by Hubert Point-Du Jour, in 'Genius: MLK/X.'
    (L to R) Martin Luther King Jr., played by Kelvin Harrison Jr., and Ralph Abernathy, played by Hubert Point-Du Jour, in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    What is the Plot of ‘Genius: MLK/X’?

    The series explores simultaneously the formative years, pioneering accomplishments, dueling philosophies and key personal relationships of both Dr. Martin Luther King Jr. (Kelvin Harrison Jr.) and Malcolm X (Aaron Pierre). While King advanced racial equality through nonviolent activism, X advocated for Black empowerment, identity and self-determination. The eight-part series also brings their wives, Coretta Scott King (Weruche Opia) and Betty Shabazz (Jayme Lawson), to the forefront and shows them as formidable equals of the Movement. While King and X met only once and often challenged each other’s views, the two visionaries, with their wives leading by their sides, ultimately rose to pioneer a movement that lives on today.

    Who is in the Cast of ‘Genius: MLK/X’?

    Malcolm X, played by Aaron Pierre, preaches in 'Genius: MLK/X.'
    Malcolm X, played by Aaron Pierre, preaches in ‘Genius: MLK/X.’ Photo: National Geographic/Richard DuCree.

    Other Movies Similar to ‘Genius: MLK/X’:

    Buy Kelvin Harrison Jr. Movies on Amazon

  • ‘Chevalier’ Digital Release Interview: Kelvin Harrison Jr.

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    Debuting on digital June 16th is Searchlight Pictures’ universally acclaimed ‘Chevalier,’ which was directed by Stephen Williams (‘Soul Survivor’).

    What is the plot of ‘Chevalier’?

    ‘Chevalier’ is inspired by the incredible true story of composer Joseph Bologne, Chevalier de Saint-Georges. The illegitimate son of an African slave and a French plantation owner, Bologne (Kelvin Harrison Jr.) rises to improbable heights in French society as a celebrated violinist-composer and fencer, complete with an ill-fated love affair and a falling out with Marie Antoinette (Lucy Boynton) and her court.

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    Who is in the cast of ‘Chevalier’?

    ‘Chevalier’ stars Kelvin Harrison Jr. (‘Elvis’) as Joseph Bologne, Samara Weaving (‘Snake Eyes: G.I. Joe Origins’) as Marie-Josephine, Lucy Boynton (‘Murder on the Orient Express’) as Marie Antoinette, Ronkẹ Adékoluẹjo (‘Been So Long’) as Nanon, Marton Csokas (‘The Last Duel’) as Marquis De Montalembert, Alex Fitzalan (‘Slender Man’) as Philippe, and Minnie Driver (‘Good Will Hunting’) as La Guimard.

    Moviefone recently had the pleasure of speaking with Kelvin Harrison Jr. in honor of ‘Chevalier’s digital release and talked about making the movie, his first reaction to the screenplay, shooting the amazing opening scene, Bologne’s relationship with Marie-Josephine, and working with director Stephen Williams.

    Kelvin Harrison Jr. in the film 'Chevalier.'
    Kelvin Harrison Jr. in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    You can read the full interview below or click on the video player above to watch our interview.

    Moviefone: To begin with, what was your first reaction to reading the screenplay, learning about this real-life figure, and what research did you do into Joseph Bologne’s life to prepare you for this role?

    Kelvin Harrison Jr.: I was really excited that this movie was getting made, when I first heard about it. I was really intrigued by, at first it was the character because I didn’t really know the man. I didn’t even know that he was a real man. Then once I found out that he was, then the preparation, there was a lot. I had to do a lot of research on the history of Paris and Guadalupe, trade and economics, who was in power at the time, and just why was Maria Antoinette there, and what did she believe in and what was her relation to Joseph? What did the art scene look like? There’s just a lot of specific little details to tackle before I could even get into building the man. But that was the beginning of it.

    MF: There’s a great featurette on the digital release that shows how the opening sequence was filmed. Director Steven Williams mentions both Jimi Hendrix and Prince, and the specific way they play their guitars, and that he was trying to recreate that with the way that Bologne plays his violin. Can you talk about that and shooting that opening sequence?

