Nearly nine years after ‘Inside Out,’ Pixar Animation Studios reunites audiences with Riley in the sequel ‘Inside Out 2,’ who is entering her teenage years. The original emotions—joy, Sadness, Fear, Anger, and Disgust—are back to guide Riley through the next chapter of her life—but not without a few new challenges and emotions.
‘Inside Out 2’ introduces Anxiety (Maya Hawk), Envy (Ayo Edebiri), Embarrassment (Paul Walter Hauser), and Ennui (Adèle Exarchopoulos), who are now sharing Headquarters with the original emotions. When Riley is selected to go to a summer hockey camp, Joy (Amy Poehler) and Anxiety butt heads on the best way to navigate her through new social situations.
Kelsey Mann is photographed on September 25, 2013 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.
Director Kelsey Mann is at the helm for the sequel and went to great lengths to retain the same look and aesthetic as the 2015 film. The sequel deeply explores the self-doubt and self-consciousness of a teenager, which will make for a ton of puns and laughs.
The film premiered at the El Capitan Theater in Los Angeles on June 10, 2024, and arrived in theaters on June 14. The movie received overwhelmingly positive reviews, with a 91% Rotten Tomatoes score from critics and a 95% from the audience. The film opened to $154.2 million domestically and has since raked in over $620.1 million. ‘Inside Out 2’ has a runtime of 1 hour and 37 minutes.
Did you miss it in theaters? Don’t be sad. The movie is available for rent or purchase on digital starting August 20. Rent for $24.99 or purchase for $29.99 on platforms such as Amazon, Apple TV, YouTube, Vudu, and more.
The movie premiered on Disney+ for subscribers on September 25th and is currently available to watch.
After debuting at $154.2 million domestically, ‘Inside Out 2’ has since surpassed ‘Frozen II’s box office record, raking in a total of $620.1 million domestically and $1.6 billion worldwide. As far as ticket sales go, ‘Inside Out 2’ passed ‘Barbie’ by taking its spot as the 13th biggest movie of all time.
For physical media lovers, ‘Inside Out 2’ was released on DVD, Blu-Ray, and 4K Ultra HD on September 10th. A steel book Blu-Ray edition is also available, and you can order it at Target or Walmart.
The home release includes bonus features such as a behind-the-scenes look at how the animators created the new emotions, the making of the hilarious “The Vault” scene, a three-minute alternate opening scene, and deleted scenes.
Watch the official trailer for ‘Inside Out 2’ below:
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The synopsis for ‘Inside Out 2’ is below:
Following the 2015 movie, ‘Inside Out 2’ will return to the mind of Riley (Kensington Tallman) as she enters her teenage years. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira), and Fear (Tony Hale) have their hands full as Riley experiences life-changing moments, along with Headquarters going under a sudden demolition to make room for something completely unexpected – brand new Emotions. Experience an emotional rollercoaster as the sequel introduces Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri), and Ennui (Adèle Exarchopoulos), who will share Headquarters with the original 5 Emotions.
Joy, Sadness, Anger, Fear, and Disgust are back for the sequel and ready to embargo on the next stage in Riley’s life – her teenage years. Amy Poehler, Phyllis Smith, and Lewis Black return to reprise their roles as Joy, Sadness, and Anger. Tony Hale and Liza Lapira lend their voices as Fear and Disgust for the sequel.
‘Inside Out 2’ is a solid sequel to ‘Inside Out,’ with director Kelsey Mann and the Pixar animation team taking great care to ensure the new movie matched the aesthetic and look of the 2015 film. The exploration of one’s teenage years and how much self-doubt and awkwardness can affect every decision at that age is very relatable. Get ready for a ton of puns, huge laughs, and a very heartfelt message about growing up.
The movie kicks off with Riley’s hockey game, and the original emotions are re-introduced via a sports announcer segment with Joy giving the play-by-play. This also serves as a reminder of what each emotion was in charge of: Anger for when Riley needs to be more aggressive on the ice; Fear when Riley needs to protect herself; Disgust to prevent her from putting the wrong mouthguard in; Sadness when Riley was put in the penalty box; Joy when Riley scores a goal.
This movie introduced Riley’s “Sense of Self,” which is a collection of positive memories that are placed in a pool. Once a new memory is placed, a glowing string reaches up towards the ceiling, which is connected to Headquarters, forming a beautiful blossom of shapes and lights.
