Tag: katie-douglas

  • Movie Review: ‘Clown in a Cornfield’

    Frendo the Clown in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    Frendo the Clown in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    ‘Clown in a Cornfield’ receives 7 out of 10 stars.

    Opening in theaters on May 9th, ‘Clown in a Cornfield’ is the latest entry into an already overstuffed movie genre –– the slasher film, but aims to add its own ideas into the crowded field.

    Directed by Eli Craig, the new movie pits a group of teenager against a terrifying corporate logo who stalks the small town where the local industry is dying almost as quickly as Frendo the clown’s victims.

    Related Article: Sarah Michelle Gellar and Elijah Wood Board ‘Ready or Not: Here I Come’

    Initial Thoughts

    Katie Douglas in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    Katie Douglas in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    The biggest issue for any movie that tries to offer a fresh spin on the slasher genre is exactly what it can bring that is new.

    For a chunk of its running time, ‘Clown in a Cornfield’ bobs along in predictable fashion –– a young woman and her father arrive in a small town where there is a legacy of decaying industry and party-happy teenagers whose lives are under threat from a creepy clown.

    But unlike, say, the ‘It’ movies and their grinning demonic presence, this threat appears much more human, and one that the local kids have turned into a horror icon through their own YouTube horror shorts.

    It’s a fascinating idea, and a solid layer on top of what is a fairly conventional horror title.

    Script and Direction

    Frendo the Clown in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    Frendo the Clown in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    Director Craig adapted the script alongside Carter Blanchard from Adam Cesare’s 2020 novel and largely faithfully adapt the tome, which follows a similar story of someone moving to a small town and discovering how the place has been fractured along age lines and, to some extent, ethics.

    The town, Kettle Springs in Missouri, has fallen on hard times after the treasured Baypen Corn Syrup Factory burned down, and there are heavy tensions in the town. Craig and Blanchard’s script navigates those mostly effectively, kicking off the story with a 1990s-set flashback to a teenage party that ends bloodily when a clown kills victims among the stalks.

    And while much of the focus is on the Quinn character, with the others mostly archetypes and cannon fodder for murders, there is enough decent writing, especially among the other townsfolk to hold your interest.

    Craig spins a modest budget into a solid slasher movie that has more than just basic horror on its mind. While the actual revelation of what’s going on might be familiar to, say, anyone who has watched 2007 Edgar Wright action spoof ‘Hot Fuzz,’ that doesn’t diminish the power of this film itself.

    The slayings might not necessarily be the most memorable aspect of the movie, but there is enough bloody madness here for gore hounds to enjoy.

    Cast and Performances

    (L to R) Aaron Abrams and Katie Douglas in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    (L to R) Aaron Abrams and Katie Douglas in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    Katie Douglas, probably best known for Netflix series ‘Ginny & Georgia’, carries the weight of the story here as Quinn Maybrook, who is new to town with her doctor father when he accepts a position in the crumbling locale.

    Douglas injects the right blend of sarcasm, teen angst and smarts into the role, with a solid line of vulnerability has she tries to fit in and find her place. She’s also effective when the time comes for the running, screaming and fighting back section of the movie.

    Aaron Abrams has an understandably smaller role as her father, trying to understand his child’s feelings and does good work when called upon.

    Of the local teenagers, Carson MacCormac has the biggest role, playing Cole, who chafes against his family’s privilege and hides his own secrets. He has solid chemistry with Douglas and makes Cole sympathetic even when the situation might suggest otherwise.

    Amongst the other adults, Kevin Durand is typically great as the wealthy and slightly smug Arthur Hill, while Will Sasso has a few good moments as Sheriff Dunne, who is doing his best to keep things chill even as the body count rises.

    Final Thoughts

    Kevin Durand in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    Kevin Durand in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    While ‘Clown in a Cornfield’ doesn’t exactly re-invent the slasher genre, it does have enough going on under the basic serial slaying surface to maintain interest.

    There are issues here of how trauma is processed via pop culture (in this case, YouTube videos) and the clash of ideologies in small town, especially one that has gone from bustling to rust belt within a couple of decades.

    If we were to warn anyone away, it might be coulrophobes, who will certainly be triggered by the array of rampaging, brightly-costumed killers to be found lurking here.

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    What’s the plot of ‘Clown in a Cornfield’?

    Looking for a fresh start, Quinn (Katie Douglas) and her father (Aaron Abrams) move to the quiet town of Kettle Springs. They soon learn the fractured community has fallen on hard times after losing a treasured factory to a fire.

    As the locals bicker amongst themselves and tensions boil over, a sinister, grinning clown emerges from the cornfields to cleanse the town of its burdens, one bloody victim at a time.

    Who is in the cast of ‘Clown in a Cornfield’?

    (L to R) Cassandra Potenza, Verity Marks, and Carson MacCormac in Eli Craig’s 'Clown in a Cornfield.' Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.
    (L to R) Cassandra Potenza, Verity Marks, and Carson MacCormac in Eli Craig’s ‘Clown in a Cornfield.’ Courtesy of RLJE Films & Shudder. An RLJE Films & Shudder Release.