    Kelvin Harrison Jr.: It’s interesting, because you’re trying to figure out how to make this thing that doesn’t feel very contemporary and doesn’t feel very cool, even in contemporary terms, feel like a rock thing. There was a lot of playing around with the movement coach, with actually making it look like there was some type of the same physicality or the poses of a rockstar. But then you have to throw a lot of it out the window, and then it just becomes about the feeling. What are the lines that (composer) Michael Abel was able to compose that gave an element of really showing a sense of showmanship? I think the thing is when you have a character like Joseph who is what’s called a virtuoso, which is just the speed and agility, it’s like people that sing riffs and runs. You’re doing it to be like, “Look at my vocal availability,” you know what I mean? It’s not always necessary for the song, but you’re doing it kind of to show what you can do, and that gives you the moment leaning into some of those slides, which is what guitarists do. That physicality of that has to be present in order to create the rockstar. So, yes, the Jimi Hendrix, Prince of it all, it was correlating the movement to the musicality.

    Kelvin Harrison Jr. in the film CHEVALIER. Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.
    Kelvin Harrison Jr. in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

    Related Article: Movie Review: ‘Chevalier’

    MF: Can you also talk about the challenges of learning how to play the violin and fencing for this role?

    Kelvin Harrison Jr.: I actually started learning how to fence from ‘Cyrano’ when I did that because Joe (Wright) originally had a big fencing number for me in the movie, or sword fighting number, and then we cut it. So, that was my pre-training. Then, when I got into it, they hired a proper fencing coach. I had to learn it. I don’t even remember any of the terms anymore. But I used to do that for an hour or sometimes two hours a day for a couple of months. But it was mostly just learning the choreography of that particular sequence. But it was a lot of work. It felt like I was in college. You know what I mean? I just felt like I was taking a bunch of classes, and the day of the shoot was my test. I just had to study.

    MF: Can you talk about Joseph’s relationship with Marie-Josephine and working on that relationship with Samara Weaving?

    Kelvin Harrison Jr.: It’s an interesting dynamic, Josephine and Joseph’s relationship, because I never interpreted it as if they were actually in love. I think Joseph learned. Lucy said this earlier in an interview. She was saying, “Marie Antoinette didn’t necessarily want to be friends with Joseph because she wanted to be. She wanted to be in close proximity to him because it made her look good.” I think when you are in an environment like that, the other players in that community start to pick up on the same tactics. So, I think Joseph was doing the same thing. Marie-Josephine made him ultimately look good. Now, is it more complex? Is there a lust involved in that? Absolutely. Is there a sense of kinship in Marie Antoinette and Joseph’s relationship? Absolutely. But ultimately, each of those characters wants something. Marie-Josephine wants an opportunity to pursue her dream and her craft. She feels like she’s a bird in a cage. She wants something from Joseph. Joseph gives her an opportunity. She’s willing to defy her husband’s wishes to get that opportunity. So, what we’re seeing is people having a commonality between them, and a bravery and a boldness that can only be tested in those circumstances. You almost get attracted to your own grit and your own tenacity. That’s what me and Sam Weaving talked about. We just discussed those dynamics and what we had in common, and what we were trying to explore with those characters.

    Kelvin Harrison Jr. and Lucy Boynton in the film 'Chevalier.'
    (L to R) Kelvin Harrison Jr. and Lucy Boynton in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    MF: Can you talk about the way Joseph’s view of the world changes once his mother comes back into his life?

    Kelvin Harrison Jr.: I think, Joseph, he sees everything as if this is the best it can get. “I’ll accept where I’m at. I want more, but I don’t have to necessarily feel appreciated, or feel loved, or feel a sense of community right now in my life.” But his mom teaches him that you’re worth so much more than you’re giving yourself credit for, and you’ve bought into the game and the system that they play in this town. Actually, it’s killing you. You’re not elevating because of it, because you’re so obsessed with a goalpost that won’t give you happiness, won’t give you community, and won’t give you a sense of belonging. What he’s learning is to redefine his sense of self and what his core beliefs are. It changes his whole sense of freedom and ownership. He stopped allowing these people to say, “We own you. You’re only worth something if you can do A, B, and C.” He’s like, “I’m worth something because I say I am, and I believe I’m special, and I believe I’m interesting, and I want to share that with people that want to acknowledge it. All the people that are heartbroken in France right now because they aren’t being acknowledged as well.”