After winning her game, high school hockey coach Roberts (Yvette Nicole Brown) approaches Riley and her best friends, Grace and Bree, to invite them to a 3-day skill camp at the high school. The girls, elated by the news, go home to prepare for their trip. That night, the emotions awake to a strange beeping sound coming from the Console. A new button has appeared – “Puberty”. As the puberty alarm grows louder, Joy plucks the button off the Console and uses the chute to throw it into Riley’s back of mind.
Immediately following the puberty button incident, a wrecking ball comes crashing through Headquarters, followed by Mind Workers to start the demolition. Amidst the chaos, a new console was placed, and this prompted the arrival of the new emotions: Anxiety, Envy, Enuui, and Embarrassment. Joy and Anxiety quickly realize they have very different ideas on how to operate the console and how to take Riley through each situation. With Riley arriving at camp, Anxiety decides they must create a new Riley in order for her to better fit in and be accepted amongst the high school hockey players. Trapping the original emotions in a jar, Anxiety sends them to the vault. Joy, Sadness, Anger, Fear, and Disgust now must find their way back to Headquarters before Anxiety undo the Riley they know and love.
The film explores not only the self-doubt and self-consciousness of a teenager but also all the things that come with puberty, like body odor and mood swings. While these moments play as comedic, there’s also a sense of relatability, as the audiences will have gone through or will be going through that stage in life.
Anxiety is the perfect emotion to introduce in the sequel – almost every decision being made is carefully crafted by her to prevent awkward social situations and, ultimately, how to best plan for the future. The teams of emotions are split into two, where the original emotions are navigating through Riley’s mind in order to get back to Headquarters, and the new emotions are working hard to steer Riley through hockey camp.
‘Inside Out 2’ nails the life stages of social awkwardness and the idea of needing to fit in, all the while keeping the heartwarming aspect of a Pixar film.
Teenage years can be that awkward stage where you don’t admit you still like a certain type of music or TV show anymore because it’s deemed “uncool” or “childish.” This film showcases how many emotions we go through during this period as a teen, but also through the lens of parents. When Riley goes through her mood swing before leaving for hockey camp, we get an inside look at her mom’s Headquarters, and the reactions of the emotions are hilarious.
It also touches on making new friends and maintaining relationships with old friends as we grow – what causes us to grow apart and what we are willing to do to fit in with a new friend group.
The voice cast, old and new, is excellent in the movie, but Maya Hawke’s Anxiety is the standout. She nails Anxiety’s persona with her fast-talking ability, never needing to take a second to breathe. Hawke’s performance isn’t just Anxiety-driven speed talk. Her character goes through flashes of self-doubt as well, where she begins to crack under the pressure of making sure Riley is presenting her best self, all the while “planning for the future.” Her emotional delivery later in the film proves that Anxiety isn’t just a fast-talking, caffeine-drinking character but can be multi-dimensional.
‘Inside Out 2’ is a solid sequel to ‘Inside Out,’ and stands strong on its own without audiences needing to rewatch the first. It feels more mature, which is natural given Riley’s age in the film. The movie does a great job of setting up the new characters, but with it mostly focusing on Joy and Anxiety’s journey, it makes the other emotions feel like supporting characters at times. In good old Pixar fashion, there are plenty of moments that’ll tug at your heartstrings, but none that hits as hard as that “Bing-Bong” moment. Still, the story and growth of all the characters are incredibly relatable, with plenty of laugh-out-loud moments.
‘Inside Out 2’ receives 8 out of 10 stars.
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What’s the story of ‘Inside Out 2’?
Following the 2015 movie, ‘Inside Out 2’ will return to the mind of Riley (Kensington Tallman) as she enters her teenage years. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira), and Fear (Tony Hale) have their hands full as Riley experiences life-changing moments, along with Headquarters going under a sudden demolition to make room for something completely unexpected – brand new Emotions. Experience an emotional rollercoaster as the sequel introduces Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri), and Ennui (Adèle Exarchopoulos), who will share Headquarters with the original 5 Emotions.
There were a total of nine emotions in the original pitch.
The sequel will explore the minds and emotions of a teenager.