    List of Movies and TV Shows Featuring Killer Clowns:

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  • ‘Lazareth’ Exclusive Interview: Ashley Judd

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    Opening in select theaters and On Demand May 10th is the new post-apocalyptic thriller ‘Lazareth‘, which was written and directed by Alec Tibaldi (‘The Daphne Project’) and stars Ashley Judd (‘Heat’), Sarah Pidgeon (‘Tiny Beautiful Things’), Katie Douglas (‘Ginny & Georgia’), and Asher Angel (‘Shazam!’).

    Related Article: Jaeden Martell and Maxwell Jenkins Talk ‘Arcadian’ and Nicolas Cage

    Ashley Judd Talks 'Lazareth'.
    Ashley Judd Talks ‘Lazareth’.

    Moviefone recently had the pleasure of speaking with acclaimed actress Ashley Judd about her work on ‘Lazareth’, her first reaction to the screenplay, how COVID informed her performance, her character’s devotion to her home, working with Sarah Pidgeon and Katie Douglas, and collaborating with director Alec Tibaldi on set.

    You can read the full interview below or click on the video player above to watch the interview.

    Ashley Judd in 'Lazareth.'
    Ashley Judd in ‘Lazareth.’ Photo: Vertical.

    Moviefone: To begin with, what was your first reaction to the screenplay and what were some of the aspects of your character that you were excited to explore on screen?

    Ashley Judd: I love that question. So, when I read the screenplay for ‘Lazareth’, which the director Alec Tibaldi co-wrote, I found it very quirky and original. Things that stood out to me were, for example, my two nieces with whom I live in this remote, isolated cabin in the woods, apart from society, were that we were egalitarian. We all have voice and vote on matters affecting our food supply, provisions for the winter. When we vote, we tap our fingers on the table, and the girls forage and we hunt fish and trap to sustain ourselves. We dress for dinner formally every night. There’s a sense of place, there’s a sense of home, there’s a sense of ritual. It reminded me of Wendell Berry, this great Kentuckian. So, I just thought it was very fresh, which I liked. Of course, Alec was prescient because he was writing about a pandemic before the global pandemic.

    MF: Can you talk about how living through the Covid pandemic helped inform your performance and do you think you would have given the same performance if Covid had never happened?

    AJ: That’s an interesting question. I think that the themes of fear, freedom, isolation, and protection are universal, and they’re hardwired into our DNA. For our survival, we have a fundamental need for connection, safety and belonging, because if we were cut off from our people, we couldn’t make it without our tribe. So, what I’ve done is I’ve created this tribe and othered and scapegoated everybody else. Then when one of the others arrives, my sense of threat is so heightened and so aroused and so escalated, but it’s totally switching that up for my nieces and there’s all this rupture. It’s just very emotionally dysregulating for everybody, which hopefully makes for very interesting watching.

    Ashley Judd, Katie Douglas and Sarah Pidgeon in 'Lazareth.'
    (L to R) Ashley Judd, Katie Douglas and Sarah Pidgeon in ‘Lazareth.’ Photo: Vertical.

    MF: Can you talk about what Lazareth means to Lee and what she’s willing to do to protect it and her nieces?

    AJ: So, Lazareth of course is the name of our home, and it’s a profound sense of place and belonging. It is safety, it’s legacy, it’s heritage, it’s connection to the girls’ parents, my sister, who is now deceased, and it’s security because it’s the future. It’s where we are going to be able to sustain ourselves and stay safe from catastrophic harm. So, it’s really everything.

    MF: What was it like working with Sarah Pidgeon and Katie Douglas?

    AJ: Yeah, they are so wonderful. I got to see Sarah Pidgeon last night in her dynamite play, ‘Stereophonic’, the hit of Broadway, nominated for the most Tonys ever in the history of Broadway. She is just so natural and alive and real and human, and so is Katie. They’re just emotionally full and wonderful young women with whom to spend time. We gathered in my tiny house on the Green River where I lived during filming and sat on the floor and just had that courageous vulnerability to really drop into a pretty intimate friendship our first night.

    Sarah Pidgeon and Katie Douglas in 'Lazareth.'
    (L to R) Sarah Pidgeon and Katie Douglas in ‘Lazareth.’ Photo: Vertical.

    MF: Finally, what was it like collaborating with writer and director Alec Tibaldi on set?

    AJ: Alec is a very confident performance director. I mean, he really had a strong voice. He asked for a lot of takes, which really thrilled me because it was fun to be nimble and pivot. When I’m doing the reading at the beginning, the voiceover, he’d say, “Try it like you’re imparting to children a moral fable. Try it like you’re a kindergarten teacher with a history. Make it very ominous.” He just had all these different ideas, one take to the next, and it was great to just have a lot of freedom on set.

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    What is the plot of ‘Lazareth’?

    Lee (Ashley Judd) protects her orphaned nieces Imogen (Katie Douglas) and Maeve (Sarah Pidgeon) from a self-destructing world, raising them in isolation until an outsider threatens their peaceful existence.

    Who is in the cast of ‘Lazareth’?

    • Ashley Judd as Lee
    • Katie Douglas as Imogen
    • Sarah Pidgeon as Maeve
    • Asher Angel as Owen
    Asher Angel and Katie Douglas in 'Lazareth.'
    (L to R) Asher Angel and Katie Douglas in ‘Lazareth.’ Photo: Vertical.

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