    MF: Finally, what was your experience like collaborating with Stephen Williams on this project?

    Kelvin Harrison Jr.: It was so much fun. Stephen, he’s such a playful director. He really is Joseph in his own way. He’s Joseph at the end of the movie, where he’s like, “I’m not interested in trying to subscribe to however the blockbuster or whatever movie is supposed to be, or the period piece it’s supposed to be. I’m going to make my own version of this, and I’m going to discover that with you and the rest of the artists that I choose to work with.” It was really cool to just be like, “We can make up our own rules as we go,” and as long as we were telling the truth and we were having a good time. So, I really appreciate him, and I think he made a really fun movie.

    Kelvin Harrison Jr. and Director Stephen Williams on the set of 'Chevalier.'
    (L to R) Kelvin Harrison Jr. and Director Stephen Williams on the set of ‘Chevalier.’ Photo Credit: Larry Horricks. Courtesy of Searchlight Pictures. Copyright: ©20th Century Studios. All Rights Reserved.

    Other Movies Similar to ‘Chevalier:’

    Buy Tickets: ‘Chevalier’ Movie Showtimes

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    ‘Chevalier’ is produced by Element Pictures, and Searchlight Pictures. It is scheduled to release digitally on June 16th, 2023.

  • Movie Review: ‘Chevalier’

    Kelvin Harrison Jr. in the film 'Chevalier.'
    Kelvin Harrison Jr. in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    In theaters now, ‘Chevalier’ brings to screens a story that absolutely deserved to be told but ends up telling it in an immature and overly melodramatic way that makes it seem more like soap opera than even the opera performances that dot the story.

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    Does Chevalier have a true story at its core?

    ‘Chevalier’ is based on one of the most compelling (and sadly overlooked) real lives in history.

    Joseph Bologne, Chevalier de Saint-Georges was the illegitimate son of an African slave and a French plantation owner. Bologne (Kelvin Harrison Jr.) rises to improbable heights in French society as a celebrated violinist-composer and fencer, complete with an ill-fated love affair Queen Marie Antoinette (Lucy Boynton) herself and her court.

    Kelvin Harrison Jr. in the film 'Chevalier.'
    Kelvin Harrison Jr. in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    History with an issue

    Bologne’s story is even more impressive than it sounds, especially since his talents and accomplishments were all but buried by those who came after him. When his father (a white and wealthy plantation owner) discovers his illegitimate son’s prodigious musical abilities in Guadeloupe, he brings Bologne to a prestigious academy. “Always be excellent”, he’s told, so as to win over his peers and superiors.

    And “excellent” could certainly describe Bologne, who excelled in music, horse riding, fencing, and dancing. Granted the title of officer of the King’s Bodyguard –– which is where the “Chevalier” comes in –– he lived a life of inspiration and invention, of scandal and suffering. Today, Chevalier de Saint-Georges is remembered as the earliest European musician/composer of African descent to receive widespread critical acclaim.

    It’s just a shame that this new movie of his life feels less like a well-constructed biopic and more like a paper written by a student more interested in linguistic flourishes and skipping to the juicier parts of the story than making the whole work.

    Of course, there was no way that any one film could encompass all of Bologne’s life; short of a limited series, it would take an epic movie of hours’ length. And another problem is that much of his life, scoured from legitimate history books after his death, can only be accessed through anecdotal evidence and hearsay.

    ‘Chevalier,’ while it does work to compress some of the highlights (and painful lowlights) into its swift 107-minute running time, does so at the expense of a truly successful cinematic experience.

    Kelvin Harrison Jr. and Director Stephen Williams on the set of 'Chevalier.'
    (L to R) Kelvin Harrison Jr. and Director Stephen Williams on the set of ‘Chevalier.’ Photo Credit: Larry Horricks. Courtesy of Searchlight Pictures. Copyright: ©20th Century Studios. All Rights Reserved.

    Related Article: Movie Review: ‘Elvis’

    The trouble with ‘Chevalier’

    Even given the limitations of accurate history from which to draw, director Stephen Williams (a veteran of impressive TV including ‘Watchmen’, ‘Westworld’ and ‘Counterpart’) and writer Stefani Robinson (who has worked on scripts for ‘Atlanta’ and ‘What We do in the Shadows’ among others) make some big leaps when it comes to dramatizing Bologne’s story.