Finding the new voices for ‘Inside Out 2’.
Pixar Animation’s upcoming sequel ‘Inside Out 2’ will see the journey of Riley in her teenage years. Joy, Sadness, Disgust, Anger, and Fear are gearing up for brand new adventures for the next chapter in Riley’s life, but unbeknownst to them, everything they know is about to change.
During the long lead day presentation at the Pixar Animation Studio in Emeryville, California, director Kelsey Mann (‘Good Dinosaur’) and producer Mark Nielson held a press conference to discuss the sequel.
When it comes to crafting the next chapter, Mann has some big shoes to fill. 2015’s ‘Inside Out’ was directed by Pete Docter, who is now the Chief Creative Officer for Pixar. The film won an Oscar for Best Animated Feature at the 88th Academy Award. Mann talks about the pressure of needing to make something great, but he was up for the challenge, “There’s nobody’s feet I’d rather follow than that man.”
Kelsey Mann is photographed on September 25, 2013 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.
On taking over for the sequel and following in Docter’s footsteps:
Kelsey Mann: I’ve really been following Pete’s footsteps for a long time. But I feel nothing but, you know, excitement. Joy is at my console and, of course, you’re like you wanna make sure you’re doing right to everyone that loves the original film. I wanna do Pete proud. I wanna do everybody who loved the original proud. I’m just more excited than I am scared.
Anxiety, Envy, Embarrassment, and Ennui join the original five emotions for ‘Inside Out 2’. Mann reveals that more emotions were originally planned – nine, to be exact.
Kelsey Mann: Nine new emotions showed up. I really wanted Joy to feel overwhelmed by all of these new emotions that showed up. I was like well, let’s have a lot show up. Then you couldn’t keep track. There were so many emotions and they all canceled each other out because you couldn’t keep up with everybody. My first note from the first screening was simplify.
The director mentions the many emotions that didn’t make the cut for both films, including the emotion Schadenfreude, which means joy or satisfaction felt at someone else’s expense. Pete Doctor originally had the idea of having Schadenfreude in the first film, so Mann wanted to try again but it was ultimately cut from the film.
To help narrow down the number of new emotions, Mann and Nielson enlist the help of Dacher Keltner, a professor at Berkeley who also served as the emotional expert on the first movie.
Mann knew he wanted to pitch the idea of exploring Riley’s mind as a teenager for the sequel. He speaks about the drama that would go on, as well as hilarious moments to highlight in the film:
Kelsey Mann: I looked into what happens in our brains at that age, and it’s a lot. There’s a lot that goes on. It gave us everything that we kinda need for a Pixar movie. There’s a lot of drama that goes on. But also it’s really funny. Like, I could come up with a lot of really good gags about Riley being inside the mind of a teenager.
When it came to deciding which of the new emotions would take control at the console inside Riley’s mind, Mann knew it had to be Anxiety. Conferring with emotions expert Dacher Keltner, they focused on the self-conscious emotions, “at this age, you start, we’re hard wired at this age to start to become really self-conscious.”
Kelsey Mann: In part, we’re doing it because when you’re a kid, you’ve got your parents and your caregivers taking care of you. Eventually, you’re gonna have to take care of yourself. That’s why we’re hard wired to like, push our parents and our caregivers away is so that we can become independent people that can take care of ourselves.
Mann also touches on a teenager’s need to fit in and feel accepted.
Kelsey Mann: How do I fit in? Do you like me? It’s all about fitting in at that age. It’s part of our design of who we are because if you don’t like me, you’re gonna banish me and I’m gonna go out into the woods and die alone. So, that’s why we kind of worry so much about what others think about us at that age. It kinda turns on and it kinda never goes away. You kinda have to manage it, which is a big reason why I’m making this movie. So, that’s why we ended up going towards the emotions that we have in the film now.
As a father, Mann speaks to how important and personal this story is to him.
Kelsey Mann: A big reason why I’m making this movie is I want to make it for everyone but I’m also making it for my little girl. I’m making it for my daughter. I wish I had a movie like this when I was a teenager.
When cast for the new emotions, Mann and Nielson looked for actors who embodied the characters they were building.
Mark Nielsen: The process, we kinda take it emotion by emotion and what we’re looking for is for actors out there that purely embody the character that we are building. So, you know, going back to the first film, Lewis Black, when you think about Anger, and if you’ve seen any of his comedy, there was no question that there wasn’t anybody else that could play that character.