    The movie opens as it means to go on, with Chevalier confidently taking the stage at a concert being held by Mozart (Joseph Prowen) and playing the maestro off of it with his superior violin skills (so impressive are they that one woman nearly faints from the power of his music). That never, as far as history records, actually happened (Mozart did spend some time under the same roof as Bologne, so it’s at least believable that he would have heard his talented musical skills), but it’s one of the few moments where the movie truly comes alive without then dipping into cheap drama that doesn’t befit the man it purports to celebrate.

    We hurtle from one event to another, none of them really given any subtlety or grounding. Complex issues such as social status, class and race are dealt with in the most surface level fashion possible, the ideas and issues brought up and dispensed with in swift order.

    Towards the end, given that Bologne lived through the French Revolution (and fought on the side of the people, though that part of his story is relegated to an end-credit title card), it’s almost as though ‘Les Misérables’ breaks out in the middle of ‘Amadeus’, the two tones rarely sharing the screen with ease. Even before the revolution proper bubbles up, Bologne’s friends involved in the movement come across as parodies of the type.

    Kelvin Harrison Jr. and Lucy Boynton in the film 'Chevalier.'
    (L to R) Kelvin Harrison Jr. and Lucy Boynton in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    Solid lead cast

    The real shame is that the movie wastes good performances, particularly from Harrison Jr., who was so impressive in movies such as ‘Luce’, ‘The Trial of the Chicago 7’ and ‘Cyrano’. He grasps the chance to play Bologne fully, and though his accent fluctuates, he brings real compassion and energy to the lead role. He’s much better than the script and most of the movie around him.

    As his primary love interest, Marie-Josephine, Samara Weaving also tries to punch through a relatively poorly written character, coming to life when she’s working opposite Harrison Jr. but otherwise left floundering (no matter how much the society at the time would force her into such a role) as a damsel in distress.

    Part of that distress comes from her scowling, military-minded husband, Marquis De Montalembert (Marton Csokas), who has no love for the arts and disapproves of his wife spending any time with Bologne, let alone performing his work. He’s a snarling villain, which –– again, might be fitting for an opera, but is just another embarrassment in a film such as this.

    Harrison, Weaving and Lucy Boynton (as the ill-fated Queen) are the standouts here, but nothing else in ‘Chevalier’ lives up to the work they do.

    Final Thoughts

    As missed opportunities go, this is a big one –– long on its version of frothy style (it sometimes wants to be a Baz Luhrmann movie), it never commits to a tone that really works, and is more likely to leave you frustrated and underwhelmed. That’s almost a crime given the inspiring source material.

    ‘Chevalier’ receives 5.5 out of 10 stars.

    Kelvin Harrison Jr. in the film 'Chevalier.'
    Kelvin Harrison Jr. in the film ‘Chevalier.’ Photo by Larry Horricks. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.

    Other Movies Similar to ‘Chevalier:’

    Buy Tickets: ‘Chevalier’ Movie Showtimes

    Buy Kelvin Harrison Jr. Movies On Amazon

    ‘Chevalier’ is produced by Element Pictures, and Searchlight Pictures. It is scheduled to release in theaters on April 21st, 2023.

  • Movie Review: ‘Elvis’

    Austin Butler as Elvis
    Austin Butler as Elvis in Warner Bros. Pictures’ drama ‘Elvis,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    Opening in theaters on June 24th is ‘Elvis,’ the new musical biopic about the life and career of Elvis Presley, from ‘Moulin Rouge!’ director Baz Luhrmann.

    The film stars Austin Butler (‘Once Upon a Time in Hollywood’) as the title character and chronicles his early days to his success as the world’s most famous musician and movie star, as well as his complex relationships with manager Colonel Tom Parker (Tom Hanks), and his wife Priscilla Presley (Olivia DeJonge).

    The movie also features Helen Thompson and Richard Roxburgh as Elvis’ parents, Kelvin Harrison Jr. as B.B. King, Alton Mason as Little Richard, Gary Clark Jr. as Arthur Crudup, Kodi Smit-McPhee as Jimmie Rodgers Snow, and Yola Quartey as Sister Rosetta Tharpe.

    The result is a true masterpiece of a movie, that is not without its faults, but thanks to the astounding Austin Butler, features one of the greatest performances I’ve ever seen on screen!

    Tom Hanks as Colonel Tom Parker in Warner Bros. Pictures’ drama 'Elvis.'
    Tom Hanks as Colonel Tom Parker in Warner Bros. Pictures’ drama ‘Elvis,’ a Warner Bros. Pictures release. Photo Credit: Hugh Stewart. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    The film is narrated by Hanks’ Colonel Tom Parker, on his death bed as he recounts how he discovered Elvis Presley (Butler). The film then flashes back to the 1940’s when Elvis was a child discovering Gospel and Blues music, and eventually to how he and Parker first met in the early 50’s. Parker, a carnival conman at his core, instantly recognizes the cash cow that Presley will become and after impressing his parents, becomes Elvis’ new manager. The singer quickly becomes a sensation but is accused of deviant behavior because he wiggles his hips while he sings.

    To change the course of his career, Parker orchestrates Elvis joining the Army, where he meets a young Priscilla (DeJonge) while overseas. After his stint in the Army, they quickly fall in love and marry, while Elvis returns to making movies. But Parker is unwilling to allow Elvis to stretch his acting chops, and eventually his films and music stop being popular after The Beatles invade America in the early 60’s. With an ever-changing entertainment landscape, and against the wishes of Parker, Presley begins to design his 1968 Comeback Special, that would put him back on top.

    Wanting to go on an international tour, Parker, who is not really Tom Parker, has no actual passport and fears losing his star, tricks Elvis into taking a lengthy Las Vegas residency. With his increasing drug habit, carrying of loaded firearms, and an overall unhealthy lifestyle, Elvis finds his life and career at a crossroad in the mid-70’s as friction between him, Parker, and Priscilla, threaten his marriage, career, and ultimately his own life.

    I cannot overstate enough how mind-blowingly incredible Austin Butler’s performance as Elvis Presley was. He literally is Elvis! I almost forgot entirely that I was watching an actor give a performance and not “The King“ himself. Butler’s performance transcends any small issues the movie might have, and absolutely makes the film worth watching. This is a career-making performance for Butler, not unlike Jennifer Hudson in ‘Dreamgirls.’

    Austin Butler as Elvis in Warner Bros. Pictures’ drama 'Elvis,' a Warner Bros. Pictures release.
    Austin Butler as Elvis in Warner Bros. Pictures’ drama ‘Elvis,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    A few years ago, Rami Malek won an Academy Award for playing Freddy Mercury in ‘Bohemian Rhapsody,’ and he didn’t even sing his own songs, not to mention the film was mediocre at best. A year later Taron Egerton was snubbed for an Oscar nomination for his far superior performance as Elton John in ‘Rocketman,’ which is actually a very good movie where Egerton did sing his own songs.

    I hope that Austin Butler is not forgotten about at the end of the year because if anyone deserves an Academy Award for a particular performance it’s him for this one. Plus, Butler does sing all the music in the film and sounds exactly like Presley! If for some reason the Academy does not at least nominate Butler, then I recommend Malek do the right thing and just hand his Oscar over to him ASAP.

    Director Baz Luhrmann was certainly the right director to bring this story to the big screen, and the direction, the production design, the music, the editing, the cinematography is all top notch. While Luhrmann may receive some criticism for mixing the soundtrack with music of the time and today’s hip hop, I thought it worked very well and gave the movie a contemporary feel.

    I did question at first Luhrmann’s choice to use an unreliable narrator in Colonel Tom Parker, who tells the story really as if he was the star and not Elvis. It threw me at first and then I realized that this a person who had been taking credit for Elvis his whole life, so why should the biopic be any different? It actually works by the movie’s end.

    Tom Hanks as Colonel Tom Parker and Austin Butler as Elvis in Warner Bros. Pictures’ drama 'Elvis.'
    (L to R) Tom Hanks as Colonel Tom Parker and Austin Butler as Elvis in Warner Bros. Pictures’ drama ‘Elvis,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    I have to say, I wasn’t sure at first if I hated Tom Hanks’ performance, or if I just hated Tom Parker. I now realize that it was the later, and that is quite an accomplishment for the most likable man in Hollywood to pull off playing one of the most despicable human beings to ever live. I can’t say Hanks’ performance does much to humanize Parker, but then again, I’m not sure how much humanity was in the man to begin with.