When it came to casting Maya Hawke for Anxiety, the creative team had a very funny and unexpected story, where Mann auditioned the actress from Disney World.
Kelsey Mann: So, we went out to do an audition with Maya, and Mark [Nielsen] was like, “Good news is she said, yes, she would love to audition and meet with you. Bad news is it’s during your vacation.” So, me and my kids, we were all at Disney World. I’m like, “I’m at Disney World.” He’s like “Don’t worry, we’ll figure something out.” So, I went to Disney World, and I was at EPCOT.
The casting team for Pixar took Mann through the backlots of EPCOT, through the Mexico Pavilion, and auditioned Hawke via Zoom. Mann was so happy with her audition he burst into tears.
Kelsey Mann: She absolutely crushed it. My favorite part was, at the end of it, I talked about what I wanted the movie to be about and she just immediately connected with it. I think I even cried as she was talking. I walked away and called you and were like “oh my God, she’s perfect.” Then I went back into EPCOT and continued my vacation. It was hilarious.
While the story takes place inside Riley’s mind, the sequel also serves as a parental movie, inspired by Mann and Nielsen’s own lives as parents to teenagers. The film also highlights Joy’s protective nature when it comes to Riley.
Kelsey Mann: When I started, my daughter was 13 and my son was 14. I’m like this is the exact age I want her to be in the movie. So they’re immediately right there. You’re always pulling from your lives in every movie I’ve done here. We’re always talking about what it’s like to be alive and be a person, a father, a husband, you know, whatever it may be. So, you’re always kind of putting that into the movie.
Mark Nielsen: Yeah. This really is a parental story, and even though it takes place in Riley’s mind, she is kind of the set piece and there’s something incredibly universal about this story and these emotions that we all have. Even Joy who’s the protagonist of this story, has a very parental view of Riley and all the emotions do, right? They’re there to serve her. They’re there to do their very best to do whatever they need to protect their girl and to kind of steer her in the right way. So, even the original film was based on Pete Docter’s observations of his daughter as she was growing up and going through change and becoming a young teen. So, having the parental lens on this film has been incredibly helpful.
There was a land called Procrastination Land inside Riley’s brain – a land that would always be under construction and never finished. Ultimately, Procrastinating Land did not make the final cut of the film.
The baggage Anxiety carries during her first appearance in the film originally belonged to Guilt, one of the nine emotions that didn’t make the cut.
This is the first Pixar animated feature film to have a female composer – Andrea Datzman
‘Inside Out 2’ arrives in theaters on July 14, 2024.
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What Is the Plot of ‘Inside Out 2’?
Following the 2015 movie, ‘Inside Out 2’ will return to the mind of Riley (Kensington Tallman) as she enters her teenage years. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira), and Fear (Tony Hale) have their hands full as Riley experiences life-changing moments, along with Headquarters going under a sudden demolition to make room for something completely unexpected – brand new Emotions. Experience an emotional rollercoaster as the sequel introduces Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri), and Ennui (Adèle Exarchopoulos), who will share Headquarters with the original 5 Emotions.
The upcoming Pixar animated feature ‘Inside Out 2’ will be in theaters on June 14, 2023. Moviefone was invited to Pixar Animation Studio in Emeryville, California, along with a group of journalists to preview the first 30 minutes of the film and get a closer look at the inner workings of creating an animated feature film.
Director Kelsey Mann Presents the First 30 Minutes of the Film
Kelsey Mann is photographed on September 25, 2013 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.
Moviefone had the pleasure of screening the first 30 minutes of ‘Inside Out 2’. Chief Creative Officer of Pixar, Pete Docter (who directed 2015’s ‘Inside Out’) kicked things off by talking about using big backdrops for past animation movies. Docter speaks about stories using large backdrops such as the ocean or space in films such as ‘Finding Nemo‘ and ‘Lightyear,’ but with ‘Inside Out,’ it explores the vast mind of a young girl.
‘Inside Out 2’ director Kelsey Mann and producer Mark Nielsen present the 30-minute footage. The director also clarified that some shots were not completely finished at the time of the presentation. Both Mann and Nielsen are now fathers of teenage girls and expressed that that made working on this film extra special and meaningful.