    However, the film is not without its faults, as it is a fairly sanitized version of Elvis’ life. Yes, the movie does touch on his codependent relationship with his mother, his drug use, his love for guns, and his womanizing, but none of those subjects are truly explored in a meaningful way. Even his relationship with Priscilla is shown in a different light than the truth, as the movie never makes mention of the fact that she was only 14-years-old when she started dating Elvis.

    But the film does tackle one of Presley’s biggest criticisms, which is that he culturally appropriated his music. The movie’s answer to that criticism is that Elvis did not maliciously do this, he just grew up in an area where that music was popular and truly fell in love with Gospel and the Blues. It also depicts the reaction from that community at the time, which was not of anger, but of pride that their music was finally being heard by the entire world, regardless of who was singing it. That may or may not be accurate, but kudos to the filmmakers for not ignoring that controversy.

    The core of the movie really focuses on the relationship between Elvis and Parker, which was an interesting choice, but I guess I just feel like Parker doesn’t deserve that much credit. It would have been nice to focus a little more on Elvis, his relationship with Priscilla, and his eventual downfall.

    Austin Butler as Elvis and Olivia DeJonge as Priscilla in Warner Bros. Pictures’ drama “ELVIS,” a Warner Bros. Pictures release.
    (L to R) Austin Butler as Elvis and Olivia DeJonge as Priscilla in Warner Bros. Pictures’ drama “ELVIS,” a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    While her part is somewhat small, Olivia DeJonge is absolutely lovely as Priscilla and you really feel how genuinely she loves Elvis, and how painful it was for her to watch his ultimate spiral out of control. The movie is also filled with excellent supporting performances from Kelvin Harrison Jr., Alton Mason, and Yola Quartey as legendary musicians B.B. King, Little Richard, and Sister Rosetta Tharpe, respectively.

    But in the end, this movie really belongs to Austin Butler and his truly amazing performance as Elvis Presley. The movie, the music, and Butler’s performance will make you fall in love with Presley all over again and is a fitting tribute to “The King.”

    Austin Butler as Elvis
    Austin Butler as Elvis in Warner Bros. Pictures’ drama ‘Elvis,’ a Warner Bros. Pictures release. Photo Credit: Courtesy of Warner Bros. Pictures. Copyright: © 2022 Warner Bros. Entertainment Inc. All Rights Reserved.

    ‘Elvis’ receives 4.5 out of 5 stars.

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  • Movie Review: ‘Cyrano’

    (L to R) Haley Bennett and Peter Dinklage in 'Cyrano'
    (L to R) Haley Bennett and Peter Dinklage in
    ‘Cyrano’

    After a one-week run in Los Angeles beginning December 17th, the new musical comedy ‘Cyrano,’ which is based on the 2018 stage musical of the same name, will open in wide release on January 28th. Directed by Joe Wright (‘Darkest Hour’), the musical is loosely based on the 1897 play ‘Cyrano de Bergerac,’ and stars Peter Dinklage (‘Avengers: Infinity War’) in the title role as a man unable of telling his true love how he really feels and instead helps another man win her love. In addition to Dinklage, the film also stars Haley Bennett (‘The Magnificent Seven’), Kelvin Harrison Jr. (‘Ender’s Game’), and Ben Mendelsohn (‘Captain Marvel’). The result is a really fun, entertaining and romantic musical comedy with unforgettable songs and a powerful performance from Peter Dinklage.

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    Just like the original play, the film is set in 1640 Paris and begins with the introduction of the beautiful Roxane (Bennet), who attends a play with De Guiche (Mendelsohn), an officer in the French Army. The play is quickly interrupted by Cyrano de Bergerac (Dinklage), a cadet who is hopelessly in love with Roxane and trying to impress her. However, Roxane soon meets another cadet named Christian (Harrison Jr.) and falls instantly in love. She asks her Cyrano to introduce her to Christian and he reluctantly agrees. Christian has feelings for Roxanne too, but is too shy to talk to her. Eventually, Christian asks Cyrano for help winning Roxane’s love by writing romantic letters to her on his behalf. Fearing that Roxane could never love him because of his diminutive size, which has made him an outcast, Cyrano reluctantly agrees even though it breaks his heart. Meanwhile, De Guiche also has his eye on Roxane as well and threatens her new romance when he sends the cadets to the frontlines of the war. Roxane asks Cyrano to watch over Christian, but when he discovers Cyrano’s true feelings for her, it will threaten both of their lives.