Mann says he could not stop thinking about the final line from Joy in the first film: “After all, Riley’s 12 now. What could happen?” as he began to work on this movie to explore Riley’s next chapter. ‘Inside Out 2’ will examine this stage of growing up – when a teenager’s self-consciousness and self-doubt are at the forefront of their emotions.
While Mann did not work on ‘Inside Out,’ he did experience the film as an audience. Now, as director, he’s able to go into the sequel and explore the next chapter with new emotions: “I’d zeroed in on the idea of Anxiety being a major character,” said Mann. “It’s something that really starts to appear as we become teenagers – we can “It’s something that really starts to appear as we become teenagers—we can all relate. I remember doing a lot of research early on about what happens in our brains at this age that triggered this idea of a wrecking ball coming through Headquarters — a bunch of workers piling in and tearing everything down. It’s a renovation — that’s kind of what it feels like to be a teenager. It’s chaotic.”
Anxiety brings along fellow new emotions: the always-admiring Envy, the ever-mortified Embarrassment, and Ennui, who is in a constant state of boredom and disdain, opting to lay on a couch and stare at the phone rather than interact with the group.
The presentation kicks off with Riley’s hockey game, and inside Headquarters, the Emotions are gearing up for the big game. As Joy commands the console, she also doubles as a sports commentator as she gives the play-by-play. The other Emotions take turns at the console as the game continues – Anger when Riley needs to be more aggressive on the ice; Disgust when Riley accidentally puts someone else’s mouthguard in her mouth; Fear ensures Riley skates with caution; and Sadness when Riley gets a penalty. This is followed by a short exposition where Joy catches the audience up on what Riley’s been up to and gives a quick overview of the workings parts inside her mind, such as Personality Island, Friendship Island, and more.
The scene introduces something new called Riley’s Sense of Self. It blooms as Riley experiences various successes and failures — like scoring a goal or missing a pass from a teammate. The Emotions call this their masterpiece.
After the game, Riley and her two best friends are approached by a high school hockey coach to commend them on a well-played game and extend an invitation to hockey camp. This is where we’ll see Riley’s self-doubt come into play as she grows anxious and nervous about her performance at hockey camp. Joy has invented a “Riley Protection System” for moments like this — where she takes the “bad” emotions and launches them out of Headquarters and into the back of Riley’s mind.
Another new element introduced is the Belief Center, adorned with beautiful light threads made from Riley’s beliefs, which is where Joy stores the key memories.
In the middle of the night, the console begins beeping. One by one, the Emotions awake to investigate the sound. A new button on the console is causing the beep – we come to find out this button is “Puberty.” Amidst the chaos of the demolition of Headquarters, the Emotion finds that the control console has become increasingly sensitive, causing Riley’s mood to surge from one spectrum to the other with even the slightest touch of a button. If things weren’t crazy enough, new Emotions, Anxiety, Envy, Ennui, and Embarrassment, arrive at this moment.
During the commotion, an Emotion we have yet to see makes a quick appearance, hinting at what’s to come for Riley in her adult life, but we won’t spoil that moment for you here. We also get a quick glimpse inside Riley’s mom’s mind as Riley experiences mood swings, “Welp, that’s a preview of the next 10 years.”
While talking to her best friends on their way to hockey camp, we get a better look at Riley’s self-consciousness taking over her mind. Disgust overanalyzes everything they say, including zooming in on her friends’ faces to study their expressions. It turns out that her friends would not be attending the same high school as Riley next year, causing a small rift in their friendship.
Arriving at hockey camp, the girls are enamored by being around high school students. They meet Valentina “Val” Ortiz, the captain of the high school hockey team. With both old and new Emotions now sharing the console, Riley’s first meeting with Val quickly becomes awkward, from a very cheesy greeting with “shooting” hand gestures to nonchalant responses courtesy of Ennui.
Joy and Anxiety fight over Riley’s Sense of Self, as they do not see eye-to-eye on how to best handle social situations at hockey camp among high school-aged girls, as well as whether she should be hanging out with the hockey team or her best friends. Anxiety’s approach is to “plan for the future” which would mean Riley should hang out with her potential future teammates, whereas Joy chose to stay with what’s familiar – Riley’s friends.