    Full disclosure, I had no idea this film was a musical when I saw it, I only knew that it was based on the classic literary character. I was pleasantly surprised at what a wonderful, fun and entertaining film this turned out to be. Joe Wright, who is best known for his movies like ‘Atonement’ and ‘The Darkest Hour,’ creates a large and colorful world with beautiful camera movements and an impressive production design. What really stuck with me is how unforgettable the music in the film is, which was composed by members of The National, Aaron and Bryce Dessner. I wouldn’t be surprised if at least one of the songs from the film is nominated for an Academy Award for Best Original Song this year. One of the best numbers in the film comes toward the middle of the third act and features Cyrano, Christian and their fellow soldiers signing as they prepare for war. The music is haunting and the way the sequence is cut together really highlights the significance of the moment. Also, keep an eye in this scene for ‘Once’ star Glen Hansard who plays one of the soldiers. The film’s opening number, “Someone to Say,” is also a show-stopper and a fun start to the movie.

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    One of the clever concepts of the film, and the musical that it is based on, is that Cyrano is not an outcast because he has a large nose, but rather because of his size. This works exceedingly well, obviously because of the actor playing the role, but also because the old concept for making Cyrano an outcast seems so silly now. But Peter Dinklage plays the role beautifully giving his character other reasons for the way he is treated besides his size, such as his attitude and crass demeanor. But Cyrano is also kind of a badass in this version, with Dinklage’s character being a master fighter and marksman, and someone others would not want to cross. He also plays the character like he’s the smartest person in the room, which he usually is, and adds to his elitist attitude. The actor gives an absolutely brilliant performance and is definitely a frontrunner for an Academy Award nomination. I was also impressed with his singing ability, as the actor can carry quite a tune and is really terrific in all the musical numbers.

    Unfortunately, the same can’t be said for Ben Mendelsohn who has very strong acting scenes but struggles with his one musical number. The character is really the heavy in the film, a role the actor portrays well, so he really didn’t really need to have a song at all. That being said, no one plays a villain better than Mendelsohn and he is clearly having fun in his menacing role. In any retelling of this story, Christian is kind of a thankless role and Kelvin Harrison Jr. imbues the character with an innocence and naivety that makes him both vulnerable and relatable to the audience. Who hasn’t felt insecure around someone they are attracted to? As the attention of everyone’s affection, actress Haley Bennet is very sweet and charming, as well as a bit devious in the role. She is believable as a woman desired by several different suiters, but also totally believable as a woman who wants to choose her own destiny and find independence of her own. The actress is a very impressive singer and has great chemistry with Dinklage and Harrison.

    Obviously, the Cyrano de Bergerac story has been adapted to film several times before, probably most memorably in Steve Martin’s 1987 comedy classic ‘Roxanne.’ While that was a modern-day adaption, oddly, ‘Cyrano’ seems like a more relatable film in 2021, even though it is set in 1640. The important issues the film tackles, the performances and the music give the movie a relatable feeling for today’s audience. The screenplay by Erica Schmidt is smart and funny and translates the material superbly. The film itself is gorgeous to watch, thanks to Seamus McGarvey’s sweeping cinematography. In the end, director Joe Wright delivered a fantastic rom-com musical based on the most unlikely source material, with wonderful songs and a career-highlight performance form Peter Dinklage.

    ‘Cyrano’ receives 4 out of 5 stars.

  • ‘The High Note’ director Nisha Ganatra and actor Kelvin Harrison, Jr. discuss making the film

    ‘The High Note’ director Nisha Ganatra and actor Kelvin Harrison, Jr. discuss making the film

    In this exclusive interview with Made in Hollywood, ‘The High Note’ director Nisha Ganatra and actor Kelvin Harrison, Jr. talk about making a movie about the music industry.

    ‘The High Note’ is now streaming and is available on DVD and Blu-ray.

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