With Joy and Anxiety unable to agree on the best way to help Riley, Anxiety ends up throwing the old Emotions inside a bottle and launching them out of Headquarters. Then, she announces her plan to build a brand new Riley. The new Emotions heads down to the Belief Center to begin the rebuild, and we see the straight, shining threads turn into sharp, jagged lines—similar to Anxiety’s hair.
The old Emotions find themselves inside a dark vault, where some of Riley’s oldest memories – and perhaps some secret – lie. This scene includes two new characters in a very different art style – a 2D animation-style character reminiscent of ‘Dora the Explorer’ and ‘Blue’s Clue’ and a 3D polygonal character whom the Emotions ask for help getting out of the vault and return to Headquarters.
Following the footage presentation, journalists were split into various groups and guided into the working offices of the Pixar campus for an in-depth look at what it takes to create the sequel.
First up was character development with Production Designer Jason Deamer and Character Art Director Keiko Murayama. They speak about the process of creating an Emotion by studying their Shape Language – like Anxiety who is more tightly wind-up and Joy who has more of a star-burst shape. Color and silhouette are looked at as well in character creation. One of the bigger challenges in creating the sequel is that it must look and feel like the first film, and it took around a year and a half to get it to look just right.
Next up is Story Pitch with Story Artist Becca McVeigh, who took us through the process of being assigned to a scene, animating it, and pitching it to the director. McVeigh live-pitched the scene called ‘The Alarm,’ where the Emotions are awoken by a strange beeping sound coming from the console. During the story pitch, artists will not only draw the sequence of the scene but also act out the dialogue and sound effects. After the pitch, director Kelsey Mann is there to give his notes, and they will run through the animated scene with McVeigh making changes right there on the spot – from adding more jokes or adjusting the dialogue of important moments to elevate the film further.
(L to R) Becca McVeigh and John Hoffman during a story review, as seen on March 19, 2024 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.
Following the story pitch is the live edit session, where ‘Inside Out 2’ lead editor Maurissa Horwitz demonstrates how the editors piece together a scene, from layering various sound effects to make the scenes sound fuller to choosing the right music for scenes and picking the perfect dialogue performance.
Journalists also got a try at voicing a character in the movie in a mock voice recording session directed by a senior recording engineer.
The next stop was Virtual Camera Set Scout, where Adam Habib, Ryan Heuett, and Sunguk Chun gave an inside look at how being on a digital set in a Pixar film can parallel being on a physical set in a live-action film. The team used a tablet on a handheld rig, which functions just as a camera that allows the director and editors to move around anywhere on the set to find the right shot. This technology allows for over-the-shoulder shots, birds-eye view, and more. It can even give certain scenes a specific camera language. For example, Anxiety will be a more handheld-type, up-close shots and have less motion blur – with Heuett referencing the inspiration from ‘Uncut Gems’. In this session, journalists got to operate the handheld rig to virtually “walk” around the emotions’ Headquarter.
(L to R) Kelsey Mann and Pete Docter talk before an Inside Out 2 animation review on February 8, 2024 at Pixar Animation Studios in Emeryville, Calif. Photo by Deborah Coleman / Pixar.
The final stop is Animation Polish Review, where animators will go over a specific shot they’ve been working on, addressing the various notes and changes before receiving final notes or approvals. This process takes a close look at the detail elements such as fabric movement and wrinkle, ice particles on a hockey rink, and more.
Just like the Emotions and Mindworkers inside Riley’s mind, it takes a team and a lot of coordination to create an animated feature film.
‘Inside Out 2’ will arrive in theaters on June 14, 2024.
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What is the plot of ‘Inside Out 2?’
Following the 2015 movie, ‘Inside Out 2’ will return to the mind of Riley (Kensington Tallman) as she enters her teenage years. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Disgust (Liza Lapira), and Fear (Tony Hale) have their hands full as Riley experiences life-changing moments, along with Headquarters going under a sudden demolition to make room for something completely unexpected – brand new Emotions. Experience an emotional rollercoaster as the sequel introduces Anxiety (Maya Hawke), Embarrassment (Paul Walter Hauser), Envy (Ayo Edebiri), and Ennui (Adèle Exarchopoulos), who will share Headquarters with the original 5 Emotions.
